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| 1. Columbo - The Complete First Season | |
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Amazon.com All seven 90-minute episodes of the 1971-72 debut season are included here, along with Prescription: Murder and Ransom for a Dead Man; unfortunately, as the lieutenant himself would say, "Oh, just one more thing"--no extras are included in the set, but having these fine TV mysteries in one set should be reward enough for armchair sleuths. --Paul Gaita Reviews (10)
Created by Richard Levinson and William Link, the series debuted in 1971 with "Murder by the Book," which was actually the third appearance of Falk's Columbo (there had been two previous two-hour NBC World Premiere Movies prior to the series launch.) Interestingly, "Murder by the Book" was directed by a then unknown talent: Steven Spielberg. Columbo was unique in so many ways, the first was that the viewer learned the killer's identity in the first few minutes of every episode. Up until then, detective shows and mysteries had tried to keep the audience guessing "Who Done It?" until the very final scene. Levinson and Link turned that formula upside down, letting viewers in on the intracacies of the crime from the killer's viewpoint, their motivation, and what they did to cover their tracks to avoid discovery. Often, Columbo was not even introduced until 20 minutes or more into the episodes (which ran a network 90 minutes with commercials instead of the usual 60 minutes for dramas.) However, as soon as the audience caught a glimpse of the short, rumpled, cigar-smoking detective with the tan rain coat, they knew that they were watching something really special. Columbo feigned a scatter-brained approach, but it was soon obvious to viewers and the episode's killer that beneath his step-and-fetch-it manner lay the cooly brilliant mind of a master detective. And, it was the cat-and-mouse interplay and dialog between Columbo and the criminal that was at the heart of this brilliant series. Smartly written and tightly crafted, the dramatic tension was created as Columbo slowly chipped away the layers of subterfuge left by the killer to reveal the mechanics of the crime and the killer. Throughout the series, which spanned three decades after several relaunches as specials, Falk's black hair turned gray, but he wore the exact same rain coat while pursuing some of the best actors and actresses on TV or in the movies who portrayed various extremes of melevolent killers. A virtual "who's who" of the acting profession did a turn on Columbo. To say that Columbo affected the TV mystery genre is to give it far too little credit: it changed it forever and produced a detective from which his alter ego, the vastly talented Falk, will also never be able to escape. Let's hope the studio takes a clue from Colombo and quickly releases the rest of these outstanding episodes!
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| 2. The Princess Bride (Special Edition) Director: Rob Reiner | |
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Reviews (664)
It fun, it's funny and has adventure and romance, monsters and villains. It also has some of the best performances of an ensemble cast in a fairy tale ever. Robin Write-Penn (Then Robin Write at 19 years old) (Forrest Gump, Unbreakable) starring as Princess Buttercup who has fallen in love with a farm boy-turned Pirate, Cary Elwes (Twister, Robin Hood: Men In Tights, Quest For Camelot) and is seeking the kidnapped Princess from three renegades played by Wallace Shawn (Toy Story, Star Trek Deep Space Nine). The late Andre The Giant (Trading Mom) and an astounding performance by Mandy Patikin (Yentel, Alien Nation, Chicago Hope-TV ). Christopher Sarandon (Nightmare Before Christmas, Fright Night, Just Cause) and Christopher Guest (This Is Spinal Tap, Best In Show) head up the evil King and sidekick roles. The chemistry between Cary and Mandy is phenomenal. They are seriously funny in a sarcastic and monotoned way. The swordplay is the best I have seen since Errol Flynn. What makes this movie special and energetic is the magic of fantasy with a splash of you have to believe in True Love for all this to work and for your happiness to be real. Shot entirely on location and with a minimum of a budget the movie is wonderful to watch and look at. A GEM for all the family - literally. The DVD extras include three behind the scenes documentaries and lots of production photos. Very well put together and filled with interesting comments and antique dotes from all the cast and crew. There's even a behind the scenes home movie view of the production thanks to Carry Elwis himself. Of the trailers and production posters show you more of movie making and what it takes. The audio commentary by Rob Reiner is comical and very interesting. There is also a commentary by William Goldwin which gives you a lot of insighjt to the production. This is a great addition to the family film collection. (10-27-02)
Cast: Cary Elwes ... Westley Carol Kane ... Valerie A storybook stable boy turns pirate and rescues his beloved who is about to marry a dreadful prince. The story is told by the Grandfather (Peter Falk) to his cynical (at first) Grandson (Fred Savage). The story is a love story with all of the elements of a fantasy fairy tale. Westley (Cary Elwes), the good guy, is opposed by Inigo Montoya (Mandy Patinkin--"My name is Inigo Montoya, you killed my father. Be prepared to die!"), at first, and then wins Westley's admiration. Another opponent who becomes a co-conspirator, is Fezzick (Andre the Giant). Buttercup/The Princess Bride (Robin Wright Penn) is the princess who needs rescuing.
There is a lot of good tongue-in-cheek humor involved, and even though it is understood that this is a story told to a young boy, there is nevertheless a good level of tension involved. This is a fun movie. Joseph (Joe) Pierre
One of Reiner's best films is 1987's The Princess Bride, a witty-yet-sweet comedy/fantasy written by two-time Academy Award-winning screenwriter William Goldman, who adapted his own novel about the beautiful maiden Buttercup (Robin Wright), whose true love, a young farmboy named Westley (Cary Elwes), goes off to sea to seek his fortune, telling Buttercup that he would come back for her. But when Buttercup learns that Westley's ship has been attacked by the Dread Pirate Roberts she swears she will never love anyone again, an oath she keeps even when she accepts a marriage proposal from Florin's Prince Humperdinck (Chris Sarandon), a handsome yet somewhat shady fellow who probably could give Machiavelli some lessons in, well, Machiavellian diplomacy. His plan is simple: take over as King of Florin as soon as his father passes away, get bethroded to a beautiful engaging commoner, then stage her kidnapping and demise to incriminate the neighboring rival kingdom Guilder and start a war. Aided by the equally heinous Count Rugen (Christopher Guest), Humperdinck hires a trio led by the too-clever-for-his-own-good schemer Vizzini (Wallace Shawn), the revenge-obsessed Inigo Montoya (Mandy Patinkin), and Fezzik (Andre the Giant), a brawny hulk with a heart of gold and a fondness for rhymes. The three manage to kidnap Princess Buttercup, but before they reach the Guilder-Florin border they run into an unforeseen obstacle: a dashing swordsman dressed in black. Goldman's clever way of grabbing the audience's heart and funny bone is to present this fairy tale with a framing story of a 1980s grandfather (Peter Falk) who visits his sick grandson (a pre-Wonder Years Fred Savage) and reads the tale of The Princess Bride to him, following a long family tradition. Reiner gets wonderful performances not only from the major cast members, but also from Billy Crystal and Carol Kane, who play Miracle Max and his wife Valerie in a short but hilarious scene. He approaches the fractured fairy tale as a comedy/romance/swashbuckling adventure, poking gentle fun at the conventions of all the fantasy/medieval adventure films of the 1930s and '40s without being obnoxious or too sardonic. The result: a film that overcame box-office failure (it had a brief and unprofitable theatrical run in the summer of 1987) by becoming a home video success. (This is not unique to The Princess Bride, either. 1939's The Wizard of Oz was no box office champ when it premiered; only when it became an annual TV staple in the mid-1950s did Oz become a family classic.) The 2001 MGM Special Edition DVD presents The Princess Bride in its original widescreen format, and features a director's commentary track by Reiner, a writer's commentary by Goldman, English and Spanish audio tracks, a new documentary on the making of the film ("As You Wish"), plus theatrical trailers and two original featurettes. As Vizzini might have added, to try and find a funnier family film is absolutely inconceivable.
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| 3. The Great Race Director: Blake Edwards | |
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Reviews (97)
One of the movie's several charms is that it draws heavily from Victorian cliches that still linger in the public mind, gives them a gentle comic spin, and then drops them into the tale of an early 1900s auto race from New York to Paris by way of Siberia. Add to this a heap of favorite character actors, a big budget, flamboyant period costumes, and the biggest pie fight ever filmed, and you have a movie where there is always something to enjoy on the screen. The great thing about THE GREAT RACE are the performances, which are very broad but endowed with a sly humor. The comedy accolades here go to Jack Lemmon and Peter Falk as the notorious Dr. Fate and his bumbling sidekick Max--wonderful bits of acting that will have you hooting with laughter in every scene--and Dorothy Provine scores memorably in a cameo as Lily Olay, the bombshell singer who presides over the most rootin'-tootin' saloon this side of the Pecos. But every one, from Tony Curtis and the lovely Natalie Wood down to such cameo performers as Vivian Vance, get in plenty of comic chops as the film drifts from one outrageous episode to another: suffergettes crowding a newspaper, the biggest western brawl imaginable, polar bears, explosions, daredevil antics, and a subplot lifted from THE PRISONER OF ZENDA agreeably crowd in upon each other. True, the film does seem over-long and may drag a bit in spots, but it never drags for very long, and it's all in good fun--and the production values and memorable score easily tide over the bare spots. The DVD bonuses aren't anything to write home about, and the film has not been restored per se--the color seems a bit faded here and there--but the print is remarkably clean and the widescreen format is an essential. This would be an excellent selection for a family movie night--or for any evening when you're alone and feeling a bit blue. Break out the popcorn, curl up on you sofa, and... as Dr. Fate would say... "Push the button, Max!" GFT, Amazon Reviewer
If only they put more. Jamie Teller
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| 4. Shark Tale (Widescreen Edition) Director: Vicky Jenson, Rob Letterman, Bibo Bergeron | |
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| 5. Columbo - The Complete Second Season | |
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Amazon.com Reviews (22)
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| 6. Scared Straight! Director: Arnold Shapiro | |
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| 7. The In-Laws Director: Arthur Hiller | |
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Description Reviews (57)
Peter Falk's Ability To Play To His Strength (Deeper/More Involved Than He Superficially Appears - Sounds Like Columbo Doesn't It?) Is Just Another Reason For Owning This Great Work Of Comedic Art. Falk Said Of This Role That He Plays, "The Wacko Of The Century". And He Plays It To The Tee, Deep But Wacky! The Script Is Perfect, The Supporting Cast Is Truly Superb (The El Presidente Meeting Is Priceless, As Is The Firing Squad Piece!). Don't Delay, Buy It And Show It To Friends Who Are Fans Of Comedy! They'll Appreciate You For It! Also, After You Buy It, Request It On DVD. The Studio (WB) Hasn't Made It Available Yet On DVD!
In the 1970s some movie makers still took the time to build an audience's interest in the characters and the film. In this case the action moves oh so slowly at the beginning as you have absolutely no idea what is going to happen. And when the action does get going, it's one of the most originally scripted movies you will ever see. And one of the best car chase scenes you will ever see. If you haven't seen it, watch it! If you have seen it: "I don't know why they took away my drivers license Shel." "Serpentine Shel, serpentine!" "Flames! My car has flames!"
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| 8. Faraway, So Close! Director: Wim Wenders | |
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Reviews (28)
It cruises along the border of body and mind, and follows the two intellectual angels that have been tackled with the dillema of reality versus eternity. The film is lengthy and at times moves slow, but offers many interesting and thoughtfull moments, and it generally provokes many thoughts long after the movie's end. A must for Wenders fans. Since a sequel has already been made to WoD, perhaps master director Wenders can cook yet another chapter in the story, but one that captures the essence of Wings of Desire.
This movie follows Cassiel's desire to be human. While Tariel may have hade a more ideal life (family, child, job, simple pleasures), Cassiel's story is one more of what happens when humans screw up, make bad choices, or live in denial. Can't forget Peter Falk. He reprises the best role I have ever seen him in. Also, William Defoe the Fallen Angel is something to be remembered. A truly wonderful companion movie and also wonderful on its own. I wholly recomment buying it today.
In 'Wings Of Desire' Bruno Ganz's transformation from angel to human could be seen as a desire by Berliners each side of the wall to overcome their imprisonment from each other. In 'Faraway, So Close', the moral confusion that Otto Sander witnesses when he crashes down from above, mirrors the uneasy turmoil of the new united Berlin. Like an East Berliner untutored in the ways of the West, he stumbles about in an unsophisticated way until his new freedoms begin to overwhelm him and he finds his only refuge in a bottle. Despite all this, he tries to find meaning and do good, but finds that in the new Germany, the only options open to an ex-angel (or an ex-communist) is the criminal underworld. Although the film starts to lose its way in the final farcical half hour, there are some impressive performances here, especially Horst Buchholz (last seen in 'The Magnificent Seven'). Wenders last great film, his talent has since floundered in making movies with the likes of Mel Gibson. ... Read more | |
| 9. Murder by Death Director: Robert Moore | |
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| 10. Made Director: Jon Favreau | |
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Reviews (76)
"Made" is John Farvreau's attempt at a crime film, not exactly a spoof on one. The only spoof aspect of it is Ricky, played by Vince Vaughn. Otherwise it seems like a pretty straightforward, somewhat realistic crime movie. Bobby (Favreau) and Ricky are amateur boxers, pretty bad ones at that, who end up doing a job for their boss (played by Peter Falk) which takes them from their native LA to New York. There they meet Ruiz who is, believe it or not, played by P. Diddy. They bumble their way through the operation, finally returning to LA where Bobby wraps things up with his girlfriend and her child. The main problem to me was Vince Vaughn. His character (Ricky) has absolutely no redeeming qualities. He is one of the most irritating, idiotic, annoying characters I've ever seen portrayed on film. The character he played in "Swingers" was similar - a loud-mouth know-it-all - but he had some redeeming qualities. He obviously cared about his friends, he did know when to draw the line, he wasn't all talk - women did like him, etc. In "Made" none of these qualities exist. He's just the self-centered loud-mouth who doesn't know when to quit and seems intent on getting himself and everyone around him killed. While this is funny at times, it ends up just getting old and almost uncomfortable to watch. It's not entirely fair to compare this movie to "Swingers," but that seems unavoidable and its only saving grace. I don't think this movie would have had any success at all were it not for its predecessor, because it's just not that fun watching Vince Vaughn be an idiot in this one because there's nothing to redeem him. I'd say rent it before buying to make sure you like it - don't assume you'll like it because you liked "Swingers." They are two totally different films.
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| 11. Shark Tale (Full Screen Edition) Director: Vicky Jenson, Rob Letterman, Bibo Bergeron | |
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| 12. The Princess Bride Director: Rob Reiner | |
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Amazon.com essential video And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity... The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. --Sam Sutherland Reviews (664)
A perfect movie every age will enjoy, the DVD Special Edition is great, it's got better picture and sound quality, not to mention a handful of great extras. Also recommended: The Dark Crystal, Labyrinth, Harry Potter, Lord of the Rings, Wizard of Oz, Return to Oz, The Neverending Story, Star Wars, Empire Strikes Back, Black Cauldron, Sleeping Beauty, Legend, Matrix, Making Contact and Star Trek II.
Unfortunately viewers must wade through a lot of dross for these occasional rewards and the plot is a perfect example of this. A grandfather is reading his rather peevish grandson a story about two young lovers with somewhat unlikely names. Buttercup's sweetheart (supposedly killed by pirates five years ago) is in fact still alive, cleverly "disguised" with a black blindfold and an incredibly silly little moustache and pigtail. But Buttercup has become engaged (against her will) to the nasty Prince Humperdinck. This of course is a cue for multiple sword fights and near death experiences as the soulmates prove that true love will conquer all. Apart from the notable exception of Christopher Guest who plays Humperdinck's sidekick Count Rugen with a deliciously understated sadistic malice, the acting is largely overcooked. Perhaps this is just as well; if the viewer's attention is monopolised by the actors, they will be less likely to notice the bendable swords and polystyrene rocks. This is not to say that the film isn't entertaining - it would certainly while away a rainy Saturday afternoon - but to accord it the status of a classic is inconceivable.
The acting from the entire cast is absolutely superb. The storyline is funny, light, and excellent. The special effects are top-notch (as far as the late 80's technology goes), and it's just a wonderful film for all ages. It has everything a good fantasy film should: comedy, romance, action, and drama. The special edition DVD is okay, with extras that include commentary by the film's director, Rob Reiner, and the author of the book the film is based on, William Goldman. Other DVD extras are interviews from the cast, exclusive footage during the shooting of the film, and two original featurettes. The DVD is available in wide screen format. I highly recommend "The Princess Bride"... ... Read more | |
| 13. Robin and the Seven Hoods Director: Gordon Douglas | |
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Reviews (21)
The last half of this movie is good. It ain't Oceans Eleven, but it's good. Too bad the first half moves slower than a snail on ludes. Crosby doesn't show up until an hour into the film, and the action starts right there; before that, what the movie needs most is an editor who isn't afraid of Sinatra. It does, however, have some fine music (Sinatra debuted "My Kind of Town" here), and once it picks up, it's a lot of fun. Watch it when it comes on AMC, but spend the first half hour or so going to the store to get munchies.
Once Bing appears mid-way through the film, the rest of the picture--with the exception of the"My Kind of Town" gala number--belongs to Crosby. His acting, singing, and dancing not only outshine his on-screen companions but in many respects make the Rat Pack appear like a coherent musical comedy team. At five foot seven inches, Bing was usually the shortest member on the set, but in both this film and "High Society" his crisp, economical body movements and quick, graceful feet make him "play" taller than his actual height. The dubbing is, as others have observed, pretty unconvincing. On the other hand, most of the dance and music scenes are shot continuously in a single take or two, like an Astaire film. Others may prefer the frenetic and manipulative MTV editing style of films like "Chicago," which permit the filmmaker to "construct" a reality while transforming bozos into Baryshnikovs. I'll take these bozos just as they are. ... Read more | |
| 14. The Lost World Director: Stuart Orme | |
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Amazon.com As usual, the adaptation adds a woman--orphaned jungle girl Elaine Cassidy--to the expedition, and an interesting villain (religious fanatic Peter Falk) beefs up the travelogue by marooning Challenger's gang on the South American plateau where dinosaurs, cavemen, and Indians coexist eventfully. The Walking with Dinosaurs-style effects work well for the TV frame, but the real success is in integrating the adventuring with subtle eco-awareness, complex character interplay, and the reliable wonder of soaring pteranodons and carnosaur attacks. --Kim Newman Reviews (11)
This version of The Lost World reminds me of the 1960 version, obviously due to it being based on the same book, and I knew some major points of the story and seeing them redone with a contemporary style was very rewarding. I love this movie.
The changes from the novel include the following: 1) Professor Challenger-in the book, he is not at all a likeable character, and is not meant to be, but in the film, they made him more amenable, yet still kept much of his stubborness and self-righteousness. It was a good compromise for the purpose of viewer accetability of a main character. 2) Agnes Clooney-the female member of the team in the film was not in the novel, but is still a welcomed addition. She is a more liberated woman in some ways, but it isn't done over the top so she is beating up savages and shooting up things (she isn't Sheena, Queen of the Jungle, and that type of character wouldn't have fit in this story). Rather, Agnes as a character does fit a woman living in her circumstances in that time. 4) The Demented Reverend-He wasn't in the book either, but I actually think he wasn't a very good addition. I'm kind of sick and tired of this cliched evil missionary character who kills in the name of the lord. Its been done to death. Thought, admittedly, Peter Faulk played this character very well, and did instill in him more soul and complexity than most of these evil missionary stereotypical characters get in most films. One thing I really liked about this film was how it was an action/adventure story, but it also made you think about what was going on in the story. It had some really good things to say about man's interaction with nature, and preservation of the environment against exploitation. Challenger, towards the end of the film, makes a comment about science often not being accessible to the public at large without it being dressed up a bit as entertainment. This is exactly what this film does in some ways. It presents and entertaining, engrossing adventure, but also presents interesting scientific thoughts about ecology. Just what can happen when man starts mucking about and disturbing the balance of nature? And the answer to that question wasn't entirely clear in one circumstance. The dispute between Challenger's point of view versus Lord Roxton's view on what to do with the Ape Men in the film. They were both right and both wrong from my view. This really points to the difficult balance between how much we should interfere in nature and how much we should just leave things alone. I recommend this film very highly to anyone who loves the original novel, or action/adventure stories in general. This film continues A&E's record of excellence in creating film adaptations of classic stories.
THE STORY is 'basically' the same. Well, at first I was worried looking at the cover -- six people apparently looking at the dinosaurs. Six? Yes, the film, based on Conan Doyle's 1912 novel, added TWO extra characters to the original expedition team (misunderstood genius Prof. Challenger, natural-born cynic Prof. Summerlee, newsreporter Edward Malone, adventure-loving hunter Lord Roxton), which are about to reveal the secret of the plateau in the Amazon, and to prove that dinosaurs are still living there. THE NEW CHARACTERS are one zealous priest and his niece, played by Peter Falk and Elaine Cassidy respectively. They join in Professor Challenger (Bob Hoskins) and his team in the jungle, only to complicate the situation -- deadly dinosaurs, the more dangerous apemen (or the Missing Link) and the "Indians" (so they say). The addition, in fact, works for the better, getting rid of the annoying elements in the original book, like the patronizing way Doyle treated the natives in the book. And other changes done to the story are justified, but some might find the different tone in the ending (or the modernized answer to Challenger's expedition) slightly anti-climax, compared with the slient version, or Spielberg's "Lost World." SPECIAL EFFECTS are first-rate, with the convincing images of dinosaurs walking in the jungle. The fierce fight between the humans and the allosaurs is the highlight of the film though some kids find it too horrible. (And parents should be warned that there is a suggested scene of cannibalism). The location is fantastic, showing some of the scenes (like the entrance to the plateau) almost exactly as the book tells us. In spite of its length (more than 2hrs 30 mins), "The Lost World" keeps on rolling as smooth as "The Jurassic Park," and it makes you think a little about the way we meddle with the nature. It aspires to be more than just a dinosaur movie, and it succeeds well.
Pros: Good look to the story; great effects. Good cast.
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| 15. Corky Romano Director: Rob Pritts | |
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Amazon.com Reviews (44)
The story is based on the character of Corky, who is a forgotten son in a infamous mafia family. When the family comes upon hard times, with their father (Peter Falk) set up for jail, they ask Corky to go undercover and steal the evidence that would convict him. The entire script is weakly developed; as Corky, who is an assistant veterinarian, is allowed to become an FBI agent with, seemingly, no questions asked. As I said, all Kattan does is fumble around and act stupid; while somehow becoming famous for solving cases and catching criminals. Even with a dismal story and poor casting, Kattan does manage to bring some laughs to the screen. His fake FBI name is Agent Pissante (it's French, but everyone likes to pronounce it pxss-ant). The fact that one of his brothers is gay and the other can't read is also silly, but I did enjoy the part where Corky tried to compare his [gay] brother to Rudolph the red-nosed reindeer. As you probably know from watching Kattan on TV's Saturday Night Live, he brings his own blend of comedy to the screen. That comedy is certainly an acquired taste, and it's very hard to attain a liking here. If you find his SNL characters Mr. Peepers or Mango to be stupid, you won't like this movie. It almost seems like 'Corky Romano' is aimed at teenage girls who smirk and snicker over anything. In spite of everything bad I've said about this movie, it's still somewhat enjoyable. If you like those 'Dumb & Dumber' (but dumber) or SNL-type movies, there's a good chance you'll enjoy this one. I gave this movie 3 stars because I think it was worth my time. However, I probably won't watch it again (any time soon). There were some good one-liners (i.e. the groovy tie club excerpt, the Matthew Perry poster, the "we could all take a page out of Pissante's book" quote), but overall the humor was rather one-dimensional. The music put the movie was also daft and cliché; "We're Not Gonna Take It" was playing when the family comes to rescue Corky. I don't know if there's a soundtrack, but if there is don't buy it. As for the ending, I think it was fitting. I won't ruin it for you. Anyways, 'Corky Romano' is not all it's cracked up to be. It's a bad twist on FBI-related films and not as good as 'A Night At The Roxbury' or even the 'Naked Gun' series. This film is the epitome of helpless, slapstick comedy and is definitely not for everyone. SNL fans will probably enjoy it, but if you flip the channel when Mango appears, you'll almost certainly dislike this movie.
With his FBI resume being so good as it says he can speak in different languages, a black belt, bravery awards, any way you get the hint.Everyone looks up to him to be a super agent.Corky knowing nothing at all manages to get everything write.This so called super agent who is named agent "Pissant" brings down some of the toughest gangs and Drug dealers and the way he does it is Hilarious. It is all fun and laughs in this movie with some familiar actors, Chris Kattan (TV's SNL, Any Given Sunday), Vinessa Shaw (TV's Chicago Hope, Cop Land), Chris penn (Rush Hour, True Romance, Reservoir Dogs) & Fred Ward (Joe Dirt, Road Trip). The movie will remind you of Blue Streak, but dont get me wrong its not like a rip off of it.From the Produces of "Big Daddy" & "The Waterboy" brings a Comedy that delivers and is a must see, although i suggest hire before buy, but either way you shouldnt be dissapionted.
Version of Corky Romano Reviewed: Touchstone Entertainment Widescreen DVD, 2003 ABOUT THE FILM The Premise: Corky Romano (Chris Kattan) is the black sheep son in a dysfunctional, quirky mafia family. He's not a fan of the family business--he's much more concerned with animals (he's an assistant veterinarian), helping people, and spreading good cheer and hugs (think of a less "flamboyant" version of Richard Simmons). Because of this, after his mother passed away, his father (Peter Falk) and brothers (Peter Berg and Chris Penn) disowned him. However, when the family business is threatened by an informant working with the FBI, they need someone whom they can trust, but who isn't a known link to the family, to pose as an FBI agent and find out what they know and how they know it. Corky is unwillingly recruited for the job. Facts And Assessments To Help You Decide Whether You Might Like This Film: Fans of the genre, and especially Chris Kattan fans, are most likely to enjoy the film. If some of Kattan's work on Saturday Night Live could get on your nerves, you may quickly grow tired of him in the film. If you're primarily interested in Corky Romano because you like other actors in the film, such as Peter Falk, be aware that besides Kattan, most of the othe | |