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| 1. Death Becomes Her Director: Robert Zemeckis | |
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Reviews (64)
Streep plays Madeline Ashton, a has-been actress, who tries to re-invent herself as a musical star. The hilarious opening sees Streep in a musical version of "Sweet Bird Of Youth" that has been titled 'Songbird'. It is at the first (and last) performance of the show that Madeline's old friend (and enemy) Helen Sharp (Hawn) and her fiancee Ernest Menville (Bruce Willis) become re-acquaninted. Madeline then proceeds to seduce Ernest and marries him herself. Ernest is a plastic-surgeon and the idea of free face-work is irresistable to the shallow Madeline. Ten years later, a new svelte Helen is having a book-signing party for the novel she has just published. By this time Madeline has turned into the 4th Gabor, and is completely paranoid about her complexion and her age. Madeline is completely unaware that the reason why Helen looks so God-damn fabulous is because she has a potion that will let her stay young forever. A lovely 'young' enchantress Listl von Ruman (Isabella Rossellini) is the woman behind the potion, and Madeline will do anything to get it....... This film is a delight, and features a great performance by Streep, who has mostly stuck to dramatic roles, and it is very refreshing to see her letting her hair down here. Hawn is as wonderful as always, although the restrained performance of Willis is at times very annoying.
I think that it is fair to say that this is a strange movie. Helen (Goldie Hawn) is engaged to be married to Dr Ernest Menville (Bruce Willis), a famous plastic surgeon. They watch a rather awful show at the theatre and go backstage to meet the star, Madeline Ashton (Meryl Streep). Madeline and Helen knew each other in high school, and Helen believes that Madeline intentionally steals every boyfriend Helen has. This is the final test before the wedding. Naturally, Madeline, who is vain about her appearance and worried about aging, does steel Ernest away and ends up marrying him herself. This drives Helen crazy, literally. We flash forward seven years to get an update on the characters, then another seven years to bring us to the main section of our story. Madeline is aging and she hates it. She meets up with Helen again, and Helen looks fantastic, as if she hasn't aged a day in the past 14 years. Helen is all glammed up and looks like a star. Madeline is starting to look frumpy. It is all starting to come full circle and Madeline's jealousy is driving her to do something rash. Rather than do something predictable (in the movies, anyway) like start killing people, Madeline goes to a strange woman named Lisle (Isabella Rossellini) and gets a potion that halts the aging process and returns the body to its youthful, more perfect image. It also bestows immortality. Now Madeline can compete with Helen again! This rivalry and this fight will continue on through life and even into death. "Death Becomes Her" is a comedy. It is a very strange comedy, and has something of a dark humor, but it is without question an original movie. It is one of the more overlooked movies in Robert Zemeckis's filmography. He is better known for "Back to the Future", "Forrest Gump" and "Cast Away". This isn't a perfect movie, but it is entertaining, creative, and interesting. One important thing that I can say is that I did not find this movie predictable at all. I had no idea where Zemeckis was going with "Death Becomes Her" until the end. -Joe Sherry
With excellent performances, an invective-laced script, and remarkable special effects, DEATH BECOMES HER takes on several great philosophical and literary concepts--and subverts them into one of the most wickedly funny black comedies in recent memory, dishy, bitchy, mean spirited, and a tremendous amount of fun. Film buffs will particularly relish this film, which references everything from THE ROCKY HORROR PICTURE SHOW to THE WIZARD OF OZ and a host of classic horror films such as FRANKENSTEIN, THE MUMMY, and CAT PEOPLE--and also tacks in everything from Tennessee Williams plays to rock legend Jim Morrison for good measure. Unfortunately, the DVD release is commonplace, offering the film in pan-and-scan only. To give the release its due, the shift from widescreen to pan-and-scan is expertly done and not in the least distracting--but still, a widescreen option for such a special effects heavy film would be preferred. And while this would seem to be an ideal film for a making-of documentary, the DVD offers only a handful of production notes as bonus. Even so, the film is so extremely well done that I wouldn't miss it on that account! Recommended. GFT, Amazon Reviewer
Helen (Goldie Hawn) is the mousy pal of glamourous Madeline (Streep.) Madeline constantly has to one-up Helen, who believes the trip ethat comes out of the mouth of her 'friend'. When Madeline successfully steals and marries Helen's boyfriend Ernest(Willis), Helen becomes obese and obsessed, ending up in a mental home where she bores the other patients by talking about Madeline, who knows of and delights in Helen's plight (the witch). A few years later, though, Madeline sees Helen at a party looking slim, young and happy. Turns out Helen has the secret to immortality and Madeline wants in on it. When she gets it, the fight really begins -- with incredible special effects -- and poor Ernest caught in the middle of it all. This is a great comedy on some real issues women face as they get older -- it's nice to see it in an exaggerated humorous light.
What starts off as a bundle of preachy ideas (potshots at a culture obsessed with looks and youth) quickly turns into a string of special-effects fueled sight-gags. Helen and Madeleine use Lisle's secret formula to remake themselves, but find that not even the youth it offers can survive their mutual hate, and the two poke CGI holes in each other. Both learn the hard way that Lisle's formula gives both life and youth, but not in equal portions (i.e. - you can live forever, but your new youth remains as fragile as the one you lost in your 30's). It's supposed to be ironic that in fighting each other, both "Mad" & "Hel" lose what they really wanted - to be "girls" again. Unfortunately it doesn't really work because Lisle's formula never really offers them that - neither wanted immortality, it's that fragile youth they wanted to keep, not their lives. It's a forced irony that doesn't work, and the plot wastes without something meatier to chew on than Mad & Hel's catfighting. While Streep & Hawn try to get some gags out of the script, the flick really belongs to Willis, proving again he can do just about anything. The story also gets some good action in the seductive form of Rosellini as Lisle - "keep your ass handy" she tells her buff entourage. If only they kept her handy as well, but her loss hits this movie once she disappears. ... Read more | |
| 2. The Land Before Time - Journey to Big Water Director: Charles Grosvenor | |
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Reviews (12)
I'm happy to be able to give my son cheap entertainment like that. If only he could watch Land Before Time Live, his life would be complete! Seriously though, he was just as or even more fascinated with the movie as he was with The Lion King on Broadway show, and that trip cost a small fortune. He loves the TV games included, the sing-a-long songs, the JumpStart Video . . . everything! Sooooo ... I give it 5 stars because he is totally engaged and entertained. The music isn't that drippy and inferior, either. I mean, you would think that the 9th in the series would be BAD, but it's really not. I guess I'm easy to please too, but the music is alright. Plus, I like the Donny Osmond song at the end so much that I am considering buying his CD. And that is amazing, considering I'm not an Osmond fan by any stretch of the imagination. So there you have it. Buy the DVD for your preschooler and let him have a ball, and know that there are a few touches for adults too.
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| 3. Senseless Director: Penelope Spheeris | |
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Reviews (21)
If you like good comedy movies, I recommend seeing "Senseless." My only complaints were that the movie wasn't as funny as I first thought it would be and it's a little slow getting to the funny parts. Other than that, it's worth seeing.
But then... Oops! The movie became less funny, some kind of soap appeared there, the authors seemed to remember about correctness and that's why the ending wasn't as cool and funny as beginning. I'm so sorry. But only 3 stars.
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| 4. Robocop 2 Director: Irvin Kershner | |
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Reviews (61)
I don't see how anybody could give "Robocop 2" a bad rating because it's a great sequel. It has a little bit of dark humor such as a commercial where a woman puts on blue suntan lotion that has a caution reading: "Using this too much can cause cancer." And best of all it has spectacular action sequences, especially after Robocop and Cain finally meet and start fighting each other. The special effects are great, and Robocop 2 (Cain as a robot) is especially well done with all his weapons and the computer that acts as Cain's brain. If you like great action movies or if you liked the first "Robocop," I recommend getting "Robocop 2" without thinking twice.
This was a good movie, not as bad as some people give it credit for. Peter Weller did a fantastic job as RoboCop. Tom Noonan and Gabriel Damon did just as good. This is one of the best sequels of all time. So remember to buy this and the original and avoid #3 at all costs.
And hey...what does every one see in Peter Weller? Saying he's a great actor and all - how can you tell? Most of the time his face is covered save the mouth, and his role calls for no expression in his voice. (...) And were we supposed to feel bad the bratty kid got killed? You know...the kid who tried to strangle the female lead with wire, killed a few policemen, and then tried to start a drug ring. I don't care if he's 12, you live by the sword you die by sword. Don't play that sad music and have Robocop be all sympathetic! Blech. Puuuuuh-leez. You know we need more movies where kids die...especially the annoying ones. I'll give this movie that. ... Read more | |
| 5. The Land Before Time - 4 Movie Dino Pack (Volume 1) Director: Roy Allen Smith | |
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| 6. The Land Before Time XI - The Invasion of the Tinysauruses | |
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| 7. The Land Before Time IV - Journey Through the Mists Director: Roy Allen Smith | |
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Reviews (11)
In this story, Little Foot meets another small long neck named Allie. Allie is afraid of other dinosaurs because she has only been among other long necks. As part of a band of migrating long necks, she and her family come into the Great Valley while fleeing their former home, which has become a misty swamp that they now derisively call "The Land of Mists." After their arrival, Grandpa Longneck faill mysteriously ill and the migratory long necks identify his malady and proscribe a cure - a plant that only grows in the Land of Mists. Little Foot wants to go to find the mysterious plant, and he needs Allie's help. Allie refuses, however, to go unless Little Foot's friends do not come along. Herein lies the most positive part of this tale - Allie must get over her fear of other dinosaurs if she is to be of help to Little Foot and the others. She has to learn that accept and work with those who are different from herself. The story resolves, and the children learn valuable lessons. This story also includes a couple of very funny villians who are constantly telling each how worthless they are. These two cracked us up, but their constant bantering and bickering might be a little over the top for very small children. My two laughed and laughed for hours on end. We found that it was important to explain that this behavior is inappropriate and this is why it is funny. This was easily done, since the story shows that these two end up working against each other most of the time and not with each other. I highly recommend this video. There are some tender moments in this video and some great songs. I would however caution parents with very small children, since there are two villians who are not very nice to anyone. My three and five year old really liked it, but for children younger than that, I would exercise caution.
THIS EPISODE WAS A HUGE DISAPPOINTMENT BECAUSE OF THE MEAN-SPIRITED BANTERING OF THE TWO VILLAINS. The prehistoric crocodile and pterasaur (dinosaur bird) are constantly telling each other how much they "hate" each other. There is a song they sing back and forth about how "I need you like a hold in the head" and that type of thing. And their voices are terribly annoying. I was immediately uncomfortable, but then I heard my son starting to say this stuff to his sister... HEY, I KNOW THE KIDS ARE GOING TO PICK UP MEAN LANGUAGE SOMEWHERE, BUT WHY ENCOURAGE IT? MY ADVICE: LAND BEFORE TIME I-III DO NOT SUFFER FROM THIS LOW LANGUAGE.
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| 8. The Land Before Time V - The Mysterious Island Director: Charles Grosvenor | |
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Reviews (9)
"LBT5" has likeable characters, fun songs (especially the catchy "Friends for Dinner"), and some good humorous moments. I felt that the movie's one weak link was its unsettling portrayal of relations between predator and prey species. Granted, this is a fantasy about talking dinosaurs, but it's still unnerving to know that Chomper and his family eat members of the other characters' species. The film's attempts to mine humor out of this grisly situation (thankfully, no successful predation occurs in the film) left me uneasy. (You may get the same queasy feeling from the way the same theme is addressed in "The Lion King"). This aspect of the film didn't bother my nephew at all, but it left me wondering if the filmmakers were unconsciously putting messages about social Darwinism into the film. Oh, well--I may be reading too much into a kid film. Bottom line: LBT5 is good fun, as long as the adults in the family don't think too much about the film.
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| 9. The Great Valley Adventure- The Land Before Time II Director: Roy Allen Smith | |
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Reviews (12)
Each of the movies has a "message" and while it can be a bit cloying for adult viewers, they do seem to strike a chord with the kids. In this one the kids are alone facing danger, and they "learn just how hard it is to be a grown-up - and how nice it is to be a kid! - in this captivating story of hope, love and trust." (from box notes).
Ducky's character is made annoying and I wanted her to die several times in the movie. Peetwee now speaks in the third person and is almost similar to Ducky's personality, and...gaaah! Just thinking about this movie gives me a tumor! Don't watch it. No, not even with kids. I watched this as a little kid and I hated it. That's when you know a movie is sad. ... Read more | |
| 10. The Land Before Time VI - The Secret of Saurus Rock Director: Charles Grosvenor | |
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Reviews (15)
We have about 5 movies in the Land Before Time series, but this is perhaps the best of all. There's Doc, an old Long Neck, who is a great character. The songs are great too...you should see my daughter sing "The Lone Dinosaur". She loves the song, although she thinks it's the "long" dinosaur. I've tried to tell here it's the "lone" dinosaur, but she won't listen to me! This is a good one.
They also own the original, The Big Freeze, Journey to Big Water, and The Mysterious Island. They love all of them. However, my youngest likes the original the best and my oldest likes the Stone of Cold Fire the best (which we have only rented and have to still purchase). The Secret of Saurus Rock is their second favorite, but they just received it so it could still just be that its new!
Sarah screams as often in this movie as she does in the first one. Spike still can't talk (except when he's particularly moved, say, by the thought of losing a friend). Ducky is still helpless, and hasn't advanced with her speech pathology therapy. I don't have the sense that the characters learn anything they don't know when they start; these characters don't develop. Come on, doesn't Little Foot ever get testy with his grandpa when he has flashbacks of his mother dying? The contrast with Disney movies is tremendous. Not only are the Disney songs listenable (I can't believe an adult can listen to "The Lone Dinosaur" and not cringe), but the characters there *learn* something during their adventure. This is probably why Disney movies don't lend themselves to good sequels - the character's development is all played out in the original movie, so what more does Simba or Ariel have to learn? Here, the sequels are naturals, because all the characters stay the same. Perhaps this is comforting for young folks, but I don't think so. I asked my six-year-old whether she liked these movies as much as Lion King or Lilo and Stitch; she said no, she found them boring. Another quibble with this movie: there is a dumb (I can't think of a better word) subplot about "bad luck." Did Doc bring "Bad Luck" to the Great Valley? Do you believe in "Bad Luck?" What if "Bad Luck" really exists? I've seen the movie several times, and I have no idea what this subplot is supposed to be teaching children, except that sometimes Stephen Spielberg funds movies that raise nonsensical questions. ... Read more | |
| 11. True Stories Director: David Byrne | |
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Amazon.com Reviews (53)
The music is simply wonderful, the children singing "Hey Now" in a field that is being taken over by urban sprawl is worth the price of the movie alone. Talking heads interject several times with shameless music videos. And characters in the movie sing Talking Heads songs... in voices that were made from you and me. This movie, in which David Byrne makes his directorial debut Byrne tours us around the town of Virgil, Texas, and introduces us to the citizens of that town, their interests, their industry, and their shopping mall. John Goodman's character looks for a love.. and it all ends in a talent show that was wonderfully edited and gave it a sense of excitment. Goodman doesn't sing too bad, either. In my opinion this was one of the top Rock and Roll movies ever made (it should be noted that the best Rock and Roll Concert Documentry is "Stop Making Sense" also by the Talking Heads.
Listenable, too. The songs are a blast, whether lip-synched by the 'locals' hilariously or sung by the cast. The Talking Heads as the backing band for the songs are terrific, with some gorgeous pedal steel guitar thrown in. For Spalding Gray fans, it is a classic performance, if brief. Worth buying, even though it's not widescreen and has no special features, because you will play it again and again.
It recalled to me a line from Allen Ginsberg to the effect of "America, I love you like I love my crazy uncle who sits in the corner, drooling and eating flies." If you appreciate bonafide American craziness, such as the First Church of Elvis, Mount Rushmore, or the Dallas Cowboy Cheerleaders, you will get a kick out of this movie.
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| 12. The Land Before Time III - The Time of Great Giving Director: Roy Allen Smith | |
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Reviews (6)
Especially Sarah...my god she does nothing but scream for five minutes in one scene!! It makes you irritated beyond belief! Oh sure, you may think I'm overreacting, but you listen to some one give a girly high-pitched scream every two seconds for five minuntes and then tell me how you feel. Sarah should have been killed off and saved us all a lot of mercy. She probably should have been killed by Sharptooth in the first movie! This sequel could be enjoyable for some. Could be.
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| 13. The Land Before Time X - The Great Longneck Migration Director: Charles Grosvenor | |
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Amazon.com Reviews (17)
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| 14. Storm Tracker Director: Harris Done | |
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| 15. Suture Director: David Siegel (III), Scott McGehee | |
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| 16. Death Becomes Her Director: Robert Zemeckis | |
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Amazon.com Reviews (64)
Streep plays Madeline Ashton, a has-been actress, who tries to re-invent herself as a musical star. The hilarious opening sees Streep in a musical version of "Sweet Bird Of Youth" that has been titled 'Songbird'. It is at the first (and last) performance of the show that Madeline's old friend (and enemy) Helen Sharp (Hawn) and her fiancee Ernest Menville (Bruce Willis) become re-acquaninted. Madeline then proceeds to seduce Ernest and marries him herself. Ernest is a plastic-surgeon and the idea of free face-work is irresistable to the shallow Madeline. Ten years later, a new svelte Helen is having a book-signing party for the novel she has just published. By this time Madeline has turned into the 4th Gabor, and is completely paranoid about her complexion and her age. Madeline is completely unaware that the reason why Helen looks so God-damn fabulous is because she has a potion that will let her stay young forever. A lovely 'young' enchantress Listl von Ruman (Isabella Rossellini) is the woman behind the potion, and Madeline will do anything to get it....... This film is a delight, and features a great performance by Streep, who has mostly stuck to dramatic roles, and it is very refreshing to see her letting her hair down here. Hawn is as wonderful as always, although the restrained performance of Willis is at times very annoying.
I think that it is fair to say that this is a strange movie. Helen (Goldie Hawn) is engaged to be married to Dr Ernest Menville (Bruce Willis), a famous plastic surgeon. They watch a rather awful show at the theatre and go backstage to meet the star, Madeline Ashton (Meryl Streep). Madeline and Helen knew each other in high school, and Helen believes that Madeline intentionally steals every boyfriend Helen has. This is the final test before the wedding. Naturally, Madeline, who is vain about her appearance and worried about aging, does steel Ernest away and ends up marrying him herself. This drives Helen crazy, literally. We flash forward seven years to get an update on the characters, then another seven years to bring us to the main section of our story. Madeline is aging and she hates it. She meets up with Helen again, and Helen looks fantastic, as if she hasn't aged a day in the past 14 years. Helen is all glammed up and looks like a star. Madeline is starting to look frumpy. It is all starting to come full circle and Madeline's jealousy is driving her to do something rash. Rather than do something predictable (in the movies, anyway) like start killing people, Madeline goes to a strange woman named Lisle (Isabella Rossellini) and gets a potion that halts the aging process and returns the body to its youthful, more perfect image. It also bestows immortality. Now Madeline can compete with Helen again! This rivalry and this fight will continue on through life and even into death. "Death Becomes Her" is a comedy. It is a very strange comedy, and has something of a dark humor, but it is without question an original movie. It is one of the more overlooked movies in Robert Zemeckis's filmography. He is better known for "Back to the Future", "Forrest Gump" and "Cast Away". This isn't a perfect movie, but it is entertaining, creative, and interesting. One important thing that I can say is that I did not find this movie predictable at all. I had no idea where Zemeckis was going with "Death Becomes Her" until the end. -Joe Sherry
With excellent performances, an invective-laced script, and remarkable special effects, DEATH BECOMES HER takes on several great philosophical and literary concepts--and subverts them into one of the most wickedly funny black comedies in recent memory, dishy, bitchy, mean spirited, and a tremendous amount of fun. Film buffs will particularly relish this film, which references everything from THE ROCKY HORROR PICTURE SHOW to THE WIZARD OF OZ and a host of classic horror films such as FRANKENSTEIN, THE MUMMY, and CAT PEOPLE--and also tacks in everything from Tennessee Williams plays to rock legend Jim Morrison for good measure. Unfortunately, the DVD release is commonplace, offering the film in pan-and-scan only. To give the release its due, the shift from widescreen to pan-and-scan is expertly done and not in the least distracting--but still, a widescreen option for such a special effects heavy film would be preferred. And while this would seem to be an ideal film for a making-of documentary, the DVD offers only a handful of production notes as bonus. Even so, the film is so extremely well done that I wouldn't miss it on that account! Recommended. GFT, Amazon Reviewer
Helen (Goldie Hawn) is the mousy pal of glamourous Madeline (Streep.) Madeline constantly has to one-up Helen, who believes the trip ethat comes out of the mouth of her 'friend'. When Madeline successfully steals and marries Helen's boyfriend Ernest(Willis), Helen becomes obese and obsessed, ending up in a mental home where she bores the other patients by talking about Madeline, who knows of and delights in Helen's plight (the witch). A few years later, though, Madeline sees Helen at a party looking slim, young and happy. Turns out Helen has the secret to immortality and Madeline wants in on it. When she gets it, the fight really begins -- with incredible special effects -- and poor Ernest caught in the middle of it all. This is a great comedy on some real issues women face as they get older -- it's nice to see it in an exaggerated humorous light.
What starts off as a bundle of preachy ideas (potshots at a culture obsessed with looks and youth) quickly turns into a string of special-effects fueled sight-gags. Helen and Madeleine use Lisle's secret formula to remake themselves, but find that not even the youth it offers can survive their mutual hate, and the two poke CGI holes in each other. Both learn the hard way that Lisle's formula gives both life and youth, but not in equal portions (i.e. - you can live forever, but your new youth remains as fragile as the one you lost in your 30's). It's supposed to be ironic that in fighting each other, both "Mad" & "Hel" lose what they really wanted - to be "girls" again. Unfortunately it doesn't really work because Lisle's formula never really offers them that - neither wanted immortality, it's that fragile youth they wanted to keep, not their lives. It's a forced irony that doesn't work, and the plot wastes without something meatier to chew on than Mad & Hel's catfighting. While Streep & Hawn try to get some gags out of the script, the flick really belongs to Willis, proving again he can do just about anything. The story also gets some good action in the seductive form of Rosellini as Lisle - "keep your ass handy" she tells her buff entourage. If only they kept her handy as well, but her loss hits this movie once she disappears. ... Read more | |
| 17. Robocop 2 - Meltdown Director: Irvin Kershner | |
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Reviews (7)
In this movie he faces "Robocable," his replacement, and the ensuing battles and chases are excellent. Don't set hopes too high, but this is worth a look.
This R1 release is issued in Anamorphic Widescreen (1.78:1) with English Dolby 2.0 Surround. Surprisingly it's a good strong surround mix. Dialogue, despite some negetive reviews of the broadcase version, is strong and easily understandable. The R2 release however appears to be in Dolby 5.1, which is ashame because the R1 could have benefitted from a 5.1 mix. But anyway... Picture quality? Pretty good for a TV show. The only issue is with out-of-focus background lights. They have that digital compression "dot crawl". But other than that, all live action and special f/x look extremely sharp and clear. Just recently bought this series in geer up for the new release of the Robocop Trilogy. Now, I'd like to see the mid-'90s Robocop series released on DVD. The only thing lacking in this series is the lack of use of Robo's automated targeting grid system. I always found that aspect very cool about the theatrical movies.
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| 18. Robocop 2 Director: Irvin Kershner | |
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Amazon.com Reviews (61)
I don't see how anybody could give "Robocop 2" a bad rating because it's a great sequel. It has a little bit of dark humor such as a commercial where a woman puts on blue suntan lotion that has a caution reading: "Using this too much can cause cancer." And best of all it has spectacular action sequences, especially after Robocop and Cain finally meet and start fighting each other. The special effects are great, and Robocop 2 (Cain as a robot) is especially well done with all his weapons and the comp | |