Description

John Huston won the Academy Award(R) for writing and directing this powerful saga that pits gold and greed in the wilds of Mexico and stars his father (Walter Huston) and Humphrey Bogart. Year: 1948 Director: John Huston Starring: Humphrey Bogart, Walter Huston, Tim Holt ... Read more

Reviews (77)

A BONA-FIDE CLASSIC STORY OF GREED AND BETRAYAL !
Here you have a trully great package: a top director (John Huston) and a top star (Bogart) with an great screenplay, music (by Max Steiner), great photography (by Ted McCord) and a top cast. The story revolves around a group of stray losers (stranded in a mexican town) who decide to join forces and go after the (gold) riches of the wild, lawless mexican lands. They are greedy Dobbs (Bogart), honest Curtin (Tim Holt) and wise old Howard (Walter Huston). But the gold fortune they gain from the mountain soon transforms their views and relationships as Dobbs quickly falls into paranoia.

This is a trully classic film which deserved a trully great DVD edition... and this is it!! A two-disc edition with everything you can dream of... A great documentary (The Story of TTOTSM) with Martin Scorsese (lots of and others), another documentary about John Huston, two great Bugs Bunny films (one is a funny spoof of this film), A Lux Radio Theater broadcast, a vast gallery of photos and publicity material, a dozen Bogart trailers, one short film, a newsreel... everything you need to reproduce a classic night at the movies back in 1948!!!!!!

Obviously, the film in this edition has flawless sound and image... and along with this incredible tray of extras, this is surely the DVD edition to buy.

It seems that Warner Home Video is commited to release deffinitive editions of some of its classics (Thanks, WHV!!). I bought this DVD in a box that contains also Yankee Doodle Dandy and The Adventures of Robin Hood (two other two-disc editions who got this first rate treatment).

A great buy for an affordable price! Check for the 3 film box containing The Treasure of the Sierra Madre, Yankee Dodle Dandy and The Adventures of Robin Hood.

John Huston appears briefly (and repeatedly) as the american in a white suit who gives Bogart a coin - surely, the greatest director-cameo I've ever seen in an american classic film.

Bogart gives outstanding performance in this classic film
"The Treasure of the Sierra Madre" won Oscars for best director (John Huston), best supporting actor (Walter Huston) and best screenplay (John Huston). The film was also nominated for best picture but unfortunately lost out to Laurence Olivier's "Hamlet". This was yet another marvellous performance by Humphrey Bogart in a difficult role and proves once again what an outstanding actor he can be when given the right material.

Fred C. Dobbs (Humphrey Bogart) and Bob Curtin (Tim Holt) are two Americans down on their luck in Tampico, Mexico, who manage to acquire a temporary job working for Pat McCormick (Barton MacLaine) but don't get paid for their efforts as McCormick does a disappearing act with the money. Dobbs and Curtin catch up with him later in a bar and after coming to blows manage to get the money that was owed to them. A young Mexican boy (Robert Blake) approaches Dobbs who reluctantly buys a lottery ticket from him. Dobbs and Curtin spend the night in a flop house where they meet Howard (Walter Huston), a grizzled old timer who tells them stories of the times he went prospecting for gold in the mountains. They are both quite interested in this but don't have the necessary funds to purchase the equipment they would need. Next day the young Mexican boy comes to find Dobbs to tell him that his ticket has won some money in the lottery. It is not a fortune but enough to invest in some tools and equipment so that Curtin and himself can team up with Howard to search for gold in the Sierra Madre mountains. Greed and distrust inevitably take hold of Dobbs and he gets increasingly suspicious of his two companions and becomes more and more paranoid as the days go by. He is sure that they want to steal his share of the gold which is just not so. A group of bandits led by Gold Hat (Alfonso Bedoya) come across their camp and try to rob them of the gold but with the help of James Cody (Bruce Bennett) they manage to fight them off.

Some favourite lines from the film:

Humphrey Bogart (to John Huston): "Hey, mister, will you stake a fellow American to a meal?".

Bogart (to Bruce Bennett): "Tonight you're our guest. Tomorrow morning look out - no trespassing around here, you know, beware of the dog - get it?".

Alfonso Bedoya (to Bogart): "Badges? We ain't got no badges. We don't need no badges. I don't have to show you any stinking badges".

Bogart (to Tim Holt): "Fred C. Dobbs don't say nothing he don't mean".

Writer/director John Huston played a cameo role at the start of the film as an American tourist ("White Suit") who Bogart approaches for money (three times!). Robert Blake was the small boy who sold Bogart the winning lottery ticket. Blake later went on to appear in many feature films such as "In Cold Blood", "Electra Glide in Blue", "Tell Them Willie Boy is Here", and also starred in the TV seies "Baretta".

This was a superlative performance by Humphrey Bogart - one of his best - and completely different to his smooth portrayal of Rick in "Casablanca". His character of Fred C. Dobbs was shifty and devious verging on paranoia and madness. The film has now rightly become a classic and is much admired by "movie buffs". Clive Roberts.

A must see classic movie with Bogie
The Treasure of the Sierra Madre is a classic movie that has to be watched by movie fans. Set in Mexico in 1926, the movie tells the story of two down and out Americans who have nothing to their name except their meager salaries. The two men, Dobbs and Curtin, decide to team up with a weathered, old prospector, Howard, to go prospecting for gold in the mountains of southern Mexico. Soon enough, the trio happens upon a mountain just full of gold waiting to be found. What follows is a condmenation of human greed and want of unlimited wealth and riches. The three men become suspicious of each other immediately, thinking that the other two might steal their share of the gold. At the same time, the three must deal with bandits who will stop at nothing to get their possessions. The ending does provide for a brief message of hope. Everything from the cinematography to the acting to the writing is great in this movie. Movie fans everywhere should see this classic movie.

Humphrey Bogart gives an excellent performance as Fred C. Dobbs, a wayward American who believes that the power of gold would never make him change his ways and beliefs. Watching Dobbs morph into a money hungry, paranoid man is frightening. Walter Huston, father of director John Huston, plays Howard, the grizzled old prospector who is the only calm one in the group. Tim Holt stars as Bob Curtin, Dobbs' partner and the moral leader of the trio. The movie also stars Bruce Bennett, Barton MacLane, Alfonso Bedoya, and Manuel Donde. Also look for a brief appearance from John Huston as a well-to-do American who gives Dobbs some money for a meal. The 2-Disc Special Edition offers a ton of great extras. If you're a fan of this classic movie, you will love these extras. For a classic movie, ranked #30 in the AFI Top 100, with great performances, an excellent script, and beautiful scenery, check out The Treasure of the Sierra Madre!

Classic depiction of greed wrapped in grand adventure tale
The beauty of this classic film is that, while it certainly is a shattering depiction of how greed destroys a man and depletes one's innocence, THE TREASURE OF THE SIERRA MADRE also works as an exciting adventure, with great-looking black-and-white scenery serving as perhaps a counterpoint to the darker things going on in the soul of Humphrey Bogart's Fred C. Dobbs. That a movie can be so entertaining yet so powerfully reflective of human nature is most likely what has allowed this film to live on ever since its release in 1948. Great entertainment that is also food for thought seems in such short supply in movies today that we really should treasure movies like this, especially when it's made this well.

Greeeeeed!!!
Greed wrecks Bogarts life.In the end I'm happy. Why? At least his two pals didn't die.The only one who suffered was himself. A ironic line of Bogart"My friends are coming behind me on horses" when he's faced by bandits after ditching his friends.In truth,his friends are riding on horses to get their gold back from him.They arrived too late.Chilling..... ... Read more

Reviews (10)

1952 Gregory Peck feature not a classic !
A colorized version of a b/w film shot in exotic European locations, three legendary Hollywood screen actors of the 40s and 50s (Gregory Peck, Susan Hayward, and Ava Gardner), based on a story considered a classic of American literature. . .how could you go wrong? How, indeed? But something doesn't translate well here, sadly.

"The Snows of Kilimanjaro" is a slow-moving film, a bit disjointed, told completely in flashbacks. I remember reading excerpts from Ernest Hemingway's story of the same name for an upper-level English composition course I took over 20 years ago from one of the long-haired hippie professors who were the bane of my existence back then. Problem with that particular prof was that he forced us to read dark, depresssing mediocre literature; I never liked anything he wanted us to model our own writing after--and still don't like the authors he held up as paragons of good writing.

SYNOPSIS: Successful American writer Harry Street (Peck) is forced to reflect on his past successes and failures and analyzes his life as he faces death at the foot of Mt. Kilimanjaro. He is camped on the slope of the famous African mountain with his second wife, Helen, who listens to him bemoan his lost (dead) first wife, Cynthia, as he drifts in and out of consciousness following an accident. The cause of his medical condition is not clear, as the couple can't agree whether he was scraped by a poisonous thorn or if he got injured while rescuing an African native from an angry hippopotamus, so this just added to my confusion. I'm not even sure if Helen is actually his wife; Susan Hayward is listed simply as "Helen" with no last name in all cast-lists I could find for this film. I missed something, what with all the flashbacks and cuts back to the camp-site where Street lay on his deathbed, surrounded by vultures in the trees and cackling hyenas at night.

The bright spot I found in this film was in Hildegard Knef's rather campy portrayal of "Countess Liz," to whom Street was affianced after divorcing Cynthia and before taking off to Africa with Helen. (Confused? So was I!) I don't think she meant to be funny, but I found her accent reminiscent of Madeline Kahn's character in "Young Frankenstein," which I found a hoot. Kahn may have used Knef as her role-model! I mean, I thought Harry and Liz were living in Paris, and I thought Liz was probably French. I researched Hildegard Knef a bit and found that she was born in Germany; she sounded like a German imitating a French accent, and I got a kick out of it.

One final detail that I might point out could help other viewers when they watch this film. At first I found it odd that two similar-looking brunette actresses (Hayward and Gardner) were cast as Harry Street's wives, but then I remembered something that the character says when he met Helen. Harry is giving a voice-over narrative during some of the flashbacks and is actually speaking to his dead wife Cynthia. He says, basically, "I'd follow any woman who reminded me of you in some way."

How very sad. Harry and Cynthia were happy together, but divorce because of a personal tragedy that happens between them, so Harry moves on to fabulously wealthy but overly-controlling Liz, only to realize at the last minute that he is still in love with his first wife. Harry goes to Spain, too late, to find Cynthia. I think he somehow thought he could replace Cynthia with a similar-looking woman, but it just couldn't be the same.

RECOMMENDATION: Get this if you're a big fan of Gregory Peck, Ava Gardner (she gives a good performance), or Susan Hayward, but don't think you're getting a top-notch rendition of a piece of American Literature (consider the source; it's a work by Hemingway!). Another translation for high-school students: don't substitute viewing this film for reading the Cliff's-Notes!! You'll end up more confused than if you simply read the book.

Possibly hollywood's worst Hemingway adaptation
Ranks right down there with Hemingway's Adventures of a Young Man. Stiff Peck at his honking woodenest, vapid Gardner, shrill Hayward, the adaptation like something out of a romance mag. Only Bernard Hermann's music which he later recycled for Vertigo was of professional quality.

Snows of Kilimanjaro
Bought the DVD in assembling a Gregory Peck collection. Version was the one with Ava Gardner on the cover of the pack. The film was complete, but there was annoying technical noise, and quite a bit of fluttering in the picture. I may at some point buy another version of this DVD, but I do not recommend the technical quality of this particular production.

HAS LITTLE TO DO WITH KILIMANJARO...
As he lay dying,

Peck pines for Ava whom he

loves, while Hayward waits.

An interesting Hemingway adaptation
Ernest Hemingway hated this adaptation of his work, and disparagingly referred to it as "The Snows of Zanuck." I think he was overestimating his own writing, and I think the film is no worse than the work upon which it was based. Methinks he doth protest too much. Hemingway was heard to grumble: "I sold Zanuck one short story, not my whole body of works." The Casey Robinson screenplay is witty and honest, with the right blend of cynicism and naivetee. Gregory Peck is a gruff, grumbly, handsome-as-a-devil Hemingway "hero," and Ava Gardner makes a memorable, heartbreakingly beautiful Cynthia. Susan Hayward makes the best of the film's most thankless role (she looks great in a pith helmut, too). The layers of flashbacks perfectly convey the sense of a man reevaluating his past as he faces imminent death. Much has been made of the ending, and the way it deviates from the original story. I don't see the sunny Hollywood ending purists have denounced, since we really don't know the status of the dying writer as the helicopter arrives. The soundtrack is a bit loopy and out-of-synch in places, and the special effects (especially the river crossing) look pretty bad by today's standards, but the acting adds a depth and humanity which is missing from Hemingway's original work. A fun piece of escapist safaridrama along the lines of the superior "King Solomon's Mines" or "Mogambo." ... Read more

Reviews (17)

Ultimate Camp Classic is an enormous unheralded gem
campy thriller, brilliantly acted by its main protagonists. The fantastic Geraldine Page stars as a psychotic widow with a penchant for growing the very sturdiest and handsome of Pine trees - her secret is human fertiliser in the form of a series of butchered companions. Slowly suspicion rises and a friend of one of the deceased, now fertiliser fodder, begins to catch on to Page's dastardly deeds. Geraldine Page delivers a tour de force performance as Claire Marrable - oozing a charming menace and evil with every breath. Yet there are severe undertones of humour and one senses that the actors involved would have a good cackle after every take. Page's performance rates with the most vintage camp EVER. She obviously relished and thoroughly enjoyed the role. Ruth Gordon, best remembered from the wonderful Harold and Maude, delivers a typically feisty and spunky performance as the Aunt Alice of the title. It is vintage stuff and works equally successfully as a taut thriller but best of all as the blackest and most wicked of comedies. Please also appreciate the totally schizo music score that is so appropriate for the film. A gem from director Robert Aldrich who gave us another cult favourite, Whatever Happened to Baby Jane

Page and Gordon sparkle in witty, melodramatic thriller
In the early 1960s director Robert Aldrich teamed aging stars Bette Davis and Joan Crawford in a suspense thriller called "Whatever Happened to Baby Jane?" The movie was a smash hit. Two or three years later he brought the two actresses back for "Hush, Hush, Sweet Charlotte". Crawford dropped out and was replaced by Olivia De Havilland. Again, Aldrich struck pay dirt. In 1969 his production company made yet another such movie, "Whatever Happened to Aunt Alice?", starring Geraldine Page and Ruth Gordon. This was directed by Lee H. Katzin. I don't think it was as successful at the boxoffice, but the important thing is that Alice is almost as much fun as Jane and Charlotte.

Page plays Claire, a woman of sixty or so. In the opening scenes she finds out that her recently deceased husband left her with virtually nothing. Furious because her grand lifestyle has ended, Claire moves to the American Southwest, where she cooks up a scheme. She hires timid little old lady housekeepers and, over time, convinces them that she can make them a lot of money in the stock market. Once an unsuspecting employee turns over her life savings, Claire kills her and buries her in her garden, marking each grave with a new pine tree. Soon the yard is filled with trees. One day a new housekeeper named Alice [Ruth Gordon] shows up. Alice, however, has an ulterior motive. One of the women was her friend, and Alice suspects that Claire is responsible for her disappearance. Thus begins a grand game of cat and mouse.

Unlike Davis and Crawford, Page and Gordon were not movie stars fallen on hard times. They were great character actresses with extensive stage experience. Both had had an occasional starring role in films but had played mostly supporting roles over the years. They were older but hardly faded. If anything, they were at the height of their popularity when they made "Alice". They are the reason the movie, otherwise an outlandish melodrama, is still worth seeing. Gordon is outrageous fun as Alice, playing the part with true professionalism, yet barely able to conceal her glee and amusement at being in such a movie. But it is Page who dominates throughout. Her Claire is both hilarious and sad. Sometimes she stalks, sometimes she slithers through the movie, reminding one of a cross between a leopard and a cobra. She's obviously having a grand time.

Other Geraldine Page movies I particularly like are "Summer and Smoke", "The Trip to Bountiful" and "Sweet Bird of Youth". Great Ruth Gordon movies include "Harold and Maude", "Where's Poppa?" and, of course, "Rosemary's Baby".

Devilish fun!
Claire Marrable, a destitute widow, finds a way to keep herself living the good life by hiring a series of housekeepers whom she eventually murders, steals their life savings and buries them in her desert pine tree garden. An incredibly fun movie which derives pleasure from the lead actors. Geraldine Page (as Mrs. Marrable) and Ruth Gordon (as Alice Dimmock, the latest housekeeper who is actually trying to find out what happened to her friend who mysteriously vanished while working for Marrable) chew the scenery to the hilt and it is so much fun watching the interactions between the two. Watch Page's reaction when Gordon tells her the amount in her savings account - priceless! The film as a whole suffers somewhat from some dull supporting characters and a dreary romantic sub-plot involving Gordon's nephew and Page's neighbor. Still worth it for the acting dynamo of Page and Gordon and even Mildred Dunnock manages some nice moments in her few scenes. And you'll never forget the frenetic zither music score!

The quality of the dvd is very good. The picture is sharp and the colors are strong. The only extra feature is a trailer for the film which delivers the memorable tag-line - "Whatever happened to Aunt Alice is more terrifying than what happened to Baby Jane"!

Sheer brilliance
They do not make movies like this anymore. Geraldine Page plays a nutcase hell bent on murdering every housekeeper that comes to work for her. What makes it so memorable is how she discards of the bodies (I won't give anything away here). Also adding effect is the spectacular music. Ruth Gordon joins the cast as a housekeeper trying to catch her out. Bad move Ruth.
While this film might seem dated to many, no moviegoer can argue the brilliant acting and suspense. An all round favourite.

my take on WHATEVER HAPPENED TO AUNT ALICE
I LOVE THIS MOVIE, IT IS HIGH CAMP, FUNNY AND BLACKLY HORRIFYING ALL AT THE SAME TIME. BOTH GERALDINE PAGE AND RUTH GORDON HAVE FUN WITH THEIR ROLES, ESPECIALLY THE FORMER, USING HER FACIAL EXPRESSIONS TO THE HILT, ROLLING HER EYES AND INFLECTING A SARCASTIC TONE INTO HER VOICE. RUTH GORDON, IF MORE RESERVED, IS JUST AS GOOD, AND VERY DIFFERENT THAN IN ROSEMARY'S BABY, SHE SEEMS REFRESHINGLY SANE IN THIS. THE PLOT MOVES ALONG AT A FAST BUT ENJOYABLE SPEED, WITH ONE OR TWO RED HERRINGS A LONG THE WAY. IF YOU LIKE PSYCHOLOGICAL THRILLERS, A WITTY SCRIPT AND GOOD ACTING, I HIGHLY RECOMMEND THIS ONE. I RECOND HITCHOCK WOULD HAVE ENJOYED IT TOO. ... Read more

Reviews (10)

1952 Gregory Peck feature not a classic !
A colorized version of a b/w film shot in exotic European locations, three legendary Hollywood screen actors of the 40s and 50s (Gregory Peck, Susan Hayward, and Ava Gardner), based on a story considered a classic of American literature. . .how could you go wrong? How, indeed? But something doesn't translate well here, sadly.

"The Snows of Kilimanjaro" is a slow-moving film, a bit disjointed, told completely in flashbacks. I remember reading excerpts from Ernest Hemingway's story of the same name for an upper-level English composition course I took over 20 years ago from one of the long-haired hippie professors who were the bane of my existence back then. Problem with that particular prof was that he forced us to read dark, depresssing mediocre literature; I never liked anything he wanted us to model our own writing after--and still don't like the authors he held up as paragons of good writing.

SYNOPSIS: Successful American writer Harry Street (Peck) is forced to reflect on his past successes and failures and analyzes his life as he faces death at the foot of Mt. Kilimanjaro. He is camped on the slope of the famous African mountain with his second wife, Helen, who listens to him bemoan his lost (dead) first wife, Cynthia, as he drifts in and out of consciousness following an accident. The cause of his medical condition is not clear, as the couple can't agree whether he was scraped by a poisonous thorn or if he got injured while rescuing an African native from an angry hippopotamus, so this just added to my confusion. I'm not even sure if Helen is actually his wife; Susan Hayward is listed simply as "Helen" with no last name in all cast-lists I could find for this film. I missed something, what with all the flashbacks and cuts back to the camp-site where Street lay on his deathbed, surrounded by vultures in the trees and cackling hyenas at night.

The bright spot I found in this film was in Hildegard Knef's rather campy portrayal of "Countess Liz," to whom Street was affianced after divorcing Cynthia and before taking off to Africa with Helen. (Confused? So was I!) I don't think she meant to be funny, but I found her accent reminiscent of Madeline Kahn's character in "Young Frankenstein," which I found a hoot. Kahn may have used Knef as her role-model! I mean, I thought Harry and Liz were living in Paris, and I thought Liz was probably French. I researched Hildegard Knef a bit and found that she was born in Germany; she sounded like a German imitating a French accent, and I got a kick out of it.

One final detail that I might point out could help other viewers when they watch this film. At first I found it odd that two similar-looking brunette actresses (Hayward and Gardner) were cast as Harry Street's wives, but then I remembered something that the character says when he met Helen. Harry is giving a voice-over narrative during some of the flashbacks and is actually speaking to his dead wife Cynthia. He says, basically, "I'd follow any woman who reminded me of you in some way."

How very sad. Harry and Cynthia were happy together, but divorce because of a personal tragedy that happens between them, so Harry moves on to fabulously wealthy but overly-controlling Liz, only to realize at the last minute that he is still in love with his first wife. Harry goes to Spain, too late, to find Cynthia. I think he somehow thought he could replace Cynthia with a similar-looking woman, but it just couldn't be the same.

RECOMMENDATION: Get this if you're a big fan of Gregory Peck, Ava Gardner (she gives a good performance), or Susan Hayward, but don't think you're getting a top-notch rendition of a piece of American Literature (consider the source; it's a work by Hemingway!). Another translation for high-school students: don't substitute viewing this film for reading the Cliff's-Notes!! You'll end up more confused than if you simply read the book.

Possibly hollywood's worst Hemingway adaptation
Ranks right down there with Hemingway's Adventures of a Young Man. Stiff Peck at his honking woodenest, vapid Gardner, shrill Hayward, the adaptation like something out of a romance mag. Only Bernard Hermann's music which he later recycled for Vertigo was of professional quality.

Snows of Kilimanjaro
Bought the DVD in assembling a Gregory Peck collection. Version was the one with Ava Gardner on the cover of the pack. The film was complete, but there was annoying technical noise, and quite a bit of fluttering in the picture. I may at some point buy another version of this DVD, but I do not recommend the technical quality of this particular production.

HAS LITTLE TO DO WITH KILIMANJARO...
As he lay dying,

Peck pines for Ava whom he

loves, while Hayward waits.

An interesting Hemingway adaptation
Ernest Hemingway hated this adaptation of his work, and disparagingly referred to it as "The Snows of Zanuck." I think he was overestimating his own writing, and I think the film is no worse than the work upon which it was based. Methinks he doth protest too much. Hemingway was heard to grumble: "I sold Zanuck one short story, not my whole body of works." The Casey Robinson screenplay is witty and honest, with the right blend of cynicism and naivetee. Gregory Peck is a gruff, grumbly, handsome-as-a-devil Hemingway "hero," and Ava Gardner makes a memorable, heartbreakingly beautiful Cynthia. Susan Hayward makes the best of the film's most thankless role (she looks great in a pith helmut, too). The layers of flashbacks perfectly convey the sense of a man reevaluating his past as he faces imminent death. Much has been made of the ending, and the way it deviates from the original story. I don't see the sunny Hollywood ending purists have denounced, since we really don't know the status of the dying writer as the helicopter arrives. The soundtrack is a bit loopy and out-of-synch in places, and the special effects (especially the river crossing) look pretty bad by today's standards, but the acting adds a depth and humanity which is missing from Hemingway's original work. A fun piece of escapist safaridrama along the lines of the superior "King Solomon's Mines" or "Mogambo." ... Read more

Reviews (10)

1952 Gregory Peck feature not a classic !
A colorized version of a b/w film shot in exotic European locations, three legendary Hollywood screen actors of the 40s and 50s (Gregory Peck, Susan Hayward, and Ava Gardner), based on a story considered a classic of American literature. . .how could you go wrong? How, indeed? But something doesn't translate well here, sadly.

"The Snows of Kilimanjaro" is a slow-moving film, a bit disjointed, told completely in flashbacks. I remember reading excerpts from Ernest Hemingway's story of the same name for an upper-level English composition course I took over 20 years ago from one of the long-haired hippie professors who were the bane of my existence back then. Problem with that particular prof was that he forced us to read dark, depresssing mediocre literature; I never liked anything he wanted us to model our own writing after--and still don't like the authors he held up as paragons of good writing.

SYNOPSIS: Successful American writer Harry Street (Peck) is forced to reflect on his past successes and failures and analyzes his life as he faces death at the foot of Mt. Kilimanjaro. He is camped on the slope of the famous African mountain with his second wife, Helen, who listens to him bemoan his lost (dead) first wife, Cynthia, as he drifts in and out of consciousness following an accident. The cause of his medical condition is not clear, as the couple can't agree whether he was scraped by a poisonous thorn or if he got injured while rescuing an African native from an angry hippopotamus, so this just added to my confusion. I'm not even sure if Helen is actually his wife; Susan Hayward is listed simply as "Helen" with no last name in all cast-lists I could find for this film. I missed something, what with all the flashbacks and cuts back to the camp-site where Street lay on his deathbed, surrounded by vultures in the trees and cackling hyenas at night.

The bright spot I found in this film was in Hildegard Knef's rather campy portrayal of "Countess Liz," to whom Street was affianced after divorcing Cynthia and before taking off to Africa with Helen. (Confused? So was I!) I don't think she meant to be funny, but I found her accent reminiscent of Madeline Kahn's character in "Young Frankenstein," which I found a hoot. Kahn may have used Knef as her role-model! I mean, I thought Harry and Liz were living in Paris, and I thought Liz was probably French. I researched Hildegard Knef a bit and found that she was born in Germany; she sounded like a German imitating a French accent, and I got a kick out of it.

One final detail that I might point out could help other viewers when they watch this film. At first I found it odd that two similar-looking brunette actresses (Hayward and Gardner) were cast as Harry Street's wives, but then I remembered something that the character says when he met Helen. Harry is giving a voice-over narrative during some of the flashbacks and is actually speaking to his dead wife Cynthia. He says, basically, "I'd follow any woman who reminded me of you in some way."

How very sad. Harry and Cynthia were happy together, but divorce because of a personal tragedy that happens between them, so Harry moves on to fabulously wealthy but overly-controlling Liz, only to realize at the last minute that he is still in love with his first wife. Harry goes to Spain, too late, to find Cynthia. I think he somehow thought he could replace Cynthia with a similar-looking woman, but it just couldn't be the same.

RECOMMENDATION: Get this if you're a big fan of Gregory Peck, Ava Gardner (she gives a good performance), or Susan Hayward, but don't think you're getting a top-notch rendition of a piece of American Literature (consider the source; it's a work by Hemingway!). Another translation for high-school students: don't substitute viewing this film for reading the Cliff's-Notes!! You'll end up more confused than if you simply read the book.

Possibly hollywood's worst Hemingway adaptation
Ranks right down there with Hemingway's Adventures of a Young Man. Stiff Peck at his honking woodenest, vapid Gardner, shrill Hayward, the adaptation like something out of a romance mag. Only Bernard Hermann's music which he later recycled for Vertigo was of professional quality.

Snows of Kilimanjaro
Bought the DVD in assembling a Gregory Peck collection. Version was the one with Ava Gardner on the cover of the pack. The film was complete, but there was annoying technical noise, and quite a bit of fluttering in the picture. I may at some point buy another version of this DVD, but I do not recommend the technical quality of this particular production.

HAS LITTLE TO DO WITH KILIMANJARO...
As he lay dying,

Peck pines for Ava whom he

loves, while Hayward waits.

An interesting Hemingway adaptation
Ernest Hemingway hated this adaptation of his work, and disparagingly referred to it as "The Snows of Zanuck." I think he was overestimating his own writing, and I think the film is no worse than the work upon which it was based. Methinks he doth protest too much. Hemingway was heard to grumble: "I sold Zanuck one short story, not my whole body of works." The Casey Robinson screenplay is witty and honest, with the right blend of cynicism and naivetee. Gregory Peck is a gruff, grumbly, handsome-as-a-devil Hemingway "hero," and Ava Gardner makes a memorable, heartbreakingly beautiful Cynthia. Susan Hayward makes the best of the film's most thankless role (she looks great in a pith helmut, too). The layers of flashbacks perfectly convey the sense of a man reevaluating his past as he faces imminent death. Much has been made of the ending, and the way it deviates from the original story. I don't see the sunny Hollywood ending purists have denounced, since we really don't know the status of the dying writer as the helicopter arrives. The soundtrack is a bit loopy and out-of-synch in places, and the special effects (especially the river crossing) look pretty bad by today's standards, but the acting adds a depth and humanity which is missing from Hemingway's original work. A fun piece of escapist safaridrama along the lines of the superior "King Solomon's Mines" or "Mogambo." ... Read more

Reviews (10)

1952 Gregory Peck feature not a classic !
A colorized version of a b/w film shot in exotic European locations, three legendary Hollywood screen actors of the 40s and 50s (Gregory Peck, Susan Hayward, and Ava Gardner), based on a story considered a classic of American literature. . .how could you go wrong? How, indeed? But something doesn't translate well here, sadly.

"The Snows of Kilimanjaro" is a slow-moving film, a bit disjointed, told completely in flashbacks. I remember reading excerpts from Ernest Hemingway's story of the same name for an upper-level English composition course I took over 20 years ago from one of the long-haired hippie professors who were the bane of my existence back then. Problem with that particular prof was that he forced us to read dark, depresssing mediocre literature; I never liked anything he wanted us to model our own writing after--and still don't like the authors he held up as paragons of good writing.

SYNOPSIS: Successful American writer Harry Street (Peck) is forced to reflect on his past successes and failures and analyzes his life as he faces death at the foot of Mt. Kilimanjaro. He is camped on the slope of the famous African mountain with his second wife, Helen, who listens to him bemoan his lost (dead) first wife, Cynthia, as he drifts in and out of consciousness following an accident. The cause of his medical condition is not clear, as the couple can't agree whether he was scraped by a poisonous thorn or if he got injured while rescuing an African native from an angry hippopotamus, so this just added to my confusion. I'm not even sure if Helen is actually his wife; Susan Hayward is listed simply as "Helen" with no last name in all cast-lists I could find for this film. I missed something, what with all the flashbacks and cuts back to the camp-site where Street lay on his deathbed, surrounded by vultures in the trees and cackling hyenas at night.

The bright spot I found in this film was in Hildegard Knef's rather campy portrayal of "Countess Liz," to whom Street was affianced after divorcing Cynthia and before taking off to Africa with Helen. (Confused? So was I!) I don't think she meant to be funny, but I found her accent reminiscent of Madeline Kahn's character in "Young Frankenstein," which I found a hoot. Kahn may have used Knef as her role-model! I mean, I thought Harry and Liz were living in Paris, and I thought Liz was probably French. I researched Hildegard Knef a bit and found that she was born in Germany; she sounded like a German imitating a French accent, and I got a kick out of it.

One final detail that I might point out could help other viewers when they watch this film. At first I found it odd that two similar-looking brunette actresses (Hayward and Gardner) were cast as Harry Street's wives, but then I remembered something that the character says when he met Helen. Harry is giving a voice-over narrative during some of the flashbacks and is actually speaking to his dead wife Cynthia. He says, basically, "I'd follow any woman who reminded me of you in some way."

How very sad. Harry and Cynthia were happy together, but divorce because of a personal tragedy that happens between them, so Harry moves on to fabulously wealthy but overly-controlling Liz, only to realize at the last minute that he is still in love with his first wife. Harry goes to Spain, too late, to find Cynthia. I think he somehow thought he could replace Cynthia with a similar-looking woman, but it just couldn't be the same.

RECOMMENDATION: Get this if you're a big fan of Gregory Peck, Ava Gardner (she gives a good performance), or Susan Hayward, but don't think you're getting a top-notch rendition of a piece of American Literature (consider the source; it's a work by Hemingway!). Another translation for high-school students: don't substitute viewing this film for reading the Cliff's-Notes!! You'll end up more confused than if you simply read the book.

Possibly hollywood's worst Hemingway adaptation
Ranks right down there with Hemingway's Adventures of a Young Man. Stiff Peck at his honking woodenest, vapid Gardner, shrill Hayward, the adaptation like something out of a romance mag. Only Bernard Hermann's music which he later recycled for Vertigo was of professional quality.

Snows of Kilimanjaro
Bought the DVD in assembling a Gregory Peck collection. Version was the one with Ava Gardner on the cover of the pack. The film was complete, but there was annoying technical noise, and quite a bit of fluttering in the picture. I may at some point buy another version of this DVD, but I do not recommend the technical quality of this particular production.

HAS LITTLE TO DO WITH KILIMANJARO...
As he lay dying,

Peck pines for Ava whom he

loves, while Hayward waits.

An interesting Hemingway adaptation
Ernest Hemingway hated this adaptation of his work, and disparagingly referred to it as "The Snows of Zanuck." I think he was overestimating his own writing, and I think the film is no worse than the work upon which it was based. Methinks he doth protest too much. Hemingway was heard to grumble: "I sold Zanuck one short story, not my whole body of works." The Casey Robinson screenplay is witty and honest, with the right blend of cynicism and naivetee. Gregory Peck is a gruff, grumbly, handsome-as-a-devil Hemingway "hero," and Ava Gardner makes a memorable, heartbreakingly beautiful Cynthia. Susan Hayward makes the best of the film's most thankless role (she looks great in a pith helmut, too). The layers of flashbacks perfectly convey the sense of a man reevaluating his past as he faces imminent death. Much has been made of the ending, and the way it deviates from the original story. I don't see the sunny Hollywood ending purists have denounced, since we really don't know the status of the dying writer as the helicopter arrives. The soundtrack is a bit loopy and out-of-synch in places, and the special effects (especially the river crossing) look pretty bad by today's standards, but the acting adds a depth and humanity which is missing from Hemingway's original work. A fun piece of escapist safaridrama along the lines of the superior "King Solomon's Mines" or "Mogambo." ... Read more

Reviews (6)

A Blonde Beauty and a Savage Beast... alone in the Jungle!
I didn't enjoy this film as much as I thought I would. I didn't have high expectations for this movie, but I thought with Curt Siodmak and Lon Chaney, Jr., there would be more entertainment here than there really was...

Written and directed by Curt Siodmak, writer of such films as The Wolf Man (1941), Frankenstein Meets the Wolf Man (1943), and Son of Dracula (1943), all three which also starred Lon Chaney, Jr., come together to bring us this bargain basement entry into the occult horror drama genre that was popular in the late 30's and 40's.

Bride of the Gorilla starts out with promise, but soon gets mired in too much melodrama for my tastes. The story goes an older plantation owner dies through the actions of one of his hired hands, Barney Chavez (Raymond Burr), as the hired hand covets the man's younger wife, Dina (Barbara Peyton). Commissioner Taro (Lon Chaney, Jr.) investigates, but due to lack of evidence, can't bring a case against Barney. Where modern law fails, the law of the jungle takes over as an elderly servant woman, who witnessed the death of her boss, and who is also somewhat of a voodoo witch of sorts, extracts poison from the leaves of a rare plant and secretly feeds it to Barney, causing him to turn into a gorilla at times, mostly during the night.

I thought Raymond Burr did alright, when he wasn't chewing up the scenery with his sometimes over the top performance, and Barbara Peyton also played her character serviceably well, even thought she seemed a bit dense at times, I supposed due to a love for Barney that I couldn't quite fathom, as he was quite the jerk. Lon Cheney, Jr. seemed out of place and miscast as police commissioner Taro, a man of the jungle with a college education who often, through his often-awkward dialogue, struggled with his modern, educated side, and his more primal jungle upbringing. The dialogue was a bit disjointed at some points, and the use of stock footage a bit too liberal, as it really only served to take me out of the story due to the fact it was so obvious. And then there was the gorilla suit...for the time, I guess it worked, but I couldn't help think of it looking like one used in a Three Stooges short. We really didn't get to see it a lot, but when we did, it didn't really convey a sense of danger or suspense, but more of a guy in a fake gorilla suit.

I did like the scenery, as it helped achieve the feel of being in the jungle, surrounded and trapped within a living, breathing entity, and Barbara Payton certainly was attractive to look at whenever she appeared on the screen. It's unfortunate her career was cut short at the age of 39 due to a combination of heart and liver failure, as her personal life spiraled out of control due to abusive relationships and addiction to alcohol. She did manage to put out a tell all biography of her life in 1963 titled, "I Am Not Ashamed" that detailed her struggles and misery of her life as a Hollywood screen actress.

Mercifully, the movie lasts only 66 minutes, as the end brings about no great surprises. The print here is pretty good, but it does have a number of noticeable flaws as the picture loses a frame here and there. There is a trailer at the very end of the movie, but nothing else in the way of special features. I wasn't expecting a masterpiece here by any means, but I was hoping for a little more given all the talent involved.

Which DVD
There are two DVD releases of BRIDE OF THE GORILLA - is there any difference in print quality between them???

JUNGLE FEVER.....
Jungle plantation foreman Barney Chavez (Raymond Burr) allows a poisonous snake to bite his boss so he can marry the boss's wife Dina (Barbara Payton). This angers the housemaid who wanted Barney for herself so she goes to the wizened old crone who supervises the house and who witnessed the murder. The old woman concocts a hoo-doo potion from a mysterious and illegal shrub and begins slipping it to Barney along with a curse that he will become an animal of the jungle. On Barney's and Dina's wedding day, the curse goes into effect. Barney takes to the jungle at night as a gorilla leaving Dina perplexed at his behavior. Soon animals and humans alike are found ripped to shreds. Police chief Lon Chaney Jr. suspects native superstitions are true about a "beast that walks like a man" and that Barney killed his boss and warns Dina. But she loves Barney no matter what and sets out to confront him herself. This is pure campy hokum and great fun to watch. Eons away from "Bride and the Beast" and played relatively straight, the film introduces Payton as Dina in a strapless cocktail dress and sexy ankle strap shoes dancing to Latin music. So you know right from the start that this is heading for the twilight zone of bad movie heaven. And since you know the title, you wouldn't have it any other way. The acting is just barely above par and Curt Siodmak's direction keeps things moving smoothly despite low budget restrictions. The print from Image is decent enough and the sound is fine. So for a cheesy early 50's flick about a man turning into a gorilla from a jungle curse and the woman who loves him anyway, this ain't bad.

A Blonde Beauty and a Savage Beast... alone in the Jungle!
Ah, if only the movie was a much fun as the tagline. "Bride of the Gorilla" is more of a psychological horror story than you might expect. Raymond Burr, still in his hey day as a stock villain, is Barney Chavez, the foreman who introduces the owner of a South American plantation (Paul Cavanaugh) to a poisonous snake so he can marry the beautiful window Dina (Barbara Payton, the most famous actress to come out of Cloquet, Minnesota before Jessica Lange). However, the local witch woman knows the truth and hits Barney with a drug-aided voodoo curse that makes him roam the jungle at night as a gorilla. Not that gorilla's are indigenous to South America, but why be picky? There are lots of African animals in this film, courtesy of the stock footage that abounds in this low budget film.

This 1951 film is written and directed by Curt Siodmak. "Bride of the Gorilla" was his first American film as a director after one film in pre-war Germany, but his name was really made in both countries as a screenwriter. On this side of the ocean Siodmak did the screenplays for "Frankenstein Meets the Wolfman," "Earth vs. the Flying Saucers" and "Creature with the Atom Brain." However, there really is not much of a story here, which is this film's biggest problem. The big question is whether Barney is really turning into a gorilla or does he only think he is turning into a gorilla? Burr is more than competent in his role and the only real reason to watch "Bride of the Gorilla," but the rest of the cast are little better than the stock footage, although Lon Chaney, Jr. and Woody Strode have bit parts.

"The heart is deceitful..., and desperately wicked..."
Infidelity and murder on a jungle plantation lead to supernatural consequences. Veteran writer/director Curt Siodmak weaves a magic spell, and transforms a modest film into good entertainment. In addition, a strong cast is an asset. Raymond Burr suffers jungle hocus-pocus courtesy of a female shaman. His simian urges appear as the brooding night settles in. The initial metamorphosis has a dreamlike quality that transcends typical B movie standards. Lon Chaney, Jr. is the perceptive police commissioner that respects the native superstitions, and believes that Burr is a murderer. For a change, Lon is not the hirsute beast stalking the darkness. Barbara Payton is Burr's treacherously beautiful bride. Unaware of his gorilla alter ego, she is puzzled why he would rather swing through the trees at night instead of swinging with her. Familiar faces in the supporting cast include Tom Conway and Woody Strode. The production values are meager and rely on jungle movie stock-footage. Overall, the movie has a low budget look. Regardless, this is a minor gem. It is better than the sensational title might suggest. Good fare for genre fans. ;-) ... Read more

Reviews (10)

1952 Gregory Peck feature not a classic !
A colorized version of a b/w film shot in exotic European locations, three legendary Hollywood screen actors of the 40s and 50s (Gregory Peck, Susan Hayward, and Ava Gardner), based on a story considered a classic of American literature. . .how could you go wrong? How, indeed? But something doesn't translate well here, sadly.

"The Snows of Kilimanjaro" is a slow-moving film, a bit disjointed, told completely in flashbacks. I remember reading excerpts from Ernest Hemingway's story of the same name for an upper-level English composition course I took over 20 years ago from one of the long-haired hippie professors who were the bane of my existence back then. Problem with that particular prof was that he forced us to read dark, depresssing mediocre literature; I never liked anything he wanted us to model our own writing after--and still don't like the authors he held up as paragons of good writing.

SYNOPSIS: Successful American writer Harry Street (Peck) is forced to reflect on his past successes and failures and analyzes his life as he faces death at the foot of Mt. Kilimanjaro. He is camped on the slope of the famous African mountain with his second wife, Helen, who listens to him bemoan his lost (dead) first wife, Cynthia, as he drifts in and out of consciousness following an accident. The cause of his medical condition is not clear, as the couple can't agree whether he was scraped by a poisonous thorn or if he got injured while rescuing an African native from an angry hippopotamus, so this just added to my confusion. I'm not even sure if Helen is actually his wife; Susan Hayward is listed simply as "Helen" with no last name in all cast-lists I could find for this film. I missed something, what with all the flashbacks and cuts back to the camp-site where Street lay on his deathbed, surrounded by vultures in the trees and cackling hyenas at night.

The bright spot I found in this film was in Hildegard Knef's rather campy portrayal of "Countess Liz," to whom Street was affianced after divorcing Cynthia and before taking off to Africa with Helen. (Confused? So was I!) I don't think she meant to be funny, but I found her accent reminiscent of Madeline Kahn's character in "Young Frankenstein," which I found a hoot. Kahn may have used Knef as her role-model! I mean, I thought Harry and Liz were living in Paris, and I thought Liz was probably French. I researched Hildegard Knef a bit and found that she was born in Germany; she sounded like a German imitating a French accent, and I got a kick out of it.

One final detail that I might point out could help other viewers when they watch this film. At first I found it odd that two similar-looking brunette actresses (Hayward and Gardner) were cast as Harry Street's wives, but then I remembered something that the character says when he met Helen. Harry is giving a voice-over narrative during some of the flashbacks and is actually speaking to his dead wife Cynthia. He says, basically, "I'd follow any woman who reminded me of you in some way."

How very sad. Harry and Cynthia were happy together, but divorce because of a personal tragedy that happens between them, so Harry moves on to fabulously wealthy but overly-controlling Liz, only to realize at the last minute that he is still in love with his first wife. Harry goes to Spain, too late, to find Cynthia. I think he somehow thought he could replace Cynthia with a similar-looking woman, but it just couldn't be the same.

RECOMMENDATION: Get this if you're a big fan of Gregory Peck, Ava Gardner (she gives a good performance), or Susan Hayward, but don't think you're getting a top-notch rendition of a piece of American Literature (consider the source; it's a work by Hemingway!). Another translation for high-school students: don't substitute viewing this film for reading the Cliff's-Notes!! You'll end up more confused than if you simply read the book.

Possibly hollywood's worst Hemingway adaptation
Ranks right down there with Hemingway's Adventures of a Young Man. Stiff Peck at his honking woodenest, vapid Gardner, shrill Hayward, the adaptation like something out of a romance mag. Only Bernard Hermann's music which he later recycled for Vertigo was of professional quality.

Snows of Kilimanjaro
Bought the DVD in assembling a Gregory Peck collection. Version was the one with Ava Gardner on the cover of the pack. The film was complete, but there was annoying technical noise, and quite a bit of fluttering in the picture. I may at some point buy another version of this DVD, but I do not recommend the technical quality of this particular production.

HAS LITTLE TO DO WITH KILIMANJARO...
As he lay dying,

Peck pines for Ava whom he

loves, while Hayward waits.

An interesting Hemingway adaptation
Ernest Hemingway hated this adaptation of his work, and disparagingly referred to it as "The Snows of Zanuck." I think he was overestimating his own writing, and I think the film is no worse than the work upon which it was based. Methinks he doth protest too much. Hemingway was heard to grumble: "I sold Zanuck one short story, not my whole body of works." The Casey Robinson screenplay is witty and honest, with the right blend of cynicism and naivetee. Gregory Peck is a gruff, grumbly, handsome-as-a-devil Hemingway "hero," and Ava Gardner makes a memorable, heartbreakingly beautiful Cynthia. Susan Hayward makes the best of the film's most thankless role (she looks great in a pith helmut, too). The layers of flashbacks perfectly convey the sense of a man reevaluating his past as he faces imminent death. Much has been made of the ending, and the way it deviates from the original story. I don't see the sunny Hollywood ending purists have denounced, since we really don't know the status of the dying writer as the helicopter arrives. The soundtrack is a bit loopy and out-of-synch in places, and the special effects (especially the river crossing) look pretty bad by today's standards, but the acting adds a depth and humanity which is missing from Hemingway's original work. A fun piece of escapist safaridrama along the lines of the superior "King Solomon's Mines" or "Mogambo." ... Read more

Reviews (17)

Ultimate Camp Classic is an enormous unheralded gem
campy thriller, brilliantly acted by its main protagonists. The fantastic Geraldine Page stars as a psychotic widow with a penchant for growing the very sturdiest and handsome of Pine trees - her secret is human fertiliser in the form of a series of butchered companions. Slowly suspicion rises and a friend of one of the deceased, now fertiliser fodder, begins to catch on to Page's dastardly deeds. Geraldine Page delivers a tour de force performance as Claire Marrable - oozing a charming menace and evil with every breath. Yet there are severe undertones of humour and one senses that the actors involved would have a good cackle after every take. Page's performance rates with the most vintage camp EVER. She obviously relished and thoroughly enjoyed the role. Ruth Gordon, best remembered from the wonderful Harold and Maude, delivers a typically feisty and spunky performance as the Aunt Alice of the title. It is vintage stuff and works equally successfully as a taut thriller but best of all as the blackest and most wicked of comedies. Please also appreciate the totally schizo music score that is so appropriate for the film. A gem from director Robert Aldrich who gave us another cult favourite, Whatever Happened to Baby Jane

Page and Gordon sparkle in witty, melodramatic thriller
In the early 1960s director Robert Aldrich teamed aging stars Bette Davis and Joan Crawford in a suspense thriller called "Whatever Happened to Baby Jane?" The movie was a smash hit. Two or three years later he brought the two actresses back for "Hush, Hush, Sweet Charlotte". Crawford dropped out and was replaced by Olivia De Havilland. Again, Aldrich struck pay dirt. In 1969 his production company made yet another such movie, "Whatever Happened to Aunt Alice?", starring Geraldine Page and Ruth Gordon. This was directed by Lee H. Katzin. I don't think it was as successful at the boxoffice, but the important thing is that Alice is almost as much fun as Jane and Charlotte.

Page plays Claire, a woman of sixty or so. In the opening scenes she finds out that her recently deceased husband left her with virtually nothing. Furious because her grand lifestyle has ended, Claire moves to the American Southwest, where she cooks up a scheme. She hires timid little old lady housekeepers and, over time, convinces them that she can make them a lot of money in the stock market. Once an unsuspecting employee turns over her life savings, Claire kills her and buries her in her garden, marking each grave with a new pine tree. Soon the yard is filled with trees. One day a new housekeeper named Alice [Ruth Gordon] shows up. Alice, however, has an ulterior motive. One of the women was her friend, and Alice suspects that Claire is responsible for her disappearance. Thus begins a grand game of cat and mouse.

Unlike Davis and Crawford, Page and Gordon were not movie stars fallen on hard times. They were great character actresses with extensive stage experience. Both had had an occasional starring role in films but had played mostly supporting roles over the years. They were older but hardly faded. If anything, they were at the height of their popularity when they made "Alice". They are the reason the movie, otherwise an outlandish melodrama, is still worth seeing. Gordon is outrageous fun as Alice, playing the part with true professionalism, yet barely able to conceal her glee and amusement at being in such a movie. But it is Page who dominates throughout. Her Claire is both hilarious and sad. Sometimes she stalks, sometimes she slithers through the movie, reminding one of a cross between a leopard and a cobra. She's obviously having a grand time.

Other Geraldine Page movies I particularly like are "Summer and Smoke", "The Trip to Bountiful" and "Sweet Bird of Youth". Great Ruth Gordon movies include "Harold and Maude", "Where's Poppa?" and, of course, "Rosemary's Baby".

Devilish fun!
Claire Marrable, a destitute widow, finds a way to keep herself living the good life by hiring a series of housekeepers whom she eventually murders, steals their life savings and buries them in her desert pine tree garden. An incredibly fun movie which derives pleasure from the lead actors. Geraldine Page (as Mrs. Marrable) and Ruth Gordon (as Alice Dimmock, the latest housekeeper who is actually trying to find out what happened to her friend who mysteriously vanished while working for Marrable) chew the scenery to the hilt and it is so much fun watching the interactions between the two. Watch Page's reaction when Gordon tells her the amount in her savings account - priceless! The film as a whole suffers somewhat from some dull supporting characters and a dreary romantic sub-plot involving Gordon's nephew and Page's neighbor. Still worth it for the acting dynamo of Page and Gordon and even Mildred Dunnock manages some nice moments in her few scenes. And you'll never forget the frenetic zither music score!

The quality of the dvd is very good. The picture is sharp and the colors are strong. The only extra feature is a trailer for the film which delivers the memorable tag-line - "Whatever happened to Aunt Alice is more terrifying than what happened to Baby Jane"!

Sheer brilliance
They do not make movies like this anymore. Geraldine Page plays a nutcase hell bent on murdering every housekeeper that comes to work for her. What makes it so memorable is how she discards of the bodies (I won't give anything away here). Also adding effect is the spectacular music. Ruth Gordon joins the cast as a housekeeper trying to catch her out. Bad move Ruth.
While this film might seem dated to many, no moviegoer can argue the brilliant acting and suspense. An all round favourite.

my take on WHATEVER HAPPENED TO AUNT ALICE
I LOVE THIS MOVIE, IT IS HIGH CAMP, FUNNY AND BLACKLY HORRIFYING ALL AT THE SAME TIME. BOTH GERALDINE PAGE AND RUTH GORDON HAVE FUN WITH THEIR ROLES, ESPECIALLY THE FORMER, USING HER FACIAL EXPRESSIONS TO THE HILT, ROLLING HER EYES AND INFLECTING A SARCASTIC TONE INTO HER VOICE. RUTH GORDON, IF MORE RESERVED, IS JUST AS GOOD, AND VERY DIFFERENT THAN IN ROSEMARY'S BABY, SHE SEEMS REFRESHINGLY SANE IN THIS. THE PLOT MOVES ALONG AT A FAST BUT ENJOYABLE SPEED, WITH ONE OR TWO RED HERRINGS A LONG THE WAY. IF YOU LIKE PSYCHOLOGICAL THRILLERS, A WITTY SCRIPT AND GOOD ACTING, I HIGHLY RECOMMEND THIS ONE. I RECOND HITCHOCK WOULD HAVE ENJOYED IT TOO. ... Read more

Reviews (10)

1952 Gregory Peck feature not a classic !
A colorized version of a b/w film shot in exotic European locations, three legendary Hollywood screen actors of the 40s and 50s (Gregory Peck, Susan Hayward, and Ava Gardner), based on a story considered a classic of American literature. . .how could you go wrong? How, indeed? But something doesn't translate well here, sadly.

"The Snows of Kilimanjaro" is a slow-moving film, a bit disjointed, told completely in flashbacks. I remember reading excerpts from Ernest Hemingway's story of the same name for an upper-level English composition course I took over 20 years ago from one of the long-haired hippie professors who were the bane of my existence back then. Problem with that particular prof was that he forced us to read dark, depresssing mediocre literature; I never liked anything he wanted us to model our own writing after--and still don't like the authors he held up as paragons of good writing.

SYNOPSIS: Successful American writer Harry Street (Peck) is forced to reflect on his past successes and failures and analyzes his life as he faces death at the foot of Mt. Kilimanjaro. He is camped on the slope of the famous African mountain with his second wife, Helen, who listens to him bemoan his lost (dead) first wife, Cynthia, as he drifts in and out of consciousness following an accident. The cause of his medical condition is not clear, as the couple can't agree whether he was scraped by a poisonous thorn or if he got injured while rescuing an African native from an angry hippopotamus, so this just added to my confusion. I'm not even sure if Helen is actually his wife; Susan Hayward is listed simply as "Helen" with no last name in all cast-lists I could find for this film. I missed something, what with all the flashbacks and cuts back to the camp-site where Street lay on his deathbed, surrounded by vultures in the trees and cackling hyenas at night.

The bright spot I found in this film was in Hildegard Knef's rather campy portrayal of "Countess Liz," to whom Street was affianced after divorcing Cynthia and before taking off to Africa with Helen. (Confused? So was I!) I don't think she meant to be funny, but I found her accent reminiscent of Madeline Kahn's character in "Young Frankenstein," which I found a hoot. Kahn may have used Knef as her role-model! I mean, I thought Harry and Liz were living in Paris, and I thought Liz was probably French. I researched Hildegard Knef a bit and found that she was born in Germany; she sounded like a German imitating a French accent, and I got a kick out of it.

One final detail that I might point out could help other viewers when they watch this film. At first I found it odd that two similar-looking brunette actresses (Hayward and Gardner) were cast as Harry Street's wives, but then I remembered something that the character says when he met Helen. Harry is giving a voice-over narrative during some of the flashbacks and is actually speaking to his dead wife Cynthia. He says, basically, "I'd follow any woman who reminded me of you in some way."

How very sad. Harry and Cynthia were happy together, but divorce because of a personal tragedy that happens between them, so Harry moves on to fabulously wealthy but overly-controlling Liz, only to realize at the last minute that he is still in love with his first wife. Harry goes to Spain, too late, to find Cynthia. I think he somehow thought he could replace Cynthia with a similar-looking woman, but it just couldn't be the same.

RECOMMENDATION: Get this if you're a big fan of Gregory Peck, Ava Gardner (she gives a good performance), or Susan Hayward, but don't think you're getting a top-notch rendition of a piece of American Literature (consider the source; it's a work by Hemingway!). Another translation for high-school students: don't substitute viewing this film for reading the Cliff's-Notes!! You'll end up more confused than if you simply read the book.

Possibly hollywood's worst Hemingway adaptation
Ranks right down there with Hemingway's Adventures of a Young Man. Stiff Peck at his honking woodenest, vapid Gardner, shrill Hayward, the adaptation like something out of a romance mag. Only Bernard Hermann's music which he later recycled for Vertigo was of professional quality.

Snows of Kilimanjaro
Bought the DVD in assembling a Gregory Peck collection. Version was the one with Ava Gardner on the cover of the pack. The film was complete, but there was annoying technical noise, and quite a bit of fluttering in the picture. I may at some point buy another version of this DVD, but I do not recommend the technical quality of this particular production.

HAS LITTLE TO DO WITH KILIMANJARO...
As he lay dying,

Peck pines for Ava whom he

loves, while Hayward waits.

An interesting Hemingway adaptation
Ernest Hemingway hated this adaptation of his work, and disparagingly referred to it as "The Snows of Zanuck." I think he was overestimating his own writing, and I think the film is no worse than the work upon which it was based. Methinks he doth protest too much. Hemingway was heard to grumble: "I sold Zanuck one short story, not my whole body of works." The Casey Robinson screenplay is witty and honest, with the right blend of cynicism and naivetee. Gregory Peck is a gruff, grumbly, handsome-as-a-devil Hemingway "hero," and Ava Gardner makes a memorable, heartbreakingly beautiful Cynthia. Susan Hayward makes the best of the film's most thankless role (she looks great in a pith helmut, too). The layers of flashbacks perfectly convey the sense of a man reevaluating his past as he faces imminent death. Much has been made of the ending, and the way it deviates from the original story. I don't see the sunny Hollywood ending purists have denounced, since we really don't know the status of the dying writer as the helicopter arrives. The soundtrack is a bit loopy and out-of-synch in places, and the special effects (especially the river crossing) look pretty bad by today's standards, but the acting adds a depth and humanity which is missing from Hemingway's original work. A fun piece of escapist safaridrama along the lines of the superior "King Solomon's Mines" or "Mogambo." ... Read more

Reviews (10)

1952 Gregory Peck feature not a classic !
A colorized version of a b/w film shot in exotic European locations, three legendary Hollywood screen actors of the 40s and 50s (Gregory Peck, Susan Hayward, and Ava Gardner), based on a story considered a classic of American literature. . .how could you go wrong? How, indeed? But something doesn't translate well here, sadly.

"The Snows of Kilimanjaro" is a slow-moving film, a bit disjointed, told completely in flashbacks. I remember reading excerpts from Ernest Hemingway's story of the same name for an upper-level English composition course I took over 20 years ago from one of the long-haired hippie professors who were the bane of my existence back then. Problem with that particular prof was that he forced us to read dark, depresssing mediocre literature; I never liked anything he wanted us to model our own writing after--and still don't like the authors he held up as paragons of good writing.

SYNOPSIS: Successful American writer Harry Street (Peck) is forced to reflect on his past successes and failures and analyzes his life as he faces death at the foot of Mt. Kilimanjaro. He is camped on the slope of the famous African mountain with his second wife, Helen, who listens to him bemoan his lost (dead) first wife, Cynthia, as he drifts in and out of consciousness following an accident. The cause of his medical condition is not clear, as the couple can't agree whether he was scraped by a poisonous thorn or if he got injured while rescuing an African native from an angry hippopotamus, so this just added to my confusion. I'm not even sure if Helen is actually his wife; Susan Hayward is listed simply as "Helen" with no last name in all cast-lists I could find for this film. I missed something, what with all the flashbacks and cuts back to the camp-site where Street lay on his deathbed, surrounded by vultures in the trees and cackling hyenas at night.

The bright spot I found in this film was in Hildegard Knef's rather campy portrayal of "Countess Liz," to whom Street was affianced after divorcing Cynthia and before taking off to Africa with Helen. (Confused? So was I!) I don't think she meant to be funny, but I found her accent reminiscent of Madeline Kahn's character in "Young Frankenstein," which I found a hoot. Kahn may have used Knef as her role-model! I mean, I thought Harry and Liz were living in Paris, and I thought Liz was probably French. I researched Hildegard Knef a bit and found that she was born in Germany; she sounded like a German imitating a French accent, and I got a kick out of it.

One final detail that I might point out could help other viewers when they watch this film. At first I found it odd that two similar-looking brunette actresses (Hayward and Gardner) were cast as Harry Street's wives, but then I remembered something that the character says when he met Helen. Harry is giving a voice-over narrative during some of the flashbacks and is actually speaking to his dead wife Cynthia. He says, basically, "I'd follow any woman who reminded me of you in some way."

How very sad. Harry and Cynthia were happy together, but divorce because of a personal tragedy that happens between them, so Harry moves on to fabulously wealthy but overly-controlling Liz, only to realize at the last minute that he is still in love with his first wife. Harry goes to Spain, too late, to find Cynthia. I thi