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| 1. Top Gun (Widescreen Special Collector's Edition) Director: Tony Scott | |
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Description Reviews (209)
Anyone born around 1980 will remember how everyone was doing that double high five and saying 'talk to me Goose' to the kid next to them in class. Certainly one of my all time favourites - entertaining stuff. ... Read more | |
| 2. Forgotten Director: Joseph Ruben | |
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| 3. Gotcha! Director: Jeff Kanew | |
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Garcia, thinking he's a player, leaves Edwards to himself where he meets with up Sasha, played by Linda Forientino, who comes off as a very mysterious person with an awsome accent who takes interest in virgins. she seduces and uses Johnathan (anthony edwards) into going with her to the commuinst East Berlin for some business that she has to tend to. Edwards, being blinded by love, doesn't know what's going on, but soon will, in a hard way. Gotcha is an awsome movie with rich cinemetography as the film was shot in Europe. excellent movie!! i recommend it.
If you enjoy an entertaining film with a bit of wit and some nostalgia from the Cold War days, you'll like this movie.
But for guys, the main reason to rent or buy this movie is the beefcake: Both Anthony Edwards and Jsu Garcia (his sleazoid roommate) display astonishingly gorgeous physiques. ... Read more | |
| 4. Playing by Heart Director: Willard Carroll | |
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Essentially, the film is a study of how people handle the powerful emotion called love. The couples we meet range from the very young to the old. As we watch these people deal with affairs of the heart, it is slowly revealed to us that each of them is somehow involved with everyone else. I won't tell you how. Leading the fantastic cast are Sean Connery and Gena Rowlands, who play Paul and Hannah, a couple on the eve of their fortieth wedding anniversary. Amidst the joy, a new problem and an old one threaten to ruin the occasion. Hugh and Gracie [Dennis Quaid and Madeline Stowe] have been married fourteen years. They have forgotten how to love one another. Meredith [Gillian Anderson] is the bitter victim of a marriage that failed for reasons neither she nor her ex-husband could prevent. She has adopted the hard edge of a person who believes that love will never work for her. When she meets Roger [Anthony Edwards], the attraction is there, but her acquired defense mechanisms make the relationship seem doomed. When young actress, Joan [Angelina Jolie], spies Keenan [Ryan Philippe] in a hot disco, she falls for the kid. Keenan has a major broken heart, and Joan has her work cut out for her. Finally, Mildred [Ellen Burstyn] must reach out to her estranged son, Mark [Jay Mohr], who is dying of AIDS. I think Miramax decided to call this a comedy because director Willard Carroll delivered a sophisticated movie. You cannot have a film devoted to the subject of love without having scenes where hankies are required. He shows these moments without dwelling on them. He quickly moves on to the next event. And he does find a lot of humor in the frustrations and the self-doubts that come with love. I had a couple of problems with Playing by Heart, but both of them were fairly minor. The subject matter is one more commonly associated with French and Italian movies. It is not one we Americans are incapable of doing well, but often, as here, we put so many stars in the vehicle that it gets overwhelmed. Happily, the ones in Playing From the Heart are generally excellent actors. The movie also suffers a bit from being too well constructed and written. The result is that several of the couples are interesting enough to fill a whole picture on their own, and we feel a bit cheated that we saw so little of them. Despite these little flaws, it remains one of the best and most original romantic movies of late. There is such a wide age range in these love stories that one or more is bound to affect you. My personal favorite was the young couple, Keenan and Joan. They seemed such a perfect fit. Angelina Jolie is a consummate actress, and she may have inspired Ryan Philippe to give his best performance to date.
The story is about 3 sisters (Stowe, Anderson & Jolie), all of whom experience various troubles regarding men. Stowe's character is involved in a passionless marriage; the only way she can feel alive & vibrant is by engaging in a lascivious sexual arrangement with a fellow apartment tenant. Anderson plays the sister "in the middle" who has been burned by men in her past & is apprehensive and more than a little bit reluctant to "play the field" again. Jolie's persona, meanwhile, just plain can't seem to find the right guy. She goes thru frequent romances, but never finds a worthwhile partner to hang on to. In the meantime, their parents are having their own marital troubles. Closing in on their 40th wedding anniversary, they cannot help but summon up ghosts of past lovers. The tale is presented in a very different way than any other film I have ever seen. We see the characters deal with their individual struggles, then their stories are woven together at the end. This is a fascinating "angle" by which to detail the narrative. The film is very well done & all of the acting performances, as expected with this ensemble, are impeccable. Jolie, in particular, stands out. The acting job she delivers is magnificent; I become a bigger & bigger fan of her's each movie I see her in. This is one of the best "date" movies I have ever seen; funny, yet emotionally poignant. Sometimes, it's best to play by heart.
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| 5. Thunderbirds (Widescreen Edition) Director: Jonathan Frakes | |
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| 6. The Sure Thing Director: Rob Reiner | |
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"excuse me I see a sweet young thing whose sarong needs adjusting"
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| 7. Top Gun Director: Tony Scott | |
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Anyone born around 1980 will remember how everyone was doing that double high five and saying 'talk to me Goose' to the kid next to them in class. Certainly one of my all time favourites - entertaining stuff. ... Read more | |
| 8. Revenge of the Nerds/ Revenge Of the Nerds II - Nerds in Paradise Director: Jeff Kanew | |
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REVENGE OF THE NERDS - 1984 REVENGE OF THE NERDS II - 1987 FILM OPINIONS: DVD: OVERALL:
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| 9. Top Gun (Full Screen Collector's Edition) Director: Tony Scott | |
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Description Reviews (209)
Anyone born around 1980 will remember how everyone was doing that double high five and saying 'talk to me Goose' to the kid next to them in class. Certainly one of my all time favourites - entertaining stuff. ... Read more | |
| 10. Thunderbirds (Full Screen Edition) Director: Jonathan Frakes | |
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| 11. Miracle Mile Director: Steve De Jarnatt | |
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Amazon.com Reviews (32)
This movie was an early effort by Anthony Edwards and Mare Winningham. The basic idea is of a young couple who has just started falling in love, and begun thinking of planning a life together -- only to find that World War Three has suddenly begun. Anthony Edwards is planning to meet Mare Winningham after work, which for her is about one o'clock in the morning. She works at one of those all-night coffee houses, in Los Angeles. He sets his alarm clock for midnight, and tries to catch a few hours of shut-eye before their date. The writer, or maybe the director (I'm not sure) did something really clever here. One of the film's characters absently throws away a lit cigarette butt, which, unbeknownst to the the character, gets picked up by a bird. The bird wishes to incorporate the butt into its nest, and does so. However, because the butt still has a slight spark left in it, the butt ends up setting the nest on fire. The small nest fire does not spread, but it does have the effect of burning through the insulation of the electrical wires upon which the nest sits. As luck would have it, these wires are the ones which supply Anthony Edwards' building with electricity. So when the power fails, so does his alarm clock, although he remains ignorant of the entire sequence of cause and effect behind this event... this little sequence makes us think of the many chains of events going on all the time, outside our own circle of awareness, which could eventually have some impact upon us. In the case of the bird with the cigarette butt, the result is that Anthony Edwards is three hours late to meet Mare Winningham, who of course has already gone home in a state of depression. However, the fact that he is late for their date has another chance result -- he happens to be standing near a payphone, right outside Mare Winningham's coffeehouse, when it rings. The caller is part of another, far more deadly unseen sequence of cause and effect, going on out in the world beyond L.A. We never find out the details of what has been going on in the place where the caller is calling from, (a missile silo), or the events in Washington and Moscow that led up to the random phone call. Unfortunately, the sequence in which the caller is playing a part seems to have come to a horrifying conclusion -- the caller claims that a nuclear war has been declared, completely unknown to U.S. citizens, in the middle of the night. Anthony Edwards isn't even sure if the phone call is real. Obviously it was a wrong number. Besides, perhaps someone is just playing a prank! Then again... perhaps someone is NOT playing a prank. A hyper-efficient, high-octane, female stockbroker, played by Denise Crosby, happens to be in the coffeehouse when Anthony Edwards staggers dazedly in. She assesses the situation, and decides to IMMEDIATELY hire a jet airplane to take her, and whoever can keep up with her, to the extreme southern hemisphere. (Radiation is expected to be a little less awful there, in most nuclear war scenarios). She behaves how people SHOULD behave in a situation like this -- efficiently, swiftly, decisively. But how many of her fellow mortals can live up to her excellent standards? The answer is, basically, none. Total panic engulfs the entire city in a matter of minutes, as news spreads about the phone call. Most terrifyingly, no one seems capable of doing the one thing that they must do, which is simply to drop everything and flee immediately. Everyone keeps thinking of that one more thing they "need" to do, before seeking shelter outside the city. Eventually... well, I'll let you see for yourself. This is a terrifying movie. For another film that is very similar, but even more graphic, I recommend that you look for the 1984 British TV-movie "Threads," witten by Barry Hines. "Threads" can be found on the British Amazon.com, or in online auction houses if you search for the two terms "threads" and "war" together, in the fields for VHS or DVDs. If you'd like some real, serious information about about nuclear war, (which hardly anyone seems to possess), try "The Cold and The Dark: The World after Nuclear War" by Paul Ehrlich and Carl Sagan, with a forword by Lewis Thomas. You could also read "Planet Earth in Jeopardy: Environmental Consequences of Nuclear War," by Lydia Dotto.
Anthony Edwards, best known for his portrayal of Goose in TOP GUN, plays an everyday guy. Mare Winningham plays and everyday girl. The two fall in love & look like they're well on their way to living happily ever after when their Romantic interlude is interrupted by a nuclear war. There is nothing more heartbreaking than a terminally ill person who has only weeks or months to live. Situations like that bring out the best in all of us. We treat that person like royalty as we know they will not have a tomorrow; every moment counts. However, in a grotesque world where EVERYONE is terminally ill, with only hours or perhaps minutes to live, things don't work like that. Instead what you end up with is anarchy & absolute mayhem. It is this snapshot of the death throes of a civilization that forms the centerpiece of this movie's plot. The film has some very nice symbolism. I particularly liked the obvious parallel between the end of mankind and the demise of the dinosaurs. The scene of the two being trapped in the helicopter is a nice touch as well as it brings out the clausterphobic terror of a nuclear war. Quite simply, there IS no place to run to, and there is no escape. At the beginning of the film, inside a museum of Natural History, there is a voiceover on a presentation of the history of the universe. A 15-20 billion year old universe, a 4 & 1/2 year old planet, sundry lifeforms that have taken millions of years to evolve. The film is noteworthy for how it makes one realize that nearly every species on earth could be wiped on in a matter of days. While the Cold War is now over & terrorism is the new threat that has emerged to cause us all anxiety, this movie remains a classic. I cannot help but think that the human race is not "out of the woods" as far as a nuclear arms race goes. Someday there will likely be a country that will stockpile enough nukes to take the place of Russia as a nuclear weapons rival. If / when that happens, MIRACLE MILE will have more relevance to our day-to-day lives than ever.
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| 12. Pet Sematary Two Director: Mary Lambert | |
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Description Reviews (41)
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| 13. Northfork Director: Michael Polish | |
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Amazon.com Reviews (53)
Michael and Mark Polish, the same writing team behind the delightfully twisted Twin Falls, Idaho, now unveils Northfork. I'm not sure there are enough good things I can say about this movie, and yet I feel I lost a lot in translation from the big screen. The basic structure around which all the stories revolve is the moving of the (real) town of Northfork, Montana, to higher ground in 1955. Various subplots involve three teams of related men hired to move the locals who refuse to leave their homes; the priest who runs the local orphans' home, which is left with a sole orphan to place; and four individuals impossible to describe who are searching for a relative. The acting in this film is simply superb, which is to be expected given its high-powered cast. James Woods, Nick Nolte, Kyle McLachlan, Claire Forlani, Daryl Hannah, Peter Coyote, Michele Hicks, Ben Foster, and Anthony Edwards, among many others, all make appearances (one wonders only why the Polish brothers didn't case their favorite actor, underrated comic genius Garrett Morris, in this one). The sound transfer to the DVD is one of the worst I've ever heard, however; the voices are mixed so painfully softly compared to the ambient sound that subtitles are a necessity in some parts of the film unless you want the cops citing you for noise violations. Use the subtitles. You want to catch what's going on. Despite the darkness of the locations and cinematography (which lends the film a claustrophobic, ominous air throughout), the main feeling of the work is a sense of pure whimsy. Angels in Montana in 1955? Well, that would seem to be the case, along with a conspiracy to hunt them down and amputate their wings. James Woods actually says the words "Whatchoo talkin' bout, Willis?" and pulls it off. The eviction agents find themselves in increasingly absurd situations as they travel from house to house, and the orphan, who is terminally ill, orchestrates wilder and wilder delusions in his head. (Possibly. It gets hard to tell what's real and what's going on in the boy's head.) I'd be hard-pressed to call Northfork a comedy, but it contains moments of sheer comic genius. Brilliant. ****
I typically trust film critics' tastes, however they were severely off the mark with this film. It upsets me to think that I have wasted my time and money. View at your own risk!
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| 14. The Client Director: Joel Schumacher | |
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Amazon.com Reviews (46)
Although not even a teenager yet, Mark (Brad Renfro) is as tough as they come - a Memphis trailer park kid who gets most of his education on life's really important aspects from TV, has already helped his mom (Mary-Louise Parker) get rid of the wife-beating guy he now calls his "ex-father," and since then has been the man in the house, taking care of his eight-year-old brother Ricky whenever their mother is at work (i.e., most of the time). So Mark doesn't scare easily; and even if he really is afraid, he'd rather drop dead than admit it. But with both the mob *and* the feds on his trail - the former out to kill him before he can share the dirty little secret they suspect Romey has spilled before blowing out his brains, the latter hell-bent on making him share that very secret - even Mark has to face the fact that he is in way over his head ... and yes, he's scared, too; and not just a little. Worse, his brother is out cold, in hospital being treated for post-traumatic stress disorder because watching Romey's suicide was more than his delicate eight-year-old soul could take, and their mother is in hospital with Ricky on the doctor's orders because Ricky might need her when he wakes up. (Consequently she's also out of a job, because her sweat-shop employer doesn't take kindly to this sort of family emergency). Reluctantly, Mark therefore concludes that he needs an attorney. And in short order, he lands on the doorstep of Regina "Reggie" Love (Susan Sarandon), middle-aged but only a few years out of law school, through which she put herself after her husband left her for a younger woman, not without depriving her of their children's custody and branding her an unfit mother. But what starts as a hesitant relationship at best on Mark's side soon turns out his one stroke of luck, because Reggie is probably the only lawyer in town not afraid to take on even powerful U.S. Attorney "Reverend" Roy Foltrigg (Tommy Lee Jones) and the FBI, and ultimately willing to put her own job at risk for her client. While condensing some of its elements, the movie's screenplay follows Grisham's novel fairly closely, taking part of its dialogue straight from the book. Yet, "The Client" lives not only from John Grisham's gripping story but also - and primarily - from its characters and outstanding cast, including the ever-reliable J.T. Walsh (FBI Agent McThune), William H. Macy (Ricky's doctor), Anthony Edwards (Reggie's assistant Clint), Ossie Davis (Judge Roosevelt) and Walter Olkewicz ("Romey" Clifford). Unquestioningly most memorable, however, is the quintet at the movie's center. Brad Renfro was selected by Schumacher for his first-ever screen appearance as Mark because he had a somewhat similar background as the story's hero and thus, an intuitive understanding that, along with his innate toughness, ultimately proved more convincing than the acting skills of more experienced child actors; and indeed, he so compellingly carries his part that he deservedly garnered a 1995 Young Artists Award. Susan Sarandon earned another Oscar nomination for her portrayal of Reggie, who actually listens to her clients and makes sure even those of their desires that may seem trivial to others are taken care of; such as Dianne Sway's wish for a walk-in closet. (Sarandon's Academy-Award nomination was her fourth after "Atlantic City," "Thelma & Louise" and "Lorenzo's Oil;" but although she had to wait yet another year to finally score an Oscar with "Dead Man Walking," "The Client" at least won her a BAFTA Award). Tommy Lee Jones plays the bible-quoting Foltrigg with his tongue firmly planted in his cheek and thus, although occasionally terrifying, makes him a more complete and almost even likeable character; much more so than he is in Grisham's novel. Mary-Louise Parker's Dianne Sway truly brings to life the young besieged trailer park mom desperately trying to get a grip on her life, and Anthony LaPaglia finally is simultaneously frightening and unintentionally funny as the slick but not overly bright mob killer Barry "The Blade" Muldanno, the source of Clifford's (and consequently everybody else's) problems. So, watch this for the outstanding performances of the five central characters as well as the fine ensemble cast, for one of John Grisham's most gripping yarns, and for Joel Schumacher's excellent editing and sense of place. This may not be a major milestone in movie history (except regarding Brad Renfro's career of course), but it's without question one of the best thrillers of the past 15 years and easily recommended on that basis alone.
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