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The Longest Day is Hollywood's definitive D-day movie.More modern accounts such as Saving Private Ryan are morevividly realistic, but producer Darryl F. Zanuck's epic 1962 account isthe only one to attempt the daunting task of covering that fateful dayfrom all perspectives. From the German high command and front-lineofficers to the French Resistance and all the key Allied participants,the screenplay by Cornelius Ryan, based on his own authoritative book, is as factuallyaccurate as possible. The endless parade of stars (John Wayne, HenryFonda, Robert Mitchum, Sean Connery, and Richard Burton, to name a few)makes for an uneasy mix of verisimilitude and Hollywood star-power,however, and the film falls a little flat for too much of its three-hour running time. But the set-piece battles are still spectacular, andif the landings on Omaha Beach lack the graphic gore of PrivateRyan they nonetheless show the sheer scale and audacity of theinvasion. --Mark Walker ... Read more

Reviews (131)

Comparisons are inevitable; they're also unhelpful
The comparisons are of course between THE LONGEST DAY and SAVING PRIVATE RYAN. The only similarities are: both movies depict the allied landings at Normandy on D-Day, they are tributes to the servicemen of WWII, and most importantly, both are good movies. That said, general comparisons are unhelpful because the realism that made Spielberg's movie so memorable is totally absent from THE LONGEST DAY; for two very good reasons: (1) technically, the capability was unavailable in 1962 and (2) morally, that level of graphic violence would have been unacceptable. Also, Mr Zanuck, as director, did not want to make bloody messes of his numerous stars.

Realism aside, on its own merits THE LONGEST DAY is a tribute that has stood the test of time. The huge collection of stars (over 40) and the near 3 hour length qualifies it as epic. On an emotional level, it is a patriotic salute to the soldiers who went ashore. With a scope larger than Omaha beach, the focus is not exclusively American; the movie depicts the role of the British, and other allied troops, as well as the work of the French resistance. German dialogue is subtitled to add some realism. Perhaps the best aspect of the movie is that as an adaptation of Cornelius Ryan's book of the same name, it is based on a historically accurate account of the battle.

For realism, patriotism, and a sentimental heroic story, only partially based on real events of D-Day, watch SAVING PRIVATE RYAN. For an old fashioned, "clean" war movie based on history with good acting (Henry Fonda, Robert Mitchum, John Wayne, Curt Jurgens) watch THE LONGEST DAY. Better yet, view both, just don't spoil the experience with a lot of comparisons.

The Longest View
Unlike Saving Private Ryan, The Longest Day was filmed to dramatize the true, unfolding story of the invasion of France beginning several days before the invasion, which was documented for all time by journalist Cornelius Ryan. Ryan did something few historians have successfully accomplished since the end of the war. He compiled thousands of interviews and wrote a realistic account of the invasion which reads like a suspense and action novel. The movie seeks to combine many characters taken from Ryan's book, and is therefore fiction as well as history, but it is masterfully done and is otherwise true to history. Stereotypes of incompetent German officers and troops, so common in film and television of the early 1960's was not a problem in this movie, nor is the graphic violence of Private Ryan observable. The true story is the focus of the movie, and it was made primarily for veterans who had seen the real violence and had fought tough, intellegent and brave Germans, and had no need to be reminded of those horrors. They did have a desire to see their sacrifices and trials acknowledged alongside the background of historical context. It is a gripping movie. A side note for those who might want to compare The Longest Day with Saving Private Ryan. These should compliment each other, not be compared with each other. The audience for The Longest Day was primarily the veterans, their peers and children. The audience or Saving Private Ryan is primarily the grandchildren of the veterans, young people who are in the main, quite ignorant of history. There is no doubt that Saving Private Ryan is more accurate a portayal of historical American and German weapons and villages, but this was not even attempted in the Longest Day. If you will read The Longest Day before watching Saving Private Ryan, you will see that the sites and sounds remembered by many of the interviewed veterans who were at Omaha and Utah beaches somehow happened at the same time and place in Saving Private Ryan. That makes Saving Private Ryan as inaccurate for what it shows, as is The Longest Day, for what it doesn't show. Both movies are excellent, and both are moving.

IT HAS NOT STOOD THE TEST OF TIME
Director Darryl F. Zanuck tried his best with the technical resources at his dispostition at the time and using the narrative standar for epic movies of that time. But watching this movie today is a really act of courage. It drags and drags, the three hours seem to never end. Also, even if they tried to give a view of the global situation, they failed miserably.

The movie is an endless sequence of shell and fire sounds, a really pain. I simply don't like the movie, although I understand what they tried to do.

Only a Partial View of D-Day and Operation Overlord
Although this film is certainly worth watching, the viewer who has little idea of what Operation Overlord was about won't learn very much about it. Of course, we see many examples of heroism, but so much was left out that one can easily get a distorted view of things.
(1) Contrary to the impression that the Hollywood movie industry gives, the Americans and British did not defeat Germany alone. Three-quarters of the strength of the German Wehrmacht was destroyed by the Soviet Union. I realize that this film was made a the height of the cold war, but still some mention should have been made of their contribution to victory.
(2) The most impressive part of Overlord were the meticulous preparations made. Some mention of it was made, but more of it should have been shown, such as the various special weapons and ships that were made to ease the assault on the fortified beaches. Archive film could have been easily procured to show the various devices used to clear mine fields and barbed wire.
Most crucial was the development of the "Mulberry" artificial ports.
(3) This film used several Germans as advisors such as Blumentritt who were in the Wehrmacht High Command. They use this film as a vehicle for pushing the now largely discredited line that "if only Hitler had let the Generals run the war, they would have won it for him", and the also the myth that they opposed Hitler and held nothing but contempt for him (von Rundstedt calls Hitler "that Bohemian Corporal" in the film). In reality they were all very loyal to him and they really strongly supported him and his criminal policies when they were winning the war.
(4) The importance of the deception campaign making the Germans think the assault will be at the Pas de Calais and not a Normandy was very important and continued even after the landing on D-Day to make the Germans think Normandy was just a diversion.
This was not mentioned. A whole "virtual army" was created with fake radio traffic opposite Calais. This could have been shown as well.
(5) Although I have nothing personal against the man, John Wayne is a very poor actor and I have no idea where he got his reputation as one of Hollywood's leading men!

The Longest Movie
I watched on June 6th 2004 "The Longest Day" to learn about D-Day June 6th in 1944. In general it was a painfully boring movie. I accomplished my goal of learning about D-Day, but it was at a cost of wasting about three hours of my life. It is my belief that this story could have been told in one and a half hours instead of three. ... Read more

Reviews (12)

John Wayne, Stewart Granger & co. shine in Alaskan adventure
The tremendously entertaining "North to Alaska" is easily John Wayne's most light hearted and fun filled movie and is wonderful viewing for all ages !!

Henry Hathaway's lively film is loosely based on the play "Birthday Gift" by Ladislas Fodor and Hathaway shows a wonderful hand in the romantic, comic nature of this film.

Confirmed bachelor Wayne and love lorn Grainger strike it rich in Nome, Alaska at the turn of the century and there begins all there problems. Wayne returns to Seattle to bring back Grainger's fiance, finds she has married another man, and ends up in a dance hall and brings back to Nome the glamorous Capucine (she was a knock out in her day !) for Grainger, but the big Duke falls for her womanly charms himself ! Songster Fabian is loads of fun as Grainger's overly amorous kid brother, Billy...and noted funnyman Ernie Kovacs is slick conman Frankie Cannon...eager to get his hands on anyone's fortune. And Johnny Horton's resonant voice sings the title track to the movie !

Henry Hathaway often got the best out of the Duke on screen, and if you never thought screen tough guy John Wayne could be funny...see this film...the honeymoon cabin sequence with cunning Grainger and reluctant Capucine stirring up trouble with an irate Wayne listening is simply priceless !

Watch closely during the all out brawl in the snow and the mud at the conclusion of the film where Wayne cops a hit on the jaw, falls backwards, and his toupee flies off !

Fun, action & romance..."North to Alaska" has got it all !

The Duke......
It's the Duke. What more can I say. John Wayne was one of the most wonderful actors that ever existed. North to Alaska has incredible scenery, memorable music and quite an interesting cast. The fight scenes are hilarious. The romance is so French and refreshing. There truly is something for everyone in this movie. As was said in "Rio Lobo" with John Wayne, he's just so comfortable.

John Wayne Strikes Movie Gold!
They must have had a blast making this movie, set in the snowy mountains of Alaska during its exciting boomtown days. Complete with romance, hilarity AND and some really fabulous fist fights, North to Alaska is definitely one of John Wayne's best.

Claim jumpers, love triangles and power plays keep best friends Granger and Wayne on their toes, and almost at each other's throats, and right smack in the middle of it all is a delectable French lady named Capucine. Her cap is set for Wayne, but she soon finds out he's one of the most mule-headed men in Alaska!

Capucine really shines in her comically romantic role. As she employs all of her feminine wiles you will actually find yourself rooting for her! Granger and Wayne are fabulously paired up in this movie as partners, especially since they are exact opposites. This film has it all - love, laughs and lots of exciting action. A definite gold mine.

We Go North - the rush is on!!
Great fun here in gold rush fevered Nome sees John Wayne as his inimitable self playing (suprise suprise) himself aka Sam McCord the man's man in gold country. A gentle comic tale sees him return to Seattle and bring back a girl for his lovesick partner played superbly by Stewart Granger. He begins to regret this trip, and task after the initial maiden he is sent to fetch has unexpectantly married whilst Granger was away panning for Gold, and he must quickly find a replacement. Add in some claim jumpers, a romantic subplot, a greedy villian and the ever present sandpaper like comic tension between the main characters, and the end result is a real treat. With an excellent supporting cast, great scenery and nothing too serious to get excited about, this is quality family viewing. The location alone precludes the usual Wayne western formula, but the action and laughs come thick and fast. A great classic. Enjoy

My favorite John Wayne film!
"North To Alaska" caught my attention when I first heard the title song by Johnny Horton. I decided to watch this film, considering I like John Wayne and his movies. There's a lot of what anyone who enjoys a western comedy; John Wayne, of course, a humorous good-natured storyline, funny antics, and fisticuffs. There aren't many gunfights, just fistfights, with sucker punches here and there. Wayne is Sam McCord and is sent by his partner George Pratt (Stewart Granger) to Seattle to bring back his love, Jenny. However, she has married someone else. Sticking around Seattle, he finds a dance hall girl named "Angel", played by French model-actress Capucine. Can George accept her in place of Jenny? Find out for yourself. If you're a John Wayne fan, it's a must! ... Read more

Reviews (7)

Where's Frankie And Annette When You Really Need Them?
I thought this would be a lighthearted comedy, in the tradition of the "Beach Blanket Bingo" movies, but I was wrong. This film is heavy on melodrama and light on comic relief. Three California surfing buddies travel to Hawaii to catch the ultimate waves at Waimea Bay. Naturally, the veteran surfers there resent them, but to such a degree that it borders on hatred. A wipeout causes damage to Fabian's surfboard, which later causes him to crash into another surfer, who is carried on to the beach with a bloody, broken nose. Another surfer gets drunk on New Year's Eve and dives off a steep waterfall, and ends up cracking some ribs. Frankie Avalon and his gang sometimes wiped out, but they never emerged from the ocean bloodied and battered. The final surfing showdown is an endurance test to determine who is the best surfer in the world. The competition goes on and on and on, becoming an endurance test for the viewer. I can sum up my feelings for this movie in two words - wipe out!

Ride, ride, ride... the wild cliche!
Dudes, babes, and fabulous footage of the north shore of Hawaii, plus the classic theme song co-written by Brian Wilson and sung by Jan & Dean. This is about as good as '60s beach movies get, partly a good impersonation, part pure Hollywood fantasy, of my own childhood backdrop of surfing action in southern California and Hawaii. Dig the scenes in which the "surfers" are waiting for their waves on perfectly calm blue water on what is probably a giant studio backlot wading pool! Thrill as their doubles paddle out to attack the scary gray curls of Waimea Bay "and conquer those waves 'most thirty feet high"! Shelley Fabares and Barbara Eden are among the girls on the beach.

It's cool, buddy boy.

Guaranteed to get sand in your shorts!
A group of handsome, well-built, "young" board heads take a Hawaiian vacation to ride the wild surf of Hawaii. The boys fall in love within ten minutes of meeting their bikini-clad, beautiful female groupies who reluctantly watch as surf bum beaus risk life and limb in the unpredictable waves. Never a swear word is uttered and everything has a happy ending. Barbara Eden plays the spunky "Augie Poole," the original party girl who brings lots of laughs to the show.

There is no doubt that this is that rare film that is fun for the whole family to watch. The scenic footage of the Hawaiian islands is beautiful. The scripts are corny and the acting enthusiastic, but overall a fun film to watch. Although the actors played the parts well, they seemed a little bit too old (thirty-something) to play the proverbial beach-boy-in-college scene. But ten minutes into the show, we're too caught up in the undertow to care about trivial things like time and age!

Ride, ride, ride, the wild surf...
Campy, campy, campy, campy, campy ! Great nostalgic film . Sometimes when I watch it I think, "man, this movie didn't age well " and then other times I think, "who cares! This is a fun movie !" Far better than most of the stuff that Hollywood has been trying to pawn off on us for years .

Ride The Wild Surf
In 1964 three friends went to the show to see a surf movie for the first time. We returned to see this movie over and over again, (7 times to be exact). Being young and impressionable we wanted to be like Fabian, Tab Hunter, and Peter Brown riding Big Waves in Hawaii and falling in "Love" with girls like Susan Hart, Shelley Fabares and Barbara Eden. This movie made our summer of '64 a fantasy summer, we went to the beach, tried to surf, listened to Jan & Dean, The Beach Boys and dreamt of the girls in "Ride the Wild Surf". By todays standards this movie seems "Hokie", but for three fourteen year old boy's in 1964 it was a movie and Summer to remember. ... Read more

Description

Dimension Home Video presents RUNAWAY DAUGHTERS, the sassy comedy about three teens in the fabulous '50s who set off on a highway adventure. Paul Rudd ("Anchorman: The Legend of Ron Burgundy"), Julie Bowen (TV's "Ed,"), and Dee Wallace-Stone ("E.T.") star in this fun comedy, based on a 1956 drive-in classic. Stuck in 1950's suburbia, Angie, Mary and Laura are best friends and tired of the same old things. Everything changes when Mary's deadbeat boyfriend skips town, prompting the girls to break all the rules by faking their own kidnapping, stealing a car and chasing him down the highway. But their dangerous travels put them in peril, and they realize that their sheltered lives may not have been so bad after all. ... Read more

Reviews (131)

Comparisons are inevitable; they're also unhelpful
The comparisons are of course between THE LONGEST DAY and SAVING PRIVATE RYAN. The only similarities are: both movies depict the allied landings at Normandy on D-Day, they are tributes to the servicemen of WWII, and most importantly, both are good movies. That said, general comparisons are unhelpful because the realism that made Spielberg's movie so memorable is totally absent from THE LONGEST DAY; for two very good reasons: (1) technically, the capability was unavailable in 1962 and (2) morally, that level of graphic violence would have been unacceptable. Also, Mr Zanuck, as director, did not want to make bloody messes of his numerous stars.

Realism aside, on its own merits THE LONGEST DAY is a tribute that has stood the test of time. The huge collection of stars (over 40) and the near 3 hour length qualifies it as epic. On an emotional level, it is a patriotic salute to the soldiers who went ashore. With a scope larger than Omaha beach, the focus is not exclusively American; the movie depicts the role of the British, and other allied troops, as well as the work of the French resistance. German dialogue is subtitled to add some realism. Perhaps the best aspect of the movie is that as an adaptation of Cornelius Ryan's book of the same name, it is based on a historically accurate account of the battle.

For realism, patriotism, and a sentimental heroic story, only partially based on real events of D-Day, watch SAVING PRIVATE RYAN. For an old fashioned, "clean" war movie based on history with good acting (Henry Fonda, Robert Mitchum, John Wayne, Curt Jurgens) watch THE LONGEST DAY. Better yet, view both, just don't spoil the experience with a lot of comparisons.

The Longest View
Unlike Saving Private Ryan, The Longest Day was filmed to dramatize the true, unfolding story of the invasion of France beginning several days before the invasion, which was documented for all time by journalist Cornelius Ryan. Ryan did something few historians have successfully accomplished since the end of the war. He compiled thousands of interviews and wrote a realistic account of the invasion which reads like a suspense and action novel. The movie seeks to combine many characters taken from Ryan's book, and is therefore fiction as well as history, but it is masterfully done and is otherwise true to history. Stereotypes of incompetent German officers and troops, so common in film and television of the early 1960's was not a problem in this movie, nor is the graphic violence of Private Ryan observable. The true story is the focus of the movie, and it was made primarily for veterans who had seen the real violence and had fought tough, intellegent and brave Germans, and had no need to be reminded of those horrors. They did have a desire to see their sacrifices and trials acknowledged alongside the background of historical context. It is a gripping movie. A side note for those who might want to compare The Longest Day with Saving Private Ryan. These should compliment each other, not be compared with each other. The audience for The Longest Day was primarily the veterans, their peers and children. The audience or Saving Private Ryan is primarily the grandchildren of the veterans, young people who are in the main, quite ignorant of history. There is no doubt that Saving Private Ryan is more accurate a portayal of historical American and German weapons and villages, but this was not even attempted in the Longest Day. If you will read The Longest Day before watching Saving Private Ryan, you will see that the sites and sounds remembered by many of the interviewed veterans who were at Omaha and Utah beaches somehow happened at the same time and place in Saving Private Ryan. That makes Saving Private Ryan as inaccurate for what it shows, as is The Longest Day, for what it doesn't show. Both movies are excellent, and both are moving.

IT HAS NOT STOOD THE TEST OF TIME
Director Darryl F. Zanuck tried his best with the technical resources at his dispostition at the time and using the narrative standar for epic movies of that time. But watching this movie today is a really act of courage. It drags and drags, the three hours seem to never end. Also, even if they tried to give a view of the global situation, they failed miserably.

The movie is an endless sequence of shell and fire sounds, a really pain. I simply don't like the movie, although I understand what they tried to do.

Only a Partial View of D-Day and Operation Overlord
Although this film is certainly worth watching, the viewer who has little idea of what Operation Overlord was about won't learn very much about it. Of course, we see many examples of heroism, but so much was left out that one can easily get a distorted view of things.
(1) Contrary to the impression that the Hollywood movie industry gives, the Americans and British did not defeat Germany alone. Three-quarters of the strength of the German Wehrmacht was destroyed by the Soviet Union. I realize that this film was made a the height of the cold war, but still some mention should have been made of their contribution to victory.
(2) The most impressive part of Overlord were the meticulous preparations made. Some mention of it was made, but more of it should have been shown, such as the various special weapons and ships that were made to ease the assault on the fortified beaches. Archive film could have been easily procured to show the various devices used to clear mine fields and barbed wire.
Most crucial was the development of the "Mulberry" artificial ports.
(3) This film used several Germans as advisors such as Blumentritt who were in the Wehrmacht High Command. They use this film as a vehicle for pushing the now largely discredited line that "if only Hitler had let the Generals run the war, they would have won it for him", and the also the myth that they opposed Hitler and held nothing but contempt for him (von Rundstedt calls Hitler "that Bohemian Corporal" in the film). In reality they were all very loyal to him and they really strongly supported him and his criminal policies when they were winning the war.
(4) The importance of the deception campaign making the Germans think the assault will be at the Pas de Calais and not a Normandy was very important and continued even after the landing on D-Day to make the Germans think Normandy was just a diversion.
This was not mentioned. A whole "virtual army" was created with fake radio traffic opposite Calais. This could have been shown as well.
(5) Although I have nothing personal against the man, John Wayne is a very poor actor and I have no idea where he got his reputation as one of Hollywood's leading men!

The Longest Movie
I watched on June 6th 2004 "The Longest Day" to learn about D-Day June 6th in 1944. In general it was a painfully boring movie. I accomplished my goal of learning about D-Day, but it was at a cost of wasting about three hours of my life. It is my belief that this story could have been told in one and a half hours instead of three. ... Read more

Product Description

The plot's about a cool old rock palace that's a thinly veiled Filmore West, which a nasty record exec/promoter wants to shut down for his own nefarious reasons. The manager of the palace, the Saturn Theater, has to organize a big New Year's Eve bash to save the Saturn. Songs include: Doris Troy - "Just One Look," T. Rex - "Metal Guru," The Ramones - "Chop Suey," Lou Reed - "Little Sister," and many more. ... Read more