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| 1. Waking the Dead Director: Keith Gordon | |
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Reviews (72)
Based on the novel by Scott Spencer, the film opens in 1972, where we meet Fielding Pierce (Billy Crudup), a young U.S. Coast Guard officer with big political ambitions. He meets Sarah Williams (Jennifer Connelly), a secretary and political activist who works at his hippie brother's New York publishing house, and the two are smitten right away. But tragedy strikes ... Without giving too much away, I will say that "Waking the Dead" cuts back and forth between the early '70s and the early '80s, producing a subjective, stream-of-consciousness narrative that manages to be compelling instead of confusing. Also, I liked the use of color and lighting to visually differentiate between the '70s scenes (warm earth tones) and the '80s scenes (cold, dark colors). But unlike "The Matrix" and "Memento," which used subjective narrative to play head games with the audience as its central gimmick, "Waking the Dead" is after bigger game. The ambiguity surrounding Sarah underscores how deeply her memory haunts Fielding, the toll it has taken on his mental state, and how deeply they love each other, despite the cruel blow fate has dealt them. The soundtrack also features lovely songs by Joni Mitchell ("A Case of You"), Lori Carson ("Snow Come Down") and Peter Gabriel ("Mercy Street"); alas, no soundtrack CD was ever made. The DVD also includes 45 minutes of deleted scenes, including a brief but engaging performance by Ed Harris, whose character only appeared onscreen (in TV footage, no less) for about 10 seconds in the final cut. Just make sure you have a box of tissues and a wastebasket handy before you push "play." You have been warned.
Keith Gordon, who also directed the outstanding and under-appreciated films "A Midnight Clear" and "Mother Night", stays pretty much faithful to the original material by Scott Spencer. It's obvious that films are different than books and directors need a certain amount lattitude to change the story as needed. Gordon certainly left a lot of the story on the cutting room floor and that is, for the most part, not a problem. What is the problem is that Gordon didn't flesh out Sarah's story and, as a result, offers a skewed ending that the book doesn't share. Sarah and Fielding are not "opposites" as many suggest. They happen to agree politically. They're both "liberals." Where they disagree is on tactics. The problem with the film is that we don't really see enough of Sarah to understand just how different her tactics are compared to Fielding and why, ultimately, she chose to go away. The movie's ending is ambiguious about the fate of Sarah. Did she die or didn't she? The book shares some of this approach, but it strongly leans in the direction of Sarah having faked her death. In the book Fielding meets with a priest who states that Sarah is alive. And when Sarah and Fielding finally meet at the end Sarah explains how she is living underground and continuing her work. We're given, at least in the text, a reason why Sarah chose the path that she did. Gordon, however, mostly gives us Fielding's side of things. In the process he detracts from the central conflict and ends up with a rather wishy-washy ending. I strongly recommend this film. The DVD has many interesting extras, including many deleted scenes and a commentary by Gordon. Unfortunately, there doesn't seem to be anything on the DVD from the original author, Scott Spencer. That's too bad because I think he could have added some really interesting insights about the story overall. And of course, read the book which is, as usual, even better than the movie.
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| 2. It Takes Two Director: Andy Tennant | |
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Description Reviews (50)
Granted, this movie is a variation of The Parent Trap. And while there were a few unexpected twists, there really isn't anything new to the plot. But the movie is incredibly fun. The first time I saw it I laughed so hard it hurt, and I was in college at the time. The movie creates humor from the premise, sometimes setting up jokes well ahead of the punch line. The Olsens do a good job with the acting. It's fun watching them basically play each other. The adults do a fabulous job with their rolls, making it easy to get lost in this world. I have shared this movie with many friends since I first saw it, and they all enjoyed it. I highly recommend this entertaining film.
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| 3. National Lampoon's Senior Trip Director: Kelly Makin, Alan Smithee | |
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| 4. Bride of Chucky Director: Ronny Yu | |
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Reviews (179)
I also thought that the music was perfect for this movie. Instead of using a creepy musical score, they used songs from Rob Zombie and other metal groups. The features on the dvd were very good. The audio commentary with Jennifer Tilly (Tiffany), Brad Dourif (Chucky), and Don Mancini (the movie's writer) were both informative and funny. I won't give the ending away, but let's just say that it was unexpected. It was gross and sick...but it was also a perfect ending that will lead to the next Chucky movie.
What places this movie a cut above the usual moronic slasher flick is an OUTSTANDING performance by Jennifer Tilly as Chucky's "bride" Tiffany. I had never seen her in a starring role before, and the whole time she was on the screen I kept asking "Who IS this chick? She's great!!" and couldn't wait to look up her name in the closing credits. -- Definitely not the usual quality of acting you'd expect in this type of B-movie. After she meets her demise and is transformed into a doll, the film becomes more predictable and gradually descends more to the level of your standard Chucky flick. The late great John Ritter's talents seem wasted here in a pretty cardboard role, and unfortunately the two teen leads are never more than the typical generic "kids in distress". But director Ronny Yu does seem to have some notion of his film's place within the horror genre, and there's a wonderful and inspired nod to classic horror and "The Bride of Frankenstein" during Tiffany's transformation sequence. Nice little touches like this, and the fact that this movie does not take itself too seriously and often seems more like a parody of the slasher/Chucky genre, made it even more enjoyable for me. I hear that Jennifer Tilly will also be involved in the sequel currently filming, "Child's Play 5: Seed of Chucky", which should make it interesting. But I actually wish they'd go back and do a PRE-quel to this movie, focusing on living woman Tiffany's life before bringing back Chucky. -- She is one deliciously twisted, mean and sexy momma! This movie has not made me a Chucky fan, but it definitely has made a new fan of Jennifer Tilly out of me. In conclusion, if you're looking for a fun, mindless and light movie just to waste a couple of hours on, this one isn't bad.
This is not a good film. It is a horror movie that is so over the top on ridiculousness that it borders on comedy. I never thought I would see Chucky the killer doll, who I feared so much as a child, in a love scene. Seeing Tiffany the killer doll making cookies for Chucky while they're holding a couple hostage is quite amusing. The domestic dispute that develops between the dolls shortly after this is just hilarious. This movie isn't for everyone. You'll enjoy this if you were a fan of Jason X, Freddy vs. Jason or the Evil Dead movies. If you have a dark sense of humor you'll probably love this movie. ... Read more | |
| 5. Happy Birthday to Me Director: J. Lee Thompson | |
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Reviews (39)
Thanks to severe head trauma, Virginia Wainwright, (Melissa Sue Anderson, who tried to shed her past role on TV's Little House, but hasn't done much since) part of her brain is damaged, to the point where she can't remember her recent past. When she returns to school at the Crawford Academy, she is welcomed into the Top Ten, a snooty social clique. Things turn deadly, as someone starts killing off the members of the group. With her 18th birthday approaching Virginia starts to doubt her own sanity, thinking that the killer's real identity, may indeed, be linked to her own forgotton past - or that she herself may even be the killer, acting out, during one of her blackouts. Directed by Lee J. Thompson, who worked on the original Cape Fear and Battle For The Planet Of The Apes, elevates the film a bit, and makes you (almost) forget that it's really just a slasher flick. The interesting twist of the possiblity that the heroine may be the murderer is also kinda fun. The film is also given even more credability, by the prescence of the great Glenn Ford, as Dr. David Faraday. The script has all the familiar horror film cliches, of course but as I said, it's still got enough there to make it watchable and even fun. Happy Birthday To Me is not yet available on DVD. Therefore, VHS will have to do for now. It may be hard to find a copy of it. If you do...Rent don't Buy...It's worth a look for horror enthusiasts *** and a half stars ... Read more | |
| 6. Scanners Director: David Cronenberg | |
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Reviews (59)
My Opinion: Almost all the reviews for Scanners call it a Horror movie. I don't agree. To me Horror suggests movies like "Friday the 13th" and "A Nightmare on Elm Street". Scanners has some gore which more than likely is what gets it the horror label. I found it to be an Action Thriller with major SciFi elements. It's also a detective/spy type mystery film. It's all these elements together that make Scanners interesting and entertaining. The plot gets a little confusing in the middle as Cameron searches for other scanners, but our confusion mirrors Cameron's and is intentional. As things progress everything becomes clear. Stephen Lack is excellent as the weird scanner hero. I liked him enough to go look up what other films he has been in. Patrick McGoohan and Michael Ironside also give great performances. Overall this is a very entertaining movie that I will watch more than once and recommend to others. DVD Quality: Video: Widescreen anamorphic - 1.85:1 Sound: DD 2.0 Mono. For at least the last quarter of the movie the sound does not sync up with the video. Extras: Trailer only. This is a bare bones DVD with Audio problems, but it is offered at a VHS price. What You Should Do: Buy the DVD if you are a fan of this movie or of Horror/ScFi movies in general. It's not a high quality DVD release, but the price isn't going to make your head explode. Related Movies To Check Out: Three Days of the Condor, Reanimator, Bride of Reanimator
As the film begins, we see a homeless man (Lack) wandering a mall, getting dirty looks from all the people he sees (hey hey we're the Monkees...whatever)...anywho, one woman in particular, in the food court, seems exceptionally offended by his presence, but she soon has other things to worry about as she suffers from some sort of brain freeze, like the kind you get when you drink something cold too fast, brought on by the homeless man...turns out our homeless man (in my day, they were called bums, but whatever), whose name is Cameron Vale, has psychic powers of some sort, and has garnered the attention of CONSEC (whose chairman looks a helleva lot like Ed Asner), a company that specializes in weapons, specifically Dr. Paul Ruth (McGoohan), who describes himself as a 'psycho pharmacist', whatever that means (I bet he's a lot of fun to hang out with on the weekends). Dr. Ruth basically recruits Vale in a effort to track a particularly dangerous and powerful scanner by the name Darryl Revok, who's supposedly head of an underground movement of scanners and who has also basically decimated CONSEC's program of exploring the weapons potential of scanners, as he seems to subscribe to a policy of if you have special mind powers, then you either join up with him or you get your head exploded. Along the way Vale meets with Kim Obrist (O'Neill), a sort of leader of a fringe group of scanners outside of CONSEC and Revok's control (not for long), and they soon find themselves fighting for their lives as conspiracies unfold, traitorous scoundrels exposed, and secrets reveals. What's Revok's ultimate goal? It's not that far-fetched, considering his abilities... I enjoyed this film...there really wasn't too many lengthy visceral scenes, but what there was contained very graphic gore (s'ploding heads) that imprinted on your mind, and tended to stay with you long after the scene was over. One scene, in particular, when Revok deals with the scanner at CONSEC, the tension was thick as the pressure, on and off the screen, built up quickly, and resulted in the film's most spectacular and memorable sequence. Jennifer O'Neill is good (and very easy on the eyes, shabba doo), but I didn't quite understand her character's connections to the other characters in the film, other than her being a scanner. It almost seemed like a plot contrivance if only to incorporate an attractive female, not that I mind attractive females, but her scenes could have pretty much been removed without much loss to the plot. Patrick McGoohan is one of my more favorite actors and he plays his part very well as the mentor/trainer to Lack's character, sort of a Professor X, if you are familiar with the X-Men comics or movies. Lack provides a sort of disjointed performance, but I felt as if it was intentional, as it seemed to work really well within the movie and fit his character, one who's spent most of his life trying to deal with the problems associated with his special abilities. I thought Michael Ironside's character was great, as he plays the role of the sadistic heavy with a God complex so very well (except, maybe for his role in Highlander II: The Quickening...ugh, what a complete dog that movie was...). He reminds me a lot of Lance Henriksen, both good actors but rarely ever emerging from B-movie limbo. Maybe they need better agents. There was a certain amount of symbolism throughout the movie, the most noticeable being when Lack's character is following up on lead by contacting a reclusive scanner who is an artist living in a barn. One of his pieces is a giant, hollow head, and there's a scene where the two men are actually sitting in the head, talking about Revok. There seems to be some confusion about the ending, after the final confrontation, but I thought it was pretty clear, and provided a nice eerie touch. MGM presents a nice wide screen anamorphic transfer, but some have commented on the certain parts of the film being out of sync, but I didn't notice. I was a little surprised there was so little in the way of special features given the cult following of the film and that of Cronenberg in general, with only a theatrical trailer available, but I suppose someday they will produce a special edition of sorts. I would have liked to have seen a director's commentary, or some production notes, but I am pleased with what's here. Cookieman108
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| 7. Red Green - Duct Tape Forever Director: Eric Till | |
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Amazon.com "Whenever a man does a dumb thing," says Red, "it's better if he doesn't have an audience." Well, a lot of eyes are on Red, his geeky nephew Harold (Patrick McKenna), and the other boys after a rich man (Richard Fitzpatrick) drives his car into a Possum Lodge sinkhole and sues for damages. The solution: Build a giant, duct tape goose and enter it in a Minnesota contest for cash prizes. Of course. Co-creator Smith re-tools the show's self-deprecating essence and run-on joke about male incompetence into a winning movie. --Tom Keogh Reviews (14)
This 91-minute movie, released in 2001, is based on the hit Canadian comedy show The New Red Green Show. Changing the format from the show, this movie puts Red and Harold on the road, facing numerous adventures in the real world. (If you can call that the real world!) This is a fun adventure, stretching the already wonderful characters - a must-have for any Red Green fan!
However, in this instance Possum Lodge members make the leap onto the "silver screen" with an extended rendition of the wit and wisdom of Possum Lodge intact. (All 80 blank pages). Well, Ok. maybe it needed a little duct tape to hold the plot together, but didn't we all wish for a road adventure that would show how lodge members stick together to solve a problem? I mean if we can't all come together for third place, what do we aspire to? To appreciate this movie it helps to have grown up in Northern Michigan with my Dad and his friend assembling a log splitter in their garages with various spare parts instead of taking the short cuts and buying some fancified-whimpy-under-powered piece of junk from some store. Red and Harold bring to life a place I grew up in, including all of the things that keep life entertaining. May Red and his group keep their stick on the ice and only change if they have to. They may not be handsome, but they are entertaining! I thoroughly enjoyed the extended, plot-infested adventure that took our lakeside looneys from the short sketches into extended investigation of the tape-bonding travels. Rate it five rolls!
MY WIFE HAD NOT SEEN THIS MOVIE BEFORE. ALMOST PEED HER PANTS, SHE LAUGHED SO HARD. ONE EXPRESSION CAME OUT SEVERAL TIMES. "THAT'S KENT". YES, WE KNOW A GUY JUST LIKE THAT. ACCTUALLY SEVERAL. FOR SOME GOOD CLEAN HUMOR, IT IS WORTH WATCHING. THE WAY IT SHOULD BE. THE SIMPLE LIFE AT "POSSUM LODGE" I DO NOT KNOW ANYONE I WOULD NOT RECOMMEND THIS MOVIE TO.
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| 8. Red Green's Hindsight Is 20-20 Director: Steve Smith (II), Rick Green, Larry Schnur | |
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Description Also included, never-before-seen Red Green footage predating the hit TV series. Extra Stuff on the DVD: 66 minutes of extended clips and a Red Green photo gallery. Reviews (2)
Also included in the PBS special are classic clips from the Red Green show's entire run. If the clips in the show are leaving you wanting more, you can watch the complete comedy segments in the extras section of the DVD. Something you could not do watching PBS. I would still watch the one hour special with Red's new introductions to the clips first, and then watch the extras to see the entire routines. The comedy holds up on multiple viewings and you get to see something more in the complete versions. You get a total of over two hours of entertainment. Even if you have all of the Red Green shows, you will still want this DVD for the early appearances! I give only **** rating because I would have liked a commentary track or explanation of the segments in the extras section of the DVD.
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| 9. Darkman 2 - The Return of Durant Director: Bradford May | |
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Amazon.com Reviews (30)
Liam Neeson is nowhere to be found, but Darkman's downtrodden and sympathetic character is still as strong as ever. The film is filled with the kind of action, drama, little comic touches and occasional surreal images which made the first film a classic, and Durant is a genuinely intimidating villain who dominates his every scene.
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| 10. Millennium Director: Michael Anderson | |
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Reviews (18)
It's a unique story of people far in the future who kidnap the bodies of people that are about to die. Their favorite source is planes that are about to crash. An official investigating discovers wrist-watches running backwards in the wreckage, and works with a physicist attempting to discover the truth about these visitors.
Conceivably, more time could have been spent investigating the wreckage (and similar wreckages) before revealing the time travelers from the future. Also, why don't they fix these ripples, instead of trying to escape them? So there are some questions. If I could, I'd give this one 2-1/2 stars, not three, but I won't drop it all the way to two, mostly because no one else has done this exact story, unless it was Rod Serling in the original Twilight Zone series, but I don't think so... there are similar stories, to be sure, and time travel stories, but not in this combination. Which puts this film into the "Twilight Zone" category for me. There are so many places where they could have made this one better, I have to wonder why no one has done a remake... Still, it is part of my collection and if you are SF buff, then don't leave this off your list of films to consider without at least watching it.
And it's *boring*, too. Kristoferson and Ladd have absolutely ZERO chemistry. No, in fact, they have NEGATIVE chemistry. Kristoferson couldn't act is way out of this script, and Ladd ... well, jeez, what could one expect from an ex-Charlie's Angel? It's also *ugly*. The costumes, set designs, and special effects would have been bad in 1989, and haven't aged well. Post-apocolyptic futures can look cool (ROAD WARRIOR) or even funky (12 MONKEYS), but here, it's just lame. And the first "effect" in the film--where two planes collide--is a sad effort of blue-screening that my high-school film club could have outdone. Avoid at all costs. Waste no money. If your boyfriend or girlfriend owns it, break up with them; it will be less painful. I have to go sanitize my home theatre now.
Then again, if this was truly a good movie than we shouldn't be disappointed in seeing the scenes twice, since we could then enjoy good acting etc. Not so in Millennium. Kris Kristofferson looks grizzly with a heavy beard and has the skin tone of beef jerky. Cheryl Ladd plays opposite of Kristofferson as the time traveling tough women from the future who happens to know nothing about time traveling, she needs a personal robot to explain "the obvious" to her on many occasions. Maybe she forgot to read the script. In this movie, the future is a place of rust, the present is a place of ignorance, and the viewer is left insulted. ... Read more | |
| 11. Thrill Seekers Director: Mario Azzopardi | |
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| 12. Danielle Steel's Vanished Director: George Kaczender | |
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Reviews (2)
Marielle Delauney (Lisa Rinna), and her adoring husband Charles are savouring the delights of Paris in the 20's.But an accident that ends in the tragic death of their young son tears them apart. Marielle moves to New York, under the employ of the dashing Malcolm Patterson (George Hamilton).Soon courtship and marriage follow, but the past still remains to haunt Marielle. When Marielle falls pregnant, her estranged first husband is shocked and digusted at her, for having a second chance, still blaming her for their son's death. When her infant son is kidnapped, Marielle learns that her ex has been arrested of the crime.In disbelief she searches for the answer to the disappearance with FBI agent John Taylor (Robert Hayes). Fine romance, mystery and intrigue, with Lisa Rinna a richly glowing heroine.
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| 13. Red Green - Stuffed and Mounted 1 Director: Steve Smith (II), Rick Green, Larry Schnur | |
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Amazon.com The eight choice episodes on this disc include the clever "The Network Deal," in which Harold's efforts to draw an American viewership to Red Green results in the casting of a blonde goddess to play Red's wife, and "The Wind-Powered Boat," featuring an extended conversation about Kenyan tiger ranches and Nylon-producing farms. You have to be there. --Tom Keogh Reviews (6)
At first, I was sorta disappointed because the episodes are not in any order, you might get a first season ep followed by a tenth season epidode, then a 3rd, etc... but, no one says you have to watch them in the order they are on the DVD's... the thing is, this is the handiest way to get episodes. The 8 episodes on this dvd are: The Wind-Powered Boat, The Salt And Pepper Shakers, Maple Syrup, Fire Brigade (my favorite on the dvd), The Beef Project, The Network Deal (my least favorite of all time), and The Science Fair. I've been a fan since the first season, and have seen every episode at least 200 times over the years, Red Green got me through a lot of troubles in life, because no matter what, you can count on the guys at possom lodge to give you a laugh or two, and it's good to have these eps on DVD format. I just wish they had been released by season, instead of just, apparently, Steve Smith's favorite episodes.
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| 14. Of Unknown Origin Director: George P. Cosmatos | |
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| 15. Red Green Stuffed and Mounted 2 Director: Steve Smith (II), Rick Green, Larry Schnur | |
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Reviews (3)
This follow-up to the original "Stuffed and Mounted" anthology also features eight episodes, but this time they're all packaged on one DVD. The episodes featured are Season 3's "Car Pool", Season 4's "The Owl Project", Season 5's "Men's Night On The Mountain", Season 6's "Sedgwick The Tenant", Season 7's "The Winter Carnival", Season 8's "Mad About You", Season 9's "Too Much Information" and Season 10's "No Duct Tape". Also, each episode features a short lead-in by Steve Smith (the actor/writer who plays the title character) reminiscing and giving behind-the-scenes information on each episode. A small character bios section of Red, Harold, Dalton Humphrey and Mike Hammer rounds out the disc. For those of you who've never seen "Red Green", I recommend this as a good place to start. With one episode from each of Seasons Three through Ten, it gives a good feel for the history of the series and captures the camp and charm of the show quite well. For those of you that have, I recommend this disc even more: while many of the spots have been seen in the other "Best Of" video and DVD releases, there's still enough left not on video - especially with Smith's lead-in segments - to make it well worth getting. Here's hoping the producers get around to releasing season-by-season box sets like so many other TV series get these days. ... Read more | |
| 16. Red Green Stuffed and Mounted 4 Director: Steve Smith (II), Rick Green, Larry Schnur | |
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| 17. Waking the Dead Director: Keith Gordon | |
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Amazon.com Reviews (72)
Based on the novel by Scott Spencer, the film opens in 1972, where we meet Fielding Pierce (Billy Crudup), a young U.S. Coast Guard officer with big political ambitions. He meets Sarah Williams (Jennifer Connelly), a secretary and political activist who works at his hippie brother's New York publishing house, and the two are smitten right away. But tragedy strikes ... Without giving too much away, I will say that "Waking the Dead" cuts back and forth between the early '70s and the early '80s, producing a subjective, stream-of-consciousness narrative that manages to be compelling instead of confusing. Also, I liked the use of color and lighting to visually differentiate between the '70s scenes (warm earth tones) and the '80s scenes (cold, dark colors). But unlike "The Matrix" and "Memento," which used subjective narrative to play head games with the audience as its central gimmick, "Waking the Dead" is after bigger game. The ambiguity surrounding Sarah underscores how deeply her memory haunts Fielding, the toll it has taken on his mental state, and how deeply they love each other, despite the cruel blow fate has dealt them. The soundtrack also features lovely songs by Joni Mitchell ("A Case of You"), Lori Carson ("Snow Come Down") and Peter Gabriel ("Mercy Street"); alas, no soundtrack CD was ever made. The DVD also includes 45 minutes of deleted scenes, including a brief but engaging performance by Ed Harris, whose character only appeared onscreen (in TV footage, no less) for about 10 seconds in the final cut. Just make sure you have a box of tissues and a wastebasket handy before you push "play." You have been warned.
Keith Gordon, who also directed the outstanding and under-appreciated films "A Midnight Clear" and "Mother Night", stays pretty much faithful to the original material by Scott Spencer. It's obvious that films are different than books and directors need a certain amount lattitude to change the story as needed. Gordon certainly left a lot of the story on the cutting room floor and that is, for the most part, not a problem. What is the problem is that Gordon didn't flesh out Sarah's story and, as a result, offers a skewed ending that the book doesn't share. Sarah and Fielding are not "opposites" as many suggest. They happen to agree politically. They're both "liberals." Where they disagree is on tactics. The problem with the film is that we don't really see enough of Sarah to understand just how different her tactics are compared to Fielding and why, ultimately, she chose to go away. The movie's ending is ambiguious about the fate of Sarah. Did she die or didn't she? The book shares some of this approach, but it strongly leans in the direction of Sarah having faked her death. In the book Fielding meets with a priest who states that Sarah is alive. And when Sarah and Fielding finally meet at the end Sarah explains how she is living underground and continuing her work. We're given, at least in the text, a reason why Sarah chose the path that she did. Gordon, however, mostly gives us Fielding's side of things. In the process he detracts from the central conflict and ends up with a rather wishy-washy ending. I strongly recommend this film. The DVD has many interesting extras, including many deleted scenes and a commentary by Gordon. Unfortunately, there doesn't seem to be anything on the DVD from the original author, Scott Spencer. That's too bad because I think he could have added some really interesting insights about the story overall. And of course, read the book which is, as usual, even better than the movie.
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| 18. Red Green Stuffed and Mounted 6 Director: Steve Smith (II), Rick Green, Larry Schnur | |
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Description THE EPISODES: Reviews (1) | |