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| 1. Castle in the Sky Director: Hayao Miyazaki | |
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Amazon.com Reviews (132)
Set in an alternate 1920's earth, where airships rule the skies and entire continents can fly, Castle in the Sky is the story of two orphans who meet by chance. A young girl, Sheeta (Anna Paquin), floats literally from the sky after narrowly escaping capture from a band of pirates, wearing a mysterious glowing necklace. She is caught by Pazu (James Van Der Beek), a brave and resourceful young assistant engineer, who notices that the crystal she wears has fantastic magical properties. It is this crystal that several suspicious parties are trying desperately to get their hands on, including the Dola Pirate Gang, and the Army, led by the nefarious Colonel Muska (Mark Hammil). It soon becomes clear that the real prize in this race is the ancient, supposedly mythical, floating island of Laputa. What follows is a grand chase towards the Caste in the Sky, with captures, narrow escapes, air battles, and more. Miyazaki's love of flight is more than apparent at the way the action soars, moving easily from land to air, and the pace of the movie, though the film runs over two hours, only lets up when and for as long as it needs to. Miyazaki showed in both The Castle of Cagliostro and Nausicaa of the Valley of the Wind that he has a talent for making rousing adventure movies, and, though Castle has some of the ecological messages found in Nausicaa (and later, in Princess Mononoke), they always take a backseat to the events that drive the movie. The characters here are a varied, strange, and incredibly fun lot. The Dola Pirates are always entertaining when their banter flys, Mark Hammil has a blast as the scheming villian, and Pazu and Sheeta are two of the cutest leads you could ask for. They're also a refreshing taste from the "ordinary" in the anime genre. Sheeta is more than capable of handling herself, and Pazu is a cheerful idealist, a nice break from the surly teenage leads that overpopulate anime. In addition, their relationship is wonderfully done; it's the simplest, most pure form of love imaginable, that neither tries to be romantic or plutonic, but is just shown as it is. There is never a single kiss on screen, but the audience knows, through the body language and the words in their moments together that these two will be together one way or another for life. And even though this is one of Miyazaki's earlier films, the animation is still fairly impressive. Of course, it looks a little dated next to the likes of Spirited Away, but it still looks and feels like a wonder. The character designs are Miyazaki's usual simplistic but expressionistic fare, and the vehicles that populate the world are imaginative and plausible, and the architecture has a surprising amount of variety. The real treasure on this DVD release is the completely redone musical score on the English Language version of the film. Back in the mid-'80's, Studio Ghibli was not nearly the powerhouse it is today, and consequently, composer Joe Hisaishi was at times forced to put his rather sparse score on sythesizers and such. However, the new score contains everything from the original release, and a heck of a lot more, all done in beatiful orchestral renditions. And as for actual quality of music, the score for Castle in the Sky easily holds its own against Mononoke in terms of quality and power. Of course, you have to watch the english dub of the movie to hear this, but having said that, it's not a bad job, arguably superior to Mononoke and Kiki's Delivery Service in terms of the actor's performances. Cloris Leachman is hilarious as Dola, Paquin does a fine job of Sheeta, and even Van Der Beek manages to be only marginally annoying. And really, how can you not like Mark Hammill? Overall, Castle in the Sky is one of Miyazaki's best films, showcasing some of the most imagination, colorful characters, and dazzling adventure, it also carries some fairly powerful emotions. It also looks great, even after eighteen years, and is simply a great deal of fun to watch.
"Castle in the Sky" is by Japanese filmmaker Hayao Miyazaki, who I've come to believe is one of the most masterful storytellers alive today, and maybe of all time. It begins with a young girl, Sheeta, drifting down from the sky into the arms of a young miner named Pazu. From there begins an incredible adventure as these two search for answers to the girl's origins while running from both air pirates as well as mysterious agents. I don't intend to reveal much of the plot here, but suffice it to say, this movie reignited the feelings I used to have as a child when watching such classics as "The Wizard of Oz" and the "Chitty Chitty Bang Bang" (which I also just recently purchased on DVD. The movie was created several years ago, but was recently brought to America, with a wonderful redubbing into English, thanks to Disney Studios. If you're looking for visuals like the mind-blowing, computer simulations in recent Disney hits such as "Finding Nemo", this isn't it. However, if you're a fan of traditional cel animation, this film may be one of the best ever produced. Miyazaki's attention to detail, his ability to bring these two dimensional characters to life, is awe-inspiring. For me, the greatest thing about this movie is that it's reminded me of the kind of fictional magic I hope to create myself one day, and makes me wonder if it's too late in my life for me to become an animator. The bad thing about seeing a movie like this, is that I know that I could never produce anything nearly as beautiful. Fortunately for me, if I ever get the opportunity, I'm just stubborn, determined, and delusional enough to give it a shot anyway.
The story opens with an action sequence without any explanation about what is happening. This causes us to focus our attention and to try and figure out what is going on and what all these strange people and machines are. In some ways it seems like a 1930s serial, in others futuristic, and in others ancient myth without connection to the world in which we live. While this isn't as beautiful as "Spirited Away" or even "Princess Mononoke", it is still head and shoulders above nearly everything you see passing as an animated movie nowadays (with a couple of exceptions). My kids encouraged me to get this DVD and they enjoyed it immensely. I expected to like it, but enjoyed it more than I expected. Miyazaki has a unique imagination and has a powerful ability to use his wonderful images to tell the story in delightful and beautiful ways that go beyond conventional live action movies - no matter the special effects budget - or even most animation. Watching his stories is a special experience that I am grateful to him for sharing with me.
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| 2. The Batman Superman Movie Director: Toshihiko Masuda | |
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Reviews (44)
The story involves the uneasy first meeting between the two superheroes and a shared interest in one Lois Lane. Thus, the pair forms a strained alliance when forced to combat the team composed of their respective nemeses Lex Luthor and The Joker. Such a real-life quality adds realism to the highly fictional world of comic book endeavors. Hey, superheroes have problems, too! As far as the actors providing the exemplary voice work, each is superb in their roles. Tim Daly and Kevin Conroy give just the right balance for their animated counterparts' dual personalities. Clancy Brown's deep resonance has an aristocratic and arrogant air about it that makes him the perfect Lex Luthor. Dana Delaney as the very independent Lois Lane is quite good. Arleen Sorkin shines in her role as Harley Quinn, Joker's sidekick who is as "far off the deep end" as is The Clown Prince of Crime. But it is Mark Hamill who really rises to the occasion in a truly over-the-top performance as the Joker. Forget Nicholson or even TV's Caesar Romero! Hamill is the Joker. His utterances and nuances in every line delivered are brilliant. I can remember Tim Curry winning an Emmy several years ago for his work on the animated Peter Pan series. Hamill has done no less. His mantle deserves some tangible reward. Maybe, it will be our appreciation for his masterful performance in this film that will be recognition enough.
Batman and Superman's first meeting, herein portrayed, is rather nice, especially because they really just don't like each other a heck of a lot. Especially because Lois Lane falls hard for Bruce Wayne. Their mutual discovery of secret identities plays nicely on the two characters' strong points, with Superman using his superpowers and Batman demonstrating why he's the world's greatest detective. Harley Quinn's running feud with Luthor's female bodyguard/chauffeur, Mercy, is one of the high points. The Joker's "Dance of Death" over the fallen Superman, adding shocks from his super-charged handbuzzer to Big Blue's suffering in his kryptonite death trap is rather chilling; in this and a few elements of violence this production (originally aired in prime-time, and then as three episodes of the television series) goes a bit beyond what the afternoon TV series can usually portray, and the Mark Hamill-voiced Joker is truly scary. The Joker's raving laughter as he (apparently) goes to his death as a result of one of his own traps gone wrong is both chilling and in character. (Harley Quinn, on the other hand, is just a *bit* too broadly portrayed.) (There is, by the way a comicbook/"graphic novel" adaptation of this material -- now sadly out of print. While it doesn't bring much new, it's a good counterpoint to this film, as it gives alternate, slightly more "adult" views on some things -- if you have one, you really need the other.) One question -- does Lois Lane have a trust fund or something? Otherwise, how does she afford that Simply Incredible apartment on a mere reporter's salary? Also -- a couple of scenes, notably the lab where the robots are kept and where Superman fights them, and Superman straining to (just barely) prevent a huge aircraft from crashing into buildings strongly suggest deliberate homages to the old Fleischer Bros "Superman" cartoons, specifically to "Metal Monsters" and "Japoteurs".
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| 3. Wizards Director: Ralph Bakshi | |
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Reviews (105)
A unique, kadeldoscopic and entertaining animated fantasy from the director of "Fritz The Cat", " Animated Lord of the Rings" and "American Pop". The animation is quite good, it does have Mark Hamil's voice debut before he was in "Star Wars" of the same year this movie was released, a superhot fairy chick guaranteed to make guys smile and it's a good fun flick for the whole family even though it's rated PG due to some graphic animated violence, battle scenes, some language and some mild nudity. The DVD is excellent, the extras include TV Spot, Trailers, a documentary on how Ralph Bakshi created this movie, still gallery and a audio commentary by Ralph Bakshi. So if you love fun fantasy, sci-fi and animated flicks then pick this up for your animation DVD collection. Also recommended: " Terminator 2: Judgment Day", " Fist of the North Star" ( Anime version), " Braveheart", " Gladiator", " Mad Max", " The Last Unicorn", " The Secret of NIMH", " Rock & Rule", " The Dark Crystal", " The Princess Bride", " Star Wars", " Gettysburg", " Starship Troopers", " Total Recall", " Heavy Metal", " The Fifth Element", " Mulan", "Antz".
Though it is a bit preachy in its ways, this movie makes you interested in the characters. It also brings up some intersting and satirical ideas. the world was destroyed in war, humans are few and most have mutated and live in badlands. Elves, faeries and dwarves, have returned and taken over the good lands, but nothing seems different. The factions are divided and uncooperative with each other. When the badlands mutants gets a powerful leader, they ignore it until it is too late. When the push is made for the mutants to take over the goodlands the enemy seemingly has too much up his sleeve. The cartoon has a definite seventies feel to it. The humor is dark, twisted, and often times has a distinct feel of juxtoposition. It is a fantasy futuristic world that has the attitude and feeling of New York. There are fairy hookers, dirty streets with bums lying around, and bitter old men with brooklyn accents. The evil army has a strong Nazi theme to it, as well as their secret weapons. It is also very violent, showing elves and fairies being killed by the hundreds, pow's being executed, and prisoners being forced to entertain soldiers any way they want. This is a very warped movie that shouldn't work, but does. A classic from the 70's that had enough of a cult following to bring it to dvd today. watch it for the spectacle and you will either love it or hate it.
Finally, we have DVD which treats master filmmaker, Ralph Bakshi, with the respect he deserves. After the atrociously inadequate release of Bakshi's Lord of the Rings Part One a few years ago, with it's incredible lack of special features and horrific overdub in the middle of the closing score (though thankfully finally released in widescreen format), I couldn't be happier with the treatment Fox has given to this film. The transfer is gorgeous and the colors are far more vivid than I have ever seen before - an element that is critical to the film. The real treat, however, is the feature length commentary by Mr. Bakshi as well as the "documentary" on him and his work. I would have liked to have him chat a bit more about Lord of the Rings since we were robbed of a commentary in that DVD release, but he does give a bit of insight into the film, which was welcome. All in all, a fantastic DVD release of a groundbreaking film. Bravo Fox and Mr. Bakshi! I hope Fire and Ice, Hey Good Lookin', Coonskin and someday a re-release of Lord of the Rings, will receive a similar treatment. David ... Read more | |
| 4. Batman Beyond - Return of the Joker (The Original Uncut Version) Director: Curt Geda | |
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Description Reviews (182)
A few months earlier, I had bought this movie for my brother and watched it. I thought it was cool, but the creepy Joker's death scene turned me off. After I got into Batman Beyond again, however, I watched it a couple of times and thought it was great. For those of you out there that prefer the older Batman series over this one, I would like to state my opinion concerning them. I remember when I was younger watched The New Adventures of Batman and Robin, the live movies, and I think I saw a 70's episode where Batman's climbing a ladder with a plastic shark taped to his leg... Anyway, I can understand why dedicated fans of those shows may be slow to like Batman Beyond. Yes, the series are different, but in a way, I prefer Batman Beyond over the older series. Why? Because even though Bruce is usually the one sitting behind the computer doing the research, his crime-fighting dependance on Terry, the new Batman, shows almost a different side of him. Bruce isn't the one anymore telling the kids to sit at home and take care of business himself. Now he doesn't have much of a choice except to send the kids out to fight while helping as much as he can. So if you're a somewhat sentimental, action-loving, and comedy-enjoying kind of person that likes seeing father-son-like relationships developing in movies/tv series, then maybe Batman Beyond can eventually grow on you.
This is truly a shame. What was taken out was, while dark, a truly integral and provacative piece(s) of the story. Don't buy this, it's not how the story really happened. It's a dumbed down version of the flick that Warner Brothers commanded to be made, because they're still under the impression that kids are stupid, and cartoons are only watched by kids. Quite insulting really.
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| 5. Scooby-Doo and the Alien Invaders Director: Jim Stenstrum | |
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Description Reviews (31)
Scooby Doo and the Alien Invaders is brilliantly made to appeal to adults, in ways children won't catch. For instance, there's a very subtle visual indication at the beginning of the movie that Fred and Daphne are actually sleeping together, but it's so mild no kid could possibly realize it. Velma's closing line has a similar bit of business that will have adults laughing out loud, but no one under high-school age would even notice. There's a calculated cutaway from a scene where a character describes his supposed alien abduction, exactly when it is obvious (to an adult) he is discussing - er, a "delicate" personal probe. Funniest of all, though, is Shaggy and Scooby simultaneously falling in love - with a cute '60s hippie chick, and her dog. Shaggy shaves his trademark scraz, combs his hair, and actually dresses up. He sings a wonderful love-fantasy song that expertly parodies Sonny and Cher's "I Got You, Babe," which will definitely have you laughing yourself off your chair if you've ever been a fan of either Scooby Doo characters or 1960's music. It's just very funny. Following the lead of other recent Scooby movies, the gang find themselves up against not only the usual crooks in masks, but actual aliens as well, all in pretty clever style. And, just as former entries in this cartoon movie series have included vocals by recognized artists, Jennifer Love Hewitt gets into this one's act by singing the theme song. This one isn't quite as good as Scooby Doo and the Witch's Ghost, but it's well worth watching - especially for the adults, but kids will love it too.
Ahem. As a stand-alone cartoon, I probably would have rated it 4 stars. As a Scooby cartoon, I had to drop it down to 3. (Well, maybe 3 and a half...) Unnecessary changes to the Mystery Machine and the gang's wardrobe made it a bit distracting. And I'm probably being too picky on the next bit, but surely they could have found some people to do a little better version of the classic Scooby characters voices - at least in the case of Scooby and Shaggy. (Where's Matthew Lillard when you need him?) If you think you can get past slightly different voices (well, actually, Fred's the same), a few wardrobe changes, and a mini-vanned version of the Mystery Machine, you may enjoy this movie immensely. It has just enough classic Scooby to be appealing, has a pretty cool "beefed-up" version of the original Scooby theme, good development of the actual mystery, and a genuinely surprising twist at the end. ... Read more | |
| 6. Batman - Mask of the Phantasm Director: Eric Radomski, Bruce W. Timm | |
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Amazon.com In Batman: Mask of the Phantasm, everyone's favorite schizophrenic billionaire crime fighter is investigating the murders of several prominent gangsters. Meanwhile, his ex-fiancée and her father are back in town. Through flashbacks, these two death-obsessed kids are shown falling in love (she lost her mother; he lost both parents--of course, they meet in a graveyard), until she leaves quickly and mysteriously. Along the way, there's a short course in the origins of the Batman costume and the origins of the Joker (voice of Star Wars' Mark Hamill!), a big fight with the smoke-enshrouded Phantasm character, who is suspected of killing the gangsters, and an even bigger fight with the Joker at the abandoned Gotham World's Fair grounds. Altogether, a good ride. --Andy Spletzer Reviews (127)
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| 7. Scooby-Doo on Zombie Island Director: Kazumi Fukushima, Jim Stenstrum, Hiroshi Aoyama | |
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Description | |
| 8. The Guyver Director: Screaming Mad George, Steve Wang | |
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Reviews (32)
As for the acting... well, I almost thought the movie was trying to teach you speak proper English (maybe that was the producers' original intention to ensure its marketability in Japan?). Even the slangs and bad languages used were pronounced ever so clearly, word for word... And why is Mark Hamil shown on the cover of the video with the Guyver costume, anyway? He's not the Guyver in the movie if I remember correctly... Having said all this, DON'T miss out "Guyver 2: The Dark Hero". That's how a movie should, in my opinion, really be.
The first problem is the script. The script went after the parent's wallets and attempted to appeal to kids, yet had probably a bit much graphic violence for parent's tastes. The music was also an issue. Honestly it sounds like a really bored guy on a Casio. The lightness of the music took away from many scenes. Jimmy Walker as a Zoanoid? Why the hell did he have to rap? Seemed like he had fun, though. Some of the Zoanoids looked a bit cheesy too. The lizard bird chick for example resembled a furby. Mark Hamill must not have known how cheesy the film was going to turn out cause he actually put a lot into it. As much as he could, anyway. Of course it was mostly based around effects and it didn't disappoint there. The Guyver suit looked great. Though the costumes looked like costumes they were better than many I've seen. Plus there was a robot of some sort of dragon reindeer. The Gore helped though it made the film seem bipolar. Had they altered the script to be more adult and match the darkness displayed in the directing and tweaked the music so it wasn't so slap-sticky this movie would be perfect. However due to it being simply fun to watch it deserves a 4/5.
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| 9. The Big Red One Director: Samuel Fuller | |
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Amazon.com Reviews (41)
There is no glorification of war here; indeed the message is very clear - the only glory in war is surviving. The movie is very creative in introducing characters whose sole purpose, with their demise, is to underline this message. The short careers of both Lemchek and Kaiser are cases in point. The battle scenes are weak and unrealistic but that's not the emphasis. The action scenes that are memorable are the ones with a subtle message; the camera focusing in on the dead soldiers wristwatch in the surf of Normandy, the water turning red with the passing of time; the scene at the asylum in France and the concentration camp scene where Griff overcomes his compunction about shooting while seeing the whites of his enemies eyes. It's a well crafted movie, with some strong acting from Lee Marvin and Mark Hamill and a movie which delivers it's message in a well thought out and strong ending.
OVERALL SCORE: (B+) PLOT: (B), ACTING: (B-), DIALOGUE: (B-), SETTING: (C), ACTION/COMBAT: (B), ANTAGONISTS: (B), ROMANCE: (n/a), AGE LEVEL: (PG) Other great war movies; The Longest Day (1962), We Were Soldiers (2002), Gallipoli (1981), Attack Force Z (1982), Cross of Iron (1976), A Bridge Too Far (1977), or The Dirty Dozen (1967).
Unfortunately, this movie is ruined by the Voice Narrator - none other than future star of "Revenge of the Nerds." Whether it's the actor chosen or bad direction, it is easily the most annoying voice over in "A-movie" history. Particularly since we have all seen this done much more effectively in war movies released since this picture was made in 1980. I have no doubt that these movies owe a debt to the Big Red One, with the directors saying, "Stop, you sound like the nerd in the Big Red One. Try it again." My "favorite" scene: The squad delivers a baby during D-Day (you can't make this crap up folks-oh wait, I guess they did). Dialogue of soldier delivering baby: "Lady, I'm a hell of a lot more scared than you are...just take it easy." (uh, Hello, this film was robbed of an Oscar for screenwriting) My "favorite" voice over narration line: My all time "favorite" dialogue: My "favorite" cowboy moment as the soldier's creep through enemy lines. Lee Marvin: "It's a bushwack." (not related to the labor scene folks) My "favorite" movie message, from this actual dialogue at an insane assylum the GIs comes across in France: Marvin: "Killing insane people is not good for public relations." Wow, that's powerful stuff. In summary, the acting is sophomoric (gotta love the off-screen screams when someone gets it - no, it's not your little brother playing in the other room--it's the movie), the writing and dialogue is stilted and corny and the tone/direction awkwardly switches from whimsical to melodramatic and back again. Still, it's not bad Sunday afternoon viewing if you like war action and enjoy making fun of old movies - the best thing to do, though, is watch it with a remote control and hit mute every time the annoying/cloying narrator speaks. For added interest, print off a script of the movie and read the narration at the appropriate points, since on rare occassions the narrator does say something interesting. ... Read more | |
| 10. Balto II - Wolf Quest Director: Phil Weinstein | |
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Reviews (38)
The DVD, however, isn't as great as the movie itself. Obviously designed for the littlest children, the game is VERY easy and extremely boring. It involves walking Balto across the ice to save Aleu, and deals with his paw prints rather then movie trivia. There's a DVD-ROM preview of a CD-ROM game, which doesn't look too interesting; the trailer is here along with trailers for the original "Balto," "E.T. The Extra-Terrestrial: The 20th Anniversary," and the latest movies in the "Land Before Time" and "Beethoven" video franchises. DVD extras: ** (2/5), and that's being generous for the "E.T." trailer. Technically this DVD is great, with perfect picture and good sound. The French and Spanish language tracks provide a good opportunity to help learn a forigen language, as they always do on DVDs. The movie is presented in 1:33:1 full frame, which is the original aspect ratio; don't complain about the lack of widescreen here. Since Universal produced this directly for video, it was originally filmed to fit TV screens, not reformatted from a widescreen version. The original BALTO was produced in widescreen but presented in full frame on the DVD (why??), however that is not the case here. Technicals: ***** (5/5.) All in all, this movie is an enjoyable Wolf Quest you'll want to be sure to add to your collection -- but don't expect much other then a great movie from the DVD edition. Review Text Copyright ©Jake Lipson, 2002.
The Native American singing/flutes/music throughout it is beautiful with only a couple of musical parts feeling a little awkward. One part I did especially appreciate was that when Balto and Jenna sent their pups to live with new humans, they didn't make it look like a horribly gross injustice that was heartwrenching and agonizing. Babies being separated from their mommies is always hard for children to understand but they did that part very well. This is not made for adults so keep that in mind but it IS wonderful for children and adults who like cartoons, getting down on a childs level and aren't too stuffy about watching shows made for them. =) You'll probably recognize quite a few of the voices but not be able to *place* them. Read the credits for a walk down memory lane! =) (probably for those over 30)
But yes...no.
It looks like the storywriters were trying to write the "New Age Gospel" for kids and decided to use Balto and his daughter as the missionaries. If you're gonna do that at least give it a decent plot. Example: That little mouse that sings a song -- and a poorly-written song at that. It's entirely new-age-ish and doesn't really help the plot along at all. Where the first movie was based on a true story, this one doesn't contain one scrap of truth. While that's okay for a film, it sure is a disappointment to those of us expecting a true extension to the story. If your local library has a copy, maybe that's worth looking it, but don't waste your money. Buy the first movie instead.
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| 11. Joseph - King of Dreams Director: Robert C. Ramirez, Rob LaDuca | |
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Description Reviews (49)
Delving once again into ancient history, this story tells of a "miracle child," the favorite son of old Jacob and his wife Rachel (the Biblical polygamy is delicately ignored, though hinted at in that Joseph is a half-brother). While Joseph's ten brothers toil in the fields, he is taught to read and write and is given a magnificently woven coat. When he has dreams that "mean something," his brothers' resentment starts to grow. He ends up enslaved in Egypt, where despite his talents and intelligence he falls further and further. But newfound humility and a special gift from God will bring him back up. This movie has a beautiful piece of symbolism - the little fruit tree that Joseph carelessly steps on as he cries out to God, "Why?" Everyone in their lives is faced with a crisis in which it is asked why God is doing this to them. The single leaf that remains living on the shattered tree shows how his faith still exists, and that faith grows as he saves the tree and nurtures it to health. God is spoken of less, as Joseph is not convincing anyone of anything, but his presence is highly felt in the writing. From a secular point of view, this is also a good cautionary tale. At the beginning, Joseph bounds past his brothers, singing, "I am special, I am smart! I am a miracle child!" and being coddled by his parents. Allowing himself to be arrogant is part of his downfall. Later on, he uses his gift and his intelligence to benefit everyone, and thus is rewarded. The secondary characters are, like Ramses of PoE, multi-dimensional even if you are supposed to dislike them. As Joseph enjoys his special status, one can sympathize with his jealous brothers -- but the same spoiled boy will take your sympathy when his brothers taunt him and cruelly sell him. Potiphar is well-drawn -- a man who betrays his own honor and clearly suffers inwardly because of it, and his niece is an instantly sympathetic character is her urgings to forgive. Though this film is acceptable for small kids, there are a few moments that will disturb them, such as when Potiphar's wife makes a (it's not obvious to the very young) pass at Joseph, and when he is dragged off while his brothers accept silver as payment for him. The songs aren't quite as good as PoE, but the animation in its lesser glory is excellent. When Joseph is led into Egypt, one can definitely sympathize with his slack-jawed awe. Lesser details, such as Potiphar's servant's thoughts on Joseph's hygiene, are also present and very enjoyable. The dream sequences strike a good balance of otherworldliness and realism. Okay, so this isn't quite up to the standards of "Prince of Egypt." There's a lesser budget, but it's a more personal, family story.
According to DreamWorks' Jeffrey Katzenberg, much of the creative team that was involved in "THE PRINCE OF EGYPT" was gathered to work on "JOSEPH: KING OF DREAMS." Although the resulting, richly colored animation, often bathed in desert light, is not quite the eye-popping caliber of the former, it is certainly satisfying. This is a vivid, thoughtful, sometimes insightful, retelling of the timeless, oft-told Biblical tale of a brother's betrayal and ironic revenge. The story begins with a naive 17 year-old Hebrew boy who ends up a powerful and wise 34 year old lord of Egypt. The sweeping tale takes us from Canaan to Egypt at the surge of its growth as an empire that ruled the world. Yet it's the personal, intimate aspects that bring about the story's power and universality. Ben Afflect creates an effective voice characterization that actually reflects the life-challenging experiences of Joseph. The ensemble cast featurs the voice talents of mark Hamill, Judith Light, Maureen McGovern and Dan Castellaneta among others. Nizo Yamamoto, who was art director on the stunning "PRINCESS MONONOKE" served as background supervisor. He created a special technique to generate the gentle softness of some of the dusky desert vistas. "I use an airbrush and spray water over the painting and then use a huge brush to soften the whole thing," he says. Over 500 artists from an international talent pool worked on this unusual project that was tweaked with break-through computer animation. In fact, not a single frame of film was exposed -- the entire movie was finished digitally. The score was composed and orchestrated by Dan Pelfrey. John Bucchino wrote the songs. In some ways, as in "THE PRINCE OF EGYPT," the songs slow down the story telling and in fact take us out of the compelling story as adapted from the Bible by Eugenia and Raymond Singer. The direction was shared by Rob LaDuca and Rob Ramirez. The DVD includes bonus features for the entiure family and all age groups from Sing-Along Songs to Storyboard Commentary to an Interactive Trivia Game and more.(DreamWorks, 74 minutes, Not Rated)
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| 12. Comic Book - The Movie Director: Mark Hamill | |
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| 13. Village of the Damned Director: John Carpenter | |
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Amazon.com Reviews (40)
Though not as promising as the 1960 original, the film makers have done an excedingly well job in creating a good scare for audiences. I would recommend this to anyone who likes a good, psychological thriller. - Joey Layou Jr.
These questions are asked in the Book of Proverbs and in John Carpenter's Village of the Damned, a remake of director Wolf Rilla's 1960 version, both adapted from John Wyndham's novel The Midwich Cuckoos. Village of the Damned is the story of the simultaneous births of telepathic children to every woman of child-bearing age in the coastal village of Midwich, California. Carpenter's version is more bloody than the ve | |