Reviews (1130)

Saving Private Ryan DVD: Definitive Movie on D-Day
This was an awe-inspiring, horrific and honest portrayal of the D-Day landing and the extraordinary sacrifices made by ordinary individuals. Spielberg's hand-held in your face film technique immerses the viewer into the action. Without a doubt, Speilberg's depiction of the landing on Normandy Beach is one the most intense battle scenes ever filmed.

It is no less than a sheer masterpiece of filmaking. It is a well-researched, authentic anti-war statement that stands as a tribute to those individuals who endured horrific circumstances and literally saved the free world from tyranny.

Saving Private Ryan accomplishes what Schindler's list did in regard to the holocaust and what Oliver Stone's Platoon accomplished in its statement on Vietnam.

In addition, Spielberg has not only paid a deserving tribute to the veterans of World War II, he has also produced an excellent anti-war film that deglorifies warfare. There was nothing romantic about being butchered on the battlefield. If there is a hell, the D-Day veterans have already been there.

Saving Private Ryan is without a doubt one of the most honest, realistic combat movies ever made. Although Spielberg may not have gotten it all down in regard to the war with Germany; his depiction in regard to Normandy Beach and D-Day are right on target!

A terrifically powerful film
"Saving Private Ryan" is probably the best World War 2 movie ever made. The cast is excellent, and the cinematography unparalleled. The use of the hand-held, filtered camera during the battle scenes brings Capa's D-Day photographs to life. The story is simple--eight men are sent to find another soldier behind enemy lines--yet powerful by that very virtue. It is full of brilliant cinematic moments, such as the segueway after the horrific opening D-Day sequence: The screen goes blank for a second, and we hear the layered sounds of typewriters clicking like machine guns as Army typists write next of kin letters...Raindrops falling, then falling faster and dissolving into the sound of gunfire...
Throughout the film, we are shown many aspects of combat: the depersonalization which occurs in battle (Hanks' Captain Miller staring paralyzed at the carnage around him on the Normandy beach for a moment, then stoically replacing his blood-filled helmet); the tragedy of a single death (Giovanni Ribisi's Wade calling for his mother as he dies--the most realistic and moving depiction of death in cinema, to me...); heroism and cowardice. The music is great, the characters vividly drawn, the historical details perfect.

Steven Spielberg made this film as a tribute to his father, who served as a radio operator in the Pacific theater. His first film, made when he was thirteen, was a war story (in which he was allowed to use real airplanes at a nearby airbase for some of the shots). He'd been thinking of making a big film like this for a long time, and it is rewarding to watch.

Surprisingly impressive, stands out among war movies
Most of us expect a low-rate, pointless and overall tacky war movie from today's money-hungry industry, but SPR has done well in distancing itself from our presumptions. If you've never seen it before, than you'll be surprised at how well the movie is puit together. Aside from the usual modern-day method of pumping a movie full of A-List actors, a predictable script, less-than-impressive direction, irrelevent acting, and the overall novelty that one can come to expect of supposed dramas of today's glamour industry.

The story follows Captain John H. Miller and his team, including a sniper, a medic, an Arab, a surly private, and an acceptable Vin Diesel, to rescue James F. Ryan, a private in a paratrooper squad whose three brothers have been killed in action. A mission susceptible to much protest, and ultimately one that will cost many lives.

Everything about the movies feels as if it was done right. The overall atmosphere feels right, and it makes you feel as if you're sitting inside the movie--you can almost feel the moisture of the air seething through your clothes or the subtle sunshine warm your shoulders and forehead. The acting is very good as well, although you can spot some parts where improvement wouldn't hurt and it at times feels tacky and stunted. The direction is done well, as the actors can easily pass as soldiers, but the aforementioned cut corners could bring you away from the total immersion and feeling.

Saving Private Ryan is very worthwhile, and any war movie buff in his right mind would praise it as innovative and a revival of the genre.

Guts and gory
Does anyone still believe WWII was the good war, and that cynicism, spin control and U.S. brutality were born in Vietnam? If so, Steven Spielberg's visceral re-creation of the Secend World War experience will be a shocker: The film's battle scenes are anarchic, bloody, frenzied and studded with atrocious acts. Screenwriter Robert Rodat's script (based loosly on an actual incident and heavily indebted to historian Stephen Ambrose), however, sticks to familiar ground. Battled-scarred Captain Miller (Tom Hanks) is sent on a special mission to retrieve one Private Ryan (Matt Damon), who merits heric efforts because he's the sole survivor of four enlisted brothers, and his safe return is conceived as a home-front morale booster. Miller's hand-picked squadron is a checklist of war-movie types--hard-nosed sergeant (Tom Sizemore); decent private (Vin Diesel); Brooklyn wiseass (Edward Burns), introspective medic (Giovanni Ribsi); tough Jew (Adam Goldberg); pious Southern sharpshooter (Barry Pepper); and bookish corporal (Jeremy Davis) with no frontline experience--whose destinies follow a well-worn path. The exception is the GI who clings to the hope that war exposes the hidden strength in men, and instead has the worst wrenched out of him in a scene that elicits scattered applause but seems designed to evoke a mixture of pity and contempt. The movie's greatest strength lies in phenomenal performances that reach from the leads right down to the smallest supporting roles: Hanks' affability is worked under Miller's hardened skin, and Damon gives Ryan a boyish determination ans convincing as it is naive. Spielberg does some of his best work (the pointless preasent-day framing sequence notwithstanding), but follows in distinguished footsteps: Among the films that should'nt be lost in the rush to praise are Samuel Fuller's harrowing BIG RED ONE, whose credo--"The only glory in war is surviving"-- could be the movie's own.

You ARE There...
I watched SAVING PRIVATE RYAN not knowing what to expect. I'm not a big war movie fan, my taste running more toward horror / sci-fi / comedy. Within seconds I was totally engrossed in this all-too-real depiction of WW II. The bullets ripping men apart, the panic, the frantic kill-or-be-killed atmosphere, the almost continuous chaos, interrupted only briefly by spurts of calm, all added up to one joltingly great movie classic! Tom Hanks, Tom Sizemore, and every castmember is believable and human. There are no cigar-chomping superheroes in this story, just regular guys in an overwhelmingly dire situation (I felt like even I could be one of them). Spielberg tears off the sugary coating of the typical war film, revealing the squirming guts beneath. Pulling zero punches, he shows us war up close and disturbingly personal. Still, SPR is filled with warmth, humor, and that sense of brotherhood that would risk so much for one soldier. I love this movie and cannot recommend it highly enough... ... Read more

Reviews (272)

Another masterpiece from Guy Ritchie
Highly talented writer/director Guy Ritchie delivers another masterpiece with Snatch, that equals the sheer quality and genius of his other masterpiece, Lock, Stock And Two Smoking Barrells. Once again the film is edgy with vast undertones of dark, gritty realism centering on the underworld but refreshingly encapsulates a darkly humorous side to it making the film have an even balance and therefore making it more enjoyable and entertaining in the process. The film has a host of subplots all shrewdly linked to the main storyline and a wealth of characters including a couple of likeley Cockney lads who are two novice unlicensed boxing promotors, Turkish (Jason Statham) and Tommy (Stephen Graham), fellow boxing promotor Brick Top (Alan Ford), Mickey O'Neil played by Brad Pitt as an Irish gypsy who gets roped into the boxing match where his opposition is rigged to win, Avi (Dennis Farina) as the man due to deliver a stolen 86 carat diamond and Bullet Tooth Villain (Vinnie Jones) who Avi hires to trace the diamond after he is robbed. The characters and performances are superb and vastly convincing, the host of plots are well-structured and the attutude-laced dialogue rides along like a roller coaster. Snatch on the whole is an utterly compelling film that will grip your attention and not let it go until the film is completed. Essential viewing and the extra features on this DVD are an added bonus. Highly recommended!

Chaotic, kinetic and outrageous fun
Snatch is a fast-paced gangster thriller from England. Like many such British films, it is equal parts drama and black comedy. Our friends in the UK may take crime seriously, but they can't bring themselves to do the same with criminals. Perhaps there is a lesson for us there. I thoroughly enjoyed Snatch, but I must warn you that the accents can sometimes be hard to understand. The one used by Brad Pitt is intentionally indecipherable. Fortunately, I watched the DVD version, which has an option that puts subtitles on the screen whenever Mt. Pitt speaks. The video edition does not have this feature, but that doesn't matter too much. His dazzling performance is entirely physical in nature, so what does it matter what he has to say? The other characters don't understand him either.

The movie was directed by Michael Ritchie, who is probably better known to Americans as Madonna's husband. His first picture, Lock, Stock and Two Smoking Barrels, was also about psycho bad guys; in fact, Snatch is so similar to it that it is practically a sequel. The characters are different, but many of the same actors appear in both movies. Both films also share Ritchie's frenetic, stylish editing, as well as his fascination with lowlifes.

The plot is so complicated that describing it is difficult. I had little problem following it, but several reviewers admitted to getting completely lost. Basically, the story is about a huge diamond that gets stolen from a jewelry company in Amsterdam. It bounces from one group of criminals to the next, and, of course, everybody wants to get their hands on it at any cost. Meanwhile, a boxing promoter is having a very difficult time with a vile, ruthless gang boss who is demanding that he fix a fight. This is where Brad Pitt's character, One Punch Mickey, comes in. He is part of a band of gypsies [thus, the accent] who are the trickiest double-dealing folks you are every likely to see. Soon, everyone is merrily out to get everyone else.

The characters all have names straight out of a Damon Runyon story - Frankie Four Fingers, Bullet Tooth, Boris the Blade, Turkish and Brick Top are some of them. I think the names alone are enough of a clue that the movie is not to be taken seriously. One problem some viewers will have with it is that there are two or three times as many characters than in most movies. Keeping up with them can be a challenge.

Snatch should prove to be great fun for those who love for a movie to be fast and innovative. For those who like them to be cool, calm and collected, another choice of movies is recommended.

Where's the snatch?
I thought from the title that this was a XXX porno flick. Silly me. Brad Pitt still spends the entire movie talking like he's got a tampon stuffed in each cheek (sort of like the cotton wads Marlon Brando used in The Godfather). Is this the way these people really talk? And I thought I had a speech impediment. I should start auditioning for parts in movies about Irish gypsies. Still, this was a pretty good flick and I'd actually give it 4.5 stars if I could. Big Bubba says go see it and don't Bogart the popcorn.

I again can not think of a title
Here is the deal about "Snatch", if you happen to be a Brad Pitt fan, you will probably love this movie because the 1st time you watch it, he steals the show, and because he is (if I am not mistaken and I very well might be) the only American actor in the movie and the other actors are not very well known in the states, I mean some people know Jason Statham but who knows the other actors, very few people, or at least, before they see/saw "Snatch". Great movie, hilarious really, it gets old after you watch it a couple of times but if you watch it with your friends, it's all in good fun because you can go on reciting the lines you know and that makes it a lot more fun to watch but the 1st time, it's beautiful.

to all you 3* & below plonkers
Seen some critics say they can't understand what the f*** is being said by the english actors .Some even suggest leaving the subtitles on !

Why should all films pander to a middle USA marketplace .Can't you enjoy the cultural differences & isn't it fun to try to pick up how other people speak the great english language ? We don't have UK english subtitles for US movies .

By the way I'm saying this as a Scotsman living in England . The Londoners find us equally difficult to understand but we don't have english subtitles for scottish actors everyone over here just works it out .

Bloody good film if you make the effort . ... Read more

Amazon.com

Hailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny DeVito), and also finds time to deal with a vengeful Mobster (Dennis Farina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff Shannon ... Read more

Reviews (49)

Look at me...
"Get Shorty" is a humdinger of a movie - smart, funny, and VERY full of itself...kinda like its "hero", Chili Palmer.

Every character and performance hits all the right notes, starting with John Travolta's right-on portrayal of Palmer, a loan shark who has tired of the mob business and would like to try his hand at a REAL mob business: the movies.

Palmer isn't a bad guy; he's just all business, which certain characters (especially Ray Bones) should have figured out early on. But they don't, and we get to see Chili eliminate his enemies one by one through sheer guile and smarts. In particular, his payback on Bones is an absolute classic.

One of the film's truly great pleasures is watching great actors like Gene Hackman and Danny DeVito try to play Chili. Hackman's performance gets him a very unwelcome audience with Bones ("I heard you shot the guy four times in the chest and once in the foot"), while DeVito's simply doesn't work, and by the end of the movie Chili is looking to "get" someone other than "shorty".

Also look for James Gandolfini in his best pre-Tony Soprano role as an ex-stuntman.

You Just Got to Get "Get Shorty"!
"Get Shorty " in my opinion is one of the most hilarious send ups of the Hollywood movie industry ever put to film.Director, Barry Sonnenfeld and writer, Elmore Leonard have put their talents together to create a satirical film, which 'takes no prisoners' in its look at the underhanded ways, that folks wheel and deal to get movies made.The film centers on a charismatic mobster (John Travolta), who while on a trip to L.A., decides to switch careers. He wants to make movies!This is not as far fetched as it seems. Apparently being a movie producer isn't that far of a jump from being a loan shark or racketeer! Along the way Chilly meets up with with a schlock movie producer, a scream queen, a L.A. hood and his henchman, another mobster from Miami and finally the 'Shorty' (a self-involved, superstar actor)of the film's title. All of them underestimate Chilly and think he is just a dumb hood, who can be conned out of some major, illegal money waiting in a locker at the L.A. airport. But Chilly seems to know all the right moves and plays everyone at their own game.Writer, Elmore Leonard wrote this fast paced, witty story after experiencing a real life, frustrating job of trying to write a script for vertically challenged actor, Dustin Hoffman... Revenge must be sweet, because it inspired a great piece of comic writing.The cast of actors in this movie is wonderful. Normally, I'm not the biggest John Travolta fan, but his take on mobster, Chilly Palmer is electrifying. Travolta plays the character with a swagger, confindence, and a smile that is sheer perfection! Gene Hackman is also hilarious as the sleaziest of sleazy Hollywood producers. This guy would sell out his own mother if it ment getting a piece of the gross!.Finally, Danny DeVito just makes this movie with his send up of every spoiled rotten, self-indulgent Hollywood actor that could ever come to mind. Kudos should also go for great, comic supporting roles from James Gandolfini and Dennis Farina.For an evening of some very funny Hollywood satire, I recommend you to get..."Get Shorty"!

The worst movie ever created by man
This movie was a waste of money. Only good part was that one guy saying the F word a lot. This movie is dull, boring, and is slow developing. I took this DVD and broke it into pieces after I watched it, I had more fun breaking this DVD than watching it. For anyone who is going to buy this DVD I warn you, it is a retarded movie, and waste of your money.

are you out of your minds
Anyone who gives this hunk of junk movie more than 1 star is either a moron or generously sympathetic.Then again 1 star is too much. AMAZON should incorperate a ZERO star selection.I bet the reviewers that raved about this one were payed to do so, and it could only have been in cash. Penny Marshall?? Uhggg!!! give me a break. She should have yelled CUT! before this was crap was made.An ex friend recommended this film. He wasn't an ex friend before I watched t it.

A very fun movie!
This is one of the cleverest comedies out there. John Travolta plays a bookie (Chili Palmer) in Miami Beach, FL. He is one of these respected hard nose, no BS type of people that just demands respect wherever he goes. But for a change of pace and a change of heart, not to mention money that is owned to him, he flies out to California. He is searching for a man who took a very large some of money, but in the mean time is caught up in the Hollywood movie making industry. He meets up and makes friends with Gene Hackman, a B movie director always looking for the next big break. Rene Russo plays a B movie washed up actress who is helping Travolta get into the movie industry. Mean while, old friends and enemies follow Travolta to the sunshine state to find out what he is up to and possibly move in on the action. This movie also has Danny DeVito, Dennis Farina, cameo by Penny Marshall, Delroy Lindo, James Gandolfini, and more twists and turns that you can imagine. If you are looking for a really fun comedy with lots of stars then this is the movie to get! ... Read more

Amazon.com

Conceived as a "22-hour movie for television," the incendiary first season of Crime Story (1986-87, on NBC) marked a controversial milestone in TV history, and its lasting influence can be seen in such better-known series and films as The Sopranos, Homicide: Life on the Street, Donnie Brasco, Casino and elsewhere. The season-long story arc followed Chicago Police detective Lt. Mike Torello (Dennis Farina) and his tireless pursuit of fast-rising mob boss Ray Luca (Anthony Denison) from Chicago to Las Vegas, circa 1963-64. Heading the Major Crimes Unit (MCU) with his hand-picked team of detectives (including fresh-faced Bill Campbell, long before Once and Again) and passionate public defender David Abrams (Stephen Lang), Torello moves from city to federal jurisdiction as Crime Story unfolds its post-Kennedy scenario with stark, often brutal authenticity, pausing for stand-alone episodes that propelled the Torello/Luca rivalry while showcasing such up-and-coming guest stars as David Caruso (in the electrifying pilot), Gary Sinise (who also directed two episodes), Ving Rhames, Lorraine Bracco, and 19-year-old Julia Roberts, who shows early promise as a sexually abused teenager in "The Survivor," a typical example of the show's emphasis on character depth and gritty, hard-hitting plotlines.

Riding high on the success of Miami Vice, executive producer Michael Mann (who helmed the penultimate episode "Top of the World") had several aces up his sleeve: Cocreator Chuck Adamson had been a legendary Chicago detective; Farina was an 18-year veteran of the Chicago Police before he switched to acting; and Luca's dim-witted Mafia sidekick, Pauli Taglia, was played by John Santucci, who had been one of Chicago's most notorious criminals in the 1960s. All of this--along with James A. Contner's color-saturated, mostly nocturnal cinematography--guaranteed that Crime Story would be unique for its time, earning controversy (over its rugged depiction of violent cops) and just enough ratings against ABC's Moonlighting to win a second-season reprieve. Unfortunately, Anchor Bay's budget-conscious DVDs represent a missed opportunity: Crammed onto four discs with five episodes each (with the pilot on a separate disc), the transfers barely rival VHS quality, and costly music rights resulted in song replacements that loyal viewers will regret. Lack of chapter indexing and a perfunctory background essay do little justice to a landmark TV series that deserved a full-featured release on DVD. Those caveats aside, Crime Story can be appreciated as an ambitious American epic that still packs a wallop. --Jeff Shannon ... Read more

Reviews (28)

Great box set from Anchor Bay!!!
This is one great DVD box set!!! Anchor Bay does another top notch reissue!!! This is of the most underrated TV shows ever made, but it has gained a cult following!!! This one of the most addictive shows and one you start watching you won't want to stop!!! The action is non-stop!!! The friction between Mike Torello(Dennis Farina)and Ray Luca(Anthony Denison) is intense!!! This show contains some of the quirkiest casting out there,Dennis Farina was a former cop in real life,John Santucci who plays Pauli Taglia was a former jewel theif in real life,Ted Levine(a few years before his Slience Of The Lambs role),Bill Campbell,Joseph(Dr. No)Wiseman,Stephen Lang(Manhunter)Paul Butler,Bill Smitrovich,Darlanne Fleugel,Jon Polito,Andrew Dice Clay,Julia Roberts,Ray Sharkey,Deborah Harry,Vincent Gallo,Ving Rhames,Pam Grier,Michael Madsen,David Caruso,Lorraine Bracco,Miles Davis,Michael Rooker,Ron Dean,Jay O.Sanders,Gary Sinise and many more!!! And thats for Season One!!! i cant wait for the second season to come out on DVD!!! This DVD megaset looks so much better than the ten tape VHS set that was released bt Starmaker years ago!!! If you like this classic TV show you'll love this DVD box set!!! And unlike most box sets, this one is very compact(a little larger than a single VHS box,and looks nice on any bookshelf!!!) The people who have'nt yet seen the show are in for a real treat!!! A TRUE CLASSIC!!! Five Stars!!! A+

The Untouchables were wimps!
It was ahead of it's time,like most cult classics.Had it come out during the 70's when "Chinatown" was released or in the 90's when "L.A. Confidential" came out,it might've been on for at least for five seasons.As it is,it's a rare gem that is exciting,hard hitting,and carries the force of a baseball bat being wielded by a mafia hood!
On the heels of his success in creating "Miami Vice",Michael Mann created this retro crime saga set in the early 1960's(pre-Kennedy assassination) and revolving around Chicago's elite "M.C.U." unit (sort of like the police department's own Untouchables) and their war against an up in coming mafia hood named Ray Luca.
What makes Crime Story so interesting is not only it's retro style(classic cars,Luca's Elvis hairstyle,and early rock-n-roll) but the fact that much of the first season's stories are grounded in reality.
First Off: The leader of the MCU,Lt. Michael Torrello,is based upon a real-life detective named Chuck Adamson(Who also is a script writer and consultant).Adding further weight is the fact that Torrello is played by Dennis Farina,who himself is a retired Chicago detective.
Second: Ray Luca,played by Anthony Denison,is based upon real-life mafia hood Tony Spliroto,who also inspired the character of Nicki Santoro,played by Joe Pesci,in "Casino".By the same token,Ray's Las Vegas partner,Max Goldman,played by Andrew "Dice" Clay(!),was based upon Frank "Lefty" Rosenthal,who also inspired Robert DeNiro's Sam "Ace" Rothstien in "Casino".Indeed,as Luca rises to power from the streets of Chicago to Las Vegas,it is the story of Tony Spliroto.Additionally,Luca's mentor,Manny Weissborn,played by Joseph Wiseman(best remembered as the James Bond villan "Dr. No"),is based upon one of the founding fathers of Organized Crime,Meyer Lansky.
With it's roots in true crime,and with an great supporting cast that includes Ted Levine("Buffalo Bill" in "Silence of the Lambs"),William Campbell(TV's "Once and Again" and "The Rocketeer"),John Stanucci(A real life "reformed hoodlum" who plays Luca's side-kick),and Stephen Lang("Ike Clanton" in "Tombstone" as crusading attorney David Abrahms),and a great guest cast that includes Ving Rhames,Pam Greir,Deborah Harry(70's super-group "Blondie"),and a very,very young Julia Roberts(playing a teen-aged victim of child molestation),"Crime Story" is a kick butt series that blends hard hitting drama with exciting action,and well placed humor and a must have for any fan of the crime genre

The Best
This set is the absolute best! Wonderful acting! Riveting! Let's hope Anchor Bay Entertainment comes through with Season Two very soon! I don't suppose it would hurt to email them and ask.

MANN GREATNESS
Every now and then TV gets it right and CRIME STORY is in that column. This epic was actually misplaced on the small screen: it could have revived serials with weekly theatre runs. The scaled down visuals and details were too limited to do the show justice. Had cable been in 1986 what it is now, CRIME STORY would certainly have had a different look (i.e, THE SHIELD being the most obvious) and probably played even more brutal than it had. Dennis Farina sets his own mark, but Lee Marvin's M-SQUAD Lt. Frank Ballinger, had to be in his subconscious (although Farina chewed his own share of real life Chi-Town cement with the CPD). Before self destructing at the mid point of Season 2, CRIME STORY was a joy. It was even more appreciated when Mann got to bring it full circle in 1995 with his masterwork, HEAT. Vincent Hanna and Mike Torello seperated at birth?

This one is GREAT!
We just got done watching Season One, and the next question is "When do we get Season Two???" Unless you are a real techno-snob, or have a 900" screen TV, you will not notice any problems with the DVDs! The songs were great, the picture is just fine if you are like us...we have a 25" normal TV and watch the story, not the pixels!

We LOVED this show, and have waited since what? the 1980's to see it again. I can't believe they put stupid TV shows out on DVD right and left, and we have to wait and wait for the good ones! This is definitely one to buy, and there is nothing negative about it that we noticed! ... Read more

Reviews (71)

The Odd Couple
Midnight Run is solid action comedy that has a fine cast, a clever and witty script, and confident director calling the shots. The film also was the first time that I remember tough guy Robert De Niro making me laugh.

Bounty Hunter Jack Walsh (De Niro) is hired by the mob to bring in one of their accountants, Jonathan Mardukas (Charles Grodin), for stealing some of their cash. The cross country trip seems like easy money for Walsh, after all, how much trouble could an accountant be? Walsh soon discovers that he'd much rather have a bullet wound than put up with Jonathan, a germ-a-phobic neat freak, who's also affraid to fly. Soon the two men discover that the mob and the Feds are getting restless. FBI Agent Alonzo Mosely (Yaphet Kotto) and his team are traking them, as are the mafia's Jimmy Serrano (Dennis Farina) and Eddie (Joe Pantoliano).

The team of De Niro and Grodin is just great, and harkens back to the chemistry between Lemmon and Mathau, in all of their work together. Grodin is the perfect foil for De Niro and vice versa. Extra Kudos to De Niro, as he underplays it all, until just the right moment. After which, you are sure he is really going to kill Grodin for real. The script by George Gallo is filled with enough laughs, action and close calls for two films. Directed by Martin Breast, Midnight Run is a fine follow up to Beverly Hills Cop, in the action comedy genre.

As good as the film is, the DVD extras, left me disappointed. Aside from, a brief making of feturette and the theatrical trailer, there's not much else. Special edition anyone?. Still, if you want something to watch that will make you chuckle, then Midnight Run should fit the bill

TOP NOTCH ACTION COMEDY!!!
This is the story of a bounty hunter (De Niro) trying to get to LA with white collar criminal (Grodin) to collect a million dollar bounty. Unfortunately for him though, not only his bounty ann incessant pain in the ass but he's also got the mob, the Feds and another bounty hunter all trying to stop him collecting his pay check. Midnight Run is a rare gem, a top class action comedy with one of the most unusual screen "buddy" partnerships in cinematic history, which has sadly been somewhat overlooked by the majority of people and that's a great shame because it boasts great characters, great comedy, great action scenes, a wonderful plot and a brilliant script with stand-out performances from Dennis Farina, Charles Grodin and in particular Robert De Niro who proves what a great comedic (as well as character) actor he is. Expertly directed by Martin Brest, who directed Beverly Hills Cop (and Scent Of A Woman), this is in my opinion a much better movie than the much lauded Eddie Murphy movie and a must see, particularly if you are a fan of Robert De Niro. In fact it is so good I'd give the movie five stars if it weren't for the lack of extras on the DVD but (especially at a budget price) this is definitely one well worth adding to your collection.

FAST-PACED, WHACKY, A DAZZLING TALE OF FRIENDSHIP AND MORALS
One of the funniest films ever made that still manages to hold up an engaging plot. A total winner.

It features some of the most genuinely stupid and amusing tough guys in the history of cinema, and a tantalizing slow burn by Deniro, a shortchanged ex-cop, who just wants a peaceful little coffee shop as payment for his decency and integrity. The comic chemistry between Robert De Niro and Charles Grodin is top-drawer. Surrounded on all side by ethical infants, these two characters at least know the difference between virtue and vice, and are ironically the moral backbone of the film.

Comedies that don't wallow in their humor are twice as much fun, and Midnight Run maintains a swift pace throughout. Situation-wise, it's a dynamo of action. I found the denouement to be quite moving as well, at the very least it provokes thought.

If you're looking for a comedy with depth, bite, wit and excitement, then catch Midnight Run. The DVD's spiffy special features quite simply reinforce my recommendation of purchasing this one, not just renting.

Perhaps the best "buddy" film ever made
The story focuses on a man that has jumped bail named Johnathan "The Duke" Mardukas ( Charles Grodin). Mardukas is the ex-account of a Las Vegas mob boss named Jimmy Serrano ( Dennis Farina). The Duke embezzled millions of dollars from Serrano and gave it away to charity before being arrested. Eddie Marcone (Joe Pantoliano)is the bail bondsman that bailed The Duke out of jail. Marcone only has 5 days left, before the bond is forfieted and he is out $100,000. So he sends bounty hunter Jack Walsh (Robert DeNiro)to retrieve The Duke and bring him back. Unfortunately, Jimmy Serrano wants The Duke dead, and sends two hitmen to kill him. Not to mention the fact that the F.B.I. want to be the ones who bring The Duke to justice. If things couldn't get any worse, there is also a rival bounty hunter named Marvin ( John Ashton)who is trying to bring The Duke in himself. Now it is up to Jack to keep The Duke alive and in one piece, while avoiding Marvin, the FBI, and the two mafia hitmen that are hot on their tails. However, with The Duke constantly trying to escape Jack's custody, Jack begins to realize that he is in for much more than he bargained for.

Midnight Run is without a doubt the best "buddy" film ever made. The reason is because Jack and The Duke's friendship takes the whole movie to develop. Nothing about their relationship is cut and dry. The Duke will do something to make Jack like him one minute, and then upset him the next with repeated escape attempts. The film also features the perfect mix of action and comedy as well. There are certain points in the film that are extremely funny and entertaining. The dialogue in this film is first rate. Then you are also drawn into the film because there are so many obstacles Jack and The Duke must overcome on their way to L.A.. There are tons of close calls in this film. The two mafia hitmen, the FBI, and Marvin the bounty hunter are all equally close to catching up with them. Robert DeNiro has had a lot of great performances. However, I still feel after all these years that his performance in "Midnight Run" is one of the best he ever gave. Charles Grodin manages to be just as good, and even better than DeNiro at times. DeNiro and Grodin's personalities are so different, that they end up making the perfect pair.

After all these years, "Midnight Run" is still a favorite of mine. I have seen the film many times, and it seems to get better after each viewing. Overall, the film features first rate laughs, an action packed story, and great performances from DeNiro, Grodin, Dennis Farina, and Joe Pantoliano. This is definately a must own film.

A solid 5 stars...

Easily, best movie I've ever seen...nothing can come close..
Best line ever in a movie: "That's right and i got two words for you: Shut the f.;k up!" Watch the ad-libs on the bus as Grodin bugs him to put the cigarette out, DeNiro has to hold from laughing, holding a sick smile, going, "I can't believe this f'n guy"...DeNiro, Pantiliano, Grodin, Ashton, Farina, Kotto,...with a great script by Gallo, Brest directing, Danny Elfman's bluesy music...are you kidding me...this movie is funny, touching, adventorous...just watch it...it's one that never grows old cause' it says so much about all of us... ... Read more

Reviews (272)

Another masterpiece from Guy Ritchie
Highly talented writer/director Guy Ritchie delivers another masterpiece with Snatch, that equals the sheer quality and genius of his other masterpiece, Lock, Stock And Two Smoking Barrells. Once again the film is edgy with vast undertones of dark, gritty realism centering on the underworld but refreshingly encapsulates a darkly humorous side to it making the film have an even balance and therefore making it more enjoyable and entertaining in the process. The film has a host of subplots all shrewdly linked to the main storyline and a wealth of characters including a couple of likeley Cockney lads who are two novice unlicensed boxing promotors, Turkish (Jason Statham) and Tommy (Stephen Graham), fellow boxing promotor Brick Top (Alan Ford), Mickey O'Neil played by Brad Pitt as an Irish gypsy who gets roped into the boxing match where his opposition is rigged to win, Avi (Dennis Farina) as the man due to deliver a stolen 86 carat diamond and Bullet Tooth Villain (Vinnie Jones) who Avi hires to trace the diamond after he is robbed. The characters and performances are superb and vastly convincing, the host of plots are well-structured and the attutude-laced dialogue rides along like a roller coaster. Snatch on the whole is an utterly compelling film that will grip your attention and not let it go until the film is completed. Essential viewing and the extra features on this DVD are an added bonus. Highly recommended!

Chaotic, kinetic and outrageous fun
Snatch is a fast-paced gangster thriller from England. Like many such British films, it is equal parts drama and black comedy. Our friends in the UK may take crime seriously, but they can't bring themselves to do the same with criminals. Perhaps there is a lesson for us there. I thoroughly enjoyed Snatch, but I must warn you that the accents can sometimes be hard to understand. The one used by Brad Pitt is intentionally indecipherable. Fortunately, I watched the DVD version, which has an option that puts subtitles on the screen whenever Mt. Pitt speaks. The video edition does not have this feature, but that doesn't matter too much. His dazzling performance is entirely physical in nature, so what does it matter what he has to say? The other characters don't understand him either.

The movie was directed by Michael Ritchie, who is probably better known to Americans as Madonna's husband. His first picture, Lock, Stock and Two Smoking Barrels, was also about psycho bad guys; in fact, Snatch is so similar to it that it is practically a sequel. The characters are different, but many of the same actors appear in both movies. Both films also share Ritchie's frenetic, stylish editing, as well as his fascination with lowlifes.

The plot is so complicated that describing it is difficult. I had little problem following it, but several reviewers admitted to getting completely lost. Basically, the story is about a huge diamond that gets stolen from a jewelry company in Amsterdam. It bounces from one group of criminals to the next, and, of course, everybody wants to get their hands on it at any cost. Meanwhile, a boxing promoter is having a very difficult time with a vile, ruthless gang boss who is demanding that he fix a fight. This is where Brad Pitt's character, One Punch Mickey, comes in. He is part of a band of gypsies [thus, the accent] who are the trickiest double-dealing folks you are every likely to see. Soon, everyone is merrily out to get everyone else.

The characters all have names straight out of a Damon Runyon story - Frankie Four Fingers, Bullet Tooth, Boris the Blade, Turkish and Brick Top are some of them. I think the names alone are enough of a clue that the movie is not to be taken seriously. One problem some viewers will have with it is that there are two or three times as many characters than in most movies. Keeping up with them can be a challenge.

Snatch should prove to be great fun for those who love for a movie to be fast and innovative. For those who like them to be cool, calm and collected, another choice of movies is recommended.

Where's the snatch?
I thought from the title that this was a XXX porno flick. Silly me. Brad Pitt still spends the entire movie talking like he's got a tampon stuffed in each cheek (sort of like the cotton wads Marlon Brando used in The Godfather). Is this the way these people really talk? And I thought I had a speech impediment. I should start auditioning for parts in movies about Irish gypsies. Still, this was a pretty good flick and I'd actually give it 4.5 stars if I could. Big Bubba says go see it and don't Bogart the popcorn.

I again can not think of a title
Here is the deal about "Snatch", if you happen to be a Brad Pitt fan, you will probably love this movie because the 1st time you watch it, he steals the show, and because he is (if I am not mistaken and I very well might be) the only American actor in the movie and the other actors are not very well known in the states, I mean some people know Jason Statham but who knows the other actors, very few people, or at least, before they see/saw "Snatch". Great movie, hilarious really, it gets old after you watch it a couple of times but if you watch it with your friends, it's all in good fun because you can go on reciting the lines you know and that makes it a lot more fun to watch but the 1st time, it's beautiful.

to all you 3* & below plonkers
Seen some critics say they can't understand what the f*** is being said by the english actors .Some even suggest leaving the subtitles on !

Why should all films pander to a middle USA marketplace .Can't you enjoy the cultural differences & isn't it fun to try to pick up how other people speak the great english language ? We don't have UK english subtitles for US movies .

By the way I'm saying this as a Scotsman living in England . The Londoners find us equally difficult to understand but we don't have english subtitles for scottish actors everyone over here just works it out .

Bloody good film if you make the effort . ... Read more

Amazon.com

Thief's dark noir spaces are tinged with the neon palette that has become the trademark of director Michael Mann (Miami Vice, Heat).This was his first theatrical film, and all the elements that characterize his later style (and this is a very stylistic film) are dominant.Equal parts grit and glamour, the story is simple.Frank (James Caan) is a lone-wolf jewel thief who was, in his words, brought up "by the state."In prison he was apprenticed to a master thief, played by Willie Nelson.When Frank's successful career comes to the attention of an avuncular syndicate boss (Robert Prosky), Frank is offered (and accepts against his better judgment) a deal that should allow him to retire and enjoy the family life he covets.But the deal sours, and Frank is left to decide what his nature truly is, lone wolf or family man.Thief melds its jazzy visual style with heightened realism: the jewel thief's tools of the trade are authentic, up to the 8,000 degree thermal lanceused to cut through a nearly impregnable safe.Some of the bit parts are played by real-life, highly successful jewel thieves, who acted as consultants.And their presence informs the superb dialogue, as every wordrings true. In one long, engrossing scene, James Caan gradually persuades the woman he wants to start a family with (Tuesday Weld in one of her most affecting performances) that they should be together.The film was photographed beautifully by Donald Thorinand further emboldened by the driving rhythms of Tangerine Dream.The DVD contains a very funny commentary track by the director and James Caan. --Jim Gay ... Read more

Reviews (40)

Before There Was "Heat"
I had to write this review after reading so many rave reviews of "Heat", which is overrated compared to "Thief". It makes me wonder how many of those customer reviewers are adolescents or young adults who have not seen this picture.

This motion picture is somewhat similar in plot to "Heat", but with considerably less violence (until about the final 30 minutes). James Caan is at his best as an ex-con trying to play his cards close to the vest when he makes a deal with a mob leader that ends disastrously. I find myself agreeing with the customer reviewer who wrote that this was Caan's best acting performance ever. The intensity and feel of "Thief" make it a far superior movie to "Heat", with excellent supporting performances from Willie Nelson, Tuesday Weld, and Jim Belushi.

Especially noteworthy is the performance of Robert Prosky as Leo, the mobster who thinks he's got Caan's character under his thumb only to get his comeuppance. Look for Rick Rossovich and Dennis Farina as Leo's hired muscle.

In addition to a great plot and great performances (hallmarks of almost every film Mann's ever done) is a soundtrack by Tangerine Dream that really rocks! Rent or buy this movie, and if you like it, start your quest for the soundtrack album immediately! You'll be glad you did.

Don't get me wrong here, "Heat" was a good movie. "Thief", however, was done first and done better

James Caan At His BEST!
In his finest role to date, veteran actor James Caan plays Frank, an ultra-cool, independent jewel thief with some very definite plans. Frank reluctantly gets involved with a mobster who changes all those plans. Frank is "Joe the boss of my own Universe" as he tells Leo (Robert Prosky)upon their first meeting. Unfortunately for Frank, he'll soon find that Leo has become the boss of his universe once he agrees to "freelance" for him. To get free, Frank has to dismantle the picture perfect life he tried to assemble, and start over again. ................ This film has a wonderful noir mood with all the atmospheric rain soaked Chicago streets, earthy dialogue and colorful characters. These come in the form of crooked DTs and mobster henchmen to name a few, peppering the screen with non-stop action. These characters feel very real, and keep you riveted throughout. ............ Director Michael Mann, who also created "Heat" and "Man Hunter" as well as the "Miami Vice" TV classic of the 80s, did some of his best work in this film. The soundtrack from "Tangerine Dream" is no less than outstanding. The entire score really enhances every scene. I especially love the wonderfully sensual sounding lead guitars during the exciting culmination of the story when Frank faces Leo solo to take back his independence. .......... Willie Nelson as David Okla, master thief that taught Frank his craft, and Dennis Farina in his big screen debut (with BLACK hair!) as one of Leos henchmen are two of many interesting faces and characters along the way. .............. Since this is one of my favorite films, I can truly say, if you have never seen "Thief"... you've been robbed of a truly great film viewing experience.

The revenge is a wonderful dish
The thief is a modern film noir. James Caan gives his most powerful performance to date. Cool, analytical with a hard debt that it must be paid.
There is a film that I still remind very close related, titled Point Blank and directed by John Boorman. The starring in that film was the hard Lee Marvin. I have the inner conviction that Thief was inspired by that one. Please acquire both of two. I have them in my personal collection.
This is the opera prima of Michael Mann as director. Well effort and amazing script.
One of the top ten cult movies from the eighties.
A must in your collection!.

Great 80s film
James Caan does a great job at playing a master thief approaching middle age. Contrary to a superficial viewing he does not glorify the criminal life. His best scene is where he is describing the sense of waste he feels about his life and time in jail. James Caan really carries this scene over better than many actors of today would.

Oldsters will also remember that this is the first peice where James Belushi stepped out of his brother's shadow. He surprised a lot of people with a good dramatic role as James Caan's partner instead of a comedy.

Great Tangerine Dream score. Bit of trivia, the film has a song over the closing credits that was not by Tangerine Dream that is very good but not by Tangerine Dream. This song DOES NOT appear on the CD version of the Thief soundtrack, although it was included on the older cassette and LP releases. You can hear it on this movie release though.

THE SIGNATURE STYLE OF MICHAEL MANN
James Caan in black Armani leather looking better than he did in THE GODFATHER; Tuesday Weld looking angelic; Chicago lit up in neon with non-cliched corrupt cops, desperate crooks and the underbelly of the Midwest. Michael Mann imprinted his signature style on this fierce tale of a career criminal caught in the nightmare of a dream gone bad and a life that could never exist. THIEF is distingushed by its incredible visuals and hard dialogue... the most frightening of both is an exchange between a silent, face up Caan and Robert Prosky (fantastic as Leo) in a back alley shop with an acid bath at arms length. THIEF is the prototype for the new era film noir and Mann a skilled and worthy architect of the genre. Dennis Farina makes his acting debut as a shotgun toting mobster. ... Read more

Reviews (64)

Roll out the Cliche: Big Trouble = Big Laughs
I haven't yet read the Dave Barry novel from which this movie was adapted, yet I enjoyed it very much. Tim Allen plays Eliot Arnold, a former pulitzer prize winning journalist that wrote satirical columns, much like Barry, but is finally fired for overreacting to an order from his editor. He finds himself divorced and stuck in an advertising job that he loathes. On top of that, he can't get the respect of his son.

Rene Russo plays Anna Herk, the house wife of an executive that is embezzeling money from his employer, which earns him the sights of assassins (Dennis Farina among them). Her daughter is targeted by Allen's watergun toting sun in a school game of 'assassin' in which everyone draws names and attempts to 'terminate' their victim. Everyone seems to show up at Herk's house at once and things get confusing.

Before you know it, two dimwits have stolen an atomic bomb, that resembles a garbage disposal, from some Russian arms dealers, and they get tangled up in the plot. Janene Garofalo and Patrick Warburton play unlikely partners with the Miami police department that tag along for the adventure. Throw in some goats, don't ask--just watch, and a call in show that taunts Florida Gator fans after the football team lost, and this makes for an unlikely funny comedy. Barry Sonenfeld, director, did a great job. I highly recommend it.

"Big Trouble" has big laughs
It was sheer bad luck that "Big Trouble" was supposed to be released right around the time of the September 11 attacks. And even afterwards, parts of it (about bombs on planes and airport security) just didn't seem that funny anymore. Even so, it's a hilarious slapstick ride (well duh, it's based on a Dave Barry book)

Eliot Arnold (Tim Allen) has a job he hates, a car his son Matt (Ben Foster) hates, and a loud obnoxious client that everyone hates. A bomb in a footlocker arrives in Miami, in a lowlife bar run by Russian arms dealers. (No I am not making this up) Meanwhile, a pair of assassins called Henry (Dennis Farina) and Leo (Jack Kehler) arrive in Miami to shoot a crooked embezzling foot-fetishist businessman called Arthur Herk (Stanley Tucci). Their assassination plot goes awry when Matt leaps out at Arthur's stepdaughter Jenny (Zooey Deschanel) with a squirt gun, and is promptly tackled by Jenny and her mom Anna (Rene Russo, in a peroxide-blonde wig).

Eliot and Anna immediately are attracted to one another. As Eliot tries to figure out his relationship with Matt, Arthur buys the bomb, but soon the two assassins, two street thugs trying to become kingpins, two deadpan FBI agents, an immigrant maid, a spacey homeless guy and two irritable cops are in the middle of a wild chase over a nuclear bomb. And Miami has about forty-five minutes left...

Confused? Oh yeah. This movie is far from simple, in a slapstick sort of way. The humor is unashamedly stupid, making fun of teens, dogs, hallucinogenic toads, goats, people who smoke a lot in restaurants, newspaper bosses, dumb street thugs, Miami in general, and airline security. (Somehow this last one isn't as funny as it used to be) They even get in a nod to the original author Dave Barry. Most of the violence and romance isn't serious either (like the frantic makeout scene where Anna and Eliot gyrate around his office, spilling hot coffee and breaking knicknacks). The one exception is the adorable romance between sweet-natured bum Puggy (Jason Lee, who looks like Jesus impersonator) and maid Nina (Sofía Vergara), who are so sweet and shy that it brings a tear to your eye.

Tim Allen is hilarious as the ad-agent-turned-national-hero, especially the scene where he chases the airplane down the runway. Rene Russo is also great, balancing out the funniness with serious acting; Ben Foster is great as Matt; Farina and Kehler are a pair of endearingly straightforward hit men who are enjoying the whole fiasco; Janeane Garofalo and Patrick Warburton are great as well, as the cop who focuses on crime and protecting the public, and the other cop who merely wants to sleep with any halfway attractive female. Stanley Tucci is outrageously hateable as Arthur.

There's a lot of sex-related humor (nothing too hideous), plenty of swearing, and the makeout scene. There's also violence, but none of it is gory and some is just absurd (like when Eliot runs the car into the goat). The best scenes are probably when the enormous toad spritzes Arthur in the face. What happens? Watch for yourself! I'm not going to tell you!

And... "She know my name! She knows everything! SHE'S COMING TO TAKE MY SOUL!"

Underrated gem!
A very funny movie that somehow never got the attention it deserved. Interesting plot and great characters.

Funny As Hell
This movie is absolutely hilarious. There are so many characters and sub plots that it's a hoot to see how they're all loosely tied together. Miami Herald writer Dave Barry wrote the book that this film is based on. He's the funniest columnist I've ever read. I guess that's why he's nationaly syndicated now. Check out this cast: Omar Eppes, Stanley Tucci, Tim Allen, Renne Russo, Tom Seizmore, Dennis Farina, Jason Lee, Sofía Vergara, Zooey Deschanel, Jack Kehler and Heavy D. You must not only see this, but own it as well.

As seen on the Discovery channel
This star packed movie is non stop action. You will not find one cliché or un-original thought in this movie. There is no way to anticipate the plot.

Actually it is like reading a Dave Berry novel; that could be because the story was based on one. As with all his works it starts off reasonable builds up to incredulous and then over the top. You are carried along with out even realizing it.

The story starts off with many overlapping threads. We have a young hit man from school out to get a school girl all wet. There is an unscrupulous character (Stanley Ticci) with a graphic (close your eyes) toe (belonging to Sofía Vergara) fetish. The mother (Rene Russo) goes down of the would-be hit man. The television is shot. Nina meets her maker Puggy. The dog finds aromas. Need I say more?

O.K. there is a frog, goats, and a portable garbage disposal.

On a deeper level it is about families and trust. But don't mind that now just sit back and have some fun ... Read more

Amazon.com essential video

When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds.

A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance.

The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas ... Read more

Reviews (1130)

Saving Private Ryan DVD: Definitive Movie on D-Day
This was an awe-inspiring, horrific and honest portrayal of the D-Day landing and the extraordinary sacrifices made by ordinary individuals. Spielberg's hand-held in your face film technique immerses the viewer into the action. Without a doubt, Speilberg's depiction of the landing on Normandy Beach is one the most intense battle scenes ever filmed.

It is no less than a sheer masterpiece of filmaking. It is a well-researched, authentic anti-war statement that stands as a tribute to those individuals who endured horrific circumstances and literally saved the free world from tyranny.

Saving Private Ryan accomplishes what Schindler's list did in regard to the holocaust and what Oliver Stone's Platoon accomplished in its statement on Vietnam.

In addition, Spielberg has not only paid a deserving tribute to the veterans of World War II, he has also produced an excellent anti-war film that deglorifies warfare. There was nothing romantic about being butchered on the battlefield. If there is a hell, the D-Day veterans have already been there.

Saving Private Ryan is without a doubt one of the most honest, realistic combat movies ever made. Although Spielberg may not have gotten it all down in regard to the war with Germany; his depiction in regard to Normandy Beach and D-Day are right on target!

War Memories
Steven Spielberg continues to make movie magic with the breathtaking war drama "Saving Private Ryan". After the historic D-Day invasion, Captain John Miller (Tom Hanks) and his men embark across enemy lines to find Private James Ryan whose three brothers have been killed in combat. "Saving Private Ryan" is an astonishing, edge-of-your-seat war spectacle of courage and triumph over incredible odds. Director Steven Spielberg combines amazing visual images and powerful human emotions to create such a moving masterpiece. The movie includes fine performance by Edward Burns, Barry Pepper, Tom Sizemore and Tom Hanks in another Oscar-winning role. Its visual effects, thrilling action sequences and realistic backgrounds elevate the film's excitement and sheer intensity. The movie opens with a breathtaking recreation of D-Day that could best be described as "the most realistic and stunning war sequence in film history".

Spielberg's spectacular war drama gets a grand DVD presentation. The award-winning masterpiece is presented in 1.85:1 anamorphic widescreen format. The DVD contains an excellent picture quality with superb color detail and great resolution. The 5.1 Dolby Digital sound delivers a powerful home theater experience. The DVD features a behind-the-scene featurette, two theatrical trailers and cast and filmmakers' biographies. With its outstanding viewing quality, "Saving Private Ryan" earns an "A-".

Surprisingly impressive, stands out among war movies
Most of us expect a low-rate, pointless and overall tacky war movie from today's money-hungry industry, but SPR has done well in distancing itself from our presumptions. If you've never seen it before, than you'll be surprised at how well the movie is puit together. Aside from the usual modern-day method of pumping a movie full of A-List actors, a predictable script, less-than-impressive direction, irrelevent acting, and the overall novelty that one can come to expect of supposed dramas of today's glamour industry.

The story follows Captain John H. Miller and his team, including a sniper, a medic, an Arab, a surly private, and an acceptable Vin Diesel, to rescue James F. Ryan, a private in a paratrooper squad whose three brothers have been killed in action. A mission susceptible to much protest, and ultimately one that will cost many lives.

Everything about the movies feels as if it was done right. The overall atmosphere feels right, and it makes you feel as if you're sitting inside the movie--you can almost feel the moisture of the air seething through your clothes or the subtle sunshine warm your shoulders and forehead. The acting is very good as well, although you can spot some parts where improvement wouldn't hurt and it at times feels tacky and stunted. The direction is done well, as the actors can easily pass as soldiers, but the aforementioned cut corners could bring you away from the total immersion and feeling.

Saving Private Ryan is very worthwhile, and any war movie buff in his right mind would praise it as innovative and a revival of the genre.

Guts and gory
Does anyone still believe WWII was the good war, and that cynicism, spin control and U.S. brutality were born in Vietnam? If so, Steven Spielberg's visceral re-creation of the Secend World War experience will be a shocker: The film's battle scenes are anarchic, bloody, frenzied and studded with atrocious acts. Screenwriter Robert Rodat's script (based loosly on an actual incident and heavily indebted to historian Stephen Ambrose), however, sticks to familiar ground. Battled-scarred Captain Miller (Tom Hanks) is sent on a special mission to retrieve one Private Ryan (Matt Damon), who merits heric efforts because he's the sole survivor of four enlisted brothers, and his safe return is conceived as a home-front morale booster. Miller's hand-picked squadron is a checklist of war-movie types--hard-nosed sergeant (Tom Sizemore); decent private (Vin Diesel); Brooklyn wiseass (Edward Burns), introspective medic (Giovanni Ribsi); tough Jew (Adam Goldberg); pious Southern sharpshooter (Barry Pepper); and bookish corporal (Jeremy Davis) with no frontline experience--whose destinies follow a well-worn path. The exception is the GI who clings to the hope that war exposes the hidden strength in men, and instead has the worst wrenched out of him in a scene that elicits scattered applause but seems designed to evoke a mixture of pity and contempt. The movie's greatest strength lies in phenomenal performances that reach from the leads right down to the smallest supporting roles: Hanks' affability is worked under Miller's hardened skin, and Damon gives Ryan a boyish determination ans convincing as it is naive. Spielberg does some of his best work (the pointless preasent-day framing sequence notwithstanding), but follows in distinguished footsteps: Among the films that should'nt be lost in the rush to praise are Samuel Fuller's harrowing BIG RED ONE, whose credo--"The only glory in war is surviving"-- could be the movie's own.

You ARE There...
I watched SAVING PRIVATE RYAN not knowing what to expect. I'm not a big war movie fan, my taste running more toward horror / sci-fi / comedy. Within seconds I was totally engrossed in this all-too-real depiction of WW II. The bullets ripping men apart, the panic, the frantic kill-or-be-killed atmosphere, the almost continuous chaos, interrupted only briefly by spurts of calm, all added up to one joltingly great movie classic! Tom Hanks, Tom Sizemore, and every castmember is believable and human. There are no cigar-chomping superheroes in this story, just regular guys in an overwhelmingly dire situation (I felt like even I could be one of them). Spielberg tears off the sugary coating of the typical war film, revealing the squirming guts beneath. Pulling zero punches, he shows us war up close and disturbingly personal. Still, SPR is filled with warmth, humor, and that sense of brotherhood that would risk so much for one soldier. I love this movie and cannot recommend it highly enough... ... Read more

Reviews (3)

"He Wasn't Happy Unless His Nuts Were In a Vise"
Mr. Pryor used filmmaking as therapy, I think, to take a look at his own often-troubled life. While it's difficult to put a lot of this together without knowing the background on Richard Pryor, it's still a fascinating, heartbreaking, and funny film. My only real complaint is that it's too short; I'd love to see the outtakes on a future (hope, hope) DVD release. Sadly, this was Mr. Pryor's only directorial effort (aside from a concert film).

fantastic
Richard Pryor poured his heart&soul into this gem and it payed off fully for me. his life story is not the stuff of everyday kids. he overcame a lot to achieve.this film goes thru his changes highs&lows, race, relationships, rage, class, self-esteem& just trying to make sense of this life. his genius is all over this film. it's remarkable that he made the film. when one considers the challenges he faced thru out all of his life.

One of the most underrated films of all time
I've yet to read a positive review of this film. Let this be the first. This is a heartfelt, gut-wrenching film straight from Pryer's heart. If you're looking for comedy, you'll be disappointed. If you're looking for the result of one man's soul search--from hell and back--Pryor delivers here in spades. Pryor is not the best director in the world, but that matters little here. What matters--and what most critics fail to recognize--is that this is one of the most gut-wrenching and emotionally impactful autobioghapical film portraits ever set on film. Highly recommended. ... Read more

Reviews (320)

Manhunter is a treat....
especially for fans of Michael Mann, and his stylish, intense film presentation. If you absolutely must have your movies true to the book, or if you are watching Manhunter to try to get an early view of Hannibal Lecter (pre-Silence of the Lambs), you may be disappointed.

Mann gives us William Petersen, a little younger and thinner, but much the same as his current role in the television feature "CSI". He has nearly destroyed himself and his family life with his ability to profile serial killers, and his inability to stay out of harm's way. The villain of this setting (and the book, "Red Dragon" by Thomas Harris) is called the "Tooth Fairy" and his slaughter of two families is particularly grisly; how and why he chose his victims will surprise you. Mann's use of rock classics for the score, and his choice of actors for the parts of both villians are brilliant. Although I prefer Anthony Hopkins, the Lecter role is played with brilliant understatement by Cox, an actor who can "ooze" madness and evil, and does so in this film. Like many of the reviewers, I found only the original widescreen DVD, and not the 2 part Director's cut to demonstrate the excellence in this film. BRAVO, Michael Mann!

A little slow at times, but done with great style!
True to the book, with a great sense of the somewhat cheesy 80's style Mann himself invented. Love the Inna Gadda Da Vida scene. It is, to me, one of the greatest marriages of music and video ever put on film, and it saved the movie for me. Also enjoyed the eerie lack of music in the 'burning wheelchair' scene. Mann has the unique ability to create an unforgettable 'moment' in a film which etches itself forever into the viewer's mind (For another prime example of this ability, see the seemingly endless 'shooting to escape capture' scene in the beginning of Mann's HEAT. Excellent!). Performances were good, if not exactly captivating, especially if judged in comparison to those in Silence Of The Lambs. But comparing any movie to a 5-time Academy Award winner is probably unfair. The biggest problem with Manhunter, I found, was Mann's (Or, perhaps, William Peterson's) inability to convincingly portray the overwhelming mental anguish that the Will Graham character goes through in this story. All in all, a good, entertaining film with some truly memorable moments.

Dream Much, Will?
Don't miss this original, the first of the Hannibal Lechtor series. The score, the filmography, (Lighting), is still so vividly used in the best of today's suspence/thrill sequences.
Will Graham, (William Peterson), is the "Manhunter" hunting down "Frances Dolarhyde", and also the man responsible for imprisoning Dr Lechtor, at great phsycial, and emotional harm to himself.
Don't be fooled by Dino's latest grab at a buck, the rediculous "Red Dragon". (Which is odd, since Dino owns "Manhunter" as well..)
So, Red Dragon is only a remake of this great film.
It's ultimately embaressing to watch Lechtor and Chilton's charachter's re-acted, only "made up" to look 20 some years younger! (Red Dragon).
This is the Real McCoy, and Brian Cox, IMHO, should have stayed Hannibal Lechtor.
If you want another good performance by Anthony Hopkins, see "Meet Joe Black".
BTW, as far as I can tell, Barney's character, (Frankie Faison), is the only actor to play in all "Four movies of the Trilogy"..
If you want the original psychological thriller in this series, you found it..

Pete

Michael Mann's controversial crime-thriller ...
MANHUNTER is the 1986 crime-thriller that began Michael Mann's career as a respected filmmaker. Adapted from the novel "Red Dragon" by Thomas Harris, this film will be remembered as "the film with the OTHER Hannibal Lecter" and will dismissed by many as a good first try, but nothing special. CSI's William Petersen stars as Will Graham, a gifted FBI agent who is working to track down a mysterious killer nicknamed the "Tooth Fairy" before the next full moon. Aiding him in his hunt is the (curiously mispelled) criminal genius Hannibal Lecktor, played by Brian Cox. Being a huge fan of the Hannibal Lecter film series and Harris' novels, I have more to work with than some other people. MANHUNTER was adapted and directed by Michael Mann, who also produced "Miami Vice" - and it shows on the glittering design and stunning soundtrack. The acting is okay, but is great only in the cases of Petersen and Dennis Farina (who also featured on "Miami Vice", as well as certain other people who appear in the film). Mann's direction is the greatest part of the film. Brian Cox's performance as "Lecktor" works fine, but is completely incomparable to that of Anthony Hopkins, who played him in the later films. MANHUNTER has been unfairly dismissed as a piece of crap. It's no masterpiece, I'll grant you that, but the fact that the film is so dated, and the work that people like Mann and Petersen have done, make it a wonderful, "Miami Vice"-esque thriller.

Read the novel AND see this film!
I first rented this movie in the late '80s, and I really only did so to see Chris Elliot's cameo -- give me a break, I was really bored that weekend! Years later, when I saw Silence of the Lambs in the theater, I recognized the name of the doctor and realized that these two works were somehow related, and eventually ended up reading all four of Thomas Harris' novels and seeing all five film adaptations, of which Manhunter is my personal favorite.

Upon reflection, I initially found the film's ending a bit stereotypically Hollywood, and not quite up to the same high level of quality found in the rest of the film. As I later read the novel, I at first found myself liking the book's ending better, but understood how it might have been much harder to film -- that is, until I got past the red herring to the novel's REAL ending, which made Manhunter's ending seem positively inspired by comparison. (Okay, so maybe I'm being a bit too hard on Harris, and giving Michael Mann a bit too much of a pass on this point....)

If you don't like Michael Mann's directorial style, or if you're one of those pseudo-intellectuals who can't look at a film made in another decade without calling it "dated" -- or if you think Anthony Hopkins is the only actor who should ever be legally allowed to play the character of Hannibal Lector --then you might not like this film. Though it often strays from the novel a little bit, and leaves almost all of the exposition regarding the Tooth Fairy's origins out, it all still works. Noonan gives an excellent and economic performance, as does Nancy Allen (and their love scene is one of the more tasteful and romantic in recent memory).

Brian Cox also has a different take on the Lector character than Hopkins, but it is ultimately A) closer to the novel's depiction and B) more realistic and believable. Sorry, Tony, but you have to admit, as great as your performance was in Silence of the Lambs, Hannibal comes off much better when the actor playing him resists the urge to chew scenery -- no pun intended....

But it is William Petersen's portrayal of Investigator Graham that really carries the film, and rightly so. As I said before, the novel gives us much, much more background on the Tooth Fairy than the movie does, but the main focus of the story is on Graham and his own internal struggles. I was especially impressed with one scene in particular that Petersen and Mann really pulled off well, as far as taking a great moment from the novel and translating it into a great movie moment. It's the scene in the middle of the film when Graham is seated at a diner, staring out into the rainy night, playing the answering machine message of one of the victims in his head: "Hi, this is Valerie Leads; I'm sorry I can't come to the phone right now..." because she's been murdered, of course. Absentmindedly, Graham says aloud, "Me too." The waitress passing by asks if he was asking for more coffee, and he tells her no. Turning back to the window, having now made up his mind to throw himself completely into the investigation and see it through to the end, Graham says out loud, as if the Tooth Fairy could hear him, "It's just you and me now, sport." This was a great emotional moment in the novel, and Mann and Petersen (and the music score) also manage to make it a great emotional moment in the movie as well, losing nothing in the translation.

I give the same number of stars to Jonathan Demme's Silence of the Lambs, but let's face it -- Mann's asylum for the criminally insane is much more realistic and believable than Demme's, for instance. Two different directorial styles, two different approaches to Lector, etc., but each quite good in its own right. The "re-imagining" of 2002 on the other hand is another story, and a sad one at that....

If you're in the mood for the original modern police procedural on investigating serial killers, or for a good psycholgical character study about the effects of such work on the investigators themselves, then give this film a try!

PS: Why is it that when most people review books and films on Amazon, A) they seem not to notice that most of what they say has already been said in the hundreds of other reviews previously posted, and B) they seem to feel obligated to recount the entire plot, point by point, spoiler by spoiler, in excruciating detail, instead of just giving the rest of us a simple idea of why we might like or dislike the book or film in question?! ... Read more

Description

The Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineers and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format. ... Read more

Reviews (272)

Another masterpiece from Guy Ritchie
Highly talented writer/director Guy Ritchie delivers another masterpiece with Snatch, that equals the sheer quality and genius of his other masterpiece, Lock, Stock And Two Smoking Barrells. Once again the film is edgy with vast undertones of dark, gritty realism centering on the underworld but refreshingly encapsulates a darkly humorous side to it making the film have an even balance and therefore making it more enjoyable and entertaining in the process. The film has a host of subplots all shrewdly linked to the main storyline and a wealth of characters including a couple of likeley Cockney lads who are two novice unlicensed boxing promotors, Turkish (Jason Statham) and Tommy (Stephen Graham), fellow boxing promotor Brick Top (Alan Ford), Mickey O'Neil played by Brad Pitt as an Irish gypsy who gets roped into the boxing match where his opposition is rigged to win, Avi (Dennis Farina) as the man due to deliver a stolen 86 carat diamond and Bullet Tooth Villain (Vinnie Jones) who Avi hires to trace the diamond after he is robbed. The characters and performances are superb and vastly convincing, the host of plots are well-structured and the attutude-laced dialogue rides along like a roller coaster. Snatch on the whole is an utterly compelling film that will grip your attention and not let it go until the film is completed. Essential viewing and the extra features on this DVD are an added bonus. Highly recommended!

Chaotic, kinetic and outrageous fun
Snatch is a fast-paced gangster thriller from England. Like many such British films, it is equal parts drama and black comedy. Our friends in the UK may take crime seriously, but they can't bring themselves to do the same with criminals. Perhaps there is a lesson for us there. I thoroughly enjoyed Snatch, but I must warn you that the accents can sometimes be hard to understand. The one used by Brad Pitt is intentionally indecipherable. Fortunately, I watched the DVD version, which has an option that puts subtitles on the screen whenever Mt. Pitt speaks. The video edition does not have this feature, but that doesn't matter too much. His dazzling performance is entirely physical in nature, so what does it matter what he has to say? The other characters don't understand him either.

The movie was directed by Michael Ritchie, who is probably better known to Americans as Madonna's husband. His first picture, Lock, Stock and Two Smoking Barrels, was also about psycho bad guys; in fact, Snatch is so similar to it that it is practically a sequel. The characters are different, but many of the same actors appear in both movies. Both films also share Ritchie's frenetic, stylish editing, as well as his fascination with lowlifes.

The plot is so complicated that describing it is difficult. I had little problem following it, but several reviewers admitted to getting completely lost. Basically, the story is about a huge diamond that gets stolen from a jewelry company in Amsterdam. It bounces from one group of criminals to the next, and, of course, everybody wants to get their hands on it at any cost. Meanwhile, a boxing promoter is having a very difficult time with a vile, ruthless gang boss who is demanding that he fix a fight. This is where Brad Pitt's character, One Punch Mickey, comes in. He is part of a band of gypsies [thus, the accent] who are the trickiest double-dealing folks you are every likely to see. Soon, everyone is merrily out to get everyone else.

The characters all have names straight out of a Damon Runyon story - Frankie Four Fingers, Bullet Tooth, Boris the Blade, Turkish and Brick Top are some of them. I think the names alone are enough of a clue that the movie is not to be taken seriously. One problem some viewers will have with it is that there are two or three times as many characters than in most movies. Keeping up with them can be a challenge.

Snatch should prove to be great fun for those who love for a movie to be fast and innovative. For those who like them to be cool, calm and collected, another choice of movies is recommended.

Where's the snatch?
I thought from the title that this was a XXX porno flick. Silly me. Brad Pitt still spends the entire movie talking like he's got a tampon stuffed in each cheek (sort of like the cotton wads Marlon Brando used in The Godfather). Is this the way these people really talk? And I thought I had a speech impediment. I should start auditioning for parts in movies about Irish gypsies. Still, this was a pretty good flick and I'd actually give it 4.5 stars if I could. Big Bubba says go see it and don't Bogart the popcorn.

I again can not think of a title
Here is the deal about "Snatch", if you happen to be a Brad Pitt fan, you will probably love this movie because the 1st time you watch it, he steals the show, and because he is (if I am not mistaken and I very well might be) the only American actor in the movie and the other actors are not very well known in the states, I mean some people know Jason Statham but who knows the other actors, very few people, or at least, before they see/saw "Snatch". Great movie, hilarious really, it gets old after you watch it a couple of times but if you watch it with your friends, it's all in good fun because you can go on reciting the lines you know and that makes it a lot more fun to watch but the 1st time, it's beautiful.

to all you 3* & below plonkers
Seen some critics say they can't understand what the f*** is being said by the english actors .Some even suggest leaving the subtitles on !

Why should all films pander to a middle USA marketplace .Can't you enjoy the cultural differences & isn't it fun to try to pick up how other people speak the great english language ? We don't have UK english subtitles for US movies .

By the way I'm saying this as a Scotsman living in England . The Londoners find us equally difficult to understand but we don't have english subtitles for scottish actors everyone over here just works it out .

Bloody good film if you make the effort . ... Read more

Reviews (29)

In Wake of Allen's Curse of Jade Scorpion...
Prior to seeing Woody Allen's worst movie, "The Curse of the Jade Scorpion," I probably would have given Ed Burns's "Sidewalks of New York" a 4 star review because it was too derivative of Woody Allen's work. However, "Curse" showed that Allen is now past being able to make this kind of film and that someone new must step up to the writing, directing, acting helm of these gem-like, relationship slice-of-life films. Ed Burns fills that void very nicely indeed and it is a lot to ask, that someone be able to write, direct and act. Burns himself will never be a comic like Woody Allen but he is a more credible romantic leading man, being young, handsome and with attractive ways about him. This film takes a handful of New Yorkers and puts them into a variety of relationship quandries. Stanley Tucci portrays the least sympathetic as a dentist who suffers from chronic infidelity no matter to whom he is currently married. I was glad to see Brittany Murphy in another role after seeing her play the psychiatric patient to Michael Douglas's psychiatrist in last year's thriller. She is an actress to watch as she is quite different here as Tucci's girlfriend who starts angling towards a New York doorman on the side. Heather Graham does a Mia Farrow like role as Annie, who becomes the Burns the love interest, although it is nip and tuck with the Rosario Dawson biracial teacher with Burns first. There is a scene stealer in this movie though and that actor is Dennis Farina as the older man who counsels Burns on seducing women throughout. He is an absolute lounge lizard creep, a complete turnoff to women everywhere, but I was laughing out loud and holding my sides every time he was on camera. The scene of him lounging in his bubble bath, while counseling Burns to splash cologne on his privates to increase his "action," is emblazoned across my memory forever, I'm afraid! I fail to understand why anyone thought Burns should erase the twin towers from his film, our being able to see them in the background. Should we erase Gettysburg off the map too so we can pretend the Civil War never happened? Or the coast of Normandy to pretend World War II never was? The thinking behind this notion of eradicating history from appearing in our films, even as background, I find very disturbing.

Burns does it again.
If it wasn't clear before, it is now: Edward Burns is one of the best writer-director-actors to come along in a long time. Somewhat like Woody Allen, (a writer/director/actor who makes most of his films in New York)although Burns' films ring truer, and are in my opinion funnier.

"Sidewalks" is, like his other films, an honest look at everyday people and this thing we call love. The film is humourous, touching, and insightful. Although, since the movie is shot in documentary style, it makes it seem even more like a slice of life. With on-street interviews, jarring camera work and jump-cuts, the movie has the look of a PBS piece. But that's a good thing.

The supporting cast is excellent, Rosario Dawson, Dennis Farina, Krumholz, Brittany Murphy (quite a lot of names for a small film) all nail their parts.

This film is a must-see for fans of Burns and just fans of good movies.

LOVED IT! LOVED IT! LOVED IT!!!
I loved this movie! I've watched it over and over again! and now that I am going to buy the DVD, I'm going to watch it some more! it just reflects alot of real life situations...and some of them you simply relate to...

Vulnerabilities We All Face In Relationships
Edward Burns has made a very good film of the romantic comedy genre, about the complex lives of six New Yorker's whose lives intersect at some point during the movie. Filmed in a documentary style, one can't help but feel the spontaneity and good acting of the cast, made more intimate by the ambient New York setting. What I liked about the movie was the realism it depicted, and the vulnerablities and fears playing on the lives of people in relationships. This is the first movie of Edward Burns I have seen and I can't wait to see his other works of art. If you want to know more about relationships and the human condition, watch this film. Highly recommended.

great
okay let me start by saying i'm a huge Brittany Murphy fan and this has to be one of her best movies besides spun. I'm very impressed with many romantic comedies but i liked this so much that it's taken over the space where unconditional love used to sit. ... Read more

Reviews (5)

WHEN YOU WISH UPON A STAR...
This is a very enjoyable comedy, starring the irrepressible Whoopi Goldberg in the role of Edwina "Eddie" Franklin, the widow of a New York City police officer. Following in her late husband's footsteps, she coaches basketball for inner city kids. She is also the number one fan for the New York Knicks, a team that, despite the talent on it, can't seem to win a game. Eddie loves the team, no matter what, and can be seen high up in the rafters of every Knicks game, rabidly and raucously cheering them on.

When "Eddie" wins the honorary coach for the day contest at one of the Knicks' games, she manages to get thrown off the court by the head coach (Dennis Farina), when she protests a ref's call. This causes the fans to go wild, chanting her name as she leaves the court. When the head coach for the Knicks gets fired by the team's owner, Wild Bill Burgess (Frank Langella in a ten gallon hat), he hires "Eddie" as an interim head coach, as it seems that fans of the Knicks love "Eddie" and respond to her very positively. After all, she was one of them. Burgess, however, has no expectations of "Eddie's" ability to coach the team. "Eddie", however, aims to do everything she can to bring the Knicks out of their slump. For her, this is a dream come true.

This is a feel good sort of movie. Whoopi is very funny , as she goes about setting right what has gone wrong with the team. Frank Langella is terrific as the deal making team owner whose folksy manner belies the fact that he has his eye on the bottom line. Dennis Farina is credible as the head coach with a mouth as big as his monumental ego. While the film is fairly predictable, it is quite enjoyable. The viewer is also treated to a few fun cameos by Donald Trump, sports announcer Marv Alpert, and former NBA star, Walt Frazier. If you are not a big fan of basketball, however, deduct one star from my rating.

Good, But Could Have Been Better
The Story: Whoopi Goldberg plays a fan of the NY Knicks who wins a chance to coach for a day. It works so well that she gets hired.

The story is interesting and the movie starts out with lots of heart and humor. Then, two things happen to spoil it.

First, a scene is inserted (and it really feels like it was inserted, almost as an afterthought) wherein Whoopi Goldberg has a heated argument with the team owner, with profanity inserted in what seems a forced and contrived way. I've seen this in other movies (e.g., "Magic" starring Anthony Hopkins), and it looks like the profanity is inserted just to change the rating to grab the attention of teens, who go to the movies a lot.

Second, the film loses it's way and gets boring throughout much of the second half.

Ms. Goldberg, I hope you redo this movie and carry the heart and humor of the first half through the entire movie. It could be a 4-star or even a 5-star family movie.

Stop Before It Hurts!
[Add a star if you love Whoopi Goldberg.]

OK, class. Once again. It's important to realize what our perceptions are going in to a movie like this before one starts judging it. My perception going in was that we have yet another sports fantasy from the Disney sports fantasy factory. These are the same people who didn't know to stop with The Bad News Bears. So, they gave us The Mighty Ducks, Little GIANTS, and Angels In The Outfield.

This time out of the box it's "the Bad News Bears play NBA Basketball". Subbing for the Bears are the New York Knicks. Believe me, it's definitely bad news to see Mark Jackson back in a Knick uniform. Anyway, these Knicks are hopelessly bad. They're in last place and they have no signs of getting better. However, every sports team, no matter how bad, has its loyal fans.

Meet Eddie Franklin (Whoopi Goldberg). Eddie is fanatical about the Knicks. She loves them. She loves them so much that she, a limo dispatcher, does play-by-play and commentary over the limo service's airwaves. Where Eddie's friend goes to Knick games to meet men, Eddie goes to see the game.

Well, the Knicks are so bad that they've been sold to a new owner, one Wild Bill Burgess (Frank Langella). Will Bill is one of those stereotypical Texan billionaires who does everything large. Langella plays him well, but I could have seen Dennis Weaver in this role. Anyway, Burgess takes a ride in from the airport in Eddie's limo, who is inexplicably driving that day. Eddie's been listening to the FAN (WFAN Sports Radio 66, NYC) and ESPN Sports Radio. Eddie hates the Knicks' coach, played by Dennis Farina; so much so that she calls up Burgess, who doing a radio call-in, without realizing that he's in the back seat behind the glass. Burgess spies Eddie at the game later and decides to fix the halftime "Honorary Coach" contest so that he can throw Eddie and Bailey (Farina) together.

Eddie sinks the requisite free-throw and we're off. Franklin and Bailey don't like each other. (Bailey doesn't like anybody.) When Eddie steps on the court to protest a call, the referee assesses the Knicks a technical foul and Bailey has Eddie thrown out of the Garden to howls of protest from the fans. Seeing this, owner Burgess conspires to get rid of Bailey and hire a new coach. Meanwhile, he can hire Eddie as a one-shot interim coach until the dirty deed is done.

Of course, the plot is convoluted and full of holes, but the movie could still be entertaining if there were any energy on the screen. For the most part, there is none. The only chemistry I enjoyed was that between Franklin and veteran player Nate Wilson (John Salley).

As a native New Yorker, I especially thought it irritating that the movie's producers split up the announcing team of Marv Albert and Walt Frazier. Although both men play themselves, Frazier plays a sports-talk host rather than his usual (and colorful) role as Knick radio analyst. Anyone who has heard Albert and Frazier work together knows what I mean.

As in all these Disney sports fantasies, the Knicks start playing better under Franklin's coaching, but there's further trouble ahead. Actually, there's so much plot in this movie, they could have loaned some to Twister.

In conclusion, I'd wait for this movie to come to cable unless you just like Whoopi Goldberg films.

[Originally written 3 June 1996]

Good Family Fun
This film shows Whoopi Goldberg at her big mouth wise cracking best. The film is about a rich chairman who buys the New York Nicks and try's to turn a losing team into a freak show to make money. So he hires a big mouth fan as the head coach who he beleives can't coach. The first half of the film is funniest as Whoopi Goldberg tells the Nicks coaches what she really thinks of them. Some of the misfit players are quite good to. There is a Russian who can't speak any English, a great player except he won't pass the ball and a player who is more interested in his failing marriage. All in all, kids will love this one and adults should enjoy some of the humour.

Eddie was good.
Whoopi is one of my favorite actresses, so that might be why my review of this film is biased. Although rabid movie critics may disagree with me, I found the film to be rather enjoyable. It was fun watching Whoopi arise to the level of coach and turn around the fledgling Knicks. It's a light-hearted comedy with laughs and fun. Recommended. ... Read more

Description

A comic battle of wills and an outrageous test of endurance ensues when this trio is grudgingly assigned to keep vigil -- as unobtrusively as possible -- in a small, upscale resort community. Pretending to be an average American family on vacation, it's an unlikely domestic arrangement at best. But, like a typical family, they're stuck with one another. Trying to convincingly play house while keeping an eye on the home of their unsuspecting neighbors, this dysfunctional clan of incompatible companions is at one another's throats as they await the appearance of a missing witness for the state's case against a Las Vegas mob boss. And if they'd call a truce for a minute, and get off one another's case, they just might solve this one. ... Read more

Reviews (6)

Another Tired Retread
"That's it, nobody calls me Ed McMahon!"

- Emilio Estevez saying the funniest line from a rather dry sequel

"Another Stakeout" was six years in the waiting. After the first film, "Stakeout," made a huge splash at the box office in 1987 (the same year another cop-buddy film came out--can you guess which one?), everyone anticipated an unnecessary--but perhaps funny--sequel that would inevitably result after box office earnings were tallied up by film executives in an office somewhere.

Alas, the six years passed, and we got...this mess?

Richard Dreyfuss and Emilio Estevez reprise their roles as stakeout cops who get paired with a new partner in this watered-down sequel. The new partner is played by Rosie O'Donnell, who is so startlingly unfunny in this it almost makes you involuntarily switch off the television as soon as you see her chubby face smiling at you.

The story starts with a bang--literally--as a trial witness being protected by the CIA is unsuccessfully assassinated--and by that I mean: They die, she lives. What a surprise. (This is the type of scene where the villain is able to blow up a house but the witness just happens to be taking a stroll outside as it happens--or something like that--preventing her from dying along with the other agents who were previously protecting her. This type of thing was spoofed greatly in the truly underrated "Last Action Hero." It's not a joke in "Another Stakeout.")

Unfortunately for the United States, the trial witness never returns--she runs away and doesn't let anyone know where she is. Afraid she may be in danger, afraid to lose a star witness, and believing that she might try to contact old friends, the gruff chief of police assigns the unlucky trio of Dreyfuss, Estevez and Donnell to watch the her old pals to see if she turns up.

She eventually does, of course, but first we get some painfully unfunny buddy-buddy moments between Dreyfuss and Estevez and O'Donnell. She brings a bunch of clothing and a dog with her. They don't like it. Har-har. This was used a bit better in "Spaceballs," in which Princess Vespa brought along that entire luggage through the desert (remember?). This is just a copy of that scene, minus the punch line.

Estevez also shaves his mustache, which is supposed to be a type of sacred moment and is referenced at least ten times throughout the film (he goes to stroke his mustache, he complains about chopping it off, Dreyfuss complains about it, etc.). But for heaven's sake, he's only been in one film so far--we've only seen the mustache once--so a better thing to do would have been this: make a few more sequels and, when the last entry comes, have him shave it off. By then the audience realizes that his mustache is part of him, and that losing it is like losing part of his soul.

But I'm glad they didn't make any more than one sequel.

One of the things that kept the "Lethal Weapon" franchise going was the fresh ideas, fresh buddies, and fresh scripts. (Great actors never hurt an action comedy, either.) The "Stakeout" franchise--which didn't even last long enough to spawn more than one sequel--tries to copy this formula but isn't sure how. The introduction of Joe Pesci in "Lethal Weapon 2" was great because he thereby became the Third Stooge, whereas O'Donnell's entry into the series is nothing but a humiliating reminder that talk show hosts can't always act in front of a camera and maintain the same type of humor they may (or may not) exhibit on their (awful) TV "talk show." (Which is, by the way, consumed of entirely staged so-called "interviews.")

And whereas Pesci, as Leo Getz, added a type of silly vibe to the "LW" series, O'Donnell just seems like a carbon copy clone of Estevez from the first "Stakeout." Dreyfuss didn't like him at first, and--guess what--they suddenly became best buds. The same thing happens in the sequel, much to the audience's chagrin.

Of course, "Lethal Weapon" and its sequels were never more than a few years apart (the first coming out in 1989, two years after the original). But "Stakeout" had six years to make a respectable sequel, and it fails. It fails the same way that many prolonged sequels do. But, for once, it's not because the audience has forgotten the original film--it's because the audience is fed up with the same routine.

The film was directed by John Badham, which is surprising, since he's a talented director ("Saturday Night Fever," "The Hard Way," "Stakeout"). Here he jumps through all the hoops, turning his own series into a pale retread of the original--only watered down: minus the violence, language, nudity, and humor. I'm not saying a movie has to be R to be funny. But if you've got a sequel to an R-rated movie like "Stakeout" and you decide to turn its sequel into a cutesy-tutesy children's entertainment program, you'd better advise the audience before they sit down expecting something funny and fresh.

What a disappointment.

Bothell ROCKS!
I can't believe someone feels just like me about Richard, and the ambiance and relaxation value of "Another Stakeout". It all works from Las Vegas to the end, even the Stickley furniture. The comedic relationship between the three actors and the script is perfection!

Great Laughs
One of my all time favorite comedies. I agree that it is much more enjoyable than the first STAKEOUT and I recommend this movie to anyone who needs a good laugh.

Richard Dreyfuss...THE BEST!
The first reviewer obviously has a problem relaxing with a good humored, fun, well-acted movie with lines well written. It's a kick to just kick back and relax as the movie unfolds. It's the chemistry baby, of the three actors, scenery, set design, writer's workmanship and a plot thick enough to tie it all together. There's too little to relax and chuckle with these days...enjoy and relax. Cheryl, I agree, it totally beats "Stakeout".

Funnier than the first stakeout
I had to write this because I couldn't believe how the first reviewer tanked this movie. OK, so it's not going to win any big awards, but it's FUNNY and has some suspense and excitement. I laughed my head off. That's all you really want when you're looking for a movie to share with friends occasionally. The first stakeout was rather dark and not really that funny, but it's good too. ... Read more

Amazon.com

In Stealing Harvard, the charming Jason Lee (Chasing Amy,Almost Famous) wastes his talent playing John, a nice guy who once rashlypromised his niece that he would pay for her college education. Now she's beenaccepted into Harvard, and though John has just the right amount of money in thebank, that money is meant to buy a house for himself and his fiancée Elaine(Leslie Mann, Big Daddy). Afraid of disappointing his niece, John enlistshis friend Duff (Tom Green, Freddy Got Fingered, Road Trip) on aspree of inane criminal escapades that go wrong. Lee is an engaging actor, buthe can't make the half-baked gags of Stealing Harvard funny. Similarlywasted are Megan Mullally (Will & Grace), Dennis Farina (Out ofSight, Snatch), Chris Penn (Reservoir Dogs, ShortCuts), and others. --Bret Fetzer ... Read more

Reviews (87)

a thrilling flick
Ben Affleck is Rudy, a man just released from prison after 6 years for grand theft auto. Right before he leaves, his best friend James is killed in abrawl. He goes to tell James' new girlfriend Ashley, whom James met via pen-pal relationship and she has never seen him. Ashley comes in the form of Charlize Theron, so Rudy tells her he is James and they start having sex.

Thus Rudy's lust has him embroiled in a theft plot by Ashley's brother (Gary Sinise) and thus ensues a crime laden with all that is tacky about Christmas.

The movie is gruesome at times, but it is entertaining. Theron does well as the both good and evil Ashley. And of course Affleck's character manages to have no psychological scars from his time in prison -- so that's annoying, but then, it's a Ben Affleck film, it comes with the territory.

One extremely thrilling and suspenseful ride
I didn't think Reindeer Games was anywhere near as mediocre as the critics thought it was. As a matter of fact, I loved the film, and it's certainly much better than that other much overrated plot twisting thriller Wild Things (a mostly suspenseless which might hold some sort of cinematic record for most plot twists ever).

The film is about a car thief named Rudy Duncan (Ben Affleck). His best friend, Nick, who has a pen pal named he plans on meeting after he's released-which is also the same day Rudy will be let out-is killed during a food fight. Rudy, in a very tough decision, decides to pretend he's Nick and meets the beautiful Ashley, Nick's pen pal. At first, everything seems to be going right for him for the first time, until Ashley's brother Gabriel arrives and demands Rudy, whom he thinks is Nick, to help him and his band of cronies rob a casino since Nick used to work as a security guard there. Now, Rudy has to try to pretend he's Nick and convince Gabriel he knows how to get in the casino.

Reindeer Games is an exhilarating thriller, with plenty of action and humor. There are some exciting moments and the film is very suspenseful. Affleck's initial guise as Nick is quite funny, along with the moments thoughout the film that he has to convince Sinise he's who he says he is, be that Rudy Duncan or Nick Cassidy.

The film features Ben Affleck in a great performance as the hero who we all root for. Gary Sinise chews the scenery as the villain and makes up for the travesty that was Snake Eyes though he still has to do another work to atone for Mission to Mars (he should have also had the lieutenant Dan look in Mission, at least that would have solidified that film's camp value, but no, the Lt. Dan look had to go to Don Cheadle). Charlize Theron is fairly good as the love interest for Affleck.

This is one of those films that really keeps you guessing, with plot twists that are surprising, especially a big twist at the end that nobody seemed to have ever been able to have guessed correctly. You can never really tell what's going to happen next, or who's going to come out on top in the end. Will Affleck get out of the whole situation alive? Can he keep pretending he's somebody he's not? And what is the twist in the finale? Watch the film and find out.

SUPERstupid.
This is one of the worst films of its time. I cannot believe Ben Affleck, Gary Sinise, and Charlize Theron have this stinker on their resumes.... it must be an embarrassment for all three of them. The plot is completely implausible from the word go, Affleck's character has about a billion things he could do to escape that we're supposed to believe just never cross his mind, the plot twists are NOT clever (just stupid), there are gun mistakes in the film (guy firing with Uzi, the scene cuts away from him for a second, then cuts back to him and now he has a Mac-10, crap like that), and if you actually make it all the way to the end of the film (I wish to God I hadn't), the ending is so stupid you're like "I cannot believe I suffered through this entire piece of crap for THAT." Skip it...... trust me.

Put Coal in the Director's Stockings
This movie is bad, boring, and confusing. There is one scene, near the end, where the plot is explained to us by a surprise guest. After explaining the plot the "hero" says, words to the effect, "you have to be kidding me!" I agree. What happened here? With some good stars and interesting effects, I am going to have to blame the director 1'st and the story second. For those of you not discouraged, read on.

The basic plot of the movie involves a car thief who gets out of prison after a two years stint. His good friend, who is to be released the same day as him, gets stabbed in jail. So, instead of them both being released on the same day, he goes home and his friend, presumably, goes to the morgue.

One problem, his friend's girlfriend, doesn't know about his death. She is waiting outside the prison for him after writing letters to him for 2 years. She has never seen him, she has only written letters to him after having gotten his name from some type of jail house support group. So the "hero" of this film, pretends to be his friend, hooks up with the girl and takes advantage of her. Sorta of. There are a few twists and turns here which are suppose to keep you interested, but they don't. Ben Afflect, who plays the "hero" is not very believable as a despicable con. He is acting and it shows. If you believed in his character, you almost wished something bad would happen to him. Well, something bad does so I guess the movie does give the audience a little bit of what it wants, but not much.

The only interesting thing is the acting of Gary Sinse. I think he did a great job, as normal. I first saw him in "The Stand" portraying a hero and leader of a small community fighting an evil demon. Here he is the evil demon, only he is a human being who is psychotic. In either role, we believe in the person who he creates even if we don't believe in the universe that we find him. Unfortunately no matter how good he does in this movie, the movie is not good enough to recommend. Save your money, and time, and skip to a different film.

Silly plot and bad acting but yet mildly entertaining
This supposed thriller, released in 2000, has a few good moments. One is the way that its stars Ben Affleck and Charlize Theron couple soon after they first meet. Ben Affleck just been released from prison, you see. And she's there to meet him. She's been writing letters to his cellmate, Nick, who has just been knifed. Ben Affleck tells her he's Nick. Then things get complicated. Very complicated.

Gary Sinise enters the scene as the bad guy. And there's a bunch of bad-guy thugs backing him up. They want to force Ben Affleck to help them commit a crime. It gets more and more complicated. Eventually there are five criminals all dressed up like Santa Claus with the intention of robbing a casino.

The plot moved swiftly. It wasn't hard to follow. Especially since the characters all took turns holding a gun to Ben Affleck's head and explaining how our supposed hero was set-up yet again. Then, the plot would deepen. And deepen. There were a few violent scenes and some bloodshed. And then even more explanations.

I kept watching Ben Affleck's facial expressions, which never seemed to change no matter what happened to him. Charlize
Theron is pretty and never missed a chance to show off her body but her acting ability is on a par with Affleck's. Gary Sinise was better; he's a good actor and this part called for overacting. And so what we got was a villain who was just too bad to be true.

This sounds like a comedy. Right?

Wrong. It was supposed to be serious. Give me a break!

I did find it mildly entertaining however. ... Read more

Description

Baseball's a funny and fun game when a 12-year-old becomes manager of the Minnesota Twins and inspires them to play with the joy of youngsters. ... Read more

Reviews (12)

little big league a big league comedy for kids
I thouroughly enjoyed the movie and have waited to see it being released on DVD. I bought 2 copies of the VHS so that when my son is older he can enjoy the idea that a 12 year old boy become the manager/owner of his homestate Minnesota Twins. The "sweetness" level is high but if you enter into viewing it with that in mind you will find it a very funny and touching movie of the Major league category.

Little Big League
I rented this movie because my younger brother loves baseball!!!! I have always love basball movies but never I have I watched a more funnier movie then this. Its not only great for you but a great movie for the whole family!!! Its really funny, and it shows how a team( in this case the Minnosota Twins) can be the worst team to the greatest team. It shows leadership and that ball players need to have more fun and not worry about everything else and enjoy the game because after all Baseball is Americas fav. sport. So if you are ever in the need for a baseball movie loads with laughter this is the movie for you!!!!! It also has Great Music. I recommend Major League, Bull Durnham, The Natural and of course Little Big League. I hope this was a help.

great must see family|baseball|comedy
buy this movie its a great
the new angels in the outfield does not even compare to this one. its worth every cent.

A great baseball movie
If you have a question about baseball, then Billy Heywood (Luke Ewards) is the person to ask. I bet there is not one thing Billy does not now about baseball. Plus looking at the presious reviews they are not helpful, so I'm hope you will find this review helpful. And I can't think of many baseball movies with famopus people themself. People playing themself includes Ken Griffey Jr, Sandy Alomar, Randy Johnson, Tim Raines and Chris Berman. There is about 15 people playingthemselves and they are all men. When the movie opens, Billy Heywood is playing a baseball game and his mom and grandfather (Ashley Crow & Jason Roberts J.R) are in the stands watching. Billy's grandfather owns the Twins. But then his grandfather dies and then Billy learns from a tape, that his grandfather has gave him the Twins. And says "I'd rather have my grandfather." But when Billy has problems with the team's manger (Dennis Farina), Billy fires him and when can't find a replacemnet, his friends talk him into maning the Twins, but of course his mom doesn't like it.

Loved the movie!!
My kids and I love the movie. However after buying the DVD it was in Full screen format only. The description said that it was a widescreen format, so lovers of wide screen formatted movies like myself, Beware! ... Read more