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| 1. Collateral (Widescreen Two-Disc Edition) Director: Michael Mann | |
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Reviews (2)
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| 2. Sneakers (Collector's Edition) Director: Phil Alden Robinson | |
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Reviews (55)
Sneakers on the other hand shows us what the government(and people pretending to be the government) is capable of through the eyes of very entertaining yet somewhat believable characters in the industry. From a phone phreak to an ex cia man, their group covers the gambit in skills and personalities. Redford leads an allstar cast as a good looking social engineer who talks his way past security in lieu of hacking. Dan Akroyd gives a performance unparalelled except maybe for his character in Gross Pointe Blank. So if you are in the mood for something completely different from the Net, Conspiracy theory, and Masterminds, then this is the movie for you. Loved it, seen it uncountable times, just upgraded to DVD version. James *Too Many Secrets* Stewart
One of my favorite movies of all time, for all of the same reasons listed by others here. I own the original DVD, which was released in 16:9 anamorphic, quite ahead of its time. Unfortunately, it's painful to see a favorite movie come out on DVD with so few Special Features. This was a wasted opportunity, considering the quintessential ensemble cast that made this movie as fun as it is. The movie's 11 years old, and while I'm glad Universal thought enough to re-release it earlier this year with director Phil Alden Robinson doing a commentary track, I think there's much more that could have been done. I can understand the difficulty in tracking down such an incredible ensemble cast after 11 years. But as a consumer, I can say: this movie is too good to have this few DVD extras. I *will* buy this new version for the following reasons: It's under $15, my existing copy is worn from repeated use, and I have been hoping for extras such as Robinson's commentary. I am, however, disappointed at the waste of potential on Universal's part: The quality of this movie deserves a DVD with a lot more to it. 5 stars for the movie, 2 stars for the extra features.
For a Collector's Edition, the supplementary material on the DVD is disappointing. The high point is the commentary: the detailed reminiscences of the director and writers are informative and enjoyable. The "Making of" documentary is pleasant, but doesn't build much on the commentary; the comments of the cast don't expand beyond telling who the characters are (only Ackroyd describes anything he brought to his character beyond the writers' amalgam of 70s and 80s phone phreaks and social engineers). The single theatrical preview is nice, but with along with the bonus materials in general, you feel there should have been more. The only other item on the Bonus Materials section is a "Recommendation" for "other films you might enjoy": Field of Dreams (same director/writer), Spy Game (also with Redford), and The Sting (Redford again, with James Earl Jones' father); there aren't previews of these films, just three small DVD cases sharing the screen. No deleted scenes (although several are described in the commentary). No outtakes (you know there had to be some serious hijinks on the set). No scripts or scene comparisons to show the film's decade-long evolution. Not even an Easter egg to reward devoted hackers. Buy this disc for the movie, not the bonus materials. It's a lot of fun and the cast is a "Six Degrees of Kevin Bacon" player's dream. ... Read more | |
| 3. Doing Time on Maple Drive Director: Ken Olin | |
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Reviews (3)
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| 4. Enemy of the State Director: Tony Scott | |
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Amazon.com essential video Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey Reviews (184)
The only extras on the DVD, (aside from the trailer), are 2 mini-featurettes on the making of the film They seem ok but still are nothing more than EPKs (electronic press kits) If you like Smith and Hackman (and who doesn't?) than this is a keeper. This film is what I like to call a "true popcorn eating movie"
Another producer Jerry Bruckheimer/director Tony Scott thrill ride without substance, this time pitting family man lawyer Robert Clayton Dean (played by Will Smith in a ho-hum performance) against a technologically-driven government. Not knowing that the trivial meeting with an old friend would cause him so much trouble, Dean gets sucked into a conspiracy case involving a rogue National Security Agent (Jon Voight) who killed a United States congressman because he accidentally received a video tape with footage of the murder. With incredible surveillance techniques and technology, Voight is able to track all of the lawyer's moves and keep tabs on him. Our hero's life is turned upside down until he meets up with a stealthy former NSA active named Brill (played very well by Gene Hackman). With the assistance of Brill, Dean attacks the government head on and must learn the truth in order to save his life. Director Tony Scott brilliantly uses the camera to portray his views, jolting the characters through a series of incredible chase scenes, rip-roaring explosions, and intense firearm combat, but ultimately "Enemy of the State" focuses solely on the unbridled advances in special effects abilities that it keeps the audience from understanding the story and getting involved with the characters. Smith is only adequate in his first major "dramatic" role, while Hackman and Voight pick up some of the slack in their devilishly effective parts. A must-see if you are into big explosions and dynamite cinematography, but one to leave on the shelf if over-acting and a mediocre script are an annoyance.
Will Smith is startlingly good in his best performance since Six Degrees Of Seperation - if only he would turn in these great performances in credible, interesting films more often, and is well supported by a strong cast that includes Gene Hackman, Jamie Kennedy and Jack Black amongst others. This comes highly reccomended for an evening's entertainment and is truly exhilirating and packed with plot and intrigue that puts most regurgitated, lame excuses for a storyline to shame. Great stuff.
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| 5. Funky Monkey Director: Harry Basil | |
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Description Reviews (2)
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| 6. Mystery! Coyote Waits Director: Jan Egleson | |
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For those who have read the book you will notice many instances where the story is altered and people moved around. The most striking is that Emma is still alive and the cat (Slim) is back. They had to add the character of Slick Naki to cut out about an hour of skinwalker investigation. I can say no more without giving away the mystery. Jim Chee sits drinking coffee while partner Tribal Policeman Delbert Nez meets his demise. Chee catches the obvious perpetrator. A Navaho shaman, with a bottle in one hand and THE gun in his belt. Case closed. Because of his guilt at not backing up his partner and at the insistence of Chee's on again and off again relationship with the defending attorney, Janet Pete, Chee must find out for him self what happened and if he may have made a mistake. Both men are pushed into what looks like an endless number of overlapping mysteries of which the murder of Delbert Nez is just one. They - and we - must deal with the history of the CIA and that of witches. ... Read more | |
| 7. Mercury Rising Director: Harold Becker | |
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| 8. Sneakers Director: Phil Alden Robinson | |
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Amazon.com Reviews (55)
Sneakers on the other hand shows us what the government(and people pretending to be the government) is capable of through the eyes of very entertaining yet somewhat believable characters in the industry. From a phone phreak to an ex cia man, their group covers the gambit in skills and personalities. Redford leads an allstar cast as a good looking social engineer who talks his way past security in lieu of hacking. Dan Akroyd gives a performance unparalelled except maybe for his character in Gross Pointe Blank. So if you are in the mood for something completely different from the Net, Conspiracy theory, and Masterminds, then this is the movie for you. Loved it, seen it uncountable times, just upgraded to DVD version. James *Too Many Secrets* Stewart
One of my favorite movies of all time, for all of the same reasons listed by others here. I own the original DVD, which was released in 16:9 anamorphic, quite ahead of its time. Unfortunately, it's painful to see a favorite movie come out on DVD with so few Special Features. This was a wasted opportunity, considering the quintessential ensemble cast that made this movie as fun as it is. The movie's 11 years old, and while I'm glad Universal thought enough to re-release it earlier this year with director Phil Alden Robinson doing a commentary track, I think there's much more that could have been done. I can understand the difficulty in tracking down such an incredible ensemble cast after 11 years. But as a consumer, I can say: this movie is too good to have this few DVD extras. I *will* buy this new version for the following reasons: It's under $15, my existing copy is worn from repeated use, and I have been hoping for extras such as Robinson's commentary. I am, however, disappointed at the waste of potential on Universal's part: The quality of this movie deserves a DVD with a lot more to it. 5 stars for the movie, 2 stars for the extra features.
For a Collector's Edition, the supplementary material on the DVD is disappointing. The high point is the commentary: the detailed reminiscences of the director and writers are informative and enjoyable. The "Making of" documentary is pleasant, but doesn't build much on the commentary; the comments of the cast don't expand beyond telling who the characters are (only Ackroyd describes anything he brought to his character beyond the writers' amalgam of 70s and 80s phone phreaks and social engineers). The single theatrical preview is nice, but with along with the bonus materials in general, you feel there should have been more. The only other item on the Bonus Materials section is a "Recommendation" for "other films you might enjoy": Field of Dreams (same director/writer), Spy Game (also with Redford), and The Sting (Redford again, with James Earl Jones' father); there aren't previews of these films, just three small DVD cases sharing the screen. No deleted scenes (although several are described in the commentary). No outtakes (you know there had to be some serious hijinks on the set). No scripts or scene comparisons to show the film's decade-long evolution. Not even an Easter egg to reward devoted hackers. Buy this disc for the movie, not the bonus materials. It's a lot of fun and the cast is a "Six Degrees of Kevin Bacon" player's dream. ... Read more | |
| 9. Girl Director: Jonathan Kahn (III) | |
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| 10. Slappy and the Stinkers Director: Barnet Kellman | |
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Description Reviews (12)
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| 11. Wes Craven's New Nightmare Director: Wes Craven | |
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Description Reviews (128)
The idea for the movie is very original, because the setting is set in the "real world". In this movie, Freddy gets a new look, and the way it ended leaves a possible sequel. If you don't know what Robert Englund (he plays Freddy Krueger) looks like without the make-up, go see this movie!
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| 12. Sand Director: Matt Palmieri | |
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Description Reviews (12)
The only redeeming quality (and hence the only reason I rated it 2 stars instead of 1) was Denis Leary. While I don't care for him much as an actor or person, he did a fine job in what was otherwise a horrible film. Michael Vartan, the main character (also from Never Been Kissed and ABC's "Alias") was simply OK, but nothing he or Leary could do could resurrect this movie. I put this on the level of "Eye of the Beholder"--star power with star suckage. Here's a mental note to myself next time--stay away from "dramas" that costar Jon Lovitz & Emilio Estevez. Blockbuster, I want my $3.99 back.
-It doesn't make any sense. Why are is the family there? Why are some of the family more stupid and irritating than others (besides the main one)? How the hell did those two guys die? -The acting in the movie was overall very bad. Maybe a D. The only people saving the movie (hahaha) was Dennis Leary and Michael Vartan. Leary actually had some character and Vartan had character during the first half of the film and in the second half of the film he seemed liked he was making a cameo every ten minutes. He totally diappears in the movie. -What are with the cameos? Jon Lovitz and Julie Delpy? Yeah, they were useless. Where they intended to be comic relief? Well, they weren't funny. And, he's the best cameo yet. Emilio Estevez who was front dvd case and starring status. He appears for so little of the movie that we dont even know what he is supposed to be. A beach bum? No idea. -The characters were quite an embarassment. Seriously, the only character with a brain were Wurher (the character, not her acting), Vartan, and Leary. -There seems to be missing scenes scattered about. How did their couples relationship occur? How did the baddies die? What are they doing in town? Why is this movie so dumb? -I paid 10 bucks to watch this. Blockbuster owes me 20. double for bothering to watch the movie.
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| 13. The Mod Squad Director: Scott Silver | |
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Amazon.com With Hollywood facing increased pressure in 1999 to curb its screen violence, this film arrived with perfect timing. The only problem is the film was aimed at an audience that never saw the early-1970s TV series that inspired it, and this dubious recycling resulted in paltry returns at the box office. Nevertheless, this is an enjoyable action movie with some noteworthy performances--especially from Omar Epps, who shines with strength and vulnerability, like a young Laurence Fishburne. The energetic camera work and throbbing soundtrack also stand out, alongwith some retro styling and a plot that's refreshingly free of excessive violence or gratuitous special effects.--Jeremy Storey Reviews (29)
Just copy that formula, with Clarie Danes--who IS cute--and bingo, instant hit. But no. First we kill off the guy who's supposed to watch over them. Next, we make them unsympathetic slackers. Finally, add a dash of silly, dated dialog like "Solid, man". (Which sounded ridiculous, even in the 60s, trust me). I don't know who Giovanni is but he should get some sleep and try breathing through his nose so he can close his mouth occasionally. Even when he isn't talking his mouth is open. Didn't they give any thought to the lack of chemistry between these actors--and how unappealing they are in these roles? I'd send them back to prison.
Seriously, those of us who actually paid money to see this dribble weren't going in for Masterpiece Theatre. What we got was the thrill of telling everyone we know that we paid to see one of the worst films of all time. Yippee. ... Read more | |
| 14. Stepmonster Director: Jeremy Stanford | |
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| 15. Mercury Rising - DTS Director: Harold Becker | |
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The theme of autism was handled superficially, leaving the viewer with too little information, but the highly structured life-style, the eternal sidelong glance and the savant quality of the autistic boy were certainly intriging aspects in the movie. The beginning of a relationship between Bruce Willis and the boy was also a meaningful element which speaks to a potential in autistic individuals rarely recognized. In addition, a reader of the book, SIMPLE SIMON, upon which this movie is based, writes an enlightening review about encryption and the powers of the U.S. government which may be accessed at the Amazon site for this book. It would be nice to know if Hollywood is ever listening. Good storytelling can be extremely satisfying for the audience; without total formulaic stereotyping and without losing dollars. Perhaps the makers of MERCURY RISING might take another small step toward good story telling with their next movie by developing the themes and characters equally well as the action and violence.
There might be some minor gaps in the storyline of "Mercury Rising," but nothing that does anything to hurt the movie in my opinion. This movie shows how great of an actor Bruce Willis really is and the boy does a great job too. The effects are also well done and the movie has good suspense. If you like good suspense movies, I recommend getting "Mercury Rising."
The premise concerns an autistic child who is able to sightread extremely high-order classified ciphers. He's accomplished exactly that with the National Security Agency's latest version, which he's accessed through one of the lamest plot twists imaginable. (They've placed it in a puzzle magazine to beta-test it--no, I'm not making this up.) So great -- the NSA hires the kid and turns him loose on Chinese, French, and other unfriendly ciphers, right? No they do not. Wake up -- this is Hollywood. They send goons out to kill him, which is where Bruce Willis, playing a conflicted law-enforcement officer of uncertain antecendents, comes to the rescue. From there on it's the standard huggermugger--unnecessary hairbreadth escapes, elite assassins who turn dopey at the most convenient moment, all-but-omniscient villains who can't see the obvious trap at the climax, etc. The acting was phoned in. Willis can do many things well, but he can't do conflicted. For some peculiar reason, the guy who fed Buscemi into the wood chipper in "Fargo" has his hair dyed black in this one. All traces of quirkiness evident in his performance for the Coens has vanished here. The sole exception to the overall blandness is provided by the Bloviator himself, Alec Baldwin. Perhaps the film's major offense is the implication that whole scheme is being carried out in support of Iraqi agents working against Saddam. (Kind of getting a jump on Fatboy Moore here.) Baldwin repeats this contention several times during the film, very impressively, too. With conviction, you might say. All in all, this is a film that makes "Enemy of the State" look good. A clearer recommendation I cannot provide.
The plot of his script was simple. It was about an autistic boy named Simon who can read the secret codes embedded in crossword puzzles. In other words, he took a common urban myth and wrote a script about it. Not original, but certainly compelling. Add Bruce Willis to the mix and you have a big budget movie. Then one day, his agent called. He was nervous. A major studio was offering a six figure number for the movie. When other movie studios heard about it, a war of escalation ensued. Soon, they were trying to outbid each other. The price kept climbing and climbing and climbing. Finally, the agent had enough. The script was sold. Presumably, the scriptwriter got to stay married and pay off his rent. And, I hope, socked the money away into savings. Because this movie sucks. The movie went through several title changes, a sure sign that there's a problem. It was originally supposed to be Simon Says, but the execs changed it because nobody knew what that meant. So they changed it to Mercury Rising instead. As Dr. Evil would say, "Riiiight." There's a few problems. One of them is translating onto screen the depiction of code. Apparently, the movie decides code decryption sounds like a high-pitched whining sound. Perhaps it's an accurate parallel, but it's not fun to listen to. Simon's autism is depicted a little too accurately. His parents are killed early on, so Simon's on his own and fairly incapable of doing much besides wailing his head off when touched. This is very accurate. This does not make for a pleasant movie. Willis' character is the usual -- haggard, determined, violent. He isn't much more than that. He gets tangled up in the plot (FBI vs. "Government Bad Guys") and calls in favors. The bad guys show a distinct lack of common sense. It's so blithly nonsensical that it's not even worth the energy to describe the inconsistencies. Suffice it to say, the bad guys show a boogeyman-like ability to pop up anywhere when convenient, and a surprising inability to do it when it might impair the protagonist. What bugged me most is that ultimately, this movie could have been about ANYBODY who happened to know Something Secret (TM). It wasn't about the boy's ability to crack code, it was about Bruce Willis' character protecting an innocent. Like in Eraser. Like in Enemy of the State. Like in a dozen other movies. Only in Enemy of the State, the main character's skills actually were USEFUL in the plot. Simon never gets to exercise his code-cracking abilities more than once (to meet one of the soon-to-be-dead informants). Even in portraying an autistic person, Rain Man and Cube still managed to make the character worth liking instead of utterly pathetic. The other problem is that the villain's execuse is -- *GASP! -- being a patriot to protect undercover agents in Iraq. Well, that dates the movie just a little bit. Not their fault, necessarily, but certainly the movie loses its sting. In addition, the whole concept of "sacrificing one for the good of all" is a little more strict these days. Ask an American if an autistic boy's life should be spared to save thousands of agents attempting to stop terrorism and more than half will doom the boy. I can understand why the studio execs bid on the idea. It was a great concept but utterly defanged of any real meaning, failing to utilize its characters, its high-minded ideals, or even its action scenes in a way that makes us care about anybody in the movie. Yes, even an autistic little boy.
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| 16. The Others Director: Travis Fine | |
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p.s Have you seen Lost and Delirious yet. Excellent movie!
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| 17. Sneakers Director: Phil Alden Robinson | |
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| 18. The Others Director: Travis Fine | |
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p.s Have you seen Lost and Delirious yet. Excellent movie!
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