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| 1. The Cannonball Run Director: Hal Needham | |
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Amazon.com Reviews (53)
With such a great cast, its somthign you dont see too often with the amount of actors that where put into this movie! Burt Reynolds, Dom DeLuise, Farrah Fawcett, Dean Martin, Sammy Davis Jnr, Roger Moore, and so many other great cameos and actors in this film! Including the introduction role to introduce Jackie Chan into the American market! This was Jackies first English speaking movie! This whacky car race accross the states, involves some of the best stunts caught on film! Hal Needham sure knew what he was doing when he put this classic together! Unfortunalty it dosent come with much of a bonus feature selection, theres an Audio Commetry with a couple of insighfull things about the movie. And the usual cast and bio thing. But it would have been great to see deleted scenes, but they probably dont exsist anymore? but that dosent drag this great fun for all action ride! I recomend you buy it with Cannonball 2. As I think Cannonball 2 is one of the rare seaqulls that was just as great as the original! And if they ever release Speed Zone (known as Cannonball Fever in other places) I'd recomedn getting that one too! If you like whacky ,over the top, crazy, action, comedys with alot of great stunts with vehicles, then this is the top of the list for anyones collection!
Other stars joining in the challenge are Dean Martin and Sammy Davis, driving a Ferrari dressed as priests. Adrienne Barbeau and Tara Buckman provide some stimulating appearances as Marcy and Jill in a Lamborhini that looks somewhat like Darth Vaders personal space ship. There's an hillarious fight scene towards the end of the film featuring Peter Fonda and Jackie Chan that will keep you smiling for days. Even after twenty years, still wonderfully refreshing and entertaining. Don't miss it. :)
The best part of the movie is the opening session, one sleek black Lamborghini tearing up the road. The rest is ridiculous and corny. More emphasis should have been placed on the cars rather than the actors, actresses, and corny stuff. "The Gumball Rally" did a better job with two lovely cars and serious acting mixed with just the right amount of comedy; not corny and ridiculous antics. Scenes of beautiful actresses in this movie are nice but who needs it if there are beautiful cars and who wants to see an ambulance go cross country, that killed me. Buy "The Gumball Rally" instead if it ever comes out on DVD. If you still have a (soon to be antique) VHS player then your lucky and can buy it now. If you really want this movie though buy my copy for four bucks so I can take back 50% of my loss. It's only been used once and I won't use it again.
The second movie was so so the chimp making phun of people was kinda dumb..will there be a third? who knows. /me gets a captain chaos costume a bunch of friends ready to drive cross country (with cameras) walla Cannonball Run 3.. Fort Walton Beach, FL to Hawthorne, CA. (It would be fun) - http://www.robfwb.com
This is a hilarious movie that never gets old, despite the fact that it was released in 1982. Big name starts (at the time) Burt Reynolds, Dom Deluise, Sammy Davis Jr., Dean Martin, Farrah Fawcett, Terry Bradshaw, Mel Tillis, Roger Moore, Jamie Farr, and...some unknown guy named Jackie Chan, all race against each other in The Cannonball Run, a race from sea to shining sea. This movie is way better than its sequel, the Cannonball Run 2. | |
| 2. Once Upon a Time in the West Director: Sergio Leone | |
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Reviews (219)
Don't get me wrong, harmonica aside, this is a great movie - amazing composition, great pacing, very stylized, awesome score (of course). I still think The Good, the Bad & the Ugly is a better movie though. If you haven't already, BUY that DVD!
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| 3. High Noon (Collector's Edition) Director: Fred Zinnemann | |
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Reviews (103)
Will Cain (Cooper) on this his happiest day of his life having a wedding and retirement ceremony (from being the town Marshall) has his past suddenly become the challenge of a lifetime. Vengeful returning outlaws are seeking Cain. Everyone wants him to go on his honeymoon and leave town immediately. His sense of loyalty & duty is to stay until the new Marshall arrives. Problem no one stands beside him to defend the town. Will Cain must do it alone. What is so wonderful about this classic black & white western is the real-time scenario from about 10:40 am until 12:00pm "High Noon". Clocks & railroad tracks are the major ingredients to the suspense. These desparados are coming on the noon train. This is a great movie and "The Making of High Noon" with Leonard Maltin is wonderful. You'll be watching this movie more than once. This is a western to have in your DVD library now!
A morality play that was deliberately produced in stark black-and-white to heighten the mood, the story revolves around Cooper's character, the aging Marshal of Hadleyville who, when the film begins, weds Kelly's character. Cooper has retired and plans to return after his honeymoon as a store keeper because his wife is a Quaker and a pacifist. Plans immediately go awry, however, when it is discovered that a notorious killer whom Cooper had arrested and was expected to have been executed, was instead pardoned. The killer is expected to arrive back in town on the noon train to take revenge on Cooper. Three of his equally savage gang have already arrived and are waiting for him at the train station. The townspeople urge Cooper to flee with his new wife, but as he starts out of town, he stops, then returns, convinced that he has a responsibility to protect the town and bring the outlaws to justice. Pinning the marshal's badge back on, Cooper tries to deputize residents, but no one will help him and he is forced to stand alone. In powerful scenes, Cooper is forced to ask for help time-after-time but is turned down by residents who refuse to accept civic responsibility or acknowledge the debt they owe Cooper, rationalizing their decision not to act. Kelly doesn't understand her new husband and threatens to leave on the same noon train if he persists in remaining as the marshall this one last time. Kelly eventually begins to understand what drives Cooper but only after forming an unlikely friendship with his former girlfriend, who teaches Kelly about loyalty and character. Ironically, it is Kelly the pacifist who saves Cooper's life by picking up a .45 and killing one of the gunmen. In the last scene, the steets are utterly deserted until the gunmen are killed, then the townspeople, who had been hiding, flock around Cooper and Kelly. Without a word, Cooper removes his badge and drops it in the dirt. He and Kelly leave together. Throughout the movie, the stirring music and the real-time focus of the minutes ticking by until High Noon, serve to increase the movie's tension. The film combines elements of love, trust, duty, honor and courage in unexpected ways that are both thought-provoking and entertaining. The DVD version is crisp and clean, the story as powerful today as when it was filmed. If you have never seen this movie, you owe it to yourself to pick up this DVD.
During these 90 minutes, Gary Cooper will try to get help from the local population, old friends, and a man who wants to be the next sheriff (Lloyd Bridges). But it will not be an easy task. Add to that the fact that his brand new wife abhorres violence, and threatens to leave him less than two hours after the marriage - in fact she says she'll leave in the train that brings the outlaw Miller to town. People think this is a western classic. Wrong. "High noon" is surely a classic, but not a western. It only happens to be set in the old west. To say the truth, "High noon" is more like a thriller with a Hitchcockian feeling to it. The western setting (violence, lack of respect for the laws, gunfights, dry and sun-scorched landscape, etc.) is present to add to the mounting tension and suspense that grow with each shot depicting the face of a clock and the relentless passage of time towards noon and the train arrival. What makes this movie great is the seemingly dead-end situation, the great dialogues, and very good acting by Gary Cooper (which earned him an Oscar, when the Academy Awards were not given for political reasons), Grace Kelly, Lloyd Bridges, among others (and Lee Van Cleef, the infamous "Angel Eyes" from "The good, the bad and the ugly" - he doesn't say a word, but those eyes are surely creepy). I will not give "High noon" five stars because I felt the script could be a little more developed. The ending is too rushed and kind of unsatisfying. But this is an excellent movie nonetheless. And, I say it again, this is not a "western" in the common sense of the genre. Grade 8.0/10
A seemingly unusual cast includes Gary Cooper ("Sergeant York", "Pride of the Yankees") as the good-guy out-going marshall, Grace Kelly ("Rear Window") as his new wife, Lloyd Bridges ("Sea Hunt", "Airplane") as the deputy, Lee Van Cleef (the "bad" of "The Good, The Bad, and the Ugly") as one silent badguy, Lon Chaney ("The Wolfman"), and Henry Morgan ("MASH"). The movie proceeds in nearly real time - it starts about 10:30 AM and ends shortly after noon - and clocks are increasingly prominent in nearly every scene. The leader of the badmen, Frank Miller, who was sent to prison by the marshall under a death sentence but was released, is now coming to town on the noon train to kill marshall Kane. Three of his friends are waiting at the station to greet and assist him in killing the marshall. That same morning, Kane is getting married to a violence-abhoring Quaker woman and is going to give up being marshall because of it. After learning Frank Miller is coming to town, the wife convinces Cane to essentially skip town and they leave, but the marshall gets his sense of duty back and returns to town. He and his wife argue, and she is determined to leave on the noon train. The judge also packs his things and leaves town. The marshall's deputy also quits. Kane goes around town trying to organize a posse, but only one capable man volunteers (the other is a one-eyed drunk) but he subsequently backs out. Cane is forced to face the men alone. I won't spoil the ending. At a time when movies (even bad ones) were being made in color, "High Noon" was shot in black-and-white, trying to get an unglamorous look to it modeled after Matthew Brady's photographs of the civil war, and succeeds. There is no beautiful sky and clouds, or cactus and sunsets. It is great cinematography however. Oscars for Best Actor, Editing, Song and Score. Reasonably-priced DVD picture and sound are good. It has an average commentary by daughter of actor, son of singer, son of writer and son of director. Also has a short documentary, a fair behind-the-scenes, and a 5-plus minute radio interview with singer Tex Ritter.
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| 4. Kiss Me Deadly Director: Robert Aldrich | |
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Reviews (34)
The Mike Hammer that Meeker portrays is greedy and sadistic. He takes great pleasure inflicting pain on others, and stepping on as many toes as possible to get what he wants. With a lead character as trashy as the one Meeker portrays you can only imagine how cold-blooded the rest of the people in this movie are. "Kiss Me Deadly" is one of the more rarely seen classic detective pictures; this is a shame. From the very first shot of this picture, you can feel the crime-detective genre being pushed and beaten into directions no one has ever seen before. There are some people who did not understand the ending of this picture. It's simple: "Be careful what you go looking for, you might not like what you find." This is one wonderfully stylish, suspensful, and unusual motion picture. You owe it to yourself to check it out!
The movie opens with divorce detective Mike Hammer(Ralph Meeker) forced to pick up a barefoot and naked-under-a-trenchcoat Christina Baily(Chloris Leachman in her first screen role)who, as we soon find out, has escaped from a mental institution and is running down the middle of a remote California road at night. When Hammer is quickly run off the road by gangsters who torture Christina to death and nearly kill Hammer himself his interest is sparked. Hammer smells something big and the cut of something big is...well, big. He decides to give the divorce work a rest and devote himself, his adoring secretary Velda(Maxine Cooper), his Greek mechanic friend Nick(Nick Dennis), and anyone else he can get to do his dirty work for him to this new mystery. The film is rich with Cold War fear and nuclear paranoia as all the characters relentless focus of selfish greed is on "the great whatsit", the mysterious glowing box of material stolen from a nuclear testing facility. Mike Hammer's detective is totally enjoyable to watch although a distinctly unfavorable and immoral character. He whores out his secretary, Velda, without remorse to adulterous husbands to wrap up divorce cases, gets his innocent friend Nick killed by involving him in the case, is a markedly poor detective, and sadistically enjoys physically punishing those who get in his way. KISS ME DEADLY is fundamentally wrapped up in the definitions of the film noir genre, containing all the elements--a stark opening sequence on a dark road, destructive manipulating femme fatales, low-life cheap gangsters, dark expressionistically lit night-time scenes, a vengeful (or greedy?) quest, maybe the best, and most anti-, anti-hero of the noir canon, and a dark mood of hopelessness.
I disagree that Meeker portrays Mike Hammer as a bad guy. He gives everybody what they've got coming; its just that he enjoys it. Don't want to give away the ending but let's just say it has more in common with science fiction than film noir. Those expecting a happy ending should get a different DVD.
Aldrich and screenwriter A. I. Bezzirides took on Mickey Spillane's popular P.I. Mike Hammer, but aside from keeping the basic plot outline of the original novel, they completely changed the nature of the character in a very reactionary move. Spillane's Mike Hammer is a New York detective-avenger, a self-righteous vigilante who deals out justice when the paralyzed forces of the law can do nothing: he's a vicious knight on a mean-spirited quest to right wrongs through brute force. (The title of the first Hammer novel, "I, the Jury" pretty much sums up his attitude.) The movie relocates Hammer to Los Angeles and turns him into a shallow con-artist who only cares about his car and his looks. He's a lousy detective too, relying on knocking people around for information, often innocent inoffensive folks, and never really paying attention to the important details of the case. His detective work is entirely matrimonial, where he and his 'assistant' Velda put the squeeze on couples to blackmail them. Hammer's motto is simple: "What's in it for me?" Ralph Meeker is perfect in the role, looking as if someone carved him out of slab of meat. No doubt, in this story Hammer is in way over his head...if only he knew it. He picks up a nearly naked girl (Cloris Leachman in an early role) who throws herself in front of his sports car. Later, they're run off the road, and faceless gangsters torture her to dearth and leave Hammer for dead. Hammer sets out to find out what's up; not because he cares what happened to the girl, but because he sniffs out big money and he'd like to get the guys who wrecked his sports car! Hammer finds himself in a violent quest to locate an object that everyone desires: a package called 'The Great Whatsit.' The Great Whatsit isn't a meaningless red herring or Hitchcock McGuffin, however. Its contents are the great surprise of the plot, and the perfect exclamation point on a movie taking place in a chaotic world that seems to be falling apart. I won't tell what the Great Whatsit is (and shame on the reviewers here who have!), but...oh wow! And this brings us to the issue of the ending, and the only extra on this disc. (Don't worry, I'm not going to spoil the ending.) For years, "Kiss Me Deadly" had a mysteriously abrupt finale that many people praised for its surreal, weird quality. This was how I first saw it. However, in 1997 the original ending was discovered in Aldrich's personal print of the film by editor Glenn Erickson and film noir scholar Alain Silver. Apparently, an accident involving a careless projectionist snipped off part of the ending, so what we had enjoyed and critiqued for years was actually a mistake! The new ending shown on this disc fortunately doesn't change the tone of the film: it's still pretty astonishing, filled with a brilliant use of light and sound effects. However, there's still something about that abrupt ending that gets to people. The DVD contains the option to watch this original abrupt ending so you can make up your mind which one 'feels' more right to you: what the director intended, or the mistake that many embraced as a stroke of brilliance. No matter which ending you like, "Kiss Me Deadly" is a fabulous piece of brutal crime cinema. The photography is amazing, filled with weird and surreal images and crazy camera angles. The performances are all dead-on: Meeker's ugly Mike Hammer; Albert Dekker as the sinister and poetry spouting Dr. Soberin; Wesley Addy as Hammer's police acquaintance Pat, the sole voice of reason in the mess; Paul Stewart as a smarmy L.A. gangster; the late Jack Elam as freaky thug; and Gaby Rodgers in the film's strangest performance as the distant, weird, but ultimately very dangerous (to every living thing on the planet!) Lily Carver. If you love detective films and film noir, "Kiss Me Deadly" is a great must-see classic. For a 1950s film, it is surprisingly violent and far ahead of its time. And either end will leave you shivering in shock. If only they had the guts to end films this way today! ... Read more | |
| 5. Support Your Local Sheriff Director: Burt Kennedy | |
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Amazon.com Reviews (33)
GARNER PLAYS THE ANTI HERO TO THE HILT. HE IS A SIMPLE MAN WHO IS BASICLY "JUST ON HIS WAY TO AUSTRALIA." HE FINDS HIMSELF IN A QUIRKY 'GOLD STRIKE' TOWN THAT IS DESPERATELY IN NEED OF A SHERIFF. THE WONDERFULLY WRITTEN DIALOGUE IS THE ABSOLUTE STAR OF THE SHOW WITH NUMEROUS MEMORABLE LINES THROUGHOUT THE PICTURE. THE SIDESPLITTING SCENES ARE REALLY TOO NUMEROUS TO MENTION AS THERE ARE SO MANY STAND OUTS. THIS MAY WELL BE THE BEST FAMILY COMEDIC WESTERN PIECE DONE TO DATE. RIVAL FILMS LIKE 'BLAZING SADDLES' WITH THEIR PROFANE ENUENDOS THIS IS ONE YOU CAN WATCH REPEATEDLY AND LAUGH JUST AS LOUD EACH TIME.
SYLSheriff came in second because he was just passin thru on his way to australia anyway.
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| 6. The Villain Director: Hal Needham | |
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Reviews (36)
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| 7. Rio Lobo Director: Howard Hawks | |
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Reviews (11)
John Wayne is moving from leading man with love interest to lovable old coot. Jorge Rivera takes over as the hunk. This is early in his acting career and very early in his English, but he's a doll to look at and OBTW, he does an outstanding leap over a fence. Christopher Mitchum looks very much like his father, and the chemistry between him and Wayne is similar to that of his father and Wayne (see Bob in El Dorado and Chris later in Big Jake). This was Jennifer O'Neal's first movie, and it shows. But Wayne was famous for introducing new actors, even when it was clear they needed practice. Must have been because of the way Wayne himself was mentored in the 30s by John Ford, et. al. Watch his early work and see his own improvement. Sherry Lansing was sexy and later vengeful. In the latter role, she, too, chewed up the scenery. She could have had a respectable acting career, but chose to shatter the movie mogul glass ceiling instead, and more power to her. Then there's the scene stealers. David Huddleston can steal one just by being in it. Victor French is both scary and a coward simultaneously, a hard combination, but he can certainly pull it off. Hank Worden only had one scene, but he's as neat as ever. And finally, Jack Elam was a scenery chewing, crazy eyed loonie, with some of the funniest lines in the whole movie. No, it's not the best, but I like it. It will always be in my personal movie stash.
The Duke is great once again as Cord McNally, the Union colonel in pursuit of traitors. Jorge Rivero is awkward as Pierre "Frenchy" Cordona, the Confederate guerilla who helps Wayne. I don't know whether it is actually Rivero talking or someone dubbing his lines in, but it just sounds funny. Joining them are Jennifer O'Neill, Christopher Mitchum, Jack Elam, and Victor French. Elam is great as usual in his role as the eccentric old man in the town. The DVD has a good widescreen presentation that looks cleaned up compared to the one shown on TBS. Otherwise, there isn't any extras added on. This was Howard Hawks last western, and he made a good one. Good story and exciting action. Deserves a watch if nothing else for those who haven't seen this late Duke western!
Duke, as usual, delivers a fine performance. The similarities in plot line to El Dorado and Rio Bravo are obvious, but Hawks again does a very nice job. Jack Elam's character really saves this movie, though, because the middle is downright slow. Overall, not John Wayne's best, but good. ... Read more | |
| 8. Support Your Local Gunfighter/Support Your Local Sheriff Director: Burt Kennedy | |
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60 for who and 40 for who? Down through time it is easy to get the "support your local" films mixed up. This is the first. This is an educational film teaching you everything from sharing to proper gun pointing etiquette. Everyone has his or her favorite part in this movie. It contains sight gages and puns and jokes (some take time to think about.) I will not go into detail incase you have not seen this as it is fun to watch the story unfold. However it is several overlapping stories tied together by Jason McCullough (James Garner) who has spent four years on his way to Australia and stops for a little gold prospecting. He needs a job to buy food while prospecting, as the position of sheriff is available. O.K. I can not help it. He is handed the badge with a dent from a bullet in it. James Garner: This must have saved his life. Harry Morgan: It would have, if it weren't for all those other bullets. This movie may not have all the DVD goodies you look for but it is DVD so it will last as long as the technology. *** Support Your Local Gunfighter *** "Have you seen Elmer?" The fun in this movie is the interaction of the characters much more than the story. One thing that struck me as funny is the scene where Col. Ames is stretching over in his stiff boots to see if Taylor Barton (Harry Morgan) is hiding under his sister's bead. Another is when Jug sees Latigo asking a woman for money, he says that he was brought up not to ask women for money. Latigo suggest that is because a woman raised him. Who will get the load and who will get the shaft? Will the real Swifty show up? What about Goldie?
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| 9. The Apple Dumpling Gang Rides Again Director: Vincent McEveety | |
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Reviews (5)
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| 10. The Comancheros Director: Michael Curtiz, John Wayne | |
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John Wayne plays Captain Jake Cutter, the big, brawling Texas Ranger who attempts to bring in a prisoner who keeps escaping his grasp, "Monsoor" Paul Regret, played by Stuart Whitman very well. Another notable performance is Lee Marvin's Crow, the contact between Cutter and the Comancheros. He doesn't have a very big part, but what is there is very good. The film also stars Ina Balin, Nehemiah Persoff, Michael Ansara, Patrick Wayne, Bruce Cabot, and Joan O'Brien. Elmer Bernstein also turns in another excellent score that has elements of the Sons of Katie Elder and The Great Escape. The DVD offers a widescreen presentation which looks very good, two trailers(one in Spanish), and also Movie Tone News about an award presented involving the movie. More John Wayne movies should be put out like this, and I give credit to the companies putting out so many new ones recently. A very exciting, enjoyable Duke western that all his fans will love! ... Read more | |
| 11. Cannonball Run II Director: Hal Needham | |
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Description Reviews (34)
get this movie is you want a fun light hearted movie to enjoy.
The race starts in the west coast this time, but throughout the entire movie, they never get past the Nevada desert until the cloing credits. Almost the entire movie take place in the Navada desert so there's not much racing going on.
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| 12. Creature From Black Lake Director: Joy N. Houck Jr. | |
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Reviews (16)
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| 13. Suburban Commando Director: Burt Kennedy | |
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Description Reviews (13)
The Hulkster plays Shep Ramsey, an interstellar hero, who fights space villians. His ship is damaged after a fight with an interstellar nasty and he must hide out on Earth until it can recharge. So he moves in with Christopher Lloyd's suburban family. Christopher Lloyd plays a timid little man who is pushed around by everyone. The Hulkster teaches his to pray, eat his vitamins, and stand up for himself. The jokes in this flick are so funny! I was laughing so hard that I passed out. The scene where the car alarm is afraid of Hulk Hogan is outrageously funny. That scene works on so many levels! You'll lose control when you see it. Also, the scene with the mime is uproarious! In short, this is another Hulk Hogan masterpiece. You have to watch it.
This is my fav movie that Hogan has made. It kind of spoofs Star Wars in a way in the begining. I kind of describe the movie as "what if someone from Star Wars came to Earth for a vacation?" Hogan plays a space warrior who is informed to take a vacation after a battle. He comes to Earth to recharge his ship and blend in for a little while, he gets to know the locals, and becomes almost part of Charlie Wilcocks family (Christopher Lyodd) while beeing persued by a couple of intergalctic bounty hunters. One of which is Mark Calaway , a wrestler known as The Undertaker. Also starring Shelly Deval, and the funny Larry Miller. This is a fammily action/comedy movie. So if your into a pure action movie, give this one a skip. But if you want a movie of this calibur, then check it out, its a great price for such a DVD.... tho im disapointed that it dosent come with any Deleted Scenes, or any bonus features apart from a trailer and a game where you see a picture and then guess which movie it is from, and try to get 10 out of 10.... its a great deal on a pretty good movie! Only Hogan haters, or people expecting it to be more adult will say bad things about it i think? It has some great laughs for a fammily night in.
Charlie Wilcox (Christopher Lloyd) is a middle-aged mortgage broker who is truly stuck in a life void of living. His marriage to wife Jenny (Shelly Duvall looking creepier than ever) lovelessly goes through the motions. Family life for Charlie isn't much better as his dropout son sells MDMA out of his Camaro, and his daughter drunkenly sleeps with everyone at her high school. Charlie's neighbors have killed the Wilcox family dog as vengeance for waking them up with the lawnmower too early one Saturday morning. Charlie has wild dreams of his lone male encounter in college. Life is a wreck of night sweats, confusion, regret, hatred, pills, and alcohol. Perusing the "Men Seeking Men" section of the local weekly for the first time one afternoon, Charlie's fortune takes a sudden turn. He works up the nerve to call an ad promising "one cocky muscle boy and elderly gimp" who will deliver "better than any maleman." Charlie meets Shep Ramsey (Hogan) and Colonel Dusty (Jack Elam in the role that defines his career) at a local tavern and baits his new pals on his plan of suburban destruction with ecstacy stolen from his son. The hit list first comes to Charlie and crew as his Glock-packing son tracks down his stolen goods only to meet his doom from Shep's wet-hot rippling muscles. Soon everyone in Charlie's life is at risk, even Charlie himself. The action pumps up furiously to an explosive climax that you'll want to watch again and again. Hogan went on to do some amazing work in "Mr. Nanny" (which garnered an Oscar nomination) and "Santa With Muscles," but it was "Suburban Commando" that really earned his star on the Hollywood Walk. His performance here drips with the kind of homoerotic sizzle that has defined his career in the ring as well as on stage and film. Highly recommended. Five stars.
If you wanna watch a good movie, hceck out Sting's Shudder Speed. ... Read more | |
| 14. Hot Lead and Cold Feet Director: Robert Butler | |
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