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| 1. Sleepless in Seattle (10th Anniversary Edition) Director: Nora Ephron | |
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Reviews (117)
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| 2. The Firm Director: Sydney Pollack | |
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Reviews (50)
Cruise puts in a solid performance, again playing his guy-who-doesn't-catch-on-for-a-while character he does so well. Sydney Pollack is a great mainstream director, and he pushes all the buttons, as well as giving us a great cast including Gene Hackman, Holly Hunter, Ed Harris, Jeanne Tripplehorn, David Straithairn, Gary Busey, Hal Holbrook, and Wilford Brimley. Top-notch acting all around, with especially good turns by Brimley and Hunter, playing against type. Hackman is always good to watch and he does a terrific job of making Avery Tolar a likeable guy in spite of his faults. I suppose the most amazing job was done by David Straithairn, who, with less than ten minutes of screen time, paints an indelible portrait of Ray McDeere, Cruise's convict brother. He is the most likeable character in the film. The plot is the standard rising-above-conflict stuff. Watch this movie (again) for the performances, or for the fine score from Dave Grusin and try to ignore the changes from the book (which I think were justified in making the ending more cinematic and Hollywood).
Mitch McDeere, (Tom Cruise) is a young and hungry Harvard Law student, who turns down offers at the top law firms to take a position at a small but wealthy Memphis firm. Mitch grew up on the wrong side of the tracks. He is so taken with his mentor Avery Tolar, (Gene Hackman) his own ambition, and greed, he ignores his wife Abby's (Jeanne Tripplehorn) initial misgivings about the suspicious practices of his new employers. It's only when two of his fellow lawyers die in a mysterious accident that Mitch begins to share her apprehensions. He then launches an investigation into the true nature of the firm and discovers that it is a front for a complex and sinister web of organized crime, that goes to very top of the firm and even includes head Oliver Lambert (Hal Holbrook). Directed by Sydney Pollack, the film benefits moreso from its all star cast, than it may have otherwise. Cruise proves that he can hold his own with Hackman for sure. Despite the fact that Cruise and Tripplehorn seem sparkless as a married couple, she too, is great in her scenes with Hackman. Pollack knows what works and keeps things at a brisk pace. His skills are evident as he juggles many different subplots that come together in the end nicely. One final comment on the film: Composer Dave Crusin's atypical music score adds just the right touch in setting the scene and giving the movie some flavor. I don't know what it is about most of the John Grisham legal thrillers, but like most of them, the DVD of The Firm lacks any substantial extras. All you get here are two theatrical trailers--nothing more. A commentary track or a few deleted scenes would have put this product over the top. The Firm doesn't have as much of a soapbox element as other Grisham stories do..that's ok. It's all for fun. No extras aside--Recommended
Tom Cruise shows off one of his best performances as Mitch McDeere, the formally poor boy who goes off to Harvard Law School and graduates cume laude. He goes to many prestigious firms, all of whom want him real bad. One firm, though, Bendini, Lambert, and Locke, strikes his interest. In return for joining, he gets $100,000 per year, and a shiny new Mercedes. He accepts, and he and his wife, Abby (Jeanne Tripplehorn), fly to Memphis, where they get a nice house, with most of it payed for by the firm. The story unfolds, and through the course of events, Mitch learns the dark truth about his firm. . . The acting is superb in this film. Tom Cruise's performance reminds me of his in 'A Few Good Men'; strong and realistic. Jeanne Tripplehorn is a pleasure to watch as his wife Abby. Gene Hackman plays a surprisingly sympathetic role as a partner in the firm. Holly Hunter (who received an Oscar-nomination for her role) is almost humorous as a southern-twanged secretary-turned victim-turned accomplice. Ed Harris brings his usual fine acting style as an FBI agent, and veteran actor Hal Holbrook plays a grandfatherly lawyer more evil than his attitude would imply. Sydney Pollack's directing is radiant, and the single piano score by Dave Grusin can be both calm and content, then become fast and furious. In conclusion, 'The Firm' is a fun, fresh thriller, and it should be enjoyed for years to come.
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| 3. Days of Thunder Director: Tony Scott | |
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Reviews (52)
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| 4. Far From Heaven Director: Todd Haynes | |
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But it is the storyline and the characters above all that give this 50's-atmosphere. The -on first sight 'perfect'- couple of Cathy (Julianne Moore) and Frank Whitaker (Dennis Quaid) struggles with taboos from that era: Frank has a coming-out as homosexual, after which Cathy falls in love with the black gardener Raymond (Dennis Haysbert). Cathy discovers her husband kissing in a room with another man, and the mighty gossip circuit of the town soon tells Frank about the adventures of his wife. Not surprisingly, this situation results in trouble for their family. There is a clear message about the morals of the 50's: Cathy's friends suddenly aren't very good friends anymore as soon as they hear about her friendship with a black person. Cathy herself clearly doesn't feel very much at ease between her friends, while she gets completely in her element when Raymond is nearby. This Raymond is an interesting character, if only because he is played by Dennis Haysbert. While he is here a simple black gardener who meets a lot of racism from his surrounding, the same actor plays the role of the first black president of the USA in '24'! Talk about changes! The character of Raymond may be a little too 'perfect', as others have already pointed out, but it contrasts nicely with the image of gutter rats that is attached to many people in Cathy's social environment. The cast here does its job very nicely: Moore is great in her performance of a typical 50's woman who slowly becomes more adventurous and 'human'. She plays merely restrained, as if to make her role not too stereotypical. That certainly succeeded. Husband (in the movie) Quaid is another seemingly normal person with unexpected sides (his being gay) and is terrific as a tormented and desperate man. Haysbert makes a very convincing case as the sympathetic gardener, with his seemingly relaxed acting that makes his character Raymond almost cosy. Also, the gossip aunts are irritating to watch and that's exactly how they were meant. Some could find the film a little too compact, and I certainly wish the director had taken more time to shed more light on the relationship between Raymond and Cathy. Same for the other relationship: Frank's gay mate is a bit cartoonish and this aspect could certainly have been worked out better. The film didn't leave me unsatisfied, far from it, but I think the story would have benefited from a broader, longer approach. But that criticism shouldn't keep you from seeing this very worthwhile and enduring movie. The sometimes 'implied' acting sheds a special light on the dramatic storyline and the atmosphere just breathes the 50's. Certainly recommended.
'Far From Heaven' is perfectly shot in brilliant Technicolor with fine attention to detail: excellent costumes, gorgeous sets and beautiful vintage cars. This gives the movie an almost pristine surreal quality that counters the harsh reality of Cathy Whitaker's less than perfect life (Julianne Moore in yet another outstanding performance). Add to this the sometimes over the top "By gosh! By golly!" acting (no doubt done on purpose to further convey the surreal quality of 50s life) and you find yourself immersed in a frighteningly domestic Stepford wife world where housewives dress to the nines and gossip over daiquiris and husbands "work late" at the office. Cathy sleepwalks through her life aching for something that she can't quite comprehend. Her girlfriends chatter and giggle about how many times their husbands like to 'get into the mood" as she perturbedly stays quiet. When approached by her best friend about speaking to a Black man at an art exhibit she innocently replies: "He has some interesting views on modern art." When she finds her husband kissing another man, she thinks a vacation will solve all that. Cathy is so naive with herself and her surroundings and so intent on living the ideal 50s life that she's nearly oblivious to the changes around her, the changes she is causing and the changes that are waiting for her. When the film ended, I was anxious to know what lay in store for Cathy. Will she find true love and happiness? Will she champion the cause for equal rights? Will she finally become a strong willed and independent woman? Julianne Moore infuses so many subtle nuances into her portrayal of Cathy that although at times you want to slap some sense into her, you can't help but feel her pain, especially when she finally breaks down. Although the themes explored in 'Far From Heaven' have been tackled before, this film comes across as touching and heartfelt. It's a close call between Julianne and Nicole for this year's Best Actress Oscar. It is also noteworthy to see Julianne's performance as a depressed 50s housewife in 'The Hours' as well.
Twenty years or so ago a movie like this might have been regarded as cutting edge, and deservedly so. Now, it's just a sorry anachronism, in a double-sense of the word. It's an anachronism not only because it employs a dead genre. It's also OLD-FASHIONED because there have been so many films which have tackled these themes in infinitely more courageous ways. Nowadays, there's nothing daring or interesting about making a film like this. It's just incredily boring. God, I hated this movie! Then again, the movie also has my grudging admiration for patronizing, within the time-span of less two hours, three distinct demographical entities: heterosexual upper-middle class whites, blue collar blacks, and homosexuals. Is there another movie in history that has managed to patronize all three sub-groups within the same film, and yet comes out saying nothing original? While I admit this is genius, it's not the sort of genius I generally admire.
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| 5. Further Tales of the City Director: Pierre Gang | |
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Description Exploring his sexuality full tilt, Michael embarks on a series of sexual escapades involving cowboys, cops and Cage Tyler (JOHN ROBINSON) a closeted movie star. Michael's friend and neighbor Mary Ann Singleton (LAURA LINNEY) is challenged with a relationship problem of a different kind.Her boyfriend and upstairs neighbor, Brian Hawkins (WHIP HUBLEY) who has spent most of his adult life as a womanizer, comes to the realization that he wants to marry her.She, however, is hesitant to take the next step as she is focused on her career.Longing to become a serious reporter, but not given a chance by her station manager, she is forced to work as a daytime host of the "Bargain Matinee" show. Mary Anns late boss widow, socialite Frannie Halcyon (DIANA LEBLANC) is tormented by her daughter DeDes (BARBARA GARRICK) apparent demise in the Jonestown Massacre.Living on Mai Tais and sleeping pills, she refuses to accept that DeDe and her children, Little Anna and Edgar were killed.She seeks advice from psychics to help her find her missing daughter.When a fortune-teller convinces her that DeDe is indeed alive, she asks for the support of society columnist Prue Giroux (MARY KAY PLACE) to make her story public. When Prue refuses to get involved, Frannie calls Mary Ann to share her secret. Since Mary Ann is always searching for a good story, she is eager to meet in hopes of finally getting a break on the evening news. Meanwhile, Prue meets a mysterious homeless man, Luke (HENRY CZERNY) in Golden Gate Park.Immediately drawn to his intense charm, she falls madly in love with him.Little does she know that shes opening Pandoras Box when she attempts to bring him back to society with the help of flamboyant celebrity priest Father Paddy Star (BRUCE MCCULLOCH).Lukes past is far more sinister than Prue could ever imagine. Then its revealed that DeDe Halcyon Day has spent three years in Cuba with her lover Dorothea (FRANÇOISE ROBERTSON) after escaping the massacre in Guyana.She ends up in a camp for gay Cuban refugees in Fort Chafee, Arkansas and finally calls her mother Frannie in San Francisco to tell her that she wants to come home. Through DeDes unexpected reappearance and a twist of fate, the storylines begin to intertwine and all of the characters in Maupins tales find themselves in the midst of an unpredictable adventure. Reviews (12)
A special mention needs to be made of the DVD - a whole disc packed with an outstanding set of extras. From interviews, to behind the scenes footage, and much more besides - you really get a indepth look at the making of the miniseries - all TV shows should be released on DVD like this! Hopefully there will be 'Even Further Tales' for us to enjoy in the future....
This set keeps going where the "2nd" set left off. A few casting changes were made (some for the better, other...oh, well!). A few facts worth knowing for those who are "jumping in" with this 3rd installment in the series: The main character, Maryann Singleton, an innocent 20-something Ohio girl escapes the smothering arms of her over-protective parents and becomes the latest arrival at mysterious Ms Madrigal's house of sweet, odd and gorgeous young people. Not only is she (like everyone else) welcomed and accepted, but soon finds herself in a web of weird situations, corporate greed, sexual experimentation, suicide, and other shocking things. The recurring central focus on homosexuality eventually becomes so nonchallante, that the viewer soon no longer sees this as anything worth talking about. It's almost like watching episodes of "Ellen", "Roseanne" or "Will & Grace", only that any "viewer advisories" seem redundant now (it's about time!). Tales of the City is a look back at the 1970s decadence we saw in "Studio 54", but otherwise only 'heard rumors about'. This is an honest, unashamed view of the "San Francisco Scene" as experienced by the author/screen writer Amistad Mopin. Along with historically authentic facts and references (The "Jonestown Tragedy" of 1979 is briefly referenced at the end - if you blinked you missed it!) this otherwise mostly ficticious plot makes for fun viewing. The 6 part series nicely fits on this DVD. Have it piece meal or all at once. I think you're gonna like this picture!*****
Perhaps it's because they tried to stuff more than three hours worth of material onto 1 DVD, but like others, I too was unable to play this all the way through on my DVD player. The problems start right about at the start of episode 4, and just keep getting worse. But perhaps it's just bad mastering, because I had the same problem with the second, extras, DVD, which isn't nearly so full. It's a shame such a wonderful series is marred by a badly mastered disc.
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| 6. Postcards from the Edge Director: Mike Nichols | |
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Suzanne Vale (Meryl Streep) is a fading screen queen, determined to jump-start her languishing career. Her mother (Shirley MacLaine) is a wisecracking old barb, and knows just how fast Hollywood can chew you up and spit you out. With a talented supporting cast including Dennis Quaid and Rob Reiner, POSTCARDS FROM THE EDGE offers a new, warts-and-all perspective on Hollywood and the "dream factory". The DVD also includes audio commentary by writer Carrie Fisher, talent profiles and original theatrical trailer.
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| 7. Mary and Rhoda Director: Barnet Kellman | |
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| 8. Sleepless in Seattle (Special Edition) Director: Nora Ephron | |
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Reviews (117)
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| 9. Miami Rhapsody Director: David Frankel | |
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| 10. A Couch in New York Director: Chantal Akerman | |
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Description Reviews (11)
But when you have a chance to make a film with two Academy Award winners, Juliette Binoche and William Hurt, set both in New York and Paris, who would pass the chance? Chantal Ackerman could not, the opportunity to make her first English speaking film a bonus. The film is a reminder of how difficult it is to cross the pond movie-wise. Nuance and sub-text is awkward or incomprehensible here-the threads on which the movie is woven are frassled. This artsy little film survives entirely on Binoche's vitality, her French innocence and enthusiasm dominates every negative New York influence her character encounters. It fails most everywhere else, sadly.
Dr. Henry Harriston(William Hurt) of Manhattan needs a break from his very dependent patients.He's an esteemed Psychoanalyst,works out of his upscale apartment,is compulsively neat, and needs a little change from his hum drum exsistence. Beatrice Saulnier(Juliette Binoche) of Paris could use a bit of a break herself.She's a beautiful dancer,has a long line of admirers who are constantly phoning or banging on the door of her little(no so upscale) loft, is a bit of a slob, and needs some quiet time away from her chaotic life. The Dr. puts an add in the Paris newspaper looking for someone to swap apartments for a while and Voila! the fun begins.... While Henry looses his patience in Paris, Beatrice takes on his patients in New York. But uh-oh..Henry can't take it anymore and decides to beat a retreat home. He is mistaken for one of the patients and has grand time being analyzed by La Binoche. The film is an engaging, feel good romantic comedy, that will certianly leave you smiling.Mistaken identities lead to some very funny situations as the nuertoic patients now become dependent on Beatrice, and Beatrice tries to cure Henry. Binoche as always, is enchanting, and Hurt plays it perfectly in this case of opposites attracting. The supporting cast including Richard Jenkins, Paul Guilfoyle, Bernard Breuse and Barbara Garrick are marvelous as patients, friends and jilted lovers of these two.All though there were times where it seemed to move just a little slow,this was a very sweet,light and enjoyable film that kept me smiling throughout.I loved the European flavor, scenery, and the music. The DVD is a nice presentation in widescreen,sounds great in stereo.The film is in both English and French and has subtitles only during the French dialouge.There is no option for subtitles throughout the film for those that may need them though. There are filmographies of several of the stars and the Director Chantel Akerman, and also a trailer. I would recommend this to fans of Juliette Binoche,french films, and anyone who loves a good romantic comedy along the lines of something like "Sabrina". enjoy...Laurie
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| 11. Sleepless in Seattle Director: Nora Ephron | |
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| 12. More Tales of the City Director: Pierre Gang | |
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Returning to the cast from the original "Tales of the City" mini-series are Olympia Dukakis as Anna Madrigal (the landlady of the 28 Barbary Lane apartment house), Laura Linney as Mary Ann Singleton (a career-minded secretary), Barbara Garrick as Deirdre 'DeDe' Ligon Halcyon Day, Bill Campbell as Dr. Jon Philip Fielding and Thomas Gibson as Beauchamp Talbot Day. Replacing former cast members are Nina Siemaszko as Mona Ramsey (searching for her identity), Paul Hopkins as Michael 'Mouse' Tolliver (searching for 'Mr. Right'), Diana Leblanc as Frances 'Frannie' Alicia Ligon Halcyon and Whip Hubley as Brian Hawkins. New to the cast are Colin Ferguson as Burke Christopher Andrew, Swoozie Kurtz as Betty Borg Ramsey and Jackie Burroghs as Mona 'Mother Mucca' Ramsey (a brothel owner). In this segment, Mona Ramsey is searching for her self identity and doing everything she can to avoid her controlling mother, Betty Ramsey. She leaves San Francisco on a bus and meets 'Mother Mucca' and agrees to work at Mother Mucca's brothel in Neveda as a receptionist. There, she discovers some startling truths about herself, Mother Mucca and Anna Madrigal. In the meantime, Beauchamp is causing problems for his secretary, Mary Ann, and his wife, DeDe, who becomes impregnated by an Asian worker. DeDe's mother, Frances, ventures off to rediscover her sexuality at an exclusive club. While searching for 'Mr. Right', Michael becomes paralyzed and it rekindles his romance with Dr. Jon Philip Fielding. Several things that happen at the end of "More Tales of the City" lead into its sequel, "Further Tales of the City". It may be true that Nina Siemaszko that Paul Hopkins don't play the roles of Mona and Michael as well as Chloe Webb and Marcus D'Amico from the original "Tales of the City", but the combination of the fun plot twists and other great acting makes "More Tales of the City" well worth watching and owning! I rate this set of DVD's 5 out of 5!
An important part to any DVD (or movie) purchase is whether it holds up after repeated viewing and this certainly passes the test. Unfortunately, the original PBS "Tales" is tied up in a legal mess and unavailable on DVD for the forseeable future. Looking forward to "Further Tales" set to air in Spring 2001. It is rare these days for an author to have such creative control over a movie/mini-series project. Maupin's love for these characters (and the actors who play them) is clearly evident. Hopefully, future "Tales" DVDs will have the caring treatment that was put into this set.
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| 13. The Firm Director: Sydney Pollack | |
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| 14. More Tales of the City Director: Pierre Gang | |
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Reviews (18)
Returning to the cast from the original "Tales of the City" mini-series are Olympia Dukakis as Anna Madrigal (the landlady of the 28 Barbary Lane apartment house), Laura Linney as Mary Ann Singleton (a career-minded secretary), Barbara Garrick as Deirdre 'DeDe' Ligon Halcyon Day, Bill Campbell as Dr. Jon Philip Fielding and Thomas Gibson as Beauchamp Talbot Day. Replacing former cast members are Nina Siemaszko as Mona Ramsey (searching for her identity), Paul Hopkins as Michael 'Mouse' Tolliver (searching for 'Mr. Right'), Diana Leblanc as Frances 'Frannie' Alicia Ligon Halcyon and Whip Hubley as Brian Hawkins. New to the cast are Colin Ferguson as Burke Christopher Andrew, Swoozie Kurtz as Betty Borg Ramsey and Jackie Burroghs as Mona 'Mother Mucca' Ramsey (a brothel owner). In this segment, Mona Ramsey is searching for her self identity and doing everything she can to avoid her controlling mother, Betty Ramsey. She leaves San Francisco on a bus and meets 'Mother Mucca' and agrees to work at Mother Mucca's brothel in Neveda as a receptionist. There, she discovers some startling truths about herself, Mother Mucca and Anna Madrigal. In the meantime, Beauchamp is causing problems for his secretary, Mary Ann, and his wife, DeDe, who becomes impregnated by an Asian worker. DeDe's mother, Frances, ventures off to rediscover her sexuality at an exclusive club. While searching for 'Mr. Right', Michael becomes paralyzed and it rekindles his romance with Dr. Jon Philip Fielding. Several things that happen at the end of "More Tales of the City" lead into its sequel, "Further Tales of the City". It may be true that Nina Siemaszko that Paul Hopkins don't play the roles of Mona and Michael as well as Chloe Webb and Marcus D'Amico from the original "Tales of the City", but the combination of the fun plot twists and other great acting makes "More Tales of the City" well worth watching and owning! I rate this set of DVD's 5 out of 5!
An important part to any DVD (or movie) purchase is whether it holds up after repeated viewing and this certainly passes the test. Unfortunately, the original PBS "Tales" is tied up in a legal mess and unavailable on DVD for the forseeable future. Looking forward to "Further Tales" set to air in Spring 2001. It is rare these days for an author to have such creative control over a movie/mini-series project. Maupin's love for these characters (and the actors who play them) is clearly evident. Hopefully, future "Tales" DVDs will have the caring treatment that was put into this set.
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| 15. Hanging Up/Sleepless in Seattle Director: Nora Ephron | |
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Amazon.com Sleepless in Seattle Reviews (2)
I think they missed the boat on this one. "Sleepless In Seattle" was a fun romantic comedy, and being a classic movie buff, I really loved how they tied in the scenes and story from "An Affair To Remember". After the wonderful performances by Meg Ryan and Tom Hanks, I was certainly eager to see Nora Ephron bring them together again in "You've Got Mail"; a sweet, modernized remake of the original "The Shop Around The Corner". Granted, it didn't do as good as "Sleepless", but it sure beat "Hanging Up"! So why didn't they feature "Mail" as the second feature? Let's see.... same lead actors, same director, both parallel previously made films, both did pretty well at the box office... I guess it wasn't obvious enough. So, unfortuantely they chose to pair "Sleepless In Seattle" with the box office flop "Hanging Up" for this double feature. Just surf over to the reviews for "Hanging Up" and you'll probably ask the same question. Why? My guess is that they threw these two movies together to bank on the continued success of "Sleepless In Seattle" in an attempt to make up for the financial loss that was suffered on "Hanging Up". But seriously, if you're looking to add a little romantic comedy to your movie collection, save some bucks and buy "Sleepless in Seattle" separately. "Hanging Up" is worth hanging up on! If you really want to see what you're not missing, spend a few bucks and rent it instead.
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| 16. More Tales of the City Director: Pierre Gang | |
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