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| 1. Biggest Fan Director: Michael Meyer (III), Michael Criscione | |
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Description Reviews (5)
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| 2. Police Academy (20th Anniversary Special Edition) Director: Hugh Wilson | |
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| 3. Police Academy 4 - Citizens on Patrol Director: Jim Drake (II) | |
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Description Reviews (17)
Some of the best cut stuff is of Steve Guttenberg and Sharon Stone, whose relationship seemed a bit empty in the theatrical cut. But with the extra scenes, which included Mahoney taking Claire Mattson (Stone) home in a squad car, while doing a little stuntdriving, followed by a bit of flirtatious fun back at her place, this really added another dimension to their relationship, and gave more meaning to the ending, with them up in the weather balloon together. In fact Sharon Stone's role in the theatrical version seemed very small indeed. But with these added scenes as well as another between Lt. Harris (G.W. Bailey), her screentime is lengthened considerably. Other cut scenes include additional banter between Sweetchuck (Tim Mazurinsky) & Zed (Bobcat Goldthwait), some fancy skateboarding by Mahoney, more screentime for Butterworth (Derek McGrath), and even an explanation of how Zack (Randall "Tex" Cobb) ended up in jail in the first place. Those scenes, along with a few others totaling about fourteen minutes, are included separately as bonus material on the DVD. But hopefully, Warner Brothers will eventually release the movie with these scenes put back in, as well as showing the film in the proper Widescreen format (1.85:1) instead of Fullframe (1.33:1) as it is shown here. Why they did this (as well as also releasing Police Academy 5 Fullscreen on DVD) is anybody's guess. The image quality on the DVD is very cropped and grainy looking. Other extras include a short 8 1/2 minute "making of" featurette, with interviews from some of the cast and crew, and the original theatrical trailer. If you would like to see the expanded version of Police Academy 4: Citizen's On Patrol released on DVD, contact Warner Brothers Home Video, or write your own review here. Until then, I'll see you all back at the Academy. Police Academy 4: Citizens On Patrol - The Gang That's All 4 Fun And Fun 4 All!
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| 4. Police Academy 7 - Mission to Moscow Director: Alan Metter | |
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| 5. F.A.R.T.: The Movie Director: Matt Berman | |
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Reviews (4)
F.A.R.T. The Movie, written and directed by Matt Berman, is like a trip back to the drive-in in the mid-eighties. It tells the story of Artie (Seth Walther), who was born with the disorder of rampant flatulence. In basic terms he farts, and the more upset or nervous he becomes, the more he farts. With such a problem, it is no wonder the guy has low self-esteem. So like every nerdy guy out there, he has a woman who becomes his dream, his fantasy, his ever-distant object of desire. In this case that would be Andre'a Parker (Christine Steel), the cold and insulting woman Artie would die for. His buddies, Bear (Kevin Farley), Scooter (John Farley), and Donnie (Chris Soldevilla), all accept his obsession and try to down play it as much as they can. We meet the characters as they return for what should be their last year of college. In the course of settling back in for the new semester, Artie meets and helps Emily (Heather McComb), a new student transferring in from an all-girl school. Instant attraction on both sides, of course. But being the simple creatures we men are, we can't just forget years of obsessing over that which we can never have, and there you have Artie's basic point of conflict throughout the film. Let's cut straight to the core of this film. The whole fart disorder thing is mostly a gimmick. I love fart humor; a good number of guys do, and even a few women do as well. Almost everyone has fond memories of the campfire scene in Blazing Saddles. F.A.R.T. The Movie has a great scene when Artie goes with Emily to have dinner at her grandparents with a number of truly funny fart-related jokes. But the disorder tends to come and go when it should or possibly could make its presence known. So when you peel that element away, you are left with a fairly basic romantic comedy. It plays itself out fairly well, with an ending that is somewhat forced. It's too late to change things now, but if there had been just one other scene of development between the main characters, perhaps some deeper emotional connections would have been better established. When the material is middle of the road, it takes the cast to carry things across the finish line with grace, and the cast does a good job here. Seth Walther plays Artie as the typical dorky but likeable guy who speaks for all the silent nerd types out there who ever lusted after a woman with enough conviction that it almost borders on becoming a stalker. Artie's friends are handled well and with almost manic confidence by the Farley men and Mr. Soldevilla. Christine Steel plays Andre'a with enough humanity that you can see how Artie could develop an obsession, but offers up enough coldness that you have to wonder why Artie can't see that she is out of reach. Then you have Heather McComb pumping her slightly underdeveloped character full of good-natured warmth and openness that will have guys wondering "Why didn't I meet women like this in college?" The overall look of the film is workable. It has the whole "shot-on-location with a minimal budget" look that helps this kind of film appear more like what I remember my college days to be like. Big Hollywood films tend to want the whole Ivy League look in their films, but, face it, a big chunk of us didn't go to Harvard or Yale. The director acknowledges that the bulk of his cast don't look to be college age, and I have to admit that I was slightly thrown by that at first, but as the film progresses, you accept the characters and ignore the age thing. However, when they start referencing television programs like Cannon with William Conrad (the series ended around 1976), you can't help but wonder how old these people really are. So grab some beer, pizza, and a few friends and kick back to watch F.A.R.T. The Movie. Laugh, talk, and have fun like you would have if you were at the drive-in. And if you don't remember much about the movie after a few days, that just gives you a good excuse to do it all over again.
F.A.R.T. The Movie, written and directed by Matt Berman, is like a trip back to the drive-in in the mid-eighties. It tells the story of Artie (Seth Walther), who was born with the disorder of rampant flatulence. In basic terms he farts, and the more upset or nervous he becomes, the more he farts. With such a problem, it is no wonder the guy has low self-esteem. So like every nerdy guy out there, he has a woman who becomes his dream, his fantasy, his ever-distant object of desire. In this case that would be Andre'a Parker (Christine Steel), the cold and insulting woman Artie would die for. His buddies, Bear (Kevin Farley), Scooter (John Farley), and Donnie (Chris Soldevilla), all accept his obsession and try to down play it as much as they can. We meet the characters as they return for what should be their last year of college. In the course of settling back in for the new semester, Artie meets and helps Emily (Heather McComb), a new student transferring in from an all-girl school. Instant attraction on both sides, of course. But being the simple creatures we men are, we can't just forget years of obsessing over that which we can never have, and there you have Artie's basic point of conflict throughout the film. Let's cut straight to the core of this film. The whole fart disorder thing is mostly a gimmick. I love fart humor; a good number of guys do, and even a few women do as well. Almost everyone has fond memories of the campfire scene in Blazing Saddles. F.A.R.T. The Movie has a great scene when Artie goes with Emily to have dinner at her grandparents with a number of truly funny fart-related jokes. But the disorder tends to come and go when it should or possibly could make its presence known. So when you peel that element away, you are left with a fairly basic romantic comedy. It plays itself out fairly well, with an ending that is somewhat forced. It's too late to change things now, but if there had been just one other scene of development between the main characters, perhaps some deeper emotional connections would have been better established. When the material is middle of the road, it takes the cast to carry things across the finish line with grace, and the cast does a good job here. Seth Walther plays Artie as the typical dorky but likeable guy who speaks for all the silent nerd types out there who ever lusted after a woman with enough conviction that it almost borders on becoming a stalker. Artie's friends are handled well and with almost manic confidence by the Farley men and Mr. Soldevilla. Christine Steel plays Andre'a with enough humanity that you can see how Artie could develop an obsession, but offers up enough coldness that you have to wonder why Artie can't see that she is out of reach. Then you have Heather McComb pumping her slightly underdeveloped character full of good-natured warmth and openness that will have guys wondering "Why didn't I meet women like this in college?" The overall look of the film is workable. It has the whole "shot-on-location with a minimal budget" look that helps this kind of film appear more like what I remember my college days to be like. Big Hollywood films tend to want the whole Ivy League look in their films, but, face it, a big chunk of us didn't go to Harvard or Yale. The director acknowledges that the bulk of his cast don't look to be college age, and I have to admit that I was slightly thrown by that at first, but as the film progresses, you accept the characters and ignore the age thing. However, when they start referencing television programs like Cannon with William Conrad (the series ended around 1976), you can't help but wonder how old these people really are. So grab some beer, pizza, and a few friends and kick back to watch F.A.R.T. The Movie. Laugh, talk, and have fun like you would have if you were at the drive-in. And if you don't remember much about the movie after a few days, that just gives you a good excuse to do it all over again. ... Read more | |
| 6. Police Academy Director: Hugh Wilson | |
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Reviews (27)
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| 7. Police Academy 3 - Back in Training Director: Jerry Paris | |
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| 8. Police Academy 5 - Assignment Miami Beach Director: Alan Myerson | |
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| 9. Police Academy 6 - City Under Siege Director: Peter Bonerz | |
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| 10. Maniacts Director: Curt Cressler, C.W. Cressler | |
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| 11. Police Academy / National Lampoon's Vacation Director: Hugh Wilson | |
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