Amazon.com essential video

After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").

The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.

Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.

The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

More Incredibles at Amazon.com

The Incredibles Toy Store	CD Soundtrack	The Art of The Incredibles Book
Game Boy Advance	On VHS	The Essential Guide Book

The Pixar Feature Films

Toy Story, 1995 A Bug's Life, 1998 Toy Story 2, 1999

Monsters, Inc., 2001 Finding Nemo, 2003 The Incredibles, 2004

More Animation DVDs

Favorite Animated Performances	Previous Animated Oscar Nominees	If You Like The Incredibles...
Our Disney DVD Store	Looney Tunes Golden Collection	Walt Disney Treasures

More Superheroes on DVD

Batman Blade The Hulk

Justice League Robocop Space Ghost

Spider-Man Superman Teen Titans

Wonder Woman X-Men Also see our Comics & Graphic Novels Store

Also from Filmmaker Brad Bird

The Iron Giant (Writer/Director)	"Family Dog" on Amazing Stories (Writer/Director)	Batteries Not Included (Cowriter)
The Simpsons (Director/Consultant)	King of the Hill (Consultant)	The Critic (Consultant)

... Read more

Reviews (281)

The Incredibles
Disney-Pixar's 2004 animated feature about a super hero and his family who come out of hiding to battle a new villain.Mr. Incredible and his wife Elastigirl live quiet normal lives as Bob and Helen Parr in suburbia under government supervision due to previous public lawsuits that put them and other superheroes out of business.All is not well though as their superhero instincts and talents clash with mundane work and little excitement.Elastigirl has managed to adapt, but Mr. Incredible discreetly moonlights with his pal Frozone on "bowling night" saving people from fires and knocking out common criminals.Mixed in this trial are the children Dash and Violet, confused about their inherited superpowers while trying to cope with the difficult social challenges at school.Lastly is Jack-Jack the baby brother who appears to have been spared of any super talents.

Just when Mr. Incredible feels he has hit rock-bottom, he's hired by an apparent secret government organization to defeat a renegade robot at their base on a remote island.Mr. Incredible is successful and looks forward to more exciting assignments.It isn't long, however, before he finds out he's been duped into serving as a test bed for robots at the hands of Syndrome, an evil genius posing as a new superhero through clever gadgets.When Elastigirl learns of her husband's whereabouts, she heads out via jet to find out what's going on.Dash and Violet secretly follow their mom, and through a series of events, all find themselves battling Syndrome and his army of bad guys and robots.

This is a gem of an animated feature.While Pixar has ratcheted another progressive advance in animation, the characters and the story are terrific and not overshadowed by the techno-visual display.Dash and Violet are a joy to watch as they learn how to use their superpowers in the fight against evil, especially Dash's chase sequence when he's pursued bybad guys flying saucer hovercraft.Mr. Incredible and Elastigirl sorting out their family problems in the midst of this excitement are humorous and all the actors who voice the characters could not have done better.And not to be forgotten, Jack-Jack reveals his special powers near the conclusion of this feature.

Obviously the ending of this movie leaves options open for a sequel, and while this looks like a promising proposition, Pixar will have to work hard to compliment this feature successfully.

More For Adults?
This is a great movie for families, very funny and enjoyable to watch. Many of the themes will go over the head of younger children, more so than in most animated movies.But it's more fun for adults than most, and kids will still really enjoy it.I was pleasntly surprised by this movie, and would highly recommend it.

Not as good as Finding Nemo
Genre: Computer-Animated, Comedy

Genre Grade: A

Final Grade: A-

This was a great addition to Pixar's wonderful collection of films. While I believe Finding Nemo and even Toy Story were better than this movie, it still had some hilarious moments and great characters, namely Holly Hunter. I will say, however, that this is the most stunning computer animated movie I've ever seen. It's INCREDIBLE! Hahaha, sorry. I would have liked to have seen Samuel Jackson in more of the movie, and I think they could have made their characters a bit more quirky, honestly. Why was Finding Nemo so good? Because of a little fish named Dori. One character can make a movie (Toy Story hada number of them that made it), and I guess to me, this movie was just lacking in any incredible characters. Still great though!

Could not stop watching it over and over again
I have always been impressed with Steve Jobs and Pixar's work but this is the first time I was just blown away by what I took in with the multi viewing of The Incredibles. I didn't see this picture in the movies when it was released. I rented with a mail order online store. This movie was awe inspiring from begining to end. From its throw back look and feel to its technologically fantastic special effects. It brought me back to a time when having a super hero on your wall in your room meant something. I was never a big fan of comic book hero's but I would have loved to see The Incredibles in comic book form back in my younger days. As a african american male I was deeply touched by the movie having an african american super hero. One that didn't die in the begining of the film but really had an impact to the whole story line. I also enjoyed the fact that it depicted flawed super hero's that were not perfect and made mistakes. They seemed so real to life and genuine in all the things that happened to them. I only own one other Pixar movie Finding Nemo but this one hands down is my ultimate favorite yet. I do hope Pixar continues in this series for I am looking forward to the Incredibles 2.

Not just a "kid movie"
Some people love animation and some people could do without it. I'm addressing this review to the second group of people whom I urge to watch this for a number of reasons.

First, the characters. I guarantee that most people will forget this is animated for large stretches because of how interesting the characters are AND how well they are developed. Two methods are used to accomplish this brilliantly. One is the great interplay and dialogue which is typically confrontational between close friends and family members as well as between the heroes and villians. Another is the "historical backdrop" provided at the beginning of the movie where the heroes are shown "back in the day" before the primary plot conflict begins. This, I believe, is key to the success of every great story from "Lord of the Rings" to "Star Wars (IV,V,VI)" to "Harry Potter".

Secondly, the plot is superior among animated movies. I admit I liked "Toy Story I & II" as well as great Japanese stuff like "Spirited Away", but although they are spectactularly animated they're still kid movies. This flick has a great complex superhero plot which has several great surprises and twists and isn't revealed to the audience all at once. The suspense continues until the very end which ends on an uplifting family note and ties off all the subplots for each character beautifully.

Lastly, the comedic aspect is superb. From the strained family relationships stemming from the inability to use their super-powers to the "ever had one of those days?" theme this movie will draw in even those most critical of this budding genre of computer-aided animation by, once again, the film's ability to suspend the audience's realization that these aren't "real people". The overcoming of personal obstacles which characterizes the best of superhero movies is front and center in this movie, but unlike Batman and Spiderman, the family aspect gives the movie a kind of "everyman" applicability that the average film-goer will appreciate. ... Read more

Reviews (1926)

The force is strong with this one.
Star[]Wars! The series has come back into full swing with 'Attack of the Clones.' Everything that 'Phantom Menace' tried to be and more, we return to the rollicking space adventure that made the first three classics. Don't pay attention to the negitive reviews, aside from a little cheese covered romance the goods are delivered in great fashion. 'Attack..' is packed with extremely well lensed action set pieces that remind the viewer of the summer of 1980. The acting is decent and works for the material provided...I mean, this is Star Wars not Shakespere and lines are delivered with intended monotonality; lightsabers speak louder than words and emotion a Jedi does not crave. I found this film to be better than 'Return of the Jedi' due to its return to the swashbuckling action/adverture of the first two movies sans cute little talking kid friendly creatures that help generate mechandise sales for the toddler marketing target group. The special effects are outstanding of course, and the sound effects were really cool. The story was decent enough to get you to care what happens to the heroes and dislike the villians (finally, villians. That seemed to be missing from episode one save Darth Maul who was way underused). All around an excellent chapter in the saga and a great movie in itself. This film makes you look forward to the next installment and the man himself-Darth Vader. Thanks, George for reigniting the magic that was, and is, Star Wars.

the best of the star wars movies
in this one,yoda fights.this is truly awesome.anakan is growing up.he goes to get his mom from slavery but shes been killed by these nasty little monsters.so he goes genocidal on them all.ben is tring to teach anakan but hes learning way faster than normal and is quite the showoff.the kids will like it.it is the last full length movie of the set.there is an animated short film after this part called clone wars.the last one is due out next summer.just anybody bwill like it.the chick is a young teen ans ends up being anakans girlfriend.i dont know what you heard but this is an all time great.the special effects are cool.this movie is a classic!

Big Trouble In Little Greece: Attack Of The Kung Fu Robots
If I were a movie director and for some reason I decided to undertake the project of making the most grotesque parody and mockery ever made of the original Star Wars trilogy, I would do the following:

First, I would open the movie where the main character of the movie -The Jedi- freefalls some 10,000 stories in a sprawling metropolis, all the while narrowly missing multitudes of careening hovercrafts which literally filled the sky, only to finally land safely inside one of them just in the nick of time, nanoseconds before he was about to slam into the ground.

Secondly, I would include the most bland, personality-less, emotionally-uninspiring actors and actresses I could find. Also, I would incorporate pseudo-Greek cultural and archeological elements throughout the movie (which had no relevancy to the sci-fi theme of the movie) so as to confuse the viewer as to what planet...or planets the movie was taking place in...or what universe and epoch(s) for that matter. I'd include several pseudo-romantic scenes where there wasn't an iota of emotion or chemistry between the two love birds and whose forced, stimulated 'romantic scenes' seemed to serve no purpose, either.

I would then attempt to completely destroy...annhilate the original Star Wars's sacred notion of the force -as being stimulated and channeled by spirituality and mind over matter- and any drama associated with it as well. MY notion would be that the measure of one's force can be determined by analyzing mitochondrial DNA samples to tally the number of antibodies present in the protoplasm.

Next, I would blow away the concept of the original Star Wars's wimpy 2-jedi battle scenes with an epic magnitude-12 mega battle scene which consisted of 10,000 jedis and 100,000 jedi foes engaged in flipping-through the-air somersault kung fu moves that render the likes of "Crouching Tiger, Hidden Dragon" and all '70s special-effects-laden Chinese kung fu flics obsolete. You thought that Luke Skywalker jumping 10 feet out of a carbon freeze container was cool? Could Luke Skywalker stay airborne for 10 seconds all the while throwing barrages of backroundhouse kicks and punches? Screw that punchless Luke Skywalker single-blade lightsaber. Behold, I introduce the double-edged light saber which all jedis are equipped with. FULLY FUNCTIONAL AND OPERATIONAL. Only an elite and intelligent class of human being can be a jedi? Not anymore. Any living, crawling, oozing intelligence-devoid parasite, wingless bat or orc -of any gender-can be a jedi.

Finally, I would end the movie with Kung Fu/Force-Master Yoda defeating the Master Evil Jedi with triple and quintuple cartwheel backroundhouse kicks and punches, while airborne, and lightning-fast Tae Kwan Do slaps and curled finger combinations that would put Jackie Chan to shame. The very last scene of the movie would end with the Evil Jedi Master becoming so angry, because of his defeat, that his head grew to the size of a large balloon, then exploded with the force of 20 grenades. Maybe I'd include that scene only in the UNCUT version.

The result: The sci-fi sequel to "Big Trouble in Little China" -Big Trouble in Little Greece: Attack Of The Kung Fu Robots...or as some people may prefer to call it -Star Wars II: Attack Of The Clones.

My Take on Mr. Lucas
OK, here's my rant. I'll keep it brief (unlike some other reviewers)

Best Parts:
1. Phantom Menace - Pod Race, Darth Maul
2. Attack of the Clones - Yoda's lightsaber flight

That's it. Everything else in these films is an utter joke. I could go on for many paragraphs, but I'll spare you. You gotta realize that there was a reason George didn't direct Empire or Jedi. He's an awful director. He has no ear for dialogue. The newer digital film process looks really awful. Only good ol' George could manage to waste the talents of Christopher Lee, Sam Jackson, Ewan McGregor, and Natalie Portman. And I think Hayden Christensen is the only other actor who possesses Keanu Reeves' atrocious wooden technique. His Anakin doesn't possess darkness, just stupidity. I hope Lucas gets a tumor in that fat double chin of his. If you don't like it, sue me. He's destroyed the meaning of my childhood favorites, so the hell with him. Do you really think the next film is going to make up for it? Only if it's about four hours long and is directed by someone else.

Star Wars is Star Wars-No matter what anyone thinks
I am writing on behalf of all the Star Wars movies. Sure the prequals aren't life changing but they still make the cut worthy of the title Star Wars.Back in the 70s/early 80s America needed a major facelift. We had nothin to look foward to anymore and just went by living. The movies out back then were dark and dreary. our common mythology had faded into the closet. Then came Star Wars. It was just supposed to be another space family film that would eventually be forgotten about. We were decieved. What George Lucas put on this Earth was meant to be. He dragged us out of the gutter and gave us something to talk about. People had a place to escape to and run away from there troubles. It wasn't like your average cowboy movie where you know the outcome and the setting. It was a strange galaxy with weird looking creatures and strange spaceships. It was all so real and lifelike. It was the total opposite of Star Trek. It was cool. People wanted more. They got two more. Each delivering there own set of memories. The lines became legendary. The sound of a light saber instantly recognizable. Movies nowadays are always borrwing lines and plots of other movies. Star Wars only borrowed one thing. Creativity. The Star Wars story was pulled out of mid-air. It wasn't like George Lucas said he wanted to make a space movie kind of like an old western. He created the idea of A Space Saga Trilogy. He's the one who threw us into this exciting new world called Star Wars. Fans wanted more. They got comics and books. then Star Wars movies were no more. They were still in the movies. Oter movies had borrowed lines and plots for their own. Thats why Star Wars is pop culture ICON. That is what the prequals lack. When someone comes up yo you with a stick in one hand and is waving it around they don't say "Watch out Count Dooku". They say watch out Darth Vader. The prequals are good movies but they aren't life changing like the Classics. If the prequals came first people wouldn't be walking around saying Look A destroyer droid. They don't have the trademark line like they do in the Classics. They didn't create new famous lines, they just took them from the old ones. As a movie I would give Phantom Menace and AOTC a 4 Star award. As a Star Wars film I would give it 2. The negative two is for lack of creativity. The OT is so popular because of what it was nd what it was created as. George did'nt give us that sense of story and herics like he did with the OT. George didn't create the OT because he wanted to tell a story for himself. He made it for us. For Episode one we weren't thrown into this new world with weird craetures and memorable charecters. In a sense of story The prequals fit nicely with the OT. But for a regular movie It gives us nothing to remember and say over and over again and to instantly recognize as Star Wars. I know it is hard to repeat what happened in the 70s/80s but there was nothing George Lucas could do about it. The Prequals are out in a world where evereything has already happened and didn't ignite the flame as the OT did. The Phantom Menace just continued in the name of Star Wars. The OT are just such good movies in themselves and it just doesn't matter which one you see first. They are all memorable. Don't get me wrong, the prequals are good movies and definantly worthy in the name of Star Wars but they are just thrown in with all the other movies which were created around one movie-Star Wars. Other movies wouldn't be the same without there Star Wars moment. That is why when in the movie Just Married Sarah(Brittany Murphy) asks Tom(Ashton Kutcher) if he ever dreamed of anything more glorious in his childhood than his wedding night, he flashes back to when he was playing lightsabers on the playground with other kids to the famous tune that Changed The World. Da da da DAAAA daa-you know the rest!
"Remember, the Force will be with you, Always" ... Read more

Amazon.com essential video

After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").

The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.

Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.

The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the! !animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

More Incredibles at Amazon.ca

The Incredibles Toy Store	CD Soundtrack	The Art of The Incredibles Book
Game Boy Advance	On VHS	The Essential Guide Book

The Pixar Feature Films

Toy Story, 1995 A Bug's Life, 1998 Toy Story 2, 1999

Monsters, Inc., 2001 Finding Nemo, 2003 The Incredibles, 2004

More Animation DVDs

Favorite Animated Performances	Previous Animated Oscar Nominees	If You Like The Incredibles...
Our Disney DVD Store	Looney Tunes Golden Collection	Walt Disney Treasures

More Superheroes on DVD

Batman Blade The Hulk

Justice League Robocop Space Ghost

Spider-Man Superman Teen Titans

Wonder Woman X-Men Also see our Comics & Graphic Novels Store

Also from Filmmaker Brad Bird

The Iron Giant (Writer/Director)	"Family Dog" on Amazing Stories (Writer/Director)	Batteries Not Included (Cowriter)
The Simpsons (Director/Consultant)	King of the Hill (Consultant)	The Critic (Consultant)

... Read more

Reviews (281)

The Incredibles
Disney-Pixar's 2004 animated feature about a super hero and his family who come out of hiding to battle a new villain.Mr. Incredible and his wife Elastigirl live quiet normal lives as Bob and Helen Parr in suburbia under government supervision due to previous public lawsuits that put them and other superheroes out of business.All is not well though as their superhero instincts and talents clash with mundane work and little excitement.Elastigirl has managed to adapt, but Mr. Incredible discreetly moonlights with his pal Frozone on "bowling night" saving people from fires and knocking out common criminals.Mixed in this trial are the children Dash and Violet, confused about their inherited superpowers while trying to cope with the difficult social challenges at school.Lastly is Jack-Jack the baby brother who appears to have been spared of any super talents.

Just when Mr. Incredible feels he has hit rock-bottom, he's hired by an apparent secret government organization to defeat a renegade robot at their base on a remote island.Mr. Incredible is successful and looks forward to more exciting assignments.It isn't long, however, before he finds out he's been duped into serving as a test bed for robots at the hands of Syndrome, an evil genius posing as a new superhero through clever gadgets.When Elastigirl learns of her husband's whereabouts, she heads out via jet to find out what's going on.Dash and Violet secretly follow their mom, and through a series of events, all find themselves battling Syndrome and his army of bad guys and robots.

This is a gem of an animated feature.While Pixar has ratcheted another progressive advance in animation, the characters and the story are terrific and not overshadowed by the techno-visual display.Dash and Violet are a joy to watch as they learn how to use their superpowers in the fight against evil, especially Dash's chase sequence when he's pursued bybad guys flying saucer hovercraft.Mr. Incredible and Elastigirl sorting out their family problems in the midst of this excitement are humorous and all the actors who voice the characters could not have done better.And not to be forgotten, Jack-Jack reveals his special powers near the conclusion of this feature.

Obviously the ending of this movie leaves options open for a sequel, and while this looks like a promising proposition, Pixar will have to work hard to compliment this feature successfully.

More For Adults?
This is a great movie for families, very funny and enjoyable to watch. Many of the themes will go over the head of younger children, more so than in most animated movies.But it's more fun for adults than most, and kids will still really enjoy it.I was pleasntly surprised by this movie, and would highly recommend it.

Not as good as Finding Nemo
Genre: Computer-Animated, Comedy

Genre Grade: A

Final Grade: A-

This was a great addition to Pixar's wonderful collection of films. While I believe Finding Nemo and even Toy Story were better than this movie, it still had some hilarious moments and great characters, namely Holly Hunter. I will say, however, that this is the most stunning computer animated movie I've ever seen. It's INCREDIBLE! Hahaha, sorry. I would have liked to have seen Samuel Jackson in more of the movie, and I think they could have made their characters a bit more quirky, honestly. Why was Finding Nemo so good? Because of a little fish named Dori. One character can make a movie (Toy Story hada number of them that made it), and I guess to me, this movie was just lacking in any incredible characters. Still great though!

Could not stop watching it over and over again
I have always been impressed with Steve Jobs and Pixar's work but this is the first time I was just blown away by what I took in with the multi viewing of The Incredibles. I didn't see this picture in the movies when it was released. I rented with a mail order online store. This movie was awe inspiring from begining to end. From its throw back look and feel to its technologically fantastic special effects. It brought me back to a time when having a super hero on your wall in your room meant something. I was never a big fan of comic book hero's but I would have loved to see The Incredibles in comic book form back in my younger days. As a african american male I was deeply touched by the movie having an african american super hero. One that didn't die in the begining of the film but really had an impact to the whole story line. I also enjoyed the fact that it depicted flawed super hero's that were not perfect and made mistakes. They seemed so real to life and genuine in all the things that happened to them. I only own one other Pixar movie Finding Nemo but this one hands down is my ultimate favorite yet. I do hope Pixar continues in this series for I am looking forward to the Incredibles 2.

Not just a "kid movie"
Some people love animation and some people could do without it. I'm addressing this review to the second group of people whom I urge to watch this for a number of reasons.

First, the characters. I guarantee that most people will forget this is animated for large stretches because of how interesting the characters are AND how well they are developed. Two methods are used to accomplish this brilliantly. One is the great interplay and dialogue which is typically confrontational between close friends and family members as well as between the heroes and villians. Another is the "historical backdrop" provided at the beginning of the movie where the heroes are shown "back in the day" before the primary plot conflict begins. This, I believe, is key to the success of every great story from "Lord of the Rings" to "Star Wars (IV,V,VI)" to "Harry Potter".

Secondly, the plot is superior among animated movies. I admit I liked "Toy Story I & II" as well as great Japanese stuff like "Spirited Away", but although they are spectactularly animated they're still kid movies. This flick has a great complex superhero plot which has several great surprises and twists and isn't revealed to the audience all at once. The suspense continues until the very end which ends on an uplifting family note and ties off all the subplots for each character beautifully.

Lastly, the comedic aspect is superb. From the strained family relationships stemming from the inability to use their super-powers to the "ever had one of those days?" theme this movie will draw in even those most critical of this budding genre of computer-aided animation by, once again, the film's ability to suspend the audience's realization that these aren't "real people". The overcoming of personal obstacles which characterizes the best of superhero movies is front and center in this movie, but unlike Batman and Spiderman, the family aspect gives the movie a kind of "everyman" applicability that the average film-goer will appreciate. ... Read more

Reviews (98)

This Movie Iz Crazy
Im am a 14 year old and I want to talk about the Movie Menace II Society.Menace II Society is the tightest Movie I ever saw since "Boyz N The Hood" & "South Central".It all started out as a young boy name Caine (Tyrin Turner) telling a story about surviving the streets for good.My favorite Scence is When Caine & O-Dog(Larenz Tate) was in the liquor store when these two got evloved in a murder by O-Dog kill the korean grocer and also killed the korean lady while O-Dog threatens to get the video tape from her.In The Movie, They mention O-Dog as "The American's Worst Nightmare" and They also mention that O-Dog is Young, Black, And Don't Give A [care]. They also have a cool soundtrack with MC Eith(Streith Up Menace) and all other cool artists.I Recommend this movie to everyone.If U love hood movies and u have not seeen it yet, nows it the time to spend your money and buy this classic.On the internet, they also mention the "Director's Cut"(which is Unrated and the orignal verison is an R-Rated Movie).So if you Moviegooer and u have not seen that movie yet, now's the time to get that movie.One more thing,The Directors Allen & Albert Hugues(From Hell,Dead Presidents) did an good job on this movie.

True 2 Life
Okay, since im from London, i cant accuratly depict if this is, or is not the real situations encountered by members of the LA public. But upon watching this for the first time, it really hit me that the horrific things portraid in this movie could happen to anyone of us.

Caine, the main focus of the movie, was brought up in a drug filled home, his father was a drug dealer, and his mother a heroin addict. Caine first saw someone be shot when he was just a child, as shown in the films early scenes. Following this his father is murdered in a fixed drug deal, and his mother overdoses, and dies.

Caines best friend O-Dogg is a 16year old, who, as is said in the movie is 'Americas worst nightmare', hes young, Black, and he just dont giv'a F***.

I wont spoil the movie by saying anymore, but take it from me this is one of the the best movies you will see in a long time, especially if you like the whole gang thing, it also has historical content of the 'Watt's rights'. I say buy it as soon as you can.

Powerful movie
This movie is a veery powerful movie. It will give you some laughs and then youll be crying. It is very moving and it wshows you what the ghetto is really about. Growing up and surviving in the hood is very hard and this movvie shows just how hard it is.

Top 10
Menace II Society is one of my Top 10 movies of all time. I could watch it 5 times a day every day. Tyrin Turner should have become a big star after this movie. This movie had great actors, a good storyline, and production. Just wanted to say he was in Janet Jackson's Rhythm Nation video as the kid walking around that place, whatever it was, for some strange reason.

After Boyz in da hood
came this, a raw powered movie, that brings to the real of the early 90's South Central LA. This movie is pretty violent and gory, but yet it has a pretty strong message in it. Do you care wether you live or die?

Tyrin Turner(Kaydee) did a excellent dabut about a man who gets cought up in a situation he wants to get out of. Larenz Tate(O-Dog) is more of a straight up gangsta, but did a real good job at acting. Movies with strong messages like this make up for a excellent drama.

If you loved boyz in the hood and don't have this, that's a real shame, even if you didn't watch bouz in da hood, you should get this, and boyz in da hood as well, because those 2 movies are wll-worth the money.

peace ... Read more

Reviews (1926)

The force is strong with this one.
Star[]Wars! The series has come back into full swing with 'Attack of the Clones.' Everything that 'Phantom Menace' tried to be and more, we return to the rollicking space adventure that made the first three classics. Don't pay attention to the negitive reviews, aside from a little cheese covered romance the goods are delivered in great fashion. 'Attack..' is packed with extremely well lensed action set pieces that remind the viewer of the summer of 1980. The acting is decent and works for the material provided...I mean, this is Star Wars not Shakespere and lines are delivered with intended monotonality; lightsabers speak louder than words and emotion a Jedi does not crave. I found this film to be better than 'Return of the Jedi' due to its return to the swashbuckling action/adverture of the first two movies sans cute little talking kid friendly creatures that help generate mechandise sales for the toddler marketing target group. The special effects are outstanding of course, and the sound effects were really cool. The story was decent enough to get you to care what happens to the heroes and dislike the villians (finally, villians. That seemed to be missing from episode one save Darth Maul who was way underused). All around an excellent chapter in the saga and a great movie in itself. This film makes you look forward to the next installment and the man himself-Darth Vader. Thanks, George for reigniting the magic that was, and is, Star Wars.

the best of the star wars movies
in this one,yoda fights.this is truly awesome.anakan is growing up.he goes to get his mom from slavery but shes been killed by these nasty little monsters.so he goes genocidal on them all.ben is tring to teach anakan but hes learning way faster than normal and is quite the showoff.the kids will like it.it is the last full length movie of the set.there is an animated short film after this part called clone wars.the last one is due out next summer.just anybody bwill like it.the chick is a young teen ans ends up being anakans girlfriend.i dont know what you heard but this is an all time great.the special effects are cool.this movie is a classic!

Big Trouble In Little Greece: Attack Of The Kung Fu Robots
If I were a movie director and for some reason I decided to undertake the project of making the most grotesque parody and mockery ever made of the original Star Wars trilogy, I would do the following:

First, I would open the movie where the main character of the movie -The Jedi- freefalls some 10,000 stories in a sprawling metropolis, all the while narrowly missing multitudes of careening hovercrafts which literally filled the sky, only to finally land safely inside one of them just in the nick of time, nanoseconds before he was about to slam into the ground.

Secondly, I would include the most bland, personality-less, emotionally-uninspiring actors and actresses I could find. Also, I would incorporate pseudo-Greek cultural and archeological elements throughout the movie (which had no relevancy to the sci-fi theme of the movie) so as to confuse the viewer as to what planet...or planets the movie was taking place in...or what universe and epoch(s) for that matter. I'd include several pseudo-romantic scenes where there wasn't an iota of emotion or chemistry between the two love birds and whose forced, stimulated 'romantic scenes' seemed to serve no purpose, either.

I would then attempt to completely destroy...annhilate the original Star Wars's sacred notion of the force -as being stimulated and channeled by spirituality and mind over matter- and any drama associated with it as well. MY notion would be that the measure of one's force can be determined by analyzing mitochondrial DNA samples to tally the number of antibodies present in the protoplasm.

Next, I would blow away the concept of the original Star Wars's wimpy 2-jedi battle scenes with an epic magnitude-12 mega battle scene which consisted of 10,000 jedis and 100,000 jedi foes engaged in flipping-through the-air somersault kung fu moves that render the likes of "Crouching Tiger, Hidden Dragon" and all '70s special-effects-laden Chinese kung fu flics obsolete. You thought that Luke Skywalker jumping 10 feet out of a carbon freeze container was cool? Could Luke Skywalker stay airborne for 10 seconds all the while throwing barrages of backroundhouse kicks and punches? Screw that punchless Luke Skywalker single-blade lightsaber. Behold, I introduce the double-edged light saber which all jedis are equipped with. FULLY FUNCTIONAL AND OPERATIONAL. Only an elite and intelligent class of human being can be a jedi? Not anymore. Any living, crawling, oozing intelligence-devoid parasite, wingless bat or orc -of any gender-can be a jedi.

Finally, I would end the movie with Kung Fu/Force-Master Yoda defeating the Master Evil Jedi with triple and quintuple cartwheel backroundhouse kicks and punches, while airborne, and lightning-fast Tae Kwan Do slaps and curled finger combinations that would put Jackie Chan to shame. The very last scene of the movie would end with the Evil Jedi Master becoming so angry, because of his defeat, that his head grew to the size of a large balloon, then exploded with the force of 20 grenades. Maybe I'd include that scene only in the UNCUT version.

The result: The sci-fi sequel to "Big Trouble in Little China" -Big Trouble in Little Greece: Attack Of The Kung Fu Robots...or as some people may prefer to call it -Star Wars II: Attack Of The Clones.

My Take on Mr. Lucas
OK, here's my rant. I'll keep it brief (unlike some other reviewers)

Best Parts:
1. Phantom Menace - Pod Race, Darth Maul
2. Attack of the Clones - Yoda's lightsaber flight

That's it. Everything else in these films is an utter joke. I could go on for many paragraphs, but I'll spare you. You gotta realize that there was a reason George didn't direct Empire or Jedi. He's an awful director. He has no ear for dialogue. The newer digital film process looks really awful. Only good ol' George could manage to waste the talents of Christopher Lee, Sam Jackson, Ewan McGregor, and Natalie Portman. And I think Hayden Christensen is the only other actor who possesses Keanu Reeves' atrocious wooden technique. His Anakin doesn't possess darkness, just stupidity. I hope Lucas gets a tumor in that fat double chin of his. If you don't like it, sue me. He's destroyed the meaning of my childhood favorites, so the hell with him. Do you really think the next film is going to make up for it? Only if it's about four hours long and is directed by someone else.

Star Wars is Star Wars-No matter what anyone thinks
I am writing on behalf of all the Star Wars movies. Sure the prequals aren't life changing but they still make the cut worthy of the title Star Wars.Back in the 70s/early 80s America needed a major facelift. We had nothin to look foward to anymore and just went by living. The movies out back then were dark and dreary. our common mythology had faded into the closet. Then came Star Wars. It was just supposed to be another space family film that would eventually be forgotten about. We were decieved. What George Lucas put on this Earth was meant to be. He dragged us out of the gutter and gave us something to talk about. People had a place to escape to and run away from there troubles. It wasn't like your average cowboy movie where you know the outcome and the setting. It was a strange galaxy with weird looking creatures and strange spaceships. It was all so real and lifelike. It was the total opposite of Star Trek. It was cool. People wanted more. They got two more. Each delivering there own set of memories. The lines became legendary. The sound of a light saber instantly recognizable. Movies nowadays are always borrwing lines and plots of other movies. Star Wars only borrowed one thing. Creativity. The Star Wars story was pulled out of mid-air. It wasn't like George Lucas said he wanted to make a space movie kind of like an old western. He created the idea of A Space Saga Trilogy. He's the one who threw us into this exciting new world called Star Wars. Fans wanted more. They got comics and books. then Star Wars movies were no more. They were still in the movies. Oter movies had borrowed lines and plots for their own. Thats why Star Wars is pop culture ICON. That is what the prequals lack. When someone comes up yo you with a stick in one hand and is waving it around they don't say "Watch out Count Dooku". They say watch out Darth Vader. The prequals are good movies but they aren't life changing like the Classics. If the prequals came first people wouldn't be walking around saying Look A destroyer droid. They don't have the trademark line like they do in the Classics. They didn't create new famous lines, they just took them from the old ones. As a movie I would give Phantom Menace and AOTC a 4 Star award. As a Star Wars film I would give it 2. The negative two is for lack of creativity. The OT is so popular because of what it was nd what it was created as. George did'nt give us that sense of story and herics like he did with the OT. George didn't create the OT because he wanted to tell a story for himself. He made it for us. For Episode one we weren't thrown into this new world with weird craetures and memorable charecters. In a sense of story The prequals fit nicely with the OT. But for a regular movie It gives us nothing to remember and say over and over again and to instantly recognize as Star Wars. I know it is hard to repeat what happened in the 70s/80s but there was nothing George Lucas could do about it. The Prequals are out in a world where evereything has already happened and didn't ignite the flame as the OT did. The Phantom Menace just continued in the name of Star Wars. The OT are just such good movies in themselves and it just doesn't matter which one you see first. They are all memorable. Don't get me wrong, the prequals are good movies and definantly worthy in the name of Star Wars but they are just thrown in with all the other movies which were created around one movie-Star Wars. Other movies wouldn't be the same without there Star Wars moment. That is why when in the movie Just Married Sarah(Brittany Murphy) asks Tom(Ashton Kutcher) if he ever dreamed of anything more glorious in his childhood than his wedding night, he flashes back to when he was playing lightsabers on the playground with other kids to the famous tune that Changed The World. Da da da DAAAA daa-you know the rest!
"Remember, the Force will be with you, Always" ... Read more

Amazon.com

Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages to look smug and naive at the same time. There are enjoyable sequences of Murphy's Prince Akeem applying his lordly manner to his new job in a fast-food emporium, and falling for the boss's spirited daughter (Shari Headley), who teaches him how to party down, American style. But the fish-out-water premise is never fully exploited. Star spotters will have a field day locating Cuba Gooding Jr., Donna Summer, Louie Anderson, Vondie Curtis Hall, E.R.'s Eriq La Salle, and Samuel L. Jackson in their minuscule supporting roles. --David Chute ... Read more

Reviews (68)

Hilarious classic that will live in our hearts forever!!!
This is one of my all time-favorite African-American movies. First of all, Eddie Murphy is hilarious (in all of his roles). Arsenio Hall is a perfect foil for Eddie's hijinks. Eddie let his full range of talent show in this film; he played an innocent person who grows into a mature adult right in front of our eyes and realizes that there is a price to pay for love; whether or not you are born into royalty. This is one of those movies that a person watches over and over again and ends up reciting the lines as the movies is playing. James Earl Jones and Madge Sinclair are wonderful in this movie as well as the King and Queen. Madge Sinclair was one of the world's best actresses and I miss her greatly. She tells James Earl Jones "put a sock in it, Geoffrey, the boy is in love." Nobody can deliver that line to a black king, except a black queen. John Amos, (whom I have loved since Good Times), is a great actor as well. He plays the part of a black businessman so well, and as a father he takes no stuff off of the King. He tells James Earl Jones, "I will break my foot off in your royal _____); now that's a ghetto father for you. James Earl Jones knew where to draw the line with Cleo McDowell.

I also like the fact that the Kingdom of Zamunda was filled with kindness, and the people were happy, the royal family was truly wealthy and had everything. You know, this movie is truly a fantasy and helps us escape from our everyday lives. Just to see the Queen and King eating breakfast and talking to their son on a "speaker phone" because the table is so long, is funny. The King and Queen taking their entourage to Queens when they received the telegram to send $1 million to Semmi who had spent up all his pocket change is one of my favorite scenes. That music that is playing during the sequence when the entourage arrives in Queens is so wonderful, moving and swirling, I am buying the soundtrack just to get that song. When I get married, I would like that song to play as my "court" walks down the aisle before me.

All the cameos in this movie are great as well. Nobody can play a doped-up thug like Samuel L. Jackson; Samuel is a natural at playing a killer. Also, Louie Anderson was funny, so was Eriq LaSalle, and Alison Dean.

Now the guys in the barbershop have to be taken from classic characters in the black community. In all the black neighborhoods I have been in during my whole life; there has got to be a black barbershop full of men eating, talking stuff, and cutting hair. When "Clarence" says that Martin Luther King, Jr. ran up to him and hit him in the chest, I just crack up, cause Martin Luther King, Jr. was a prophet of non-violence. And, Eddie Murphy playing a white man is too funny, and a Jewish white man on top of that. Now, that takes creativity; and comic genuis, and Eddie's got it. And, Arsenio's portrayal of Rev. Brown is right on target, there is always some country preacher in the neighborhood that comes to every event, eats up the food, and blesses the weddings, blesses the children, and buries the dead.

One of my favorite parts is when Lisa tells Prince Akeem, she cannot marry him; because he lied to her about his identity. That made Akeem grow up very fast, and learn that nobody; no matter who he is, can buy love.

The clothes in this movie are also wonderful. Deborah Nadoolman did a great job showing how royalty would dress in a foreign country where it is warm, Also, how they would dress in Queens during the winter; those fur coats Madge Sinclair had on were fantastic and so were the suits worn by the King himself. His coat of an entire lion's skin was dramatic and the diamond eyes on that lion's head were cool.

The ending this cinderella story was great, love did really win out in the end.

Well, I could go on and on about how much I liked this movie but, I am going to stop now. Get this movie and keep it in your video collection so you can watch it and laugh over and over.

FUNNY !
This is a feel good movie with the main players being Eddie Murphy and Arsenio Hall. Young Prince Akeem is about to be wed to a beautiful woman, but the problem is he does not love this women. He decides he will travel to Queens, NY In America and find his true love. Now how does a pampered Africian Prince
survive in Queens. Soon he falls in love with his bosses daughter and the story takes you through a tender courtship.
I loved her father, and the King and Queen were priceless!
This was a really fun movie! The wedding scenes at the end were beautiful and my favorite part. Well worth your time to watch!
Qute enjoyable!

F U N N Y
I love this movie. There is nothing I can complain about. This is Eddie Murphy at his Best. This is when Eddie and Arsenio was the BOMB. Every scene makes you laugh. Do you see Samuel Jackson in one of his early roles? Also, ER's Eric LaSalle in his Jeri Curl. This movie is wonderful. I can watch it over and over and over again and laugh at the Soul Glow commercials, because everyone in my area wore a Jerri Curl that looked that nasty. This is a must own.

Fun Relaxed Comedy
Coming to America cheerfully pokes fun at everything. There isn't really a meanspirited moment in the movie. A spoiled Afican Prince comes to Queens, NYC to live a normal life & find his true love. Queens for a future king, get it? The humor isn't exactly highbrow but its constant and Arsenio Hall is hilarious.

Five star cast in a hilariously funny film "fit for royalty"
Coming to America is truly the creme de la creme of the comedic genre. I have watched this movie many times, and never can resist throwing my head back and laughing out loud in total glee. Sometimes I even admit to falling right off the couch in fits of laughter!

Murphy's principal role in the movie is that of Prince Akeem, with Arsenio Hall as his sidekick and personal servant Semi (though both play numerous other minor roles with the help of elaborate makeup to disguise the fact). Promised in marriage to a beautiful woman raised from birth to please him, Akeem finds himself dissatisfied with the very idea of an arranged marriage. He wants to select a wife with a mind of her own who loves him for himself.

Hence Akeem's decision to leave the kingdom of Zamunda to travel to America. Unaware of his son's true purpose for the trip, King Jaffre Jafur decrees that Akeem simply needs to take a trip to "sow his royal oats." James Earl Jones as the King, and Madge Sinclair as the Queen are hilarious in their roles as Akeem's parents.

Akeem and Semi leave their luxurious lifestyle in the palace behind and end up in Queens, NY, posing as "average Americn students." They secure jobs at a knockoff of McDonald's, owned by Mr. McDowell (engagingly portrayed to hilarious effect by John Amos) and his daughters Lisa and Patrice. Falling hard for the eldest daughter Lisa (Shari Headley), Akeem competes with her boyfriend, Darrell(Eric LaSalle), the arrogant, smooth talking heir to the "Soul Glo" hair product fortune, for her affections. The numerous conflicts and silly situations that stem from this will keep you in stitches.

Blessed with an EXCELLENT cast who each make the utmost of their roles (those mentioned previously, plus Samuel L.Jackson, Louie Anderson, Don Ameche and others), truly funny material, witty dialogue, and a delightful feel-good ending, Coming to America is a movie not to be missed. I hope you enjoy this frothy funfilled comedy as much as I did! ... Read more

Reviews (333)

65 Million Years is Well Worth the Wait!
Intense, supersonic-paced science fiction adventure finds paleontologist Alan Grant (Sam Neill) and company invited to a remote tropical island theme park inhabited by genetically engineered dinosaurs! The awe and wonder is abruptly replaced by terror and a fight for survival after the park's security system is sabotaged, granting the resurrected behemoths free run of the island!

Director Spielberg is at his creative best in this tour de force of suspense, acutely blending action, thrills, awe and humor. Equal to the challenge is composer John Williams with an appropriately rousing and kinetic score that sounds something like Stravinsky on melodic steroids!

Expert direction, superb performances (Richard Attenborough is particularly effective as the eccentric billionaire entrepreneur, John Hammond) and breathtaking, unprecedented visual effects (the ILM computer generated dinosaurs are completely convincing!) more than compensate for less than dimensional characters and rudimentary plot. Along with the action and fun, "Jurassic Park" also raises some serious questions about the ethics of advanced science and cloning.

Perhaps Steven Spielberg's best adventure film, "Jurassic Park" truly is a cinematic masterpiece and one of my five favorite films of all time!

Unbelievable
Jurassic Park has got to be one of the greatest movies of all time. The directing, animatronics, acting, graphics, and casting were perfect in this movie. The beginning was perfect, no sitting around waiting for action. It opens with a worker being attacked by a velociraptor and Muldoon(Bob Peck) trying to help him.

You meat a character named Nedry(Wayne Knight) who is working for a company that will pay him 1.5 million dollars if he steals the dinosaur embryos.

Then some other stuff happens, yaddah yaddah, anyway, Grant(Sam Neill), Ellie(Laura Dern), Gennaro(Martin Ferraro), Malcolm(Jeff Goldblum), and Hammond(Richard Attenborough), reach the island. The island is owned by Hammond the billionaire. It is a theme park with real dinosaurs. The main four go on a tour with Hammond's grandkids.

Needless to say, the tour goes bad. Nedry steals the embryos, pulls the power and runs off. The five remaining characters are stranded out by the tyrannosaur paddock. Ellie has already gone back to the visitor's center where she, Hammond, Muldoon, and Mr. Arnold(Samuel L. Jackson) try to figure out what Nedry has done.

The tyrannosaurus escapes, eats Gennaro and nearly kills everyone else. Moments later Ellie and Muldoon come to try and find everybody, but they have left. They find Malcolm lying in a pile of hay, and the two cars destroyed.

Now Grant, and the two grandchildren, Lex and Tim, must find their way back to the visitor's center while Ellie, Malcolm, Muldoon, Hammond, and Mr. Arnold try to get the power back.

This was THE movie of my generation
As a college student now, I was 9 years old when Jurassic Park hit theaters and it couldn't have come at a better time. Watching it again, Jurassic Park holds up as great entertainment, even if the characters and storylines seem a bit flimsy at times. It's probably more worthy of 4 stars than 5, but hey, this is the movie of MY generation and I'm not going to apologize for its rating. Jurassic Park continually reminds its viewers that Steven Spielberg is the greatest entertainer since Walt Disney. Constantly filling the screen with visual treats, keeping the plot moving at a brisk pace (once the obligatory exposition is filled in), and allowing us to enjoy ourselves without stooping too low, nobody does blockbusters like this man. Since he was to direct Schindler's List that same year, this was more or less his kiss-off to the popcorn genre he helped invent (consisting of classics like Jaws, Raiders, and E.T.--some with more dramatic substance than others, but all damn entertaining). Like I said, I was nine when this movie premiered and I still remember watching in the dark theater as the whole show unfolded--perhaps taking it for granted that movies should be so thrilling and fun, and that every filmmaker was capable of such wonders. Wrong on both accounts, but it did spur me on to shoot my first movie on video camera that summer (admittedly, it was highly derivative). Now I'm a film student...thanks Steve
5/6

"This is a UNIX system. I know this"... And black leather?
Jurassic Park is good entertainment, but take most of the "science" it presents with a grain of salt.

All the characters seem to think the idea of cloning dinosaurs is a good idea except chaos theorist Goldblum who wonders if we should do what we apparently can do.

Innovative in its presentation of realistic looking dinosaurs, Jurassic Park is the name of a new dinosaur-based theme park that is sabotaged while a few scientists and kids are on a pre-opening tour. It becomes an adventure to see who will escape alive.

The movie is best when there are dinosaurs on screen.

Mostly good acting by Laura Dern and Sam Neill as dino experts, Jeff Goldblum as the chaos theory mathematician, and Richard Attenborough as the park designer. The kids, played competently by Ariana Richards and Joseph Mazzello had some of the best lines.

An entertaining adventure, but no big concept. Not quite the same level as Raiders of the Lost Ark, or Jaws.

The only nit-picks include wondering why Jeff Goldblum wears black leather to the tropics, and why a pre-teen girl can save the day on a complex computer (again - see S1m0ne) with her knowledge of UNIX.

DVD has wide-screen movie, a behind the scenes documentary, and a few other minimal goodies.

More Than Just A Movie...
Jurassic Park was more than just a movie. More than an event. It was a full blown phenomenon! Steven Spielberg is the unrivalled king of such films. Every few years he puts out another spectacular that sweeps the world and sets a new standard (like Jaws, Close Encounters Of The Third Kind, E.T., Raiders Of The Lost Ark, etc.). This time out, we've got resurrected dinosaurs running amok! The basic plot has stranded people on dino-island trying to keep from becoming dino-chow. You've got your scientists (Sam Neil, Laura Dern, Jeff Goldblum), your crazy zillionaire (Richard Attenborough), a greedy, lecherous computer geek (Wayne Knight), a sleazy lawyer, and two cute kids to round out the cast. You even get Samuel L. Jackson as a chain-smoking computer tech guy! Throw in an approaching hurricane, and you've got the perfect monster movie! It's usually not the "deep" storyline (except in the cases of Spielberg epics like Schindler's List, Amistad, Saving Private Ryan, The Color Purple, etc.) that causes the phenomenon. It's his way of thrilling us and breaking new cinematic ground that we love. I knew when I first saw JP that I was in for a blast. At the same time, I also knew that I wasn't going to see Hamlet or Macbeth! Jurassic Park blew my mind with it's realistic T-rex, Raptors, Triceratops, and the rest. We saw dinosaurs that were not rubber, clay, or robots (well, at least not robots that looked like robots)! We got CGI that put flesh on 65 million year old bones! The team that made this movie are legendary, and have pushed special effects to stratospheric heights. JP is a true milestone that stands the test of time. Belongs in every DVD collection... ... Read more

Amazon.com

Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve Wiecking ... Read more

Reviews (2)

All the fun and action no mush
This movie is like a study of Bond and Bourn "The Bourne Identity (TV Miniseries) (1988)", action movies. Toss in the innocent enthusiasm as in "If Looks Could Kill (1991)", There are gadgets women plots and sub plots. But this movie is mostly about action. This is not one of those thinking movies or really a talkie. It does hold your attention.
Xander Cage is an innocent dissident minding his own business. The business being stealing the governor's car and displaying reckless abandonment all in the cause of freedom. He is pressed into serves ala "Remo Williams - The Adventure Begins (1985)" in lieu of a prison sentence. It seems that the NSA needs someone of his reputation and abilities for short time. Will he comply and if so how short of a time? Will he quit when he is told to do so? And is there a love interest or just one of those "spy vs. spy" things?

As good as it gets
The movie XXX is already a good movie then put it on the psp then it's great as good graphic as any game ... Read more

Reviews (257)

Volume 2 Delivers The Goods (4 Stars)
Kill Bill Vol. 1 might have been action driven and fast paced, but Vol. 2 was not. The slower pace made room for better focus on dialogue though. There are still great fight scenes, but not as many as there were in the first movie. Tarantino hit his stride with this movie. Die hard fans should go out and see it. The movie is two and a half hours long, but it's totally worth sitting through. There are great new characters (most notably Pei Mei) and it does a great job of filling in the holes that were left in Vol. 1(like Uma's screen name). Memorable scenes would be Uma Thurman being buried alive and her fight with Elle Driver in the trailer home. Easily one of the best fight scenes ever. Then there's Bill, played by David Carradine. He was probably the most engaging character in the whole movie. While I was disappointed in the way he died, it totally made sense. Overall, Kill Bill Vol. 2 definitely meets all expectations with its great dialogue and awesome fight scenes. Be warned though, the fight scenes aren't as fast and furious as the first movie. Nor are there as many. But that's not bad because it plays to Tarantino's strength: dialogue. If you liked Vol. 1 or if you're into karate flicks, you'll love Vol. 2. But if you didn't like Vol. 1, you'll like Vol. 2 even less.

Better than Vol. 1
If cinema is ever in need of edgy freshness, then Charlie Kaufman is the man to turn to. But when that need arises and has to be fused with humorously offbeat style then Quentin Tarantino is the Kaufman of directors. Or is Kaufman really the Tarantino of aspiring writers? It doesn't matter. In any case, what truly matters is that Tarantino continues to inject that richly abnormal talent of his into his latest piece "Kill Bill: Volume 2."

Four years after being betrayed by her former boss Bill (David Carradine) and shot in the head at her wedding, The Bride (Uma Thurman) wakes up from her coma and thirsts for revenge. After dispatching Vernita Green (Vivica A. Fox) and O-Ren (Lucy Liu) in "Volume 1," this previously retired assassin is back in "Volume 2" to finish off the rest of Bill's Deadly Viper Assassination Squad and ultimately, kill Bill.

"Volume 2" is definitely the heart of the two movies. Saturated with intense fighting scenes "Volume 1" ended with a bitter sweetness as The Bride seemed completely undeveloped as a character. But "Volume 2" complements the first movie nicely as the action takes the passenger seat and Tarantino concentrates on storytelling, fleshing out The Bride's character. There's actually emotional depth involved now, revealing The Bride's relationship with Bill as well as her motives for leaving an assassin's life.

Thurman is wonderful as The Bride, playing along with Tarantino's take on Hollywood cheesiness to executing some intense dialogue scenes that transition between emotions within seconds. Tarantino is obviously extracting all the skills he can from Thurman, and the end result is worth every squeeze: she pulls off acrobatic feats and heavy dialogue in the same two hours with seamless changeovers.

Carradine also does such a marvelous job of portraying Bill to the point that it becomes frightening. Carradine's subtleties are what form this character and by the end of it all it becomes clear just how insane of a character Bill is: he philosophizes about death while making sandwiches and questions past relationships with a menacing sword in hand. The low and relaxed tone that he carries through the movie makes it feel like Carradine isn't even playing anyone, he's just slipping this character on like an old, comfortable shirt.

But it's not just the characters that make Kill Bill so special. The first installment is wonderful in paying tribute to Japanese anime, folksy spaghetti westerns and an overall homage to "old school" Asian kung fu flicks. Tarantino again draws various sources from 70's pop culture to showcase the quirks of "Volume 2." Whereas the first movie displays Tarantino's knowledge of Asian cinema with wire-wearing kung fu, with unrealistic squirting samurai-movie colored blood included, "Volume 2" solidifies that homage to the full extent.

Perhaps the single greatest movie moment of 2004 is in "The Cruel Tutelage of Pai Mei," the film's chapter in which the origin of The Bride's abilities is discovered. Tarantino brings out all the stops on this one. From the stereotyped supercilious personality to the sup