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| 1. Forrest Gump Director: Robert Zemeckis | |
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Book Description Reviews (484)
Tom Hanks is superb as Forrest Gump. The strong supporting cast includes Robin Wright, Sally Field, Gary Sinise, Mykelti Williamson and a very young Haley Joel Osment. FORREST GUMP won Oscars for Best Picture, Director (Robert Zemeckis), Actor (Tom Hanks), Adopted Screenplay, Art Direction, Film Editing and Visual Effects. It also received nominations for Best Supporting Actor (Gary Sinise), Cinematography, Sound, Sound Effects Editing, Make-up and Original Score. Robert Zemeckis will be remembered in addition for his direction of BACK TO THE FUTURE and ROMANCING THE STONE.
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| 2. Daddy Day Care (Special Edition) Director: Steve Carr (III) | |
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Reviews (60)
I have read reviews where people thought the movie was juvenile. Well, it is about children, so I don't know what the expectation was. Anyone who has spent time with little kids, or has kids of their own will definitely appreciate this hysterically funny film. The special features are fun too. There are interviews with the kids, and the kids do some interviewing too. Great music also!
So back to question to unemployment. What do you do? Open an excellent daycare yourself! Open a business up! The only problem is you have a very strong and able competition, from an established day care which act like preschool. And the owner is very keen to keep every kid in her daycare not anybody else's. Much to add, there is a short animated movie in this dvd set and you gotta watch it *grins* Early Bloomer is the cutest animation I have ever seen and I must admit of watching it repeatitively way too many times hehehe
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| 3. Only You Director: Norman Jewison | |
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Reviews (51)
The always sweet and engaging Marisa Tomei is Faith, on the the verge of marriage when a phone call from her fiance's friend will stop her dead in her tracks, simply because his name is Damon Bradley. A game played when she was a child and a Gypsy fortune teller at a carnival in her teens told her the man she would love and marry would be named, Damon Bradley. Bonnie Hunt shines as Faith's sister-in-law and best friend, who takes off to Venice with her in search of her destiny, written in the stars. When they discover he has left the hotel he called from, the search will go from Venice to Rome, and the lovely Italian coast, as Norman Jewisn gives us a gorgeous view of romantic Italy. Robert Downey Jr. is at his most charming as Damon Bradley, who Faith meets by chance, or perhaps fate, and falls in love with. Faith will discover, however, that destiny has a few twists and turns in store for her, in this truly delightful violin concerto to love. This film will work its magic on you if you enjoy a light romantic comedy with a 1950's feel, and will surely become one of your favorites if you are seeing it for the first time. Don't let destiny, or this film, pass you by.
And I personally love all of Downey's works--but I'm biased. To me, there is no better talent in this movie. And he is so good looking! I fell in love with him too!
Marisa Tomei's opening scene in the classroom The rest of this movie was a huge disappointment to me. Especially as I was expecting something of the same calibur as Sleepless in Seattle, which lot's of people compare this to. First of all, a ridiculous plot. Who would fly half way around the world because of a NAME of someone you were supposed to marry?!? Secondly, Peter (aka, Damon 1) claims to be in love with Faith after knowing her less than 24 hours. And alleged feelings seem actually to be only sexual chemistry. Not much basis for a long term relationship between "soulmates." Yes, I know they had some common interests. So what? I have common interests with hundreds of people, some of which I might be attracted to--not really enough reason to declare lifelong devotion after only a few hours. The premise of this movie does exactly what Kate (Faith's sister-in-law) claims that movies do. They paint a picture of a false reality. I know all movies do so, but most movies don't claim NOT to. And if this is someone's idea of reality, pity to them. Wake up! Love is much deeper and more multi-faceted than this farce of "divine predestination." Of course, as a good Calvinist, I believe every event is predestined--both good AND bad. However, not every predestined relationship will be all asparkle with sentimentality and unbridled passion.
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| 4. Striptease Director: Andrew Bergman | |
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Reviews (54)
STRIPTEASE is one of those "guilty pleasure" movies that have a certain campy charm, it's certainly more enjoyable that it's bastard-sister-film; SHOWGIRLS. Erin Grant (Demi Moore) loses the custody battle for her daughter when she is fired from her job. What's a girl to do? Go and shake her booty, what else?!! Down at the Eager Beaver Club, where the beer isn't the only thing on the menu, Erin finds a job prancing around to such innocuous tunes as "Little Bird" and "Money Can't Buy It". Soon, a mysterious murder and a hilarious excuse for a congressman - Dilbeck (Burt Reynolds in an inspired performance) prove more of a hindrance than a help as Erin decides to expose her lousy ex-husband as the drug-pushing, slack-jawed yokel that he really is, all the while spinning around a pole in a G-string. Sound exhausting? Nah! We're only getting started! Overall a pretty enjoyable caper. The DVD transfer is beautiful.
Erin Grant (Demi Moore) must strip for a living,and her biggest fight is against her ex-husband to get her little daughter back.Meanwhile a [physically excited] congressman (Burt Reynolds)gets fixated on her,a murder occurs and things get quite complicated. Striptease has humor at times,but not much really happens.The plot,if there is any,is pretty weak.The only thing that makes this movie worth watching is probably Demi Moore and her dancing on beautiful Eurythmics songs.However other than those "music videos",there is nothing else to care about in the movie.I wish Eurythmics used Demi on their videos,which would make making a movie like Striptease unnecessary. The DVD doesn't have a single extra as it suffers from being an old release,so I can not show any reason why you should buy this DVD,except if you are a hardcore Demi fan..
STEVEN TRAVERS
I watch this movie every night of the week! ... Read more | |
| 5. Men in Black (Deluxe Edition) Director: Barry Sonnenfeld | |
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Reviews (194)
This limited edition 2 set DVD, Disc one has a excellent anomorphic widescreen transer(1.85:1) and Pan and Scan in also alivable in this Dual layer DVD. Also a visual commentary by Director-Barry Sonnenfield(The Addams Family 1&2, Wild Wild West) and actor-Jones. Also extra commentary for this editon by the Director-Sonnerfield, Make-up artist-Rick Baker and Industrial Light & Magic team. Also Dolby 5.1 Surround and Dolby 2.0 Surround is in english. Also french Dolby 2.0 Surround track. Disc 2, has a lot of extras like in Deleted and extended scenes, behind the scenes featurettes, edited your own scene and a lot more of extras. This film has a thin plot but it has great winning special make-up effects, Good CGI effects, and wonderful comic performances by Jones and Smith. Grade:A-.
In particular, M.I.B. tells the story of a new potential agent (Wil Smith) on his first case. An assassin alien has come to Earth to kill the prince of an alien empire and steal a rare jewel. Lead by a veteran agent played by Tommy Lee Jones, both agents try to save the prince and capture the assassin. During the chase, we are treated to the birth of an alien octupus, exposed to amazing technologies, and given "credible" explanation to some of the enduring mysteries of our time. This movie delivers on both the action and comedy fronts. It is funny on many levels, very enjoyable. Usually I like to compare this movie to another because we all have different senses of humor, but it is hard to do here. M.I.B. may not be unique, but I don't know of any films quite like it. Recommended.
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| 6. Men in Black Limited Edition Director: Barry Sonnenfeld | |
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Reviews (194)
Part of my problem with the previews is that I wasn't quite sure what the plot was about so let me start there. The "men in black" are part of a special super-secret immigration agency dealing with extraterrestrials. Unbeknownst to the general population, space aliens have been living amongst us for several decades. As long as they behave, they are welcome. If they misbehave, they may be deported or zapped with some pretty fancy weaponry. Will Smith plays an ultra-hip New York police officer who comes to the agency's attention after chasing down a space alien. Tommy Lee Jones plays his very experienced, suave partner. Jones' dead serious interactions with the panoply of odd aliens is outrageous. And although I'm not a Will Smith fan, I have to admit that in MIB he's just just too cool for words! MIB is definitely a must for the video library!
When Will Smith is being oriented to his new job by Tommy Lee Jones, he's informed that many New Yorkers are disguised space aliens. "Like cab drivers?" Smith asks. "Not as many as you think," Jones responds. The fact that the MIB have a car that can defy gravity is funny enough, but the fact that it needs such a vehicle to fight the perpetual traffic in the Midtown Tunnel is even funnier. An alien disguised as a dog in an I LOVE NEW YORK tee-shirt is fairly funny. But when it speaks with a New Yawk accent as thick as Bugs Bunny's it makes it funnier. When the edgar bug alien hauls a mideastern cab driver out of his cab, not funny. When he tosses his wooden-bead back massager at him, funny. But on top of that, when he throws the ubiquitous air freshner out, then its hysterical (without being racist). The whole concept that the World's Fairgrounds in Queens is a hangar for spaceships is just brilliant. And I've always wondered what that structure at the head of the Brooklyn-Battery Tunnel was! Glimpses of the World Trade Center are a little bitter to take, even now. And there is that sense that this film is from an innocent pre 9/11 time but, really, the rest of the movie still rings true of the New York of today.
Tommy Lee Jones and Will Smith are a really hilarious team and their acting is phenomenal! The special effects are also really cool and the alines are so funny. Go and buy this DVD and get teh Deluxe Edition because it has so much cool stuff on it! Peace out! ... Read more | |
| 7. Saturday Night Live - The Best of Chris Farley | |
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Reviews (50)
This collection of SNL sketches and skits is a fitting tribute to Farley. The DVD includes "Andrew Giuliani"; "Matt Foley, Motivational Speaker"; "Chippendales"; "Superfans-Jordan"; snippets of "The Chris Farley Show"; a physical comedy montage; and "Lunchlady". There are a few omissions from the Chris Farley repertoire. However, most of the best ones are here. My only complaint is that there should have been more of certain characters (why wasn't there more "Tom Foley" sketches?). A wonderful DVD that any Chris Farley fan will welcome, and that non-fans can at least watch to appreciate the humor of Chris Farley.
5 years of classic comedy has been put on this dvd. Farley created for himslef a variety of classic charcaters for himself, including Matt Foley (who lives in a van down by the river!!!), Todd O'Connor of "Superfans" and Barney The Chippendale Auditioner. All of these classic characters are here. Also, there's his "exciting" impression of Laurie Davis in the "Focus On Beauty" sketch. There are several montages that just to show how funny he was: one where he's in drag, a montage of his talk show, one showcasing his physical comedy, an impressions montage, and one featuring outtakes from Dress Rehersal. Overall, very good. My one complaint may seem odd. There's not enough sketches featruing Adam Sandler! I know that the focus is supposed to be on Farley, but he and Adam shared so many great skecthes together, and they obviosuly bought out the best of each other. The ones with him are good, but it would have been better if "Zagat's" and "Gap Girls" (both featured briefly in the "Drag Montage) were on here. But still, it's an excellent dvd.
Unfortunately, after this initial volley of sketches and commercial parodies, things really go downhill. Save for his 'quotation-finger'- laden commentary on one Weekend Update segment, I hardly uttered a chuckle the rest of the way. I never did find any of those 'Da Bearsss' sketches all that amusing, and the one they show here with guest star Michael Jordan is no exception. And the string of stammer-laden 'Chris Farley Show' bits with Jeff Daniels, Martin Scorsese, and Paul McCartney were downright tedious. And it didn't help that two of the pieces centered more around Adam Sandler (his retarded 'Lunch Lady Land' tune, and the just-plain-lame 'Herlihy Boy House-Sitting Service' piece), while Farley basically acts as a sideline character for Sandler to play off of. Speakin' of Adam Sandler: his inexplicable success with those lame movies he does is proof positive to me that there is no God. No Supreme Being who truly cares for His creations would have let this unfunny yutz become such a profit-generating force in Hollywood while allowing Chris Farley to shuffle off this mortal coil from a coke overdose... Needless to say, I'm definitely NOT gonna add this one to my personal video collection. It was hardly worth the rental fee I plopped down for it, let alone what they're askin' for it to own! Guess I'll just hafta settle for another viewing of 'Black Sheep' to get my Farley fix... 'Late
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| 8. Greedy Director: Jonathan Lynn | |
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Amazon.com Reviews (9)
It's uncle Joe's 75th birthday, and his rotten relatives fight each other to earn the slightest ounce of respect from him. But Uncle Joe surprises them all with the arrival of a sexy young English nurse. Highly suspicious of this woman's intentions, the relatives enlist the help of their cousin Danny (Michael J. Fox) who had always been in Uncle Joe's good favor over the years. While secretly jealous of the favoritism their uncle exhibits towards Danny, they realize he's their only hope in keeping the family fortune within the family. Danny reluctantly agrees to help his greedy cousins only if it benefits Uncle Joe's welfare. But slowly, he too becomes tempted by wealth, and like the rest, falls prey to Uncle Joe's crafty game of manipulation. In the end, who will rise above the rest in Uncle Joe's complex test? Absolutley hilarious with many laugh out loud moments. You don't want to miss it.
Worth the laughs. Highly recommended.
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| 9. Fools Rush In Director: Andy Tennant | |
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Amazon.com Reviews (97)
Isabel brings the drama to this movie. Alex brings the comedy. Their families from different cultures bring in a touch of conflict. The expectations of each family are so typical and set in motion a number of unexpected twists and turns to the plot. The music in this movie does deserve its own soundtrack. I have looked for it. Even after watching this movie for the third time, I still want a CD. The music sets the mood for the whole movie. The setting at the Hoover Dam is also spectacular as are many of the outdoor scenes in the desert. Salma Hayek is at her best in this movie, as is Mathew Perry. There is such great chemistry. The signs all definitely point towards them being together. Unfortunately, they both have to deal with relationships they had in the past, annoying relatives and Alex's controlling boss. This movie shows how love can conquer any situation and cross all barriers. Each time you watch this movie it will affect you differently. When you see Alex holding a baby and Isabel looking across the room at him, you can't help but become Isabel for that brief instant. Alex says so many of the right things, any woman would want to hear. Then, Alex also makes the mistake of not telling Isabel pertinent details which will affect her life, and that is the basis for most of the conflicts. Matthew Perry and Salma Hayek were the best actors for this movie! It is so romantic, you will want to watch it once every few years. Absolutely a worthwhile investment to purchase the video or DVD. Now, if anyone can find a soundtrack CD, let us all know!!!
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| 10. A Cool Dry Place Director: John N. Smith | |
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Reviews (27)
As for this movie, I loved it. Very rarely do you see a movie about a single father. This movie shows that fathers love and care about their children too and that it is not just the mother who can do those things. The child who played Calvin, Bobby Moat, is absolutely adorable and he and Vaughn had a great chemistry in the film. I highly recommend this movie. I only wish I could afford to buy it! :-(
Joey Lauren Adams was well cast for this film. I bought "Dazed and Confused" last year because I also suffered from the "screwed-up" seventies and graduated from high school in May 1976. I completely related to that movie! I thought Joey Lauren Adams was "Renee Zellweger" - Sorry Joey! After watching "Big Daddy", I had no doubt that there is a BIG difference between the two actresses. Her throaty, sometimes high-pitched, sexy voice is enough to drive Vince Vaughn WILD! She may be a "Veterinarian's assistant", but she HAS MORE CLASS than the woman, Monica Potter, who portrays the "truant" wife. Even though she is "just" the girl friend, she has more wisdom when it comes to "rearing" children and "what is best for the child" and her acting is SUPERB! Bobby Moat as Calvin is EXCELLENT! A beautiful child and an impressive actor! Like Samantha K. (Gainesville,FL), I wish I could afford to buy this movie NOW!
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| 11. Men in Black (Collector's Series) Director: Barry Sonnenfeld | |
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Reviews (194)
This limited edition 2 set DVD, Disc one has a excellent anomorphic widescreen transer(1.85:1) and Pan and Scan in also alivable in this Dual layer DVD. Also a visual commentary by Director-Barry Sonnenfield(The Addams Family 1&2, Wild Wild West) and actor-Jones. Also extra commentary for this editon by the Director-Sonnerfield, Make-up artist-Rick Baker and Industrial Light & Magic team. Also Dolby 5.1 Surround and Dolby 2.0 Surround is in english. Also french Dolby 2.0 Surround track. Disc 2, has a lot of extras like in Deleted and extended scenes, behind the scenes featurettes, edited your own scene and a lot more of extras. This film has a thin plot but it has great winning special make-up effects, Good CGI effects, and wonderful comic performances by Jones and Smith. Grade:A-.
In particular, M.I.B. tells the story of a new potential agent (Wil Smith) on his first case. An assassin alien has come to Earth to kill the prince of an alien empire and steal a rare jewel. Lead by a veteran agent played by Tommy Lee Jones, both agents try to save the prince and capture the assassin. During the chase, we are treated to the birth of an alien octupus, exposed to amazing technologies, and given "credible" explanation to some of the enduring mysteries of our time. This movie delivers on both the action and comedy fronts. It is funny on many levels, very enjoyable. Usually I like to compare this movie to another because we all have different senses of humor, but it is hard to do here. M.I.B. may not be unique, but I don't know of any films quite like it. Recommended.
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| 12. The Negotiator Director: F. Gary Gray | |
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Amazon.com essential video Reviews (121)
Focal upon the corruption and misuse of welfare fund in the Chicago Police Department, the Negotiator Danny Roman (played by Samuel Jackson)found his friend dead and himself in this web of dirty little tricks. He was convicted of murdering his friend with his own gun and accused of making up a fictitious informer. Asking for justice, he became a hostage-taker of his own colleagues and several innocent citizens, he locked himself and others in the internal investigation office. He called for Chris Sabian (Kevin Spacey), a cool and cerebral negotiator from another precinct, to begin a negotiation process of finding the truth. The bad and corrupt guys within the Police, however, determined to thawrt Danny's plan. Director F. Gary Gray successfully tells of a very realistic story with, on occassions, powerful images. You hold your breath tight, waiting for the next step both negotiators might take. The result is a constantly engaging experience, interlocking story and a complete satisfaction.
When the director has the lucky chance to work with not just one, but TWO of the most exceptional modern actions of the past decade, he should have been licking his chops in anticipation. Director F. Gary Gray (whose previous work was with Ice Cube and Chris Tucker in "Friday") uses the likes of Samuel L. Jackson and Kevin Spacey to his advantage, creating a fast-paced action-drama that uses both actors as chess pieces that are intertwined in a suspenseful race against time. Jackson stars as an extremely successful hostage negotiatior who loses his partner in an accident. When he is framed for the accident as murder, he takes matters into his own hands by taking hostages himself. Kevin Spacey is the top-of-the-line officer assigned to assist the police department with consultations with Jackson, only to find himself in the most unique hostate situation he has ever encountered. Both must learn to trust each other, with Jackson attempting to find the true answers about his partner's death and Spacey trying to keep his incredible reputation in tact. Gray does a fine job using the intense script (which unfortunately does have a few logical lapses), producing a motion picture that possesses all the essential ingredients to be a successful and enteraining flick. Jackson is very good in the lead role, while Spacey is as his usual best. Although F. Gary Gray was lucky enough to have excellent people for support, he does a fine job pulling off one of the better action thrillers of the year.
Directed by F. Gary Gray (Friday, A Man Apart, Set It Off) made a entertaining, suspenseful, action-thriller made surprisingly believable, thanks to Jackson & Spacey terrific performances and especially the Supporting Cast are Strong. The film wasn`t a Hit, when it was release in the Summer of 1998, despite Good Reviews by Critics & Audiences, who seen the film. This film did much better on Video. The Script might have some logic lapses but it`s a gripping & well-made taut thriller. Gray`s Best Film to Date. Written by James DeMonaco & Kevin Fox. Super 35. Grade:A-.
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| 13. Krippendorf's Tribe Director: Todd Holland | |
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Description Reviews (16)
To give this movie credit, it has its funny moments. Dreyfuss is good as Krippendorf, up and coming actor Gregory Smith also holds his own as Krippendorf's son. Unfortunately, there is a major problem with this movie - Krippendorf is is the wrong! This guy has stolen college funds, lied, corrupted the morals of his children, and we are to believe he is the good guy. If the move has a moral, it seems to be "it's okay to do something you shouldn't, as long as you don't get caught". That is a no-no.
Fans of certain actors in this movie should rent "Krippendorf's Tribe" once. Some mixed opinions about the outcome will arise, but everyone will be entertained.
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| 14. Dogville Director: Lars von Trier | |
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Reviews (39)
"Dogville" is long. Very long. Almost three hours in length, divided in more than ten chapters, showing a young lady, Grace (Nicole Kidman, good as ever) reaching a small and self-centered mountain town, named Dogville. Grace, at first, stirs the sameness in Dogville's citizens' lives, trading shelter and food for a job as a housemaid in the many houses of the village; then, as time goes on, Grace will be the cause of great troubles and disagreement. The viewer must have patience, because the movie is long; it is not, however, boring. Von Trier takes his time and explores all the features he wanted to portrait in his film. "Dogville" is unusual and intelligent. I'ts unusual because of the setting. The little town of Dogville is nothing but a stage. The many buildings (the houses, the church, the mine, and such) are marked by white paint in the floor of the stage, like a blueprint that we may open atop a table. And that's why the movie is also intelligent; as the buildings have no walls, the viewer is able to see everything that goes "on stage", even if the scene is focused only in one or two characters (but the characters act as if Dogville was a common town, with walls on their houses). This way, the viewer feels almost like in a theater. The viewers are part of the play: they have, somehow, in a distant manner, to interact with the characters on screen. The viewers themselves become citizens of Dogville. "Dogville" is sarcastic, strong, tense and violent. For sarcasm, the title Von Trier self-imposed to his trilogy: America, land of oportunities. In fact, what happens on Dogville could happen anywhere in the world, for the story deals with selfishness, intollerance, distrust and prejudice, emotions prone to every human being. Von Trier shows that, if the United States want to be the new "center of the world", they will have to deal with their own "ghosts in the closet", before attempting to judge other societies. That's why this is a strong movie: it deals with things that most people are not ready to consider being part of their own self behaviour. It's easy to judge others, but it's hard to accept others judging us, or for us to judge ourselves. "Dogville" is tense and violent (and even ugly) because of how the characters act, and because, while watching the movie, we consider that we may not be so different from the characters at all. "Dogville" is a very well constructed movie, with an excellent script, great (stereothyped) characters played by effective not-mainstream actors (Paul Bettany, Patricia Clarkson, Stellan Skarsgard, among others) and a provocative direction. One of the great movies of 2003. Grade 9.4/10
This film unfolds on stage in a highly theatrical telling, lending to the story the strong sense of a parable. Von Trier has assembled an impressive cast including old favorites Lauren Bacall and Ben Gazzara. The story builds slowly, with some fascinating twists and turns before reaching its shattering climax. It reminded me a lot of Shirley Jackson's classic story, The Lottery, but seems to owe more to the small town vision of Sinclair Lewis and Thornton Wilder. I suppose some will be turned off by von Trier's disturbing view of small town life, but this film is masterfully handled, and shows what an accomplished director he is, drawing the most from his actors, in particular Nicole Kidman.
His "Dogville," a parable about how community spirit can either elevate or destroy people, is lengthy chronicle of Depression-era America that's played out entirely on a large, sparsely furnished soundstage. Nicole Kidman, Paul Bettany, Lauren Bacall and others play their scenes not on actual sets, but inside chalk-drawn rectangles meant to symbolize various locations. While Kidman's character Grace Margaret Mulligan talks about finding herself in "a beautiful little town in the midst of magnificent mountains," all the viewer can see is a bunch of scattered chairs, a few wooden arches and a blank white scrim that serves as the backdrop. Locations with such picturesque names as Raccoon Road and Elm Street have no raccoons and no elms to offer. This is, obviously, at heart a theatrical piece that's heavily dependent on lighting, sound effects and, more than anything else, the passion of the performers to put it over. For many viewers, "Dogville" will be nothing more than a curiosity piece that quickly exhausts the patience; for others, it may be a mind-bending experiment in determining exactly where stagecraft and the art of film can intersect. It could all have been insufferably pretentious -- and at times, it comes perilously close to being exactly that -- yet the movie does have its own bitter humor, a few vividly etched characters and a kind of offbeat flavor that's admittedly an acquired taste. Unfolding in nine chapters (plus a prologue), "Dogville" is the story of Grace, a pale young woman who hides behind her dishwater-blonde hair and tries exceedingly hard to please everyone around her, often to her own disadvantage. She stumbles into Dogville (population: approximately 15) after escaping some gangsters and she hopes to find shelter in the backwoodsy hamlet, even though the inhabitants don't seem to have much of anything to spare. Local philosopher and would-be intellectual Tom Edison (Bettany) takes an immediate interest in the soft-spoken stranger, but most of his fellow Dogvillians (including Patricia Clarkson as a prissy sort, Phillip Baker Hall as a sickly physician, Jeremy Davies as Tom's dopey buddy and Chloe Sevigny as a curly-haired cutie) cast a wary eye in Grace's direction, at least until she volunteers to help out around the place. Suddenly, everyone is quite fond of her -- and why not, when she's willing to work for free? -- and Grace finds herself laboring day and night for mostly thankless bosses. "There's an awful lot to do here in Dogville, considering no one needs help," Grace muses, as she scurries from task to task. In von Trier's eyes, the residents of Dogville represent not just the stereotypical "ugly Americans," but the very ugliest America has to offer: On the average day, they're merely suspicious, hostile and greedy, but when something really gets them worked up, they're capable of every kind of abhorrent behavior, including the enslavement of the weak and sexual humiliation. Despite the vaguely 1930s setting, "Dogville" is very clearly designed as a skewering of the jingoistic, anti-foreigner sentiments that swept certain corners of the U.S. in the months following the 9/11 attacks. In the story, the community's happiest times come, not coincidentally, around July 4; not long afterward, circumstances cause most of Grace's new "friends" to turn on her. Even the children Grace has taken care of resort to blackmail to get what they want, as the adults begin barking slogans like, "Are you for us, or against us?" Kidman, in a performance as emotionally stark as any she's ever given, makes Grace's journey achingly real, even though everything around her is deliberately artificial. Initially, Kidman and von Trier had planned to collaborate on a trilogy of stories following Grace's misadventures, but Kidman has since pulled out of that project. Considering what the director puts her through in "Dogville," it's not hard to guess why she didn't sign up for more.
Yes, the movie is a brilliant study of characters and (dark) human nature, but more importantly it gives viewer a priceless lifetime lesson. It displays a battle between moral purity, youthful idealism and unaware-of intellectual arrogance on one hand and pure-and-simple concept of responsibility on the other. It is in fact this battle that squeezes and twists our stomach throughout the whole movie; it is this opposition which, in all its clarity, finally unveils itself in the final dialogue. Intellectual exchange of argument defines the "winner". And leaves the viewer contemplating, speechless in awe. A masterpiece that raised the bar of cinematographic creativity on a brand new level.
First, it did not have to be 180 minutes long. I understand the long time Von Trier took to introduce us to the town of Dogville, because it made everything that followed in the story more powerful because of the understanding we had for the village and it's characters. However, Von Trier proved his point again, and again, and again. I felt between the two and a half hour point and three hour point that a lot could have been cut. The story lost its fury and steam through that half hour. It felt like rambling, and it could have been condensed in the screenplay to still showcase everything the filmaker wanted to. Next, one of the reviewers said that critics "pounced" on this film for being anti American and gave it bad reviews. They didn't. Most reivews of Dogville are positive, and those that aren't clearly state problems with the film, and not the anti Americanism in it. Finally, I felt like Von Trier took all this time, three hours to be exact, to construct this pretty darn good cry out against humanity, and not America, and then after the powerful ending the credits just let me down. I felt like Von Trier took all that time creating this masterpiece, only to side swipe it with a cheap jab at America. Those who say it's not anti American need to review it again. The end credits play over homeless people to the tune of David Bowie's I'm Afraid of AMERICANS. HELLO, thats a big clue people! The film itself is not anit American I believe, but the end credits really let you know what Von Trier thinks. The end creidts also felt like they had no relation to the film. After watching the bare bones scenery, set to classical music, the glam rock Bowie tune did not fit at all. It was cheap, sloppy, and unfortunate that it degraded such a fine piece of cinema. Bad choice Von Trier. It quickly numbed the sting I felt after the actual film ended, instead of letting it stay. Overall, see this film if you are curious about it. It is a mini masterpiece from Von Trier, but a flawed one at that. ... Read more | |
| 15. Dancer in the Dark (New Line Platinum Series) Director: Lars von Trier | |
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Amazon.com In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail? Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon Wise Reviews (260)
Bjork plays such a wonderful role and obviously has taken the character's personality to heart as she gives an absolute stunning performance. This film deserves much more credit than the last reviewer has given. With Bjork helping in the creation of the musical score any fan would appreciate this dramatic film. I wouldn't say it is a masterpiece, but it stil deserves 5 stars in ratings. Give the film a chance. Bjork will grow on you. Selma will grow on you and the film as well.
However, one thing that was a little distracting (yet, also, I think it added to the rawness of film and its subject matter) was the shaky camera work close-ups. At times, you'll want to spring for the bottle of asprin to overcome an oncoming headache via watching the film, but restrain. Just finish the movie. If the headache is still there, then you've experienced "Dancer in the Dark." The last 10 minutes of this movie is probably the most riveting, suspenseful and adrenaline-pumping movie sequence I've ever seen. Bjork's voice, facial expressions and inner emotion bleed through her body in a way that is both unsettling and undeniably powerful. I must say that I'm no Bjork music fan, but the songs in the film did touch me. They were so radical, so inventive, so simple and bizarre, if you will, that it's almost impossible to not simply appreciate them for being so outlandish. But nonetheless, the movie is really about suffering. You can draw many symbolisms to Selma's (Bjork) lonely, simple and heartbreaking character, one being almost christological. (that may be a stretch, but it's valid if you look closely at the film, what Selma's purpose was and how she was "wrongly" accused in a sense and then attempted to be put to death) Either way though, it still is a pretty amazing movie. I can't believe I wrote this much. Movies that make me want to write this much about them are truly unique. "Dancer in the Dark" is one of the precious few. Devastatingly powerful and unflinchingly raw. See it. (all of it)
In both Carl Dreyer (ironically another Danish director from the 20s)'s film trying to take the material from another country's story (Jeanne d'Arc), the main character is put on interrogation for being criminal when she was in fact more saintly than her interrogators. Falconetti, like Bjork, the main character of Dancer in the Dark, decided never to act again after the traumatic experience. Both Carl and Lars liked to purposefully film from a strange tortured angular way so as to thoroughly torment the viewer. Lars's camera holding technique was more painful to experience, because he sometimes shook the camera, as if it were a home video making me want to practically throw up at times. But in both films, the way that the camera is held, and the scenes are viewed give the viewer more reason to feel sympathy for the main character's plight, (in Bjork's case, that she was blind and poor and a single mother who needed to work to take care of her kid) ...(and in Falconetti's case, that she was imprisoned and humiliated for freeing her country of intruders.) Each character always seemed cornered out, or set aside from whatever reality they had to confront. The depiction of Selma by Bjork was just as honest and heartfelt and raw and real and tormenting to experience as Falconetti's portrayal of Jeanne d'Arc. In both films, the acting is more as if the actors arent's actors but they just let the character of their story possess them and speak through them. Also in both films, the music is incredibly powerful and moving and enhances the emotional situations that both women had to undergo and confront and overcome, even in martyrdom. In DITD, the music is modernly inspired electronic music composed by Bjork and sung by Bjork, and has beats made from normal sounds in the surroundings in the film, whereas in the Passion of Joan of Arc, the music score was only added to the silent movie 50 years afterwards, ...after the film was salvaged from its disappearance in a fire and found in the attic of a Norwegian insane asylum. The Passion of Joan of Arc's music was done by a modern composer as well (Richard Einhorn) and sung by a choir and a female quartet of singers called Anonymous 4. I'm sure that other comparisons can be made, if one views both movies in the same night. My only complaint is that both movies leave you with the feeling that this sacrosaintly behavior from honest, defiant women who dare to step out of the lines and do what their heart, or their spirituality tells them to do, only get squashed in the end. It's a real depressing view of mankind and what devastation we are capable of. Leave it to two Danes to critique American society (in Dancer in the Dark, and Dogville) or tell the story of a French saint who was slandered as a heretic (in the Passion of Joan of Arc.) Carl Dreyer got censored, his film was lost in a fire for 50 years and then found in an insane asylum, only to be restored and upgraded with a soundtrack that he never asked for but which made his film even more powerful. Perhaps Jeanne's spirit was playing tricks on the movie that tried to portray her plight, and that's why it (the film negatives) went up in flames (as did she, in the end) and were lost for 50 years only to be found in an insane asylum (coincidence? ...her interrogators accused her of lunacy and of conspiracy with the devil...like a crazy person, or a witch) and then when the negatives were found, they were treated like a treasure, just as Jeanne was only called a saint hundreds of years after her death. Maybe Von Trier will be just as cursed by the stories he tries to tell, (he tries to talk about America when he's never even stepped foot here, and never probably will) only that his are ficticious stories, and DITD was brought to life only by a fierce force to be reckoned with...a practically pagan and mystical Icelandic woman who can believe wholeheartedly in her character, Selma, and in the apparent reality and gravity of her situation, just as the people of Iceland can seriously believe in elves and gnomes possessing rocks and mountains and rivers. (Icelandic people will build a road around a rock instead of destroying it, because they believe that the gnomes/elves would be disturbed or mad if they destroyed the rock or moved it.) I think that this belief in characters and in spirits is obvious in Bjork's way of acting and being Selma and being true to Selma's plight, ...just as true as Falconetti was to Jeanne d'Arc's plight. ... Read more | |
| 16. What's the Worst That Could Happen? Director: Sam Weisman | |
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Speaking of which, I can't imagine Bernie Mac actually found this script funny enough to make an appearance. Believe me, you won't either. Everyone's obviously in it for an easy paycheck. Do yourself a favor and don't encourage them any further.
There is a lot of talent wasted on stereotype bits that are more insulting than comical. William Fichtner's flamingly effeminate detective would only be funny to homophobes. John Leguizamo's Arab imitation is less humorous now than it might have been before September 11. The only really funny bit in the film is a strictly visual gag by Stephanie Clayman as the sign language interpreter. Without virtue of a solitary line of dialogue, she single handedly produces all the most hilarious moments in the film. This film is a dud. I rated it 3/10. Martin Lawrence fans are likely to be disappointed. ... Read more | |
| 17. Jury Duty Director: John Fortenberry | |
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Pauley Shore has made some good movies but sadly Jury Duty isn't one of them, I would pass on this one and watch Biodome instead or In The Army Now they are far superior!
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| 18. Men in Black (Superbit Collection) Director: Barry Sonnenfeld | |
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Description Reviews (194)
This limited edition 2 set DVD, Disc one has a excellent anomorphic widescreen transer(1.85:1) and Pan and Scan in also alivable in this Dual layer DVD. Also a visual commentary by Director-Barry Sonnenfield(The Addams Family 1&2, Wild Wild West) and actor-Jones. Also extra commentary for this editon by the Director-Sonnerfield, Make-up artist-Rick Baker and Industrial Light & Magic team. Also Dolby 5.1 Surround and Dolby 2.0 Surround is in english. Also french Dolby 2.0 Surround track. Disc 2, has a lot of extras like in Deleted and extended scenes, behind the scenes featurettes, edited your own scene and a lot more of extras. This film has a thin plot but it has great winning special make-up effects, Good CGI effects, and wonderful comic performances by Jones and Smith. Grade:A-.
In particular, M.I.B. tells the story of a new potential agent (Wil Smith) on his first case. An assassin alien has come to Earth to kill the prince of an alien empire and steal a rare jewel. Lead by a veteran agent played by Tommy Lee Jones, both agents try to save the prince and capture the assassin. During the chase, we are treated to the birth of an alien octupus, exposed to amazing technologies, and given "credible" explanation to some of the enduring mysteries of our time. This movie delivers on both the action and comedy fronts. It is funny on many levels, very enjoyable. Usually I like to compare this movie to another because we all have different senses of humor, but it is hard to do here. M.I.B. may not be unique, but I don't know of any films quite like it. Recommended.
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| 19. The Photographer Director: Jeremy Stein | |
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Description Reviews (5)
As a professional photographer, I can identify with the main character and his various challenges and successes. Truly inspiring!
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| 20. Men in Black (Collector's Series) - DTS Director: Barry Sonnenfeld | |
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Reviews (194)
This limited edition 2 set DVD, Disc one has a excellent anomorphic widescreen transer(1.85:1) and Pan and Scan in also alivable in this Dual layer DVD. Also a visual commentary by Director-Barry Sonnenfield(The Addams Family 1&2, Wild Wild West) and actor-Jones. Also extra commentary for this editon by the Director-Sonnerfield, Make-up artist-Rick Baker and Industrial Light & Magic team. Also Dolby 5.1 Surround and Dolby 2.0 Surround is in english. Also french Dolby 2.0 Surround track. Disc 2, has a lot of extras like in Deleted and extended scenes, behind the scenes featurettes, edited your own scene and a lot more of extras. This film has a thin plot but it has great winning special make-up effects, Good CGI effects, and wonderful comic performances by Jones and Smith. Grade:A-.
In particular, M.I.B. tells the story of a new potential agent (Wil Smith) on his first case. An assassin alien has come to Earth to kill the prince of an alien empire and steal a rare jewel. Lead by a veteran agent played by Tommy Lee Jones, both agents try to save the prince and capture the assassin. During the chase, we are treated to the birth of an alien octupus, exposed to amazing technologies, and given "credible" explanation to some of the enduring mysteries of our time. This movie delivers on both the action and comedy fronts. It is funny on many levels, very enjoyable. Usually I like to compare this movie to another because we all have different senses of humor, but it is hard to do here. M.I.B. may not be unique, but I don't know of any films quite like it. Recommended.
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