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| 1. Joshua Director: Jon Purdy | |
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Amazon.com Reviews (96)
There are no real surprises in "Joshua," especially since the opening credits tell us that Giancarlo Giannini plays the Pope in the movie we are about to see. But the point of the story here is not to tell you anything you do not already know. The message, when Joshua actually articulates one, is the one that has been around for almost two thousand years. So the attraction here is the enticing "what if?" as to what it would be like if Jesus suddenly showed up in your neck of the woods and started doing things and talking to people. Joshua does not preach series nor does he tell parables. The important thing here is that when you talk, he listens to you. This is not the first time that a movie has tried to portray a more "realistic" type of Jesus. There was Jeffrey Hunter in the 1961 film "King of Kings," where Jesus walked among the masses while he gave the Sermon on the Mount. In "The Passion of the Christ" the focus on the story is on the scourging and crucifixion of Jesus, but in the film's few flashbacks James Caviezel reveals a remarkably accessible figure. Tony Goldwyn has an advantage in that he does not have to wear the beard, long hair, and flowing robes of the conventional images of the Biblical Jesus. He plays Joshua as what you can only describe as being a good guy, which is more difficult to play that you would think. Auburn is not a modern Sodom or Gomorrah. The worst you can say about the place is that the different denominations are not paying attention to each other. But then one of the points about Joshua is that he not only fixes churches and carves statues of Peter, he also fixes small things. "Joshua" is about the ministry of Jesus and the miracles have the same affect they did the first time around. The supporting cast is solid, with F. Murray Abraham as Father Tardone, the local priest who is suspicious of the stranger in town, Kurt Fuller as Father Pat Hayes, who is captivated by that same stranger, and Stacy Edwards as Maggie, who has a different idea as to what void in her life Joshua can fill. Granted, anyone who has never been to church on Sunday is not going to be interested in this film, but "Joshua" should appeal to most Christian audiences, who will find it a pleasant reaffirmation of their beliefs.
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| 2. Driven Director: Renny Harlin | |
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Reviews (160)
Directed by Renny Harlin (A Nightmare on Elm Street 4:The Dream Master, Die Hard 2:Die Harder, Deep Blue Sea) made a familiar but extremely underrated (at time stupid) race cart film. Stallone wrote the Screenplay from a Story by Jan Skrentny & Neal Tabachnick. The film also stars:Stacy Edwards, Gina Gershon, Brent Biscoe & Cristian de la Fuente. This was a huge Box Office Flop but it did fine on Video & DVD. DVD's has an terrific anamorphic Widescreen (2.35:1) transfer & an strong-Dolby Digital 5.1 Surround Sound. DVD Extras are:Commentary Track by the Director, Deleted Scenes with/without Commentary by Stallone, Behind the Scene featurettes & more. This might be far from Stallone's best films but it's worth a look. Super 35. Grade:A-.
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| 3. Local Boys Director: Ron Moler | |
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Description Reviews (19)
Eric Christian Olsen and Jeremy Sumpter star as Randy and Skeet, brothers whose policeman father "died a hero" (as Randy likes to say) in the line of duty. Skeet wants to learn to surf, so Randy buys him a surfboard for his twelfth birthday. But like so many other well-meaning though self-centered older brothers, he buys one that is too big (that way he'll have a spare) and then leaves Skeet to learn on his own. When legendary surfer Jim Wesley (Mark Harmon) sees Skeet's pitiful attempts at riding a wave, he befriends the boy, buys him a suitable board, and offers to teach him the proper way to surf. Skeet and Jim become fast friends and Jim even begins a tentative relationship with the boys' mother (Stacey Edwards), much to Randy's displeasure. (Randy loathes Jim, sees him as a threat to his status as "man of the house" and refuses to cut him any slack.) But Jim has issues of his own to deal with, since his own wife and daughter were killed in a car crash a couple of years before. And then there's Skeet's unresolved emotional problems surrounding the death of his father to deal with as well-- "Local Boys" isn't exactly loaded with surprises since you can tell where everything is headed almost before the film starts. But it is done with taste and restraint and a refreshing lack of melodrama, except for a ridiculous suicide attempt late in the film by one of Randy's surfer buds (Guiseppe Andrews), whose father thinks is a lazy, pothead loser (which, incidentally, he is) and is forcing to join the Marines. As for the brothers' relationship, it is tender and sweetly rendered, yet combative and utterly believable, thanks to the terrific performances of Olsen and Sumpter. Olsen, who bombed badly in the "Dumb and Dumber" sequel "When Harry Met Lloyd," makes Randy likeable even when he's acting like a spoiled jerk, mainly because he never lets the audience lose sight of how much he loves his brother and mother. He's convinced he's trying to protect them from being hurt by Jim, but in reality, he's protecting himself. As for Sumpter, he is simply amazing as Skeet, creating a character who is not a mini-adult but a believable, emotionally fragile pre-teen who idolizes his older brother, yet occasionally finds him a major league pain in the you-know-where. Couple this with his fine performance in Bill Paxton's "Frailty," and the result is a young actor of exceptional promise. In addition, Harmon and Edwards, who co-starred as lovers on TV's "Chicago Hope," also score solidly and once again make a believable couple. Harmon, in fact, has developed into a reliable and solid character actor who manages to elevate every scene he's in, no matter how pedestrian. And he's 100% believable as a surfing legend. Unfortunately, Edwards, who was magnificent as the deaf "victim" in Neal LaBute's "In the Company of Men," is given little to do as the mother, but what she is given she does extremely well. And Andrews offers amusing support as the pothead friend. Give credit to director Ron Moler, who does a creditable job on both the character-driven scenes and the surfing sequences, which are refreshingly believable in that they concentrate on surfers riding real waves instead of the ridiculous tidal waves of "Big Wednesday" and other recent surfing films. How refreshing that the director doesn't feel the need to thrill the audience with laughable computer-generated surfing sequences in which normal surfers become superhuman thrill-seekers. Moler also successfully captures the "look" of the Southern California beach scene and it's surrounding neighborhoods. As for the DVD itself, the presentation is crisp, the sound excellent and is presented in the original aspect ratio of 1:85:1. In all, this one's a winner. Surfers can watch it without groaning, and non-surfers will find the story touching and the performances refreshingly good for a direct-to-video release.
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| 4. The Next Best Thing Director: John Schlesinger | |
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Reviews (99)
You have to wacth it if you don't and buy it if you haven't.
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| 5. In the Company of Men Director: Neil LaBute | |
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| 6. The Bachelor Director: Gary Sinyor | |
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Amazon.com Reviews (54)
About the Movie: One of the most refreshing things I found in this movie was the positive view that was eventually given to marriage. O'Donnel's character goes from a single man who enjoys his single and somewhat philanderous lifestyle to a man who understands the joy of committing heart, soul and body to another person. He comes to realize that some things in life are more important than money or sex. The neatest part about all this is how he comes to this realization. It comes partly through his attempts to find a wife on short notice, but mostly it comes in the voice of a role model that is almost universally denigrated in movies these days... a priest. I found that to be a nice change. Plotwise, this film is standard romantic comedy material. Boy loses girl, boy seeks girl, girl makes things difficult, boy gets girl. What makes this movie special is the offbeat way the whole situation is presented and eventually resolved. It's just plain fun, especially that memorable chase scene near the end. The supporting cast (which includes Hal Holbrook, Artie Lang, James Cromwell and Edward Asner) is excellent in this film, though at times a little overplayed. James Cromwell's priest is downright charming and O'Donnell plays his role as the uncertain bachelor rather convincingly. Together with the rest of the cast they make for some great and entertaining comedic moments that are laugh out loud funny. The only really low spot as far as acting goes is Anne. Renee Zellweger is ok in her role as Anne, but as an actress, I feel she has a tendency to come off as a ditzy blond. Her character suffered a little from that, making her, at least for me, a lot less appealing as the female lead than she could have been. Like many comedies these days, the Bachelor also suffers from the sex syndrome so prevalent in modern movies. Jimmie has clearly slept around a lot in the past, and it's implied that he and Anne are 'intimate.' Just once I'd like to see a romantic comedy without any sex involved, with a guy who's saving himself for the one he wants to spend his life with. I guess that's too much to hope for. But, I suppose in this movie, the lifestyle fits why he's not so eager to abandon it. The other issue with this film is the language. The language in The Bachelor is often unnecessarily crude (usually sexual references or unfortunate potty colloquialisms) pushing the rating up to PG-13. It could have been a better, more family friendly film had they kept some of the language a little tamer and less earthy. It hurt the movie, and it didn't have to. In the end, some of this film is a little clichéd, but overall it holds together pretty well, and makes the payoff at the end definitely worth it. Over all, the Bachelor is a fairly entertaining movie that makes a great date film (if you can overlook the language). About the DVD: The picture on this DVD is exceptionally clean, even on high resolution screens. This is what DVDs are supposed to look like. The sound is decent, though nothing that will knock you out of your seat. The special features on this DVD are what you normally see on budget DVD releases, the theatrical trailer for the movie and a cast filmography section. This DVD release has the added bonus, however, of being a PC DVD-ROM with extra features when played on a computer. These include a script to screen feature, access to the original theatrical website and a links to wedding resources. I've always found the script to screen feature on DVD's to be fascinating. While it's really only any interest to those who enjoy the finer points of film making, it's interesting to read the script while the movie plays. I do have a complaint however. The Script to screen feature forces you to watch the movie in fullscreen while reading the script. As a fan of widescreen, I found that restriction a little annoying. Bottom Line: A fun film with some flaws on a budget DVD release with one significant extra. I'd give it 3 Stars.
For women, on the other hand, the institution of marriage is often thought of in fairy-talesque ways. The prince marries the princess and they live happily ever after. The gentleman chooses the most romantic locale and the most perfect day to pop the question. Then, when he does ask for her hand in marriage, he does it with a poetic eloquence that would rival Keats. The present movie pokes fun @ both men and women for their pre-conceived notions about marriage. Chris O'Donnell plays a happy-go-lucky independent male who has not yet hit 30. He has seen his friends get "picked off" one-by-one by the marital epidemic. Meanwhile, the ultra-adorable Renee Zelwegger plays a young woman who has been bred on all the popular fiction about how "perfect" everything will be when she gets married. She's also expecting a breathtakingly perfect evening in which her man will offer her the rest of his life. As you have probably guessed, these two protaganists fall in love but their different viewpoints cause a great deal of friction. The result is nothing short of a hilarious satire on the differences in how men & women look over a lifelong bond. There are some zany twists & turns in the plot, but that is the main gist of the storyline. If you like Romantic comedies, this one is a dandy. I'd recommend this film for anyone who has ever been married. And, if you've never been married......I'd recommend this DVD even more!
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| 7. Black & White Director: James Toback | |
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Reviews (41)
Take a look at the top selling DVDs or the box office receipts and you'll see what Americans like, an easy to follow story line, lots of conflict, a few burning cars and shoot em up scenes and of course, a happy ending, one in which the conflict is resolved. This flick is none of these, rather it's an experiment, one that flopped horribly in the box office. I've come to learn that many of the best films fail to make money. Spiderman.....please give me a break! If you enjoy film as an art, buy this flick and you won't be disappointed. If any one tells you anything else, ask them for the best flicks in their collection and I'll bet they are all box office smashes that go great with a $5.00 box of popcorn.
This movie now sits in the bottom of the barrel of bad movies I've seen, next to Armageddon, Lost and Delirious, and a few others. I've never seen Brooke Shields look worse - dreadlocks and a nose-ring...I understand it is not a movie about her or her looks, but still, her dialogue ("Let us share your life!" or whatever - I'm trying to forget the movie) was just weak. Also, for some reason, that tiny camera she carried did not convince me of her documentarian prowess... Robert Downey Jr was kind of interesting as Brooke's gay husband, and his brief scene with Mike Tyson was kind of funny, but that did not make up for the rest of the movie. Claudia Shiffer was pretty good, although her character ...., as did all the others. I had no interest in the characters or the lifestyle that was portrayed. The commentray by James Toback was just as hard to listen to as the movie was to watch. He seemed to be on tranquilizers, mumbled frequently, and thinks himself great. 1 star, only for Robert Downey Jr & Mike Tyson. Can you decipher my vernacular? ... Read more | |
| 8. Speakeasy | |
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| 9. Men Seeking Women Director: Jim Milio | |
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Reviews (3)
Grant Shaud plays Les, the instigator of the bet, while Will Ferrell and Anthony Palermo play Al and Nick, respectively. All three are close friends, and, on their 33rd birthday (all three were born on the same day) Les talks them into putting up 2 grand apiece for the bet, money none of them can really afford to lose. On answering personal ads, all three men have various degrees of success. The funniest being Al (Will Farrell) getting cold feet when meeting his blind date in a restaurant, and trying to skip out on her through a bathroom window. As the movie progresses, Les becomes entangled in a particularly sticky situation, Nick employs a bit of chicanery to try and win the bet, while Al goes through a series of very funny situations in his quest. While this may seem like a romantic comedy of sorts, it's more of an episode of Men Behaving Badly. As we get to know the men, we develop an understanding as to why none of them are involved in a committed, meaningful relationships with women. They claim to want what most of us want, but their actions seem to say otherwise. Will Ferrell steals the movie, providing quite a bit of comic relief, but with a hint of underlying desperation that fleshes out his character nicely. While there are sometimes darker undertones that appear within the movie, I wouldn't call this a black comedy. The superficialities that most people have seem to lie closer to the surface with these three men, especially Nick, and ultimately ruin their chances at succeeding with their relationships with women. There was a line in the movie, when Al and Les are talking about Nick where one of them says, "Nick's world is a great place to live...if you're Nick." I think this can be said of all of them, and really works to illustrate their overall problem. Soon we see negative effects on their lives, to which the men attribute to the bet, but it appears that the bet only served to amplify negative aspects already present within the men themselves. None of the men appear to be very likable from the start, garnering little sympathy from the audience as their misfortunes pile up, but the ending suggests maybe something was learned as each is forced to deal with the consequences of their actions. In my opinion this movie is not a romantic comedy, so if that's what you are looking for, look elsewhere. If you are looking for a fairly funny comedy with semi-serious undertones, then rent this movie before buying, see if it fits your tastes.
Will Ferrell is a photographer who has some of the worst dates imaginable. Basically, Will steals every scene he's in -- but be prepared, it's totally different than anything else I've seen him do. It's a very understated but hilarious performance. There's also a very funny scene when one of the guys relates a near-death sex experience. | |
| 10. Four Dogs Playing Poker Director: Paul Rachman | |
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Amazon.com Reviews (8)
If that were not enough, there's an entire sequence, later on, when the four remaining characters--one has already met his end--sit around in their respective apartments and wait, and it's really not clear what they're waiting for or why. There's shots of them ingesting drugs, fretting, making phone calls, picking up the phone, ignoring the phone, etc., etc. Add to that a revelation, at the end, that makes no sense and you have a chaotic disaster posing as an arty, hip, suspense film. The "four dogs" are four friends who concoct a plan, along with a fifth person, to steal a priceless Degas statue from a rich guy's mansion in Argentina, then deliver it in New York to a classy thug (Forrest Whitaker) and get paid 100 grand each. When the piece disappears, they're faced with either extinction or payment to Ellington, the thug, of a million bucks. The plan they come up with to make good on the million dollars involves taking out backdated life insurance policies, each worth that much, and then having one of them kill another one to collect the insurance. This itself is pretty preposterous; one of the four, an attractive woman, works at an insurance company and she manages to have her boss sign the policies, EVEN THOUGH BACKDATED, thanks to her seductive charms. Like, excuse me, give me a break, OK? There never is any poker played. Four cards are drawn to determine who will kill and who will be killed. Therein lies the substance of this ridiculous waste of time. Don't bother. ... Read more | |
| 11. Prancer Returns Director: Joshua Butler | |
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| 12. Spontaneous Combustion Director: Tobe Hooper | |
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| 13. Next Best Thing Director: John Schlesinger | |
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| 14. Prancer Returns Director: Joshua Butler | |
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| 15. The Fear Director: Vincent Robert | |
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| 16. Society/Spontaneous Combustion Director: Tobe Hooper | |
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| 17. Mexico City Director: Richard Shepard | |
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| 18. The Fear Director: Vincent Robert | |
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| 19. In the Company of Men Director: Neil LaBute | |
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