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| 1. Alias - The Complete Third Season | |
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Amazon.com Reviews (57)
I have been a huge fan of Alias for the last three years, and I have never missed a single episode. The first season of Alias provided for an original, sexy, and fresh spy thriller that was packed full of great action and dialogue. The second season of Alias managed to somehow be even better, and had an outstanding cliffhanger that left fans of the show feeling anxious to find out what happens. Season 3 did have a lot of momentum going in. But with Vaughn being married to the unlikeable Lauren Reed, and Sloan offering no suspense as a changed man, season 3 could not seem to find the same rythm as the previous two seasons. However, after the initial speedbump in the beginning of the season, season 3 still manages to offer plenty of twists, action, suspense, great cliffhangers, and the sexy Jennifer Garner. Overall, fans of the show will still be satisfied for the most part. The only problem, is that the first two seasons set the bar so high, that season 3 could just not go any higher. The DVD package itself still manages to live up to its predecessors however. The extras are first rate with commentary from cast and crew, deleted scenes, and two featurettes. However, the blooper reel is what I am looking forward to the most. The blooper reels in the last two sets have been hilarious, and I have no doubt that the one for season 3 will be just as good. With great DVD features and a good overall season, the season 3 DVD set is definately worth owning. A solid 4 stars...
Credit the show's producers with allowing snark of this magnitude to be attached to the official product by buying a set. At least they have a sense of humor and an ability to not take themselves too seriously. ... Read more | |
| 2. Alias - The Complete Second Season | |
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Amazon.com The critically acclaimed show owed a debt to Buffy the Vampire Slayer for its mix of action, romance, mystery, and moral quandaries, but in this season Alias truly came into its own--with a climax that came as a total shocker and prepped the show for an emotionally volatile third season. Guest stars included the phenomenal Amy Irving as Sloane's wife, Faye Dunaway as a nefarious bigwig, Christian Slater as a kidnapped scientist, and Ethan Hawke as a fellow CIA agent (or rather, two of them), but it was the dysfunctional nuclear family of Syd, Irina, and father Jack (Victor Garber) that gave Alias its heart and its strength, whether the three perfectly cast actors (all Emmy nominated) were just bickering or undertaking deadly hand-to-hand combat. And you thought your family had problems! --Mark Englehart Reviews (81)
1. The Enemy Walks In
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| 3. Alias - The Complete First Season | |
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Amazon.com Confusing? This is all just in the first episode of Alias, the brainchild of Felicity creator J.J. Abrams that plays like a cross between Buffy the Vampire Slayer and James Bond. With its double-edged tension (how long can Syd play double agent?) and one heck of a MacGuffin (the dreaded Rambaldi device, the mythic creation of a Renaissance genius), the show leads its viewers from episode to episode with visceral, compelling action, not to mention the nascent romance between Syd and her CIA handler, Vaughn (Michael Vartan), and her clashes with her heretofore distant father. Sharp, smart, and always suspenseful, Alias' center was held by the gorgeous Garner, a stellar action heroine and an even better actress who could pull off Sydney's exotic undercover missions and conflicted emotions with equal dexterity. By the end of this first season, which concludes with a breathtaking cliffhanger, you'll be seduced into Alias' world with, happily, no desire to escape. --Mark Englehart Reviews (257)
For starters, let me just say that the packaging of this box set is really great. The carboard box holds three snap cases (like what a normal DVD comes in) each with two discs in it. I prefer this format to the fold out format used in other box sets (like "Buffy the Vampire Slayer" and "Friends"). The menu is easy to use. The picture quality is outstanding. The only thing I disliked about the DVD itself is the fact that each episode begins with the background information about Sydney and the "Previously on Alias" section. I got really sick of both of these. Now, for the reason I took away a star. It has to do with "Alias" as a show. I've already told you that I really love this show. We all like how the plot is continuous and important twists are revealed in every episode. But that's sort of a problem. The episodes are so laced into the overall series arc (backstory, missions, Sydney as a double agent) that no single episode is better than any other. They're all good, but none are excellent. No individual episode is a classic. My three favorite shows- "Buffy", "Angel", and "Friends"- all have individual episodes that you can go back and watch as a stand alone. "Alias" doesn't have this. After you watch the whole season, you won't be going back and saying "I'm in the mood to watch ENTER A SPECIFIC EPISODE HERE". You sort of have to watch the whole season to keep up the effect of the action in each episode. They are completely reliant on each other. Still, this is a great show and you should buy it, by all means. I just wanted to voice my opinion.
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| 4. Elektra (Widescreen Edition) Director: Rob Bowman | |||||||
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Amazon.com As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?). Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level.Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone. DVD features More on Elektra Reviews (163)
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| 5. Pearl Harbor Director: Michael Bay | |
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Amazon.com For the first 90 minutes of the movie, Affleck and Beckinsale find a nice, appealing chemistry that plays on his strengths as a movie star and hers as a serious actress--he gives her glamour, she gives him smarts. Their truncated romance--the beginning of which is told in flashback so we can get right to the point where he has to leave her to go to England--works, thanks to their charm. They're no Kate and Leo from Titanic (a strategy the film strives hard toward), but they're pretty darn adorable in their own right. Hartnett, as the not entirely unwelcome third wheel, squints bravely but makes only a slight dent in the film. Everyone else in Pearl Harbor--from Cuba Gooding Jr.'s brave navy seaman to Jon Voight's able impersonation of FDR--is pretty much a glorified walk-on, taking a backseat to the pyrotechnics and action sequences that keep the three-hour film in fairly constant motion. But when that action does take hold, Pearl Harbor is quite a thrilling ride. --Mark Englehart Reviews (1812)
'Pearl Harbor' tries to capture the atmosphere and engaging set up of 1997's better "Titanic" by setting up three star-crossed lovers, instead of the usual two. It fails terribly, but it's mostly scripter Randall Wallace's fault, which tries to balance three to four subplots by compromising the film's integrity and intelligence. This 3+ hour film is obviously meant as a tribute to the people who died December 7, 1942 and has pretty nice cinematography, but the film itself is a shoddy-made puzzle in which all the pieces don't quite fit together. The characters wallow in sentimentality and the film unsuccessfully tries to create atmosphere, romance and humor, but the film's bottom drops out in the final third, not only to reveal a plot full of holes, but a incomprehensible story told in bad faith. Sorry, Bruckheimer. Nice try but no cigar.
The cast that includes Ben Affleck, Kate Beckinsale, Cuba Gooding Jr, Josh Harnett, Alec Baldwin, and Jon Voight are fantastic. Michael Bay should be congratulated for directing this work of art. The lengthy battle scene ranks among the best of all time. Every moral person should also be taken aback by the scene The very fact that this film's creators relied so extensively on focus groups to guide the making of this film was a serious mistake. Both Liberal and Conservative commentators used this as an excuse to blast "Pearl Harbor" immediately upon its initial release. Many wrongly concluded that these marketing studies might be dismissed as a mere cynical attempt by the producers to increase their profits. I strongly disagree with this assessment, and instead strongly recommend that every citizen view this film at least once. It may very well be your duty to so.
Lastly, I just found it boring and it was like the director was attempting to do a Titanic style story with fictional characters caught in a love triangle all the while the story builds towards the attack as a secondary mentioning. Just way too much Hollywood liberties taken against one of the darkest times for America, and I can't help but feel that the veterans, especially those who were there, should have been given something that respected them more. I will say though, the attack itself is stunning, why I give it two stars... other than that this movie falls flat for me. ... Read more | |
| 6. Elektra (Full Screen Edition) Director: Rob Bowman | |||||||
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Amazon.com As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?). Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level.Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone. DVD features More on Elektra Reviews (163)
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| 7. 13 Going on 30 (Special Edition) Director: Gary Winick | |
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Reviews (69)
"13 Going on 30" is one of those movies where you know everything that is going to happen before you sit down. As the movie goes on, you could figure out all of the little things that are going to happen. There is nothing really new going on in this movie. What makes it good is the way actress Jennifer Garner handles the role. Jennifer Garner's last movie is "Daredevil," and in that film she was too busy fighting and having sex with Ben Afflick to really have a role. In this movie, it is her first leading role, and she is able to handle the film by herself. She is the main star, and not the co-star like she normally is. She also proves that she has a knack for comedy movies. I predict that we will be seeing more movies with her in them in the future. The movie starts in 1987 and we meet Jenna Rink, who is a 13 year old girl who wants to be older. On her birthday, she invites the popular girls, including Lucy, to her party. They trick her in a very mean way, leading her to yell and get mad at her friend and next door neighbor Matt. She wishes that she was 30 years old, and her wish comes true after magic wishing dust sprinkles on the top of her head. The next day, she is a beautiful 30 year old in the year 2004. She has no idea what is going on, and whose house she is in, and who the strange man that is in her bathroom is. She finds out that she is the editor of her favorite magazine, and her best friend is that girl Lucy from when they were kids. Both of them work for Richard Kneeland. Jenna finds the grown up Matt, and learns that they have not been friends since the day of her birthday party, and have not even seen each other since high school ended. Matt isn't happy to see Jenna, and Jenna also finds out that while he became a very good photographer, she has become a very bad person that not many people like. More bad news happens when it turns out that a rival magazine is stealing their ideas. Jenna suddenly finds herself falling in love with Matt, and trying to save her company from being no more. Another good part of "13 Going on 30" is Andy Serkis. Andy Serkis was not in this movie much, but his preformance was very well done. He played Gollum in "The Lord of the Rings The Two Towers," and "The Lord of the Rings The Return of the King." Him and Jennifer Garner probably saved this entire movie from being a flop. I like how Jennifer Garner acted like a 13 year old in her body. She did what Jamie Lee Curtis did in "Freaky Friday" which was another great preformance. I liked "13 Going on 30." It was not a great film, but it was an amusing way to spend two hours or so. I am looking forward to the next movies that Jennifer Garner makes. ENJOY! Rated PG-13 for some sexual content and brief drug references.
Now, the basic theme of the movie has obviously been used before - someone wishes they could jump to a different time in their life (either forward or backward depending on their goals), only to discover that once they achieve this, it's not quite all they had hoped for and they'd like nothing better than to just go back to the way things were before. But the plot is given several fun twists that keep it from feeling hackneyed. The '80s theme throughout the movie is a delightful touch, and Jennifer Garner's comedic timing is perfect, providing us with tons of genuinely funny laughs. Some moments had the whole theater in stitches! We also see Jenna discover some truths about herself and undergo transformations that are touching. The overall moral message is that true friendship is more important, and has more long-term rewards, than high school popularity. All the actors did fantastic jobs. Jennifer Garner makes Jenna's character both touching and funny, and Mark Ruffalo is incredibly sweet and charismatic. The chemistry between the two is great. The show, however, is often stolen by the brilliant performance of Andy Serkis, who plays the adult Jenna's stuffy but loveable boss. You may know Serkis as the actor who provided Gollum's voice and actions in "The Lord of the Rings," and it's great to see him here in a more visible role. I'd definitely recommend this movie for a lighthearted weekend excursion. The ending is a little predictable, but it's done well and the overall effect is heartwarming. It's worth seeing in the theater, worth renting when it comes out, and even perhaps worth owning if you find you really like it. I certainly wouldn't mind seeing it again.
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| 8. Daredevil (Widescreen Edition) Director: Mark Steven Johnson | |
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Reviews (551)
Still, it is not without its flaws, and if it weren't for some very unique traits I would rate this film as only mediocre. But what works here works exceptionally well. Beginning with the traditional origin story of Daredevil (Ben Affleck), a blind superhero whose remaining senses are greatly heightened, the movie shows how he became a vengeful vigilante who kills the bad guys rather then turning them in to face a potentially corrupt court system (Daredevil's alter ego Matt Murdock is a lawyer by day). This world is mean, and so is its superhero. But he wrestles with his conscious and wonders if he is a bad guy too. In this comic book world, people die. Including those you don't expect to. In other words, it more accurately depicts real life while still in a superhero world. One particular unique thing about the film is how it illustrates Daredevil's radar sense. The vibrations he picks up are shown in a fantastic visual effect that has to be one of the best film realizations of a superpower in history. From the origin scene when he goes blind to a wonderful scene with Elecktra in the rain where he first "sees" what she looks like from the drops of rain on her face, the technique is used for characterization and "film moments," and never just to show off a cool special effect. Unfortunately, the movie isn't perfect. There isn't enough development of Elecktra and Daredevil's relationship, and bad guy Kingpin (Michael Clark Duncan) doesn't have enough screentime to villainify his presence. All the characters could have benefited from further characterization as well. But this is a comic book movie, after all, and in the end what matters most is how much fun it was. And Daredevil is a blast.
At the age of 12, young Matt Murdock (Scott Terra) is left blinded by dangerous chemicals, while running away from a the scene of a crime, in Hell's Kitchen New York. Soon after, he realizes that the same chemicals that took his sight, have somehow enhanced his remaining senses and made him superhuman. As Matt grows up. he vows to use his powers to fight crime and bring order to Hell's Kitchen...Now an adult Matt (Ben Affleck) is a defense lawyer by day and the masked Daredevil by night...Our hero is being hunted by a ruthless assassin named Bullseye (Colin Farrell), who was hired by the Kingpin of Crime (Michael Clarke Duncan) to take him out. Things get even worse for Matt as the woman he loves, Elektra Natchios (Jennifer Garner), blames his alter ego for a devasting loss. Written and directed by Mark Steven Johnson, the film serves the character's origins pretty well, in other words, it stays true to the original comic book.. The film boasts some cool action sequences and solid effects. I especially liked the way in which Daredevil used his power and how that was shown on screen. Since many of the stunts in the movie were staged by the team that handled the Matrix. I was never bored or put off by what I saw there. As usual actors Jon Favreau, playing Matt's pal Frank Nelson, and Joe Pantoliano, as New York Post reporter Ben Urich provide the film some comic relief. Cameo watchers will notice creator Stan Lee and a famous comic book fan turned film director in the film as well. While the film does have its good points, I found the casting of the film troublesome, and in the end, that's why I only rate this film 2 and a half to three stars. When it comes right down to it, in order for a super hero film to work, it has to be well cast. Without a solid cast to breathe life into the characters, the best special effects can't do it alone. Take the villians. Colin Farrell (can you say over exposed), Hollywood's latest rebel, with his raspy portrayal of Bullseye, come sacross as having a bad case of laryngitis, instead of posing any threat. I also thought the nature of the Kingpin character was lost because other than the film's finale-MCD really had little to do in the film-even though sequels are a certainty, the role was all too brief. Therefore I felt any bald actor could have played the role.As for Affleck, he was just kind of just there, like so many of his roles, he seems to be on cruise control. He did Ok I guess. But at the same time he didn't WOW me either. As good as Garner may be at kicking butt, I didn't think she
Lets get the mistakes out of the way first. 1.There was not enough time spent with the Kingpin, we should have gotten his back story as well. [he was white in the comics, but Mr. Duncan did a good job. 2.some moments wee very cheesy. [see foryourself] 3.And finally.....that's it. The film was actually better then I thought it would be, I mean after the Hulk came out I thought Marvel was slippin. I now see that I should have seen this in theatures. I can just imagine what it would have looked and sounded like on the big screen.
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| 9. Dude, Where's My Car? Director: Danny Leiner | |
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Amazon.com Reviews (230)
USA (1999): Comedy The comedy movie "Dude, Where's my car" is one of the most stupid films we have ever seen. But that does not mean that we would rate it turkey-like. It is furthermore a good movie because it is on purpose so terrible that it makes the movie absolutely funny. All in all, we come to the decision that we would rate the movie with four out of five stars because it is really extraordinary and funny. If you like comedy films, it is very useful to watch it. We also give the advice to watch it drunk. You will not be able to stop laughing about these stupid scenes. By Michael Huelmann, Alexander Strauss & Christian Lehmann
I tried to laugh, really I did, but this was so unfunny. Sure drug induced comas might be amusing to dope heads but I failed to see the humour. I'm a big fan of such movies as "Dumb and dumber", "Blazing Saddles", "Young Frankenstein" and others that feature dumb humour but this was just dumb. The only amusing scene was at the chinese takeout, "and then," that was funny. Once again Hollywood subjects us to same sex kissing in a comedy, I get really fed up of the whole gay thing being pushed on the public, it aint normal, read the bible, it's sinful folks!! So is pre-marital sex (thought I'd throw that one in). Save your dough and buy the vastly superior Dumb and Dumber instead that features great humour without the overemphasis on sex and homosexuality.(...) ... Read more | |
| 10. Catch Me If You Can (Widescreen Edition) Director: Steven Spielberg | |
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Reviews (314)
The story, as everyone may already know, is about Frank W. Abagnale Jr., who left home as a sixteen-year-old and became one of the most successful criminal of all times. What is most interesting, Abagnale was an intelligent felon, his crimes were related to fraudulent checks, identities, etc; he didn't have to murder or kidnapp anyone to be part of FBI's top 10 wanted list. Abagnale Jr is played by Leonardo diCaprio, acting in a very loose and comfortable way, at times serious, at other times charming, according to the script. Tom Hanks proves his capacity at playing another different character: Carl Hanratty is boring, fatty, charmless, lonely and yet you like him anyway. The duo's relationship is very well portraied in screen. Another good thing is that Christopher Walken's back to a good role as Leonardo diCaprio's father. This is nice entertainment, and the best part is that it was reportedly an easy and fast film to make, and based on a true story. There are some obvious fictious parts in the movie, but that's for script's sake, so it doesn't ruin the story. Grade 8.7/10
Frank Abagnale, Jr. (Leonardo Di Caprio) worked as a doctor, a lawyer and as a co-pilot for a major airline -- all before his 18th birthday. A master of deception, he was also a brilliant forger, whose skill gave him his first real claim to fame: At the age of 17, Frank Abagnale, Jr. became the most successful bank robber in the history of the United States. FBI Agent Carl Hanratty (Tom Hanks) had made it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him, baiting him to continue the chase. Steven Spielberg will direct "Catch Me If You Can," from a screenplay by Jeff Nathanson, based on the autobiographical book of the same name by Frank Abagnale, Jr. and Stan Redding. The film is being produced by Steven Spielberg and Walter F. Parkes ("Gladiator"), with Barry Kemp, Laurie MacDonald, Michel Shane and Tony Romano executive producing. -- © DreamWorks Pictures ... Read more | |
| 11. Daredevil (Director's Cut) Director: Mark Steven Johnson | |
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Reviews (551)
Still, it is not without its flaws, and if it weren't for some very unique traits I would rate this film as only mediocre. But what works here works exceptionally well. Beginning with the traditional origin story of Daredevil (Ben Affleck), a blind superhero whose remaining senses are greatly heightened, the movie shows how he became a vengeful vigilante who kills the bad guys rather then turning them in to face a potentially corrupt court system (Daredevil's alter ego Matt Murdock is a lawyer by day). This world is mean, and so is its superhero. But he wrestles with his conscious and wonders if he is a bad guy too. In this comic book world, people die. Including those you don't expect to. In other words, it more accurately depicts real life while still in a superhero world. One particular unique thing about the film is how it illustrates Daredevil's radar sense. The vibrations he picks up are shown in a fantastic visual effect that has to be one of the best film realizations of a superpower in history. From the origin scene when he goes blind to a wonderful scene with Elecktra in the rain where he first "sees" what she looks like from the drops of rain on her face, the technique is used for characterization and "film moments," and never just to show off a cool special effect. Unfortunately, the movie isn't perfect. There isn't enough development of Elecktra and Daredevil's relationship, and bad guy Kingpin (Michael Clark Duncan) doesn't have enough screentime to villainify his presence. All the characters could have benefited from further characterization as well. But this is a comic book movie, after all, and in the end what matters most is how much fun it was. And Daredevil is a blast.
At the age of 12, young Matt Murdock (Scott Terra) is left blinded by dangerous chemicals, while running away from a the scene of a crime, in Hell's Kitchen New York. Soon after, he realizes that the same chemicals that took his sight, have somehow enhanced his remaining senses and made him superhuman. As Matt grows up. he vows to use his powers to fight crime and bring order to Hell's Kitchen...Now an adult Matt (Ben Affleck) is a defense lawyer by day and the masked Daredevil by night...Our hero is being hunted by a ruthless assassin named Bullseye (Colin Farrell), who was hired by the Kingpin of Crime (Michael Clarke Duncan) to take him out. Things get even worse for Matt as the woman he loves, Elektra Natchios (Jennifer Garner), blames his alter ego for a devasting loss. Written and directed by Mark Steven Johnson, the film serves the character's origins pretty well, in other words, it stays true to the original comic book.. The film boasts some cool action sequences and solid effects. I especially liked the way in which Daredevil used his power and how that was shown on screen. Since many of the stunts in the movie were staged by the team that handled the Matrix. I was never bored or put off by what I saw there. As usual actors Jon Favreau, playing Matt's pal Frank Nelson, and Joe Pantoliano, as New York Post reporter Ben Urich provide the film some comic relief. Cameo watchers will notice creator Stan Lee and a famous comic book fan turned film director in the film as well. While the film does have its good points, I found the casting of the film troublesome, and in the end, that's why I only rate this film 2 and a half to three stars. When it comes right down to it, in order for a super hero film to work, it has to be well cast. Without a solid cast to breathe life into the characters, the best special effects can't do it alone. Take the villians. Colin Farrell (can you say over exposed), Hollywood's latest rebel, with his raspy portrayal of Bullseye, come sacross as having a bad case of laryngitis, instead of posing any threat. I also thought the nature of the Kingpin character was lost because other than the film's finale-MCD really had little to do in the film-even though sequels are a certainty, the role was all too brief. Therefore I felt any bald actor could have played the role.As for Affleck, he was just kind of just there, like so many of his roles, he seems to be on cruise control. He did Ok I guess. But at the same time he didn't WOW me either. As good as Garner may be at kicking butt, I didn't think she
Lets get the mistakes out of the way first. 1.There was not enough time spent with the Kingpin, we should have gotten his back story as well. [he was white in the comics, but Mr. Duncan did a good job. 2.some moments wee very cheesy. [see foryourself] 3.And finally.....that's it. The film was actually better then I thought it would be, I mean after the Hulk came out I thought Marvel was slippin. I now see that I should have seen this in theatures. I can just imagine what it would have looked and sounded like on the big screen. | |