Description

"Weird Al" Yankovic, Kevin McCarthy (Innerspace), Michael Richards ("Seinfeld"), David Bowie (The Cable Guy), Victoria Jackson ("Saturday Night Live") and Fran Drescher ("The Nanny") star in this inspired comedy about an offbeat guy who turns a deadbeat TV station into a raging success! Broadcasting Weird Al's uniquely strange brand of humor, UHF's Channel 62 is a place you'll want to visit...with increasing frequency!George Newman (Weird Al) is a daydreamer whose hyperactive imagination keeps him from holding a steady job...until his uncle hires him as manager of Channel 62, a TV station that's losing money and viewers fast. But when George replaces the station's reruns with bizarre programs like "Wheel of Fish," "The Wonderful World Of Phlegm" and "Raul's Wild Kingdom" (where poodles fly from third-story windows), ratings begin to soar! But as the ratings rise, so does the wrath of TV mogul R.J. Fletcher (McCarthy), who wants to turn the station into a parking lot. Can George find the money he needs to stay on the air? Stay tuned! ... Read more

Reviews (283)

"Complainers? We don't need no stinkin' complainers!"
How can you resist a movie where they throw poodles out of windows, let kids drink from fire hoses, where Conan hacks people apart because some people turned a book in late? The movie does have its slow parts, but the spoofs and skits are absolutely hilarious. I won't tell you all of them because then you won't go and rent or buy this great movie. This movie is really good if you are a Weird Al fan, like REALLY off-the-wall humor, parodies, something that can make you laugh. Some people hate this movie, but I think it's because they're trying to see it as a movie. UHF is not really trying to be a movie, it's trying to be more of a collage of parodies. Anyway, see it for yourself. There's no telling how many stomach muscles you'll burst watching this hilarious film.

OK?? What's the point?
~80's music and movies always scare me but this movie has a SMALL exception. This movie is about when George Newman, a teenager with no job, ("Weird Al" Yankovic) gets permission from his uncle Harvey (Stanley Brock) to run a television station with his friend Bob (David Bowe), the really weird janitor Stanley Spadowski (Michael Richards), the television reporter wannabe Pamela Finkelstein (Fran Drescher), and a laboratory scientist from another planet named Phllo (Anthony Geary) while trying to avoid another television company owner (Kevin McCarthy) from taking over his company U-62, and turning it in to a parking lot . This movie is what I like to call a "slapstick movie" which is a move with nothing but mere jokes and gags. Many of the zany programs on the station that George runs are called "Wheel of Fish" (A cross between "Lets Make a Deal" and "Wheel of Fortune"), Raul's Wild Kingdom", "Stanley Spadowski's Clubhouse", "Fun with Dirt", "Ghandi II" and "Strip Solitare". A lot of these things just don't make sense! This movie is rated PG-13 and has Language, Adult Content, and Rude Remarks. It's kind of weird but kind of funny in an odd kind of way. Raul's Wild Kingdom was hillarious when Raul (Cliff Stephens) shakes up an ant farm and says "OHHH! They're really mad now!" and when he throws a poodle out of a three-story window because he thinks he can teach it to fly. Ghandi II was also quite funny along with "Conan the Librarian" and "Spatula City". This movie is overall in my opinion, ALRIGHT but next time MGM/UA makes a movie, don't put Weird Al in it!~

Cult Classic
If you are a fan of Weird Al's parodies, this is the DVD for you. I know some people don't get it (a.k.a: Roger Ebert and some other critics). Yeah, the plot is a tad weak, but the main focus of this project was to give Al an outlet into doing parodies of movies and TV. There are many priceless gags in the movie ("Raul's Wild Kingdom" and "Ghandi II" come to mind). There is also a fabulous performance by Michael Richards (a.k.a.: Kramer from "Seinfeld") as the station's janitor turned TV star. There are also appearances by Victoria Jackson (SNL) and Fran Drescher (The Nanny).
The audio commentary is fantastic. You get to hear about what inspired some of the scenes and also what was not included in the movie. You also get to find out why the DVD wasn't released until June 4, 2002! There are deleted scenes on the DVD in the bonus material including a fantastic one of Michael Richards ad-libbing an entire scene!

weird al
if you liked weird als music,youll like this movie.its very silly but loads of fun.the kids will like it.if you are worried about how cool you are all the time and cant relax then dont watch this because its a movie for people who likewhat they want.individuals and dreamers.the bad guy is this old man from a tv station who is als rival when he has to run a tv station.this movie is very very funny.the bad guy is a real pain in the ass.its definately worth watching!

THE BEST of random humor!
I think this has to be one of the funniest movies i have seen in my life! just all the random shows in between the plot of the movie just make it like a family guy/futurama show mixed in with a healthy dose of random al. ... Read more

Reviews (8)

He Was Her Man
A simple movie that can be enjoyed by all ages. (Which is rare today) The songs and great looks of Elvis make this one enjoyable.

Change of pace in time for Elvis!
"Frankie and Johnny" is based on the old song about two lovers where Johnny is on a losing streak and decides he can change his luck with Nellie Bly. A jealous Frankie shoots her man because "he was doin' her wrong". This movie is sort of based on the song. Everything is true except the shooting part in the end, but it comes very close to actually happening. "Frankie and Johnny" is quite enjoyable no matter how "obscure" you people might find it. It's a real top-notch and every Elvis fan must see it. By the way, we need more reviews on Elvis' movies and music please.

Frankie and Johnny
Elvis appeared in this lighthearted musical based on the folk song, "Frankie and Johnny". In the original song, the title characters are lovers whose romance goes awry when red-headed Nellie Bly steals Johnny away from Frankie. Frankie gets revenge by shooting Johnny dead. The movie lightens the tone of the tale by adding a few details and changing the downbeat ending. In the film, the song has been especially written for riverboat performers Frankie and Johnny, played by Donna Douglas (The Beverly Hillbillies) and Elvis Presley. Johnny is a gambler whose bad luck changes when dancer Nellie Bly, played by Nancy Kovak, joins the troupe aboard the riverboat. Each night, the three perform the number "Frankie and Johnny" onstage. As Johnny's interest in Nellie increases, so does Frankie's jealousy. One night, someone loads real bullets into Frankie's prop gun, and Johnny is shot during the performance. As luck would have it, Johnny is saved by a charm that he wears around his neck.

The film did benefit from the juicy secondary roles played by a seasoned cast of character actors which keep the film from being any less interesting. Harry Morgan, who later gained recognition on the TV series M*A*S*H played Cully the piano player. Robert Strauss, the burly villain in many crime dramas, played Blackie, the boss's stooge and Sue Ane Langdon portrayed Mitzi, the girl who is always edged out in the romance department.

Produced for United Artists by Edward Small. Released March 31, 1966. Color.

Boy what's wrong with you people?
Like other Elvis Presley movies, he gets into fights. But he seems to have lost his luck in most of the 60's then he had starting in the mid to late 50's. As the movie opens, Johnny (Elvis Presley) is a riverboat singer and gambler nad his sining partner named Frankie (Douglas) won't marry him until he gives up gambling. So Johnny decides to end his losing gambling ways by getting help from a fortune teller. She tells him to get a lucky red head. And Johnny does find one in a redhead (Nancy Kovack).

Typical mid-60s Elvis musical
FRANKIE AND JOHNNY is better than the previous two films (TICKLE ME and HARUM SCARUM), but that doesn't mean that it succeeds on all levels.

Elvis looks quite comfortable in the costumes he wears in this picture, but the lousy dialogue and dumb plotline are anything but brilliant.

The songs are okay, but nothing outstanding. Only "Please Don't Stop Loving Me" could succeed on it's own.

It's not as bad as some of the other Elvis pictures of the era, but it's not an essential addition to anyone's collection. ... Read more

Reviews (11)

ROUSTABOUT--ELVIS' MOST ENTERTAINING FILM
Since "Roustabout" debuted in 1965, I've become an expert on it. The cast includes a screen legend as well as recognizable supporting actors. Besides Barbara Stanwyck, there is Pat Buttrum, Sue Ann Langdon, and Norman Grabowski as the cement-headed college student who tries to muss Elvis's hair. Joan Freeman is Elvis' romantic interest. She later co-starred with Don Knotts in "The Reluctant Astronaut". Imagine kissing Elvis in one movie and Don Knotts another. Well, I guess that's why they call it "acting". As for the story, it revolves around Elvis as a temporary carnival worker while aiming for the BIG time. There is a fistfight with Elvis nemesis Steve Brodie, Elvis riding his "bike", Elvis as the saviour of the carnival, and Elvis with a new girlfriend. What more could you ask for? If you can think for yourself, and not be content with "Blue Hawaii" as your favorite, then check out "Roustabout". It's more fun than a circus, "cheap at half the price" AND, you won't have to "bite any heads off chickens".

Can you believe it? A leather-clad drifting biker!
"Roustabout" has Elvis playing a karate-chopping, drifting motorcyclist who is picked up after an accident involving him being knocked off his bike by local carnival foreman Leif Erikson, with his daughter Joan Freeman and owner Barbara Stanwyck. After his bike and guitar are damaged, he is hired by Stanwyck to work as a roustabout in her carnival. Elvis, of course, soon falls for Joan Freeman who is a little reluctant at first. Over time the carnival becomes the local night spot around as Elvis attracts people for singing along the midway. In come the teenagers and crowds in droves. Rival carnivla owner Pat Buttram asks if Elvis is interested in joining his big carnival. He refuses. After some confrontation involving a stolen wallet Erikson is convicted of and Joan Freeman's unhappiness with Elvis, he quits Stanwyck's outfit. Then it's off to the Carver show. Elvis is a hit. Back at the other carnival, business is failing and troubles with the bank build. Joan Freeman tries to bring him back, but to no avail at first. Later Elvis decides to go back, pay off the debt, win Joan Freeman, and make the carnival a swinging place again. Quintessential!

Wheels On Your Heels!
I won't bore you with a plot synopsis or my opinion of the borderline interesting story - this movie IS WORTH SEEING for one jaw-dropping sequence: For the rockingest song in the movie, "Wheels On My Heels", Elvis is driving his own motorcycle on a real location road and lip-syncing at the same time - without a helmet! This is not some lame rear projection process and most of the time the entire bike is shown, so it's not being towed - I just found it amazing, no kidding. I mean, what if he lost his concentration...boom! Brain damage.
Oh and Leif Erickson will make you really uncomfortable in this movie - what a loser slime.

Roustabout
Elvis plays opposite Barbara Stanwyke (The Big Valley) this time out and is in awe of his co-star. It is reported he worked hard on this film to live up to Ms. Stanwyke's professional standards.
Unfortunately, the scriptwriters were less demanding of themselves, and the film suffers from banal dialogue and predictable plotting. Elvis stars as Charlie Rogers, a drifter with a chip on his shoulder who lands a job as a roustabout (handyman) with a down-and-out carnival operated by strong-willed Maggie Morgan, played by Stanwyke. When Charlie breaks into song on the midway one day, throngs of young people flock to hear him sing (which may be believable were they all penned by Lieber & Stoller). As news of his talent spreads, Maggie's carnival begins to turn a tidy profit. Charlie's good fortune continues as Cathy, a young and pretty carnival worker played by Joan Freeman, takes a romantic interest in him. However, after a misunderstanding involving a customer's missing wallet, Maggie and Cathy chide Charlie for his selfish attitudes. The embittered young Charlie quits Maggie's outfit to work for a rival carnival. When Maggie's carnival starts to go under, Charlie returns with enough money to ward off the creditors. His unselfish act wins Maggie's respect as well as Cathy's heart.

With a cast of big-name stars, including Barbara Stanwyke, Leif Erickson, and Jack Albertson, Roustabout was one of Elvis's better films from this period.

Elvis would later says that working with Stanwyke made him a better actor.

Starring Elvis and his amazing man-eating leather belt
Pleasant enough Elvis time-killer with a cotton candy soundtrack, pairing him with Hollywood veterans who should have known better. The story:

Elvis plays Charlie Rogers, a brooding loner (you can tell by his semi-comatose expression) eking out a living doing a bad impression of, well, himself at a dive called Mother's Tea House. (Look fast for Raquel Welch at one of the tables.) One night, he unwisely taunts some middle-aged college boys with a witty ditty called "Poison Ivy League," gets in a fight, loses his job and sputters off on his dinky motorbike. Happening upon a jeep, Charlie is run off the road by short-fused carny Joe Lean (Leif Erickson) for flirting with his virginal daughter Cathy (Joan Freeman, who, tellingly, later became a nun). Unhurt, Charlie signs on as a roustabout in their two-bit carnival, run by Barbara Stanwyck as Maggie Morgan, a woman of backbone and bite (sorry, wrong show), until his bike can be repaired. Maggie recognizes Charlie's teen appeal after his impromptu performance of "It's Carnival Time" causes a sensation on the midway. Soon Charlie is packin' 'em in, and the carnival begins to turn a profit. On top of the world, Charlie steps up his romancing of Cathy while fending off the advances of an amorous fortune teller (the usually fetching Sue Ane Langdon in a hideous black wig) until a fracas with a boorish customer causes him to get ants in his pants again. His cycle fixed, Charlie dons his outrageously tacky, must-be-compensating-for-something, foot-wide studded-leather belt and accepts the generous offer of the owner (Pat Buttram, the immortal flimflam man Mr. Haney from TV's "Green Acres") of a big-time rival carnival. In the flick's most excruciating sequence, Charlie sings "Little Egypt" to a bevy of skanky exotic dancers (one of whom might be Teri Garr). Meanwhile, with Charlie no longer there to pull in the crowds, Maggie's carnival is about to go belly up, and it's up to Cathy to lure him back. She does, of course. Charlie collects his loot from Mr. Haney and returns to Maggie's show just in time to pay off her creditors. Suddenly everybody loves Charlie, his macho belt and his money, even Joe, who forgets all about protecting his daughter's chastity and his former habit of beating the stuffing out of Charlie for no good reason. Roll credits. Please. ... Read more

Description

Kevin, the new guy, has only one friend, Lucy, and is tormented on a daily basis by resident bullies at Ralph Waldo Emerson High. One day the bullies force Kevin to drink a bright green, disgusting tasting liquid. Little do the bullies know but the drink has given Kevin amazing powers and they are all about to have an unforgettable semester! Sequel to the hit movie Zapped!Starring Scott Baio and Willie Aames ... Read more

Reviews (4)

The First Zapped Movie was so Much Better!
I saw Zapped on HBO or Showtime and I enjoyed it and thought it was better than the critics said it was. I had Zapped on video and I'm hoping it comes out on DVD and I would buy it but not Zapped Again. I caught the sequel on cable, I think it was on the USA network or TNT and sorry but I just didn't like it and couldn't get into it and was bored and I had a hard time sitting still and not fidgeting while waiting for the movie to end. It lacks the charm and humor of the Willie Aames and Scott Baio movie and I would rather watch that movie and also the movies Clueless and Buffy the Vampire Slayer. Only watch this sequel if you are a fan of any of the actors in Zapped Again because if you are a fan of Zapped and fans of Willie Aames and Scott Baio you will will probably be really disappointed with this sequel.

Best 90's Teen Movie!!!!!!!!!!
I do not care what any says or thinks. Zapped Again! is the best teen movie of the 90's! Along w/ Don't Tell Mom The Babysitter's Dead, Buffy The Vampire Slayer, Mallrats, & Clueless. Those all the better than She's All That & all those other BS teen movies made five years ago. Anyways, I loved the whole & especially when Todd Eric Andrews followed Scott Baio's path. There is also an awesome music video at the end as well. If you grew up in this era like me or just love awesome movies. Than this is the best teen movie to see w/ your friends. Its totally 90s!!!!!!!!!!

Stinkaroo!
I loved the first Zapped movie starring Scott Baio and Willie Aames, it was really a cute movie so when I was visiting someone and Zapped Again came on the TV we watched it and were disappointed in how awful this sequel was, it just doesn't have the appeal of the first movie and it is a real stinkaroo! I DON'T recommend this movie!

This Zapped! lacked bite
This movie made the first one seemed a campy classic. Well, the first one deserved to be a campy classic. "Zapped Again" the sequel is none of the above.

Took place perhaps several years after the first one, Todd Eric Andrews played another nerd who discovered Scott Baio's stash of telekinetic prune juice in a secret compartment in the wall of his former lab. Meanwhile he is trying to start a science club while being harrassed by the jocks.

With a cameo appearance by Linda Blair, the classic clothes ripping finale of the first movie was mentioned in passing. So does this movie ended with a high note as the first?

No, not exactly. But let's say that in this movie, high school girls started wearing bras for a change and that guys can't no longer stuff their supposedly LONG tuxedo shirts into their skimpy underwear. Which means....the ending is a yawner.

And so is this movie. It fail to live up to the first one.....which shouldn't be too difficult to begin with. ... Read more

Reviews (11)

ROUSTABOUT--ELVIS' MOST ENTERTAINING FILM
Since "Roustabout" debuted in 1965, I've become an expert on it. The cast includes a screen legend as well as recognizable supporting actors. Besides Barbara Stanwyck, there is Pat Buttrum, Sue Ann Langdon, and Norman Grabowski as the cement-headed college student who tries to muss Elvis's hair. Joan Freeman is Elvis' romantic interest. She later co-starred with Don Knotts in "The Reluctant Astronaut". Imagine kissing Elvis in one movie and Don Knotts another. Well, I guess that's why they call it "acting". As for the story, it revolves around Elvis as a temporary carnival worker while aiming for the BIG time. There is a fistfight with Elvis nemesis Steve Brodie, Elvis riding his "bike", Elvis as the saviour of the carnival, and Elvis with a new girlfriend. What more could you ask for? If you can think for yourself, and not be content with "Blue Hawaii" as your favorite, then check out "Roustabout". It's more fun than a circus, "cheap at half the price" AND, you won't have to "bite any heads off chickens".

Can you believe it? A leather-clad drifting biker!
"Roustabout" has Elvis playing a karate-chopping, drifting motorcyclist who is picked up after an accident involving him being knocked off his bike by local carnival foreman Leif Erikson, with his daughter Joan Freeman and owner Barbara Stanwyck. After his bike and guitar are damaged, he is hired by Stanwyck to work as a roustabout in her carnival. Elvis, of course, soon falls for Joan Freeman who is a little reluctant at first. Over time the carnival becomes the local night spot around as Elvis attracts people for singing along the midway. In come the teenagers and crowds in droves. Rival carnivla owner Pat Buttram asks if Elvis is interested in joining his big carnival. He refuses. After some confrontation involving a stolen wallet Erikson is convicted of and Joan Freeman's unhappiness with Elvis, he quits Stanwyck's outfit. Then it's off to the Carver show. Elvis is a hit. Back at the other carnival, business is failing and troubles with the bank build. Joan Freeman tries to bring him back, but to no avail at first. Later Elvis decides to go back, pay off the debt, win Joan Freeman, and make the carnival a swinging place again. Quintessential!

Wheels On Your Heels!
I won't bore you with a plot synopsis or my opinion of the borderline interesting story - this movie IS WORTH SEEING for one jaw-dropping sequence: For the rockingest song in the movie, "Wheels On My Heels", Elvis is driving his own motorcycle on a real location road and lip-syncing at the same time - without a helmet! This is not some lame rear projection process and most of the time the entire bike is shown, so it's not being towed - I just found it amazing, no kidding. I mean, what if he lost his concentration...boom! Brain damage.
Oh and Leif Erickson will make you really uncomfortable in this movie - what a loser slime.

Roustabout
Elvis plays opposite Barbara Stanwyke (The Big Valley) this time out and is in awe of his co-star. It is reported he worked hard on this film to live up to Ms. Stanwyke's professional standards.
Unfortunately, the scriptwriters were less demanding of themselves, and the film suffers from banal dialogue and predictable plotting. Elvis stars as Charlie Rogers, a drifter with a chip on his shoulder who lands a job as a roustabout (handyman) with a down-and-out carnival operated by strong-willed Maggie Morgan, played by Stanwyke. When Charlie breaks into song on the midway one day, throngs of young people flock to hear him sing (which may be believable were they all penned by Lieber & Stoller). As news of his talent spreads, Maggie's carnival begins to turn a tidy profit. Charlie's good fortune continues as Cathy, a young and pretty carnival worker played by Joan Freeman, takes a romantic interest in him. However, after a misunderstanding involving a customer's missing wallet, Maggie and Cathy chide Charlie for his selfish attitudes. The embittered young Charlie quits Maggie's outfit to work for a rival carnival. When Maggie's carnival starts to go under, Charlie returns with enough money to ward off the creditors. His unselfish act wins Maggie's respect as well as Cathy's heart.

With a cast of big-name stars, including Barbara Stanwyke, Leif Erickson, and Jack Albertson, Roustabout was one of Elvis's better films from this period.

Elvis would later says that working with Stanwyke made him a better actor.

Starring Elvis and his amazing man-eating leather belt
Pleasant enough Elvis time-killer with a cotton candy soundtrack, pairing him with Hollywood veterans who should have known better. The story:

Elvis plays Charlie Rogers, a brooding loner (you can tell by his semi-comatose expression) eking out a living doing a bad impression of, well, himself at a dive called Mother's Tea House. (Look fast for Raquel Welch at one of the tables.) One night, he unwisely taunts some middle-aged college boys with a witty ditty called "Poison Ivy League," gets in a fight, loses his job and sputters off on his dinky motorbike. Happening upon a jeep, Charlie is run off the road by short-fused carny Joe Lean (Leif Erickson) for flirting with his virginal daughter Cathy (Joan Freeman, who, tellingly, later became a nun). Unhurt, Charlie signs on as a roustabout in their two-bit carnival, run by Barbara Stanwyck as Maggie Morgan, a woman of backbone and bite (sorry, wrong show), until his bike can be repaired. Maggie recognizes Charlie's teen appeal after his impromptu performance of "It's Carnival Time" causes a sensation on the midway. Soon Charlie is packin' 'em in, and the carnival begins to turn a profit. On top of the world, Charlie steps up his romancing of Cathy while fending off the advances of an amorous fortune teller (the usually fetching Sue Ane Langdon in a hideous black wig) until a fracas with a boorish customer causes him to get ants in his pants again. His cycle fixed, Charlie dons his outrageously tacky, must-be-compensating-for-something, foot-wide studded-leather belt and accepts the generous offer of the owner (Pat Buttram, the immortal flimflam man Mr. Haney from TV's "Green Acres") of a big-time rival carnival. In the flick's most excruciating sequence, Charlie sings "Little Egypt" to a bevy of skanky exotic dancers (one of whom might be Teri Garr). Meanwhile, with Charlie no longer there to pull in the crowds, Maggie's carnival is about to go belly up, and it's up to Cathy to lure him back. She does, of course. Charlie collects his loot from Mr. Haney and returns to Maggie's show just in time to pay off her creditors. Suddenly everybody loves Charlie, his macho belt and his money, even Joe, who forgets all about protecting his daughter's chastity and his former habit of beating the stuffing out of Charlie for no good reason. Roll credits. Please. ... Read more