Reviews (102)

One of the funniest and darkest comedy/musicals of all time!
There's never been a movie like "The Little Shop of Horrors" before, and there probably never will be. The film it resembles the most is undoubtedly "The Rocky Horror Picture Show," but I find it cleverer, funnier, and more enjoyable than that movie, if still as sick in its own twisted little way.

The movie stars Rick Moranis in the role he was born to play: that of a geeky and timid New York City kid named Seymour, who works at a crummy florist shop way downtown along with Audrey (Ellen Greene), a blonde gal who sounds as if she's sucked in too much helium. Seymour is too shy to confess his love for Audrey, and his only way of dropping a hint is when he finds a mysterious plant at another flower shop and names it Audrey II. "I hope you don't mind," he tells her, and then he drops it by the front window of the store in hopes of drawing customers.

It does. The first customer (Christopher Guest) enters with a cheerfully stupid grin and buys $50 worth of roses. "Do you have change for a hundred?" he asks. They don't. "Oh, well, then I guess I'll just have to buy one hundred dollars' worth!"

Business starts to boom, and the plant starts to bloom, turning into a ferocious man-eater that demands a sacrifice of human blood from Seymour to crave its hunger. After a few weeks, Seymour is bone dry, unable to slice any more fingers open and feed his gargantuan plant. "Feed me, Seymour!" the talking plant bellows.

Audrey has a new boyfriend who has been beating her up. He's a dentist, played by Steve Martin, and as he puts it, "I have a natural talent for causing people pain!" He likes to cause people intense pain, walking through his dentist's office and purposely knocking orderlies in the face with door handles and pulling teeth without applying sedatives. "Wait! I'm not numb!" a customer shouts during an introductory song. "Eh, shut up, open wide, here I come!" his dentist yells, starting to drill away.

Steve Martin has played a dentist since, in the undoubtedly lesser but unjustly bashed "Novocaine" (2001). His outing as a pain-driven dentist in "The Little Shop of Horrors" is ten times better, and Martin is truly the highlight of the entire film, from the point when he is introduced riding his motorcycle to the job with a leather jacket (only to strip it off and reveal a white dentist's coat as he enters his office), to the part where Seymour enters his office with a gun in hopes of killing him and feeding him to his plant. Martin doesn't get what's going on, because he's wearing a comedically oversized laughing gas mask he invented that's making him chuckle like a moron. "What are you gonna do? Shoot me? Ha!" The laughing gas kills him before Seymour musters up the emotional strength to.

Seymour drags the dentist's dead body home, chops him up and feeds him to Audrey II, but this is only the start of his worries, because soon the media frenzy centered around the wonderfully odd plant starts to drive him to insanity, as he desperately tries to juggle between keeping a clean conscience and keeping away the media.

Then Audrey II reveals its true intentions - to take over the world with its offspring - and Seymour decides that it's time to stop Audrey II before it gets too far.

"The Little Shop of Horrors" is such a wonderfully offbeat comedy it's almost impossible to dislike. It's one of my favorite comedies, the type of odd little film that doesn't promise to be very much at all but provides a lot.

Frank Oz directed the film (based on Roger Corman's classic), and it was filmed on a visibly low budget, but that's okay, because it's supposed to be that way. It's part of the fun. All the stages are obviously just that, with poorly painted backgrounds of New York City and the skyline. You can literally see the cracks in the wall where the different stages meet with each other. And it's great! It makes the movie, and the movie knows it isn't anything special. At one point, Audrey has a dream sequence of living in a nice little Brady Bunch home, and we see Seymour cutting the lawn with a lawnmower. It's so cheesy and fake that it barely meets the quality standards of a children's television show - but, once again, it helps makes the movie.

The movie has tons of cameos, too, including James Belushi, John Candy, Christopher Guest, Bill Murray, et al. And if the guest stars, dark humor, and delightful direction don't interest you, perhaps the songs will - because many of them are quite good. The highlight is "Suddenly Seymour," in which Seymour and Audrey have a duet, and Audrey's voice suddenly turns from meek to booming, overpowering Seymour's lyrics and pounding the stage.

This is the definition of a cult film. Everything about it just strikes you as a cult film. But whereas "The Rocky Horror Picture Show" is a cult film for - in my opinion - sick people, "The Little Shop of Horrors" is a cult film for people who love comedy. It's all in good nature, with cheery little musical numbers every once and a while that are as funny as the songs in "The Blues Brothers," if not more so. But what makes the film particularly different from the rest is its deliciously dark humor - especially for a mainstream comedy like this. From the plant's adamant bloodlust to the shadowy image of Steve Martin slapping Audrey around behind a backlit stage prop, this is one of the funniest, darkest, and yet also cheerfully lightweight comedies ever.

What a Great Film it Could Have Been
Little Shop of Horrors is the definitive modern musical comedy. The music, as written by Alan Menkin, is melodic and beautiful, with some of the best lyrics in recent memory. The pacing is quick, with sharp directing by Frank Oz and great comedic performances by Steve Martin, Ellen Greene, and Rick Moranis (and the very over-rated Bill Murray, in a painfully extended cameo as a masochistic dental patient). The film knows that it isn't art, or thought-provoking, which is what keeps it from being truly campy. But what prevents it from being great is the extremely controversial, oft-discussed original ending.
In the play, Audrey and Seymour are eaten by Audrey II, and the Greek Chorus sings a cautionary song to the audience. In the movie, Audrey survives, Seymour electrocutes Audrey II, and they all live happily ever after. It wasn't always so, however. Oz had filmed the play's ending, but in test screenings, the audience was angry and appalled, so Oz opted to reshoot the film for the ending as it is.
In 1998. a Special Edition DVD was released with a VERY rough cut of the original ending, but it was pulled from the shelves by the producer after only two days. A second release DVD came out in 2000, sans original ending. The first issue DVD has become a collector's item of the highest degree, often selling at online auction sites for upwards of $100.
Well, I own that first issue DVD, and having seen what the film could have been, I can't rate it higher than 3 stars. In that ending, Audrey's death is handled with dramatic emotion now absent from the film, never playing for laughs. There is a breathtaking Death March (Now available on the New Broadway Cast Album) as Seymour carries her body to Audrey II. Seymour undergoes a psychological spiral within minutes, before being devoured by the plant. And during the finale, "Don't Feed the Plants," many enormous Audrey II's are shown wrecking havoc on a devastated New York City, blowing up cinemas, eating trains, and crushing the very symbol of our country, the Statue of Liberty (sort of). Had this ending been used, the film would have been a memorable masterpiece, but as is, it is merely a forgetable (if enjoyable) musical flop.
It's a shame Frank Oz surrendered his vision to please the people. I can only imagine what the ending would have been like in full technicolor on the big screen.
Let's hope for a 20th Anniversary Deluxe Edition DVD in 2006 with a re-edited film containing the original ending, as promised by the producer when he had the disks puled from the shelves.
Little Shop of Horrors is a fun film, if not for younger audiences. If you have 90 minutes to spare and are a fan of musical theatre, check out this modern classic-that-should-have-been, about a singing plant, a daring hero, a sweet girl, and a demented dentist.

Mean, Green and Mad!
Can you imagine Barbra Streisand in this film as Audrey? Although everyone familiar with this movie (and stage musical) immediatly sees Ellen Green in the part, we find out from the documentary on this disc that Babs was offered the role first. Thankfully she wasn't interested.
The film itself is the best stage-to-screen musical adapt. since Grease and none (even Chicago) have since come along to beat it. The music by Alan Menken and the lyrics by the late, great Howard Ashman are fantastically intertwined to evoke laughs as much as the required early-1960's atmosphere. This talented duo went on to score Disney's The Little Mermaid, Beauty and the Beast and (in part, due to Ashman's death) Aladdin. When listening to Little Shop's Somewhere That's Green it's easy to see where Mermaid's Part of Your World came from.
The cast are uniformly excellent and succeeded in making their parts their own (meaning that any production now seen on stage features clones of Moranis, Green, Martin etc.). Rick Moranis as Seymour seems to have been born to play the part and his singing voice comes as something of a revelation! Green, as I have already said, IS Audrey but Steve Martin just about manages to steal the entire film from all of them in an extended cameo as Orin the sadistic dentist. Other cameos include James Belushi, John Candy and (brilliantly) Bill Murray.
Audrey II (the plant) is a wonder of engineering and puppetry and watching the film now, I couldn't help but think that if this movie was made today Audrey II would be CGI - impact lost! Thank goodness then, that Frank Oz, director and some-time Muppet-man, gathered a group of talented people together to create a truly startling character. Although the character would be nothing without Levi Stubbs so wonderfully providing his voice.
Wisely it was decided to change the ending from the stage shows bleak (and, frankly, poor) conclusion to a more up-beat and 'Hollywood-style' finale. The original ending is glimpsed in the all-too-short deleted scenes section of this disc, as a couple of Audrey IIs attack a building, but it would have been nice to see the scene in tact perhaps with an option to swap it for the actual ending when watching the film. Also the inclusion of 'Mean, Green Mother' really helps the second half of the film which sadly sags in the show due to the absence of such a show-stopping number.
The 'making of' was made of the time and so is light and fluffy. I would have prefered a little more depth on the realisation of Audrey II. The trailers are worth watching - mini masterpieces of campy kitch but Oz's commentary is a little on the ponderous side.
So, in conclusion, the extras are acceptable if a little dull, but who needs extras when the film is as thoroughly enjoyable and toe-tapping as this! Just remember: - whatever they offer you - don't feed the plants.

Fun, Fun and way out fun!
This off beat musical comedy is too fun, too sick and just plan rolicking for words!

The cast is perfectly matched to each character, the do wop Motown ala Crystals combined with Levi's rock out bass as "da plant" draws you onto the screen!

One for today's generation, sophisticates and those who want to really enjoy a musical - when it's over, all you want to say is "Wasn't that a lot of fun!"

Rent it, buy it, but ENJOY it.........

Oz & Corman-Fabulous Musical With TONS OF SURPRISE CAMEOS!
Frank Oz's masterpiece of Roger Corman's B- Schlock Horror movie of the same name. Originally produced off broadway, it had a very successful run. So... What is Hollywood to do but make it into a blockbuster with big name stars and cameos.

Ellen Greene as the plucky Audrey, who also played the part on stage, Steve Martin as the sado-masochistic Dr. Orin Scrivello, DDS, Rick Moranis as the milquetoast Seymour, Vincent Gardenia as the crusty Mr. Mushnik & the voice of Levi Stubbs as the people-eating, mean green mother from outer-space, Audrey II.

Bill Murray has a hilarious cameo as Arthur Denton, the pain loving dental patient. He screams CANDY BAAAAR whilst the dentist inflicts pain upon him! John Candy cameo as the radio announcer, Wink Wilkinson, Jim Belushi as Patrick Martin, Christopher Guest as the first flower shop customer.

Great musical numbers from all, especially Ellen Greene who has one of the best set of pipes EVER!

Great family movie with only mildly irreverent language.

Happy Watching! ... Read more

Amazon.com essential video

Remember the outfit Cher wore to the Oscars when she won an Academy Award for her performance in this 1987 film? Ay-yi-yi. The actress' more retiring character in this infectious comedy leaps several psychological hurdles just giving her hair a permanent. But then the original screenplay by John Patrick Shanley (Joe Versus the Volcano) is a wonderful, gently satirical tale of an Italian-American family dealing with repression and dissatisfaction against a backdrop of cultural expectations. Cher is focused and funny as a widow who feels she should marry an older fellow (Danny Aiello), but then falls for his black-sheep brother (Nicolas Cage). Olympia Dukakis and Vincent Gardenia are perfect as her parents, and John Mahoney (of TV's Frasier) has a memorable, small role as a middle-aged man on the make who gets a lecture from Dukakis's character. Shanley's dialogue is comically stylized in a way that makes one appreciate how much words can inform an actor's performance. Taking its cues from him and director Norman Jewison (And Justice for All), the cast immerse themselves in a pool of hilariously operatic emotion. The special-edition DVD release has a full-screen presentation, Dolby sound, commentary by Cher, Jewison, and Shanley, theatrical trailer, closed captioning, booklet, optional French soundtrack, and optional subtitles in English, French, or Spanish. --Tom Keogh ... Read more

Reviews (126)

One of the most endearing and enduring films from the 80s
It's impossible to feel anything but affection for this wonderful movie. Officially, I guess, it's a romantic comedy, but it also contains some serious drama; often it's very funny, but just as often it's genuinely touching. It features a great soundtrack, with music ranging from Italian folk tunes to selections from Puccini's La Boheme to pop songs like Dean Martin's "It's Amore" and Vikki Carr's "It Must Be Him" plus a lovely rendition of the '30s standard "Moonglow." In each case the music is perfectly and aptly used. Moonstruck, unlike most Hollywood films, shows us that there can be sexual energy, flirtatiousness, and above all romance between people who are well on the other side of 50: one of my favorite scenes is when Aunt Rita (Julie Bovasso) looks at her husband's face in the moonlight and tells him, "in that light, and with that expression on your face, you look like you're 25." Then there's the scene in which Rose (Olympia Dukakis), after insisting that her husband Cosmo (Vincent Gardenia) stop seeing his mistress, tells Cosmo that his life is "not built on nothing." "Te amo," she tells him. It's as moving as anything I've seen in any drama. Then there's the cast! I, for one, wish that Cher would abandon her career as a second-rate (albeit successful) pop music star and concentrate on her work as a first-rate actress. In every frame of this film, she's extraordinary and completely in character. Nicolas Cage has never been better. And every role is filled to capacity by esteemed, if not famous, New York and Chicago stage actors. Special mention must be made of Fiodor Chaliapin, who is given a great moment (howling at the moon with his dogs), and who fills it admirably. Moonstruck is certainly a "New York" movie, but it's set, spiritually as well as physically, mostly in Brooklyn, rather than Manhattan. Moonstruck is a wonderful film! I remember seeing many European "art" films during the 1980s, but if I were to compile a list of Top Ten Films from that decade, they'd take second place to this Norman Jewison masterpiece. This one's a keeper!

Romantic but not mushy, just perfect
I usually avoid romantic comedies, but I happen to like Cher; even then, when my mom rented this movie I thought: "Pooh, a romantic comedy! Do I have to go through this to see Cher?" Well, I was never more glad to have to eat my own words; this was quality. The acting was excellent, the plot was great, and my mom and I fell in love with Johnny, the dreamy, no-good baker portrayed by Nicholas Cage. Cher was also great in her role as Loretta, the repressed widow resigned to marry some mamma's boy without loving him. That part of Johnny and Loretta's night out, when they accidentally meet her father and his mistress at the opera was so good, I rewinded the tape and watched it again. And Loretta's mother dining with the stranger... well, those are the highlights, but on the whole it was a wonderful movie. If you're like me and don't like most romantic comedies, just give this one a try, you'll probably be pleasantly surprised.

Moonstruck (1987)
Ever since her incredible debut with Sonny Bono in 1965, Cher has been known to be one of the mos successful female musical acts known to the world. Cher has had a hugely successful career in music; she was well-known with Sonny, but it was her solo career that seemed more successful. But Cher wasn't about to be successful in just the music business; Cher wanted to be successful as an actress as well. Cher has starred in a wide load of movies, such as 'Chastity', where she played the title role, 'Silkwood', where she played Dolly Pelliker, 'Mask', where she played Florence 'Rusty' Dennis, 'Suspect', where she played Kathleen Riley, 'The Witches Of Eastwick', where she played Alexandra Medford, etc. But it was her role as Loretta Castorini in the romantic comedy, 'Moonstruck' that made her another one of today's best actresses.

Taking place in New York City in 1987, Cher playes Loretta Castorini, a lonely Italian widow, who is longing for her Prince Charming to sweep her up off her legs and get her out of her misery. Loretta goes to dinner with her best friend, Johnny Cammareri (played by Danny Aiello). Johnny surprisingly proposes to Loretta, and she happily accepts. Although Loretta likes Johnny a lot because he is her best friend, she knows for a fact that she does not love him. After dinner, Loretta drives Johnny to the airport, for he is flying to Sicilly to be by the side of his dying mother. Before he boards the plane, Johnny gives Loretta the number to his brother's place, and tells her to invite his brother to the wedding. The two lived their lives without seeing or speaking to each other for five years, due to an accident. Loretta assures Johnny that she'll do so and goes home to tell her mother and father, Rose and Cosmo Castorini (played by Olympia Dukakis and Vincent Gardenia). Loretta wakes up the next morning, with a phone call from Johnny, asking if Loretta had called his brother yet. Loretta informs Johnny that she'll do so when she hangs up with Johnny. She calles Johnny's brother, but his brother sounds very bitter about Johnny getting married first. Loretta walks down to where Johnny's brother works. Ronny Cammareri is Johnny's brother and he works in a little bread factory, who is still miserable after losing his hand in a bread chopper. He feels Johnny was responsible since, Ronny was using the chopper to chop up some bread for Johnny. Loretta takes Ronny back to his place and begins to explain the truth to Johnny's misery. But the two wind up sleeping together.

The next morning, Loretta wakes up the next morning only to find Ronny by her side and flips out. She realizes that what she did was wrong, for she is still engaged to Johnny. But Ronny finds himself having fallen madly in love with Loretta... literally. Ronny invites Loretta to the opera, telling her that he loves her dearly and loves the opera dearly. He then says that if he could be with the woman he loves for one more night and to spend the night with the woman he loves by attending a show he loves dearly, he would promise not to bother Loretta again. Loretta goes to the Met, where she meets up with Ronny. The two sit through the opera, very much enjoying the show. Loretta seemed to have enjoyed very much, until she finds her father with a woman and that woman is not her mother. Ronny and Loretta go back to Ronny's place. Loretta does not want to be unfaithful, since she has been unfaithful to Johnny already once. But she knows that she does not love Johnny, for she is madly in love with Ronny and, for the first time, really sees that Ronny is love with her. Will Loretta leave Johnny for Ronny, or will she stay with Johnny? Watch this classic romantic comedy and you'll find out.

Authentically Italian!
This movie is on my list of all-time favorites so I was delighted when my son recently bought it for me on DVD. It is the humorous and delightful love story of Loretta Castorini, a young Italian widow who lives with her parents in Brooklyn, and Ronnie Camarerie, owner of Camarerie Brothers Bakery and by chance the brother of Loretta's fiancee. How these two individuals come together and the interplay between them and all the members of Loretta's large and often interfering Italian family makes for many hilarious moments.

This movie is especially heartwarming as it depicts an Italian-American family better than any movie I have ever seen. I am a member of a large Italian family and I can vouch for its authenticity! The Castorini home even reminded me of many of those of my Italian relatives, filled with much good food and good conversation as well as memories of love and family. This is truly a wonderful movie experience!

This DVD version features an option to watch the movie while listening to a voice over by director Norman Jewison, writer John Patrick Shanley and lead actress Cher. I thoroughly enjoyed this feature, as each added amusing anecdotes about the filming of the movie, as well as their own input about various scenes and information about the other actors.

A Must See Romantic Comedy!
Academy Award Winner Cher, plays Loretta, a middle-aged widow who while her fiance is in Italy at the deathbed of his mother, finds herself unwilling drawn to his misfit younger brother (Nicholas Cage) who is falling apart after his own "loses."
And while the family struggles with their individual problems, Loretta's father finds his youth in the arms of another woman.
Olympia Dukakis plays an Award Winning role as Loretta's mother.
Nicholas Cage although he won no awards for this film, does an outstanding job as an over-the-top, heartbroken man who is jealous of everything that his brother has, including Loretta.
Definately a must-see romantic/comedy. I very much enjoyed this movie and hope you will too. ... Read more

Reviews (29)

perfect revenge movie
Death Wish was an excellent movie that told the story of mild mannered common man Paul Kersey driven to become a vigilante after the murder of his wife and rape of his daughter. Death Wish is very artistic and was a hit that spawned 4 sequels. Death Wish 2 set the pattern for the other movies in the series and is a different type of film from the first. The second Death Wish falls into the category of revenge films and has a gritty look to it that captures the rawness of it's subject. Some have complained about the look of the film, but it serves to make it much more visceral from the first film and one of the grittiest films ever made. There's a disturbing snuff film/documentary feel about Death Wish 2 which both repulses and transfixes, and at the same time the film also works on a much more unreal level as a revenge fantasy.
In the first film Kersey never catches the thugs who destroyed his family, but in Death Wish 2 his revenge isn't just aimed at random criminals, but at specific thugs responsible for his daughter's death. The first Death Wish was about Kersey's transformation into a vigilante, but Death Wish 2 is about hunting down specific guilty criminals and seeing that they pay for their crimes. There have been many revenge films, but there's just something much more satisfying about the way justice is served in the Death Wish series than in other films. William Lustig's Vigilante is another good film of this type as is The Exterminator, but Death Wish 2, like the rest of the series, really provides the audience with a satisfying feeling of justice. The combination of the hyper real and the fantastic make Death Wish 2 compelling viewing. As a cinematic revenge fantasy it's the best of it's kind.

A sequel far from equal to the first.
For some reason it took 8 to 9 years for there to be a sequel made to the movie that most people associate with Charles Bronson. It wasn't worth the wait. Even revisiting the movie on DVD (sadly full frame, at least they could have restored it to its proper aspect ratio) did not improve my original thoughts on this follow up. Death Wish 2 is to Death Wish what Jaws 2 was to Jaws, a sequel that attempts to pass itself off as a continuation of the first film but largely recycles its plot and most memorable moments. Paul Kersey (Charles Bronson) is now living in Los Angeles and he has had his still mentally withdrawn (and actually younger looking) daughter Carol moved to a nearby facility. Evidently her husband left her, as that character is not mentioned this time out, even in passing. When Kersey and his new girlfriend (played by Bronson's real life wife Jill Ireland) take Carol out for some quality family time, Paul is attacked by muggers who steal his wallet. Of course Kersey gives chase and manages to pound one mugger against a wall, but they still have his wallet - which contains his address and, of course, the muggers are gunning for revenge. This is obviously meant to recreate (or homage) the set-up for the attack by a trio of thugs who get the Kersey home address at the supermarket in the first Death Wish. The muggers attack the Kersey household, sexually assaulting both the housekeeper as well as Kersey's daughter (again), both of whom die. The major difference from the first movie is that Kersey is there and thus knows just who to hunt down after a little alone time. In the first Death Wish it was a business trip to Tuscon, in Death Wish 2 it's a weekend at a friend's rustic cabin. The rest of the movie is basically Bronson wandering around the seedier areas of Hollywood until he finds his prey - that and avoiding his girlfriend while trying to keep her clueless about what he is doing at night. Death Wish 2 delivers on the violence and sleazy exploitation, but it misses the mark in even attempting to create a compelling story. Despite there being ample oppurtunity to do so. Some Bronson fans will no doubt want this, put it remains a poor follow up to a truly great movie.

A real Winner
Not sure where to begin with Death Wish 2. Significantly, it was directed by Michael Winner, who directed the first and would go on to direct the amazing third entry in this series about 'bleeding heart liberal' architect Paul Kersey and his vigilante side job.

Paul Kersey now lives in sunny Los Angeles, which like New York is depicted as a pit of human filth and depravity. The incredible cynicism of the filmmakers begins right away as Kersey's housemaid and daughter--who, remember, was violently raped in the original--are brutaly raped, with the maid murdered. Then Kersey's daughter is taken away, raped again, and decides to jump out a window rather than endure the rest of the film. Kersey then puts down his slide ruler and blueprints and takes up his old hobby of blowing away criminal scum.

The main difference between Part 2 and the original, besides an even deeper cynicism, a lower budget, and overall abysmal effort by all involved, is that Bronson actually hunts down the individuals responsible for these acts of malfeasance. His behavior now flat-out pathological, he rents a cheap office in a bad part of LA, using it as a home base for his vigilante operations. Donning ski cap and dark clothes and packing heat, he roams the streets of LA, looking for revenge.

Even the tagline is noteworthy:

Bronson's on the loose again! Seems to suggest that, in effect, it didn't matter who Bronson was playing, because 'he' was on the loose again!

Overall, it's bad. Very, very bad. Part 3 is bad, but it has other things going for it, namely that it cannot be taken seriously for a moment and it knows it, the tongue so firmly in cheek that it becomes an incredible guilty pleasure and one of the best bad movies of the 80s, perhaps ever. But Part 2, for the most part, is an exploitation movie. The film looks cheap, grimy, and rushed. It can't even succeed as a bad movie, which is pretty depressing. It feels seedy, right down to the very grainy film stock and washed out look to the picture. And to top it off, Jimmy Page contributes one of the most appalling scores I've heard in a movie of any genre. Not even his score for Part 3 was this embarassing. And yes, it is THE Jimmy Page.

As for Bronson, he's particularly wooden in this one. Which may be appropriate as at this point, Kersey is less than sane.

But alas! The Death Wish flicks finally reappeared on DVD, right around the time of Bronson's death in 2003. Obviously recommended if you like, well, Death Wish movies, the DVDs are capable, if pretty bare bones. I would love to hear Michael Winner do a commentary track to discuss his state of mind when he directed this one.

Character Development
REASONS TO BUY:
Unlike the first part, Bronson has a strong unyielding character. He's not the least bit afraid to get the job done this time and doesn't stop untill he gets every single on of those creeps that killed his daughter. It really gives you a sense of staisfaction even if it's just a movie.

REASONS NOT TO BUY:
This is the cut version. Evidently, some people believe that we are not intelligent enough to view certain scenes. I think it's worth the time to search the internet for the full uncut version.

Brutal reality
Plot
This film is the second appearance of the character of Paul Kersey, the liberal architect who became a vigilante after his daughter was assaulted (with spray paint) and his wife was killed while trying to stop the assault perpetrators. Kerseys daughter is visiting her father but is still in the state in which she was left in the first film, only she seems to be happier. Kersey takes his daughter and his girlfriend to a fair, then goes to get ice cream. But it seems that he is the only man in the world who can get mugged during such an activity; a gang with a kingpin played by Lawrence Fishburn steals his wallet. He chases after them and stops, but this is definitely not the last he hears of them as they use his ID to find his home then rape his maid; then he returns with his daughter and they knock him out, kidnap his daughter and rape her. She dies by throwing herself out a window. And so the plot is set for Charles Bronson's character to avenge his daughter and reenter the vigilante lifestyle.

Analysis
I very much enjoyed this movie, from seeing a movie shows reality in a form that's so blunt it offends many people, to the delivery of such lines as "Do you believe in Jesus...well now your going to meet him."

In this movie, unlike its predecessor, Kersey actually knows who he is hunting, and he does not to bother those who he did not see in the apartment, while in the first movie he simply capped those who tried to mug him, or in one case a gang who was harassing a middle aged man. Rather than simply being a vigilante, Bronson is now also playing an avenger.

There is another change in Kersey in this movie; he no longer is reluctant to kill. Granted that went away in the second half of the first movie but in the sequel that reluctance is even less. Kersey now delivers lines to his enemies before doing away with them, and does it as though it's the most natural thing in the world. Having Bronson play the protagonist really aids this effect; with is calm voice he can make statements in a straightforward and threatening manner but at the same time not show any signs that he has lost his cool. As though dispatching criminals and antagonizing them were just a normal part of life for him, oh wait, it is lol.

Notes
The film that was actually released in theatres is different from the original version in terms of graphic rape scenes. The MPAA was going to give it an X rating but gave it an R after the movie was toned down.

See Lawrence Fishburn playing a rapist known as Cutter; he doesn't have quite the same effect as the paint fetish guys from DW but he's still pretty sadistic. ... Read more

Reviews (45)

Good movie. Could have been great.
This movie could have been a lot better if it had a more competant director. Today it looks dated in places, and some of the dialogue delivery approaches camp at times (again, blame Mr Winner). Plot: after his wife and daughter are attacked by muggers (one being Jeff Goldblum)and Bronsons wife is stomped to death and his daughter raped and obscenely "tagged" with a can of spray paint, architect & Korean war conscientious objector Bronson acquires a gun on a business trip to Arizona and returns home to New York to embark on a one man vigilante rampage blasting street scum into oblivion. Bronson and Vincent Gardenia both give good perfomances, and the rape scene still has the power to jolt you out of your seat, but every time I see DEATH WISH I keep thinking of how it could be updated and remade... better. Still the fun of the series is to cheer Bronson on whenever he wastes some scumbag. This was the precursor to such revenge flicks as I SPIT ON YOUR GRAVE and MS .45.

The Dark Knight.
It's hard to remember now, but there was a time when Michael Winner was just another director, one who produced some decent b-movies before having a freak hit that caught the mood of America at the time. 'Death Wish' was the hit - it elevated Charles Bronson to iconhood, and even today Winner's increasingly-laughable films have 'From the Director of 'Death Wish'' on the posters. This is the closet he ever got to creating a classic piece of cinema. This is based on a book, although the emphasis has been changed. Whereas the 'hero' of the novel was presented as a dangerous man who had eventually lost all reason, here, Bronson is basically Batman - Dirty Harry without restraint. As such, it's ambivalent. On the one hand, there's a primal kick in watching Bronson blow away thugs, but on the other hand it's hard to believe that real-life would be so clear-cut, and subsequent witch-hunts of paedophiles, satanists and rock fans show that it's hard to put rage back into the bottle from whence it came. The sequels became increasingly-harder to take seriously, and the bazooka-toting 'Death Wish 3' is a modern classic of silliness. As with all Winner's films, it looks like a television movie, and as with all Bronson's films, Bronson is Bronson - an older, grizzled tamplate for Schwarzenegger et al, he acts not as Paul Kersy but as Charles Bronson, movie star. It is, at the very least, interesting.

Your Typical Evening On A Saturday!
GREAT ACTING BY CHARLES BROSNAN! ENJOYABLE TO WATCH. REALLY GREAT CINEMATIC PIECE!

carbolic acid
This is the original in the Death Wish series,and its still the best.Paul Kersey(Bronson)is devastated after his wife and daughter are raped and killed,he goes on a killing rampage of revenge.As he dispatches each thug with his own brand of justice,we cheer their deaths from Kersey`s trusty 32 caliber revolver.This film is a favorite of vigilante justice supporters.

CONTROVERSY IS GOOD.
I don't remember too many films from the 1970's the earned an entire OP/ED page in the N.Y. Times, but this urban classic did. Controversy proved to be good box office and Bronson became a superstar as Paul Kersey. DEATH WISH is a taunt thriller that sparked more than one water cooler discussion in 1974. Michael Winner worked this one into a poster child for street justice and inspired more than a few real life imitators (the ad campaign boasted: "Paul Kersey is going to kill 3 muggers tonight: One for his murdered wife, one for his raped daughter and one for you!"). What was more unfortunate is that DEATH WISH became a parody of itself with 4 awful sequels. Forgot the rest, cheer for Bronson here everytime he caps a bad guy. ... Read more

Reviews (59)

Absorbing! Realistic! Riveting! Fantastic!
1961's "The Hustler" is a picture that will truly "suck you in". It totally absorbed my attention throughout. Making this in black-and-white was a wise choice by the movie-makers too. It sets the mood of the drab surroundings we experience during the film.

A perfect cast has been assembled here, with Paul Newman a knockout in the lead role of pool shark "Fast Eddie" Felson. Piper Laurie, George C. Scott, Murray Hamilton, and Myron McCormick give strong support to Newman. And there's a very controlled and somewhat subdued Jackie Gleason as "Minnesota Fats". Jackie doesn't have a huge part here, but he pulls off his role as "Fats" with style.

There are a lot of quiet moments in this picture ... when just visuals propel the story. I like that in movies! Sometimes there's too much dialogue in a film, in places where nothing needs to be said at all. It just seemed to me that the producer/director (Robert Rossen) knew when to keep the actors quiet here.

The Hustler will forever remain a Classic to me!!

Some Hustler stats:
-------------------------------------
Running Time: 135 minutes.
Debut in theatres: September 25, 1961.
Nominated for Best Picture of 1961. (Beaten out by "West Side Story".)
Paul Newman nominated for Best Actor of 1961. (Beaten out by Maximilian Schell--Judgment at Nuremburg.)
Both George C. Scott and Jackie Gleason were nominated for Best Supporting Actor in 1961 for this film. (Both beaten out by George Chakiris--West Side Story.)
Piper Laurie nominated for Best Actress in '61. (Beaten out by Sophia Loren--Two Women.)
Film won two 1961 Oscars --- Best Cinematography and Best Art Direction/Set Decoration (B&W).
Billiard champ Willie Mosconi, 14-time world champion from 1941-1957, was a key technical adviser on the set of The Hustler, literally teaching Mr. Newman how to play the game of pocket billiards, right down to his grip on the cue stick. Newman became quite proficient by the end of the shooting of the picture.
Newman reprised his role as Fast Eddie in 1986's sequel, "The Color of Money", co-starring Tom Cruise. Newman DID win the Oscar for Best Actor that year.

Newman's Own...
It is a real shame that not one of the actors, nominated for their work in THE HUSTLER, took home the Oscar. Now, a true classic in every sense of the word, the film is still one of the coolest motion pictures ever made. Originally released in 1961, the film is flawless. "Fast" Eddie Felson (Paul Newman) is an arrogant pool hustler, who seems unbeatable, that is until he meets his match. When his desire and ambition for perfection lead him to challenge legendary pool king, "Minnesota Fats" (Jackie Gleason), things heat as Felson may have bitten off more than he can chew. He risks everything good in his life for a shot at glory. Piper Laurie as Sarah Packard, has great chemistry with Newman, and George C. Scott as Bert Gordon is tops too.

Based on the book by Walter S. Tevis, the movie was directed by Robert Rossen, and shows off his real talent as a filmmaker. Desperate to put his "Ralph Kramden" character behind him, Gleason delivers a fine dramatic performance, that is sure to surprise you, if you only know him from "The Honeymooners". The pool room action is put together very well. The fact that the film was shot in black and white, only enhanced the action on screen, and makes it give off an almost cooler aura.

It's great to finally see the movie on DVD. The special features are great. The most interesting of which, is the "picture-in picture" commentary, that explains how all of the trick shots were done in the film. This innovative feature is "way cool" The commentary track is pretty good too. However, I enjoyed the retrospective documentary, "the inside story", a bit more. It was also neat to see the vintage theatrical trailer.

The DVD is Highly Recommended and is a must have in anyone's movie collection

One of the greatest American films ever made. MUST SEE!!!
With or without the Oscar, this is one of the greatest American films ever made in any genre. George C. Scott refused to take part in the Oscar ceremonies when "The Hustler" was nominated, calling them "a self-serving orgy" if my memory serves me right. Perhaps that stand contributed to the movie not being recognized in its own time. Whatever the reason, this film shows you that recognition is unnecessary for true art. The cream always rises to the top.

People may not realize that Paul Newman was an unknown when this movie was made. His youthful brashness and emotion laden performance show him as an actor beyond his years.

One can never say too much about George C. Scott. He's old reliable, in this movie as in his others. He does an excellent job. He's just so good that we are numb to his mastery.

Piper Laurie also turns in an amazing performance. Her acting is subtle but her method is steady.

The real standout in this film is Jackie Gleason. He shows why he was called "The Great One." I personally feel that this movie shows him as the greatest method actor of his generation, and perhaps one of the greatest ever.

But unbelievable acting is only one part of this gem. The cinematography is clear and artistic. The script is expertly written and the scenery couldn't be more authentic.

This is the only pool movie I know of that you can enjoy as a pool player. The pool scenes are unbelievable. They used the greatest pool players of the day in shooting and it shows. The Color of Money is a nicely shot movie but there is not really a lot of pool in it. This is a pool movie that transcends pool.

Please do yourself a favor and add this to your collection.

The Hustler is simply amazing.
The Hustler is a 1961 20th Century Fox release about the game of billiards. It features an amazing cast; Paul Newman as Fast Eddie, Jackie Gleason as Minnesota Fats, Piper Laurie as Sarah Packard, and George C. Scott as Bert Gordon. Robert Rossen directs the 134-minute film, with outstanding cinematography, for which it won an academy award, but it was hard not to just watch the amazing acting displayed.

The most interesting things I found in the movie are the lighting and the camera angles. The pool halls are just as most people picture them, dark, dingy and full of smoke. This is visible at the beginning of the movie when Fast Eddie and Minnesota Fats play their first game of pool. The players are lit when playing at the table, but when the rest of the hall is shown, it is dark with almost no lighting whatsoever. I find it interesting that the actors are kept in the shadows, even when delivering dialogue, until they lean to the table to shoot. I feel this is to emphasize the game played, and the players, but only when they are doing what is important to them. This also pushes the spectators almost out of view, to become the same as the viewers in the theatre and at home. This leads to a somewhat humorous scene. Fast Eddie and Minnesota Fats are playing a marathon set of games for high stakes. The favorite is Fats, but he is down about $10,000. While Fats is making a shot, an employee of the pool hall starts to raise the blinds, and he complains telling the employee to "cut that sunshine out", to accentuate the mood I feel the director was trying to set. After 25 hours of playing, Minnesota Fats wins back $13,000 dollars, leaving Eddie with only $200 in his pocket.

The lighting changes when Eddie is not in the pool hall, and is almost blinding to the viewer. There are many scenes with Eddie and Sarah in her apartment, and it is usually very bright, but when the mood is depressing or dreary, it gets darker, helping to convey the mood displayed. When they travel out of the apartment, the mood is usually light, and the scenery also brightens showing the actors more dramatically.

The camera angles used in the movie are very interesting to the viewer. There are many shots inside of doorways, usually featuring Fast Eddie. Those scenes are usually more personal parts of the movie, away from the pool halls. The actors are almost never featured in the center of the screen, but offset to the side. I feel this is to allow the lighting to enter more into the viewing experience. When scenes are shown featuring two actors, the camera takes a side view, making the space between them seems greater. The camera also often shifts in between characters, even when separated by just a table. This allows the spectator to concentrate more on the speaker, or to view emotion conveyed by the other actors. When the actors are playing pool, the camera often pans up to the character leaning down to the table. I feel this angle allows us to focus more on the action of shooting, and on facial expressions, instead of the actual shot. When at the pool hall, there are also many angled shots from above and over, allowing the background and lighting to display more prominently.

I would rate this movie five stars. While I have not concentrated on the acting, it is tremendous. Paul Newman displays amazing emotion, and mix of desperation and cockiness of Fast Eddie conveys through almost every small thing he does. The story line is unique and builds the characters into people that the viewer can become very interested. However, I find that what the audience usually does not notice is what truly makes this movie great.

A Breath-taking Cinematic Experience...
A small-time pool hustler, Eddie Felson (Paul Newman) also called Fast-Eddie, is feeling that he is on his way up as he wants to take on the reputable Minnesota Fats (Jackie Gleason). However, Eddie is young and boastful with poor self-control and after several drinks he loses a very large amount of money to Minnesota Fats in a lengthy pool game. Penniless and embarrassed Eddie runs off like a dog with his tail between his legs from his manager and friend. As Eddie leaves he meets Sarah (Piper Laurie) with whom he begins to form a relationship with. As Eddie then attempts to rebound from his financial set back he meets Bert Gordon, a ruthless and wealthy gambler. Gordon offers Eddie a tough deal, but it might be a new beginning for Eddie depending on what price he might have to pay in order to get back on his feet. Hustler is a remarkable film about self-discovery, greed, love, and billiards that captivates the audience through an intriguing story. The story's genuine feeling of how people struggle through difficulties is brought out by a terrific cast as well as cinematography that lends support to the emotions that the characters feel. In the end, Rossen creates a breath-taking cinematic experience. ... Read more

Reviews (19)

A classic without peer
The brothers Hocheiser make a solemn promise to their dying father that they will "never put their mother (Ruth Gordon) in a home." But brother Gordon (George Siegel) gets stuck with the old dingbat and she is wrecking his life. His law practice is falling apart, his sex life nonexistent, and he can't even hire a nurse to take care of the wacko. Then, suddenly, a nurse-- the girl of his dreams comes along, but mother has other ideas. This wonderful, creative, hilarious 1970 classic comedy directed by Carl Reiner with its gallows humor could not be made today. We have lost much of our artistic freedom to political correctness, commercial timidity and lack of creative talent. But don't take my word for it, ask Mel Brooks who has remarked that some of his movies could not be made today either. Fortunately we can get the video. The movie does require a somewhat offbeat taste to appreciate. Everything and everyone is in a kind of reality warp, the Hocheiser family, the Central Park muggers, the police, the nurse Louise (Patricia Van Devere). The movie is also comment on life in America in 1970, and on how family members manipulate each other with guilt. Finally, I like the ending the movie was released with, it really does work better artistically.

Hilarious Adult comedy!
One of Carl Reiners best! George Segal (Just shoot me) is at his best. Ruth Gordon(Any Which way but loose) steals alot of scenes though as George`s senile mother.This movie is a must see for everyone over the age of 18. I guarantee you`ll hurt yourself laughing.

Been there, done that
If you've ever taken care of an elderly parent, you've got to see this movie. Each time I watch it, I feel like I'm living it. The person who wrote this movie must have taken care of an elderly parent or relative. Totally hysterical. If you don't think it's funny, it's because you have taken care of any older person.

A VERY BLACK COMEDY....
George Segal is wonderful as Gordon the attorney stuck with his aging addled Mama. Ron Liebman is appropriately befuddled as the nerdish brother Sidney and Trish Van Devere (in her film debut) is strangely idyllic as Gordons' new girlfriend. But it's Ruth Gordon who's watchable here. She is fearless in her hilarious (and, yes, touching) portrayal of Mama. You never know if it's all an act to keep her son Gordon hamstringed or if she's really senile or ,by todays' standards, in the onset of Alzheimers'. She's such a skilled performer. Whatever the truth is, she's delightful to watch. This is a "bare bones" disc: no real extras except the trailer and the bizarre alternate ending ("Papa's here") which I won't describe. The film looks great and it is very tasteless in spots but nonetheless enjoyable if you're game. A must if you're a Segal or Gordon fan and a rare treasure of way-y-y-y off-beat black comedy.

Controversial Even Then
From the moment George Segal dons a gorilla suit and leaps on mom's bed, growling and beating a shaggy chest, whereupon mom (Ruth Gordon) delivers a paralyzing fist to his groin, the audience knows this is not a typical family relationship. In fact, the rest of the film elaborates hilariously on the mounting desperation middle-aged bachelor and attorney Segal faces as he tries to outwit the aged and addled Gordon, who turns his every stab at independence into humiliating defeat. Poor Gordon Hocheiser, he's facing a bleak future, unless something is finally done about mom.

This is a signature movie of the 60's, a companion piece to that other iconoclast comedy of the period, Harold and Maude. Only here, the counter-cultural message is less noticeable, limited pretty much to mock face-offs with a deranged army general and a marauding football coach. The screenplay is richly inventive, trading on the unexpected in often highly provocative ways. The film however belongs to Segal whose comedy instinct proves flawless, his hang-dog deadpan growing ever longer as the gallows grow ever closer. We want him to win, get control of life, and escape mom's clinging grasp. But can he.The film is not so much an attack on aged parents as a healthy plea for adult independence--old lady Hocheiser has few redeeming qualities while Gordon's irrepressible girlishness, unlike her role in Harold and Maude, resembles that of a demented kewpie doll. Admittedly, the movie is not for everyone, many scenes being as outrageous as they are funny. Yet the social commentary remains lively and incisive, and despite fashions of the day, retains a distinct relevancy. (Consider the old age home operated as a zombified warehouse by Paul Sorvino looking and acting like a mafia capo.) (My copy, incidentally, contains a humorously satisfying conclusion of a car exiting in long shot.) So, if you're curious about what even the permissive and freewheeling 60's found controversial, then take a chance on this one. ... Read more

Reviews (12)

Bang the Drum resonates with emotional meaning
'Bang the Drum Slowly' is the best type of film. It is engaging while you are watching it, and you still think about it days after you last saw it. Solid acting and a well-written, theme-laden story immediately snag the audience's attention. The film is humble in the scale of its focus on baseball and friendship, but the snapshots of romance, family and business add an emotional element to the story that would not have been there if the two main themes were stuck to. DeNiro and Moriarty do a great job with the two main characters. DeNiro does a great job aside from occasionally lapsing from a Southern GA accent to his typical NY Drawl (really, this is only evident a few times). Moriarty gives his character many facets as an all-star pitcher and an estute business man, but his facial expressions seem to be to stoic to me to really convey his emotions- the character is still very effective. In addition, I enjoyed the little things about this film. The music, use of slow motion, and well-placed comic relief were all used masterfully in this film. To close, a great baseball movie, and a great movie overall.

Superb movie but needs extras
"Bang the Drum Slowly" is a line taken from the cowboy dirge "The Steets of Laredo" which is about a cowboy dying young."Bang the Drum Slowly" which is based on a novel by the same name, is about a dying dim-witted, country boy catcher and a sophisticated, star pitcher. The catcher (Pearson), played by Robert DeNiro, is dying from Hogkin's disease and the only one who knows about it is the Michael Moriarty character (Arthur). The story goes on how Arthur is suddenly nice to Pearson. No one knows why and everyone becomes more resentful of Pearson. Slowly everyone learns that Pearson is dying and starts to treat Pearson nicer. In addition, the team, a talented but bickering group of ballplayers, are finally united because of Pearson's condition and go on to win the series. The continued subtle references to the business side of baseball pulls us back to the harsh reality of life and prevents the movie from being too corny. The movie is superb, but the DVD would have been better if some extras were included especially if there were something about history of free agency in baseball. $124,000 is not even the the base pay of today's rookie major leaguer, but in 1974 (when the movie was made) this was a huge amount of money. 1974 was also significant because this was the year that Andy Messersmith of the Dodger's challenged the reserve clause and became the first free agent.

Unforgettable Movie!
This is the film that you will not forget.This is a story of two roommates attempting to get through one final season. Michael plays the role of a pitcher who is the roommate of Robert DeNiro who plays the role of the catcher.DeNiro is
diagnosed with Hodgkins disease. Michael as his roommate and
intimate friend helps DeNiro cope with Hodgkins as well as
make the season to the end. This is one of the more touching
films that I have watched.It would compare to "Brian's Song"
as far as being emotional.DeNiro,in this movie definitely showed
signs of great things to come for him.And,who could ever forget
the haunting song that accompanied the movie.A definite must see.

From here on in, I rag nobody.......
"Plain old mother talk aint no ways strong enough to describe such a terrible mixup is life, Arthur. But I swear, my son's been handed one s**t deal!"

One of the finer movies of its era, Bang the Drum Slowly is the story of a big-league pitcher, superbly played by Michael Moriarty, and his roommate, a catcher dieing from Hodgkin's disease played by a young Robert DeNiro in a wonderful performance that will come as a surprise to many used to the, by now familiar, DeNiro persona. Here he is a dumb-as-dirt, but amiable Georgia farm boy and he is absolutely believable in the role.

A touching story told with great humor, I think it one of the best baseball movies made, though it really isn't about baseball. This is the 70's, before super star salaries and temperaments have forever changed the game, when Managers were still King and the top salary of an ace pitcher was 100K. The film is told at a leisurely pace, 70's style, somewhat episodically, which will put some off.

Quite frankly I loved the sidetrips and distractions, because it allows a great cast to all have their moments. Vincent Gardenia as Dutch, the prototypical big league Manager "Never mind the facts, give me details" a cigarette forever planted on his lower lip, ashes dripping down his chest; Phil Foster hooking unsuspecting fans to play TEGWAR (The Exciting Game Without Any Rules)with himself & Arthur; Patick McVey as the father; Marshall Ephron as the weasely Bradley; the scheming Ann Wedgewood: Selma Diamond, Danny Aiello and others.

The story is narrated by Moriarty, and that narration and much of the dialogue is done in beautifully articulate mangled English. It feels lived-in. The story is told with an odd mixture of dead-pan delivery that is unsentimental and yet is very touching in the last analysis. Bittersweet.

Although they avoid the big emotional "moment", the film builds its emotions slowly and carefully, and when it is done if you haven't been moved by this funny/sad story, well....too bad for you. Well worth your time, for some laughs, some tears, an insight or two and some sterling performances by Michael Moriarty and Robert DeNiro who hit all the right notes.

"I don't know why you don't live it up all the time when dieing's just around the corner, but you don't. You'd think you would, but you don't." 4-1/2 Stars all the way.

Classic Film Finally out in DVD Version
Bang the Drum Slowly is a film for anyone who loves sublime acting, droll humor, and a moving story that celebrates the human spirit. If you're a baseball fan, it's an added plus.

The two stars--Michael Moriarty and Robert deNiro--debuted as leading men in this film and just watching these two youthful actors giving brilliant performances (as a likeably egocentic pitcher and his unsophisticated teammate) is a joy for movie fans. Vincent Gardenia is equally effective (and wonderfully funny) as the team's coach. The story---while dealing with the impending death of the team's pitcher played by deNiro----is never obvious, overdone or sentimental. Instead, the film affirms the values of friendship and teamwork with great subtlety and intelligence.

Bang the Drum Slowly recently appeared on the NY Times list as one of the 1,000 greatest films ever made. I say the choice is right on. ... Read more

Reviews (16)

Strange and Dangerous
This is a strange movie that lies between strange and dangerous. Elliott Gould is fascinating as the world weary and world famous photographer who spends his afternoons taking pictures of Dog feces. He used to make a greater effort towards his work, but realized the art world couldn't tell the difference between what was good and what was crap. So he decides to literally take shots of...crap. Lo and Behold, he continues to win awards for his work. Deepening his sense of the meaningless of life. That's the strange part.

The dangerous part lies mainly in the film's underlying current of social unrest. Stemming largely from the idea that life is meaningless and essentially without value. Random beatings, random murders, all help our protagonist over the edge. Yes this a comedy, but it is a dark comedy.

If you happen to find a copy of this out of print film, you will be in for a treat (check eBay periodically). And that comes by way of a brilliant cameo by Donald Sutherland, who plays a priest lost in an existentialist haze. That alone is worth the price of admission!

Another Brilliant American Comedy No One Knows About
This is one of the most hilarious black comedies ever made. With a perfect cast and one odd and offbeat bit after another. Elliott Gould is the passive and disconnected photographer of dog doo whose life is invaded and turned upside-down by the relentlessly optimistic and determined Patsy (the little seen Broadway actress, Marcia Rodd). He is then brought into Patsy's insular family with their own brand of self-contained lunacy (as in all families)and absolutely hysterical sidetrips and surprises follow to a disturbing, yet hilarious, ending.

Not to be missed are the following: Lou Jacobi as the pompous judge railing about the good old days from the bench. Donald Sutherland as the hippy existential priest conducting the funniest wedding ever filmed. Gould's liberal parents, rearguard 30's leftists over-intellectualizing and full of theories while being totally inept at real life and unable to relate to their only child. Alan Arkin as Lt.Practice, the detective coming unglued before your eyes at his growing list of unsolved murders.

And of course, Vincent Gardenia, Elizabeth Wilson & John Korkes as Patsy's sweetly, obliviously, dysfunctionally daffy family.

Written by Jules Feiffer and directed by Alan Arkin (his only directorial effort I think). This is a BLACK comedy. Be forewarned, it has some nasty things to say about those times (late 60's early 70's) of Vietnam, Nixon & violence in the streets....but its observations of our culture's violence and paranoia are still as pertinent today as they were then. A Classic American Comedy.

MIRACULOUS! LOST CLASSIC BACK IN PRINT!
If you look at reviews for this film, you will notice that they fall in two categories: people who praise it to the stars as one of the finest American comedies ever filmed, and people who had no clue what they were in for when they sat down to watch it. Well, as far as the second group goes, if you don't want to see a depressing movie, definitely don't watch this. But as hard as it may be to believe, considering that practically nobody has even heard of it, that first category of reviewers is NOT EXAGERATING: this REALLY IS one of the best comedies ever filmed. It is literally the blackest comedy I have ever seen, but I have loved it for more than twenty years now, ever since I found a copy of the then-out-of-print VHS. Thank heaven it's finally available on DVD, and with a full-length commentary track by actor/producer Gould and writer Feiffer, maybe, just maybe, this film will FINALLY get the serious attention it deserves. The performances of Vincent Gardenia and Elizabeth Wilson are among the finest comic acting ever done by anyone EVER. (And no, I'm not being overblown in saying that.) And the 3 major cameos (all of which are long, brilliant monologues) by Sutherland, Jacobi and Arkin are nothig short of show-stoppers. Nobody's heard of this movie because it's so uncommercial, but if there were any justice in the comedy world this movie would have at least six or seven reasons to be in the Hall of Fame, not least of which are Gould at his peak and Feiffer, one of our greatest social satirists. Even more depressing, and even more relevant, today than when it was first released (and that's not true of a lot of late-60s/early-70s-era stuff, which often dates fairly poorly) Little Murders belongs on the shelf of any serious fan of what comedy is meant to be. A STUNNER, A CLASSIC, AND A NEAR-MIRACULOUS ACCOMPLISMENT BY THE CAST AND FILMAKERS. ENOUGH GOOD THINGS CANNOT BE SAID ABOUT "LITTLE MURDERS." If you, like 99.999 percent of moviegoers, have never seen it, then all I can say is holy cow are you in for a mind-blowing discovery. This scary, sad, shocking, brutal, uncompromising, and riotously laugh-out-loud movie is going to seriously blow you away.

Comedy Noir with Series of Bizarre Situations
Elliot Gould is stunningly attractive, which is one of only a few reasons why I watched this insane film all the way through. Each of the characters introduced are in their own right neurotic or uniquely nuts. The only fairly sane person is the young woman who falls in love and marries Gould in order to "change him". The brief appearance of Donald Sutherland as a very progressive minister, who prides himself on the high failure rate of the ceremonies he performs is amusing, as he frankly insutls everyone gathered by pointing at their peculiarities, causing an eventual riot.

It takes the film more than half of the running time to get a close up of the "little murders". The most shocking moment is when a blood-drenched Gould takes a subway ride, his visibly near-death appearance raising not a single eye-brow among the many commuters. A middle aged woman matter-of-factly announced that she was shot at, the bullet stopped by her her shopping bags. "Open up, I have leaking groceries". Bizarre! An irrate police detective investigating the random murder spree is one of the "bigger nuts" in the cast. WOW!

If you enjoy "shock value", then this film is for you. To me, the entire cast was made up of zombies who wander about their existance and can't be bothered by anything. The final scene is the culmination of bizarre occurances. See for yourself, but for me, this was definitely a one-time-view.***

Black Comedy at its Best
Brilliant satire, excellent cast (especially Alan Arkin as Lt. Practice and Donald Sutherland as Rev. Dupas). If you liked "Harold and Maude," you're going to love this movie. ... Read more

Reviews (31)

One of the Best
First off -- I am writing this the day after the passing of John Ritter. Ritter was one of the best physical comedians. He wow'd us with his antics and sweet heart for many years on 3's Company. John -- thanks for all the great laughs.

Now on to the review of this movie. To this day, this is one of my favorite movies even though I've only seen it 3 times (I'm purchasing the DVD today). Yes, the condom scene is one of the funniest scenes in movie history -- but I prefer another funny scene. John's character follows a woman into a upscale "physical therapy" office and is then tortured with muscle stimulators by a scorned former lover. When Zack comes out of the office he is twitching so badly he can hardly walk. This is classic John Ritter physicality. I laffed so hard the last time I watched that I almost couldn't breathe any more.

Also, while very funny, this movie follows a man who is trying desparately to repair his life and at every turn keeps failing. At one point, in his physcharist's office, his cry for help is so real-looking that it made me cry.

So, again, John, thanks for the many years of laughter. You will be missed!

A very funny film, with a message
John Ritter is certainly under-rated and under-appreciated. As a physical comedy actor he has few peers. His timing, honed on TV's 'Three's Company,' is spot on.

But NOTHING will prepare you for the scene in the middle which is shot entirely in the dark. Even if you've had a hint of it from other people, ignore them and laugh your head off. One of the funniest in any movie, ever. Several other scenes and lines are pretty funny, too, like Zack trying to walk and drive after getting a shot from his dentist. Nobody does it better than Ritter.

The film has a message, of sorts, about taking personal responsibility and growing up. The way Blake Edwards tells it, that's not as much fun as it might seem. Still this does not validate the hedonistic lifestyle, and Zack gets his comeuppance in the end.

Whether you're a fan of John Ritter or not, see this film. Not a great movie, but better than most of those you'll rent and forget as soon as the credits roll.

Put the kiddies to bed, dim the lights, bring your bowl of popcorn, and don't let anyone interrupt the scene in the dark. You can clean up the spilled popcorn later...

Skindeep with late John Ritter a great classic
John Ritter stars as Zach who is a womanizing writer/piano player, who has just been caught cheating by his
girlfriend Angela Smith (Denise Crosby from Star Trek the Next Generation who played
Tasha Yar).

What's funny about this is that Zach has a history of womanizing and cheating, in which he has fullfilled the fantasies of every woman he meets, yet he finds himself alone and without someone he can really say he loves, with
the exception of his ex wife.

A bit phased by this Zach continues his lifestyle until he realizes, it is perhaps his ways with women that has resulted in his short relationships. He goes to his friend Barney the bartender (Vincent Gardiana who is best known for
playing the police investigator on the heels of the vigilante killer, Charles Bronson in Death Wish) who gives him
a couple of tips, but none of which help much.

The movie is funny because we see the character of Zach going from one mishap to another like Jack Tripper's character in Three's Company (which Ritter played). In one funny scene,
Zach dates a bodybuilding woman who in his
words leaves his private parts "scared stiff". LOL

Then in one of the more funny scenes, Zach and his female character get caught in the dark by the female's boyfriend, since both of them are wearing glow in the dark condoms!!! It's as funny as it sounds. Blake Edwards who has been making great comedy films for over 20 years, from early hits like
"10", to more modern hits like "Blind Date" and "Skindeep" , has shown that he still has the romantic, comedic
touch.

Very funny movie to watch.

I hate this movie...
This movie is horrible.
It claims to be a comedy but I've never found it funny ever. Back in the late 80s or early 90s (I try not to remember) my mate Stuart forced me into lending the video off him. I watched it and it was an absolutely depressing experience!

On the other hand, my mate Stuart loves this film (for some unknown reason) and has asked me to get it for him because he can't find it anywhere (ahhh - what a shame!) and so I'll probably get it for him because I'm nice like that, you see.

Anyway, if you like this film then you should meet my mate Stuart as you'll probably get on well with him and you can talk about what is good about "Skin Deep" as I haven't a clue why people would like this film at all...

John Ritter loves women too much. Those glowing condoms.
I've seen this funny Blake Edwards film before. I saw it again recently on television and boy did they edit so much of it. Shortly afterwards, we all got the shocking news that John Ritter unexpectedly died. Interesting time to show this film, er ah, I mean ironic. John Ritter and his work was making a comeback. On television they were showing, The Waltons, Three's Company and the unforgetable film, The Other (1972) in which John Ritter played the role of "Rider". John Ritter had a new tv series called "8 Simple Rules...". It became a hit. While rehearsing the fourth episode of the new season, John became ill and collapsed. Rushed to the hospital. He died during emergency surgery. It was his heart. In artery was leaking blood, a condition that can not be caught in x-rays. A condition John Ritter did not know he had. The whole nation took pause at the passing of John Ritter on September 11, 2003. This 1989 film stars John Ritter as a man going through mid-life crisis. His woman (Denise Crosby, "Star Trek: The Next Generation")catches him with another women first in the kitchen and then in the bedroom. This time she is holding a gun right at him. He sees a psychiatrist to find out what his problem is. He loves women too much, but has such bad luck. THIS MOVIE IS FOR ADULTS ONLY! There are several scenes with John Ritter is wearing a glow-in-the-dark condom. These particular scenes and all nudity are cut out of television prints. This film is brilliantly written and directed by Blake Edwards (husband of Julie Andrews). It is a comedy (like "10" with Dudley Moore and Bo Derek), but it is also serious too. Some good dramatic acting by John Ritter. Cast includes Vincent gardenia, Alyson Reed, Joel Brooks, Dee Dee Rescher and Sherl Lee Ralph. Nice tune by Ivan neville, "Falling Out Of Love". Don Grady (My Three Sons) provided additional music for the movie. ... Read more

Reviews (9)

This is trash, pure and simple.
This movie was such a joke when I saw t. The child actors are annoying, and the plot looks like a bad episode of Surivor done by Disney. With no script and zero direction to go in.

Passable live action Disney movie
Elliott Gould stars as an impecunious pilot who ,in order to stay one step ahead of two strong arm men anxious to collect his gambling debts ,reluctantly agrees to fly a cargo of animals to a remote Pacific island in the company of a nun ,Sister Bernadette (Genevieve Bujold).She has conceived the idea of importing the livestock as a way of converting the islanders to a farming existence .
Omens are not propitious-the plane is old and rickety ; Gould is unenthusiastic about animals;Gould and Bujold clash and two pre-teenage children stowaway on the plane .
The plane goes offcourse and Gould is forced to ditch on a remote island which -just to complicate matters -is occupied by two Japanese naval officers who have not heard that World War two is over ,and who attack the plane without success.
The bulk of the movie shows how the parties combine in an attempt to escape from the island and how the internal conflicts are resolved.
Nicely shot on location in Hawaii and with a strong performance from the underrated Bujold ,this watchable movie is acceptable family fare but would have been all the better for a livelier actor in the lead role .Gould lacks the lightness of touch that Disney regulars from this era like Garner or Dean Jones would have brought to proceedings.
Solid and watchable but second string Disney.

Grab it while you can...
Pick up a copy for this movie if you can... This movie wasn't release on video from a long time ago. The sound and picture are very good and the story is a true family experience.

Excellent Family Viewing
A solid family movie with enough action to hold the entire familys interest. Outstanding photography with a good professional cast. Recommended for all film libraries.

Disney at the height of its live action form
Elliott Gould gives another great performance as the world weary, hard drinking loner (ala 'Getting Straight', 'The Long Goodbye', 'MASH'), but similar to his other early eighties foray into Disney films 'The Devil and Max Devlin', his loner character is tested and softened through unexpected events. Geneviève Bujold also sticks to previous performances as the determined and sexy emissary of good ('Coma', 'Earthquake'). Both leads give a nice edge to this adventurous tale, made at a time when Disney was making some interestingly cast and original live action films like 'The Black Hole', 'Amy' and 'TRON'. Rick Schroder, in the prime of his childhood acting career, plays virtually the same character as he did in 'The Champ'. All of this cinematic pedigree adds a wonderfully entertaining element to a film that could have dived into the painfully mawkish. Complete with night shark attacks, stranded Japanese soldiers, orphans, an eclectic menagerie of animals (who ever sees a mallard duck in the same vicinity as one of those hump backed African ox), and a great South Pacific setting this film has something for everyone. A guaranteed good night with nods to the adults and thrills and adventure for the kids. Hearkens back to a not particularly distant past when Disney was making wholesome original films with a little edge.

As always Anchor Bay does a beautiful job in the DVD transfer, giving more time and respect to Disney's library than Disney does for its own films. As with all Anchor Bay DVDs, highly recommended. ... Read more

Reviews (5)

funny film!
This dvd is a must have! I say this because Joe Pesci is one of my favorite actors. He can do comedy and he can also do drama/action. Also see goodfellas, Casino!!

Very Funny movie...
This movie is FUNNY! The hilight of the movie is when Joe P was upstair and he heard music, (the fun) that was happening downstairs. He wants to join the party...then they all do the electic slide,(I think that was the dance, lol) Very funny!When I think of this movie,...this is the scene that I think of!

I love the fact that his heart just softens towards the end of the movie for these tenent's & they become friends!

On top of being funny,...this movie also tells a message!

Liked it

funnny movie
This is a great movie. One of those movies where you can still chuckle to yourself days after you've seen it. I loved the ending! When can we see it on DVD???

A Great Movie.
I Thought Joe Pesci Did A Great Job Playing The Slum Lord. He Wanted The Rent Money Because The House Was Fallin' Apart. He Meets People In The House Like This Kid Who Hangs Out Alot On The Streets In A Very Bad Neighborhood In New York City. I Think You Would Like This Movie.

It's Ture imitation of a Slumb Lord
Joe Pesci was just awsome in this movie as slum lord. I'd have to say he played the part very well because I knew a slum lord and all he wanted was the rent money. The house was a falling about and he didn't care. It was pretty funny too. Rob Daniel and Joe Pesci worked well together. This is a funny movie and one who went through this sould see this and can relate to it. ... Read more

Amazon.com

Charles MacArthur and Ben Hecht's classic newspaper comedy--about a conniving editor who talks his star reporter out of getting married long enough to cover a big story--has survived lesser adaptations than