Reviews (213)

2 thumbs down
I found John Hughes' 1985 movie The Breakfast Club to be an extremely generalized, heavy handed, piece of trite filmmaking that may or may not have been relevant to teenagers fifteen years ago, but is certainly nowhere near on target now.
Obviously it was by design that his five main characters were one-dimensional character sketches of so-called 'traditional' high school stereotypes. You have Andy the jock (Emilio Estevez), Claire the princess (Molly Ringwald, a John Hughes staple), Bender the criminal (Judd Nelson), Brian the nerd (Anthony Michael Hall), and Allison the basket case (Ally Sheedy). In my opinion, for Hughes to insinuate that these five people come from completely different backgrounds and had absolutely no contact with each other or anyone else from their particular 'type' during school is just plain silly. For example, it is quite likely that Claire and Andy, being popular people, would know each other, or at least that princesses and jocks would interact on a regular basis. Same thing goes for Bender and Allison as social outcasts. Only Brian, being the brain, would logically be shunned by all other classes.
For another thing, these categories have little relevance today because in today's modern society, and indeed this has always been true, teens simply cannot be categorized and labeled, even by their peers, in this manner. I myself saw elements of my personality in every one of the characters, and neither I nor anyone I know would fit neatly into these stereotypes.
The last thing I'm going to gripe about in this review is, logically enough, the ending. For a film that tried so hard to be edgy, the denouement was awfully hackneyed and predictable. Four out of the five characters hook up at the end? Gosh, I never saw that coming! Also, the treatment of Allison was laughable. This girl has serious psychological issues that have been with her all her life, but all she needs is a little makeup, a nice dress, and a clean-cut boyfriend to set her to rights? I don't think so, pal. Willful suspension of disbelief is all fine and good, but to trivialize Allison's pain and emotional trauma in this manner is irresponsible and does a disservice to those young people who do identify with her character. I think that's enough bashing for this film; while it had its moments, it certainly is by no means the 'classic' that it is reputed to be.

One for the ages
This movie is a classic and it will stand the test of time. This is the second "teen coming of age" installment from John Hues, and round 2 for Molly Ringwald and Anthony Michael Hall. The first installment, Sixteen Candles, was more of a sexual coming of age movie whereas The Breakfast Club is more of a coming of age for one's character and social awareness. Where they are "teetering" with; do they stay with the social allegiances of their perspective pack, or do they listen to that inner voice...the voice of reason, maturity and human compassion that's not bound to any "click". I also like the choice of actors here; I think they all fit like pieces in a puzzle and make their characters totally believable. I am in the same age range as almost the entire cast and I was a senior in High school when this film came out. Allot of reviews seem to put this film within the Junior High crowd but I feel it's much more mature than that. The very message that it's trying to get across isn't understood in real life until we get close to 18 or so. The story is simple; 5 kids have to come into school on a Saturday for detention. At first they try to segregate themselves according to their school social standings. Inevitably they find out that they are more alike than they ever thought. The movie, in my eyes, is broken into 3 parts; the first part is pure character development. This is where you (the viewer) get to know each person they way they are supposed to be seen with their everyday face. At first, they act the way they think they should act, and stand up for what they always had, with out question or defiance. They stay true to their cause never steering away for a second. The second part of the film is where the movie itself develops. These 5 separate entities realize that they are variations of the same person. They have the same desires and anguishes. Their pressures and stresses are the same even though it's generated from very different sources.
The jock (Emilio Estevez) has the pressure to be on top of his sport (wrestling). In return for this he gets attention from his dad, coaches and keeps his standing within his social group. This is his priority in life and he doesn't stray.
The Princess (Molly Ringwald) has to conform and obey the rules of her social group in order to be accepted and keep her standing within the group. She keeps her eyes closed; mouth shut and goes along for the ride.
The Metal Head/criminal (Judd Nelson) is an angry guy! He wears the physical and mental scars of growing up in an abusive house. He hates most people, like the ones Emilio and Molly play, because in his eyes, they have had a free ticket and earned nothing...things are handed to them because of their social and/or economical standings. On the other hand, he feels that he's on a whole other plain because his eyes have been beaten open and he was forced to grow up a little faster than he wanted too or was ready too. I feel that Judd Nelson's character is the most crucial to the movie. He is the key to this whole new self-awareness for everyone, including himself.
The nerd (Anthony Michael Hall) is the quintessential geek. His every woken moment is spent learning. He hides behind his grades and in fact, he wants to be more accepted by the "cooler" groups. He also is a little "cocky" about his better grades and academically superiority to the other people in the room.
The weirdo (Ally Sheedy) is a loner and an outcast. She doesn't have friends that we (the viewers) know of. Because her parents ignore her, She feels ugly and without a place in the world. She is starving for positive attention. I think her character was needed in this movie to balance off the cast. It would have left out a very critical part of teen angst!
Richard Vernon (Paul Gleason) is the "Villain" of the movie. To the kids, he represents the out of touch older generation and the mean spirited, high testosterone adult. For Richard Vernon, these kids are the source of his anger and agony. He has lost touch with the younger generation for 1 reason, he got older...and the older you get, the harder it is to relate to youth. Youth recycles right before your eyes, but you keep getting older. His character is the key that releases these kids. He helps them to strip away the blindfolds and to take a fresh look at every thing and everyone (including themselves).

This leads to the 3rd and final part of the movie. Where they cleanse themselves of all the pentad up anger and prejudices. When the kids realize that they all have the same goal, they were just taking different roads to reach it. I highly recommend The Breakfast Club and it should go down as one of the all time great teenage movie!

A little time - a little perspective
I first saw this movie at a cinema in Austin in March, 1985. Just a year out of high school, I thought this was a deep, moving motion picture with a quality cast that really showed the feelings of different groups of students in schools. I could relate to the characters.

Move forward more than 19 years. This movie has not aged well. I read on the IMDB that John Hughes wrote this script in two days. After watching this movie again, I find that very easy to believe. It is horrible! - and this coming from a man who loves all things 80's! Was Judd Nelson about 35 when he made that movie? He looks about 20 years older than Anthony Michael Hall. Unbelievable characters and dialogue. Then they tie it up nice and neat at the end - with 2 unlikely couples pairing off leading us to believe there's no social caste in high schools.

With the small cast and lack of location shots, I'm amazed that I've never read about some high school drama club doing a stage production of this disaster. In any case, I've got a Breakfast Club DVD I'll never watch again - I'll post it used "New & Used" above.

Still relevant after all these years
Some question the durability of "The Breakfast Club," saying that the themes and plotlines do not hold up in today's teen society. As a 15-year-old, I would like to say that that is thoroughly untrue. 19 years after its release, "The Breakfast Club" is still a truthful, relateable account of teenagers and their personalities, and the ways in which they interact with each other. Sure, the stereotypes of the characters may be a bit exaggerated -- but that's necessary in order to get the point across. Watching this movie, I feel as if I know these people, or at least I've run across them at one point in my high school career.

The plot, as most people know, involves five different kids being assigned Saturday detention together. Each kid represents a typical high school stereotype -- a princess (Molly Ringwald), a jock (Emilio Estevez), a brain (Anthony Michael Hall), a basket case (the excellent Ally Sheedy), and a criminal (Judd Nelson). At the beginning of the day, none of them know each other, except for the princess and the jock. Throughout the day, they learn more about each other and work at tearing down the stereotypes that pit them against each other. As for the reviewer who said this isn't realistic that they would open up so much to each other -- it absolutely is. Put five kids into a room without an adult for nine hours, and they will talk about anything.

The beauty of this movie is the depth of the characters beyond the stereotypes -- particularly the nerd, Brian, who as we find out in the movie has problems well beyond what people think of him. He is the one that I most relate to in the movie. Watch "The Breakfast Club," and see who you most relate to. It's a great experience. Beyond the social commentary aspect, it's also just a funny movie. The jokes come at breakneck speed, especially for the first half of the movie (before it gets somewhat serious). The actors are also very enjoyable in their roles, particularly Ally Sheedy and Anthony Michael Hall. Highly recommended.

Must have to any collection.
The quintessential John Hughes film. I remember in my English class my junior year (1987) we had to analyze this movie. Only 2 years after it's release it was had all the qualities needed for a class analysis. I will spare you the report that I did back then.

Since then I have watched this movie at least once a year (and contrary to popular believe it is not for the panty shot). The characters are very well done. There is something that anyone who went through high school can relate to, even if we fit more than just one character. The interactions between the teens towards each other and then towards the principal as a group is classic. It's got love, teen angst, popular kids, geeks, dweebs, outcasts and the ever popular kid that doesn't fit in but always tries to get the attention. Nothing like dumping out your bag for people to go through to get attention.

Of course you can't forget the star cast of strong 80's actors, Emilio Estevez (Andrew 'Andy') Anthony Michael Hall (Brian) Judd Nelson (John Bender) Molly Ringwald (Claire) Ally Sheedy (Allison) and Paul Gleason (Principal). Great acting, John's look at teenagers and a great script all make for a very enjoyable look at the interactions and 'attitude' typical of the high school years.

I truly could go on about this movie but I won't. I'll just say that this is a much have for any movie buff and if you haven't seen it you must. ... Read more

Amazon.com

A mixed bag that received mixed reviews when released in 1994, this lavish film works overtime to honor the spirit and style of the vintage pulp novels and radio shows that made The Shadow a household name in the 1930s and '40s. Alec Baldwin plays the Shadow, a.k.a. Lamont Cranston, who arrives in New York from his decadent life in Tibet, fully reformed and disciplined in his ability "to cloud men's minds." A crime fighter who lurks in the dark recesses of the city, the Shadow faces his most deadly challenge when Shiwan Khan (John Lone), the last surviving descendant of Genghis Khan, hatches a plot to conquer the world. The scheme involves a madman (Tim Curry), a hapless scientist (Ian McKellen), and various traps designed to catch and kill the Shadow, who must also contend with his blossoming romance with Margo Lane (Penelope Ann Miller), a slender beauty capable of a little mind play of her own. The movie's art deco production design turns out to be a scene-stealer when the plot drags, and in the title role Baldwin is never given enough good material to create a compelling character. Still, The Shadow is true to the legacy that inspired it, admirably avoiding any conspicuous compromise of its 1930s style and setting. If you can't get into the story, you're sure to be hooked by the look of the production, which is never less than dazzling. --Jeff Shannon ... Read more

Reviews (78)

Moody Fun To Tickle Your Psyche
...though how in the (blank) could Universal have released this on DVD and NOT done WIDESCREEN? The DTS transfer is as crisp and clear as you'd ever want, but this is a movie of astounding visual scope that cries out for a widescreen version. (I have this movie on VHS, DVD, and Dolby Digital Laserdisc, and the DDLD is by far the best of the three, because it's widescreen and the DD is amazingly crisp for LD.)

Still, though, there's a lot to like about this movie: Alec Baldwin is dead-on perfect as Lamont Cranston and his darker side, The Shadow; Baldwin can go from charming to chilling with one flex of his facial muscles, and that ability is nicely on display here, even if The Shadow is buried under a hat and cloak and heavy makeup. Penelope Ann Miller looks gorgeous as Margo Lane, the blonde bombshell with a brain to match, but isn't challenged much by the material. John Lone chews up scenery as Shiwan Khan, last descendent of Genghis Khan and darker reflection of The Shadow's edgy goodness. The art deco sets are terrific; the music is rich and moody; the visual scope of 1933 New York City is breathtaking.

I recommend this one with qualifications: If/when a widescreen version comes out, get it instead of the other DVD or VHS versions. But the movie itself is well worth seeing, particularly if you're an old-time radio fan.

The seed of wide screen adaptation bears bitter fruit!
I want to like this film completely....to give it five stars. It really is well produced and acted, but I can't get my head around the portrayal of Lamont Cranston as a former opium dealer who is converted by a young, prodigal Dalai Lama into the hero we know as: The Shadow.

Alec Baldwin does a good job as Cranston, playing the part with wit and an entertaining offhand quality that suits the part. However, I'm not so sure he portrays the Shadow himself...that's DEFINITELY one of his longer-nosed brothers in the transitional scenes, and the make-up obscures the Shadow actor's real features completely. The Shadow character also doesn't "move" like Alec Baldwin does as Cranston. We almost never see any closeups of the Shadow's face as well.

However, storyline-wise, acting-wise and as pure entertainment, this was one of the better popcorn movies of 1994. Penelope Ann Miller is a competent Margot Lane, the art direction is excellent, and there's a dolly shot in here that will have just about every movie tech-freak baffled.

John Lone's portrayal of a descendant of Genghis Khan with equal ability to Cranston's is suitably arrogant and cold-hearted, a mindset I find a LOT of Lone's character's possessing over the course of the last decade or so...

Ian McKellen's first major popcorn movie role was here too, playing Margot's father, a sceintist, and Tim Curry, (AGAIN!) plays a smarmy, foolish scientist colleague of McKellen's that hooks up with Lone's megalomaniac Khan descendant.

When you get right down to it, this movie is FULL of moral dilemnas....Besides the question of Lamont Cranston's opium connection, there's the rather sick fictional conceit that an oriental could be responsible for the creation of the atom bomb, and the way Lone's Khan is defeated in the end is VERY cruel! Perhaps this is payback for the character he played in "The Moderns".

Other players in the movie are Jonathan Winters and Peter Boyle, Winters playing Cranston's Uncle, the chief of police, Boyle playing one of The Shadow's sidekicks. You'll also probably recognize Arsenio "Sonny" Trinidad from "Batteries Not Included" as one of Khan's henchmen.

All in all, a VERY interesting flick.

What Evil Lurks in the Heart of Men...The Shadow Knows!
"The Shadow" was a popular radio program (before television sets were made for the home). It began on the Dectective Story Hour on July 31, 1930 as a character in the story. James La Curto was the voice 1930-31 and then Frank Readick Jr (1931-37), Orson Welles (1937-38), Bill Johnstone (1938-43), Bret Morrison in 1943, John Archer in 1944 and Bret Morrison again in 1945-54. The last radio program of "The Shadow" was broadcast December 26, 1954.
Two motion picutres were made with Rod La Rocque as "Lamont Cranston"/"The Shadow", THE SHADOW STRIKES (1937), INTERNATIONAL CRIME (1938). They also made a movie serial in 1940. In 1958, Richard Derr played the role in INVISIBLE AVENGER (1958).
In 1994, they tried to resurrect the character of "Lamont Cranston" with Alec Baldwin in "THE SHADOW" (1994). Imagine the Invisible Man and Kung Fu in the land of film noir. And oh yes, the rainy mist and full moon. While on a case searching for the chinese and there taste for opium, Lamont is captured by the "emperor". He is spared and taught mystical powers. he is now able to continue finding and fighting the crooks and keeping his own identity a secret.
Also in the cast: Johnathan Winters, John Lone, Penelope Ann Miller, Ian McKellen and Tim Curry.
No extras, no bonuses on this DVD.

It's FULL SCREEN.
Let's say the movie deserves 4 stars at least. It's beautiful and the plot stays true to the original characters. Whatever you may think of Alec Baldwin's acting ability it's still a good movie. But the DVD is an old style, barebones, FULL SCREEN version. It's crap. The only reason you should buy this is that you can't wait to see it one more time and it's cheap...otherwise get the even cheaper serials like the Invisible Avenger and wait for the Special Edition.

"The Shadow"
A film of grandiose design with a camera that can't capture it. From beginning to end, we're constantly (and painfully) aware of the great film it might have been had it been directed with more patience and a better sense of rhythm. As it is, the film simply has no drive, no forward charge to it; it's as if it's standing still throughout the entire running time. Alec Baldwin, in the title role, is as bland as he's ever been, though it's not as if the script gives him anything real to work with. There's nothing plot-like here, and things are not helped by groan-inducing attempts at humor. It's not an utter loss: the production design is marvelous, and the scene where Tim Curry confronts the Shadow in an abandoned hotel has a genuine intensity that you'll wish had been present throughout the film entire. Also featuring Penelope Ann Miller, Ian McKellen (who's largely wasted), Jonathan Winters, and Peter Boyle. ... Read more

Reviews (62)

A very funny movie about an unrealistic concept
Could anyone really create a girl on their computer in 1985? Probably not, but that doesn't stop Gary (brat packer Anthony Michael Hall) and Wyatt (Ilan Mitchell Smith) from giving it a shot. Mystical forces soon take over and the two high school losers are left with a beautiful bombshell who is willing to fulfill their every desire. Every boy's dream, right?
Well, not exactly. They are so inexperienced and scared that they don't know what to do with the wild party girl. The movie walks us through their journey from quirky geeks to studs when they finally stand up for themselves.
The two guys have great comic chemistry with Kelly LeBrock, computer babe Lisa and create many laughable encounters with each other and other characters. Bill Paxton, a more serious actor today, is convincing as the rotten Chet. This is the role I will always remember him for, no matter what other movies he goes off to make about ghosts or twisters.
Director/writer John Hughes delivers another timeless gem about teenagers, continuing with the traditions of "The Breakfast Club" and "Sixteen Candles." Here he gets a little sillier, but still remains clever and true-to-life.
DO watch this movie uncut on VHS or DVD if you really want to enjoy it. Cable TV does it absolutely no justice.

How about a greasy pork sandwich served in a dirty ashtray?
Of all the John Hughes-helmed 80's-teens-living-in-a-quaint-Chicago-suburb dramatic comedies, "Weird Science" is my favorite. While it's yet another take on on the 'losers who show everybody up in the end' genre of comedy that was so big at the time ('Revenge of the Nerds', anyone?), I find it far more hilarious than "Ferris Bueller's Day Off", and much more fun to watch than "The Breakfast Club". And you can hardly beat 'WS' when it comes to showcasing the fab fashions of the era. Ya know, big over-moussed and/or -crimped hair styles, narrow ties, pastels, spandex, and an overall lack of good taste that only the 70s can beat...

The two teen losers Gary (Anthony Michael Hall) & Wyatt (Ilan Mitchell-Smith) have some great lines-- most of which I can't print in this review, but take my word: many of 'em are pretty freakin' funny. Bill Paxton's portrayal of nasty big-brother Chet was definitely a springboard for his career of playing whiny scumbag-type characters (remember Hudson from "Aliens"? Or the weasely car salesman from "True Lies"?). Robert Downey Jr. even makes a strong appearance, looking very much the epitome of 80's suburban new-wave fashion as one of our heroes' many tormentors, many years before his substance abuse problems made the headlines in the Hollywood gossip pages.

And then there's Kelly LeBrock as Lisa, a new take on 'Frankenstein'-- oh man, the wrong things I'm thinkin' as she struts about in the various outfits she throws herself into... and out of. Oh yes, heh. Er, excuse me; I gotta go hose myself down...

Okay, hormonal balance re-established, thank God. Speakin' of Lisa: my favorite part is where she takes the geeky buddies out to a bar with a predominantly black clientele. As Gary (Anthony Michael Hall) drinks himself into a near-stupor he becomes "pimp-daddy", doing the shuckin'-and-jivin' routine that Eminem couldn't even hope to touch. Amos 'n' Andy move over! Another great scene is Lisa letting Gary's parents know just what'll be goin' on at the house party she's taking their son to. Their overwrought reaction and Gary's complete embarrassment to her brutal honesty here is priceless!

Please note that there are two versions of 'Weird Science' on DVD. The latter release, part of Universal's "High School Reunion" series, includes the original soundtrack used in the theatrical version, as well as a much clearer and brighter picture, and superior audio quality and separation than the former release. Oh, and it also includes the original theatrical trailer as a bonus feature, and English subtitles. Unfortunately, the subtitles only catch about two thirds of what the subjects are actually saying 'cuz much of the dialogue is fairly swift. Otherwise, this is the best video release of the film to come out yet, and is a highly recommended addition to any 80s-teen-comedy fan's video shelf.

'Late

Chips, dips, chains, whips...
This is one of the great 80s flicks, courtesy of the great 80s flicks guy, John Hughes. There are a hundred moments in this movie that flash me back to being an awkward 13 year old dork (as opposed to the awkward 32 year old dork I am now). And so many great lines! "Do you realize it's snowing in my room, godd**it?" Or when Gary opens the bathroom door and the cute girl asks, "What are you guys doing in there?" "Gary was just takin' a s**t!" *flash to a hand slapping Wyatt's face*

And, ya gotta love the bar scene, where a drunk Gary "tells his tale."

Anyway, it's a funny, funny movie, and highly recommended to anyone who loves the John Hughes 80s. An essential!

More 80's dribble that we can't get enough of
This is another movie from the best decade in recorded history. Sure it's far out, unbelievable, and silly, but that's why we love it. I remember when this movie first came out Kelly LeBrock (The creation) was supposed to be 'the next big thing'. But hey, who wouldn't their woman going into a lingerie store and asking "Do you have this in black leather or barbed wire?"

Anthony Michael Hall is 'Dr. Frankenstein' and along with his dweeb partner, create the perfect woman with a Barbi Doll and a computer that could barely play Pong without crashing. My God do you remember those 5.25 inch floppy diskettes??

Well what else do we have, grandparents get frozen in a closet, the bully big brother turns into a green mucus pile with eyes, a clean Robert Downey Jr., a British Mad Max motorcycle gang in the living room, and oh yes, a nuclear missle growing out of the basement and through the roof.

Some things are dated, but boys wearing bras on their heads will never go out of style.

Weird Science
This movie is the best "retro" comedy movie in cinema history!!! It keeps you laughing through the whole movie! Not just giggling, but the kind of pee-your-pants laughing.I think the best scene is when the blonde kid gets drunk at the club...the way he slurrs is HILARIOUS!!! ... Read more

Reviews (28)

Martin shines as modern-day "Cyrano de Bergerac"
Steve Martin's best comedy role yet. This breezy, updated version of Edmond Rostand's "Cyrano de Bergerac" shows Martin as a small-town fire chief endowed with an unusually large nose. Gifted with the ability to write beautiful love letters, Martin lends his talent to the shy and awkward Rick Rossovich, who is in love with the Daryl Hannah character (Roxanne). While helping out his buddy, Martin also falls in love with Roxanne, setting off the famous love triangle.

The low key antics and the emphasis on clever dialogue give the film an endearing quality that is difficult to resist. The supporting cast adds some slap stick humor to the plot line. Look for Shelley Duval and Fred Willard in small, but essential roles.

Beautiful locale, beautiful love story, lovely Daryl
Of recent updatings of CYRANO DE BERGERAC, this one is one of the best, and is certainly the funniest. Although THE TRUTH ABOUT CATS AND DOGS has a soft spot in my heart, this version is by far funnier and more romantic. The other film focuses more on Janeane Garofalo's feelings of inferiority compared to Uma Thurman, and although funny, doesn't strive for the laughs like Roxanne does. Also, with apologies to Ben Chaplin, he is hardly as adorable as Daryl Hannah. She has never been lovelier than in this film.

This is also probably my favorite Steve Martin film. Despite his surreal schnoggin, he manages to inject his character with warmth, character, and lovability. You like him so much that you find it believable when he and Roxanne end up together at the end. (Interestingly, both this and the Janeane Garofalo film end happily, unlike the Rostand play.) The long scene in which a bar patron insults his nose, and he humiliates the man by coming up with 20 better and vastly funnier insults (this "Cyrano" is not merely a highly capable street fighter, but equally adept at verbal sparring) is easily the highpoint of the film. Even if I have seen the film recently, if in channel flipping I see the movie playing and that it hasn't reached this part of the film, I will wait and watch it.

One reviewer below mentioned the town being dull. I cannot agree. I think the physical beauty of the place stuns most viewers. If I knew I could find a job there, I'd move there tomorrow. The locale definitely adds measurably to the enjoyment of the film.

I have only two negative comments to make on the movie. First, I think they overdid it on Steve Martin's nose. It is impossible to imagine that anyone with a nose that long would not have had surgery on it, and there isn't any believable medical reason to believe the surgery couldn't be performed. Second, the musical soundtrack really sounds dated. The Kenny G. sound today just hasn't stood the test of time, so that the soundtrack reminds one more of elevator music or at best "Lite FM" than anything.

Still, if one can get past the music, this remains one of the most enjoyable romantic comedies of recent years.

I want the three dollars I used to rent this back
I really don't care what anyone says. I could not finish this movie. It was horrible. I was forced into renting it because we had to do this Cyrano de Bergerac/Roxanne compare/contrast sheet for French. I am unhappy that I had to shell out three bucks to rent a movie I never even really wanted to see. The fact that it was a bad movie didn't help the situation.
Steve Martin may think he's being clever, but really he isn't. I absolutely hated his charcter, who, despite his big nose, was awfully cocky. Now, I don't mind the REAL Cyrano de Bergerac. I find it to be a pretty good story. But this was poorly written. Cyrano was supposed to be cocky and witty. Steve Martin, and just about everyone else in this movie, is not cocky nor witty. They're just stupid. The first hour and forty minutes was an excruciating ride, and I decided against sitting through the last bit, mainly because I just couldn't and my friends were complaining. Save your time, not to mention your money, and pick up something that is actually funny, like Clerks or South Park.

Simply Romantic...simply funny.
Ill write a longer review later but i defy anyone not to get past the first 5minutes of this brilliant film, without hurting their sides from laughing. Steve Martin (at his best) putting the world to rights with the aid of a tennis racket, is a joy to behold.

My favorite movie of all time
Roxanne is so captivating that I have watched it dozens of times and if I could take one movie to a desert island, it would be this one. Steve Martin's deliciously romantic screenplay and his masterful portrayal of Fire Chief C.D. Bales, combined with breathtaking British Columbian scenery and perfect casting make this movie an experience everyone should have. C.D.'s soliloquoy under Rozanne's window is easily the sexiest, most romantic scene I've ever seen in a movie, and he set the standard for my own definition of the perfect lover. There are many "morals" about love and friendship that inform this story, but the "medicine" goes down with sparkling class and flawless humor. I fell head over heels in love with C.D. Bales, big nose, big heart and all. ... Read more

Reviews (81)

Scary but too scientific
A great premise, and a great location for a story, in a museum, but this film suffers from an abundance of technobabble in its plot. Basically, there is a monster at large in a museum, and the stars (Tom Sizemore & Penelope Ann Miller) have to catch and kill it. The trouble is, this thing is big, fast and with an insatiable appetite for human glands. Peter Hyams (End of Days, 2010:The Year we make Contact) creates a huge amount of tension by shooting most of this film in the dark, using only minimal lighting. When the creature attacks, and is eventually revealed, it is a truly frightening sight. But the thing that stopped me giving this film five stars was the lack of true characterisation, and the amount of scientific gobbledygook spouted to explain the existence of this creature. Otherwise, a true thriller for lovers of the creature feature. The DVD i got was not exactly packed with features; all i could find was the trailer. Sound is great (I am now a true Hyams fan) and the picture is sharp and clear. A great film spoilt by a DVD lacking in the features department.

Classic horror film with an awesome monster! WOW!!!
Penelope Ann Miller and Tom Sizemore topline this engaging suspenser based on the best-selling novel.

Filmed inside Chicago's Field Museum, the movie centers around a horrific brain-feeding beast and its curious link to a missing paleontologist who disappeared while researching a native tribe in Brazil. This monster, designed by special effects master Stan Winston, is unlike anything you're likely to see ever again. As in most other movies like this, you don't get to glimpse it right away. Its presence is more or less represented by an unsettling wheeze that will make you wonder what on earth could be making such a sound. I won't reveal anymore, other than to say it doesn't merely chase its victims down dark and murky underground tunnels--IT GALLOPS AFTER THEM!

Forget what's been said about how overly dark this film was or how much of a letdown it was from the book. If, like me, you are any kind of horror fan who enjoys in-your-face monster movies, you owe it to yourself to buy this and watch it right now!

Watch for an amusing cameo by Audra Lindley, better known as "Mrs. Roper" from "Three's Company."

It's a pretty good Monster movie that's not a critics Drama
I have seen the bad reviews and I think they are missing the point. This is a B monster movie and they are comparing it to Aliens? To me "The Thing" and "An American Werewolf in London" are some of the best monster movies of all time and I see this below them, but fun.
The big question is whether or not you like to watch a monster movie for just being a monster that causes fictionaly mayhem. I grew up watching "Creature Double Feature" with all of those old monster movies. Fact is most Monster Movies are the pits and there has not been too many that are very good at all since now a days they rely on so much CG. Also I find most people do not like the concept of a Monster to begin with; out side of the Vampire; which there has been more than a hundred titles with "Vampire" in it. Oh dear god now there is "Van Helsing" killing Vampires.
So buy it for the pleasure of seeing people attacked for fun and not because you need a masterpiece every time you start up your DVD player because you will quickly find most movies do not hold up to scrutiny. If you feel this way then it is time to start reading the Classics again like Poe since you have raised yourself above this monotony

buy the book
If you really want a good story, buy the book. There is so much more to the story than what the movie showed. The only thing the movie had in common with the book was that the story took place in a museum and there was a monster. Do yourself a favor; read don't screen.

Hypothalumuses.
The book was excellent (as is anything written by duo DOUG PRESTON and LINC CHILD), the film is a thrown-together mess. This is a textbook example of great book-bad movie. The central character on paper was left out on celluloid for who knows why, and the complex science in the plot is traded for Hollywood dribble. F. PAUL WILSON hasn't sold his work for screen since THE KEEP was butchered, the shame is that these terrific writers might wisely take the same route. Oh, well, PRESTON/CHILD's books are so cinematic anyway, who needs pictures? ... Read more

Reviews (9)

Love this movie
I'm a big Kadeem Hardison fan, so when this movie came on BET I watched it. I thought it was well cast, and everytime it comes on I watch it. I plan to order the DVD, and I know it will be watched often. The story is a sweet love story. Dealing with trust, forgiveness and letting go to love someone. Kadeem is a big time talk show host, who falls in love with Lark's character who owns an alarm business. She is getting over the heartbreak of her ex, but can't prevent herself from falling for Kadeem's character. When she finds out that Kadeem planned to interview her ex on the show, she gets angry and wants to end the relationship. By the end of the movie you will be a little weepy. Well I was. LOL IMHO this one is a keeper!!! In fact.....I'm going to place my order right now. :)

My second favorite
Masquerade is my first favorite. This movie was nice. I'm a huge fan of Kadeem Hardison. The acting is not super great, but the chemistry is good amongst all the actors. This is a sweet movie and you will enjoy it over and over again.

cute, funny and interesting
Unlike most love stories, this one was fun to watch. I for one don't usually like love stores, but Love and Basketball and Fire and Ice are two of the better ones out there. The acting was good and you will see some new actors as well as some familiar faces. I will purchase this movie for my home collection.

A Great Love Story
BET finally got it right. This movie was very good and the story line was closer to the book than any BET movie to date. I have watched all of these BET "books into movies" and had been totally disappointed, this was by far the best out of all of them, mainly because they kept to the storyline. If you enjoyed the movie you will love the book.
I also recommend Commitments on DVD and the book.

definately a good movie
this was very good african american movie. hats off to everyone who participated in making this movie a success. a definate keeper. ... Read more

Amazon.com

Tom Hanks wanted to prove his dramatic talent in the mid-1980s, and Nothing in Common gave him a ripe opportunity. Playing an emotionally immature Chicago advertising executive, Hanks offers a prototype of his later, better role in Big--the joking man-child with seemingly limitless reserves of energetic humor, perfectly suited to director Garry Marshall's trademark blend of featherweight comedy and sentiment. The movie wanders aimlessly before settling into its dramatic groove, involving Hanks caring for his aging, diabetic father (Jackie Gleason, well cast in his final screen role) after his mother (Eva Marie Saint) files for divorce and strikes out on her own. Like Marshall's Pretty Woman, the movie hits several grace notes and finds unexpected depth in its characters and their need for loving connections. Meanwhile, there's cheesy nostalgia in the '80s trappings, including songs by Carly Simon and Christopher Cross, and Once and Again TV star Sela Ward in an early supporting role. --Jeff Shannon ... Read more

Reviews (6)

Donna Mildred Martin


I've watched this movie dozens of times, and was overjoyed to find it on DVD at last. This was (I believe) The Great One Jackie Gleason's final screen performance, and it showed the way of the future for Tom Hanks. Sela Ward also appears as a love interest, along with Hector Elizondo as his boss, and Eva Marie Saint as Hanks' mom.

The only thing that gets on my nerves just a little is the soundtrack. I think it's Christopher Cross, surely one of the most annoying alleged musicians ever to hit the big time.

The transfer to disk is good. The cast is excellent. The plot makes sense, and the script is near perfect. The story is about the relationship between Tom Hanks' character, David Basner, and his father, Max Basner. Its a wonder that anyone comes out right as an adult, and Hanks had no idea how screwed up his childhood had been until the night his father told him his mother had split. And soon thereafter his secretary gave him a message that his mother had called, and added "I had no idea you had parents."

Wonderful. Buy it, enjoy it.

A film of compassion and comedy
I found Nothing in Common to have all the attributes of a wonderful film. From its soundtrack to its cast. The subject, a selfish advertising executive, thinks only of himself, but finally learns that family is important, and old friends are the best.

It is my most favourite Tom Hanks movie.

A MUST SEE!!!
This is one of my most treasured films of all time and I can't understand why it receives so little attention. This is the story of an immature but successful bachelor whose world is disrupted when he gets an unexpected call from his estranged father, telling him his mother left him. Tom Hanks gives one of his BEST performances (comedically AND dramatically) as the carefree fellow who is forced to get to know his parents all over again while supporting them emotionally.
While many label this a comedy--and it IS pretty funny-- I find it one of the most heartfelt and touching films ever thanks to a brilliant director, soppy but appropriate music, and an extraordinary cast. There've been so many films made concerning father-son relationships but if you're looking for the most genuinely realistic one, this is it. The final line of dialogue spoken by father to son ("You're the last person on earth I would've ever expected to come through for me") never fails to choke me up.

Hanks and Gleason are a winning team
Once in a while you find a movie that mirrors your own actual relationship with someone. For me, Nothing In Common sums up my relationship with my father. Even though I do have a lot in common with my dad, I could definitely relate to the fights that father(Gleason) and son(Hanks) had in the movie.

I think that we were raised on thinking that Father Knows Best, but what happens when the father starts to lose it. Nothing In Common answers that question. This movie would make a great Father's Day gift.

Hanks starts out the movie as a grown-up child without a care in the world other than pleasing his every whim. He evolves into this mature adult who realizes that he owes more to his parents than just the occasional visit once every six months or a gift for Mother's and Father's Day.

Gleason starts out as an angry man who reluctantly asks his son for help. He becomes an enlightened father who is truly proud of his son.

I don't believe I'm giving to much away. I think that if you are a fan of Hanks, Gleason, and Garry Marshall. Enjoying this movie will not be difficult.

This movie is one of my favorites. I have lost count as to how many times that I've seen it.

Hanks' Gem
This is one of Tom Hanks' (and director Garry Marshall's) best films, yet it has received little publicity.

Among Hanks' fans I know who have seen this film, all hold it in very high regard. It's classic Tom Hanks - funny and serious at the same time. As it's promoters said, "It's a comedy and a drama, just like life." You will surely love it.

Jackie Gleason, Eva Marie Saint, Hector Elizondo, and the rest of the cast do wonderful jobs.

I only wish it was on DVD, but hopefully in time it will be. ... Read more

Reviews (4)

Amazing and realistic look at how powerful drugs are!
There are some among us who would like to legalize drugs. They ought to watch this film. There are some who think that drug addiction is just an excuse. They ought to watch this film. In fact if you ever wanted to know what its like to be addicted to cocaine, just watch this movie.

This movie is simply the most powerful depiction I have seen of the devastating effects drugs can have on people. James Woods is brilliant, and the gradual erosion of his life seems to happen without his knowledge. Like the frog boiling in water, it all slips away subtly and quietly. In the end, he depicts the painful and harsh reality of a person who cannot see that he is in any way at fault, and if he gets just "one more break" it will all work out again.

Tremendous film and a very under-rated performance by Woods.

a great film.
James woods is excellent as a high powered salesman who's life goes of the rails as he becomes involved in drugs and high powered business deals.It shows how drugs can ruin ones life.

Cautionary Tale of Drug Abuse
Released during the "Just Say No" 1980s, this film is a cautionary tale of drug abuse. Lenny is a guy just trying to stake his claim in the world, to make a little money. He soon impresses a big wheel who moves Lenny and his wife to California where they are at first overwhelmed by the opulence but then become willing participants in it. Lenny continues to buy, buy, buy until it all crashes down. When the money stops rolling in, he is introduced to cocaine and the story then takes a dramatic turn as we watch Lenny lose it all. James Woods is fabulous as Lenny. I've seen this movie many times and now that I'm writing about it, I think it's time to pop this one into the VCR for another viewing.

WOODS AT HIS BEST
Although somewhat cliche ridden and certainly overly dramatic, "The Boost"presents a truly frightening depiction of cocaine and kinds of drug abuse. A picture of self destruction that is almost hard to believe.

James Wood outdoes himself in yet another fine performance. A film is worth seeing if only because he is in it. ... Read more

Description

Rebecca De Mornay (THE HAND THAT ROCKS THE CRADLE) and Don Johnson (PARADISE) scorch the screen in this spine-tingling, seductively sexy thriller. De Mornay stars as a sexy, hothot criminal defense attorney who plays to win -- and usually does. She meets her match when she represents a playboy (Don Johnson) accused of murdering his rich wife. The attractive lawyer, captured by her client's irresistible charm, finds herself caught in his seductive, psychological web of deceit from which there is no legal escape -- and soon fears she may be his next victim. From its first startling plot twist, GUILTY AS SIN is a riveting edge-of-your-seat suspense thriller leading to a sensational climax. Don't miss it! ... Read more

Reviews (13)

Good
So many people knocked this movie, but I really liked it. De Mornay and Johnson gave great performances in it, and the plot was suspenseful. Rebecca and Don are two of the best looking actors around, too. Together, they are terrific.

Don is perfect!
What can I say? The movie is fantastic! Don puts on such a performance that no one could ever say that he isn't a great actor. The script may not be the best but with Don it ranks higher.
I am a major fan of Don Johnson so maybe you think I am biased. Just watch the film and see how great it really is. He definitely deserves an award for this film.

Pay close attention to the scene at his house where De Mornay and him are talking while Don makes a sandwich. Superb!

I would love to see this film re-released as well.

Rebecca De Mornay-WOW!!!!!!!!!!
I think Rebecca De Mornay is a fantastic actress.In this movie she was the best I've ever seen her acting.Her Level of emotion and her talent was so passionate. I just wish she was in parts of this caliber more often.I wonder if Rebecca is'nt being offered the big parts anymore.It is the public's loss and the movie industries loss if thats the case.I haven't seen her in a memorable major role for a long time.

I saw her in the film "The Cradle Will Rock" years ago.That was a fabulous performance-but this part in "Guilty As Sin" was better.Her heart of kindness comes through and her fear of being taken advantage of by Don Johnson's character.Her strength in this movie is magnificent-emotionally and physically.Each time I've seen this movie I see it for the first time..because I see new levels of her character that I had'nt noticed before.

This ain't no Sonny Crockett!
This is an "A" list movie with great writing, suspense and casting. I consider this Johnson's best work. He is such a monster, you just hate him in the movie. And he plays his character flawlessly. De Mornay was a perfect pick too. I can't wait for the DVD release!

Life Imitating Art?
This 1993 movie provides a blueprint for framing an individual by forging DNA evidence. A husband is charged with the murder of his wife, an almost foolproof crime. His defense lawyer learns that in fact he did it! So she manages to get a sample of his blood, then plants it so there is "proof" of his guilt. This lawyer sees to it that justice triumphs, if not the law. Any resemblance to a later real event is not a coincidence, in my opinion.

The drama also comes from the interplay between the characters, and the rest of the story. ... Read more

Description

The studio that thrilled you with the SCREAM, HELLRAISER, and CHILDREN OF THE CORN movies now delivers MIMIC 3: SENTINEL, the third and scariest entry in the unstoppably suspenseful and terrifying MIMIC legacy! When residents of his apartment building begin to disappear, Marvin comes to believe the unthinkable: the mutant breed of giant carnivorous insects that once plagued society are back and beginning to revisit their devastation! Though he's confined to his room due to a severe illness, Marvin must rally whatever support he can in order to exterminate these horrifying creatures before he ends up their next victim! Filled with all-new action and incredibly eye-popping special effects, this terror-filled thriller is a must-see for all fans of intense big-screen excitement! ... Read more

Reviews (213)

2 thumbs down
I found John Hughes' 1985 movie The Breakfast Club to be an extremely generalized, heavy handed, piece of trite filmmaking that may or may not have been relevant to teenagers fifteen years ago, but is certainly nowhere near on target now.
Obviously it was by design that his five main characters were one-dimensional character sketches of so-called 'traditional' high school stereotypes. You have Andy the jock (Emilio Estevez), Claire the princess (Molly Ringwald, a John Hughes staple), Bender the criminal (Judd Nelson), Brian the nerd (Anthony Michael Hall), and Allison the basket case (Ally Sheedy). In my opinion, for Hughes to insinuate that these five people come from completely different backgrounds and had absolutely no contact with each other or anyone else from their particular 'type' during school is just plain silly. For example, it is quite likely that Claire and Andy, being popular people, would know each other, or at least that princesses and jocks would interact on a regular basis. Same thing goes for Bender and Allison as social outcasts. Only Brian, being the brain, would logically be shunned by all other classes.
For another thing, these categories have little relevance today because in today's modern society, and indeed this has always been true, teens simply cannot be categorized and labeled, even by their peers, in this manner. I myself saw elements of my personality in every one of the characters, and neither I nor anyone I know would fit neatly into these stereotypes.
The last thing I'm going to gripe about in this review is, logically enough, the ending. For a film that tried so hard to be edgy, the denouement was awfully hackneyed and predictable. Four out of the five characters hook up at the end? Gosh, I never saw that coming! Also, the treatment of Allison was laughable. This girl has serious psychological issues that have been with her all her life, but all she needs is a little makeup, a nice dress, and a clean-cut boyfriend to set her to rights? I don't think so, pal. Willful suspension of disbelief is all fine and good, but to trivialize Allison's pain and emotional trauma in this manner is irresponsible and does a disservice to those young people who do identify with her character. I think that's enough bashing for this film; while it had its moments, it certainly is by no means the 'classic' that it is reputed to be.

One for the ages
This movie is a classic and it will stand the test of time. This is the second "teen coming of age" installment from John Hues, and round 2 for Molly Ringwald and Anthony Michael Hall. The first installment, Sixteen Candles, was more of a sexual coming of age movie whereas The Breakfast Club is more of a coming of age for one's character and social awareness. Where they are "teetering" with; do they stay with the social allegiances of their perspective pack, or do they listen to that inner voice...the voice of reason, maturity and human compassion that's not bound to any "click". I also like the choice of actors here; I think they all fit like pieces in a puzzle and make their characters totally believable. I am in the same age range as almost the entire cast and I was a senior in High school when this film came out. Allot of reviews seem to put this film within the Junior High crowd but I feel it's much more mature than that. The very message that it's trying to get across isn't understood in real life until we get close to 18 or so. The story is simple; 5 kids have to come into school on a Saturday for detention. At first they try to segregate themselves according to their school social standings. Inevitably they find out that they are more alike than they ever thought. The movie, in my eyes, is broken into 3 parts; the first part is pure character development. This is where you (the viewer) get to know each person they way they are supposed to be seen with their everyday face. At first, they act the way they think they should act, and stand up for what they always had, with out question or defiance. They stay true to their cause never steering away for a second. The second part of the film is where the movie itself develops. These 5 separate entities realize that they are variations of the same person. They have the same desires and anguishes. Their pressures and stresses are the same even though it's generated from very different sources.
The jock (Emilio Estevez) has the pressure to be on top of his sport (wrestling). In return for this he gets attention from his dad, coaches and keeps his standing within his social group. This is his priority in life and he doesn't stray.
The Princess (Molly Ringwald) has to conform and obey the rules of her social group in order to be accepted and keep her standing within the group. She keeps her eyes closed; mouth shut and goes along for the ride.
The Metal Head/criminal (Judd Nelson) is an angry guy! He wears the physical and mental scars of growing up in an abusive house. He hates most people, like the ones Emilio and Molly play, because in his eyes, they have had a free ticket and earned nothing...things are handed to them because of their social and/or economical standings. On the other hand, he feels that he's on a whole other plain because his eyes have been beaten open and he was forced to grow up a little faster than he wanted too or was ready too. I feel that Judd Nelson's character is the most crucial to the movie. He is the key to this whole new self-awareness for everyone, including himself.
The nerd (Anthony Michael Hall) is the quintessential geek. His every woken moment is spent learning. He hides behind his grades and in fact, he wants to be more accepted by the "cooler" groups. He also is a little "cocky" about his better grades and academically superiority to the other people in the room.
The weirdo (Ally Sheedy) is a loner and an outcast. She doesn't have friends that we (the viewers) know of. Because her parents ignore her, She feels ugly and without a place in the world. She is starving for positive attention. I think her character was needed in this movie to balance off the cast. It would have left out a very critical part of teen angst!
Richard Vernon (Paul Gleason) is the "Villain" of the movie. To the kids, he represents the out of touch older generation and the mean spirited, high testosterone adult. For Richard Vernon, these kids are the source of his anger and agony. He has lost touch with the younger generation for 1 reason, he got older...and the older you get, the harder it is to relate to youth. Youth recycles right before your eyes, but you keep getting older. His character is the key that releases these kids. He helps them to strip away the blindfolds and to take a fresh look at every thing and everyone (including themselves).

This leads to the 3rd and final part of the movie. Where they cleanse themselves of all the pentad up anger and prejudices. When the kids realize that they all have the same goal, they were just taking different roads to reach it. I highly recommend The Breakfast Club and it should go down as one of the all time great teenage movie!

A little time - a little perspective
I first saw this movie at a cinema in Austin in March, 1985. Just a year out of high school, I thought this was a deep, moving motion picture with a quality cast that really showed the feelings of different groups of students in schools. I could relate to the characters.

Move forward more than 19 years. This movie has not aged well. I read on the IMDB that John Hughes wrote this script in two days. After watching this movie again, I find that very easy to believe. It is horrible! - and this coming from a man who loves all things 80's! Was Judd Nelson about 35 when he made that movie? He looks about 20 years older than Anthony Michael Hall. Unbelievable characters and dialogue. Then they tie it up nice and neat at the end - with 2 unlikely couples pairing off leading us to believe there's no social caste in high schools.

With the small cast and lack of location shots, I'm amazed that I've never read about some high school drama club doing a stage production of this disaster. In any case, I've got a Breakfast Club DVD I'll never watch again - I'll post it used "New & Used" above.

Still relevant after all these years
Some question the durability of "The Breakfast Club," saying that the themes and plotlines do not hold up in today's teen society. As a 15-year-old, I would like to say that that is thoroughly untrue. 19 years after its release, "The Breakfast Club" is still a truthful, relateable account of teenagers and their personalities, and the ways in which they interact with each other. Sure, the stereotypes of the characters may be a bit exaggerated -- but that's necessary in order to get the point across. Watching this movie, I feel as if I know these people, or at least I've run across them at one point in my high school career.

The plot, as most people know, involves five different kids being assigned Saturday detention together. Each kid represents a typical high school stereotype -- a princess (Molly Ringwald), a jock (Emilio Estevez), a brain (Anthony Michael Hall), a basket case (the excellent Ally Sheedy), and a criminal (Judd Nelson). At the beginning of the day, none of them know each other, except for the princess and the jock. Throughout the day, they learn more about each other and work at tearing down the stereotypes that pit them against each other. As for the reviewer who said this isn't realistic that they would open up so much to each other -- it absolutely is. Put five kids into a room without an adult for nine hours, and they will talk about anything.

The beauty of this movie is the depth of the characters beyond the stereotypes -- particularly the nerd, Brian, who as we find out in the movie has problems well beyond what people think of him. He is the one that I most relate to in the movie. Watch "The Breakfast Club," and see who you most relate to. It's a great experience. Beyond the social commentary aspect, it's also just a funny movie. The jokes come at breakneck speed, especially for the first half of the movie (before it gets somewhat serious). The actors are also very enjoyable in their roles, particularly Ally Sheedy and Anthony Michael Hall. Highly recommended.

Must have to any collection.
The quintessential John Hughes film. I remember in my English class my junior year (1987) we had to analyze this movie. Only 2 years after it's release it was had all the qualities needed for a class analysis. I will spare you the report that I did back then.

Since then I have watched this movie at least once a year (and contrary to popular believe it is not for the panty shot). The characters are very well done. There is something that anyone who went through high school can relate to, even if we fit more than just one character. The interactions between the teens towards each other and then towards the principal as a group is classic. It's got love, teen angst, popular kids, geeks, dweebs, outcasts and the ever popular kid that doesn't fit in but always tries to get the attention. Nothing like dumping out your bag for people to go through to get attention.

Of course you can't forget the star cast of strong 80's actors, Emilio Estevez (Andrew 'Andy') Anthony Michael Hall (Brian) Judd Nelson (John Bender) Molly Ringwald (Claire) Ally Sheedy (Allison) and Paul Gleason (Principal). Great acting, John's look at teenagers and a great script all make for a very enjoyable look at the interactions and 'attitude' typical of the high school years.

I truly could go on about this movie but I won't. I'll just say that this is a much have for any movie buff and if you haven't seen it you must. ... Read more

Description

THE SPORTS PAGES features two short comedies, "How Doc Waddems Broke 100" and "The Heidi Bowl."In "How Doc Waddems Finally Broke 100," a golf fanatic (Newhart) is put on trial for the murder of his putting partner (Grammer), who had been tormenting him throughout their game."The Heidi Bowl" is a fictional recreation of the infamous 1968 Super Bowl broadcast in which the last few seconds of an intense game were cut off in order to show the film Heidi. ... Read more

Description

The Frankenstein legend takes an uproarious twist in this outrageous special effects-laden comedy from John Hughes, director of "Sixteen Candles" and "The Breakfast Club." ... Read more

Reviews (62)

A very funny movie about an unrealistic concept
Could anyone really create a girl on their computer in 1985? Probably not, but that doesn't stop Gary (brat packer Anthony Michael Hall) and Wyatt (Ilan Mitchell Smith) from giving it a shot. Mystical forces soon take over and the two high school losers are left with a beautiful bombshell who is willing to fulfill their every desire. Every boy's dream, right?
Well, not exactly. They are so inexperienced and scared that they don't know what to do with the wild party girl. The movie walks us through their journey from quirky geeks to studs when they finally stand up for themselves.
The two guys have great comic chemistry with Kelly LeBrock, computer babe Lisa and create many laughable encounters with each other and other characters. Bill Paxton, a more serious actor today, is convincing as the rotten Chet. This is the role I will always remember him for, no matter what other movies he goes off to make about ghosts or twisters.
Director/writer John Hughes delivers another timeless gem about teenagers, continuing with the traditions of "The Breakfast Club" and "Sixteen Candles." Here he gets a little sillier, but still remains clever and true-to-life.
DO watch this movie uncut on VHS or DVD if you really want to enjoy it. Cable TV does it absolutely no justice.

How about a greasy pork sandwich served in a dirty ashtray?
Of all the John Hughes-helmed 80's-teens-living-in-a-quaint-Chicago-suburb dramatic comedies, "Weird Science" is my favorite. While it's yet another take on on the 'losers who show everybody up in the end' genre of comedy that was so big at the time ('Revenge of the Nerds', anyone?), I find it far more hilarious than "Ferris Bueller's Day Off", and much more fun to watch than "The Breakfast Club". And you can hardly beat 'WS' when it comes to showcasing the fab fashions of the era. Ya know, big over-moussed and/or -crimped hair styles, narrow ties, pastels, spandex, and an overall lack of good taste that only the 70s can beat...

The two teen losers Gary (Anthony Michael Hall) & Wyatt (Ilan Mitchell-Smith) have some great lines-- most of which I can't print in this review, but take my word: many of 'em are pretty freakin' funny. Bill Paxton's portrayal of nasty big-brother Chet was definitely a springboard for his career of playing whiny scumbag-type characters (remember Hudson from "Aliens"? Or the weasely car salesman from "True Lies"?). Robert Downey Jr. even makes a strong appearance, looking very much the epitome of 80's suburban new-wave fashion as one of our heroes' many tormentors, many years before his substance abuse problems made the headlines in the Hollywood gossip pages.

And then there's Kelly LeBrock as Lisa, a new take on 'Frankenstein'-- oh man, the wrong things I'm thinkin' as she struts about in the various outfits she throws herself into... and out of. Oh yes, heh. Er, excuse me; I gotta go hose myself down...

Okay, hormonal balance re-established, thank God. Speakin' of Lisa: my favorite part is where she takes the geeky buddies out to a bar with a predominantly black clientele. As Gary (Anthony Michael Hall) drinks himself into a near-stupor he becomes "pimp-daddy", doing the shuckin'-and-jivin' routine that Eminem couldn't even hope to touch. Amos 'n' Andy move over! Another great scene is Lisa letting Gary's parents know just what'll be goin' on at the house party she's taking their son to. Their overwrought reaction and Gary's complete embarrassment to her brutal honesty here is priceless!

Please note that there are two versions of 'Weird Science' on DVD. The latter release, part of Universal's "High School Reunion" series, includes the original soundtrack used in the theatrical version, as well as a much clearer and brighter picture, and superior audio quality and separation than the former release. Oh, and it also includes the original theatrical trailer as a bonus feature, and English subtitles. Unfortunately, the subtitles only catch about two thirds of what the subjects are actually saying 'cuz much of the dialogue is fairly swift. Otherwise, this is the best video release of the film to come out yet, and is a highly recommended addition to any 80s-teen-comedy fan's video shelf.

'Late

Chips, dips, chains, whips...
This is one of the great 80s flicks, courtesy of the great 80s flicks guy, John Hughes. There are a hundred moments in this movie that flash me back to being an awkward 13 year old dork (as opposed to the awkward 32 year old dork I am now). And so many great lines! "Do you realize it's snowing in my room, godd**it?" Or when Gary opens the bathroom door and the cute girl asks, "What are you guys doing in there?" "Gary was just takin' a s**t!" *flash to a hand slapping Wyatt's face*

And, ya gotta love the bar scene, where a drunk Gary "tells his tale."

Anyway, it's a funny, funny movie, and highly recommended to anyone who loves the John Hughes 80s. An essential!

More 80's dribble that we can't get enough of
This is another movie from the best decade in recorded history. Sure it's far out, unbelievable, and silly, but that's why we love it. I remember when this movie first came out Kelly LeBrock (The creation) was supposed to be 'the next big thing'. But hey, who wouldn't their woman going into a lingerie store and asking "Do you have this in black leather or barbed wire?"

Anthony Michael Hall is 'Dr. Frankenstein' and along with his dweeb partner, create the perfect woman with a Barbi Doll and a computer that could barely play Pong without crashing. My God do you remember those 5.25 inch floppy diskettes??

Well what else do we have, grandparents get frozen in a closet, the bully big brother turns into a green mucus pile with eyes, a clean Robert Downey Jr., a British Mad Max motorcycle gang in the living room, and oh yes, a nuclear missle growing out of the basement and through the roof.

Some things are dated, but boys wearing bras on their heads will never go out of style.

Weird Science
This movie is the best "retro" comedy movie in cinema history!!! It keeps you laughing through the whole movie! Not just giggling, but the kind of pee-your-pants laughing.I think the best scene is when the blonde kid gets drunk at the club...the way he slurrs is HILARIOUS!!! ... Read more

Reviews (2)

Cartoonish, a bit of fun
Much worse than you might expect given such a sterling cast (Olin and Pullman.) Plenty of cheesy stuff with Pullman over the top as tough-guy type trying to protect "bitchy" federal judge from all sorts of bad guys.

Exceptional!!!
I'm a huge Bill Pullman fan anyways, but even if I wasn't before, I would be after this film. The urgency and intensity in this film is contagious, and leaves you at the edge of your seat. This film has everything... danger, emotional entanglements, suspense, romance, deception, explosions, and more! If you like action movies, you'll love this one. There are many unique and utterly charming scenes here that will make this film worthwhile for anyone's tastes. ... Read more

Amazon.com

A mixed bag that received mixed reviews when released in 1994, this lavish film works overtime to honor the spirit and style of the vintage pulp novels and radio shows that made The Shadow a household name in the 1930s and '40s. Alec Baldwin plays the Shadow, a.k.a. Lamont Cranston, who arrives in New York from his decadent life in Tibet, fully reformed and disciplined in his ability "to cloud men's minds." A crime fighter who lurks in the dark recesses of the city, the Shadow faces his most deadly challenge when Shiwan Khan (John Lone), the last surviving descendant of Genghis Khan, hatches a plot to conquer the world. The scheme involves a madman (Tim Curry), a hapless scientist (Ian McKellen), and various traps designed to catch and kill the Shadow, who must also contend with his blossoming romance with Margo Lane (Penelope Ann Miller), a slender beauty capable of a little mind play of her own. The movie's art deco production design turns out to be a scene-stealer when the plot drags, and in the title role Baldwin is never given enough good material to create a compelling character. Still, The Shadow is true to the legacy thatinspired it, admirably avoiding any conspicuous compromise of its 1930s style and setting. If you can't get into the story, you're sure to be hooked by the look of the production, which is never less than dazzling. --Jeff Shannon ... Read more

Reviews (78)

Moody Fun To Tickle Your Psyche
...though how in the (blank) could Universal have released this on DVD and NOT done WIDESCREEN? The DTS transfer is as crisp and clear as you'd ever want, but this is a movie of astounding visual scope that cries out for a widescreen version. (I have this movie on VHS, DVD, and Dolby Digital Laserdisc, and the DDLD is by far the best of the three, because it's widescreen and the DD is amazingly crisp for LD.)

Still, though, there's a lot to like about this movie: Alec Baldwin is dead-on perfect as Lamont Cranston and his darker side, The Shadow; Baldwin can go from charming to chilling with one flex of his facial muscles, and that ability is nicely on display here, even if The Shadow is buried under a hat and cloak and heavy makeup. Penelope Ann Miller looks gorgeous as Margo Lane, the blonde bombshell with a brain to match, but isn't challenged much by the material. John Lone chews up scenery as Shiwan Khan, last descendent of Genghis Khan and darker reflection of The Shadow's edgy goodness. The art deco sets are terrific; the music is rich and moody; the visual scope of 1933 New York City is breathtaking.

I recommend this one with qualifications: If/when a widescreen version comes out, get it instead of the other DVD or VHS versions. But the movie itself is well worth seeing, particularly if you're an old-time radio fan.

The seed of wide screen adaptation bears bitter fruit!
I want to like this film completely....to give it five stars. It really is well produced and acted, but I can't get my head around the portrayal of Lamont Cranston as a former opium dealer who is converted by a young, prodigal Dalai Lama into the hero we know as: The Shadow.

Alec Baldwin does a good job as Cranston, playing the part with wit and an entertaining offhand quality that suits the part. However, I'm not so sure he portrays the Shadow himself...that's DEFINITELY one of his longer-nosed brothers in the transitional scenes, and the make-up obscures the Shadow actor's real features completely. The Shadow character also doesn't "move" like Alec Baldwin does as Cranston. We almost never see any closeups of the Shadow's face as well.

However, storyline-wise, acting-wise and as pure entertainment, this was one of the better popcorn movies of 1994. Penelope Ann Miller is a competent Margot Lane, the art direction is excellent, and there's a dolly shot in here that will have just about every movie tech-freak baffled.

John Lone's portrayal of a descendant of Genghis Khan with equal ability to Cranston's is suitably arrogant and cold-hearted, a mindset I find a LOT of Lone's character's possessing over the course of the last decade or so...

Ian McKellen's first major popcorn movie role was here too, playing Margot's father, a sceintist, and Tim Curry, (AGAIN!) plays a smarmy, foolish scientist colleague of McKellen's that hooks up with Lone's megalomaniac Khan descendant.

When you get right down to it, this movie is FULL of moral dilemnas....Besides the question of Lamont Cranston's opium connection, there's the rather sick fictional conceit that an oriental could be responsible for the creation of the atom bomb, and the way Lone's Khan is defeated in the end is VERY cruel! Perhaps this is payback for the character he played in "The Moderns".

Other players in the movie are Jonathan Winters and Peter Boyle, Winters playing Cranston's Uncle, the chief of police, Boyle playing one of The Shadow's sidekicks. You'll also probably recognize Arsenio "Sonny" Trinidad from "Batteries Not Included" as one of Khan's henchmen.

All in all, a VERY interesting flick.

What Evil Lurks in the Heart of Men...The Shadow Knows!
"The Shadow" was a popular radio program (before television sets were made for the home). It began on the Dectective Story Hour on July 31, 1930 as a character in the story. James La Curto was the voice 1930-31 and then Frank Readick Jr (1931-37), Orson Welles (1937-38), Bill Johnstone (1938-43), Bret Morrison in 1943, John Archer in 1944 and Bret Morrison again in 1945-54. The last radio program of "The Shadow" was broadcast December 26, 1954.
Two motion picutres were made with Rod La Rocque as "Lamont Cranston"/"The Shadow", THE SHADOW STRIKES (1937), INTERNATIONAL CRIME (1938). They also made a movie serial in 1940. In 1958, Richard Derr played the role in INVISIBLE AVENGER (1958).
In 1994, they tried to resurrect the character of "Lamont Cranston" with Alec Baldwin in "THE SHADOW" (1994). Imagine the Invisible Man and Kung Fu in the land of film noir. And oh yes, the rainy mist and full moon. While on a case searching for the chinese and there taste for opium, Lamont is captured by the "emperor". He is spared and taught mystical powers. he is now able to continue finding and fighting the crooks and keeping his own identity a secret.
Also in the cast: Johnathan Winters, John Lone, Penelope Ann Miller, Ian McKellen and Tim Curry.
No extras, no bonuses on this DVD.

It's FULL SCREEN.
Let's say the movie deserves 4 stars at least. It's beautiful and the plot stays true to the original characters. Whatever you may think of Alec Baldwin's acting ability it's still a good movie. But the DVD is an old style, barebones, FULL SCREEN version. It's crap. The only reason you should buy this is that you can't wait to see it one more time and it's cheap...otherwise get the even cheaper serials like the Invisible Avenger and wait for the Special Edition.

"The Shadow"
A film of grandiose design with a camera that can't capture it. From beginning to end, we're constantly (and painfully) aware of the great film it might have been had it been directed with more patience and a better sense of rhythm. As it is, the film simply has no drive, no forward charge to it; it's as if it's standing still throughout the entire running time. Alec Baldwin, in the title role, is as bland as he's ever been, though it's not as if the script gives him anything real to work with. There's nothing plot-like here, and things are not helped by groan-inducing attempts at humor. It's not an utter loss: the production design is marvelous, and the scene where Tim Curry confronts the Shadow in an abandoned hotel has a genuine intensity that you'll wish had been present throughout the film entire. Also featuring Penelope Ann Miller, Ian McKellen (who's largely wasted), Jonathan Winters, and Peter Boyle. ... Read more