Description

Stanley Kubrick directed a cast of screen legends-including Kirk Douglas as the indomitable gladiator that led a Roman slave revolt-in the sweeping epic that defined a genre and ushered in a new Hollywood era. The assured acting, lush Technicolor cinematography, bold costumes and visceral fight sequences won Spartacus four Oscars©; the blend of politics and sexual suggestion scandalized audiences. Today Kubrick's controversial classic, the first film to openly defy Hollywood's blacklist, remains a landmark of cinematic artistry and history. ... Read more

Reviews (107)

A Cry for Freedom
Even though the story of SPARTACUS takes place in ancient Rome, the film itself is a profoundly contemporary work of the time that it was made; the eve of the Civil Rights movement in the US, and at the end of the HUAC witch hunt in Hollywood.

The chief engineer of this project is producer Kirk Douglas who portrayed the salve hero, but the wisdom behind all that is screenwriter Dalton Trumbo, black-listed in Hollywood, worked under various pseudonyms during the fifties for films such as ROMAN HOLIDAY, here properly restored to his rightful position of one of the best screenwriter in the business, with his own name credited on screen. The original novel is also written by another black-listed writer, Howard Fast, who claims that the idea of writing a film about the slave revolt came into his mind during the time that he spent in prison.

So the message that its story carries is unviersal, and even contemporary: man's struggle for freedom, striving for human equality, the solidarity of all that are oppressed disregarding their creed, birth and color of skin--the gladiator whose death triggers Spartacus' revolt is portrayed by Woody Strode, afro-american actor and a regular of John Ford's movies. The film embraces humanity, freedom to chose the way he wants to live, the freedom to trust one's friend, even the freedom of sexuality --Spartucus and his lover Varinia are never legally married, but she gives birth to his son--, and the freedom and passion to sacrifice oneself for the sake of his pears and the great cause of human freedom.

One the other hand, the film strongly accusse the corruption of power, the decadence of those who have power, and the rise of fascism. Democratic politician Charles Laughton, with all the virtues and vices that a regular politician has, taken over and eventually eliminated by seemingly much "cleaner" military leader Laurence Olivier. Needless to say, the clashes performed by those two great actors is a great excitment to watch.

Kirk Douglas gives one of his most convincing performances as the revolutionary leader of slaves, Jean Simmons plays his innocent, healthy and strong partner with a healthy sensuality, and Tony Curtis gives credibility to Spartacus' surrogate son who represents culture and education; they are not barbaric slaves, they can be as cultured as their masters are, and even better because they are true, honest humans as opposed to the corrupted masters whose wealth and culture are based on oppression of other humans.

To simply put, SPARTACUS is a fine example of how a good entertaining movie can carry a powerful message; when it truly suceeds, it'a great joy to watch.

This fully packed DVD is a re-issue of Criterion's celebrated LaserDisc edition. Added to a interesting commentary track by the filmmakers including Douglas and Peter Ustinov who won an oscar for his performance, there is another track on which Dulton Trumbo's notes to the rough cut of the film is read--a great lesson to all those who wants to learn how to write a film. Othe supplements includes a hillarious interview with Peter Ustinov, a lot of scketches and stills, and more. It's a great DVD. Please enjoy it as many times as you want.

note: the superb package design is a reproduction of the original poser art created by Saul Bass. The poster is also among the suplements of this DVD.

Strong story, weak depth, but epic & entertaining
Based on the novel by Howard Fast, Spartacus recounts the life of a slave turned gladiator turned freedom fighter. The story of Spartacus begins with him as a free spirited Thracian slave in 70BC. Spartacus is trained in a gladiator school, where he meets and falls in love with the slave girl Varinia. He then leads the other gladiators in revolt, and assembles a huge army of thousands of slaves to challenge the might of Rome. The ending is tragic, but not without hope. Spartacus was in fact a historical figure and the movie's story of his squashed rebellion against Rome - including the crucifixion of 6000 survivors - is largely rooted in truth.

The movie can best be described as epic. On a grand scale, the Roman empire is brought to life, with its corrupt aristocracy and its simple lower class. The epic battle scene which forms the climax of the movie features 1000s of extras, and although it is sometimes hard to tell who is on which side, the effect is magnificent and grandiose. Despite the action scenes, the movie is surprisingly introspective at times. Unlike modern efforts such as Gladiator, Spartacus is not an action movie as such, and fans of contemporary action movies not surprisingly find it disappointing. Spartacus' struggles are just as much emotional as they are physical. But to me this is a strength and not a weakness: the shortcoming of most modern action movies is not present here because the characterization is superb.

Even though the movie is not gory (although it is bloody at times), the adult themes make it unsuitable for children. For instance, successful gladiators are given women to have their way with them. And on numerous occasions, although nudity is not shown it is strongly implied and barely concealed. The implication of bisexuality (in a scene not present in the original) and promiscuity is also strongly evident as part of the corruption in Rome. But it also touches Spartacus. In a rather daring move for the 1960s, Spartacus and his woman Varinia conceive a child out of wedlock, which is presented as natural and good. Spartacus' fight for freedom apparently includes sexual freedom. Its hardly surprising that these two fall in love in a rather sappy love-at-first-sight Hollywood romance, where they don't even know each other as yet. Ultimately it is not only Rome that chases gold, girls and glory without morals, but Spartacus himself is not really much different.

But it is not only the moral ambivalence of this movie that disturbs me, but also its underlying political themes. How is Rome presented? As totally corrupt, with no redeeming qualities. "If a criminal has what you want, you do business with him." How are the slaves presented? As noble and good. "We're brothers." The army of slaves proceeds in a carnival like atmosphere, and the producers present lots of images of joyful children and exuberant elderly as part of their number, to arouse sympathy for their cause. But isn't this rather a cliché? It is, but that's the whole point. Aristocratic Rome is presented as evil, and the oppressed lower class need to be liberated from her corrupt rule. The rich are all evil, the poor are all good. Sounds familiar? It's a defence of the brotherhood of communism. Ultimately the movie endorses peasant revolt as a legitimate option, and advocates rebelling against authority. Rather than rendering to Caesar what is Caesars, it encourages open rebellion, in order to usher in a new political system of brotherhood and freedom from repression. Sound too far-fetched? Here's the clincher: Howard Fast, author of the novel on which this movie was based, was a devout and committed member of the Communist Party of the USA, and for many years his works were black-listed. The story of Spartacus may be rooted in history, but Howard Fast has reinterpreted it as a defence of his own political communist ideals. Rome represents Western Capitalism, and the slaves represent the oppressed peasant proletariat. Spartacus' defence of liberty, equality and fraternity is in fact anachronistic.

So sure this is an epic movie. At the time of its production in 1960, Spartacus was the most expensive movie ever made. With a cast of star actors, especially the compelling performances of Kirk Douglas as Spartacus, Laurence Olivier as Crassus (the influential Roman senator), Peter Ustinov as Batiatius (the bumbling and greedy owner of a gladiator school), and Charles Laughton as Gracchus (the corrupt and scheming Roman senator), it's no wonder it won four academy awards. But the fact that Spartacus is an epic movie does not disguise the fact that it is not deep. Any deeper themes that the movie does have to offer are communist and hedonistic, and this ideology mars the story. This may be a movie that rivals the grandeur and scale of Ben Hur, but thematically, it doesn't come close.

Even so, it's still worth a look. Even if one cannot share the cause of Sparticus and political ambitions it embodies, one has to admire the spirit in which Spartacus fights for his cause: it is a losing battle, and yet with dignity and fervour he fights for what he believes is right - a quality to be coveted. And it's ironic that if you can overlook the weaknesses of its depth, the strength of this movie lies in its superficial story. It has comedy, tragedy, triumph, romance, action, intrigue, and an epic scale. As entertainment, it's an enduring epic that still can be enjoyed today.

3 Stars For 3 Outstanding Performances...
Kubrick replaced Tony Mann on directing duties for this brave, but lumbering costume epic which is ultimately propped up by three beautiful performances. Peter Ustinov(won the Academy Award for Best Supporting Actor for his work here), Charles Laughton(should have been similarly nominated)& Laurence Olivier all do incredible work under the guidance of a very young Kubrick & all deliver what comes very close to their best work. Their presence is notable chiefly for the fact that without them, SPARTACUS would never have been the extraordinary spectacle it surely is. Kirk Douglas gives a brooding(& lifeless)performance in the title role, ultimately undermining any sequence not containing the three aforementioned thespians. Jean Simmons, as the love interest, is similarly uninteresting & while undeniably beautiful, fails to evoke for the viewer the love & devotion she receives from Douglas & ultimately Olivier. Pre CGI, it comes armed with some beautifully choreographed & violent battle sequences, but for those looking for an earlier version of Ridley Scott's GLADIATOR, this one may come off a little old-fashioned. It is worth noting(& you'll learn this from the wonderfully insightful 1992 Ustinov interview[his impersonation of Laughton is a riot]contained in the bonus material)that Ustinov rewrote all the scenes he plays with Laughton. It should come as no surprise to the discerning viewer, they are easily the best moments in the film.....

Divine Right of Kings
Sparticus represented more than a gladiator-slave uprising. Sparticus represented the Italian's people dissatisfaction with the Roman Senate and the general corruption and impotence within the Senate.

Citizens once had a voice with the Senate and the Senate listened keeping the republic free. Now, the Senate caved to the demands of the dictators and military commanders and installed for the first time an Emperor giving him six legends too suppress the slave uprising.

In the end the slave and citizen uprising could not resist the Roman legions. Many of the people joining Sparticus were discontent citizens of Rome and individuals from countries that did not like Rome. Originally, the republic which was composed of strong free men. The military started the slow strangulation of the republic by replacing it with an empire. Julius Caesar was introduced as the shadow of the wings of power. Crassus was depicted as the total dictator who put oppressive demands on Rome and the Senate as the body that had lost its power. The Senate historically would have debated the issues and objected to outrageous demands. Instead, the Senate allowed the Emperor to rule Rome and the Emperor established the laws and source of the law and executed the law. The Emperor had power too repeal old laws and establish new laws, in place of the old ones. The punishments for violation of the law could be death and probably a Roman death on the cross demonstrating the Emperors absolute power. The Citizen did what they were told and they did not act without permission. Secret police reported any activity that could bring punishment on the citizen. The laws were supposedly designed to bring security. As the Emperor distrusted and feared the people this only accelerated the downfall of Rome.

The notion of divine right of kings was established. Taxes imposed on the people support the huge military appetite generated as Rome conquered many European countries. The government would become an autocracy and the Emperor the supreme commander.

Sparticus hoped to flee Rome, negotiated with pirates too build ships using gold taken during conquests that would take them from the tip of Italy away to a promise land. Instead, the pirates betrayed Sparticus and did not build the ships allowing the Roman legends to trap Sparticus from the South pushing him towards Rome and forcing a confrontation in the fields close to Rome.

Sparticus was defeated, his men cruxified along the way to Rome, when captured his men coined the phrase "I am Sparticus" when asked who was Sparticus. Sparticus wife would become a member of Crassus Heirloom yet the Senator would arrange for her escape and continue with his own suicide and Sparticus son would remain free.

Good movie, bad transfer
It should be noted that the reviews on this page refer to two different versions of the Spartacus DVD. This review refers to the Universal single disc edition, not the Criterion two-disc release.

While both versions of the film are the same, this version is devastated by a bad transer: both sound and picture quality are seriously lacking - even as far as a blue edge to blacks, including the widescreen matting, and blue fades in parts of the film. The sound is poorly balanced - voices are too quiet, music too loud. I was contantly turning the volume up and down throughout. So much for "fully restored."

If you are interested in quality and really like this movie I would skip this version and go for the Criterion release, which many other people own and have approved. ... Read more

Reviews (29)

perfect revenge movie
Death Wish was an excellent movie that told the story of mild mannered common man Paul Kersey driven to become a vigilante after the murder of his wife and rape of his daughter. Death Wish is very artistic and was a hit that spawned 4 sequels. Death Wish 2 set the pattern for the other movies in the series and is a different type of film from the first. The second Death Wish falls into the category of revenge films and has a gritty look to it that captures the rawness of it's subject. Some have complained about the look of the film, but it serves to make it much more visceral from the first film and one of the grittiest films ever made. There's a disturbing snuff film/documentary feel about Death Wish 2 which both repulses and transfixes, and at the same time the film also works on a much more unreal level as a revenge fantasy.
In the first film Kersey never catches the thugs who destroyed his family, but in Death Wish 2 his revenge isn't just aimed at random criminals, but at specific thugs responsible for his daughter's death. The first Death Wish was about Kersey's transformation into a vigilante, but Death Wish 2 is about hunting down specific guilty criminals and seeing that they pay for their crimes. There have been many revenge films, but there's just something much more satisfying about the way justice is served in the Death Wish series than in other films. William Lustig's Vigilante is another good film of this type as is The Exterminator, but Death Wish 2, like the rest of the series, really provides the audience with a satisfying feeling of justice. The combination of the hyper real and the fantastic make Death Wish 2 compelling viewing. As a cinematic revenge fantasy it's the best of it's kind.

A sequel far from equal to the first.
For some reason it took 8 to 9 years for there to be a sequel made to the movie that most people associate with Charles Bronson. It wasn't worth the wait. Even revisiting the movie on DVD (sadly full frame, at least they could have restored it to its proper aspect ratio) did not improve my original thoughts on this follow up. Death Wish 2 is to Death Wish what Jaws 2 was to Jaws, a sequel that attempts to pass itself off as a continuation of the first film but largely recycles its plot and most memorable moments. Paul Kersey (Charles Bronson) is now living in Los Angeles and he has had his still mentally withdrawn (and actually younger looking) daughter Carol moved to a nearby facility. Evidently her husband left her, as that character is not mentioned this time out, even in passing. When Kersey and his new girlfriend (played by Bronson's real life wife Jill Ireland) take Carol out for some quality family time, Paul is attacked by muggers who steal his wallet. Of course Kersey gives chase and manages to pound one mugger against a wall, but they still have his wallet - which contains his address and, of course, the muggers are gunning for revenge. This is obviously meant to recreate (or homage) the set-up for the attack by a trio of thugs who get the Kersey home address at the supermarket in the first Death Wish. The muggers attack the Kersey household, sexually assaulting both the housekeeper as well as Kersey's daughter (again), both of whom die. The major difference from the first movie is that Kersey is there and thus knows just who to hunt down after a little alone time. In the first Death Wish it was a business trip to Tuscon, in Death Wish 2 it's a weekend at a friend's rustic cabin. The rest of the movie is basically Bronson wandering around the seedier areas of Hollywood until he finds his prey - that and avoiding his girlfriend while trying to keep her clueless about what he is doing at night. Death Wish 2 delivers on the violence and sleazy exploitation, but it misses the mark in even attempting to create a compelling story. Despite there being ample oppurtunity to do so. Some Bronson fans will no doubt want this, put it remains a poor follow up to a truly great movie.

A real Winner
Not sure where to begin with Death Wish 2. Significantly, it was directed by Michael Winner, who directed the first and would go on to direct the amazing third entry in this series about 'bleeding heart liberal' architect Paul Kersey and his vigilante side job.

Paul Kersey now lives in sunny Los Angeles, which like New York is depicted as a pit of human filth and depravity. The incredible cynicism of the filmmakers begins right away as Kersey's housemaid and daughter--who, remember, was violently raped in the original--are brutaly raped, with the maid murdered. Then Kersey's daughter is taken away, raped again, and decides to jump out a window rather than endure the rest of the film. Kersey then puts down his slide ruler and blueprints and takes up his old hobby of blowing away criminal scum.

The main difference between Part 2 and the original, besides an even deeper cynicism, a lower budget, and overall abysmal effort by all involved, is that Bronson actually hunts down the individuals responsible for these acts of malfeasance. His behavior now flat-out pathological, he rents a cheap office in a bad part of LA, using it as a home base for his vigilante operations. Donning ski cap and dark clothes and packing heat, he roams the streets of LA, looking for revenge.

Even the tagline is noteworthy:

Bronson's on the loose again! Seems to suggest that, in effect, it didn't matter who Bronson was playing, because 'he' was on the loose again!

Overall, it's bad. Very, very bad. Part 3 is bad, but it has other things going for it, namely that it cannot be taken seriously for a moment and it knows it, the tongue so firmly in cheek that it becomes an incredible guilty pleasure and one of the best bad movies of the 80s, perhaps ever. But Part 2, for the most part, is an exploitation movie. The film looks cheap, grimy, and rushed. It can't even succeed as a bad movie, which is pretty depressing. It feels seedy, right down to the very grainy film stock and washed out look to the picture. And to top it off, Jimmy Page contributes one of the most appalling scores I've heard in a movie of any genre. Not even his score for Part 3 was this embarassing. And yes, it is THE Jimmy Page.

As for Bronson, he's particularly wooden in this one. Which may be appropriate as at this point, Kersey is less than sane.

But alas! The Death Wish flicks finally reappeared on DVD, right around the time of Bronson's death in 2003. Obviously recommended if you like, well, Death Wish movies, the DVDs are capable, if pretty bare bones. I would love to hear Michael Winner do a commentary track to discuss his state of mind when he directed this one.

Character Development
REASONS TO BUY:
Unlike the first part, Bronson has a strong unyielding character. He's not the least bit afraid to get the job done this time and doesn't stop untill he gets every single on of those creeps that killed his daughter. It really gives you a sense of staisfaction even if it's just a movie.

REASONS NOT TO BUY:
This is the cut version. Evidently, some people believe that we are not intelligent enough to view certain scenes. I think it's worth the time to search the internet for the full uncut version.

Brutal reality
Plot
This film is the second appearance of the character of Paul Kersey, the liberal architect who became a vigilante after his daughter was assaulted (with spray paint) and his wife was killed while trying to stop the assault perpetrators. Kerseys daughter is visiting her father but is still in the state in which she was left in the first film, only she seems to be happier. Kersey takes his daughter and his girlfriend to a fair, then goes to get ice cream. But it seems that he is the only man in the world who can get mugged during such an activity; a gang with a kingpin played by Lawrence Fishburn steals his wallet. He chases after them and stops, but this is definitely not the last he hears of them as they use his ID to find his home then rape his maid; then he returns with his daughter and they knock him out, kidnap his daughter and rape her. She dies by throwing herself out a window. And so the plot is set for Charles Bronson's character to avenge his daughter and reenter the vigilante lifestyle.

Analysis
I very much enjoyed this movie, from seeing a movie shows reality in a form that's so blunt it offends many people, to the delivery of such lines as "Do you believe in Jesus...well now your going to meet him."

In this movie, unlike its predecessor, Kersey actually knows who he is hunting, and he does not to bother those who he did not see in the apartment, while in the first movie he simply capped those who tried to mug him, or in one case a gang who was harassing a middle aged man. Rather than simply being a vigilante, Bronson is now also playing an avenger.

There is another change in Kersey in this movie; he no longer is reluctant to kill. Granted that went away in the second half of the first movie but in the sequel that reluctance is even less. Kersey now delivers lines to his enemies before doing away with them, and does it as though it's the most natural thing in the world. Having Bronson play the protagonist really aids this effect; with is calm voice he can make statements in a straightforward and threatening manner but at the same time not show any signs that he has lost his cool. As though dispatching criminals and antagonizing them were just a normal part of life for him, oh wait, it is lol.

Notes
The film that was actually released in theatres is different from the original version in terms of graphic rape scenes. The MPAA was going to give it an X rating but gave it an R after the movie was toned down.

See Lawrence Fishburn playing a rapist known as Cutter; he doesn't have quite the same effect as the paint fetish guys from DW but he's still pretty sadistic. ... Read more

Reviews (173)

"A planet where apes evolved from men...?"
Grade "A" sci-fi movie. This was Charlton Heston in his prime - before "Midway", "Earthquake", and "Gray Lady Down"... and after the great ones "Ben Hur", "Touch Of Evil", and "Ten Commandments". An Oscar winner for John Chambers' monkey make-up. Along with Heston (Col. George Talyor), Roddy McDowall (Cornelius), Kim Hunter (Zira), Maurice Evans (Zaius), and the mute love interest Linda Harrison (Nova) all give outstanding supporting roles. Released in February 1968, this movie was way ahead of it's time. A great idea with apes ruling the planet that man once ruled... how clever to take an idea so simple and turn it upside down. The final scene (filmed at Zuma Beach, CA) is defined as "classic"... and even tho there is no big bang or special effects extravaganza, the last 5 minutes of this movie will leave you with your mouth agape. With all the hub-bub over the new (2001) Tim Burton "reimagination" of this film (which in my opinion was a huge let down)... I would have thought this particular DVD would've had more to offer in the way of extra goodies... not so. This DVD will give you the 112 minute film in necessary widescreen format, a photo gallery, & trailer(s). No interviews, deleted scenes or behind the scenes simian stuff at all. Too bad. This is a great movie and essential in most any library of classic films.

Get your stinking paws off me, you damned dirty ape!
When Franklin J. Schaffner's brilliant science-fiction masterpiece was released to audiences in 1968, the world was still in a sense of uncertainty at just what the future would hold in store. With Cold War paranoia still running high in the United States, PLANET OF THE APES ingeniously incorporated the fears of society with the popular concept of space exploration to come up with a film that's still relevant now more than ever. Politics aside, the original PLANET OF THE APES also makes for very entertaining viewing and its timeless appeal is just as enjoyable and fun now as it was over thirty years ago!

The movie starts off with a rather somber and understated prologue with four astronauts going into deep hibernation. Their spaceship crash-lands on a planet some two thousand years into the future, where apes have evolved into the dominant species and the humans are regarded as the animals. To reveal any more about the plot would be unfair, but it's important to note that the intelligent screenplay (co-written by none other than Twilight Zone host/writer Ron Serling) raises some very provocative issues about society, religion, science and law. The absolutely brilliant ending has since become the stuff of legends, and remains one of the instantly-recognizable images in popular culture.

Charlton Heston gives a magnificent and absolutely convincing performance as astronaut George Taylor, and would go on to become a mainstay in post-apocalyptic movies, such as BENEATH THE PLANET OF THE APES, THE OMEGA MAN, and SOYLENT GREEN. Roddy McDowall and Kim Hunter give excellent performances as apes Cornelius and Zira, and Maurice Evans plays his ape protagonist, Dr. Zaius, with just the right amount of contempt to make it work wonderfully! The acting is top notch, the direction is marvelous, and the special effects on the apes are fantastic!

The Digitally Mastered DVD from Twentieth Century Fox is a thing of beauty, and an absolute joy for fans of this film. The film is presented is an absolutely gorgeous 2.35:1 Widescreen format (which is its original aspect ratio). Bonus features include an excellent photo gallery and a series of theatrical trailers for every single one of the films in the series (a nice touch). Essential!

ape
in this one some astronauts are in suspended animation.they come out and go down to some strange planet.charelston heston is in it.whos he?guess that was before my time.the kids will think the apes are funny.i cant tell if its low budget because all those old movies look low budget.it is the best of the set which has many many sequels.it is also better than the tim burton version.the very last scene is very well acted and one of my favorite scenes ever.thee are some chicks about but its hard to tell that they are as sexy as they are through all the grime and dirt from the forest world they live in.its an excellent film.

a brilliant classic
With its excellent performances and tight, smart script written by Rod Serling and Michael Wilson (based on the book by Pierre Boulle), this is a film that stays fresh and interesting even with repeated viewings. Released the same year as "2001: A Space Odyssey", both films are at the top of my "super sci-fi" list, and stack up against the best of what has been released in recent years, which relies more than ever on special effects to tell the story; the effects in "Planet of the Apes" are minimal, and it's the latex make-up that is the marvel, and garnered John Chambers a Special Award at the Oscars for his work, which allows the ape characters full freedom of facial expressions. Oscar nominations went for costume design, and the marvelous score by Jerry Goldsmith.
The cinematography by Leon Shamroy is also fantastic, and I love the aerial descent that starts the film.

Charlton Heston as the astronaut who lands in an "upside down world", and Kim Hunter and Roddy McDowall as free thinking scientists are superb, and in smaller roles, Maurice Evans, James Whitmore and James Daly terrific as authority figures in the ape colony.
This film had four sequels, a TV series and a cartoon series, as well as a multitude of merchandise from plastic figurines to bubble gum cards, but the original stays pristine and untarnished by its often silly spin-offs, and is a one-of-a-kind classic.
What this film has, that one can appreciate even when one knows what it is, is that rare thing...a great ending. Very few films leave one with a satisfied feeling at their close, but this one is unique, brilliantly filmed, and like a perfect dessert after a good meal.
Total running time is 112 minutes.

A fundamental sci fi movie
In the authority chain, you may distinguish the clear diference between the apes too.
One spacial navy suddenly falls in a hole time and it's carried hundred years after. The landing in a unknown planet, carries to these man and it shows them a world ruled by apes who dictate its own rules and have established the official story.
The man is under them in the evolutive chain. The men have lost his speaking capacity and they only make gutural sounds. Their state is something less than pitiful.

George Taylor is wounded in his throat and that's why he can not articulate even a single word.
The dramatic sequences in the same point he pronounces the first word,(Do you remember the miracle worker and the wild child?) creates a true revolution among the ape scientist. This behavior are against the rules. The law is the law.(The island of Dr. Moreau)
And so, Taylor is involved in a constant fight for surviving. His friends can not help him anymore , one is dead and the other suffered a lobotomy.
The dramatic ideas exchange between Taylor and the master science of the ape comunity include hilarious bits and obviously undeniable conflicts between the science and the faith. Forget all you learned about Darwin and please watch the mirror image. All the concepts are reverted and so the anguish and the poor human condition is less than zero.
Finally our hero ¿wins? and he can carry Nova his only possibilitie for sow the next human seed generational, but he will find out the astonishing revelation.
Since its release, this film involved just once more the fever for new concepts and ideas. Fahrenheit 451 (1967) and 2001 was released the same year and the world was in a decisive turning point. The man conquers the moon and the screen must be part of this decisive event.
So the people turns back over Asimov, Bradbury, Boulle, Stanoslav Lem and will read over and will find out new universes, bitter nightmares spacials. In a very close state the fifties had a coommon behavior. The ancient films of sci fi were released, and others were remade.We had to expect four years for Solaris directed by Tarkovski in 1972.
In this sense, you can not forget the political behavior in many countries in that age. There were many dictators all around the world , and the figure of the ape was a clear methapor of them.
Undoubtly, you may be find the film , thirty years after, a little bit aged, but the dramatic implications that a nuclear conflict involves, still feed the imagination of many people.
Charlton Heston was a true icon of rthe anti hero in the fifties (with his religious films) and in the sixties (with historical roles), then he would make another war films but keeping always that undeniable majesty for make prevailing the truth, no matter what's the prize you pay.
Sensational direction of Franklin Schaffner and arresting sequences, like the human chase and the scape from the jail (or the concentration camps) .
Another cult movie and the best of its following entries. ... Read more

Amazon.com

Without becoming didactic, The Missiles of October does an outstanding job of presenting many points of view on the Cuban missile crisis. The film humanizes Kennedy's near impossible task of avoiding war without compromising national security. The earnestness of this 1974 made-for-television dramatization may briefly remind one of social studies class--indeed it is at times difficult to maintain consciousness while the extensive cast of characters is being introduced at the opening. Not to worry, though--soon the power plays begin and The Missiles of October becomes completely gripping. Actual news footage is spliced in with the action, nicely serving as exposition and driving home just how very close the world came to nuclear war. A crew of excellent character actors flesh out the story and reveal the psychological games behind the language of diplomacy. William Devane takes on the difficult task of playing John F. Kennedy. While he doesn't quite capture Kennedy's charisma, he does occupy the role comfortably and effectively conveys the president's deep worry and determination to avoid war. Martin Sheen plays an engaging Robert Kennedy and Michael Lerner, oddly enough, manages to make Pierre Salinger absolutely fascinating. --Ali Davis ... Read more

Reviews (19)

Finally on DVD!
I've been waiting for The Missiles of October to come out on DVD since I first got my DVD player over a year ago. My VHS copy of Missiles, which is over 15 years old, has degraded greatly in picture and sound quality, so I was hoping that the DVD copy would be an improvement. I was not disappointed. It has an amazingly crisp picture and the sound is excellent.

When the movie Thirteen Days came out I was anxious to compare it to Missiles. Thirteen Days was a good film, but I still prefer The Missiles of October. All the performances are excellent, but William Devane, Martin Sheen and Howard DaSilva top the list. I was barely six years old when the actual event occurred back in 1962 so I don't remember the incident from then. However, I did see the movie when it originally aired in 1974 and was greatly impacted by it then. They did an excellent job in weaving the actual documentary footage together with their dramatization. Watching the thirteen day countdown to possible worldwide nuclear destruction is compelling watching. I highly recommend this movie to anyone with a taste for history, suspense, excellent performances or as an example of how good television can be when given the chance.

Superb historical drama. Worthwhile and powerful.
There is very little to criticize about this dramatization of the Cuban Missile Crisis. The film mainly focuses on the deliberations on the American side, i.e. President John F. Kennedy and his Ex-Comm group ("Executive Committee of the National Security Council") as they try to force the Soviets to remove the missiles from Cuba while avoiding a nuclear conflict. The film successfully conveys the fears and difficulties faced by JFK and his team, their thoughts and deliberations. The script is fairly close to the actual facts as they are understood today. This is a wonderfully educational production that any parent would do well to watch with his or her children.

Devane is pretty good as JFK. I thought that Martin Sheen absolutely nailed Bobby Kennedy. The supporting actors were uniformly excellent. Good casting throughout.

One of the excellent things about the production is the occasional interjection of period news bulletins of nuclear tests, the escalating conflict, etc. These added a wonderful sense of authenticity even as they entertained.

A few quibbles, all minor. I thought that the movie somewhat (not excessively) idolized the Kennedys. It was a bit much when one member of Ex Comm commented that "Bobby [Kennedy] I confess your moral arguments [against invading Cuba] never occurred to me..." Come on, of course they did. The record shows that Ex Comm debated these issues extensively. Nor was Bobby Kennedy against invading Cuba--the record is pretty clear that both Kennedys had been pushing for removing Castro by various means before the crisis began. Bobby Kennedy's comment that bombing the missiles out of Cuba would be like a "reverse Pearl Harbor" was disdained as amateurish by most of Ex Comm. The movie barely acknowledges that. [Dean Acheson characterizes that analogy to JFK at one point as "false and pejorative..."]. The movie portrays the US Navy as lusting after conflict in a manner I thought was unseemly--this was my only major criticism of the film. ["Thirteen Days" shares this flaw.] Hollywood often cannot pass up a chance to take a swipe at the military.

This is an incredibly worthwhile production that I make a point of watching every year or so. A must for the thoughtful viewer's DVD collection.

"MISSILES" IS A BARNBURNER
"The Missiles of October" starred William DeVane as JFK and Martin Sheen as RFK. Both of these actors portrayed the Kennedys better than any actors ever have. This is a patriotic film that depicts how close we came to nuclear combat toe to toe with the Russkies, and how the Kennedys saw us through the crisis. This may have been the beginning of Martin Sheen's political awakening.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
STWRITES@AOL.COM

BEFORE the true story of the Missilie of October...
With the publication of "The Kennedy Tapes" (May and Zelikow 1997) and, more recently, "Averting the Final Failure" (Sheldon Stern 2004), we now know what exactly was said by whom and when in the White House during these heady 13 days known universally as "The Cuban Missile Crisis". What has never really been conveyed (in print or otherwise) is the true "feeling" of what these leaders went through...I'd submit that that the true value of this video is the portrayal of the immediacy and emotion invoked by all participants during the Crisis. This film may lack some historical accuracy, but it more than makes up for it as an emotional target for this period and remains, to this day, an important and believable reference for this seminal period of the Cold War.

William Devane, Martin Sheen and William DaSalva portray a version of the Crisis that is at once believable and accurate as far as the emotional element is concerned, and convey an amazingly accurate "emotional history". This, coupled with the known version of the Crisis in 1974, gives a view of the Kennedy White House inner-workings that has remained somewhat the "standard" for understanding the strategy of the "Best and Brightest" who made up the Kennedy Cabinet. Character development is based on RFK's version of the Crisis in his post-humous work "Thirteen Days", and we know now that this was somewhat contrived...only to the extent that some things were said or believed that were overly amplified for emphasis. The true feeling of these exalted gentlemen has never been questioned and I think that the prospective viewer will be impressed with the detail and emotional content of this work.

So enjoy this movie and take from it the exacting and crucial motivations of a Government under siege and you'll be impressed (as I've continued to be for these 30 years) that "The Missiles of October" portrays the Kennedy government accurately as it struggled through the tortuous 13 days of the Crisis and leaves as it's legacy the true emotions of those heady days. Highly recommended!!

Great Movie
This movie is a very good and historically accurate portrayal of the Cuban Missle Crisis. If you liked "13 Days" then you will like this one, in some ways I like this one over 13 Days. It shows what is happening in both the Kremlin as well as the White House. Missiles is very well acted by a great cast. I would recomend this to any history buff, or anyone simply looking for an entertaining drama. ... Read more

Reviews (173)

"A planet where apes evolved from men...?"
Grade "A" sci-fi movie. This was Charlton Heston in his prime - before "Midway", "Earthquake", and "Gray Lady Down"... and after the great ones "Ben Hur", "Touch Of Evil", and "Ten Commandments". An Oscar winner for John Chambers' monkey make-up. Along with Heston (Col. George Talyor), Roddy McDowall (Cornelius), Kim Hunter (Zira), Maurice Evans (Zaius), and the mute love interest Linda Harrison (Nova) all give outstanding supporting roles. Released in February 1968, this movie was way ahead of it's time. A great idea with apes ruling the planet that man once ruled... how clever to take an idea so simple and turn it upside down. The final scene (filmed at Zuma Beach, CA) is defined as "classic"... and even tho there is no big bang or special effects extravaganza, the last 5 minutes of this movie will leave you with your mouth agape. With all the hub-bub over the new (2001) Tim Burton "reimagination" of this film (which in my opinion was a huge let down)... I would have thought this particular DVD would've had more to offer in the way of extra goodies... not so. This DVD will give you the 112 minute film in necessary widescreen format, a photo gallery, & trailer(s). No interviews, deleted scenes or behind the scenes simian stuff at all. Too bad. This is a great movie and essential in most any library of classic films.

Get your stinking paws off me, you damned dirty ape!
When Franklin J. Schaffner's brilliant science-fiction masterpiece was released to audiences in 1968, the world was still in a sense of uncertainty at just what the future would hold in store. With Cold War paranoia still running high in the United States, PLANET OF THE APES ingeniously incorporated the fears of society with the popular concept of space exploration to come up with a film that's still relevant now more than ever. Politics aside, the original PLANET OF THE APES also makes for very entertaining viewing and its timeless appeal is just as enjoyable and fun now as it was over thirty years ago!

The movie starts off with a rather somber and understated prologue with four astronauts going into deep hibernation. Their spaceship crash-lands on a planet some two thousand years into the future, where apes have evolved into the dominant species and the humans are regarded as the animals. To reveal any more about the plot would be unfair, but it's important to note that the intelligent screenplay (co-written by none other than Twilight Zone host/writer Ron Serling) raises some very provocative issues about society, religion, science and law. The absolutely brilliant ending has since become the stuff of legends, and remains one of the instantly-recognizable images in popular culture.

Charlton Heston gives a magnificent and absolutely convincing performance as astronaut George Taylor, and would go on to become a mainstay in post-apocalyptic movies, such as BENEATH THE PLANET OF THE APES, THE OMEGA MAN, and SOYLENT GREEN. Roddy McDowall and Kim Hunter give excellent performances as apes Cornelius and Zira, and Maurice Evans plays his ape protagonist, Dr. Zaius, with just the right amount of contempt to make it work wonderfully! The acting is top notch, the direction is marvelous, and the special effects on the apes are fantastic!

The Digitally Mastered DVD from Twentieth Century Fox is a thing of beauty, and an absolute joy for fans of this film. The film is presented is an absolutely gorgeous 2.35:1 Widescreen format (which is its original aspect ratio). Bonus features include an excellent photo gallery and a series of theatrical trailers for every single one of the films in the series (a nice touch). Essential!

ape
in this one some astronauts are in suspended animation.they come out and go down to some strange planet.charelston heston is in it.whos he?guess that was before my time.the kids will think the apes are funny.i cant tell if its low budget because all those old movies look low budget.it is the best of the set which has many many sequels.it is also better than the tim burton version.the very last scene is very well acted and one of my favorite scenes ever.thee are some chicks about but its hard to tell that they are as sexy as they are through all the grime and dirt from the forest world they live in.its an excellent film.

a brilliant classic
With its excellent performances and tight, smart script written by Rod Serling and Michael Wilson (based on the book by Pierre Boulle), this is a film that stays fresh and interesting even with repeated viewings. Released the same year as "2001: A Space Odyssey", both films are at the top of my "super sci-fi" list, and stack up against the best of what has been released in recent years, which relies more than ever on special effects to tell the story; the effects in "Planet of the Apes" are minimal, and it's the latex make-up that is the marvel, and garnered John Chambers a Special Award at the Oscars for his work, which allows the ape characters full freedom of facial expressions. Oscar nominations went for costume design, and the marvelous score by Jerry Goldsmith.
The cinematography by Leon Shamroy is also fantastic, and I love the aerial descent that starts the film.

Charlton Heston as the astronaut who lands in an "upside down world", and Kim Hunter and Roddy McDowall as free thinking scientists are superb, and in smaller roles, Maurice Evans, James Whitmore and James Daly terrific as authority figures in the ape colony.
This film had four sequels, a TV series and a cartoon series, as well as a multitude of merchandise from plastic figurines to bubble gum cards, but the original stays pristine and untarnished by its often silly spin-offs, and is a one-of-a-kind classic.
What this film has, that one can appreciate even when one knows what it is, is that rare thing...a great ending. Very few films leave one with a satisfied feeling at their close, but this one is unique, brilliantly filmed, and like a perfect dessert after a good meal.
Total running time is 112 minutes.

A fundamental sci fi movie
In the authority chain, you may distinguish the clear diference between the apes too.
One spacial navy suddenly falls in a hole time and it's carried hundred years after. The landing in a unknown planet, carries to these man and it shows them a world ruled by apes who dictate its own rules and have established the official story.
The man is under them in the evolutive chain. The men have lost his speaking capacity and they only make gutural sounds. Their state is something less than pitiful.

George Taylor is wounded in his throat and that's why he can not articulate even a single word.
The dramatic sequences in the same point he pronounces the first word,(Do you remember the miracle worker and the wild child?) creates a true revolution among the ape scientist. This behavior are against the rules. The law is the law.(The island of Dr. Moreau)
And so, Taylor is involved in a constant fight for surviving. His friends can not help him anymore , one is dead and the other suffered a lobotomy.
The dramatic ideas exchange between Taylor and the master science of the ape comunity include hilarious bits and obviously undeniable conflicts between the science and the faith. Forget all you learned about Darwin and please watch the mirror image. All the concepts are reverted and so the anguish and the poor human condition is less than zero.
Finally our hero ¿wins? and he can carry Nova his only possibilitie for sow the next human seed generational, but he will find out the astonishing revelation.
Since its release, this film involved just once more the fever for new concepts and ideas. Fahrenheit 451 (1967) and 2001 was released the same year and the world was in a decisive turning point. The man conquers the moon and the screen must be part of this decisive event.
So the people turns back over Asimov, Bradbury, Boulle, Stanoslav Lem and will read over and will find out new universes, bitter nightmares spacials. In a very close state the fifties had a coommon behavior. The ancient films of sci fi were released, and others were remade.We had to expect four years for Solaris directed by Tarkovski in 1972.
In this sense, you can not forget the political behavior in many countries in that age. There were many dictators all around the world , and the figure of the ape was a clear methapor of them.
Undoubtly, you may be find the film , thirty years after, a little bit aged, but the dramatic implications that a nuclear conflict involves, still feed the imagination of many people.
Charlton Heston was a true icon of rthe anti hero in the fifties (with his religious films) and in the sixties (with historical roles), then he would make another war films but keeping always that undeniable majesty for make prevailing the truth, no matter what's the prize you pay.
Sensational direction of Franklin Schaffner and arresting sequences, like the human chase and the scape from the jail (or the concentration camps) .
Another cult movie and the best of its following entries. ... Read more

Amazon.com

"Suspense in a void" is how critic Pauline Kael described this action-packed hit from 1983. In other words, this is one of those flashy, superbly crafted high-tech thrillers in which the star is a machine, while intelligent plotting and human characters are a lesser priority. The machine in question is Blue Thunder--a heavily armored prototype helicopter that is secretly being tested for use in a devious government conspiracy. Roy Scheider plays the police pilot who catches on to the nefarious plot and takes to the skies against an evil army colonel (Malcolm McDowell) who will defend his coconspirators at any cost. Director John Badham was a hot property in the early '80s (he directed WarGames the same year), and Blue Thunder served as the popular model for many formulaic action thrillers to follow. That doesn't make it a great movie, but with a fine cast (including Daniel Stern in a memorable supporting role) and a dazzling aerial chase among big-city skyscrapers, Blue Thunder qualifies as slick entertainment. --Jeff Shannon ... Read more

Amazon.com

Stanley Kubrick was only 31 years old when Kirk Douglas (star of Kubrick's classic Paths of Glory) recruited the young director to pilot this epic saga, in which the rebellious slave Spartacus (played by Douglas) leads a freedom revolt against the decadent Roman Empire. Kubrick would later disown the film because it was not a personal project--he was merely a director-for-hire--but Spartacus remains one of the best of Hollywood's grand historical epics. With an intelligent screenplay by then-blacklisted writer Dalton Trumbo (from a novel by Howard Fast), its message of moral integrity and courageous conviction is still quite powerful, and the all-star cast (including Charles Laughton in full toga) is full of entertaining surprises. Fully restored in 1991 to include scenes deleted from the original 1960 release, the full-length Spartacus is a grand-scale cinematic marvel, offering some of the most awesome battles ever filmed and a central performance by Douglas that's as sensitively emotional as it is intensely heroic. Jean Simmons plays the slave woman who becomes Spartacus's wife, and Peter Ustinov steals the show with his frequently hilarious, Oscar-winning performance as a slave trader who shamelessly curries favor with his Roman superiors. The restored version also includes a formerly deleted bathhouse scene in which Laurence Olivier plays a bisexual Roman senator (with restored dialogue dubbed by Anthony Hopkins) who gets hot and bothered over a slave servant played by Tony Curtis. These and other restored scenes expand the film to just over three hours in length. Despite some forgivable lulls, this is a rousing and substantial drama that grabs and holds your attention. Breaking tradition with sophisticated themes and a downbeat (yet eminently noble) conclusion, Spartacus is a thinking person's epic, rising above mere spectacle with a story as impressive as its widescreen action and Oscar-winning sets. --Jeff Shannon ... Read more

Reviews (107)

A Cry for Freedom
Even though the story of SPARTACUS takes place in ancient Rome, the film itself is a profoundly contemporary work of the time that it was made; the eve of the Civil Rights movement in the US, and at the end of the HUAC witch hunt in Hollywood.

The chief engineer of this project is producer Kirk Douglas who portrayed the salve hero, but the wisdom behind all that is screenwriter Dalton Trumbo, black-listed in Hollywood, worked under various pseudonyms during the fifties for films such as ROMAN HOLIDAY, here properly restored to his rightful position of one of the best screenwriter in the business, with his own name credited on screen. The original novel is also written by another black-listed writer, Howard Fast, who claims that the idea of writing a film about the slave revolt came into his mind during the time that he spent in prison.

So the message that its story carries is unviersal, and even contemporary: man's struggle for freedom, striving for human equality, the solidarity of all that are oppressed disregarding their creed, birth and color of skin--the gladiator whose death triggers Spartacus' revolt is portrayed by Woody Strode, afro-american actor and a regular of John Ford's movies. The film embraces humanity, freedom to chose the way he wants to live, the freedom to trust one's friend, even the freedom of sexuality --Spartucus and his lover Varinia are never legally married, but she gives birth to his son--, and the freedom and passion to sacrifice oneself for the sake of his pears and the great cause of human freedom.

One the other hand, the film strongly accusse the corruption of power, the decadence of those who have power, and the rise of fascism. Democratic politician Charles Laughton, with all the virtues and vices that a regular politician has, taken over and eventually eliminated by seemingly much "cleaner" military leader Laurence Olivier. Needless to say, the clashes performed by those two great actors is a great excitment to watch.

Kirk Douglas gives one of his most convincing performances as the revolutionary leader of slaves, Jean Simmons plays his innocent, healthy and strong partner with a healthy sensuality, and Tony Curtis gives credibility to Spartacus' surrogate son who represents culture and education; they are not barbaric slaves, they can be as cultured as their masters are, and even better because they are true, honest humans as opposed to the corrupted masters whose wealth and culture are based on oppression of other humans.

To simply put, SPARTACUS is a fine example of how a good entertaining movie can carry a powerful message; when it truly suceeds, it'a great joy to watch.

This fully packed DVD is a re-issue of Criterion's celebrated LaserDisc edition. Added to a interesting commentary track by the filmmakers including Douglas and Peter Ustinov who won an oscar for his performance, there is another track on which Dulton Trumbo's notes to the rough cut of the film is read--a great lesson to all those who wants to learn how to write a film. Othe supplements includes a hillarious interview with Peter Ustinov, a lot of scketches and stills, and more. It's a great DVD. Please enjoy it as many times as you want.

note: the superb package design is a reproduction of the original poser art created by Saul Bass. The poster is also among the suplements of this DVD.

Strong story, weak depth, but epic & entertaining
Based on the novel by Howard Fast, Spartacus recounts the life of a slave turned gladiator turned freedom fighter. The story of Spartacus begins with him as a free spirited Thracian slave in 70BC. Spartacus is trained in a gladiator school, where he meets and falls in love with the slave girl Varinia. He then leads the other gladiators in revolt, and assembles a huge army of thousands of slaves to challenge the might of Rome. The ending is tragic, but not without hope. Spartacus was in fact a historical figure and the movie's story of his squashed rebellion against Rome - including the crucifixion of 6000 survivors - is largely rooted in truth.

The movie can best be described as epic. On a grand scale, the Roman empire is brought to life, with its corrupt aristocracy and its simple lower class. The epic battle scene which forms the climax of the movie features 1000s of extras, and although it is sometimes hard to tell who is on which side, the effect is magnificent and grandiose. Despite the action scenes, the movie is surprisingly introspective at times. Unlike modern efforts such as Gladiator, Spartacus is not an action movie as such, and fans of contemporary action movies not surprisingly find it disappointing. Spartacus' struggles are just as much emotional as they are physical. But to me this is a strength and not a weakness: the shortcoming of most modern action movies is not present here because the characterization is superb.

Even though the movie is not gory (although it is bloody at times), the adult themes make it unsuitable for children. For instance, successful gladiators are given women to have their way with them. And on numerous occasions, although nudity is not shown it is strongly implied and barely concealed. The implication of bisexuality (in a scene not present in the original) and promiscuity is also strongly evident as part of the corruption in Rome. But it also touches Spartacus. In a rather daring move for the 1960s, Spartacus and his woman Varinia conceive a child out of wedlock, which is presented as natural and good. Spartacus' fight for freedom apparently includes sexual freedom. Its hardly surprising that these two fall in love in a rather sappy love-at-first-sight Hollywood romance, where they don't even know each other as yet. Ultimately it is not only Rome that chases gold, girls and glory without morals, but Spartacus himself is not really much different.

But it is not only the moral ambivalence of this movie that disturbs me, but also its underlying political themes. How is Rome presented? As totally corrupt, with no redeeming qualities. "If a criminal has what you want, you do business with him." How are the slaves presented? As noble and good. "We're brothers." The army of slaves proceeds in a carnival like atmosphere, and the producers present lots of images of joyful children and exuberant elderly as part of their number, to arouse sympathy for their cause. But isn't this rather a cliché? It is, but that's the whole point. Aristocratic Rome is presented as evil, and the oppressed lower class need to be liberated from her corrupt rule. The rich are all evil, the poor are all good. Sounds familiar? It's a defence of the brotherhood of communism. Ultimately the movie endorses peasant revolt as a legitimate option, and advocates rebelling against authority. Rather than rendering to Caesar what is Caesars, it encourages open rebellion, in order to usher in a new political system of brotherhood and freedom from repression. Sound too far-fetched? Here's the clincher: Howard Fast, author of the novel on which this movie was based, was a devout and committed member of the Communist Party of the USA, and for many years his works were black-listed. The story of Spartacus may be rooted in history, but Howard Fast has reinterpreted it as a defence of his own political communist ideals. Rome represents Western Capitalism, and the slaves represent the oppressed peasant proletariat. Spartacus' defence of liberty, equality and fraternity is in fact anachronistic.

So sure this is an epic movie. At the time of its production in 1960, Spartacus was the most expensive movie ever made. With a cast of star actors, especially the compelling performances of Kirk Douglas as Spartacus, Laurence Olivier as Crassus (the influential Roman senator), Peter Ustinov as Batiatius (the bumbling and greedy owner of a gladiator school), and Charles Laughton as Gracchus (the corrupt and scheming Roman senator), it's no wonder it won four academy awards. But the fact that Spartacus is an epic movie does not disguise the fact that it is not deep. Any deeper themes that the movie does have to offer are communist and hedonistic, and this ideology mars the story. This may be a movie that rivals the grandeur and scale of Ben Hur, but thematically, it doesn't come close.

Even so, it's still worth a look. Even if one cannot share the cause of Sparticus and political ambitions it embodies, one has to admire the spirit in which Spartacus fights for his cause: it is a losing battle, and yet with dignity and fervour he fights for what he believes is right - a quality to be coveted. And it's ironic that if you can overlook the weaknesses of its depth, the strength of this movie lies in its superficial story. It has comedy, tragedy, triumph, romance, action, intrigue, and an epic scale. As entertainment, it's an enduring epic that still can be enjoyed today.

3 Stars For 3 Outstanding Performances...
Kubrick replaced Tony Mann on directing duties for this brave, but lumbering costume epic which is ultimately propped up by three beautiful performances. Peter Ustinov(won the Academy Award for Best Supporting Actor for his work here), Charles Laughton(should have been similarly nominated)& Laurence Olivier all do incredible work under the guidance of a very young Kubrick & all deliver what comes very close to their best work. Their presence is notable chiefly for the fact that without them, SPARTACUS would never have been the extraordinary spectacle it surely is. Kirk Douglas gives a brooding(& lifeless)performance in the title role, ultimately undermining any sequence not containing the three aforementioned thespians. Jean Simmons, as the love interest, is similarly uninteresting & while undeniably beautiful, fails to evoke for the viewer the love & devotion she receives from Douglas & ultimately Olivier. Pre CGI, it comes armed with some beautifully choreographed & violent battle sequences, but for those looking for an earlier version of Ridley Scott's GLADIATOR, this one may come off a little old-fashioned. It is worth noting(& you'll learn this from the wonderfully insightful 1992 Ustinov interview[his impersonation of Laughton is a riot]contained in the bonus material)that Ustinov rewrote all the scenes he plays with Laughton. It should come as no surprise to the discerning viewer, they are easily the best moments in the film.....

Divine Right of Kings
Sparticus represented more than a gladiator-slave uprising. Sparticus represented the Italian's people dissatisfaction with the Roman Senate and the general corruption and impotence within the Senate.

Citizens once had a voice with the Senate and the Senate listened keeping the republic free. Now, the Senate caved to the demands of the dictators and military commanders and installed for the first time an Emperor giving him six legends too suppress the slave uprising.

In the end the slave and citizen uprising could not resist the Roman legions. Many of the people joining Sparticus were discontent citizens of Rome and individuals from countries that did not like Rome. Originally, the republic which was composed of strong free men. The military started the slow strangulation of the republic by replacing it with an empire. Julius Caesar was introduced as the shadow of the wings of power. Crassus was depicted as the total dictator who put oppressive demands on Rome and the Senate as the body that had lost its power. The Senate historically would have debated the issues and objected to outrageous demands. Instead, the Senate allowed the Emperor to rule Rome and the Emperor established the laws and source of the law and executed the law. The Emperor had power too repeal old laws and establish new laws, in place of the old ones. The punishments for violation of the law could be death and probably a Roman death on the cross demonstrating the Emperors absolute power. The Citizen did what they were told and they did not act without permission. Secret police reported any activity that could bring punishment on the citizen. The laws were supposedly designed to bring security. As the Emperor distrusted and feared the people this only accelerated the downfall of Rome.

The notion of divine right of kings was established. Taxes imposed on the people support the huge military appetite generated as Rome conquered many European countries. The government would become an autocracy and the Emperor the supreme commander.

Sparticus hoped to flee Rome, negotiated with pirates too build ships using gold taken during conquests that would take them from the tip of Italy away to a promise land. Instead, the pirates betrayed Sparticus and did not build the ships allowing the Roman legends to trap Sparticus from the South pushing him towards Rome and forcing a confrontation in the fields close to Rome.

Sparticus was defeated, his men cruxified along the way to Rome, when captured his men coined the phrase "I am Sparticus" when asked who was Sparticus. Sparticus wife would become a member of Crassus Heirloom yet the Senator would arrange for her escape and continue with his own suicide and Sparticus son would remain free.

Good movie, bad transfer
It should be noted that the reviews on this page refer to two different versions of the Spartacus DVD. This review refers to the Universal single disc edition, not the Criterion two-disc release.

While both versions of the film are the same, this version is devastated by a bad transer: both sound and picture quality are seriously lacking - even as far as a blue edge to blacks, including the widescreen matting, and blue fades in parts of the film. The sound is poorly balanced - voices are too quiet, music too loud. I was contantly turning the volume up and down throughout. So much for "fully restored."

If you are interested in quality and really like this movie I would skip this version and go for the Criterion release, which many other people own and have approved. ... Read more

Reviews (173)

"A planet where apes evolved from men...?"
Grade "A" sci-fi movie. This was Charlton Heston in his prime - before "Midway", "Earthquake", and "Gray Lady Down"... and after the great ones "Ben Hur", "Touch Of Evil", and "Ten Commandments". An Oscar winner for John Chambers' monkey make-up. Along with Heston (Col. George Talyor), Roddy McDowall (Cornelius), Kim Hunter (Zira), Maurice Evans (Zaius), and the mute love interest Linda Harrison (Nova) all give outstanding supporting roles. Released in February 1968, this movie was way ahead of it's time. A great idea with apes ruling the planet that man once ruled... how clever to take an idea so simple and turn it upside down. The final scene (filmed at Zuma Beach, CA) is defined as "classic"... and even tho there is no big bang or special effects extravaganza, the last 5 minutes of this movie will leave you with your mouth agape. With all the hub-bub over the new (2001) Tim Burton "reimagination" of this film (which in my opinion was a huge let down)... I would have thought this particular DVD would've had more to offer in the way of extra goodies... not so. This DVD will give you the 112 minute film in necessary widescreen format, a photo gallery, & trailer(s). No interviews, deleted scenes or behind the scenes simian stuff at all. Too bad. This is a great movie and essential in most any library of classic films.

Get your stinking paws off me, you damned dirty ape!
When Franklin J. Schaffner's brilliant science-fiction masterpiece was released to audiences in 1968, the world was still in a sense of uncertainty at just what the future would hold in store. With Cold War paranoia still running high in the United States, PLANET OF THE APES ingeniously incorporated the fears of society with the popular concept of space exploration to come up with a film that's still relevant now more than ever. Politics aside, the original PLANET OF THE APES also makes for very entertaining viewing and its timeless appeal is just as enjoyable and fun now as it was over thirty years ago!

The movie starts off with a rather somber and understated prologue with four astronauts going into deep hibernation. Their spaceship crash-lands on a planet some two thousand years into the future, where apes have evolved into the dominant species and the humans are regarded as the animals. To reveal any more about the plot would be unfair, but it's important to note that the intelligent screenplay (co-written by none other than Twilight Zone host/writer Ron Serling) raises some very provocative issues about society, religion, science and law. The absolutely brilliant ending has since become the stuff of legends, and remains one of the instantly-recognizable images in popular culture.

Charlton Heston gives a magnificent and absolutely convincing performance as astronaut George Taylor, and would go on to become a mainstay in post-apocalyptic movies, such as BENEATH THE PLANET OF THE APES, THE OMEGA MAN, and SOYLENT GREEN. Roddy McDowall and Kim Hunter give excellent performances as apes Cornelius and Zira, and Maurice Evans plays his ape protagonist, Dr. Zaius, with just the right amount of contempt to make it work wonderfully! The acting is top notch, the direction is marvelous, and the special effects on the apes are fantastic!

The Digitally Mastered DVD from Twentieth Century Fox is a thing of beauty, and an absolute joy for fans of this film. The film is presented is an absolutely gorgeous 2.35:1 Widescreen format (which is its original aspect ratio). Bonus features include an excellent photo gallery and a series of theatrical trailers for every single one of the films in the series (a nice touch). Essential!

ape
in this one some astronauts are in suspended animation.they come out and go down to some strange planet.charelston heston is in it.whos he?guess that was before my time.the kids will think the apes are funny.i cant tell if its low budget because all those old movies look low budget.it is the best of the set which has many many sequels.it is also better than the tim burton version.the very last scene is very well acted and one of my favorite scenes ever.thee are some chicks about but its hard to tell that they are as sexy as they are through all the grime and dirt from the forest world they live in.its an excellent film.

a brilliant classic
With its excellent performances and tight, smart script written by Rod Serling and Michael Wilson (based on the book by Pierre Boulle), this is a film that stays fresh and interesting even with repeated viewings. Released the same year as "2001: A Space Odyssey", both films are at the top of my "super sci-fi" list, and stack up against the best of what has been released in recent years, which relies more than ever on special effects to tell the story; the effects in "Planet of the Apes" are minimal, and it's the latex make-up that is the marvel, and garnered John Chambers a Special Award at the Oscars for his work, which allows the ape characters full freedom of facial expressions. Oscar nominations went for costume design, and the marvelous score by Jerry Goldsmith.
The cinematography by Leon Shamroy is also fantastic, and I love the aerial descent that starts the film.

Charlton Heston as the astronaut who lands in an "upside down world", and Kim Hunter and Roddy McDowall as free thinking scientists are superb, and in smaller roles, Maurice Evans, James Whitmore and James Daly terrific as authority figures in the ape colony.
This film had four sequels, a TV series and a cartoon series, as well as a multitude of merchandise from plastic figurines to bubble gum cards, but the original stays pristine and untarnished by its often silly spin-offs, and is a one-of-a-kind classic.
What this film has, that one can appreciate even when one knows what it is, is that rare thing...a great ending. Very few films leave one with a satisfied feeling at their close, but this one is unique, brilliantly filmed, and like a perfect dessert after a good meal.
Total running time is 112 minutes.

A fundamental sci fi movie
In the authority chain, you may distinguish the clear diference between the apes too.
One spacial navy suddenly falls in a hole time and it's carried hundred years after. The landing in a unknown planet, carries to these man and it shows them a world ruled by apes who dictate its own rules and have established the official story.
The man is under them in the evolutive chain. The men have lost his speaking capacity and they only make gutural sounds. Their state is something less than pitiful.

George Taylor is wounded in his throat and that's why he can not articulate even a single word.
The dramatic sequences in the same point he pronounces the first word,(Do you remember the miracle worker and the wild child?) creates a true revolution among the ape scientist. This behavior are against the rules. The law is the law.(The island of Dr. Moreau)
And so, Taylor is involved in a constant fight for surviving. His friends can not help him anymore , one is dead and the other suffered a lobotomy.
The dramatic ideas exchange between Taylor and the master science of the ape comunity include hilarious bits and obviously undeniable conflicts between the science and the faith. Forget all you learned about Darwin and please watch the mirror image. All the concepts are reverted and so the anguish and the poor human condition is less than zero.
Finally our hero ¿wins? and he can carry Nova his only possibilitie for sow the next human seed generational, but he will find out the astonishing revelation.
Since its release, this film involved just once more the fever for new concepts and ideas. Fahrenheit 451 (1967) and 2001 was released the same year and the world was in a decisive turning point. The man conquers the moon and the screen must be part of this decisive event.
So the people turns back over Asimov, Bradbury, Boulle, Stanoslav Lem and will read over and will find out new universes, bitter nightmares spacials. In a very close state the fifties had a coommon behavior. The ancient films of sci fi were released, and others were remade.We had to expect four years for Solaris directed by Tarkovski in 1972.
In this sense, you can not forget the political behavior in many countries in that age. There were many dictators all around the world , and the figure of the ape was a clear methapor of them.
Undoubtly, you may be find the film , thirty years after, a little bit aged, but the dramatic implications that a nuclear conflict involves, still feed the imagination of many people.
Charlton Heston was a true icon of rthe anti hero in the fifties (with his religious films) and in the sixties (with historical roles), then he would make another war films but keeping always that undeniable majesty for make prevailing the truth, no matter what's the prize you pay.
Sensational direction of Franklin Schaffner and arresting sequences, like the human chase and the scape from the jail (or the concentration camps) .
Another cult movie and the best of its following entries. ... Read more

Reviews (3)

Let's hope we never have to go through this again
I was impressed with the courage Jane Roe had in this movie. I appreciated this film because it showed the lengthy process one encounters making changes through the legal system, and how one can succeed in the end-- despite all odds. I hope we never go back to being a society where women feel that they don't have support from their community.

Pro-Choice-The Real Story
I never knew the details of how abortion came to be legal; the actual story of what her background, circumstances, and courage brought to light. This woman went through and was put through so much, just to make her life better. Little did she know what impact her tenacity would have on us all!

This is a moving account of not only one woman's individual struggle, but the integral role our justice system played. Debra Winger nailed this performance.

an reflection of the trial
I'm in the study of the video. In my movie class, anylizing it is my Homework. So ... Holly Hunter is very cuty... Mrs.Weddington was very hard in going through. In this point, this video contains the meanig of some Feminism. ... After some time... So ..Good Bye ... Read more