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| 1. Stephen King's Rose Red Director: Craig R. Baxley | |
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Amazon.com Reviews (119)
Nancy Travis was absolutely fantastic in her role of Joyce Reardon. Matt Keeslar was pretty good in his role of Steven Rimbaeur, only because his acting was a little dry. Matt Ross was really agitating in his role of the Post Cognitive, Emery Waterman. I thought that Julian Sands was awesome in the role of telepathic Nick Hardaway. Kimberly J. Brown was really wonderful as the autistic, yet telekentic Annie Wheaton. Judith Ivey (one of my favorite actors inth film) was incredible in role of the automatic writer, Cathy. If N E body is looking 4 a good Stephen King horror flick, check out Rose Red. It's a real Scream.
Again, if you want a GOOD haunted house movie, watch 'The Haunting' (1963) with Julie Harris or 'The Legend of Hell House' with Roddy McDowall.
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| 2. The Devil's Advocate Director: Taylor Hackford | |
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Amazon.com essential video Reviews (174)
Aside from that, "Devil's advocate has many other flaws. Al Pacino as John Milton/The Evil One is laughable. And I like Pacino. If Satan was half as idiotic as Pacino portraits it, the world would be an eternal rainbow-sunshine scene. The plot of this movie is so thin I already forgot it. All other characters (with the exception of the two women) are just ridiculous sidekicks in the unfinishable story of the battle of Good against evil. I can't remember one single actor in this movie other than Reeves, Pacino, Theron and Nielsen. The final confrontation scene and the whole situation it involves is so grotesquely scripted that the movie looses even the aura of "fable", something that could save parts of the story. I give "Devil's advocate" two stars because of Charlize Theron and Connie Nielsen. The south african is extremely beautiful, and a competent actress that draws attention whenever she's on screen. The dane , though barely opening her mouth, has an unforgettable facial expression, and is also very beautiful. Watch this only if it runs on TV on Wednesday night and you have absolutely nothing else to do.
Pacino plays this character beautifully - he is sly, charismatic, chilling, and seductive all at once. One of my favorite scenes was the elevator scene where Milton bates Kevin's mother by calling her "Mrs. Lomax" and asking her slyly that "surely this wasn't her first trip to New York". Absolutely wicked! Then, as Milton casually wisks Kevin off to a night on the town at the Flamingo club and the boxing match (naturally Don King would have an alliance with Satan), I was mezmerized watching Milton weave his spell and reel Kevin smoothly into his web. Pacino's climaxtic argument is brilliant as he exclaims that he's a fan of man and why. As I watched Kevin's descent from Maryann,(Charlize Theron and Keanu had wonderful chemistry as a married couple),I was reminded of how we all make certain decisions then try to justify our actions later, usually with the precursor that, "It wasn't MY fault, it was the work of Satan... then, like Kevin, we make the same decisions over and over. I thought Keanu Reeves was perfect as the cool, arrogant, hotshot attorney who knows that he is so...good. I am completely baffled by all the haters panning Keanu's acting, he did a great job. I thought the casting of all the actors were on point in this movie, everyone connected with each other and with their characters. My only complaint is that the deleted scenes cannot not be viewed without the director's commentary. The sub-titles can't even be displayed. While this DVD has one of the best director's commentary's, it would be nice to have the option of watching the deleted scenes on their own since these scenes contribute to the continuity of the story and clear up questions a viewer may have. Overall, this movie is just outstanding!
Charlize Theron delivers a performance the caliber of which I didn't think she was capable. She portrays the stages of madness through which her character stumbles through very accurately, cryptically, and passionately. Her character (Keanu Reeves' wife) is slowly isolated and cut off from her husband through the doing Pacino, who uses the seven deadly sins to manipulate Keanu and keep him as far away from his wife as possible while at the same time manipulating her with a various assortment of devilish tricks. The dialogue in this movie is incredible. The conversations in this movie alone are worth watching. Pacino generally has the most thought-provoking lines in the film, though Keanu's mother and Theron have their moments. I can't think of a single flaw in the character chemistry and interactions within this movie. It's perfect. Half the movie you feel your stomach writhing and twisting as you find yourself thinking and re-evaluating issues and aspects of your life you'd either forgotten about or taken for granted. These aren't the only time in which you'll feel your stomach doing helixes in your bowels, however. For the other half of the movie, your insides will squirm with discomfort. This movie is one of the most R rated movies I've ever seen. Chalked full with graphic images including nudity, horror, blood/guts, violence and dialogue that includes some seriously disturbing topics, this movie becomes increasingly difficult to sit through as you go on. The director makes it very clear he's not sparing the viewer for anything. The camera rarely ever cuts or zooms in during the appropriate moments. Instead, he captures everything in startling detail. For instance, a suicide scene in which a character slits their throat is very, very graphic and terrifyingly realistic. Another scene of sequence of violence goes back and forth between Pacino talking about humans greed and a character in the movie being beaten to death by two demons (supposedly sent by Al Pacino). Other examples of disturbing images would be a series of scenes that feature Charlize Theron, one in which you see her completely nude with large gashes and slashes across her body, and another scene which could easily be classified as horror and is too difficult to really describe. It suffices to say that it involves Charlize Theron and a baby child within a conjured halucination of Pacino's; yet another way of driving Theron's character mad. When these two elements combine, it makes for a compelling and thought provoking film pot-holed with graphic imagery and disturbing themes. Even the climax of the movie includes an impressive amount of nudity, sexual content and violence. Despite all of this though, "The Devil's Advocate" is a very worth-while and ultimately poweful film, if not completely comfortable to watch all the way through. I don't recommend this movie for family viewing or young children. It's a movie that you need to mentally prepare for, and perhaps have an "antidote" movie lined up, perhaps a good-hearted comedy. There is one more good thing I can say for this movie; it has a satisfying ending. It's a film where the ending could make or break the entire feel of the movie. If you're going to sit through a movie that feels twice as long as it is with the constant assaults on your senses and comfort with controversy, adult themes and disturbing images, you're holding out for a good ending. Well, without a doubt, "The Devil's Advocate" delivers. In short, this movie is worth seeing simply for it's thought-provoking dialogue and plot-line.
I do not intend to reveal anything else, since all of the interesting surprises will be presented in the intense and inspiring climax. This is probably Reeves' best performance. He manages to create a believable character - a kind of example, a role model for the American way of life. Kevin's wife, Mary Ann, is most likely the hardest character to play, since she goes through a complex and difficult emotional evolution. From being strong, devoted and ambitious (a female copy of her husband) to vulnerable, hurt and on the verge of madness. Charlize Theron gracefully floats into this character. The most interesting of performances and characters is John Milton - the essence of Kevin Lomax's temptation. Al Pacino is nothing less than astonishing, an award worthy performance that is as good as anything seen this year. An inspiring thriller, visually stunning as well as thought provoking, 'The Devil's Advocate' should be viewed with an open mind. ... Read more | |
| 3. Hello Again Director: Frank Perry | |
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Description Reviews (8)
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| 4. Without Limits Director: Robert Towne | |
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Amazon.com Reviews (75)
It's a shame this movie didn't have wider exposure. It didn't even come to a theatre close to us...I think it played in Dallas, but that's 120 miles one way. I am a fan of middle distance running...and I'm from the 60's so I remember the impact Steve Prefontaine had on the sport...and I mourned his passing like many others. This movie is worth watching even if you're not really into track and field...it's a story about a man with a gift. He was talented, difficult, and most of all, true to himself at all times. I wish I had know Pre...I know I would have liked him a lot! Hat off to Tom Cruise, who produced this tribute to the elusive "Pre." I am going to purchase this movie and put it up there with my copy of "Running Brave." It's that good. Enjoy!
People who run long distance, who love Steve Prefontaine and/or what he stood for, are throwing stars at both of these movies for those reasons, I suspect, not for the movies as artifacts in themselves. Since I attended Prefontaine's high school a number of years later, I met him my first week of school, I ran long distance and even posted faster two-mile times then Pre as a freshman and sophomore, and I was in the Marshfield stadium when his running colleagues carried the coffin onto the field for a memorial service before the body was taken to its final resting place south of town, I fight to retain some objectivity myself. "Without Limits" is coach Bill Bowerman's, fellow runner Kenny Moore's, and a particular Pre girlfriend's version of the story, gussied up by screenwriter Robert Towne. Towne has done incredible work in the past ("Chinatown," for instance), but I thought his other Eugene, Oregon/distance running story, "Personal Best," stunk. This one is better. Crudup does a good job of playing Pre; I think "Prefontaine"'s Leto barely edges him for looks. "Without Limits" does a slicker, big screen presentation compared to the earlier film's home movie/documentary style, which is why I think it might appeal more to the average moviegoer who doesn't know anything about Pre or doesn't care about distance running. They're just different approaches to the same basic story ... and probably equally wrong in many of the details. (Prefontaine's parents were in on the earlier film, and supplied the makers with actual home movie footage of Pre as a child.) I'm delighted that any film got made about this man, let alone two; I'm gratified if either movie has served to inspire younger runners; but I think it's ridiculous to argue that one or the other "really" captures the man. Just enjoy them for what they are, and cherish the memory of an incredible athlete.
I've seen "Prefontaine," the other movie about Pre's life, and I can't say that I was impressed. Some reviewers claim that it is more factual. Perhaps that is the case, but "Prefontaine" is not a well made movie. It also takes on extra baggage that distracts from the story. For example, in one scene they show Pre making snide comments about anti-war protesters. Was Pre a hawk? Did he ever express an opinion about war? I have no idea. But as a college athlete it would have been exceptionally hypocritical to have such an opinion when his status as an athlete allowed him to stay out of the military. "Without LImits" doesn't get bogged down in these unimportant side issues. Instead, it focuses on Pre's fight against the AAU, the governing track and field organization which was so obviously taking advantage of athletes at the time. Prefontaine once said, "Most people run a race to see who is fastest. I run a race to see who has the most guts." That about sums up the spirit of this movie. While the movie is great, the DVD is nothing special. I can't figure out why movie studios make great movies like this and then slap them on a DVD with "extras" that include sub-titles at that's it. If there was ever a DVD that should have had extras this one was it - short documentaries on the real Prefontaine, how the movie was filmed, interviews with people who knew Pre, those who were fans at the time, archival footage. This could have been a stupendous DVD with lots of entertaining, educational and inspirational extras. Maybe they'll release an updated version - because this movie deserves it.
Sean McClory
BUY IT! ... Read more | |
| 5. The Woman in Red Director: Gene Wilder | |
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| 6. Washington Square Director: Agnieszka Holland | |
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| 7. Brighton Beach Memoirs Director: Gene Saks | |
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Reviews (11)
Aside from that, it is a great movie that exudes love, desire and real life. The acting is superb. This is one of the best Neal Simon movies ever, I think.
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| 8. The Lonely Guy Director: Arthur Hiller | |
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As it were, the Hubbard character comes across like a sexless zombie in a double-knit suit. Watching this film was as frustrating as watching a three week schedule of Roadrunner cartoons 24/7. Even "Dumb and Dumber" had at least a few redeeming qualities. As of this writing, you can get a used dvd copy of this on amazon for about $9.00. My suggestion would be to throw your money into the gutter instead, because it will be a lot more entertaining and a lot less waste of time.
Hubbard, then goes out on his own in New York City, and "The Lonely Guy" is both a laughfest, and a charming, The laughs come in when we see Larry trying to find He first sees a high class apartment, but then narrates Then when Larry starts looking for an apartment, he When Larry finally gets settled he meets a man Seeing his skill in dealing with lonely guys, Larry Larry then goes on a mission (with both comical He meets Iris (Judith Ivey) a great woman, but Other comical scenes involved Larry trying to find The movie is hard to find, and out of print, but
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| 9. What The Deaf Man Heard Director: John Kent Harrison | |
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Reviews (9)
I've recommended this to anyone who'd listen. Good job!!!!!
The VHS version contains interviews with the actors and behind the scenes making of the movie footage. I guess I expected that if footage was on the video, then it would be in the DVD. Boy was I wrong. The DVD version was good quality, but contained no extras whatsoever. So if you are like me and hoping to replace your VHS with the DVD, you'll be disappointed. Now I have two copies of this movie depending on if I just want to see a particular scene or the behind the scenes footage. I guess the VCR is sticking around a little while longer.
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| 10. Decoration Day Director: Robert Markowitz | |
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| 11. What Alice Found Director: A. Dean Bell | |
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| 12. In Country Director: Norman Jewison | |
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Amazon.com Reviews (15)
take care all
Bruce Willis wisely downplays all of his usual acting schtick (much like he did in Terry Gilliam's Twelve Monkeys). He delivers a truly heartfelt performance as an emotionally damaged Vietnam veteran. Pay close attention to what he does in this movie -- he uses his very expressive face to convey a wide spectrum of emotions that brings across the inner turmoil that is going on in his character. In Country is told from the perspective of Emily Lloyd's character. She is a naive, young girl who wants to know more about the war that took her father away from her and can't understand why her father's friends are so unwilling to talk about their experiences. This is her best performance of her, so-far, short career. But, let's be honest, this film belongs to Willis and deservedly so. He's the kind of actor who needs a strong director to reign him in and Norman Jewison is that kind of a filmmaker. He really gets a wonderful performance out of Willis that is wrenching, funny, sad and everything in between. This an excellent character-driven film set in small-town America much like the equally underappreciated Robert De Niro-Ed Harris drama, Jacknife. In Country examines how war not only effects those who fought in it but also the people around them after they return home. Sadly, the DVD has nothing in the way of extras (a commentary track by Jewison or the book's author, Bobbie Ann Mason, would have been nice) and is also presented in pan and scanned mode. Too bad.
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| 13. Brighton Beach Memoirs Director: Gene Saks | |
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Description Reviews (11)
Aside from that, it is a great movie that exudes love, desire and real life. The acting is superb. This is one of the best Neal Simon movies ever, I think.
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| 14. Sister, Sister Director: Bill Condon | |
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Together, they run the bed and breakfast with the help of a hunky handyman and childhood friend, Etienne (Benjamin Mouton), who is sweet on Lucy, despite Charlotte's watchful eye. Charlotte also has someone sweet on her, the local sheriff, Cleve Doucet (Dennis Lipscomb), whom she is on the verge of losing, because for some inexplicable reason she refuses to marry him. One day, Matt Rutledge (Eric Stolz) arrives at the Bonnard bed and breakfast, where he is to be a guest. He, too, seems smitten by the lovely, ethereal Lucy, much to Charlotte's consternation and Etienne's annoyance. What follows is a series of macabre events, fueled by secrets of the past and misguided perceptions. While the plot is engaging, parts of it are a little over the top. Still, it is so well done that it keeps the viewer riveted to the screen. Terrific performances are given by all, with those of Jennifer Jason Leigh and Benjamin Mouton being especially fine. The ending is also particularly memorable. Shrouded in the mists of the Louisiana bayou, it is a vindication of Lucy's visions and a fitting memoriam to love everlasting. This is a film well worth viewing. Those who enjoyed that other southern gothic, "The Gift", will, undoubtedly, enjoy this one, as well.
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| 15. Child Safety | |
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Description Child Safety, hosted and narrated by award-winning Broadway, film and television actress Judith Ivey, allows adults to view unsafe situations from the child's point-of-view. The program uses state-of-the-art electronic graphics to illustrate and reinforce important points for children to remember in a variety of potentially dangerous situations staying home alone, riding on bikes or in cars, playing at home or in school, connecting to strangers on the computer, and living in homes with guns. Child Safety shares with families the latest research on keeping safe, the real-life stories of three families whose children survived life-threatening injuries, and the experience of experts who work with children of all ages from infants to teens. Each segment also offers a safety checklist for parents. | |
| 16. The Devil's Advocate Director: Taylor Hackford | |
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| 17. Dixie Changing Habits Director: George Englund | |
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| 18. The Stand-In Director: Roberto Monticello | |
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I REALLY enjoyed the subplot including the wonderful performance of A Differnt World's Lou Myers, as the former Negro League baseall player that the main character befriends in the nursing home. He was funny brash and poignant. Photography was nothing special, many medium shots, but just a sweet tale that I thoroughly enjoyed. ... Read more | |
| 19. The Shady Hill Kidnapping (Broadway Theatre Archive) Director: Paul Bogart | |
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| 20. The Stand-In Director: Roberto Monticello | |
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Description Reviews (2)
I REALLY enjoyed the subplot including the wonderful performance of A Differnt World's Lou Myers, as the former Negro League baseall player that the main character befriends in the nursing home. He was funny brash and poignant. Photography was nothing special, many medium shots, but just a sweet tale that I thoroughly enjoyed. ... Read more | |
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