Description

This compilation features 10 of Michael Jackson's greatest video hits, including "Billie Jean," "The Way You Make Me Feel," "Black or White," "Rock With You" and others. 90 minutes. ... Read more

Reviews (50)

An essential collection!
This is a review of the VHS video "Michael Jackson: Video Greatest Hits HIStory" Vol. 1. Whether or not you are a fan of Michael Jackson, this is an essential video because it shows how good music videos can be. BILLIE JEAN is a striking video that broke down color barriers on MTV; THE WAY YOU MAKE ME FEEL has a loose improvisational feeling to it which makes it fun to watch; BLACK OR WHITE is modern masterpiece complete with morphing and the controversial "panther dance" sequence. In the original version of this video, Michael smashes in a car windshield that has racist grafitti on it... he is fighting back against the racism. However, in the version included on this tape, the grafitti is edited out, so we just see Michael smashing a window for no apparent reason. Even so, the video is still an amazing experience! ROCK WITH YOU takes us back to 1980 before Michael's plastic surgery; BAD and BEAT IT include some of the best choreography even seen in music videos, although the version of BAD on this tape is the short version, not the full version with Wesley Snipes. This tape also includes the videos for Thriller, Remember The Time, Don't Stop Till You Get Enough and Heal The World in their entirety. This video is a powerful mix of music, dance, and film. Even if you don't think Michael is the King of Pop, this collection proves he is the King of VIDEO!

Michael Jackson - Video Greatest Hits - HIStory on Film
This spectacular compilation of Michael Jackson's music videos is a must-see for all MJ fans, and anyone else who enjoys good music and dancing. This tape includes the videos:

-Billie Jean -The Way You Make Me Feel -Black or White* -Rock with You -Bad (shortened version without Wesley Snipes) -Thriller (entire video with credits) -Beat It -Remember the Time -Don't Stop 'Til You Get Enough -Heal The World

This is a great video that shows not only the evolution of Michael Jackson's music, but also that of his appearance. Co-stars include Eddie Murphy, Iman, Magic Johnson, McAuley Culkin, Bart and Homer Simpson, and others. An exceptional video!!! *In the video Black or White, Michael appears to be furiously smashing the windows of a car for no reason. In the original, racist graffiti is painted on the windows. This was edited out in this version. Relax, Michael is not crazy. Or at least not that crazy.

Video HIStory
Don't just listen to the album,watch the videos! However there are fewer songs in this package than the audio counterpart. We see videos for hits from OFF THE WALL,THRILLER,BAD,DANGEROUS and of course,the audio counterpart of HISTORY. No fan of the King Of Pop should be without this unless he/she chooses not to.

Big fan here but this is a disappointment....
Honestly, I love Michael Jackson's music and have purchased History 2 on VHS (the gold box) and Dangerous: The Short Films before I got this. I was excited because I thought I would see some things different on this DVD, but it's all the same! You're better off purchasing Dangerous: The Short Films or History 2 because most of the same material on this video is on the others, and the others have some new added footage.

Thllermans/bestviedosondvd
Foryears michaeljackson hasrockedour world from abc to rock withyou jackson has made pop hirstoy and the viedos that made himfameuos are now on dvd frautes the viedos for billejean theway youmake me feel black orwhtie rock with you bad thllerbeatit rember thetime dont stop tillyou getehuogh andthe90shealthe wolrd. my fartivoe viedo is the thller video itsa shrot film with amazing muisc staring mihchael jackson theres also bad the 18minute nverbefore seenshrotfilm . this dvdis a collbte any mihchaeljacksonfan will love this dvd. ... Read more

Reviews (145)

An American Werewolf is reborn
This was one of the first 'horror' films I ever saw, and it is by far one of the most memorable films of the genre I have ever seen. From the cold, bleak beginnings with the two young American back-packers wandering into The Slaughtered Lamb, there is a certain ominous and effectivly eirey quality from the word go. The comical naivety and the even-more comically sombre attitude that the locals at the pub engage in is movie entertainment at it's best. It sets the scene for the true rollercoaster of a movie that is yet to come. The gore is gorey, the scares are scarey, the comedy is spot on and the surrealism is baffling and highly disturbing. It has to be said that the setting for the film in London is inspired. Of course, the tolken well-mannered coppers and the ever-so nice doctors and nurses seem to be plucked straight out of the nearest Britsih book of cut-out stereotypes, but I don't think the film could have worked any other way. A lot of people claim that Scream (1996) is the best horror-comedy since this little masterpiece, but how they can even be compared is beyond me. Scream mocks (respectivley) an entire genre of slasher movies that died way before Freddy even hung up his old slasher-glove. An American Werewolf was the only, and still is, the only film in it's 'genre'. Original, profound, desperately enteratining and memorable in every aspect. The soundtrack's great (fantastically ominous title music clashing with hilariously cheesy covers and classics). The acting is also spot-on. Buy this film. Buy this film and then wonder why Michael Jackson's Thriller video isn't shown as often as it should be too....

3.7 out of 5
AN AMERICAN WEREWOLF IN LONDON is undoubtedly one of the greatest horror films ever made. David Naughton stars as a young American tourist attacked by a werewolf in England; meanwhile, he is visited by his dead friend Jack (Griffin Dunne), falls in love with his nurse (Jenny Agutter), and is called insane when none of the locals (lead by Brian Glover) will admit the creature exists. Director John Landis throws in some black comedy right when it's needed and knows all the right moves; his script is very fun. There's also a good soundtrack (including a very short score by Elmer Bernstein), nice performances by the cast - but of course, the true highlight of the film is Rick Baker's make-up, which won the first Academy Award for "Best Makeup". Baker's make-up couldn't even come close to being matched today; words cannot explain the sheer brilliance in his work! Followed by an in-title-only sequel in 1997.

The greatest Werewolf film ever!
1981 was The Year of the Werewolves...the furry fiends leaped onto movie screens in three major films: "The Howling," "Wolfen," and the classic of the genre, "An American Werewolf in London." There has never been a greater werewolf film, there has never been a better transformation scene, and few horror movies can match the entertaining mixture of humor and scares that writer/direction John Landis ("Animal House," "The Blues Brothers") achieved here.

Although there had been humor in horror films before this movie, "An American Werewolf in London" showed once and for all that having comedy in a horror film didn't mean that the film would lose out in the scare department. Landis makes it clear that the film is NOT a comedy -- the horror scenes are carried with dead-seriousness and shocking impact -- but there is so much quirky humor surrounding these scenes that the film becomes incredibly likable and buoyant. Most of the laughs come from seeing the old movie werewolf premise dropped into the modern day and watching the characters try to deal with it.

Actors Griffin Dunne and David Naughton, neither of whom had been in a movie before, create a wonderful 'ordinary guy' feeling to their characters of two young American boys backpacking through Europe. In rural England, they have a nasty encounter with a legendary monster, and Naughton faces the consequences of being bitten when he returns to London and takes up living with a pretty nurse (Jenny Agutter).

The transformation scene is justly famous and a milestone in visual effects. Make-up wizard Rick Baker lets the viewers watch a real-time twisting of a human body into a wolf shape: limbs stretch, snouts pop, hair grows, the body contorts...it's amazing to watch. (And on DVD, you can watch it over and over and over again). Even computer graphics can't achieve an effect as startling as this one.

This DVD offers some nice extras. The image is good, and the 5.1 Surround Sound is decent (although there's not a lot of back speaker sound). Actors Naughton and Dunne do feature commentary on the film, and provide some interesting information and sound as if they were having a great time reliving the experience. I wish that Landis had been on the commentary as well, but you can hear his thoughts on the film in an 18-minute interview. Landis is an absolute hoot to listen to; the guy is as funny as his movie, and he absolutely bursts with ideas and observations. To go along with the Landis interview is an 11-minute interview with make-up maestro Rick Baker. He provides a fascinating look at crafting what he calls "the coolest werewolf film ever made." Also included is a vintage featurette on the making of the film, although it's only about five minutes long (but you get more of wise-cracking John Landis), ten minutes of archival footage of Baker making a cast of David Naughton's hand, and an assortment of storyboards, outtakes, and production photos.

"An American Werewolf in London" is a major turning point in horror films and visual effects -- and even over twenty years later, it is still one of the most entertaining movies of its decade. It hasn't aged at all, and this DVD lets you experience it the way it should be seen (and in the company of wild-man John Landis!)

the best werewolf film ever!!!!!!!
this movie is awsomely cool!!!the transformation scence is way cool.david naughton and griffin dune are hilarious. this is my favorite movie! for werewolf lovers every where this is your movie. don't see it on tv rent it.

THE Werewolf Movie to See!
David Kessler and Jack Goodman are two young Americans backpacking through Europe, just trying to have a carefree, good time. On a particularly chilly night, they find themselves wandering across an English countryside and getting pretty desperate for shelter, when they come across a pub called "The Slaughtered Lamb." Not deterred by the graphic advertisement, inside they find the pub is really quite cozy and atmospheric. Fellows are playing darts, having a game of chess, telling politically incorrect yet totally hilarious jokes... Everyone seems a bit disturbed at first sight of the two American travelers, but things warm up once they are accepted as being completely harmless. That is, until Jack asks the forbidden question: "What's that star on the wall for?" The two young men are quickly turned out into the cold without an answer. If only they had known, but the only information they were given was a bit of advice: Beware the moon... and stick to the road. But these are two carefree, American boys just looking for a good time. They're not worried about things like...werewolves! After only walking a short distance, the boys have wandered off the road and onto the moors, and only a few moments later, they are being circled by something horrible! The fog is too thick to see, but before they can react, the beast has attacked! In seconds, Jack Goodman is ripped to shreds! His friend, David, is running in fear! He stops to think for a moment, then runs back to help is already dead friend. Now, David is the one being slashed at, but before the creature can do his worst, a shot rings out and it's all over.

David wakes up to find himself in a London hospital 2 weeks later, desperately searching for his less fortunate best friend. He is cheerfully informed of his situation by the stern but benign Dr. Hirsch, and the short-tempered American representative, Mr. Collins. But when David insists that it was a wolf that attacked him, he is treated less than respectfully. It seems to have been confirmed that it was an escaped lunatic that did the damage to David and Jack, and no one is interested in hearing otherwise. David is frustrated, and his new, animalistic nightmares aren't helping, nor are the ones involving nazi were-creatures, but his mood is lightened as he is distracted by a lovely nurse named Alex Price. Alex is equally infatuated with David, and the two grow closer by the day, despite David's apparent mental state. You see, while having breakfast one morning, David had a visitor: his friend Jack; his DEAD friend Jack. The purpose of his visit was to warn David that he would transform into a werewolf at the next full moon, and if he doesn't want to hurt anyone, he must take his own life. When David is finally released from the hospital, his next stop is Alex's flat. The young pair indulge themselves in each other, but all is not well with David, who is plagued by repeated visits from his increasingly decaying friend. Soon, the full moon is upon him, and David's moment of truth has finally arrived.

In 1981, John Landis put his own spin on Universal's "The Wolf Man," and the result was a new classic for werewolf fanatics everywhere. The story is very familiar. A young American travels to England and gets bitten by a werewolf. He falls in love with a local girl, but their romance is interrupted when he grows convinced that he will become a werewolf himself. He finally transforms, reeks some havoc, and commits some murders. He becomes a sympathetic character as he expresses his fear and guilt over what he has done, but soon he transforms again and is finally killed, the film ending as suddenly as his life. With the brilliant look of its werewolves, Rick Baker's masterful effects (thankfully, CG free), and the genius of John Landis, "An American Werewolf in London" brought a realism to the werewolf genre that is reminiscent of the olde legends and lore. No silver bullets or fully dressed lycanthropes here! Many call this film a horror-comedy. Well, it's definitely more horror than comedy, despite what you might hear. It doesn't have any more comedy than one would find in the real life of an average, young, American male. It's just so honest that it's funny. I was in London last New Year's, and they DID have Dart competitions on TV! As for horror on the other hand, this movie's got it. You may not find the film scary at first, but try taking a lonely, nighttime walk after viewing it. I've always found the subway scene particularly disturbing. And what can one say about the cast? Simply perfection. David Naughton plays the American werewolf superbly, from carefree traveler to suicidal lover. Jenny Agutter is lovely and sympathetic, Griffin Dunne is funny yet convincing, and John Woodvine is the Doctor you hate to love. Brian Glover is disturbingly suspicious, and who can forget the cast of "See You Next Wednesday?" *ahem* It all adds up to one of my favorite motion picture experiences!

A sequel was released in 1997 called "An American Werewolf In Paris." CGI effects, a few confusing plot points, and zombies that were more annoying than funny marred the final product, but overall it was still a highly fun viewing experience, despite all its criticism to the contrary. See it and judge for yourself. Some say it's not a legitimate sequel because the story has nothing to do with the original film. I've heard conflicting theories though. Some sources have stated that the female lead in "AWIP" is supposed to be the daughter of David Kessler and Nurse Alex Price. Intriguing and highly possible, even probable, but it's never stated outright in the film, so I'm still waiting for some official word on that. ... Read more

Reviews (16)

He Gets By With A Little Help From His Friends
In an effort to support Landis in his legal tribulations, a glittering array of Hollywood heavyweight directors and actors, with a rock star thrown in, toil as bit players and extras to make a manic movie with ultra-dry wit and tongue-in-cheek dialogue. Goldblum and Pfeiffer play their roles a little subdued compared to what is going on around them. It all makes for a well-constructed comedy that became an instant cult favorite. The more times the viewer sees it the more nuances and cameos jump out. Highly recommended!

Good plot, but missing something. . .
I rented this movie for the sole reason that David Bowie is in it. His performance was wonderful, yet extremely brief. Therefore I was highly disapointed. Granted, the movie wasn't too bad, Pfiefer and Goldblum are both wonderful, but Bowie was gyped. He is an amazing actor and should have had a bigger part, or at lease more time on screen. I suggest this movie for the sole reason of seeing his 2 small scenes.

enjoyable film
This is a chase movie, a kind of film-noir without the black and white. Here the ordinary man is Jeff Goldblum, a guy so so unhappy with his mundane job and cheating wife that he spends his nights driving the LA streets instead of sleeping. One night he finds himself in the wrong place at the right time. He interrupts the murder of a beautiful and mysterious Michelle Pfeifer and very shortly he finds himself her unwilling accomplice as both evade her ruthless pursuers. She warns him right up front that she is "one of the bad guys", but he's hooked. The chase takes them to all of the "mink-lined sewers" of after dark LA and lets them encounter quirky and sometimes violent characters. This movie plays like a mix of dark comedy and thriller.It has a plot twist of sorts, but does not end darkly. The cameos will be interesting to film buffs, but not to anyone else. It's Goldblum, Pfeifer, and the chase that drives this movie. And thankfully, the story - though improbable - strings tightly together and does not involve stupid car chases, explosions, or wanton killing. In fact, the violence is tame by today's standards. There's the brief nudity seen in 80's movies and occasional mild profanity. A nice film to rent. I bought it.

Awesome and lots of fun...
This is one of the best comedy/adventure/chase flicks ever made. Lots of fun with some interesting twists. Don't miss it.

one of my all time favorites
This is a great movie that is always underrated by critics. Jeff Goldblum and Michelle Pfeiffer are wonderful here, at the start of their careers, and without big star egos. The surprise cameos are fun and the story is fresh and unique. I recommend it to anyone who is tired of the same old plot and action. This is well worth the money. ... Read more

Description

Songs: Black or White, Heal The World (Super Bowl version), Remeber the Time, Will You Be There, In the Closet, Gone Too Soon, Jam, Heal the World, Give In to Me, Who Is It, Dangerous. 112 minutes. ... Read more

Reviews (32)

The best, baby!!!
As we all know, Michael Jackson is the KING OF POP! This number-one film was in the Guiness book of World Records as the highest selling music video on '94!! Containing never-before-seen footage, behind the scenes action, unreleased videos, and all are full-length. This price is also a bargain. Pick it up even if you're not a die-hard. It is so worth it!! Dangerous is one of MJ's greatest albums with some record-breaking fantastic music videos! "The Short Films" contains: The Teaser (you have to see it!!), the controversial full lentgh Black or White (complete with The Simpsons ending and the face morphing and dance sequence), The Superbowl Heal The World performance (excellent), Remember The Time (starring Iman, Eddie Murphy, and Magic Johnson), also has behind the scenes (great dancing!!), Will You Be There, In The Closet (with Naiomi Campbell- the best MJ video ever!!)(with behind the scenes action also,) Gone too Soon, (A tragic remembrance of AIDS victim Ryan White), Jam (a awesome video with Michael Jordan, Kris Kross, and Heavy D.), Heal The World (donate to the foundation! It's a worthy cause!!), Give In To Me (featuring Slash from Guns n' Roses), Who Is It (such a great beat!!) and last but not least, concert footage to the Dangerous Tour. This movie is something. You have got to see it. The album is legendary, the beats are ear-piercing and jammin'!! All of these perfect music videos have such a story to tell. Michael Jackson is the KING OF POP!!!!

A Dangerous DVD
Michael has so much talent. Good album and good VHS. I just descovered this page on amazon and I hope that a DVD version will be avaliable. I am writing the first review so hopefully I can get a certificate so I can get it as soon as possible. The DVD should contain the same stuff that the VHS one contains (maybe the publishers may put in more features) The video (and assumingly the DVD as well) contains all but 3 songs from the DANGEROUS album (I Can't Let Her Get Away, She Drives Me Wild, & Keep The Faith).

The Video and most likely the DVD contains the full videos of:

-Black or White (controversy, plus making of)

-Remember The Time (behind scenes)

-Jam (behind scenes Michael Jordan comentary)

-In The Closet (an awesome MJ song and video, plus behind scenes)

-Heal the World (two times, super bowl performance and the video)

-Will You Be There (the complete and non-Free Willy version)

-Gone Too Soon (about that kid with AIDS that everyone forgot about)

-Dangerous (played while showing us snip shots from ihs concert world tour)

-Why You Wanna Trip On Me (played durring the credits)

-Give Into Me (Michael knows good rock with Slash)

-Who Is It (done by the director of FIGHT CLUB, excellent beat)

-(Bonus stuff) of 2 awards and a pretty deep speech from Michael and a little Michael singing with Michael "I'll Be There"

Lets hope this wish of having avaliable this long awaited DVD comes true and we may get it. Michael still has fans in the USA, so let them have their DVD!

The best, baby!!!
As we all know, Michael Jackson is the KING OF POP! This number-one film was in the Guiness book of World Records as the highest selling music video on '94!! Containing never-before-seen footage, behind the scenes action, unreleased videos, and all are full-length. This price is also a bargain. Pick it up even if you're not a die-hard. It is so worth it!! Dangerous is one of MJ's greatest albums with some record-breaking fantastic music videos! "The Short Films" contains: The Teaser (you have to see it!!), the controversial full lentgh Black or White (complete with The Simpsons ending and the face morphing and dance sequence), The Superbowl Heal The World performance (excellent), Remember The Time (starring Iman, Eddie Murphy, and Magic Johnson), also has behind the scenes (great dancing!!), Will You Be There, In The Closet (with Naiomi Campbell- the best MJ video ever!!)(with behind the scenes action also,) Gone too Soon, (A tragic remembrance of AIDS victim Ryan White), Jam (a awesome video with Michael Jordan, Kris Kross, and Heavy D.), Heal The World (donate to the foundation! It's a worthy cause!!), Give In To Me (featuring Slash from Guns n' Roses), Who Is It (such a great beat!!) and last but not least, concert footage to the Dangerous Tour. This movie is something. You have got to see it. The album is legendary, the beats are ear-piercing and jammin'!! All of these perfect music videos have such a story to tell. Michael Jackson is the KING OF POP!!!!

Awesome collection!
The audio counterpart of this package was on hit parade from its release in the fall of 1991 to early 1993. HEAL THE WORLD is very similar to WE ARE THE WORLD,recorded in 1985 by MJ and about 40 other American artists as USA FOR AFRICA. In fact MJ penned WATW with ex-Commodore Lionel Richie(Richie was another participant). WILL YOU BE THERE features clips from the 1993 Warner Bros. film FREE WILLY. That song was the film's theme. BLACK OR WHITE features MJ's actor pal MacCaulay Culkin. JAM is an ode to basketball players. REMEMBER THE TIME is awesome. Hollywood great Eddie Murphy plays a pharoah in a castle. All the other videos are 100% awesome!

Excellent
The Super Bowl performance is worth getting this DVD. This one is a keeper. Recommended. ... Read more

Amazon.com

After building up the duo's popularity through recordings and several performances on Saturday Night Live, John Belushi and Dan Aykroyd--as "legendary" Chicago blues brothers Jake and Elwood Blues--took their act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars than you can count. Along the way there's plenty of music to punctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway, and James Brown that are guaranteed to knock you out. As played with deadpan wit by Belushi and Aykroyd, the Blues Brothers are "on a mission from God," and that gives them a kind of reckless glee that keeps the movie from losing its comedic appeal. Otherwise this might have been just a bloated marathon of mayhem that quickly wears out its welcome (which is how some critics described this film and its 1998 sequel). Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. The widescreen DVD collector's edition includes an exclusive "making of" featurette, production photos, the original theatrical trailer, and interactive menus. --Jeff Shannon ... Read more

Reviews (141)

Helloooo Boys!......
This review refers to the Universal Widescreen(Digitally THX Mastered) VHS edition of "The Blues Brothers".....

Saturday Night Live Alum together with a Who's Who list of the greatest Rhythm and Blues artists ever assembled in one film, make for one very entertaining, funny, action packed musical.The hard part of this review is keeping myself from revealing every funny line, and all the classic scenes that came from this film(and also all the great cameo performances you'll spot throughout the story).For those too young to remember this classic comedy, or if you haven't seen it for a while let me just refresh your memory(just a little).....

Jake "Joliet" Blues(the late great John Belushi)has just been released from prison. Brother Elwood Blues(Dan Aykroyd) picks him up and they're off to fullfill a promise to visit "The Penguin". Sister Mary Stigmata(Kathleen Freeman), the head nun at the Catholic Orphanage where they grew up informs them that the Orphanage will have to close down unless she can come up with the Five Thousand Dollars neccessary to pay the property taxes.No problem for "The Blues Brothers", they'll have the money she needs by tommorrow. But NO! NO! NO!, she does not want their filthy bank robbery money, and they are not to return until they can "redeem themselves"!

While on a visit to church, where you'll find James Brown as The Reverend Cleophus James leading the congregation in song, Jake literally "sees the light!".They'll just put "The Blues Band" back together for one big night and raise the money for "The Penguin" and the Orphanage. Getting the band back together is easier said than done though.Along the way, we are treated to some musical performances by these great names..Aretha Franklin, Cab Calloway, Ray Charles and even Chaka Khan. The hysterical action also heats up as they make enemies all along the way. They are being chased by the cops,the Nazis(led by one very funny Henry Gibson), and a very angry ex-girlfriend(Carrie Fisher) who has a thing for Flame Throwers. They leave a path a destruction in their wake that is unsurpassed in chase scenes.

It's a riotous romp, directed by John Landis(Animal House/Trading Places), that will leave you wanting more..and luckily...there's a sequel! "Blues Brothers 2000", which has the terrific addition of John Goodman to the cast.This VHS tape is terrific. Not only does it have a great picture in the original widescreen image(1.85:1), but the sound is digitally mastered, and is excellent in the stereo surround. There are even a couple of bonus features on this edition. There is the "Making Of" the sequel, talking with all the stars about coming back to do it again, and after the credits, you'll find the "making of" for the original, which clues you in on lots of little trivia details.

If you're looking for something really funny, something with a great music, a great script, and one that will be a terrific addition to your classic comedy collection, look no further, you've found it! And don't forget to look for all the great cameos along the way..(I think I restrained myself pretty well from giving them away... don't you?)
Have a great time with this one and maybe you too will "see the light".......Laurie

...it's dark and we're wearing sunglasses
This DVD is the Director's Cut of the film. That means 17 minutes of extra footage is included making the film a good 17 minutes too long. The added material just makes the pacing falter and so, ironically, the VHS release displays a better film. But, with that gripe out of the way, this is one fun film.

Jake and Elwood Blues are the creation of Saturday Night Live veterans Dan Aykroyd and the late John Belushi. They took the first step to the big screen amongst the countless other Saturday Night Live and SCTV characters (The CONEHEADS, WAYNE'S WORLD, ONE NIGHT AT THE ROXBURY, SUPERSTAR, THE LADIES MAN, STUART SAVES HIS FAMILY and STRANGE BREW amongst them.) And THE BLUES BROTHERS is the film to compare all of these too. That is bad news for them because this is an entertaining musical comedy. Filmed with the gritty look of a drama, the musical is indeed a surprise but with Jake and Elwood as 'musicians', what else can you expect.

The storyline follows the brothers as they try to raise money to save an orphanage. This means putting the band back together. As they piece it all back together, they encounter more colorful characters looking to block their success. John Candy, Charles Napier and Carrie Fisher take their hunt seriously. They also encounter assistance by Aretha Franklin, James Brown, Ray Charles, Cab Calloway and Frank Oz amongst them. There are even small appearances by Paul "Pee Wee Herman" Reubens as a waiter and Steven Spielberg as a clerk in the finale. Now, this is Aykroyd and Belushi's film as they nonchalantly ignore life-changing catastrophes. Director John Landis brings these huge occurrences to the screen like a master. You can just feel the fun put into this production.

The greatest charm in the film is the musical numbers. Wherever the boys go, people just seem to break out into infectious song. You'll find yourself tapping along. With the exception of the 'restored' material, this is a nice DVD with a good video transfer and audio transfer that'll put your receiver to the test. Also a recent making-of documentary is included. If you get a chance to join Jake and Elwood, I recommend it.
They're on a mission from God.

I feel good and you will too!
Here is one of the few movies in my lifetime that qualifies as a "feel good" flick, one where I left so fulfilled I actually missed the characters, story and fun when the movie is over, wanting it all back again. Fortunately, through the miracle of tape and DVD, you and I can both do that!

This production was the linchpin event for the Saturday Night Live characters that wore black suits and sunglasses before the equally fashion-challenged "Men In Black" showed up. Along with "Animal House", this flick reminds me what a great comedy career John Belushi would have had in cinema had he lived more safely (as long as he stayed away from bombs like "1941").

Back to the film...this is loaded with great music, music from many 20th Century ages, music that makes you want to hum, tap your toe, dance, delight, smile, kiss your girlfriend and say hello to God. The plot -- something about getting money for an orphanage -- is superfluous but the movie has memorable scenes and characterizations equal to the equally uninhibited "It's A Mad, Mad, Mad World" from 1963.

A hyperactive musical street scene coming out of a music store -- led by the late Ray Charles doing a great blues tune -- is a typical venue in this film. Another time, Aretha Franklin takes a break from her waitress job to sing threateningly to Jake and Elmore. Still another time, Cab Calloway entertains kids so the brothers can get their cash to Chicago. In another scene, the Blues Brothers band does it up good in a honky tonk but drinks too much beer and ends up in a police-car-RV chase with some good old boys known as...the Good Old Boys!

This movie destroyed about 200 cars in and around Chicago and has one of the funniest car crash scenes and accompanying lines in American film history. The line is: "We're in a truck!" Watch the movie to get the joy from it. You'll laugh out loud and enjoy it almost as much as those Nazis driving off the end of the incomplete freeway overpass in Chicago!

If you want to experience mayhem disguised as two hours of uninhibited escapism filled with great fun, a thousand car chases and car crashes, lowlifes, ex-convicts and rednecks, and some of the best choreographed music sequences ever, buy, rent or borrow this DVD today and get set to ENJOY YOURSELF!

Unique and historical achievement
Unique, wonderful, hilarious.

"The Blues Brothers" holds up even better than one might have hoped. And that's a beautiful thing for one of the most unique movies ever made. Conceived, as Belushi once put it, as a show case for African-American music, the movie is exactly that and so much more.

I was moved to watch the "Shake Your Tail Feather" scene due to Ray Charles' recent death. The performance is so wonderful, so full of life; we have lost a true national treasure. But his amazing performance for the movie will live on forever. The soundtrack's 5.1 remix (including the reintegration of old footage cut from a preview at the Picwood Theater in LA. According to Landis, in the DVD's liner notes, the movie distributors complained no white people would see the movie!) is simply amazing. Even on my bargain set, it is crisp, pure and clean and is probably my candidate for best sound DVD ever. Landis again demonstrates his technical mastery, understanding of technology and choice of brilliant helpmates.

As the same Landis once put it, "Where else can a white kid see Cab Calloway, John Lee Hooker and James Brown in the same two hours?" He left out Ray Charles and Aretha Franklin as well as studio legends Steve "The Colonel" Cropper (who almost single-handed reintroduced cocaine to Hollywood, the number of people who began their addictions under his tutelage is frightening but no names here; you'll have to look it up yourself); and bass legend "Duck" Dunn, one of the greatest bassists of all times (sorry, Duck, my man, even you have to bow, with every other bassist, to Geddy Lee). Normally invisible, we get to see and here the Blues Brothers' amazing band. These studio legends get there fifteen minutes, often to hilarious effect. Willie "Too-Bit" Hall, the drummer even shows really comic talent, as does Dunn and "Mr. Fabulous," the horn man.

The movie also preserves the now destroyed Maxwell Street, one of the great centers of African-American music and R&B and one of the seedbeds of rock n roll. This is the only place anyone can see Maxwell Street in its prime. In a sense the movie is also a historical document, preserving those people and places who have left us.

The plot is almost irrelevant, beside the almost hysterical comedy and stunning musical performances (Calloway and Franklin never did BETTER jobs on their two signature classics), but there is a story there. The cameos are hilarious as well, from Carrie Fischer (who has said she quit coke because Belushi, on set, one day pointed at her and said, "You're becoming just like me." On that note, Robin Williams also says his visit to Belushi on his ultimate night helped him give up the Life that took his friend) and the Keystone Nazis the Boys have to avoid in their quest to save their childhood home, a dilapidate orphanage on Chicago's South side. The "Flight of the Pinto" scene is not to be missed. And be sure to listen for the tell-tale mating call of a most un-endangered species, "hut-hut-hut."
A movie for the ages. It also highlights the bitter tragedy of Belushi's self-destruction. One can only imagine what a sobered and cleaned-up Belushi could do when he did this movie whilst doing 4 grams of coke a day, dropping acid, downers, booze, marijuana (all of this is in Boobward's sensationalist "biography" of Belushi called "Wired"). Unlike other famous drug addicts and alcoholic (Monroe, Presley, Dean) Belushi's fortunately has been taken as a warning sign of Hollywood excess and hasn't lead to his apotheosis.

Despite his tragic end, the movie is one of the few that, no matter my troubles I can put this movie in the DVD player and know I will be smiling in mere minutes. As I smile now, writing this.

Every American teenager should see this simply for the musical numbers alone. The word classic is misused as often as the word "hero" these days, but it's not misused here. What could have been the umpteenth bad iteration of "Animal House" instead attained the temporary immortality of the true classic. Belushi's been gone for more than twenty years now, but the brilliant John, the hilarious John, the gifted performer John Belushi will live on forever.

And, wherever you are John that has to make you smile.

One-of-a-Kind Musical
The musical was so out of favor by 1980 that had Universal advertised "Blues Brothers" for what it was it would have done even more poorly at the box-office than it did. But time has righted that wrong and Dan Ackroyd and John Belushi's wacky star turn has taken it's place beside the other great examples of this unique American film art. It's too long, the colossal car chase near the end is a bore, and it's based on the mistaken notion that church property in America is taxed (something Canadian Ackroyd, the main scriptwriter, apparently assumed and nobody else caught). But there are so many other wonderful moments of singing and dancing and left-field comedy that everything else is forgiven and then some. Directed by the erratic John Landis, who's main signature as a director is some of the best photography in the history of the American movies. ... Read more

Amazon.com

Twenty years before the Farrelly Brothers turned raunch into acceptablefilm comedy, the team of David Zucker, Jim Abrahams, and Jerry Zucker exploitedit first. The college threesome made it big with Airplane! in 1980, butthis 1977 cinematic version of their live theater show is ground zero for theirtalents. Like The Groove Tube, Kentucky Fried Movie is a mishmashof sketches, fake commercials, and parodies with no central theme--except their crudeness and laugh-out-loud humor. Highlights include a commercial for "ScotFree," a board game based on the Kennedy assassination conspiracy, "TheWonderful World of Sex," in which a couple goes through foreplay with a self- help narrator instructing them step by step, and a 20-minute spoof of Bruce Leefilms entitled "A Fistful of Yen." Brazen to a fault, the movie will reach forany punch line, no matter how crude (and those who flocked to the film's initialrelease looking for R-rated sex will remember the final sketch and the infamoustrailer for "Catholic High School Girls in Trouble.") Directed by then-unknown John Landis on a shoestring budget, the film has aged. But crassness, when it'sthis funny, is forever. --Doug Thomas ... Read more

Reviews (63)

Extremely Uneven But Often Very Entertaining
THE KENTUCKY FRIED MOVIE is a series of sketches that lampoon various venues of its day: industrial training films, television commercials, news shows, martial arts flicks, and talk shows--in fact, it is very much like the original SATURDAY NIGHT LIVE. But while being on the big screen means the film can go a lot further than SATURDAY NIGHT LIVE ever could on television, KFM doesn't have the same level of talent behind it. When you add in the dated quality of the humor, the result is very hit or miss indeed.

The film originated when two brothers and their best friend--David and Jerry Zucker and Jim Abrahams--created a live show called "Kentucky Fried Theatre," and it proved such a hit that the three took the show to Los Angeles, where they managed to interest director John Landis and producer Robert Weiss in turning the whole thing into a low-budget film. Filmed with a no-name cast interspersed with cameos by Bill Bixby, Donald Sutherland, and Henry Gibson, KFM became the surprise hit of 1977.

Some of it holds up extremely well, most notably the "movie trailers" for such imaginary no-class explotation films as CATHOLIC HIGHSCHOOL GIRLS IN TROUBLE and CLEOPATRA SCHWARTZ, both of which will probably have film buffs screaming with laughter. And then there is a sketch which has a couple making love according to directions issued by a phonograph record, an instructional film on the uses of zinc oxide, a wicked take-off on "Point/Counterpoint," and a still darker take-off on television public service announcement--all of them a hoot and half.

But when the film falters, it falls with a thud. Fans of Bruce Lee will probably appreciate the film's centerpiece more than I did, a twenty-minute take-off on martial arts films called "A Fistful of Yen;" I myself thought it would be more amusing if it were half as long. The "Feel-Around" selection was a clever idea that never actually took off, and really much the same can be said for most of the sketches. Some of it is a matter of datedness: what was topical in 1977 doesn't necessarily have a great deal of relevance for a contemporary viewer. Some of it is shock-humor that doesn't shock any more because it has been done so often and so much better. But even so, and while the film as a whole is perhaps best approached as a cultural artifact, it's still worth a look--particularly if you like such films as AIRPLANE, THE NAKED GUN, ANIMAL HOUSE, and THE BLUES BROTHERS, all of which were created by various members of the crew that originally created KENTUCKY FRIED MOVIE.

As for the DVD, the film quality is as good as it gets (and you should remember it wasn't great to begin with), and it offers the option of viewing the film in either widescreen or pan-and-scan--but the bonuses that seem so intriguing are actually less interesting than you might expect. The "behind the scenes" home movies and stills are actually rather dull, and as for the commentary... well, it sounds like the DVD package producers got the Zuckers, Abrahams, Landis, and Weiss together, gave them a couple of beers, and turned on the movie. They clearly haven't seen the film in quite a long time, spend a great deal of time trying to remember the names of the actors, and generally yuk it up. Now and then it is amusing and even informative, but on the whole it isn't greatly memorable one way or another. On the whole, I do recommend the DVD as a curiosity--and it would be a great party film--but this isn't one that you're likely to replay a great deal.

The Popcorn You Are Eating Has Been Pissed In...
That happens to be a line from the film, "Kentucky Fried Movie". Tasteless, huh? Yeah, well, so is the film. But it also happens to be one of the funniest films of the '70s. And also one of the most forgotten.

The film itself is a collection of skits similiar to those of early "Saturday Night Live" and "Not Necessarily The News" . But, thankfully, there are no pesky TV censors to hold back any of the vulgarity. Some of the stars that are included in these unbelievably nasty sketches are Donald Sutherland (JFK, Invasion of the Body Snatchers), Bill Bixby ("The Incredible Hulk") and Tony Dow (The Beav!). Also, the film has many very funny moments. Some of my favorites: "Fistful of Yen", which is a cross between old Bruce Lee movies and "The Wizard Of Oz" and "High Adventure" with explorer Claude Lamont!

The film was directed by John Landis, who went on to direct "Trading Places", "Coming To America" and "Spies Like Us." The film also includes David and Jerry Zucker and Jim Abrahams ("ZAZ"). They went on to do such classic spoof comedies, such as "Airplane!", "The Naked Gun", and "Hot Shots!"

If you are a fan of any of these other titles I've mentioned in this review and are not easily offended, then "Kentucky Fried Movie" is for you!

Film At Eleven.

Samuel L Bronkowittz presents a very funny film
I remember seeing this film the first time when I was 15. My friends and I had an inside joke with some of the more outrages sketches such as 'Catholic High School Girls in Trouble', 'Fist full of Yen', and "Zinc Oxide' (fake science filmstrip).
Having seen the DVD, I must say that the print is good though the original film stock had poor detail. There is a choice of 16:9 or fullscreen, though this choice is awkwardly implemented in the menu.
If you wish to see an early example of tasteless sketch comedy, you may enjoy this film. Some of the fake movie previews, directed by the ubiquitous Samuel L. Bronkowitz are still very funny. Other parts of Kentucky Fried Movie may not have aged well from the 1970s, however.

Udder stupidity
I recommend Survivor: Borneo on DVD. A lot better than this "non sense" ROFL

This is the funniest thing I have ever seen.
I doubt you will ever see a movie like this again.
It starts off with a bang. When I first rented it a few years
ago, I watched it with a few freinds. And after the opening theme song, which is strange enough. A reporter comes on and
says "The popcorn you are eating has been pissed in."
One of my freinds nearly choked on a ciggarette from laughter.

There are so many funny moments to this movie. One is where a family makes there dead kid part of the family again. As they take him to the dinner table and ball game.
Another is a spoof of a porno called "When Catholic Girls Go Wild" This is just too funny, I laugh as I'm typing thinking about it. My 3rd favorite is The Joy of Sex which is like an instructional video on how to have sex narrated by Shadow Stevens formerley of American Top 40. I could go on and name scene after scene. But they are all funny.

If you like sketch comedey and have a open mind to humor.
This is a must own. It is old but this is a classic.

I love this stupid movie. ... Read more

Description

Christopher Lloyd stars as Quicksilver, a delightful collector of oddities.After a newlywed couple's car breaks down, the husband goes off for help.Along comes Quicksilver in his Rolls Royce, offering the fearsome bride refuge.He then tells her a story of a traveling salesman who stops at a rustic little diner and is given a set of "chattering teeth" as a birthday present.He picks up a hitchhiker and trouble follows.In the second story, Matt Frewer plays a petty pickpocket who meets Lloyd in his house of oddities and is todl the story of a plastic surgeon whose hands stage a revolt against him for their independence. ... Read more

Reviews (11)

Irony? Horror?
Oh man, what a bad movie. But then, what exactly did they want with that movie from the beginning? It's pretty entertaining and reminded more of the Twilight zone stories but both stories and the stuff in between is light years away from the standart of both story tellers. I know 'the body politics' by Barker from the book 'inhuman conditions' in which much much better stories could've been taken into this short story movie.

When all the separated neighbours' hands have a meeting on the rooftop (they're planning rebellion against the bodies, trying to convince other hands to get 'independant' by cutting themselves off the arms and enjoy freedom) at the climax of the second story, the protagonist decides to fake the hands and become their leader only to make them follow him when he jumps. Add some cartoon voices going "wheeeeawhoooo" (the screaming hands)... this movie has to be a joke. A funny twilight zone episode. A bad one.

Excellent Lloyd, So so for the rest
The Wrap Around concept that Lloyd plays a part of is quite a great idea. As such, I find Lloyd's work as Quicksilver very malevolent, and is all part of the consummate skill he possesses, in fact Lloyd can be quite a chameleon.
And whilst I thoroughly enjoyed the stories he related, I suspect that this will not appeal to all fans of thisgenre.
Very worthwhile film; great trip, and hopefully the concept will be "resurrected" at some later stage.

ENJOY

GET YOUR KICKS ON ROUTE 666
Originally a made for TV movie, QUICKSILVER HIGHWAY is actually two different stories, framed by a storyteller from hell. Christopher Lloyd stars as Quicksilver, the delightful collector of oddities and such. We first meet him after a newlywed couple's car breaks down, the husband goes off for help and along comes Lloyd in his Rolls Royce and trailer, who offers the fearsome bride refuge. He then tells her the story, which is based on Stephen King's "Chattery Teeth." Rafael Sbarge (Carnosaur 2, The Hidden 2) plays a traveling salesman who stops at a rustic little diner and is given a set of "chattering teeth" for his son's birthday present. He also picks up a hitchhiker and there the trouble begins. Of course you know the teeth are alive, and the outcome is fairly predictable. Veronica Cartwright (Alien) has a nice bit as the proprietor of the diner. The tale lacks a lot of tension that a tighter script could have given it and Sbarge is miscast. The second story, as absurdly outrageous as it is, was adapted from Clive Barker's short story "The Body Politic." Matt Frewer plays a petty pickpocket who meets Lloyd in his house of "oddities" and is told the story of a plastic surgeon who discovers his hands are revolting against him for their independence. They make him do strange things including killing his wife. The talking hands screaming for revolution are hilarious and the way they crawl and run around borders on the ridiculous. But because of Matt Frewer's dynamite performance, the story works.
QUICKSILVER HIGHWAY doesn't reach the class of such collections as Tales from the Crypt or even Tales That Witness Madness, but Matt Frewer and the rebel hands make it worth it!

Tales to terrify ... or should they have remained in print?
'Quicksilver Highway' is the collaboration of two of the world's most talented literary horror writers, Stephen King and Clive Barker. It is a rather short anthology of two terrifyingly twisted tales, with an inset story featuring Christopher Llyod (Back to the Future 1, 2 & 3). But do they terrify the average filmgoer?

A wandering storyteller, Aaron Quicksilver (Lloyd), narrates the tales in two strikingly different locations: Stephen King's 'Chattery Teeth' along a deserted stretch of desert highway and Clive Barker's 'The Body Politic' within the carnivalesque setting of a funfair.

The more interesting of the two tales is 'Chattery Teeth', which tells of a psychopathic hitchhiker who falls prey to a relentless and dangerously-sharp set of chattering teeth owned by the travelling salesman driving the car. 'Chattery Teeth' is taken from a short story written by King and first published in 'Cemetery Dance' magazine in the nineties. Similar to the stories found in 'Creepshow' and 'Creepshow 2', it is a bizzare and disturbing story with a twist in the tail, very similar to the 'Twilight Zone' and the 'Ray Bradbury Theater'.

The lesser of the two is Barker's 'The Body Politic'. Here, a hand comes alive, goes completely out of control, and eventually attacks its owner. The story is taken from Clive Barker's 'Books of Blood: Vol 4' and is actually quite an entertaining and intelligent story ... in print. However, attempting to re-create this story on film just doesn't work. The effects are nothing short of laughable, which inevitably ruins a good tale.

'Quicksilver Highway' is directed by Mick Garris, who has collaborated with Stephen King on more than one occasion (see 'Sleepwalkers', 'The Stand', 'The Shining' (TV), and the forthcoming 'Riding the Bullet' and 'Desperation'. He is also the man behind some of the 'Twilight Zone' episodes and 'Freddy's Nightmares', the latter explaining his less than efficient effort with 'Quicksilver Highway'.

Nevertheless, the cast is well chosen - Matt Frewer (The Stand), John Landis (Director of 'An American Werewolf in London'), Bill Nunn (Kiss the Girls), and Clive Barker - and although the movie does have its tedious and ridiculous moments (check out Lloyd's fetishistic leather garb), it is watchable. Fans of 'Tales from the Crypt' and 'Tales from the Darkside' will certainly want to give this film a look-see.

Rating: A good weekday watch after the witching hour ... but time spent reading the short stories would be considerably more prudent.

5 Stars for creativity
Steven King and Clive Barker was very creative on this one.Well... think about it, possessed chattering teeth?I think the people who thought of that hand story are geniuses, plus it was a very good idea that the guy with one hand sacrificed his life to stop the revolution at an end.BRAVO!!BRAVO!!BRAVICIMO!! ... Read more

Reviews (13)

A ridiculously cheesy, almost laughable horror film
Stephen King's Sleepwalkers is significant for a number of reasons (all of which added together fail to make this anything more than an average film). For one thing, it is the first story King wrote expressly for a movie (his earlier movies all being based on previously published work). Second, there is a wonderful cameo appearance by King himself, and this time he's not alone; both Tobe Hooper and the rarely seen Clive Barker join in the fun as forensics experts, while John Landis and Joe Dante also sneakily pass in front of the cameras. A third, and by far the weirdest, special little aspect of this film is the really close (and I mean really, really close) relationship between the mother and her only son. A fourth distinguishing characteristic of Sleepwalkers is its overuse of silly clichés and ridiculous dialogue; this serves to negate any chance of the film actually being horrifying. I hate to say it, but this movie is downright silly.

The genesis of this story sounds pretty good, actually. Drawing upon ancient stories and the highly mysterious history of cats, the film brings to life two modern-day "Sleepwalkers," a mother and son forced to constantly roam around the country as a direct result of their unusual feeding habits. Some places just don't take too kindly to having their citizens slaughtered and fed off of. The mother is now especially hungry, and she is depending on her beloved son Charles to supply her needs. These needs are rather specific, requiring a "nice" girl, and Charles has found the perfect such paragon of virtue and virginity in Tanya Robertson. His plans for bringing Tanya home to Mother inevitably go awry, and the last half hour of the movie is an anticlimactic torture test and overacting marathon in the form of a story that seemingly refuses to end. Brian Krause and Alice Krige actually play their roles rather well (not counting all of the silly dialogue they are forced to utter), and Madchen Amick is a lovely young woman who played her role of sacrifice-to-be in the brilliantly cheesy kind of way this script seemed to call for. Amick also has the distinction of being the only woman in the world I would pay money to watch sweep the floor.

The talent of one actor can sometimes save a movie from utter disaster, and the real hero of Sleepwalkers accomplishes just such a feat. This unsung hero is named Sparks, and he is outstanding in the role of Clovis the Attack Cat. Clovis is the hero of Sleepwalkers; don't let anyone tell you any differently. One sometimes wonders if cats are not the real overseers of this world. Everyone knows how mysterious they are, how they seem to live lives of leisure, and how even the best of them interact with the human world on their own terms. Sleepwalkers walk in utter fear of cats, deeply vulnerable to the merest slash from a cat's claw. By instinct alone, cats recognize Sleepwalkers, and throughout this film they are camped en masse outside the home of our local shapeshifters, patiently waiting for the perfect time to strike and thus, once again, help preserve the lives of human beings who will never realize their indebtedness to these seemingly playful, lazy creatures. Their constant vigil around the house of the Sleepwalkers provides the only remotely creepy aspect of the entire movie. Without the cats, this movie would not be worth watching at all.

All-Dancing/All-Slashing Cringefest
Stephen King's Sleepwalkers is a fairly-good B-movie. Most of it is enjoyably watchable, due mainly to the easy-on-the-eyes-ability of its lead cast members Brian Krause, Alice Krige, and Madchen Amick. Then there are the cringeworthy moments: the violent moments that are both poorly executed and overly gory, as well as the disturbing dance sequences (creepy incestuous slow dance/hottie teenybopping with a carpet-sweeper ) early in the film.

There are a number of nicely put together scenes in the movie: the Trans Am chase, Krause and Amick at her house, as well as Krige's first two scenes with Amick. The "superpowers" of the Sleepwalkers are nice and original, but much of their history is left to our imagination. We are given some backstory via an "encyclopedia" definition, a snippet of Krause's creative writing assignment, and a few comments dropped here and there by Krause and Krige, though more would have been helpful. Questions remain as to why Krige can't "feed" herself and whether or not the Sleepwalkers are actually made of Meow Mix (how else can you explain the scene where cats troop through downtown Travis, Indiana, in pursuit of Krige)?

Plot holes? Certainly. Cameos by directors who ought to stay behind the camera instead of in front of one? Definitely. While the movie isn't exactly played for laughs and never fully descends into the campy netherworld, it's hard to take it too seriously. DVD extras are severely limited - although if you want to learn to read in Thai or Portuguese you're in luck because those are two of the seven sets of subtitles included on the disc.

For an original screenplay, Stephen King has put together a decent story. Were it a novel, we'd likely get the missing backstory (frustratingly, the movie wasn't novelized), but as it stands the story is pretty good - okay, the corn killing is lame, but for the most part things make sense. It would have been nice if some of the effects were less fakey or there had been a few more extras on the DVD (Sleepwalkers movie trailer, Writer/Director commentaries, deleted scenes), but for a few bucks you still get your money's worth. Netflix it first if you want, but I'm not ashamed to have it in my library collection.

Death by Corn
This gets 2 stars solely for the scene where the police officer is fatally stabbed with an ear of corn.

proof that cats are nothing to be afraid of
Ouch. When the big ones fall, they fall hard. "Sleepwalkers" has the distinction of being the first film Stephen King ever wrote directly for the screen, and much like his first directing gig (the abominable "Maximum Overdrive"), the results indicate that he should wise up and stick to books. At least the movie is laughably bad, which means it's still enjoyable on some level, rather than just BAD bad.
I won't lie. You will get to see some things you've never seen onscreen before, like a guy getting stabbed to death with an ear of corn. And you do get to look at the beautiful lead actress, one of the most adorable women ever. But the dialogue is moronic. The cat people are not scary. Indeed, Clovis, the police "attack cat", proves to be a far more formidable adversary than the lunkhead male lead. Throw in a teen-molesting teacher, an incestuous mother-son relationship, and an idiot cop, and you get a bevy of laughs (mostly unintentional), which at least partially redeems your wasted 90 minutes.
Here's a fun drinking game: every time the dialogue makes you wince, cringe, or giggle, do a shot. You'll be blotto within ten minutes.

Horror/Thriller/Drama/and Comedy
This was an ok film about 2 vampire-like beings that can transform themselves into normal looking human beings. The son and his mother live together and can only live from eating human flesh. He meets a beautiful girl at his high school and begins dating her. The two become good friends. But when his mother meets her a jealous flame ignites inside of her. Similar to "Hush". And these beings also like to dance, right. So his mother becomes hungry and constantly reminds her son to bring home some "food". It gets to the point where he tries to kill his girlfriend but she fights back and escapes. His mother is fearing the hundreds of cats that are invading the property. A cat-scratch can easily kill them. Anyway he comes home with his face mutilated and his starving mother reaches her breaking point. Now it turns into a revenge "fatal attraction" thing as she drives over the girl's house and makes a destructive, violent campangue injuring every police officer and family member at the house. She then brings the girl back to the house. I wont tell you anymore. Watch it. ... Read more

Reviews (9)

Horribly brilliant ....
What can I say about this movie? You have to see it to believe it! After seeing it a couple of times you still will be asking yourself if this is the worst movie you have ever seen or is this a touch of genius, a masterpiece of bad taste. The storyline is horrible, the monster himself is absolutely ridiculous, the quality of acting in the picture is fantasticly poor...The jury is out: this movie is so bad it's brilliant!

Schlocktastic!
I had never seen this movie before I bought it on DVD. Being a big fan of both Landis and the wonderful Baker "monster maker", I just had to see this "schlock classic," and it does not disappoint! The movie itself is fairly entertaining with many movie references for the film buff and some genuinely insane moments: the title character, The Schlockthropolus, is great fun. The BEST feature of this disc, however, is the feature length commentary by John Landis and Rick Baker. For cult film fans this commentary is a must, providing fun insight and inspiration to future filmmakers and schlock fans everywhere. Great fun, the four stars are for the pure enjoyment of this DVD. A lost classic and another gem from Anchor Bay.

Schlock schucks!
This has undoubedly entered my memory as the absolute worst film of all time. The acting, the premise, the unfolding story etc, all make it incredibly dumb, idiotic and insipid. So much in fact, that I would actually recommend you to see it, just so you have an idea exactly how BAD a movie can be.... truly.

I would rather sit through a marathon of Pokemon than this schlock!

Nicely wrapped trash -can't live without it!
An impressive debut for then-21 John Landis, who wrote, produced, directed and even starred in the title role of a prehistoric gorilla, "Schlock" has grown in the years to cult classics. However, it was rather successful in the first place, winning a major prize in the Trieste SF film festival and earning good money for producer Jack Harris, who bought it from Landis at a very low price and went on to distribute it in theaters. Some 30 years later, "Schlock" finally gets DVD treatment with an extra-packed edition that features a feature-lenght commentary from director-star Landis and make up Rick Baker (who at the time had only made "The Octaman" but would later do the transformations in Landis' "An American Werewolf in London"), the original theatrical trailer, a bunch of TV commercials and even a few radio commercials. Although the film's no masterpiece, it is chock-full of funny bits and also features a surprising homage-parody to Landis' beloved "2001: A Space Odyssey". Be sure to check out celebrity cameos: in the movie theater scene you can spot Forrest J. Ackerman, but look out for makeup veteran John Chambers and directors Andrew Marton and Laszlo Benedek.

BALD STEVE COULD NOT BE MORE RIGHT.
This is a true masterpiece of its time. The importance of this film could not be measured by anything I could possibly say. It introduced us to monkey loving like we've never seen before. Simply put, my life has not been the same. Neither will yours. ... Read more

Description

A star-studded tribute (from the creators of That's Entertainment) to the contributions of Afro-Americans in film over the last century. Vanessa Williams traces the struggles and triumphs of the superstars of music and film.Among the many artists featured are: Whitney Houston, Ella Fitzgerald, Sammy Davis Jr., Diana Ross, Michael Jackson, Cab Calloway, Bill "Bojangles" Robinson, Ella Fitzgerald, and Little Richard, Also included are today's contemporary superstars: Snoop Dogg, Ice T, Quincy Jones, Spike Lee, Russell Simmons, and many, more! 80 minutes plus DVD bonus features. ... Read more

Reviews (1)

Way, Way Too Short!
The 3 stars are for the brevity of the disc itself. The content gets 5 stars. The problem we have here is that this should have been a 6 hour (at least) program instead of 80 minutes. Magnificent black artists are only touched upon and many, many are left out all together. The dvd has 6 chapters: THE DANCERS, THE DIVAS, MALE SINGERS, JAZZ & SWING, ROCK & SOUL and HIP HOP. So you have about 10 minutes on the history of black jazz and swing music...yeah, right! And think of the wealth of information disclosed when we are treated to 10 minutes on the history of rock and soul music. RIDICULOUS! It's like getting a smell of the bar-b-q and not being able to taste it. Don't get me wrong....what there is is fantastic. It's just that there is so little! It's so brief that it almost seems to cut off mid-sentance. The rich legacy of entertainment left to us by Sammy Davis Jr is wrapped up in about 2 minutes. The Nicholas Brothers get a little more time but still not nearly enough. It IS probably worth the money but don't expect more than an 80 minute overview of wonderful black entertainers who should have been given a helluva lot more time out of respect for their magnificent efforts. This doesn't apply to the boring Rap & Hip Hop segment. That's all mouth and attitude...not entertainment, and self-confessed players and hustlers of limited talent like Ice T (see "Pimps Up, Ho's Down) should have stayed at home. ... Read more

Amazon.com

The explosion of gruesome horror cinema in the wake of George Romero's Night of the Living Dead is explored in this serious documentary, which has a welcome respect for an easily derided genre. A few academics make piquant observations (no film critics, although Robin Wood pioneered this line of thinking years ago), but mostly we hear from the filmmakers themselves:Romero, John Carpenter (on Halloween), Wes Craven (Last House on the Left), Tobe Hooper (The Texas Chainsaw Massacre), and David Cronenberg (Shivers). The directors focus on those films, not their entire careers, which limits the scope of the movie. Juxtapositioning newsreel horrors with movie scenes introduces provocative ideas about where horror comes from, but also feels a little facile. Unexpected bonus:the enthusiasm of John Landis, in describing the out-of-kilter experience of watching these affronts to good taste, and suggesting why they thrill as well as scare us. --Robert Horton ... Read more

Reviews (1)

the best doc on horror movies, ever!
a beautiful documentary that treats these horror films with the respect they deserve" dawn of the dead, shivers, halloween, last house on the left, texas chainsaw massacre.

it combines interviews with the directors, tom savini, and several film scholars; as they all describe how the films were actual unconscious reflections of the times. combined with the beautiful music of "godspeed you black emperor," this film gives overdue creedence and social justification to these films.

and, i have to say, the ending of shot of the leatherface dance, combined with music from "godspeed" is one of the most beautiful pieces of film i've ever seen! ... Read more

Reviews (2)

great
just one of the best dvds i have ever seen

Strange movie
Dan (Greg Harrison)gets kicked off the force for brutality, he's also suicidal and he wants to beat women during sex just like his father did with his mother. When he goes back to his home town he starts working at his deceased father's garage and falls in love again with his high school sweetheart Brenda, but he's afraid of intimacy with her because he will no doubt beat her so when Dr. Claire Archer comes into the picture as a radio host he turns to her for help and she decides to give it to him. She lets him reveal all of his desires and whilst in the process of trying to cure him she gets obsessed with him, which later on turn out to be Dan's downfall when he tries to back out on her. Doctor/patient relationship oversteps boundaries, nudity is limited yes Greg flaunts his naked butt in this a few times, but the ending was bad even though the plot started off good. I don't intend to see the other sequels to this movie no thank you! ... Read more

Amazon.com

In an effort to bond with his son, Lance (Dan Aykroyd) agrees to helphis father, Harry (Kirk Douglas), a former boxer now hampered by a stroke (as Douglas is in real life), hunt down some diamonds he was given by a crooked boxing promoter but had to hide for reasons that don't exactly make sense. The three generations drive to Reno in a convertible (driving with the top down in winter, for some reason), where they win at gambling and decide to blow the money at a nearby whorehouse, where Lauren Bacall is the madam and Jenny McCarthy is one of the "girls." Lessons are learned, honor is regained. Every clichéd scene of Diamonds is written and played in such broad strokes (er, so to speak) that it's impossible to really connect with the characters; they don't have enough substance that you can grasp them as people. It's particularly difficult to watch Kirk Douglas--an actor who's spent his life playing thorny, galvanizing characters--being mined for cheap, easy sentiment. Get one of his older movies instead; get Paths of Glory or Out of the Past or Gunfight at the O.K. Corral or Spartacus or even 20,000 Leagues Under the Sea, any one of which is a thousand times the movie Diamonds is. --Bret Fetzer ... Read more

Reviews (7)

"A Family Project!"....
This review refers to the DVD edition(Miramax) of "Diamonds"...

Thoroughly entertaining, more then a bit sentimental, and highly enjoyable, "Diamonds" is a gem of a film. It's a charming comedy that will have you smiling from beginning to end. Kirk Douglas, Dan Aykroyd, and Corbin Allred are three generations of the Agensky men who take you on an adventure you won't soon forget.

Lance(Aykroyd) and the teenage Michael(Allred) are a father and son who's relationship is in dire need of some help.They are spending sometime together before Lance's ex remarries and Michael will move away with the newlyweds. They are en-route to visit Harry(Douglas), father of Lance, and their relationship is also in need of some major mending. Harry in his younger days, was "The Polish Prince" a welter-weight boxing world champion, but alas, has of recent lost his loving wife, and has had a stroke, and only has his memories to make him feel like the man he once was.

For years, Harry has been retelling the family stories of his younger days, and one story especially, of some hidden "magic diamonds" is one he can't let go of. Although thought to be one of Harry's pipe-dreams, Lance and Michael are convinced to take a little adventure with grandpa to search for this long lost treasure.

It's a joyous, funny, and sentimental ride with these three men who start out just trying to like each other, but somewhere between Canada and Reno discover how important they each are to the others. Oh and along the way..there's more bonding of another kind...ahem... they make a little pit stop at, as Harry puts it, a "Chicken Ranch". And what a treat not only for the boys, but for the audience as well, as the wonderful Lauren Bacall is "Sin-Dee", the Madam of the brothel and dubs their little adventure "a family project". Then there's the always fun and delightful Jenny McCarthy, who will be giving Michael his first experience of "life".

Aykroyd is wonderful as the son and father trying to bring the three generations together. Allred is charming as the younger Agensky trying his best to annoy his Dad. Bacall..well, she's always a welcome treat and will steal your heart away once more.
Kirk Douglas will move you to no end. His real life stroke does not keep him from being the great star that he is and playing a stroke victim, shows us that life is wonderful and you've got to move ahead no matter what the circumstances. He plays the part with great humor, courage and is not only very inspiring but will charm the socks off of you as well.

The film has some great music that you might not be able to get out of your head for a while. Footage from Douglas's great boxing movie "Champion" is cleverly incorporated and shown as flashbacks to his younger days. The DVD is a good buy. It's a beautiful widescreen picture with vibrant colors from the beautiful scenery of the road trip to the flashing lights of Reno. The surround sound in 5.1 is excellent. There are cast and crew bios,and an entertaining featurette "The Life and Times of Kirk Douglas" included. It may be viewed in French and has English captioning. I found going through the set-up menu a little slow, but absolutley worth the wait.

This film is heart warming, funny, inspirational and better than a month of therapy!

Enjoy....Laurie

Touching story about a father ,his son, & his son's son
This movie is about a old boxer played by Kirk Douglas(Oscar,Greedy), and his son Dan Aykroyd(Blues Brothers 2000,Ghostbusters). The old boxer father wants to give his sons some diamonds. They end up on a road trip from Canada to Reno,Nevada. The grandpa takes along Aykroyd's son on the road trip .Upon arriving they go to a brothel run by Lauren Becall)The Mirror Has Two Faces). All of the men each have a girlin the brothel For fans of Dan Aykroyd he is shirtless several time he displaying his hairy chest and flabby stomach(should'nt he go on diet? ) Then the party leaves after Lauren Becall tells Kirk Douglas who and where the diamonds are. They get the diamonds and go back home.The other brother played by Kurt Fuller is mad about taking the dad on unauthorized trip! it has a happy ending and it was a touching drama about family relationships and togetherness. This movie is rated PG-13 for nudity, swearing and sexual jokes.I do not why this movie did make it to the mainstream theaers.It's was made by Miramax(a divison of the Walt Disney Studios and owned by them!) . I know many people will overlook this movie but at least we can see Kirk Douglas act after his stroke!Jenny McCarthy(Scream3) also co-stars in this movie too!

On the plus side, the DVD is closed captioned,has bios about the star etc,scene choices and docementary about Kirk Douglas!On the bad side to the DVD there is now two or pan/scan or widescreen option like "Reindeer Games"(another Disney movie) and no trailers for the movie or about the movie!I liked it and I did not even see it on the big screen! Fans of Kirk Douglas,Lauren Becall and Dan Aykroyd will be happy with this movie!

JENNY McCARTHY IS A DIAMOND OF HER OWN
THIS MOVIE HAD EVERYTHING LAUGHS,TE