Amazon.com

Optimism shines in this classic 1960 Disney film starring Hayley Mills. When the newly orphaned Pollyanna comes to live with her wealthy aunt in Harrington Town, life looks promising. Despite her aunt's insistence on propriety and modesty, Pollyanna's cheerful, optimistic ways spread throughout the town--converting even a cantankerous recluse and a whining hypochondriac. Only Aunt Polly has trouble welcoming her young niece into her heart. In a clash between the townspeople and Aunt Polly over local politics, it's Pollyanna's influence that helps individual townspeople find the inner strength to stand up for their own beliefs. When Pollyanna is involved in a serious accident, Aunt Polly finally realizes how much she loves her niece. Can Aunt Polly and the entire town somehow restore Polly's optimism and ensure a full recovery? Pollyanna is wholesome entertainment that will leave the entire family eager to play the "glad game." --Tami Horiuchi ... Read more

Reviews (20)

The Glad Movie
My mom picked up this movie at our library because we didn't have anything to watch and it looked interesting. Well, it was more than interesting, it was fantastic!

Hayley Mills was awesome as Pollyanna, and Jane Wyman, Nancy Olsen, and Richard Egan were all very well cast and played their parts beautifully.

It was in this movie, incidentally that Hayley Mills made her debut into Disney movies, and she went on to make other wonderful movies for Disney, the most memorable one, "The Parent Trap" (See my review for that movie also!)

The DVD has literally millions of extras, including a documentary, commentary with Hayley Mills and director David Swift, and sound tracks of Hayley singing the 'The Glad Song,' which unfortunately is not in the movie.

You will not be disappointed if you see this fantastic movie. It's a timeless classic that will never grow old.

Pollyanna touches every heart.
Grab your pillow, your favorite stuffed animal and head into the family wagon! Wait! Come Back! Okay, the days of the Drive-in movie are all but gone. But, the folks from Disney have created a terrific alternate experience with their "Vault Disney" DVD series. Each film fully restored, commentaries and documentaries galore and a cartoon short (Mickey Mouse in THE NIFTY NINETIES) preceding it making the evening a family event just like the Drive-in... without the fumes or the fighting with your brother.

After losing her parents, Pollyanna is sent to stay with her wealthy controlling Aunt Polly. But Pollyanna is innocently immune from her Aunt's control. Gradually, the browbeaten town starts to brighten up in conjunction with Pollyanna's optimistic viewpoint. Eventually, it all comes to a head when Pollyanna is given tragic cause to sour her own attitude. Try as you will to avoid it, tears will fall.

Pollyanna elevated Hayley Mills to Super Stardom and an optimistic reputation that she still can't shake. And her effervescence makes the hoopla worth it. Pollyanna's optimism comes out of Mills mouth as if it were her own. Several wonderful performers including Jane Wyman, Agnes Moorhead, Karl Malden and Disney favorite Kevin Corcoran surround her. Director/Screenwriter David Swift does a great job bringing the favorite novel to the screen. So much so that he was asked to helm Hayley next film THE PARENT TRAP.

The Disney Organization continues to provide its fan base with many smiles with its DVD output. The vault collection also includes other family favorites THE PARENT TRAP, SWISS FAMILY ROBINSON and OLD YELLER. They have also started their archive collection, which includes THE SILLY SYMPHONIES, the entire DAVY CROCKETT series, important episodes of DISNEYLAND, and color MICKEY MOUSE cartoons. Let's keep 'em coming!

Oldy But Goody
I grew up watching Pollyanna, so I decided that I HAD to have it for my collection. I just re-watched it yesterday and remembered why it was one of my favorites.

Pollyanna's parents die and she must go live with her rich aunt Polly. Pollyanna is so optimistic, but everyone in Harrington Town is so pessimistic and it's all because of strict aunt Polly. Pollyanna tries to turn the town around by teaching them the glad game - basically the idea of being optimistic. It's a cute story and teaches a good lesson.

My only complaint - for a Disney movie it is LONG! 2 hours and 15 minutes.

The Glad Movie Everyone Should See!
I was 9 years old the first time I saw Pollyanna on the Wonderful World of Disney back in the early 1970's. I had read the book and was thrilled to see it on the screen. Haley Mill's performance is outstanding and is worthy of an Academy Award nomination. Jane Wyman, Agnes Moorehead and Adolph Menjou also give first rate performances as Aunt Polly, Mrs. Snow and Mr. Pendergast. Throughout the circumstances of life Pollyanna has a choice: she can either give into the circumstances which surround her while adopting the attitude of defeat or rise above the circumstances and "be glad". This is a movie which will inspire you!

A Touching, Moving Film!
When "Pollyana" came out in theaters in 1960, I went to see it with the other neighborhood kids. I was a boy of 9 at the time, and didn't think too much of it.
Seeing it again as an adult, the emotional depth of it hit me very hard. You have to live a lot of those things yourself in order to appreciate them. It's no corny cliche that love has the power to transform the lives of people it touches.
Pollyana did nothing more than give her own simple kindness to the townspeople, and many of them were quite taken aback at it. But it wasn't wasted. The townspeople thronged back to Pollyana in gratitude when she needed them most. It moves me to tears. All the actors make it a believable, special story.
By all means, show this DVD to the kids. But don't forget that it contains a lot of good things for adults, too! ... Read more

Amazon.com

The futile yet inspiring stand of 300 Greek soldiers against the hugestarmy ever assembled in the ancient world inspired this typical example ofHollywood epic movie-making. King Leonidas of Sparta (Richard Egan,Demetrius and the Gladiators), prevented by political squabblingfrom sending his entire army to defend the narrow pass of Thermopylae,sets out with his personal bodyguard to fight off the ambitious Persianking, Xerxes. Along the way are a pair of young lovers, scantily claddancing girls, and treachery though a secret mountain path. The 300Spartans, made in 1961, has an overstated cold war subtext--there'smuch talk of freedom vs. slavery--and there are a few too many shots ofarmored men marching through the Greek countryside, but the historicalconflict has a fundamentally stirring quality. Also featuring Sir RalphRichardson (Dr. Zhivago, Dragonslayer) as a wily Athenianpolitician. --Bret Fetzer ... Read more

Reviews (32)

Memory vs now
Many of us grew up on these Hollywood 'epics' of ancient history. We remember them fondly. "The 300 Spartans" is one such film. Our memories, however, can play tricks on us. Then we see them again as we age, and our opinions change. We have to remember the times in which they were made and the type of audience that eagerly went to see them.

As a widescreen epic (and you have to see it in the 2:35x1 aspect ratio which the DVD presents), it stills holds some strange fascination.

Sir Ralph Richardson is the one stand-out performance; somehow, British actors seem to be able to deliver stilted dialog in such a way that it seems somehow classical. Richard Egan was also a good actor. As the Spartan king, his performance is consistant and even believable. He is rugged-looking and seems to understand what his character is all about. He brings the character on the page to some sembelence of life.

The rest of the cast make their characters seem cut from a comic book, or a very bad high-school production. This is especially true of David Farrar as the Persian King, who tears up the screen without once delving beneath the skin to give his role any dimension. These are supposedly professional actors, able to rise above a bad script. Unfortunately, the director accepted only fair performances and let it go at that.

Barry Coe and Diane Baker have the unfortunate roles of the young lovers. They were both young contract players at Fox and neither convinced anyone that they were either Spartans or that they were ever actually in love. Mr. Coe has one unfornutate line: "Have you heard anything about the Persians?" He delivers this like a football player asking his coach about the opposing team.

The script does present the story's history with fair accuracy. Once the Spartans get on the march, the pace picks up nicely, and the battle scenes are well staged. As usually happened with these epics, the production values of the behind-the-camera talent clearly outshone those being photographed.

300 Spartans revisited
I first saw this film when I was 12 or 13. At that age I thought it was an action movie and I took it solely for that - it was good with large battle scenes, sword clanging against shield, etc. However, it is a little deeper than that. The film tells the story of King Leonidas of Sparta who took a small cohort of Spartan soldiers to stand at Thermopylae against a huge Persian army. Most of the rest of the Greek city-states declined to send troops because the pass was so far from their territory. Leonidas realized that the pass was the best place to meet the Persians as the narrow space would allow a small force to block a tremendously larger force. The Spartans marched hard to get to the pass before the Persians and then fought like demons when the Persians arrived - actually driving them back and temporarily routing them with some well-planned tactics and ferocious sword play. After several days their position is betrayed and their meager allies killed or put to flight. The Spartans are then surrounded. Their sacred customs do not permit surrender or retreat so they make a suicidal charge at the Persian king. Leonidas falls and the Persians then massacre the remaining Spartans who refuse to give up his body.
Richard Egan is suitably noble and brave as Leonidas. It is obvious that he fears nothing as he wades into battle with spear,sword and shield. One comment is that Leonidas is like his name - that is, like a lion, and he is. The supporting cast is also quite good, including Sir Ralph Richardson as Themistocles (a crafty Athenian politician and statesman) and Diane Baker in an early role. The film is in technicolor or some similar process so the color of the Spartan's cloaks is a brilliant red and there are a lot of other bright colors, perhaps a little bit much considering the gore. What is perhaps most impressive and memorable is the music playing in the background as the Spartans march - it is haunting. As Leonidas says - no army in the world marches faster. The Spartans march for several days with almost no rest and the music slows to mirror their exhaustion - the men look haggard, dirty and unshaven - yet they continue to march. These marching scenes may be the best in the film showing the desperate race to reach Thermopylae before the Persians. At the end of the film there is a flashback to the Spartans marching with the music in the background. A narrator explains that the Greeks went on to defeat the Persians in large part because the Spartans delayed them long enough for an organized defense to be planned - also, perhaps because all of Greece was awed by the remarkable courage and nobility of a small band who sacrifice their lives for their country.
The film has definite defects and the end result could have been better. However, it is still quite good and I find that I like it even better now. While the film takes a few liberties with history, the basic story line is accurate - small group of Spartans under Leonidas hold off huge Persian army at Thermopylae and go down fighting. I have seen the film rated as only one star - I don't know who did this rating but it is off the mark badly - it is easily rates four stars and just missed five.

Exciting,dramatic recreation...
THE 300 SPARTANS does creditable job of recreating one of the most famous Last Stand battles in history. Director Rudy Mate makes excellent use of on-location sites to render the mytho-historical Battle of Thermopylae fought in August of 480 BC. An elite, 300 man-guard of Sparta's Battle King Leonidas arrayed itself in the narrow "Hot Gates" pass.[North of Athens and Thebes, but far north east of Lacedaemon/Sparta. This is critical,because Sparta's senate initially voted to defend much closer-to-home portion of the Peloponnesian Peninsula near the strategic land bridge of the Gulf of Corinth]. Xerxes,invading Persian Monarch and would-be world conqueror, myriad legions were averred so numerous that their force "drank the streams dry" marching to the attack.

Richard Egen does excellent job as Leonidas. He is charismatic yet characterisically laconic leader of Lacedaemons whose "warrior cult" society was legendary even to its Greek City-State peers,embodying The "RETURN HOME WITH YOUR SHIELD...OR ON IT!" victory or death ethic. David Farrar is fine as haughty despot Xerxes who none the less conveys astonishment(and once when a desperate,final Flying-Wedge assault by the Spartans threatens him personally)and respectful fear. Sir Ralph Richardson's role as Athenian senator who struggles to cobble unity from fiercely independent Hellenic poleis is "instructive" and understated.As noted,the background romance involving Diane Baker and a Spartan soldier initiate is essentially filler; Mate employs it well,however, to introduce a Greek traitor who discloses the mountain pass which allows Persians to flank...annihilate...the Spartans and their small cohort of allies.

THE 300 SPARTANS may not be epic film making but it's quite good. It's interestingly attentive to detail(wicker shields for Persians;the Lambda signum on shields of Spartans...dressed in red cloaks so enemies cannot see them bleed.)Photography is fine using both panoramic sweep and jump-cut close-up's. Battle scenes are convincing(lacking CGI magnus/extravagance)effectively conveying claustrophobic chaos and terror of close, no-quarter combat. This is an exciting,dramatic recreation of one of the signum battles of history. Overwhelming odds are confronted by resovled courage. It's the right stuff of myth that both chides the spirit as well as excites the imagination.

Your spear is for yourself. Your shield is for the line.
Here is a credible portrayal of the heroic stand that the 300 Spartans made at the pass of Thermopylae in 480BCE. Trying to make their way through the pass was a Persian army that likely numbered around 200,000. It was led by king Xerxes, son of Darius.

The Persians were set on conquering Greece, and Xerxes was out for revenge. 10 years earlier, in 490BCE Darius had launched an ill-fated invasion force that was turned back at Marathon. This time, Xerxes believed he had a large enough army that the outcome of the war between Greece and Persia would not be in doubt.

Unfortunately for Xerxes, he had never faced a fighting force of the like fielded by the Spartans. The valiant Lacedamons along with a handful of Greek coalition forces held the pass for the better part of 3 days.

On the third day, the Spartan king Leonidas dismissed the rest of the Greek forces so that they would live to fight another day. The Thespians declined to leave and they stayed and fought to a last man alongside the Spartans.

It is this obstinate and awe-inspiring battle that is depicted in the film. All-in-all, it is quite well done and does a reputable job of introducing most of the major characters in the period such as Themosticles, Leonidas, Xerxes, Mardonious, Aspasia and Ephialtes.

The best part of the film lies in its authenticity regarding Spartan battle dress and weaponry. In the film the Spartan shields have an upside down "V," which was the symbol of the Homoioi (full citizens). This was, in fact, what their shield depicted.

The Laconians had a long (roughly 8 foot) spear + a short-sword, and this is what the actors wielded. The Spartans also wore red to (supposedly) hide their blood, and this is accurately brought out in the film as well.

On the downside, there are a few weak parts of the script. The most egregious is an anachronism; Mardonious informs Xerxes that the Spartans "fight like machines."

There are also some directorial lapses and a few spots where armies are supposed to be in close combat and yet the extras move so slowly that you think they don't have a care in the world. I rather doubt the tension at Thermopylae 2,500 years ago would allow for such insouciance.

The acting is fairly good. Richard Egan gives a solid performance as the venerable Leonidas. The Xerxes in the film is not, I would think, too far removed from the actual pompous king who invaded Greece all those centuries ago.

Aside from all that, the primary reason one should buy this DVD is that it is real history. While some of it is fabricated and fudged, it is nevertheless an excellent representation of what really happened. To this day, to commemorate those three days in August of 480BCE there is an epigraph at Thermopylae. Translated into English, it reads thus:

GO TELL THE SPARTANS, STRANGER PASSING BY
THAT HERE OBEDIENT TO THEIR LAWS WE LIE.

Not as good as I remembered
Of course, that is because I was a very young child when this movie was originally being played. It's still fun to watch. The acting is marginal, costumes are poorly done and some of the spoken lines are terrible. It's main redeeming quality...it's a good clean movie that is biased toward the admirable qualities in mankind...duty, honor, country. This is something that you don't get to see very often from Hollywood these days.

I waited a very long time for this to come out on DVD, and bought it immediately. It will forever be part of my collection, and I will watch it many more times over the years. It's not The Ten Commandments or Ben Hur, but for me and probable many other baby boomers, it's still a "must have" movie. ... Read more

Reviews (6)

The iceman cometh
THE HUNTERS is a good war movie saddled with a lame and unconvincing romantic subplot. Robert Mitchum plays Major Cleve Saville, a little long in the tooth fighter pilot newly arrived in Korea to lead a squadron of F-86 Sabre jets. While stationed in Tokyo awaiting assignment he meets weak little 1st Lieut. Carl Abbott (Lee Philips) and his cute little wife Kris (May Britt), as well as slang spewing rookie pilot Lieut. Ed Pell (Robert Wagner.)
As an action picture THE HUNTERS is incredibly entertaining, especially the filming of the jet dogfights. Unfortunately, there's a rather substantial romantic subplot involving a sour little triangle whose points are Carl and Kris and Cleve. Every romantic scene sucks the life right out of this movie. May Britt may be beautiful but her "affair" with Saville borders on the melodramatic and is pretty unconvincing. How often do you tell a married woman after your second platonic visit that you love her? The only reason for the romance is to establish tension between Saville and wing man Abbott, anyway.
Mitchum teamed with director Dick Powell a year earlier on THE ENEMY BELOW, one of the best WWII movies available. With that movie in mind, it's doubly disappointing to see him fall back on cliched characters, like the cocky rookie Ed Pell, and a trite and time consuming love story.
There's more to like than dislike in THE HUNTERS, but not nearly as much as I expected when I popped this dvd into the player. I liked this movie a bit less than I wanted to. Make sure to play both sides of this double-sided disk, as there are a different set of 'Special Features' on each side.

The Citizen Kane of modern air/space combat movies!
When I was 11 years old, I saw this movie when it was released. In its air combat sequences, The Hunters is the Citizen Kane of all modern air/space combat movies, as revolutionary for its time as Star Wars later was to be for its time. While prior air combat movies had been on the square screens, usually in B&W, The Hunters was filmed in state-of-the art CinemaScope (widescreen) and Technicolor. Its air combat sequences -- twisting jets on each other's tails soaring in mountainous clouds, then diving and roaring a treetop level through valleys -- were brilliantly conceived and breathtakingly executed -- unlike anything that had been seen before. They still hold up with the best ever filmed, although they've been copied so much (by movies such as Top Gun and Star Wars) that they no longer have the knock-your-socks-off novelty that they originally did. Unfortunately, the feel-good screenplay, with a distracting romantic subplot, bears no resemblance to the gritty, macho novel on which it was based. In James Salter's best-selling novel, the Robert Michum character, Cleve Saville, is a WWII veteran fighter jock who can't get a kill to save his soul, then has no witness when his first-and-only kill (before he himself dies) is the legendary enemy ace. Hence, The Hunters movie is really a first-rate action-hero fantasy set in wartime. (...)

Jet-Propelled Action !
"The Hunters" is a well-made, exciting Korean war drama, with the accent on aviation. It has an above-average plot for this type of film, and the whole movie, particularly the aerial sequences, is expertly directed by Dick Powell. If you are interested in combat aircraft, there are many scenes of F-86 Sabre Jets engaging MIGs in dogfight battles to the death.

While the planes are great to watch, this film is primarily about human beings caught up in war. It stars Robert Mitchum, and he is terrific--his fighter pilot character is a born leader, yet he also suspects there is something important missing in his life. He enters into a guilt-ridden relationship with the wife of another pilot, played by lovely May Britt. When there's a war on though, the feelings of two people aren't worth--as someone once said--"a hill of beans". Mr. Mitchum's main job is to lead a fighter squadron, and satisfy his boss on the ground--Richard Egan in a strong performance, knowing that every day he may be sending a man to his death.

Just to make things even more interesting for Mr. Mitchum, his squadron includes Ms. Britt's husband ( a paranoid, self-doubting Lee Philips ) and a cocky, young "hotshot" who doesn't like "rules" ( a young, excellent Robert Wagner ). It would be unfair to reveal more of the plot, but the film is consistently interesting and exciting.

The DVD is full screen on one side, and wide-screen on the other. The colour is very good for a 46-year old film. It does not have "surround sound", of course, unlike that 1986 aviation hit, "Top Gun"--then again, "Top Gun" didn't have Robert Mitchum ! Tom Cruise has a nice smile--but, for leadership and grit, I'd follow Robert Mitchum through the gates of hell !

Actually, I'll give "The Hunters" 4 1/2 stars. Action--suspense--romance--Sabre Jets--Robert Mitchum--what more do you want ? Thanks, Fox--a very nice disc !

The Hunters--Fighter Pilot's Attitude
The HUNTERS catches the atttitude of the Fighter Pilot Ace. Great performances by Robert Mitchum, the WWII veteran who won't fly a desk and Robert Wagner as the kid "hotshot" pilot.
Additionally great work by Richard Egan who is Mitchum's commander and flew with him in WWII. The scenes between Egan and Mitchum are the highlight of great acting in the movie. Perhaps Egan's best work ever.

Definitely an Ace
"The Hunters" (1958) and "The Enemy Below" (1957) are 2 war movies produced by Dick Powell for 20th Century Fox filmed in Cinemascope both with Robert Mitchum in the leading role.

Major Cleve Saville (Robert Mitchum), the squadron commander, is a famous ace and veteran fighter pilot of World War II. He is a career man whose world was his squadron and the men who flew with him. Lt. Pell (Robert Wagner), in the early part of the movie, is a reckless but eventually courageous young jet ace to whom Saville owe his life. Lt. Abbott (Lee Phillips) is the confused husband of Kris (May Britt) whom Saville falls in love with although their acknowledged desires are never to be fulfilled.

The picture is based on the novel "The Hunters" by James Salter who is himself a jet ace in the Korean conflict. In the late 50's long before the development of CGI technology, real fighter jets F-86 Sabrejet and F-84 Thunderjets (painted gray with a red star to simulate MIG-15) were flown in the aerial battle sequence which made it the more realistic than Pearl Harbor (2001).

I have kept like a treasure a copy of "The Hunters" VHS tape and it is pretty worn out by now from years of repeated viewings. Thank you Fox for putting it on DVD...46 years after its theatrical release. ... Read more

Amazon.com

Here's the alpha point of Elvis Presley's film career, the introduction of the raw-boned Mississippi boy into Hollywood pictures. E.P. takes a supporting role, and his entrance is delayed for nearly 20 minutes: kid brother to returning Civil War soldier Richard Egan, his character marries Egan's sweetheart Debra Paget when Egan is presumed dead. It's a chance for Elvis, his face still trembling with baby fat, to emote dramatically and finish tragically, both of which he does passably well. A serviceable Western, the film shamelessly shoehorns four Presley tunes into two sequences: E.P. crooning on mama's porch, and performing at a country fair (where starchy locals don't seem disturbed at the boy's gyrating hips and happy feet). All in all, a shrewd way to put a foot in Hollywood's doorway, and, of course, one of the last Presley movies to feel like a real film and not a vehicle for the King. --Robert Horton ... Read more

Reviews (13)

Love Me Tender
Comparing this film with other films from the same period I think it is a very good film. Of course it is a musical. There is also a forgotton significance to this film. Most of the Elvis concert footage from this period is weak. This film allows an Elvis fan to see him perform via Paramount film footage. Even though they are movie songs and he is lipsyncing he still throws in those 1950's moves.

The movie was filmed in 1956 and it is Elvis Presley's first role. He receives third billing to veteran actor Richard Egan and actress Debra Pagent who is known for her role in The Ten Commandments.

It is a western set in the Civil War Period. Vance (Richard Egan)is called to serve in the Confererate Army. Clint (Elvis Presley) is too young to serve and stays home to tend the homestead. Cathy (Debra Pagent) is Vance's girlfriend and her family is killed in the war.

Cathy goes to stay with Clint & his mother until Vance returns. At some point they are given bad information that Vance has perished in the war and eventually Clint & Cathy become married.

Vance and his army buddies (not knowing the war is over) rob a train office and are pursued by army officials as they head home. Once home Vance finds out about Clint & Cathy and though he pretends to be happy for them he is awefully hurt by the marriage.

Though Clint is glad his brother is alive and well he is also growing increasingly uncomfortable with the situation. Elvis gives a really good performance as he starts becoming paranoid and thinking Cathy & Vance still have something going between each other.

The tension ensues between Clint & Vance over Cathy and over the money stolen from the train office and ends in a showdown between Clint, Vance and his old army buddies.

Elvis is hit by a bullet and dies in the end.

For those who say Elvis cannot act, I guess they never watched him die.

Elvis' film debut and first view on-screen is a milestone!
"Love Me Tender" was a complete success when it first came to theaters November 15, 1956. The love triangle in this story is one-in-a-million! Elvis does such good acting in this picture that some fans could consider it his finest acting...and it's only his first movie! Elvis does four songs in the picture: "We're Gonna Move", "Love Me Tender", "Let Me", and "Poor Boy." Although "Love Me Tender" is set after the Civil War the songs Elvis sings are closely related to rock'n'roll. Very disappointing when Elvis' character dies near the end. Elvis' mother did not like that at all. I cried when Elvis' character dies, and after the family walks solemnly away from his grave there is a ghostly close-up of Elvis singing "Love Me Tender." I was shocked, and cried at this! Elvis fans, if you want something a little more uplifting, try "Loving You." Elvis didn't like when he did the songs in "Love Me Tender" because his band wasn't there with him on-screen.

My Favorite Elvis Movie!
Love Me Tender is, by far, my favorite Elvis movie. Yes, Elvis sings but it is the storyline that clinches my 5 star rating.

Elvis plays Clint Reno, the youngest of his brothers who stays behind to tend the family farm while the others go off to fight in the Civil War. The family receives word that the oldest brother, Vance (played by a very handsome Richard Egan) is killed. Cathy, Vance's love, has lost her family in the war and now that Vance is killed, she has no one. Clint marries her and believes that she loves him the way in which he loves her. He does not realize that her heart still belongs to Vance.

Their lives are forever changed when Vance along with his brothers, reappears. He is intent upon marrying Cathy, of spending the rest of his life with her. He soon finds out that she is not free. She is now Clint's wife. Shattered and heartbroken, he conceals his feelings from his younger brother. Yet, he cannot contain the overwhelming love he has for Cathy. Nor can Cathy remain so indifferent. Knowing that Clint will soon discover the feelings they still have for each other, he makes plans to go away. But Fate intervenes.

One reckless act during the war jeopardizes Vance's future. He and his fellow soldiers have taken money. Money that has been traced back to them. They are ordered to return it or face prison. Vance and his brothers agree to this intent upon finding the other members of his troop that took part in this robbery.

Unexpectedly, Clint meets up with the members of Vance's troop and learns the horrible truth. Vance had always loved Cathy. Had longed to marry her. He believes that he was played for a fool and his jealousy and anger escalate causing him to act rashly.

Love Me Tender is an excellant story. This isn't a musical nor does Elvis sing in every scene. The plot is tightly woven with sadness, betrayal, jealousy and a love that will not be denied.

Beforwarned, the ending isn't happily-ever-after. Elvis does die yet I believe that there could have been no other ending. He could never have made Cathy happy especially once Vance came back. With every glance she cast his way, the longing was there in her eyes. And this he knew . . .

An excellant plot, believable characters and the sound of the King's voice. What better way to spend an afternoon. :)

Elvis Presley's first film at the age of 21.
Nothing extra in this DVD but the original trailer of "Love Me Tender" available to see in English and the Spanish version and trailers of FLAMING STAR (1960) and WILD IN THE COUNTRY (1961). This film is shown in squeezy widescreen.

Reno Brothers
Good movie worthy of any western collection as well as Elvis collection. Again for those who don't think Elvis had talent to act this first movie showed what could have been developed. The death scene is good. Good movie for the whole family. ... Read more

Amazon.com

Amid a cast of all-stars in 1953's The Robe, Victor Mature made the strongest impression as the Greek slave, Demetrius. It was only natural, then, that Mature should star in this 1954 sequel, in which the newly liberated Demetrius forges an alliance with his Christian brethren to hide the sacred robe of Christ, coveted for its "magic" by the vile emperor Caligula (Jay Robinson, also reprising his role in The Robe). Captured and manipulated into believing his beloved Lucia (Debra Paget) has been killed, Demetrius rejects his pacifist faith, plots vengeance while becoming a rising star in the bloody arena, and falls prey to the scheming senator's wife Messalina (Susan Hayward), who craves his... affection. It all leads to a crisis of faith that will determine Demetrius's fate as a noble Christian or downfallen hedonist.

Inheriting The Robe's CinemaScope production values, Demetrius and the Gladiators has everything you'd want in a Biblical epic, riding the wave that would crest two years later with Cecil B. DeMille's The Ten Commandments. It's campy, of course--Robinson is outrageously over-the-top; Mature is too contemporary (preceding the absurdity of Richard Gere's King David by 30 years); and Hayward seems closer to Rodeo Drive than ancient Rome. Still, there are abundant pleasures here, from the lavish arena battles (a bit cheesy, but still impressive) to a straightforward morality tale that doesn't compromise its themes of religious loyalty. You don't watch movies like this for historical accuracy, but for the combination of thrills, passion, and glory that were Hollywood trademarks of 1950s epics, long before the more secular ambition of Gladiator. --Jeff Shannon ... Read more

Description

In 1674, "reformed" pirate Sir Henry Morgan is a high official in Jamaica, but Edward Maynard hopes to win a large reward by proving Morgan still dabbles in piracy. Maynard goes undercover as ship's surgeon with a Morgan henchman...who's been supplanted by the notorious Blackbeard himself. Also on the ship is Edwina Mansfield, seemingly a damsel in distress, to whom there's much more than meets the eye. A great pirate adventure awaits them all! ... Read more

Reviews (5)

Robert Newton's over the top performance as Blackbeard
"Blackbeard the Pirate" was one of the films that really freaked me out as a kid. This is not because this 1952 film is anywhere near a great film but because of the way that Blackbeard (Robert Newton) meets his fate at the end. That might be the first genuinely scary thing I ever saw in a movie on a Saturday afternoon (after the transformation of Elvira Gulch into the Wicked Witch of the West). You would expect more from director Raoul Walsh ("Captain Horatio Hornblower," "They Died With Their Boots On," "High Sierra," "Battle Cry") but this film is subverted by the over the top, eye rolling, leering performance by Newton. Come up with the most extreme seafaring pirate accent you can come up with ("Aarrr") and you will still fall short of what Newton uses in "Blackbeard the Pirate" (and that includes Johnny Depp in "Pirates of the Carribean: The Curse of the Black Pearl"). The only thing that makes Newton's performance look okay is that of William Bendix, who plays first mate Ben Worley and is so miscast in the role that it makes his infamous performance in the titel role of "The Babe Ruth Story" look better in comparison.

Linda Darnell has little to do besides looking good as damsel in distress Edwina Mansfield, the comely captive with whom the 17th century buccaneer falls in love. Yes, yes, that is indeed Irene "Granny" Ryan as Alvina, the lady in waiting. Torin Thatcher (great name) is Sir Henry Morgan, the former pirate who is set by the King of England to hunt down Blackbeard. Just to make things interesting, Edwina turns out to be Morgan's daughter. But she likes Edward Maynard (Keith Andes), a honest lad who ends up as the ship's surgeon on Blackbeard's pirate vessel. By the standards of the time this is a pretty bloody little film, and you can certainly argue that Blackbeard gets his just deserts (shudder), but time and time again Newton's performance turns this into too much of a cartoon; even if the end of this film still freaks me out.

Blackbeard sails once again!!!.....the DVD
I have this movie recorded on tape, but I just now stumbled on the DVD on Amazon. This movie nearly outranks Treasure Island which is also one of my favorites. Robert Newton, fresh from his role of Long John Silver in Treasure Island, does a surperb job in the role of Blackbeard, the most feared of all pirates. William Bendix adds comic relief as Blackbeard's First Mate Mordey. Linda Darnell does really good in her role as Edwina Mansfield, and I forgot who did the role of Robert Maynard, but he does a good job in the role, and last, but not least, whoever does the role of Sir Henry Morgan, does a excellent job of it. I saw this movie on DVD, and I may purchase it off Amazon. If you didn't see this movie, you don't know what you're missing. I recemend this movie to everyone who loves pirate movies. Glad it's on DVD. Thanks Amazon.

Robert Newton's over the top performance as Blackbeard
"Blackbeard the Pirate" was one of the films that really freaked me out as a kid. This is not because this 1952 film is anywhere near a great film but because of the way that Blackbeard (Robert Newton) meets his fate at the end. That might be the first genuinely scary thing I ever saw in a film on a Saturday afternoon (after the transformation of Elvira Gulch into the Wicked Witch of the West). You would expect more from director Raoul Walsh ("Captain Horatio Hornblower," "They Died With Their Boots On," "High Sierra," "Battle Cry") but this film is subverted by the over the top, eye rolling, leering performance by Newton. Come up with the most extreme seafaring pirate accent you can come up with ("Aarrr") and you will still fall short of what Newton uses in "Blackbeard the Pirate." The only thing that makes Newton's performance look okay is that of William Bendix, who plays first mate Ben Worley and is so miscast in the role that it makes his performance in "The Babe Ruth Story" look better in comparison.

Linda Darnell has little to do besides looking good as damsel in distress Edwina Mansfield, the comely captive with whom the 17th century buccaneer falls in love. Yes, yes, that is indeed Irene "Granny" Ryan as Alvina, the lady in waiting. Torin Thatcher (great name) is Sir Henry Morgan, the former pirate who is set by the King of England to hunt down Blackbeard. Just to make things interesting, Edwina turns out to be Morgan's daughter. But she likes Edward Maynard (Keith Andes), a honest lad who ends up as the ship's surgeon on Blackbeard's pirate vessel. By the standards of the time this is a pretty bloody little film, and you can certainly argue that Blackbeard gets his just deserts (shudder), but time and time again Newton's performance turns this into too much of a cartoon; even if the end of this film still freaks me out.

Blackbeard the Pirate
This film is classic Saturday matinee pirate fare from 1952. The tongue-in-cheek coupling of 18th century lingo with 1950's hip slang is clever. Critics who bashed this film missed the point--it's simply to be enjoyed. It's a semi-farce,and should be viewed as such.

Excellent casting, charaterizations and script. Good seafaring musical score and great special effects considering the technology that was available at the time the film was produced. And Robert Newton, despite criticisms, is clearly the best pirate to ever grace the silver screen. Good perfomances by Linda Darnell, Keith Andes, William Bendix, and Irene Ryan (granny Hillbilly). Better than average in every way. But what less than a cool flick like this could you expect from RKO in the postwar era? ARRRRH!

WE'VE BEEN ON THIS BOAT BEFORE
The early 1950s proved to be a Golden Age for pirate movies as Hollywood countered the threat of small, black-and-white TV screens with big, colorful adventures set in exotic Caribbean locations. Although "Blackbeard the Pirate" has all the trappings of such rousing adventures as "Against All Flags" and "The Crimson Pirate," it lacks the necessary verve and style needed to lift it above the routine level.

Robert Newton makes for a larger-than-life title character but he'd be better in small doses and he's given little opportunity to modulate his boisterous performance. Linda Darnell does what she can with the damsel-in-distress part but that's simply not enough. Keith Andes has the face and physique of an action hero but his bland personality is probably what kept him from becoming a star. There is an interesting moment when he's flogged across his bare back, and Newton orders that salt be thrown on his bloody welts in order to increase the pain. Here's one of those unique touches that the movie could have used more of, but -- typically enough -- little is made of the situation. Andes doesn't seem to be affected by the salt and there's no shot of his face to show his reaction to this punishment.

William Bendix, Irene Ryan (in her pre-"Beverly Hillbillies" days), and a young Richard Egan provide adequate support, but no one really seems to have his heart in this project. ... Read more

Reviews (1)

Fabulous trashy camp
The Damnded Don't Cry is one of Joan's best performances in a trashy, camp film noir that while not entirely credible is still wonderfully entertaining. Joan's role is laughably too young for her which only adds to the outlandish camp quality of the film. David Brian is his usual tough and creepy self while Steve Cochran provides vintage eye-candy!
Not to be taken seriously, simply enjoy this one in spite of yourself. ... Read more