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| 21. The Adventures of Huckleberry Finn Director: Michael Curtiz | |
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| 22. Something Wicked This Way Comes Director: Jack Clayton | |
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The film is cast in the autumn (the autumn of life?) and a small town around turn of the century America (our dream of what America should be?). Two boys, Will Halloway and Jim Nightshade are excited to hear of a carnival coming to town (remember our youth when autumn always brought some sort of carnival to your town?). However, this carnival is no ordinary one. It's proprieter, Mr. Dark, offers people what they desire most -- at a fearsome price. Jim and Will discover the underlying nature of Mr. Dark, his menions and the carnival and end up as quarry for the mysterious, sinister man. Will's father, Charles Halloway - the town librarian - is an unlikely hero who faces his own fears and temptations to protect the two youths from Mr. Dark. Not really bloody or scary, I'd say the theme of this movie (that of facing the realities of life) creates uneasiness because of the familiar setting and its dealing with normal everyday people and their dreams/wishes. The movie is well done and entertaining. Certainly worth a look. You might consider before allowing younger children to view it - it would probably give them dreams. ~P~
Something Wicked This Way Comes, is available in paperback, ISBN: 0380729407 based on the screenplay, Dark Carnival by Ray Bradbury, based on the short story, The Black Ferris (1948), by Ray Bradbury available in ISBN 0-394-51335-5
Some viewers are surprised to learn that this somber film is a product of the Walt Disney Company. Though there are the lovable small-town characters that one expects from Disney, it is admittedly rare to find a Disney flick with an incorrigibly evil character such as Mr. Dark (obviously the Devil in all but name). It is also unusual for a Disney film to have such a grim atmosphere, at least one that is not regularly punctured with puerile comedic relief, but SOMETHING THIS WAY COMES has a consistently spooky ambiance and an earnestly frightening plot, both of which elevate it to the level of a genuine horror film DESPITE its Disney label. The performances in SOMETHING WICKED THIS WAY COMES are top-notch. Jonathan Pryce is deliciously wicked as the enigmatic Mr. Dark--genre fans might recognize Pryce as the actor playing Governor Swann in the 2003 blockbuster PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL--and Jason Robards does a fine turn as the wise librarian father of young Will. Vidal Peterson and Shawn Carson, the two young actors portraying Will and Jim, are relative newcomers whose lack of substantial experience is an asset rather than a liability, as it actually adds to the realism of their characters' youthful innocence. Some of the seasoned actors that fill supporting and background parts also contribute greatly to the quality of the film. The gorgeous Pam Grier, star of several popular "blaxploitation" flicks in the 1970s, plays the carnival's witch-like fortune-teller; Diane Ladd plays Jim Nightshade's mother, a woman who is raising her son alone after both were abandoned by the boy's father; and Ellen Geer, daughter of the late Will Geer of TV's THE WALTONS, portrays the mother of Will Halloway. Horror fans might recognize the late Royal Dano in the role of Tom Fury, the lightning-rod salesman. During his lengthy career, the ubiquitous Dano appeared in such genre favorites as Hitchcock's THE TROUBLE WITH HARRY (1955), 7 FACES OF DR. LAO (1964), and KILLER KLOWNS FROM OUTER SPACE (1988); and also in episodes of genre TV shows like LOST IN SPACE, NIGHT GALLERY, AMAZING STORIES, and TWIN PEAKS. Although the script does not have the same scope and attention to detail found in the novel, Bradbury has still done an exceptional job of translating to screenplay the novel's eerie essence and moral subtext. And director Jack Clayton does almost as well in visually interpreting Bradbury's script. He generates the perfect atmosphere for some genuinely creepy moments, and he is also quite adept at evoking Bradbury's primary theme of innocence lost. SOMETHING WICKED THIS WAY COMES generates most of its chills and scares the old-fashioned way--through atmosphere, suggestion, good plotting, and great characterization. Unfortunately, the flick was originally released during the peak of the first big wave of slasher films in the early 1980s, and it was therefore unfairly ignored by moviegoers and panned by critics. But thanks to the cool folks at Anchor Bay, this little beauty has a new lease on life via DVD. Anchor Bay's disc is short on extras, offering only the theatrical trailer and the option of viewing in either pan-and-scan or 1.66:1 Letterbox formats. But the digital transfer looks nearly pristine--even when viewed on a widescreen HDTV-- with only a few minor defects from the source print noticeable. In keeping with the subject matter, the film was shot with dark tones and subtle hues, and these come through wonderfully on the DVD. Serious collectors of horror films on DVD won't want to let this genre gem slip away.
The key to this film is that Bradbury captured the tone and flavor of his book perfectly. While nowhere near as complete as the book and the story told therein, it is, nonetheless, complete in and of itself. There's nothing missing for those who haven't read the book. But, if you liked the movie, go find a copy of his book and read it one dark and stormy night. If you've seen some of the weird science before in other films, most likely it was because Bradbury wrote about it first. He is and was the Stephen King of his generation with such strange tales as The Illustrated Man and The Martian Chronicles (both are actually linked anthologies of his short stories). If you haven't read the description of the film, it is a story about Middle America early in the first half of the Twentieth Century and two boys sharing their childhood. One comes from a respected, if unexciting family and the other from a less than honorable setting. Yet they live beyond their differences and hold on to their own special fantasies and memories in a Norman Rockwell sort of way. Life was simpler then than it is now, and yet it has its dark side, as the boys soon find out. Mr. Dark's Carnival has come to town in as mysterious way as it did in another time, many decades before, affecting all who became involved. The film is deliciously handled with a flare that defies description, probably because Bradbury graced it with his retelling through the screenplay. Coupled with the compelling music that adds flavor and color to the outstanding cinematography, the film draws us into a Twilight Zone of the familiar and macabre. The film is treated as one for children. It decidedly is not one for little ones who are half-awake, and yet the story is more disturbing to those who will think upon the hidden messages that are as old as time itself and what every parent dreads... What is to become of us? What is to become of our children? This is the very heart of the fear that is so omnipresent once the carnival arrives that dreadful night. Don't just watch this story once. See it twice, but not on the same night. Give it some time to develop in your subconscious, and then, one autumn night, when the leaves are turning color, give it another look, ignoring the cliches it has spawned in other, later and lesser stories.
Something Wicked This Way Comes is very scary. Not only have the censors totally misjudged this film but it is still classed as a children's movie! What rubbish! This is horror through and through, although albeit it can still be watched by kids but most adults will think twice about what they have just shown to them. PARENTS SHOULD WATCH THIS BEFORE SHOWING IT TO THEIR KIDS. This is not your average "darker" childern's flick like the Dark Crystal or the Black Caldron. It is much darker than that. I also remember a very graphic hand crushing scene. ... Read more | |
| 23. The Last Ride of the Dalton Gang Director: Dan Curtis | |
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| 24. Once Upon a Texas Train Director: Burt Kennedy | |
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| 25. Moon of the Wolf Director: Daniel Petrie | |
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| 26. Cahill - United States Marshal Director: Andrew V. McLaglen | |
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Amazon.com Reviews (7)
Wayne is J.D. Cahill, a tough U.S. marshal who is always on the trail of someone and never at home, which is why his sons Danny (Gary Grimes) and Billy Joe (Clay O'Brien) decide to teach the old man a lesson they go off with Abe Fraser (George Kennedy) and his gang to rob a bank. Actually they have a fairly complicated plan which involves being locked up in jail during the robbery so they have an alibi. Fraser promises no one will get hurt, but of course the sheriff and deputy are gunned down. The younger Cahill hides the loot and if either brother talks, Fraser will kill them both. With the sheriff dead, daddy shows up to track down the bank robbers and takes Danny along with him. They even capture a group of outlaws, who are sentenced to hang for the murders and the robbery. The pivotal character in the film is actual Danny Cahill, who has to get the hidden loot to Fraser, avoid having four innocent men hung, and try and pray that his father never gets everything to add up. Of course he does, although how the dots get connected is not exactly clear. There was an opportunity for a really good scene here at the big moment, but it just is not there and then Wayne's efforts to make the best of a bad situation kind of gets lost in the film's end game. Basically whatever you think Cahill should do in that situation, he is not going to make you happy, which ever of the two opposing approaches you want him to take. "Cahill United States Marshall" has an above average number of old familiar faces in supporting roles with Denver Pyle as the boy's caretaker, Royal Dano as a hermit, Jackie Coogan as Charlie the town drunk, and Harry Carey, Jr. as Hank the jailer. Neville Brand has a nice turn as Lightfoot, a half Comanche tracker, but Kennedy is not that memorable as a villain, which is rather surprising. Wayne has more than his fair share of bad lines in this one (e.g., "If a buzzard bites you, he'd never eat meat again"), and the fault here has to be with the script that sets up a fairly interesting situation and then really does not know what to do with it, which is why this becomes a pedestrian John Wayne film.
Like some of those others, this one is accused of being preachy. I might dispute that. Subtle it ain't, but really it just has a strong point of view with little room for gray. Besides, are *you* gonna disagree with the Duke? Duke plays a (surprise) Marshall who learns his kids are falling in with some bad men. Lots of familiar faces are seen as Duke rides to stop the gang and redeem his young'ns. Shots ring out. The End. The Duke's staunchest fans will of course eat it up. Due to its routine nature I would recommend to most others that they watch it when they haven't seen a Western in a while. Enjoyable enough in a lazy way. P.S. I realize this next statement will not exactly be a news flash, but nobody has ever been better at sounding tough than the Duke. When his dialogue includes a couple of creative threats, like it does in this film, it's worth seeing at least once for those alone.
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| 27. The Outlaw Josey Wales / Pale Rider Director: Clint Eastwood | |
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"Pale Rider", Eastwood's return to the western genre after an absence of nearly a decade, isn't quite as original as "Wales". "Pale Rider" borrows from "Shane", "High Noon" and a couple of other classic westerns (including some of Leone's) creating a patchwork of various themes and scenes. The transfer looks very good although some scenes aren't as sharp as they should be. It's not a dual layer disc (we get both widescreen and full screen on each side of the disc). Theatrical trailers are included here but, again, it's sorely missing a commentary track from Eastwood. Four and 1/2 stars for "Wales", 3 for "Pale Rider". ... Read more | |
| 28. The Killer Inside Me Director: Burt Kennedy | |
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| 29. The Outlaw Josey Wales Director: Clint Eastwood | |
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As far as a film is concerned, it is a very good tale of revenge and devotion to friends. Eastwood is great as the title character and the film has some very good supporting performances. The exteriors where the film was shot are beautiful and are just as good on DVD as in reality. The DVD is a great, inexpensive version of a great Western. The 16:9 widescreen version of the film highlights the colors and tones that were filmed by Eastwood. The color is good as well as the Dolby 5.1 Surround Soundtrack. There is also a French soundtrack (which is very humorous when Eastwood utters the best line of the film, "You going to pull them pistols or whistle Dixie"). The disc also contains trailers to many other Westerns as well as the trailer for Outlaw Josey Wales. You should not miss this great DVD. The price is right and the movie is one of Eastwood's best. This is one of the better looking westerns that I have in my DVD collection. If you love great westerns and movies about the American Civil War, you will love this DVD!
Cast: Clint Eastwood ... Josey Wales Josie Wales' family was murdered and his home burned by union redlegs, so he joins Bill Fletcher's border raiders on the confederate side of the war and does his share of getting even. When Fletcher turns in his men for money (except Wales) and they are all killed, Wales becomes an outlaw on the run from union authorities. They hunt him clear into Mexico, where things come to a head. Josie Wales single handedly surrounds the entire union army and the Indian nations. This is a good story, well acted by all concerned, and very well directed by Eastwood, as are all of his films. Joseph (Joe) Pierre
The story of the movie goes like this. Josey Wales(Clint Eastwood) is a peaceful farmer in Missouri with a family in the middle of the Civil War. One day some Union Soldiers burn down his house (with his son in it) and kidnap his wife. Angry and Furious, Josey Wales joins some confederate guerillas and fights hard. When Confederacy surrenders, Josey Wales refuses and heads west. He travels to Texas and along the way picks up odd group: couple of Native Americans, an Old Grandmother, a beautiful woman and two servants. At the same time they are chased by Union soldiers. I will not reveal the story further. However, what makes this movie a classic is the depth and dimension to the characters and superb action. The character of Josey Wales is really complex. He turns from a peaceful farmer to a tobacco chewing, hell raising, gunslinger. However his humane side is seen through his hard attitude at times. He saves a native american girl from couple of scoundrels. He also saves travelers from another group of bandits. At the same time, he is a tobacco spitting hard man. Josey Wales spits on everything, from a scorpio to a union officer. The other characters are not as intensely developed, which is understandable since Josey Wales is the primary focus of the movie. The action in the movie is just amazing. I will summarize three great scenes which will make you, the reader, want to just watch the movie. In first scene Josey Wales is carrying food and confronted by four soldiers... In another one Josey Wales(and his six-shooter) all by himself is up against 10-15 bandits...In the last one, Josey Wales and his Six-shooter, go toe-to-toe against tens of horse-riding soldiers... I will leave the action for you to watch. Also this movie is directed by Eastwood himself. He is as good as a director as he is as an actor. FYI: This movie is based on the book "Gone to Texas".
Chief Dan George and Clint have a chemistry that adds humor and depth to the main story line of revenge, retribution, and a journey for justice. Sandra Locke, with her doe-eyed innocence, adds a little gentle feminity to the picture. The movie is exciting, suspenseful and rewarding. No one is better as a wronged-man-evening-the-score than Clint Eastwood and this is one of his most memorable roles. ... Read more | |
| 30. Moon of the Wolf Director: Daniel Petrie | |
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| 31. Horror Express/Killer Inside M Director: Burt Kennedy | |
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As for the movie itself, yes it does have two horror icons in possibly there best movie ever, but it also serves as a very kool tribute of sorts to H.P. Lovecraft, the plot is great, I had no problems with the acting, the white eyes were great, and it kept me interested all the way, though be warned action fans, there is no action here, just an evolving tale with character developement, better stick with your Independance Day crap if that ain't your thing, it has aliens and product placement, not to mention a cheesey corprate sound track all of which is void from this awsome movie! :) WARNING, PLOT LEAK AHEAD!!!! Ok, so Lee finds this frozen monster which he thinks will explain a vital part of man's past. He loads it up on a train, and the monster escapes, and begins to kill, they kill the monster, ect ect. But... ...the murders continue, and every victum is found with his eyes completely white, and his brain void of any wrinkles or memories. Along the way they discover that the monster was an alien older than mankind itself, and is capable of transfering itself into other living beings. On top of that, it can also absorb all the information out of a human's brain, and know what they know, giving it an upper hand in survival and blending in with everyone on the train. A defininate must for any reader of Lovecraft or Clive Barker!
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| 32. Ghoulies II Director: Albert Band | |
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| 33. Johnny Guitar Director: Nicholas Ray | |
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| 34. Mr. Magoo's Christmas Carol Director: Abe Levitow | |
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Amazon.com Reviews (81)
Any animated feature is only as good as the voices that speak for the characters and this one is chock-full of winners. Jim Backus moves beyond his usual Mr. Magoo voice to find new colors to fit Scrooge's character. The transformation from penny-pinching miser to good-hearted soul via a Scrooge terrified by the visitations is complete. Jack Cassidy is a sympathetic Bob Cratchit and the multi-talented June Foray (of Rocky and Bullwinkle fame) is the Ghost of Christmas Past. Surprisingly, even in a 52-minute format this version sticks carefully to the Dickens story line and retains all the essential story elements, something that cannot be said for the majority of the filmed versions which feel compelled to "explain" Dickens with extraneous dialogue and scenes. The only addition -- other than the preliminary play-within-a-play set-up that shows Mr. Magoo arriving at the theatre to get ready to go on stage - is the songs. And what delightful songs they are! "The Winter Was Warm" is a beautiful ballad, "I'm All Alone in the World", sung as a duet between the old and young Scooge is a real tear-jerker, and the "La, La" chorus of the rag-pickers, has me laughing just as much now as it did the first time I saw this in the early '60's. What is it about those wide open mouths and visible tonsils in close-up? Viewing Mr. Magoo's Christmas Carol at least once (usually more) each year is part of my Christmas celebration.
I remember seeing MR. MAGOO'S CHRISTMAS CAROL when it debuted on network television in 1962. Though I was a child it made an indelible mark that was never to be forgotten. It ranks right up there with the original animated HOW THE GRINCH STOLE CHRISTMAS and is as charming, original and wonderful as it was when I first saw it. It is now a favorite of my children as well. Additionally, MR. MAGOO'S CHRISTMAS CAROL features a soundtrack of songs that are wonderful. Composed by Broadway legends Jule Styne and Bob Merrill of FUNNY GIRL fame, the songs will become some of your favorites for the holiday season. Add to that the vocal talents of the great Jim Backus (Gilligan's Island), Morey Amsterdam (The Dick Van Dyke Show), and Jack Cassidy and June Foray (The Adventures of Rocky and Bullwinkle) and you have an unbeatable and classic holiday triumph. Douglas McAllister ... Read more | |
| 35. Big Bad Mama Director: Steve Carver | |
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BUT,
This movie has few redemming social values, other than it's shot pretty good, and it has a weak plot and some beautiful women, including a former supporting actress from "Eight is Enough," Ms. Dickinson, and even "Captain Kirk." But, I'd recommend it to anyone who likes a good period campy movie...
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