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| 1. Apollo 11 - Men on the Moon Director: Norberto Barba | |
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Amazon.com NASA's most monumental mission was Apollo 11, placing Neil Armstrong and Buzz Aldrin on the surface of the moon. Unfortunately, it's one of the least stunningly photographed missions, with grainy black-and-white TV footage for the two-hour moon walk. However it's so rare that hardly anyone has seen more than a few seconds of this broadcast since 1969. Watch the broadcast as it was (alas, no Walter Cronkite, but this is the NASA feed--not a network), or watch the 16mm color footage shot by a stationary camera inside the lunar module, or watch a composition of both that also displays the famous photographs at the moment they were taken (how cool is that?). The moon walk is only one of three discs and there's another eight hours of footage, including all the onboard film and TV transmissions, pre-and post flight news conferences, and 15 views of the launch. Plus there's plenty of behind-the-scenes footage--the assembly of the giant Saturn 5 spacecraft, moon-walk rehearsals, and capsule recovery.For space junkies, it's the ultimate visual treasure trove. Any kid who has primed himself watching Ron Howard's majestic Apollo 13 (which featured no real space footage) will probably be disappointed in the lack of "cool" footage (oddly, the earlier Gemini missions have more "whoa" photography), but anybody interested in the moon mission finally has a complete chronicle of what it looked like when it happened. --Doug Thomas Reviews (12)
Instead of taking the strict documentary approach and editing the raw materiel until only the subjective 'best' materiel is left, the producers show basically all the uncut, raw materiel, frequently from different perspectives or with different options. Examples here are watching the Lunar Landing film taken from the LMP window synched with numerous different soundtrack options such as the Flight Director Loop, the TELCOMM (later TELMU) loop (which is of particular interest during the 1202 and 1201 Program Alarms), the PAO loop, or the onboard recorder from Eagle. Similarly, you can select up to six different angles to watch the launch from. This set is simply amazing to watch. It includes all the TV transmissions and onboard 16 mm film. If you are interested in Apollo or space exploration, you absolutely must have this DVD set. You will love it.
Most importantly, we set out to present the complete television transmissions and onboard motion picture film for individual missions - material that just hasn't been available before. This material is purposely left in its original form, albiet with new digital transfers, color correction where necessary and possible, and digital noise reduction. To do this we realized we would have to use certain unconventional methods. For example, we wished to present multiple angles of footage from rollout, suitup, etc. To do this required us to use different angles out of context, so that from time to time certain events were shown a couple of times so that the varied angles could be presented. Unless one realizes this was done to present multiple angles one might mistake it for material out of order. Nearly all of the 16mm film from EVA training, suitup, astronauts visiting the launch pad (all of which was re-transferred from the original using modern, digital telecines) was shot silent, and since we also wished to present as much audio as possible from mission events such as countdowns, we have married this audio to that footage. The result is the maximum amount of primary source material available on the subject and results in important audio from other events used on previously silent film. Lastly, especially for launch vehicles, we wanted to present the material we had only previously seen in short clips on documentaries, such as pad cameras, in its entirety. For those interested in the creation and flight of these vehicles, this material is fascinating, and filled with insightful information. Much of the material on these sets is presented, purposefully, the way it was shot. Some of the Hollywood storytelling created on this subject is wonderful, we love that, too, but as a chronicle of the greatest explorations of mankind the material deserved to be presented without such a filter. This is the way it happened, and it is amazing. Very soon in 2004, a six-disc chronicle of Apollo 15 and a three-disc edition on the Saturn V will be released.
Positives: As others have noted, there is seldom-seen footage and it is really good to see. The use of NASA audio and the definite lack of overdramatization (that smothers some other notable multi-disk videos) is also welcome. Seeing the entire lunar EVA is good to see (finally). The minimalistic narratives at times help focus the viewer on what was really going on. There are some uses of multiple-angle views that are novel, but the astonauts' post-flight audio commentary (covering some key mission events)are more interesting. These are significant positives that the Apollo fan will appreciate. Negatives: While there is some great footage and audio bits, one should remember that that was the result of NASA's prodigious work -- and considerable public money. The producers' job was to assemble and present them as a coherent narrative. They do their best when they simply let the NASA video play (for example, in the case of the entire EVA). But what they themselves have done is quite modest and at times thoughtless. First, they provide absolutely no overall narrative, although several methods -- a second audio track, accompanying booklet, use of subtitles, an occasional diagram -- could have been used. Those not familiar with the mission's major milestones (preparation, science goals, staging, critcal manuevers, etc.) will not gain insight and will be confused by some of the offerings. Take, for example, the footage labeled "probe and drogue" (disk 3), presented after the landing footage. With knowledge of the mission, one can figure out that it was taken shortly after LM-CSM docking, before the landing. But if you don't have this knowledge, or even what the probe and drogue assemblies are, you're left in the dark and perhaps puzzled as to its place in the mission. The lack of context confuses and fails to educate. Repeatedly, the disks choose not to illuminate the viewer when they easily could have (again, through optional subtitles or 2nd audio track). On disk 1, one sees ~15 minutes of video from a top-mounted camera looking down at the vehicle, poised for launch. It is accompanied by very sparse commentary from an Apollo public-affairs official who largely marks time until launch. One sits through at least five segments of no audio, each lasting 1.5 to 3 minutes! Even one predisposed to like this kind of DVD gets restless at staring at this uninformative shot for that long. Finally, the editing at times is thoughtless. During the section on vehicle roll-out, there are many nice shots of the vehicle, launch tower, and mobile service structure. However, they are inanely and repeatedly shown out of order, one minute ready to launch, the next with the service gantry surrounding it (i.e., events that are days apart). And while presenting NASA audio of the countdown 2 hrs prior to launch, they show the 3 astronauts on top of the launch tower...in shirt sleeves! Later, they show them getting suited up, again with the audio mismatched to the time when they're already in the command module! These large mismatches were simply not necessary. In summary, I think a die-hard Apollo fan (such as myself) will welcome the additional footage and the lack of over-the-top dramatization. The moon EVA footage is a real highlight. However, the $45 cost, the nice packaging and dramatic menus belie the lack of useful editing and supportive narrative. This set is will interest Apollo admirers, but doesn't do the less-informed viewer any favors. Finally, I have no financial interest in this product. ... Read more | |
| 2. Forces of Nature Director: Bronwen Hughes | |
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Reviews (69)
Check out FORCES OF NATURE. Rated PG-13 for sensuality, language and a scene of drug use.
Ben Affleck is likable in his vulnarable, clueless mode. Remember that this was pre-"Pearl Harbor" and pre-"Beniffer". In fact, I like his acting in this movie and "Chasing Amy" a lot more than all the other box-office nonsense that he's in. Sandra Bullock is a little wilder and crazy in this movie but still shows her vulnarable side (isn't that why we love her?).
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| 3. Thirteen Days (Infinifilm Edition) Director: Roger Donaldson | |
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Description Reviews (199)
I think the Cuban Missile Crisis is one of the most important events in American History. However, many younger Americans know so very little about the very important events depicted in this carefully planned and conscientiously researched film. Steven Culp's portrayal of Robert F. Kennedy was simply uncanny. It has got to be difficult to act as a person so many people know so well. I thought his performance was fabulous. Kevin Costner played the role of presidential aide Kenneth O'Donnell. His performance was very good however; his Boston accent was terrible and really does get on your nerves, especially in the beginning of the film. Bruce Greenwood plays John F. Kennedy and does this great president justice. I highly recommend the infini film DVD version of this movie. The Beyond the Movie features are wonderful. The Historical Figures Commentary features archival audio of John F. Kennedy, Robery McNamara, P. O'Donnell, Pierre Salinger, Sergie Khrushchev, and many others. There is a 48 minute documentary entitled "Roots of the Cuban Missile Crisis" which features film footage from the era along with modern interviews covering post World War II United States and Soviet relations. There are also historical biographies of all the major figures in the movie too. If you enjoy historical movies this one is a must see!
Seen through the eyes of JFK presidential adviser Kenneth O'Donnell (Kevin Costner), THIRTEEN DAYS is a fascinating look at the machinations that went on in the highest circles of power in Washington during that traumatic time known as the Cuban Missile Crisis. Bruce Greenwood, known prior to this for playing bad guys (DOUBLE JEOPARDY; RULES OF ENGAGEMENT), gives an extremely credible portrayal of John Kennedy, who finds himself caught between a rock and a hard place. On one side are the Joint Chiefs of Staff, led by staunch Cold Warriors General Max Taylor and Dean Acheson, pushing for an invasion and surgical strike against the missiles. On the other is the president's own conscience, for he knows that anything as rash as what the Joint Chiefs are leaning hard on could mean the end of life on Earth. Alongside Greenwood's sterling performance, Steven Culp portrays his brother Bobby Kennedy with the right tact and straight-forward believability. Costner's heavy Boston accent is not always credible, but this is only a minor flaw in his performance as Ken O'Donnell, which is otherwise quite good. A true standout performance is Michael Fairman's portrayal of UN ambassador Adlai Stevenson, a former presidential candidate and an old "political cat" who denounces the Soviet Union's stonewalling at the United Nations in front of the world--"Yes or No?! Don't bother to wait for the translation"; "I'm prepared to stay here until Hell freezes over, if that's what it takes!" David Self's screenplay is very cagily based on White House tapes, documents, and memos from that two-week edge-of-the-seat rollercoaster ride the human race had to endure. It all comes together under the crisp, taut direction of Roger Donaldson, who directed Costner in 1987's NO WAY OUT. Even though it is a rather long film at 146 minutes, it plays like Great American theatre, the kind that Hollywood has somehow left behind in its rush for big bucks. Like any film drama based on real events, besides the slight fictionalizations, a person's knowledge of these events might make THIRTEEN DAYS predictable. But the reason these kinds of films work is not so much the end result as to finding out how the end result was achieved. That is the real triumph of this movie, and why it ranks very close to ALL THE PRESIDENT'S MEN, in my book.
STEVEN TRAVERS | |
| 4. Bloodsucking Pharaohs in Pittsburgh Director: Dean Tschetter, Alan Smithee | |
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| 5. The Perfect Tenant Director: Doug Campbell (II) | |
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| 6. Freedom Strike Director: Jerry P. Jacobs | |
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| 7. The Perfect Wife Director: Don E. FauntLeRoy | |
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Reviews (1)
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| 8. Freedom Strike Director: Jerry P. Jacobs | |
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| 9. Win a Date With Tad Hamilton/Forces of Nature (Widescreen) Director: Bronwen Hughes | |
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| 10. Glory Years Director: Arthur Allan Seidelman | |
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