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| 1. Cry Baby Director's Cut Director: John Waters | |
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Amazon.com essential video Reviews (131)
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| 2. Hairspray Director: John Waters | |
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Reviews (48)
Tracy (Ricki Lake) and her best friend Penny Pingleton (Lesley Ann Powers) spend each afternoon watching the homegrown hit 'The Corny Collins Show' on television,dreaming of one day dancing the Mash Potato or the Frug there. Tracy's mother (Divine) does not really think her child will amount to anything,and Penny is constantly being punished (her parents make her wear a big 'P' on her blouse). However,the charmed life of Amber von Tussle,the most popular dancer on the Show,seems too good to be true,despite commemts by Tracy and Penny (''Stuck-up little spastic'' and ''She is such a queer''). Amber also has the brass ring,that of teen heart-throb Link,who also appears on the Show. Amber's parents are power-mad and drive Amber to ridiculous lenghs to be popular.They are played by Debbie Harry and Sonny Bono. Soon,Tracy does get to appear on the show,and lands her dream-hunk Link. A great comedy,with a yummy soundtrack and a real edge to it that does not marr the overall story. Also featuring Mink Stole as the cue-card holder on the Show (''Falsies! '') and Pia Zadora as a way-out beatnik chick. Soon,Tracy
The story follows young Tracy Turnblad (pre-talk show Ricki Lake) on her rise to being "big, blonde, and beautiful" on a popular teenage dance show. Along the way, however, she runs into some friction from high school brat Amber Von Tussle (Colleen Fitzpatrick, also known as pop star Vitamin C) and her parents, a racial obscenity-spouting mother (Debbie Harry) and a slick politician papa (Sonny Bono). Add in growing discontentment among the city's black populace over whites-only establishments, and you have an explosive mix made even more explosive by how off-the-wall it becomes. Dance enthusiasts will appreciate the film for its selection of early 60s fad dances like the Mashed Potato and the Madison. Offbeat and fun, Hairspray also has an excellent soundtrack with some obscure songs you'll be hard-pressed to find in another compilation.
The competition between Tracy and Amber, and by extension integrationists and segregationists, will make you feel good, tap your toes, laugh out loud a lot, and cheer. Hairspray's "bad taste" moments are funny as heck, and piece together for a movie that epitomizes good taste -- kind, empathetic, and with a wonderful heart! The music and dancing are just *amazing*! And the fashions and bright colored sets are life-affirming perfect! (Is it just me, or did these early 60's fashions *strongly* influence the early 80's styles?.... Debbie Harry, Ric Ocasek, and Pia Zadora fit in perfect). In the excellent dvd commentary, director John Waters says the sets and styles are realistic for the times. What a bright, bold, fun, cool (when "cool" was cool), forward-looking time! Tracy's mom has a picture of Jackie Kennedy framed on the wall :-). Mom says, "It's the times. They are a-changin'. There's something blowing in the wind. Fetch me my diet pills, would you hun?" If Hairspray ended with "Where are they now?", Tracy might be a Senator from Maryland, or the Governor, ... or more!! 5 stars as I stand in my chair applauding. Hairspray's bright fun is worth watching many times.
Ricki Lake plays Tracy Turnblad, a big, bold, and beautiful teenager who dreams of dancing on the exceedingly popular Corny Collins dance show. Her mother, played by Divine, isn't too crazy about modern music and dancing - until Tracy auditions and gets a spot on the show. Strutting her stuff in front of the cameras, she quickly becomes Baltimore's newest sensation. This does not sit well with Amber von Tussle (Colleen Fitzpatrick), as Tracy steals her man and then threatens to win the coveted title of Miss Auto Show 1963. Tracy is overweight, but she likes herself just as she is and easily dismisses the fat jokes thrown her way early on. The big issue in this film, though, is segregation. Tracy and her best friend Penny Pingleton (Joann Havrilla) soon become friends with some of the black kids in town and begin working toward integrating the Corny Collins show. Collins is all for the idea himself, as currently the Negro show runs only once each month under the controls of sassy Motormouth Mabel (Ruth Brown). The station manager will not hear of integration, though, and Penny's mother is aghast to find out that her daughter is in love with an African-American. This is 1962, of course. The whole segregation issue becomes the basic foundation of the movie as it dances its way to the end, making Hairspray a wonderfully entertaining film with a serious message behind it. The film is blessed with many interesting cast members. Divine plays not only Mrs. Turnblad but also the station manager, Jerry Stiller plays Mr. Turnblad, Sonny Bono and Debbie Harry (and Debbie Harry's increasingly interesting hair) come together to play Amber von Tussle's parents, and Ric Ocasek and Pia Zadora show up as Beatniks in a strange little cameo appearance. Of course, Ricki Lake pretty much steals the show as the big girl with big dreams, although I found Joann Havrilla's performance as Penny Pingleton quite captivating in a weird sort of way. It is very difficult to describe Hairspray; you pretty much have to watch it to get a true feel for its entertainment assets and social commentary underpinnings. It does have its silly moments, but this is not entertainment for the sake of entertainment, nor is this a film you will soon forget after watching it. ... Read more | |
| 3. Serial Mom Director: John Waters | |
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Reviews (66)
However, I was a little disappinted by the lack of features on this DVD. I thought it would have behind-the-scenes footage (if it did, I would give it 5 stars). After seeing other movies with commentary, I was really surprised that John Waters' commentary was excellent. It really explains a lot about the movie (and some of the lesser known actors). Sometimes it almost compensates for the lack of the other features normally seen on DVD. Okay, back to the movie itself. Like other Waters' films, the plot focuses on a particular social problem (in this case, the fame gained being a serial killer and also about the death penalty). Kathleen Turner is outstanding as an old-fashioned mom with high morals who goes nuts and kills people for very minor infractions (chewing gum, for example). When she is caught, she defends herself in court (with hillarious results!) Again, this is a great movie, but I could only give it four stars because of the features on the DVD version.
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| 4. Mrs. Winterbourne Director: Richard Benjamin | |
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| 5. Cabin Boy Director: Adam Resnick | |
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Description Reviews (29)
There are some great snapshot moments that will stick with you and make you laugh. Sometimes around the house I can hear my wife or one of my boys say "Wanna buy a monkey?".... aaahhh... I love that. And Lord help me, there is just something unbelievably funny about a floppy dancing Chris Elliott being pelted on the head by beer cans. Comic genius? Hardly - but damn if it does not crack me up every time I think about it.
You know, I like Chris Elliot too and I thought "Get a Life" was pure comic genius before the network started tinkering with the recipe. But this thing (insert head shake thingy) is so monumentally bad I'm actually at a loss for words. The blue chick with 6 arms and her giant husband that just opened a "housewares" store on a remote deserted island was pretty creative. OK, seeing Chris Elliot riding on the back of his girlfriend swimming across the Pacific with a ski rope to hold on to was pretty funny but that was about it. Now, if you find yourself all that curious about this flick the DVD transfer is pretty good and the sound is about what you would expect...but who cares? 2 wigs ... Read more | |
| 6. Cecil B. Demented Director: John Waters | |
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| 7. Babycakes Director: Paul Schneider | |
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Reviews (15)
The story revolves around her struggle to "fit in" and finally have a boyfriend. Grace and her friend spot and handsome guy named Rob while ice skating, and Grace makes it her mission to make this guy her own. She tries just about everything, but the one thing that really got him was her ability to be herself and not worry about what others thought about her. It was through her relationship (both good and bad aspects) with Rob that gave her the self-esteem she desperately needed. The movie concludes with a happy ending that will leave a permanent smile on your face! I highly recommend this film to anyone who would like to see an excellent, heart-warming film. This film really does let you know that you don't have to be the size of a model model to find true love, happiness, or respect and adoration - a lesson that so many people should learn. :) Watch this movie! You won't be disappointed!!!!
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| 8. Where the Day Takes You Director: Marc Rocco | |
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Reviews (17)
I lived in Seattle for a while and the young people living on the street have a certain belief in the 'coolness' of their lifestyle that actually validates this movie to a degree. Having worked with the homeless in my hometown, I've learned that it is not monolithic. There are as many 'types' of homeless people as there are homeless people. Does that make me an expert? No. However, that being said, this is an excellent movie. The cast is phenomenal. With a score by Melissa Etheridge, the movie feels in places like a rock video but it also helps with the flow and mood. The movie does a good job of exposing, to a greater or lesser degree, the problems that leads to and come with being on the street. It ain't pretty and the movie never really leads you to that conclusion. While it certainly isn't graphic in an extreme sense, it does give you just enough to feel.
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| 9. John Waters Collection #1: Hairspray/ Pecker (Special Edition) Director: John Waters | |
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Amazon.com Pecker (Edward Furlong) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since Pecker is a Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Pecker has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce. Reviews (8)
"Pecker" is one of John Waters recent films that I thoroughly enjoy. Its a ahppy little story that just floats along on screen, its really a pleasure to watch.
I guess some reviewers have a valid point about the mainstreaming of Waters' films...and these two films are case(s?) in point. But consider the limitations placed on the writer/director as his core cast was fragmented and the cost of filming movies soared skyward. In both "Hairspray" and "Pecker" I see minor concessions to the bland tastes of Popular culture, but nary a cop-out. (...) the subversive edge of Waters' often brilliant writing/direction is an ongoing exercise in (good) bad taste. If nothing else, his characters never do what you expect of them, quite a virtue in a film world besotted with "accessible" characterization. Despite some brilliant moments, "Hairspray" is a bit cloying on the whole. This, in my opinion, is largely due to Ricki Lake in the lead role. Despite the usual outrageous Waters' dialogue, Lake delivers her lines with such sweetness and reverance that you just want to backhand her. To her credit, she furthers the old saw about fat girls being good dancers. "Hairspray" is also a bit overlong with dance sequences, though they certainly lend a touch of authenticity to the production. The central story is roughly linear, though the bit with Tracy in reform school seems like a delaying tactic...especially since Waters' used a similar story device in "Cry Baby". On the plus side, the supporting cast is rich with freakish appeal. Divine's last role for Waters isn't flashy, but his Edna Turnblad is a credible, nuanced piece of work. Longtime cast member Mink Stole gets lots of screen time in a fairly minor role. Lots of silly and/or hysterical cameos: Pia Zadora, Ric Ocasek, Debbie Harry, Sonny Bono and a few more. The youth leads (mostly unknowns) are right on target...thoroughly believable in their parts. Overall, "Hairspray" is probably the most accessible of Waters' latter-day films (...). "Pecker" is a good choice to complement "Hairspray" in this edition. Both films have youthful leads, and both deal (directly or indirectly) with social issues such as race and class. The appeal of these films is also a bit gentler and good-humored than some of Waters' recent offerings. "Pecker" might take a while to sink in with old-time fans, as it did with me. I don't know if it's because there are other writers and directors actively pursuing the raunch genre that Waters' pioneered, or because "Pecker" has such simple charms. I grudge the obligatory star power of Lili Taylor and Indie Waif Christina Ricci, low-wattage that it may be. Otherwise, the casting and performances in "Pecker" are on target. Mary Kay Place is fretful and yet blissfully sedate as the thrift store maven; a role that seems an appropriate homage to Waters' long time friend and star, Edith Massey. Martha Plimpton plays the ultimate fag hag ("My life is trade!") with dizzy abandon. Ed Furlong's Pecker (um, keep reading) is the most functional idiot savant imagineable...a tireless servant to the "art" all around, and completely oblivious to social norms and responsibilities. Despite a feel-good ending that smooths over a fair number of conflicts, "Pecker" is a funny and satisfying film. The rabid idiosyncrasies of Waters' characters play off each other with the kind of manic glee you can find in "Pink Flamingos" or even "Polyester." The 'turnabout' plot actually works, if you take a good look at some of Pecks' pics from his NYC premiere. (...) Fans who already own "Pecker" on DVD may opt to wait for a single disc release for "Hairspray." Considering how infrequently some of his films have been available on home video, I'm pretty sure longtime fans like myself will snap this collection up on sight. Recommended. J
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| 10. Cecil B. Demented Director: John Waters | |
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Amazon.com The DVD also features commentary by Waters and the featurette CannedHam: Cecil B. Demented Behind the Scenes, which was originally produced for Comedy Central. --Sean Axmaker | |
| 11. Surgeon/Skinner Director: Ivan Nagy | |
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| 12. Skinner Director: Ivan Nagy | |
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Reviews (13)
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