Reviews (30)

A very silly but lovely 1950s soap opera
There are some wonderful reasons to add the newly released-on-DVD "The Best of Everything" to your film library. For one, it is a glittering and colorful glimpse into New York City circa 1959. Fox certainly has done a commendable job with the DVD--the picture quality and sound are both crystal clear. Cinemascope has rarely been this fun to watch, because now one can see it digitally mastered in widescreen with vivid color photography by Deluxe brought to sparkling life.

The film is very, very lush. From the beginning, when the screen fills with a sunny view of the Manhattan skyline to the sounds of Johnny Mathis crooning the Oscar-nominated theme song, you know you are in for grand entertainment. All of the performances are fine, with Crawford a standout.

I think it's funny that although Joan Crawford only has five to ten minutes of screen time in "The Best of Everything," her picture is featured very prominently on the back and front covers of the DVD. The casual watcher may never know that the ultimate movie star had a only a supporting role, yet with that tiny role she managed to steal the entire picture and make it her own!That's star power!

As enjoyable as the film is, it is incredibly flawed. If one was interested in sexist attitudes (concerning men AND women) and how they have changed since the 1950s, there couldn't be a more relevant movie to watch. It is shocking, and sometimes disturbing, how much attitudes have changed.

For example, at one point during the movie, Catherine (played by lovely Hope Lange) is told by David, one of her romantic interests, that once she has proven to herself she can make it in the publishing world (which, in his view, could be the only reason a woman might have some kind of ambition) she should quit it all, get married, and "love happily ever after." Now there is nothing wrong with wanting to be in love happily ever after, but it certainly represents a double-standard. Who would ever tell a man such a thing?Could you imagine Hope Lange telling David that a man's ambition is only him trying to prove himself, and that he should cut it out and love happily ever after? (now I can imagine Joan Crawford saying that to Clark Gable, but there weren't any characters with that kind of will or independence in this film).

So much of the dialogue and morality in the film is dated, and some of it is very disturbing, but there are still some good things about the story. There are some great viewpoints on love, and how casual dating and hookups can hurt people, and my favorite line has to be, "Here's to men, with their clean-shaven faces and their dirty little minds." It's funny to say the least!

OH, YES... TAKE ME BACK TO '59
Yes, please take me back to 1959, to New York in 1959, or even back to Rio de Janeiro, a couple of years before, where I met Rona Jaffe practically every single night at the then world-famous "Sacha's" nightclub, where Rona was already drafting her novel mentally...
When the film started shooting the exteriors in front of the Seagram's building, one could actually walk-up to lovely Suzy Parker and chat with her about how real was the "new morality" of the liberated New York girls in the executive suites, decades before Sex and the City became the post-mortem of the sexual revolution of the Sixties.
At night we had the many parties thrown by Negulesco and his charming wife, while Stephen Boyd was being charming to my wife, Brazilian actress Mariza Woodward, featured in LIFE Magazine as one of the most beautiful gals in Rio.
Oh, yes, take me back!
And if you were not there then, if you were not even born then, do get this DVD and visit New York 1959 and see how charmingly it all started, despite where it eventually ended.

Good Peek into Women in Publishing in 1959
"The Best of Everything" is based on the novel by Rona Jaffe and it's popular fiction roots show.With a wonderful splashy opening song by Johnny Mathis and the sight of young, pretty Hope Lange as Caroline Bender answering an ad (hilariously promising "the best of everything" in a secretarial career) at a posh Manhattan publishing house, the film revolves around three young women seeking their fortunes in the Big Apple. The three central characters (all of whom start in the typing pool at Fabian's Publishing and come to share a cold water flat) include Lange as impeccably and jauntily suited Caroline (she really does wear a suit well), the woman with the most smarts and dignity of the three, who quickly demonstrates a natural aptitude and moxie for the publishing business; impossibly gorgeous Suzy Parker as aspiring actress Gregg Adams (Parker, a top model of the time, seems way too glamorous, sophisticated and beautiful to be lost in the typing pool or ignored by casting agents); and Diane Baker as chirpy, annoying, naive April Morrison, fresh from Hicksville and willing to swallow any hook or line that is thrown her way.Her main goal is to marry.

The usual soap opera commences, but it's fun stuff with lots of dish and dirt.Although the attitudes towards women remind women of why the feminist movement began (sexual harassment tolerated by the resident lecher, Mr. Shalimar, played with alcoholic panache and humor by Brian Aherne; all women with careers looked on as "hard" and having missed the boat in romance; double standard between men and women), honey, anyone who has seen the inside of a secretarial pool today can tell you things haven't changed terribly much beyond --cosmetically--the sexual attitudes. The secretaries storming the Bastille in the morning, brimming with gossip and tales of engagements, are much the same today, and Joan Crawford is believable as the tough editor Amanda Farrow who gives her "girl" a hard time -- with the exception of some of her unintentionally hilarious lines.(When Farrow retires to pursue a love affair, hoping it's not "too late," she later returns and announces, "It was too late.")And what man today would hand his girl socks to darn with she so cheerfully happy to comply?

But it's all fun!My favorite line:when the busload of employees are en route to the company picnic, singing, and Baker chirps to Lange, "Isn't it wonderful?" and Lange says, "I'd rather be shot in the head."

Great Slice of Nostalgia, but NOT campy!!!
After reading the reviews posted here, I ordered "The Best of Everything" with eager anticipation as so many reviewers mentioned the archaic dialogue, gorgeous scenery, and retro sets and costumes.The biggest influenece on my buying this however, was the constant comparison to my all-time favorite movie, "Valley of the Dolls".If you purchase this looking for the same campy, kitschy experience you get from VOTD, you will, like me, be very disappointed.This movie was indeed charming and a great look back at how it used to be, but not a camp delight by any means.Just don't expect something else like I did!

A Manhattan Melodrama Meets a Valley of Dolls
I am still trying to figure out why I like this film (and so many like it), when in truth, the submissiveness of females and their dependence on the love of a man really sicken me.The depiction of women in this film is perhaps a bit more progressive than that in other films of this genre, as the women are, at least, "career women", and much of the story is set in the office, of a large publishing firm, Fabian Publishing.However, among the three key friends and principal characters (played by Hope Lange, Suzy Parker, and Diane Baker), Lange's character Caroline Bender is the only one determined to be an editor.However, at the same time, when her colleague Mike Rice (Stephen Boyd) asks her if she has any ambitions beyond working a year or so, she quite adamantly says "no..none at all"...so, it's a bit contradictory, and frustrating. And he, of course, says it's "wonderful" when she agrees with him that it would be quite satisfying for her to "get her feet wet in publishing for a year or two to prove what she has "to prove", marry a doctor or lawyer, and have babies".UGH!!!But, it's 1959, so, you have to keep it in perspective.

Some of the dialog is beyond hope, but I inexplicably continue to watch this film, every so often.Maybe it's the women's clothing...I love suits, and I miss dressing up for work.(Business casual has been one of several downfalls of today's workplace, as far as I'm concerned). No, but really...perhaps it is because I want to see if at least one of these women wakes up and takes stock in her own life, and throws back all of the garbage that her "sweetheart" dishes out at her.Hope Lange does so to a degree when she rhetorically asks her slime-bucket hometown beau Eddie, in paraphrase, "what is it about men that they think they deserve the most refined, cultured, "respectable" women from the "best schools and the best families" only "part-time", for only fun, but ignore all of the attendant responsibilities that would turn frolic into long-term, serious relationships."She then goes on to say that a number of women will play the same game as men, for a while, but eventually, they'll have to pick up a few extra men of their own, to fill in the time when they're not with the one they really want.I at least admire her honesty about the pitfalls and emptiness of "casual dating" and "hooking up".

The opening credits are very nice...Manhattan in the spring/summertime is always glorious.Though I need to laugh that it's Johnny Mathis singing the title song, "The Best of Everything" (I've always thought that he was a very funny singer...he often breaks what should be long-held notes with silence...perhaps he's breathing, but we don't hear him inhale), it's also perfect....who else would be singing this song for a 1950's movie about finding your way in life and in love.

Joan Crawford's boss is in many ways no different from some of the tyrannical maniacs for whom I've had the complete displeasure to work.Joan Crawford's Amanda Farrow was more or less a direct, no holds barred, right-in-your face "meanie", telling Hope Lange that she does not have what it takes to become a Reader, much less an Editor.And, she did it in front of the rest of the typing pool (how unprofessional is that?).In the 80's, people stabbed you in the back.In the 90's, and to a degree, now, people smile at you directly, and let you believe all is well, until you're laid off in one life-altering second.

I found it inconsistent how the Suzy Parker character started out as an independent, career-minded, aspiring actress, who prided herself on never having needed a man ("to love, and to let go...that's me"), but ended up becoming the most debilitated by the rejection of a man with whom she had fallen in love.And of course, it's also amazing how Diane Baker, fresh from being thrown out of a speeding car and losing a baby (out of wedlock, no less, in the 1950's!) manages to attract the attention and heart of a young, studly doctor when she's still wearing bandages and no make-up in her hospital bed.Wonders never cease in a 1950's melodrama!

If you hedonistically enjoy "Valley of the Dolls", or "Written on the Wind", you'll love "The Best of Everything".
... Read more

Reviews (45)

Good movie. Could have been great.
This movie could have been a lot better if it had a more competant director. Today it looks dated in places, and some of the dialogue delivery approaches camp at times (again, blame Mr Winner). Plot: after his wife and daughter are attacked by muggers (one being Jeff Goldblum)and Bronsons wife is stomped to death and his daughter raped and obscenely "tagged" with a can of spray paint, architect & Korean war conscientious objector Bronson acquires a gun on a business trip to Arizona and returns home to New York to embark on a one man vigilante rampage blasting street scum into oblivion. Bronson and Vincent Gardenia both give good perfomances, and the rape scene still has the power to jolt you out of your seat, but every time I see DEATH WISH I keep thinking of how it could be updated and remade... better. Still the fun of the series is to cheer Bronson on whenever he wastes some scumbag. This was the precursor to such revenge flicks as I SPIT ON YOUR GRAVE and MS .45.

The Dark Knight.
It's hard to remember now, but there was a time when Michael Winner was just another director, one who produced some decent b-movies before having a freak hit that caught the mood of America at the time. 'Death Wish' was the hit - it elevated Charles Bronson to iconhood, and even today Winner's increasingly-laughable films have 'From the Director of 'Death Wish'' on the posters. This is the closet he ever got to creating a classic piece of cinema. This is based on a book, although the emphasis has been changed. Whereas the 'hero' of the novel was presented as a dangerous man who had eventually lost all reason, here, Bronson is basically Batman - Dirty Harry without restraint. As such, it's ambivalent. On the one hand, there's a primal kick in watching Bronson blow away thugs, but on the other hand it's hard to believe that real-life would be so clear-cut, and subsequent witch-hunts of paedophiles, satanists and rock fans show that it's hard to put rage back into the bottle from whence it came. The sequels became increasingly-harder to take seriously, and the bazooka-toting 'Death Wish 3' is a modern classic of silliness. As with all Winner's films, it looks like a television movie, and as with all Bronson's films, Bronson is Bronson - an older, grizzled tamplate for Schwarzenegger et al, he acts not as Paul Kersy but as Charles Bronson, movie star. It is, at the very least, interesting.

Your Typical Evening On A Saturday!
GREAT ACTING BY CHARLES BROSNAN! ENJOYABLE TO WATCH. REALLY GREAT CINEMATIC PIECE!

carbolic acid
This is the original in the Death Wish series,and its still the best.Paul Kersey(Bronson)is devastated after his wife and daughter are raped and killed,he goes on a killing rampage of revenge.As he dispatches each thug with his own brand of justice,we cheer their deaths from Kersey`s trusty 32 caliber revolver.This film is a favorite of vigilante justice supporters.

CONTROVERSY IS GOOD.
I don't remember too many films from the 1970's the earned an entire OP/ED page in the N.Y. Times, but this urban classic did. Controversy proved to be good box office and Bronson became a superstar as Paul Kersey. DEATH WISH is a taunt thriller that sparked more than one water cooler discussion in 1974. Michael Winner worked this one into a poster child for street justice and inspired more than a few real life imitators (the ad campaign boasted: "Paul Kersey is going to kill 3 muggers tonight: One for his murdered wife, one for his raped daughter and one for you!"). What was more unfortunate is that DEATH WISH became a parody of itself with 4 awful sequels. Forgot the rest, cheer for Bronson here everytime he caps a bad guy. ... Read more

Reviews (185)

"It's a strange world, isn't it?"
That line of dialogue from David Lynch's unquestioned masterpiece BLUE VELVET describes Lynch's film universe perfectly. With the new SPECIAL EDITION dvd out we truly get a glimpse inside the making of a great film and how it can immediately be misunderstood by someone like Roger Ebert. The behind the scenes documentary is great with interviews from many of the film participants. To enter the world of David Lynch is to cross into an unknown vortex of subconscious desires, fears, and dreams. The film brilliantly shows us the illusion of the perfect smalltown life vs. the city underworld right next door. The images stay with you long after the movie is over. Dennis Hopper is absolutely perfect in a harrowing, funny, and brutal psychopath filled with self loathing and anger. I just saw a revival showing at a theater in Los Angeles and I highly recommend to anyone to see it in a theater if possible. On the big screen the movie envelops you into its world from which there is no escape. BLUE VELVET is definitely not for everyone, and that's ok. Lynch wasn't trying to make a film for the masses, but rather as a complete personal expression in the movie art form.

Blue Velvet, the best film of the 80's
In what one could regard now as a precursor to TWIN PEAKS, David Lynch explores his primary fascination, the possibly seedy under-belly that may or may not exist in Middle America.

Jeffrey(Kyle Maclachlan) lives in an idealic small town. It's picturesque, everybody knows everybody, and the doors are left unlocked at night. However, evil is lurking. Jeffrey discovers this one day as he walks through a remote field, he finds a human ear. Jeff takes the ear to a local Police Detective, who thanks him and then asks him to stay away from the case. But Jeff, with the Hardy Boy inside getting the better of him, does no such thing, and with the help of the Detective's Daughter(Laura Dern) he decides to investigate. His snooping eventually leads him to a mysterious and seemingly disturbed night club singer, Dorothy(Isabella Rossellini), who Jeffrey is uncontrollably intruiged by and attracted to. In fact, it is only when Jeffrey meets Dorothy's derranged tormentor Frank Booth(Dennis Hopper at his twisted best) that he starts to realize that he just might be in way over his head.

Bizarre, captivating, hypnotic, and haunting. You've heard these words describe BLUE VELVET before. But that's because these descriptions are very accurate. This is David Lynch's brilliant painted portrait of what might lie beneath. It's violent, it's comedic at times, it's disturbing at others. It's a film that Lynch fans will love, and that non-Lynch fans will find pointless and boring.

But then again, that's true of all of Lynch's work. His films are definately an acquirred taste. Here's the best way to describe it. All the mystery aside, it's about a young man who loses his innocence on his way to adulthood. That's BLUE VELVET in a nutshell. In way it's one of Lynch's most straight forward stories(THE STRAIGHT STORY being an exception).

So to all Lynch fans to have yet to see BLUE VELVET for themselves, log off your computers, run to your nearest Blockbuster, check out this masterpiece, and be prepared to pay some major late fees. Because this is one film you will want to experience over and over again.

Thanks for reading my review.

Much Less Than its Rep
Weird, dully acted, occasionally gross and sometimes unintentionally funny. Lynch desperately wants to have his cake and eat it too by being so uncool that he's cool. Lynch cannot just tell, he has to show. All the time. Like the weird kid in 3rd grade who always brought something unsettling to show-and-tell and the kids told their parents and the parents complained and the teacher had to talk to his parents about his not bringing anything else. The weirdos Lynch populates his underworld with are hilariously overacted by actors who obviously don't know what the heck is going on and probably think Lynch is full of it. Dennis Hopper is hysterical. He basically didn't change his act a bit from Apocalypse Now and, of course, the critics and fans raved about how "brilliant" ansd "electrifying" his performance was. After Blue Velvet, I imagine Hopper got down on his knees every night and thanked God for giving most people short memories and short attention spans.

Hey neighbor
I've had a weird experience with this movie. The first time I saw it, I couldn't help being disappointed having already seen some of Lynch's other films. While Dennis Hopper's performance was impressive and many of his quotes from Blue Velvet stuck in my memory, somehow things just didn't click and I more or less thought of 'Blue Velvet' as a somewhat interesting, but ultimately forgettable experience. The seemingly good vs. evil theme of the film (the robins and Sandy's dream) in particular annoyed me and the whole thing added a definite 'cheese' factor.

One night I decided to give Blue Velvet another chance and surprisingly the experience was a much richer one; in fact, I would now say that this is an excellent movie.
[Incidentally, Lynch's Lost Highway had a somewhat similar, but completely opposite effect - I went from thinking that it was a great flick to thinking it was an alright one].

I would say that it is wrong to say that this film is about 'good vs. evil' or that Lynch is trying to make any sort of a moral statement in it; the nuances of Blue Velvet are much more subtle than that and the characters more complicated. As most of Lynch's work, Blue Velvet is about obsession and obsession luring people into dark corners of the world. The film pulls the viewer (as a voyeur) into its dangerous and strange universe and relies much (as a lot of other Lynch movies) on the pure flow of images, the atmospheric experience. The sound element adds much to enriching this powerful experience and Blue Velvet as a whole invites multiple viewings.

In my opinion this is one of Lynch's fairly straight forward films in terms of the linear-time progression (along with The Elephant Man and The Straight Story) and as such might serve as a good introductory movie to those who want to become more familiar with his work. (Mulholland Drive is, I believe, so far the consummation of Lynch's previous efforts into one crowning achievement).

Also, there are many interesting bonus materials in this little DVD package.

Weird film
Blue Velvet has got to be one of the strangest films I have ever seen. It started off o.k. but when we first see frank booth it just gets weirder and weirder. The film also suffers from bad script. The acting in the film is very poor expect Dennis Hopper.
There are so many films like this and I can't understand why people think this one is so special. I was really looking forward to watching this when I bought the DVD but after watching it I felt cheated into buying a poor film.
Overall bad film, bad acting and bad script. People who appeciate those three should steer clear. ... Read more

Description

In CLEAR AND PRESENT DANGER, Harrison Ford returns as intrepid CIA agent Jack Ryan.When his mentor, Admiral Greer (Jones), becomes gravely ill, Ryan is appointed acting CIA Deputy Director of Intelligence.His first assignment: investigate the murder of one of the President's friends, a prominent U.S. businessman with secret ties to Colombian drug cartels.Unbeknownst to Ryan, the CIA has already dispatched a deadly field operative (Dafoe) to lead a paramilitary force against the Colombian drug lords.Caught in the crossfire, Ryan takes matters into his own hands, risking his career and life for the only cause he still believes in -- the truth. ... Read more

Reviews (65)

Wars Abroad, Wars At Home
Clear And Present Danger is the third Tom Clancy novel, featuring hero Jack Ryan, to be made into a movie. The story deals with the war on drugs and corruption in the government. The end result is a better film than Patriot Games, taking its cues more from the original novel, than that film did.

Former CIA analyst Jack Ryan, (Harrison Ford) is asked by his mentor and friend, Admiral Greer (James Earl Jones) to take over for him, while he battles cancer. Ryan reluctantly accepts. When a friend of the President's (Donald Moffatt) is killed, Ryan learns that a drug kingpin (Miguel Sandoval) may be responsible, for the crime. As he briefs the President, forces inside the administration, are working to take the cartel out, even without any proof. Ryan must discover the truth, about who is working against him before it's too late

The cast also includes the great Henry Czerny as Ritter, a smarmy guy at the CIA who butts heads with Ryan, Harris Yullin as the National Security Advisor, and Anne Archer returns as Cathy, Jack's wife. Directed by Philip Noyce, who also directed Patriot Games, the film stays within the framework of the book. The movie also is detailed enough to keep fans of the book happy, while at the same time it is nicely paced Ford proves once again why he's so right for roles like this. He wears his hero hat so well. It is Czerny though, that makes things really interesting for Ryan and, he gives the film an extra spark or two.

As part of the reissued "Jack Ryan" series on DVD, Clear And Present Danger, contains a retrospective featurette on how the film was made. It's pretty good and does a decent job taking you back, to what it was like on the set. The standard theatrical trailer tops off the extras. I wish there was a commentary track to go along with the other stuff--or maybe some deleted footage-that would have helped.

Still the DVD is recommended over the "movie only" edition from a few years ago

Ryan, The Drug Cartels, And CIA Abuse
The third installment in the cinematic series based on Tom Clancy's CIA analyst Jack Ryan, CLEAR AND PRESENT DANGER is a long but engrossing political action thriller that once again puts Harrison Ford, the thinking man's action film actor, in the role of Ryan.

This time around, Ford investigates the murder of a close friend of the President (Donald Moffatt) by Colombian drug cartel hitmen. When his mentor (James Earl Jones) falls ill due to pancreatic cancer, Ford is suddenly put in charge as deputy director of the CIA. He continues his investigation of the murders and ties them in with one particular drug cartel leader (Miguel Sandoval) with whom the murdered man had a little issue with ill-gotten money,....

But what Ford doesn't know is that, on orders from the revenge-minded Moffatt, his second deputy (Henry Czerny) and the president's national security advisor (Harris Yulin) have ordered a rogue officer named Clark (Willem Dafoe) in with a covert military team to put a huge dent in the cartel's activities. Dafoe and his team are successful at what they do, but the cartels retaliate with deadly results on Ford's friends in the FBI during a visit to Bogota. And when Ford finds out about the operation, he finds himself going down to Colombia a second time to help spirit Dafoe and the covert team out of harm's way.

Ably directed, once more, by Phillip Noyce (DEAD CALM; PATRIOT GAMES), CLEAR AND PRESENT DANGER gives Ford another chance to prove his mettle in the action genre. The suspense and CIA intrigue are all laid out exceptionally well by Noyce and his first-rate cadre of screenwriters, Donald Stewart, Steven Zaillian, and John Milius. Jones is at his usual best as the now-dying Admiral Greer, and Anne Archer returns as Ford's wife.

But a performance really worth noting here is Czerny's as the unconsciously corrupt CIA deputy director Robert Ritter. About as uncouth and conniving a heavy as there has ever been in the movies, his performance is absolutely chilling and believable. It makes the whole notion of our government going beyong reasonable bounds even more credible than it already is.

Some will object to the film not pandering to Clancy's right-wing political points of view or his gung-ho pro-military stance, but that isn't necessarily what this movie is about. It does not condemn covert military action, but it does question the wisdom of sending men into a war zone where the risks are extreme, the reasons for such actions are vague at best, and there is no clear exit strategy. Such points are made extremely well in this film's action format; and for those reasons, it gets the highest marks.

Best Clancy Movie
Out of the four Tom Clancy/Jack Ryan movies, I think Clear and Present Danger is easily the best. Harrison Ford is one of my favorite actors, and even though he's made some dreck in recent years, his string of successes post-Star Wars and Indiana Jones reached their peak around this time.
The story of the film revolves around the U.S. war on drugs, attempting to stop the flow at the source of production in Colombia. To this end, Harrison Ford as Jack Ryan becomes caught up in the action along with the always-great Willem DaFoe as CIA agent Clark. Just about all of the actors in this movie are great, including Joaquim de Almeida, Donald Moffat, Henry Czerny (the slime dripping off his character might damage your TV), and Raymond Cruz.
Not only is this one of my favorite spy/government intrigue movies, but it's just flat-out one of my favorite movies. Great story, great actors, great movie. Highly recommended.

Not even close
Once there was a man named Jack Ryan. That's about where the similarities to the book end.

For what it's worth, I'm not a picky movie viewer. I'll watch nearly anything. So for me to complain about this movie means that something was really off-base.

As far as an action movie goes, it was passable. As far as the technological thriller that the book was, it doesn't even come close. There is no character development (never felt anything towards Ding), random changes in a character's persona (Clark goes from wanting to kill Ryan to making the chopper go back), thing missing that are important to the plot (downing of drug running planes), and things that were never in the book (yacht owner tied to the President).

To make what could be an extremely long review somewhat shorter, if you've read the book and are a fan of Tom Clancy, don't bother. If you're just looking for a film with " 'splosions," this might work.

The Best Jack Ryan on the Screen, and with Good Reason!
Harrison Ford isn't the person who wrote this story, Tom Clancy is. But, Harrison Ford is the perfect Jack Ryan, a spy with a conscience and a man who does the right thing not the expeditious thing. While this is not close to his biggest role or hit, he plays the character, Jack Ryan, as perfectly as he can be portrayed in a movie. He gives the right feeling to his character, the right indignation to wrongs done in the name of Patriotism and Justice, and portrays the right kind of patriotism to the fullest. But, the rest of the cast is also well played, including the good guys, Clark, Chavez, and James Earl Jones' character, and the bad guys, the President and his sleazy administration, as well as the drug dealers. Tom Clancy wrote a great book with this one and the book is well served by the overall excellence of the movie. I strongly recommend the movie to fans of Harrison Ford, Tom Clancy, and William Dafoe. ... Read more

Amazon.com

Elvis plays a roughneck country boy, seething with hostility but gifted with literary talent. In the occasionally precious Clifford Odets script, this comes across as James Dean by way of a Thomas Wolfe novel--and not a bad shot at respectable acting by Elvis. His monologue about his dead mother, delivered to sympathetic shrink Hope Lange, is one of the most affecting things the King ever did in a movie. The songs are kept to a minimum, and Presley has some good, thrumming energy with the young Tuesday Weld (bad girl) and Millie Perkins (good girl), two uncommonly smart actresses. This is one of many Hollywood melodramas suggesting the angst brewing beneath the prosperity of the Eisenhower-Kennedy era, and it holds up decently, if not spectacularly. For Elvis fans, it's a poignant glimpse at a performer still in the young-buck stage of exciting possibilities. --Robert Horton ... Read more

Reviews (5)

Elvis' best SAFE dramatic role.
When I say "safe", I mean where Elvis does not killed in the end like in "Love Me Tender", and "Flaming Star." This something that's much better and I prefer a whole lot. Elvis has not one but three female costars: Hope Lange, Tuesday Weld, and Millie Perkins. I don't know about you but he gives an equal amount of attention to every one of them except near the end when he focuses more on Hope Lange. I love the songs which are: "Wild In The Country", "I Slipped, I Stumbled, I Fell", "In My Way", and "Husky Dusky Day". My favorite line is when Elvis as Glenn Tyler says "This routine of yours could stagger a billygoat." That's one of his best lines. All Elvis fans should see this once in their lifetime. It's a must!

Wild In The Country
Wild In The Country would offer Elvis his last serious role in a film by a significant director (Philip Dunne). Elvis portrays Glenn Tyler, a southern boy from a rural, poverty-stricken background, who has just been released from juvenile hall. Central to the character of Glenn is that the brooding young man is at a crossroads in his life, and he must choose the path most suitable for him. His choices are represented by three women. Noreen (Tuesday Weld) is Glenn's cousin who urges him to stay with his own kind. Noreen offers passion and good times, but such a carefree existence allows little thought for the future. Betty Lee (Millie Perkins), who is Glenn's childhood sweetheart selflessly places Glenn's future above her own needs, urging him to leave town and attend college. She is prepared to lose him that he may have an education and a secure future. Hope Lange costars as Irene Sperry, the court-appointed psychiatrist assigned to Glenn's case, who recognizes in him the raw talent of a budding writer. She also encourages Glenn to attend college but causes scandal when she falls in love with him. Glenn ends up following Betty Lee's advice and asking her to wait for him.

With a strong supporting cast including a young Tuesday Weld who was only 17 years old during the film's production. She was one of the hottest and wildest starlets in Hollywood and already had romances with two of of her costars in the film - Elvis and Veteran Actor John Ireland.

Produced for Twentieth Century Fox by Jerry Wald. Released June 22, 1961. Color.

Of Banana Oil and Bathtubs With Dry Ice In Them
This movie starts with Glenn Tyler (Elvis) trying to kill his brother Hank in the barn while their father looks on as casually as if this was an everyday occurrence. His brother throws a pitchfork at him, and Glenn breaks a milkstool over Hank's head, injuring him... There is a hearing after this fit of violence and Glenn is put under the care of his uncle who runs an elixir business. This uncle has a brasen daughter, Noreen, who has a baby, and he is determined to get Noreen and Glenn hitched up. Noreen is perpetually tight from the elixir, the uncle spends his nights at the bowling alleys and poker games, and Glenn divides his time among work, his girlfriend Betty Lee, and visits to Mrs Irene Sperry the psychiatrist. Irene finds out that Glenn has always loved writing but stopped because people laughed at his dreams of being a writer. So she asks him to write down the story of what happened at Hi-Tension Grove a few nights before (Glenn had had an argument/near fight with Cliff Macy, a rich young guy) and he does as she asks. She is amazed at his talent and wants to show it to a professor friend of hers who might be able to get Glenn a scholarship at a college . But he won't let her. He gets upset at the very idea of letting anyone else see it, and goes home to spend an evening being wild and crazy and drinking elixir with Noreen. They go to Irene's house (this one of the best scenes in the movie)... Glenn is drunk and so is Noreen, and he's yelling to Mrs Sperry to give his story back. He turns on the hose and rattles out all kinds of nonsense while he "hoses down the heat" - but really it's the porch and the front windows. Irene and her housemaid Sara watch through the door, and Irene is amused at him until he turns away calling out, ''Ok, oh well, you don't give a damn about me anyway,'' and Noreen, who's been swaying and chattering right along with Glenn, kisses him. Irene suddenly knows that she does care. The next day, Irene takes him his story back. After that little confrontation he decides to rewrite it and type it up like she asked and let her show it to her friend at the college. He goes along with her and on the way back they get caught in a violent rainstorm, so they stop at a motel and get rooms until the rain stops... then occurrs the other sweet little scene in the movie, when Glenn tells Irene he's in love with her. After they get home, he tries to call her three times, but she refuses to talk to him. She loves him deeply too, but doesn't want him to know or see. She agrees to marry Cliff Macy's father, who has been begging her to marry him for a long time now so he can divorce his wife. That evening Irene is expecting Mr Macy to come and celebrate the engagement, but Glenn gets to her house first. He talks with her, tries to find out whether she loves him, but she refuses to tell him that she does. Glenn takes her by the shoulders and begs her to answer him - and Mr Macy walks in. Seeing them together he begins to get ruffled and demands to know whether the rumours about Glenn and Irene spending a night together in a hotel were true. Glenn tells him the truth (that it is a lie), but Mr Macy won't believe him. He makes the mistake of telling Glenn that Irene has agreed to be his wife. Glenn looks daggers at Irene, and as he walks out he calls to Mr Macy, ''If I find your son and he comes home in a box, don't say I didn't warn you. Mrs Sperry, I'm never going to see you again.'' And he walks out. Irene runs to the porch, but Glenn has gone. She starts crying and tells Mr Macy that she does love Glenn. Meanwhile Glenn goes back to Noreen, and asks her to run away with him. On their trip out, Glenn stops at Hi-Tension Grove, violently knocks down Cliff and leaves before finding out that he has killed him. Not ten minutes pass before the police arrest him for manslaughter. At the hearing the next day, Mr Macy does all he can to cut down Glenn, determined to see him dead. Irene shows up and testifies that no matter what Glenn may have said, he was innocent because he didn't mean to kill Cliff. No one believes her - after all, they were in a small town, and slander spreads fast. After Mr Macy lies and condradicts Irene's statement that Cliff had a bad heart and that it was surely the real cause of his death, Irene leaves the courtroom. It is a dramatic moment. Just before going out, she turns back and meets Glenn's eyes. He is gazing at her, and he looks as though about to cry. He still loves her. She turns and leaves. When she gets home and takes care of a few little things, she shuts herself in the garage and turns on the car, intending to kill herself. Back in the courtroom, Mr Macy is finally admitting that Irene and Glenn were right and that Cliff's death was an accident when word comes that Irene has attempted suicide. Glenn jumps up and runs all the way to her house, where he drops down by the couch where the doctor is trying to revive her, takes her hands and wills her to live again, promising that he will take care of her, that nothing bad will ever happen to her again. The movie closes with Glenn going off to college, but we know that he will come back and that he will marry Irene whom he loves.

This is one of the best Elvis movies except for a few things. I felt that the difficulties between Mr and Mrs Macy should have been detailed a little more - you never quite understand what exactly was wrong between them that he wanted to divorce her. The other fault is that many times characters who kept appearing were never built up so that you could understand what was going on with them. Mr Macy's son Cliff was a primary example of this.

Also the two songs he sang during the film didn't ''go''. ''I Slipped, I Stumbled, I Fell'' is a cute little tune but didn't seem to fit; he also sings a song to Noreen which also just seemed out of place. I don't know what that was called. The only songs which really belonged, in my opinion, was the title song that he sang during the credits, and the little thing he and Irene were singing on the way home from the college.

This movie had a lot of truly good moments and I think that with a few improvements it really could have been impressive, with all the intrigue and spicy subplots. It was also good to see Elvis playing a character who was somebody with other aspirations than music or performance. You just need to give this movie a chance.That's all, folks.

My review on Elvis movie " Wild In The Country "
"Wild In The Country" is certainly the number one best movie of Elvis, eventhough it seems to be a forgotten one. Actress Hope Lange (the role of Irene Sperry) had great chemistry with Elvis. I'm not an Elvis fan, but I do think he had done an excellent job being the character Glenn Tyler...END

A True Elvis Gem That Must Be Recognized
Elvis can act, and sing and love!!! This movie, based very loosly on the JD Salamenca novel Lost In The Country, is about Glen who is put on probation after a run in with his drunk borhter(and a previous charge of car theft). He is to move in with his Uncle Rolfe and cousin Nory and work in Uncle Rolfe's Snake-Oil Medicine factory and he must meet with social worker Irene Sperry. He still finds time to spend time with girlfriend BettyLee but is warned to leave her alone, by her father. Even from the beginnig Glen is a sour, angry young man and only finds time to soften up to BettyLee and later Ms. Sperry who he considers an enemy who's trying to find out if he's "touched in the head". When he can no longer carry on with BettyLee he has a fling with his cousin Nory(who has an illegitimate baby) whom he butts heads with at first. Uncle Rolfe, in a way, encourages this but then seems outraged(when it really happens) causing Glen to lash out and run away to work at a car garage. Right now the only women he can turn to is Ms. Sperry who finds a hidden writing talent in Glen and asks him to write in a journal and present it to him. ONe day she takes him to a prestigious University and encourages his writing talent. ON the way back they stop over in a motel during a storm and of course they attempt to make love only to have Irene come to her senses. While there a young man(Glen's enemy) reads the motel register and realizes the two are there. The young man's father is the town lawyer who is married and carrying on with Ms. Sperry. When he tells his father(whom he can't stand), the man confronts Irene who confesses she is in love with Glen. She tries to discourage Glen, who feels the same way, when she explains her husband felt the same way but he was not ready for marriage and it led to his accidental death. Unfortunately, Glen is at the house when Irene is confronted by her lawyer lover and Glen then claims that the young man will die for this and the boy does after being hit by Glen. Glen is put on trial but Ms. Sperry arrives saying the deceased had a heart problem(she overheard this from the boy's father) but the father vehemently denies it. Irene is ruined and attempts suicide. Glen has been exonerated(after the boy's father realizes he cannot hide the heart condition and hurt Irene) and is released and tells her he will always be there. Glen then goes to college but still says he will be back for her. I can believe it! This is a rare opportunity to see an angry and sensitive Elvis who can act and he does very little singing. It's a shame his movie career didn't continue on this course. Hope Lange is excellent but she seems to play "the other women" alot, but always harmless. It's the first time she plays a rather weak one, especially when she tries to kill herself. This is a wonderful movie ... Read more

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Nominated for nine Academy Awards in 1957, Peyton Place has becomesynonymous with torrid soap opera. Though the novel by Grace Metalious iseven more sensational, the movie provides plenty of tantalizing storyturns--secrets, adultery, rape, bitter parents, frustrated teenagers,suicide, and murder. Multiple storylines deftly interweave: AllisonMacKenzie (Diane Varsi), an ambitious young girl struggling with theneurotic fears of her mother (Lana Turner, in a career-revivingperformance) and the neurotic fears of the boy she loves (Russ Tamblyn),while her best friend Selena Cross (Hope Lange) fights off the brutaladvances of her drunken stepfather. The movie had to sanitize the novel'sNew England town in order to get some of the more unsavory plot turns pastthe censors; ironically, the glossy "normal" surface makes these eventsall the more shocking, paving the way for David Lynch's Blue Velvetand Twin Peaks. --Bret Fetzer ... Read more

Reviews (30)

The secrets and scandals of a small New England town
Based the bestselling novel by Grace Metalious, Peyton Place is a hallmark of mid-20th century American culture and remains powerful melodrama to this day. Modern audiences in particular might notice similarities with the currently popular Dawson's Creek.

The story centers around shopowner Constance MacKenzie (Lana Turner), hiding a secret from her past; her daughter Allison (Diane Varsi), who dreams of escaping from Peyton Place and becoming a writer; Allison's best friend Selena Cross (Hope Lange), who lives literally on the other side of the tracks and suffers abuse at the hands of her drunken stepfather (Arthur Kennedy); Norman Page (Russ Tamblyn), a shy, quiet student yearning to break away from his domineering mother; Rodney Harrington (Barry Coe), the playboy son of millowner Leslie Harrington (Leon Ames), who disapproves of his son's relationship with the flashy Betty Anderson (Terry Moore); and Mike Rossi (Lee Phillips), the new high school principal smitten with Constance.

Screenwriter John Michael Hayes did a magnificent job of distilling Metalious's occasionally crude story, making it acceptable to film audiences, though it can be argued that Metalious's feminist slant was lost in the process. The film was beautifully directed by Mark Robson, who's never gotten enough respect, perhaps due to his reputation as a craftsman; well, Peyton Place is a finely crafted work, solid entertainment, with majestic location work in Camden, ME, much of which will be lost in the transfer to the small screen. The cinematography is by William C. Mellor and the wonderful score is by Franz Waxman.

Peyton Place received 9 Academy Award nominations, including Best Picture, Best Director, Best Screenplay-Adapted, Best Cinematography, Best Actress (Lana Turner--her only nomination), Best Supporting Actress (Hope Lange, Diane Varsi), and Best Supporting Actor (Arthur Kennedy, Russ Tamblyn). 1957 was the year of The Bridge on the River Kwai, so Peyton Place lost in every category.

Get this DVD-Peyton Place the classic soap opera
Peyton Place is one of my favorite books and one of my favorite movies. The filming and score are beautiful. The scenery of coastal Maine is fantastic. This is one of the most popular soap operas...the term "Peyton Place" has come to mean a gossipy community.

Most of the acting is great... the only actor that does not seem right for the role is Lee Philips. He is does not see the type of guy Lana Turner would go for.

Lana Turner and Diane Varsi have some great mother daughter conflicts. Lloyd Nolan is great as the doctor caught in the moral dilemma of covering up a miscarriage (which was an abortion in the book)

The DVD adds an interesting commentary by Russ Tamblyn and Terry Moore. You feel as if you are sitting with them as the watch the film. They give share stories of what it was like to be a young actor in the 1950s.

This is a great film and even better DVD. My wife and I liked the book and movie so much we named our daughter Allison after Peyton Place's main character.

The Darkside of Small Town Life
1957's Peyton Place was based on the tawdry best seller by Grace Metalious that depicts the sorted lives of the residents of the titular small New England town. The film was quite controversial at the time as it contains frank talk about sex, an incestuous rape, a hinted at abortion and murder. The film helped paved the way for the abandoning of the Hollywood moral codes. Everyone in Peyton Place, it seems, has something to Hide. Constance MacKenzie (Lana Turner) is an uptight single mother to Allison MacKenzie (Diane Varsi). She is fearful of scandal and rebuffs the advances of new high school principle Michael Rossi (Lee Phillips). Constance is hiding a secret from Allison and after Allison is wrongful accused of swimming naked with Norman Page (Russ Tamblyn) she reveals that Allison was born illegitimately as her father was living with Constance but was married. Allison leaves Peyton Place to go to New York City. Allison's best friend Selena Cross (Hope Lange) lives in a shack with her drunken stepfather Lucas Cross (Arthur Kennedy). Lucas is abusive and beats Selena and eventually rapes and impregnates her. Confronted by Dr. Swain (Lloyd Nolan), Lucas leaves town. He eventually returns and tries to take advantage of her again and Selena kills him. This leads to trial where Allison returns to town to speak on her Selena's behalf. She avoids her mother and in a bitter meeting tells her of her feelings towards her. At the trial, Selena refuses to let Dr. Swain speak about the rape. Dr. Swain's conscious gets the best of him and in an impassioned statement on the stand he reveals Selena's secret and chides the townspeople for their gossiping ways that led Selena to this position. Selena is acquitted and Allison reunites with Constance. The film was a huge hit and ironically Ms. Turner was embroiled in her our murder trial when her fourteen daughter stabbed her mobster boyfriend to death. It spawned a sequel and a popular television series. The film garnered nine Academy Award nominations including Best Picture, Best Director (Mark Robson), Best Actress for Ms. Turner (her only nomination) and two Best Supporting Actor & Actress nomination for Mr. Kennedy, Mr. Tamblyn, Ms. Lange & Ms. Varsi. The film holds the ignominy of having the most nomination without a single win.

Colorful soap classic/less than perfect DVD
Lana Turner and a terrific cast make this toned down version of Grace Metalious's steamy, sensational novel a real potboiling delight! The music, the cinematography, everything...it all evokes a long ago time and place and here it is all beautifully preserved for posterity! Fans will also enjoy its sequel, RETURN TO PEYTON PLACE with luscious Carol Lynley and another good looking cast of youngsters and scenery-chewing veterans.

Unfortunately, this DVD has a few jumps and glitches which disrupt perfect viewing. The AMC Backstory documentary isn't all that informative, and you'd think they'd at least have edited out the commercial bumpers. The commentary track by Tamblyn and Moore is one of the most boring ever...nearly impossible to sit through. Neither actor offers much insight into the film they are watching, instead rattling off alot of their own movie credits and misinformation (ie. Dick Sargent was never in "that genie show," Ms. Moore). Who was producing this!?

The commentaries make this DVD a must-have
I already had a beautiful copy of this movie--the outrageously priced ($49.95) laserdisc set put out by Fox Home Video sometime in the 90s--but the selling point for me this time around was the promised audio commentaries by Russ Tamblyn and Terry Moore. I wasn't disappointed! I've always considered Tamblyn one of the unsung heroes of moviedom (his credits read like a list of the best films ever made--"Gun Crazy," "Father of the Bride," "Seven Brides for Seven Brothers," "West Side Story," and this gem among others) and I'm certain that those viewers only familiar with his remarkable dancing and acrobatics in musicals would be surprised by his sure handling of a complex character in this film. The performance earned him a well-deserved Oscar nomination--a feat not shared by the majority of his musical colleagues. Tamblyn comes off as a very likable, unassuming guy in his audio commentary, and his memory of the long-ago events is pretty sharp--even to the point of remembering that a double for Lana Turner did a couple of the shots in the last scene rather than the actress herself. Along the way he has plenty of interesting stories about the other actors, the location shoot, and what was going on in his life at the time. Terry Moore is also very engaging in her commentary, although she's clearly less familiar with the movie itself--e.g., she registers surprise at the fate of Betty Field's character the same way a first-time viewer would. But Ms. Moore also has some intersting recollections, such as roasting in her winter coat while surrounded by fake snow in the blazing California sunshine. And her obvious respect for the story's themes and its characters (as significantly altered and arguably improved for the film adaptation) is very endearing, particularly if you're as enamored of the film as this viewer. ... Read more

Reviews (40)

Monroe is Sweet, Movie not so
This story is about a vulnerable hillbilly saloon entertainer, Cherie (Marilyn Monroe), who is bowled over and smothered by an unworldly, manner less rodeo rider, Bo (Don Murray) who seeks to find a lady companion. They are two opposites that end up attracting in the end. A sweet story, Bus Stop was very enjoyable although a little unbelievable at times. Marilyn Monroe is sweet, naive but gorgeous as usual. Hard to believe that she would end up marrying Bo and being happy. Hmm...

The story begins when a rough rural cowboy sets off to a Phoenix rodeo with his friend Virgil. Virgil suggests that it is time for Bo to meet a lady friend. Bo sets his sights high, saying that he will know the girl when he sees her. Then, enters Cherie (said with a French accent) on stage whisperingly singing "that ole black magic". Bo falls head over heals for her on first sight when searching for his first "angel". Bo, inexperienced and naive about women, believes that he has found his wife in Cherie (he calls her Cherry) and proceeds to bring her aboard their Greyhound-style passenger bus on their return back home to Montana.

Cherie is confused as things are moving quickly. She struggles to get free of Bo, even claiming to a fellow passenger that she is being abducted against her will by Bo and his ranch companion Virgil (Arthur O'Connell). She doesn't want to marry Bo. Everything changes when the bus is stopped due to a blizzard and they are stuck all together at the bus stop lodge for the night.

Grace's Diner is where bus driver Carl ends his frustration with Bo and decides to fight him to stop him from his angry fit once he discovers Cherie was trying to escape. After a knock down, drag out fight, Bo comes to his senses and apologizes to everyone for his unruly uncontrolled behavior, but mostly to Cherie. Cherie sees the sweet side to Bo and sees that he really loves her. She decides to board the bus to Montana, along with the wedding ring invitation.

In conclusion, Bus Stop is worth seeing for Marilyn, if nothing else. Her acting and singing are so-so, but her unmatchable sweetness is worth your time!

Marilyn in a superb performance
BUS STOP proved beyond a doubt that Marilyn Monroe could indeed act. For those who missed her 1952 performance in DON'T BOTHER TO KNOCK, the surprise was very pleasant indeed.

BUS STOP was adapted from William Inge's successful long-running Broadway play, and was bought by Fox with Marilyn in mind. She plays the role of the ambitious cabaret singer Cherie, who longs to go to Hollywood, where, she assures her girlfriend, "you get discovered, you get tested, with options and everything! And you get treated with a little respect, too!".

Enter naive cowboy Beauregard (Don Murray in his screen debut) , who falls in love with her during her performance of "That Old Black Magic" (which must surely count as one of Monroe's most beguiling screen moments). Uneducated hick that he is, he decides to marry her, come hell or high water.

The film has been fully restored, using the original YCM masters to replace the parts of the film that were too far-gone to be rescued. A pristine picture with a gorgeous soundtrack.

The DVD includes restoration comparisons, gallery and trailers. Available seperately or as part of the Marilyn Monroe Diamond Collection.

Man, this stinks.
I love old movies and I love Marilyn. But this just stinks. There's none of Marilyn's glamour or gold-digging charm. She's shrill and whiny in a terrible hick accent. "Beau" is obnoxious and completely over-the-top.

The premise of the movie is Beau, a young cowboy, going to a rodeo. He's an innocent, never off his ranch in Montana. He decides he's going to find himself an angel to take back home. So he meets "Cherie" in a saloon. He manhandles her, browbeats her, and eventually kidnaps her. His screaming and fighting make a person think that if he managed to force her to marry him (after abducting her with a lasso as she desperately tries to flee), he'd probably rape her on the wedding night. It's just that creepy.

So they end up stuck at a bus station together due to bad weather. FINALLY someone steps in when they see Beau manhandling Cherie, and says he can't kidnap this woman. Beau objects and ends up getting his butt whipped.

Which somehow makes Cherie love him and they ride off to Montana together.

It's really objectionable. Offensive, really. I can't say one single good thing about the entire movie. It wasn't believable, enjoyable, amusing, or entertaining. I'm really sorry I watched it.

One of Marilyn Monroe's finest performances ever!
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As Cherie, the one-note chanteuse with little talent, Marilyn Monroe creates a character who is both pathetic and poignant.

This is considered by many to be Monroe's finest on-screen performance. Many thought she deserved an Oscar nomination for this role. Sadly, Marilyn was highly under-rated as an actress in her lifetime, and didn't even receive a nomination. She did however go on to win more than one Golden Globe for her work after this film.

The only thing that bothers me about this film is co-star Don Murray's constant screaming. Murray made his big screen debut in this film, and although he brought a lot of ebullience to the role, he apparently was used to stage work, and thought he had to scream to be heard. On screen, he appears to be in a constant state of pig-calling as he bellows and shouts like a hooligan.

I think he should have toned-down his performance altogether, at least vocally. All that screaming opposite Marilyn's breathy whisper of a voice is quite annoying indeed!

All-in-all, I would strongly recommend this film for anyone who wants to experience the magic of Marilyn Monroe in a truly great performance. Just be sure to keep the remote handy so you can turn down the volume when Murray is on screen!

[Marvelous] Marilyn!

I'm sorry
First off I am a HUGE Marilyn Monroe fan. I also believe only Marilyn Monroe fans watch this movie. She is great in it. It's one of her best performances. As Cheri, she gives a dazzling performance of 'Black Magic', and it's great listening to her in her hillbilly accent. The final scenes where her face take up the entire screen was great directing and she looked as beautiful as an angel. Her comic timing was delivered perfectly, and the costumes she wore in this movie lead to some of her greatest still photograph.

So why only 4 stars? The rest of the cast did a great job, Virg, Elma, Grace, and Carl. Who did I leave out? That's right, Bo. Don Murray single-handedly ruins this movie. His cowboy mannerisms are waaaay over the top, he overacts every scene he's in, he's rude, stupid, and to tell you the truth, Marilyn ending up with him is so unbelievable, it makes you just want to scratch your head.

Now I know that Bo was supposed to be an inexperienced cowboy right off the ranch, but no one is going to arrive in a city and acts like he owns the world. Kidnapping a woman (with a lasso of all things) and dragging her on the bus is a stretch, but when Bo finally gets his butt kicked by Carl, and learns a lesson in humility, and then Marilyn falls for him, well... I can't believe someone would give up their Hollywood dreams and go to a ranch with a doous like Bo.

Again This was a great performance by Marilyn, watch it for her. I'm sure you will. I've never met a Don Murray fan. ... Read more

Reviews (22)

Brando takes acting honors in 'The Young Lions'
Of the three primary story threads traced in "The Young Lions" --Marlon Brando as a conflicted Nazi soldier, Dean Martin as an American showbiz type who fights to overcome his fear of entering the war, and Montgomery Clift as a Jewish-American soldier who has to overcome the racism of his Army mates -- the Brando storyline emerges as the most compelling. It's certainly the most purely dramatic storyline, and the most complete. Add to that Brando's brilliant performance, and the strong supporting performances of Maximillian Schell, Parley Baer and Mai Britt, all of whom surround the Brando character, and you have enough for a satisfying movie by itself.

Further, Hugo Friedhofer's masterful score always seems -- at least to me -- to soar to its greatest heights when we find ourselves in a boiling desert with the Afrika Korps, or in Paris with Brando's Nazi unit during the occupation.

Does this nearly three-hour film suffer from this lopsided state of affairs? Not really, and that says a lot for the sheer craftsmanship of "The Young Lions." The cinematography and direction are first rate, and while the Clift and Martin storylines aren't as fascinating as Brando's, they do hold your interest. Clift gets across the fierce determination his character possesses, and Martin makes the most of several nice bon mots the script tosses his way.

"The Young Lions" is a fine World War II film, one that definitely rewards repeated viewings.

A War Epic Told from Both Sides
Released in 1958, this black and white WW2 story traces 3 men - two American, one German - through the trials and tribulations of that war. Stars Marlon Brando, Montgomery Clift and Dean Martin.

Marlon is a young German watchmaker who always dreamed of being a doctor - but the strict caste system of europe has held him down. While he realizes the Nazis are a bit extreme, he hopes they will help to bring opportunity to all people.

Dean is a young Broadway god who loves the wine, women and song. When he's drafted, he tries to get out of it, to maintain his easy going life. He runs into Noah (Clift) at the draft board - a young, poor Jewish man who has no family and only a simple job at Macy's. The two hang out and Noah falls in love with a quiet Vermont girl.

The movie is truly an epic as it spans the entire war, from its quiet start to its brutal end. Along the way we realize that there is good and bad on all sides. Marlon's character tries to make a stand for what is right, but is told repeatedly that a good German soldier follows orders. He falls in love with a French widow. Noah is repeatedly beaten on (both emotionally and literally) for being a poor Jew by those whose side he is on. His future father in law only reluctantly accepts him, and his squadron mates steal his money and fight him. Dean refuses to marry his long time sweetheart and does his best to avoid any risks.

While some might say the story is a cliche, perhaps this is only because the story is so TRUE. It is always good to be reminded just how rough a war really is, and how there are no real "bad guys" and "good guys". There are only brave men and women who try their best and grow along the awy.

Although filmed in black and white, you do get some lovely Bavarian landscapes at the beginning, when Marlon is a ski instructor. Later, Marlon goes to Berlin a few times to meet with the wife of his commanding officer. The rest of the footage is in war-torn Paris, the surrounding countryside, the deserts of Africa, and the cities of London and New York.

different kind of war storey
although a bit long, this storey of 3 soldiers in ww 2, is a good one, dean martin bascially plays himself...., (...)actor
mongomery clift plays a sulky character, and marlon brando plays a german officer diillusioned by his country's war machine. cameo appearance at the end by" sgt shultz" of hogan'shero's fame- actor john banner. made in 1958, this would have been a real gem if filmed in color.

World War II: In the eyes of realism
This movie is complete realism and achieves a more realist look or world war 2. Very few movies made in post world war 2 times had the confidence as a film to transcend the nationalistic influences felt by the nation, but this film does. Brando is stunning in his role as a young german lieutenat who realizes the horrors and fallacies of the NAZI feelings. Clift and Martin represent typical American soliders and the tragic death of Brando (being shot down a mountain by Martin) is essential for the feel of this movie. If you enjoy WW2 films this is a must see.

Slow, boring, disappointing.
My husband and I are always interested in WWII movies. So when Mom, an ardent Brando fan, recommended this, we watched it.

It's a long time since we did - perhaps as long ago as a year - but the impression is still with me that this movie had very little to do with The War - it was more about interpersonal relationships and character development. So in the way of being a War Movie, it was not so good. I think it was a rather long movie, too, which didn't help. We just kept waiting for 'something to happen' - and it never did. ... Read more

Reviews (153)

Not a great but a still strong Horror Flick to the Original.
Five years later, when a sentitive teenager named Jesse (Mark Patton) is now living in the House-where Nancy Thompson used to live (From the original movie) living with his Parents (Clu Gulager & Hope Lange) and his sister (Christie Clark). When his new friend (Kim Myers) finds a diary of Nancy's hidden in his Room, where Nancy used to be in. Finding out horrible, terrible secrets from her Past and Murderer, who used to kill kids in the neighborhood and thier dreams! Now-Jesse is now dreaming about a man named Freddy Krueger (Robert Englund), who does always tries to contact him and make him things, that he wouldn't do. Since Freddy wants to use his Body to Control him and Being in the outside world, where he could kill again.

Directed by Jack Sholder (Alone in the Dark, The Hidden, Wishmaster 2) made a worthy follow up to the Original. But the film betrays between the World of Reality and Dreams, which doesn't really put it off and almost losing imaginative premise of the first film. Still, it's still scary and Englund as the film's villian is meancing and frightening. This was also a bigger Box Office Hit than the Original. This Sequel is quite Ambitious, since this film has some Gay Overtones in the Plot. DVD's has anamorphic Widescreen (1.85:1) transfer (also in Pan & Scan) and with an strong Digitally Remastered Dolby Digital 5.1 Surround Sound. Some might call this Worst of the Elm Street films but It's not (depending on some, who seen it). Grade:B+.

decent 4 freddy
little bit scary, little bit funny just like a good freddy movie should be but it was good all together. a decent freddy.

Ooh, scary... NOT!!!
After taking a look at the second entry in the 'Nightmare on Elm Street' canon, I can't say I found it all that scary. Sure there were a few moderately gruesome scenes, but overall I wasn't exactly shocked or all that nauseated by what played out on the screen. 'Course, after enduring many a moment of genuinely hideous over-the-top gore from films like 'Predator', 'Total Recall', and 'Starship Troopers', I guess it was a given I'd be somewhat disappointed by the not-as-meaty stuff shown here.

Adding to this flick's hokiness factor was a subpar makeup job on Robert "Freddy" Englund; the guy's "burn" didn't look nearly as realistic here as it did the first go-'round. It looks like they just threw some semi-jelled rubber cement compound on him, then tried to get around how silly it looked by filming him primarily in shadows or from behind. And don't get me started on those brownish-red contact lenses that try to make him look menacing for the close-up shots of his eyes...

Bottom line: unless you're a 'Nightmare' completist, or you like to laugh at the slasher-horror genre's sillier attempts to scare ya-- which is something I like to do-- 'Nightmare 2' is a skipper.

Sweet dreams...

'Late

err...
this really isnt what i expected...its wierd and not really having a lot to do with Freddy...yea hes in it, but not a lot and its mostly the boy who kills...and this is a slow moving, few scares, ugly chicks, bad acting bore fest...kind of a bad sequal...and theres too much male nudity...

this sequal can be skipped and not missed...what a bad way to have done Freddy

Is one of the best..!! -Even it failed on some levels..
A Nightmare on Elm Street: -Part 2. -Freddy's Revenge..
1985.. -Is one of the best sequel's.. -Even though it
failed on some level's..! -Freddy Krueger made it again
with his chilling scare at us when this monster of a
hit came out..! -I don't give a flying crap of those
bad reviewers ho hated this film..! -Robert Englund..!
May hate this film.. -But he gave it a shot at it..?

Did a great job with his body work in the film..! -I
can see nobuddy can't replace the dude..! -I am in love

with, -actress.. -Kim Myers.. -She is one hot tomallie..?
and kick some ass; -better then..! -Heather Langenkamp..!
Ho give's a flying crap about Heather Langenkamp..! -The
actress is not really a devoted fan of the serie's..?

Kim doe's it all..! -So doe's; -Jesse Walsh..! -Mark
Patten.. -Ho is similar; -of; -Marc Singer.. -And
Kevin Bacon.. -They all look alike..! -In my mind..!
Never mind.. -Patton is a real good sport..? -So is
the guy playing his father..? -Actor; -Clu Galagher..?
The Mother.. -Hope Lange..! -Director; -Jack Shoulder
try's his hard work with this laughible sequal..?

This is the sequal that really made the franchise for
what it is today..? -If you don't like this crap and
don't even bother with it..? -This is a fan's horror
wet dream all around it..! -The movie starts off with
the kids on the buss..? -As they've come home..! -As
Freddy turns into the driver and kill's them in desert
which become hell on earth..?

I like that beginning sequence..! -I've also enjoy the
talk with Jesse Walsh with Lisa as they are in Jesse bed
room talking about the mysterious diary and the death
of the teenagers in the first 1.. -It has everything..!
and par with the original..! -Just like; -"A Nightmare
on Elm Street 3: -Dream Warrior's.." -One of my

Favorite's..! -But I feel kind of sorry for this cup of
tea..! -The writting is o.k.. -The Special Effects at the
pool scene looked liked crap.. -But it made a point in

the movie.. -A mark in the history books..! -Don't pay
any attention of these hatred viewers..! -They all suck..?
they'll burn in hell for what they said about this

Sequal..! ... Read more

Reviews (11)

Light Comedy, One of My Favorites
Bette Davis plays Apple Annie, a bag lady who has, by correspondence, convinced her daughter that she is a wealthy socialite. Her daughter (Anne Margaret), who has grown up in Europe, is now on her way, with her fiancee (the son of a Spanish noble) and his family, for a visit, putting poor Apple Annie into crisis.

In steps Dave the Dude (Glen Ford), a small-time gangster wannabe with a big heart and a strong belief that Apple Annie's apples are his lucky charm and his ticket to the Big Time. Dave the Dude, his girlfriend (Hope Lange), and his henchmen (played by a cast of character actors half a mile long and featuring a young Peter Falk), step in to save the day, by transforming Apple Annie into Lady Manville. Unfortunately for Dave, the crux of Annie's transformation coincides with his making the Big Deal that will boost him into being a Big Time Gangster. He has to choose.

This is a somewhat over-acted but thoroughly charming movie that is loads of fun. I've never seen "Lady for a Day", which is this movie's predecessor and, according to many of my fellow reviewers, a superior movie. "Pocketful of Miracles" is such a favorite of mine that I'm not sure I want to risk seeing this supposedly better version of the story. Either way, "Pocketful of Miracles" will never be a disappointment to me and, I think, to many.

Charming, tender, funny, and very touching!
"Pocketful of Miracles" was Frank Capra's last motion picture he directed. For a last picture for him, I think it is quite a masterpiece. This is a remake of the 1933 movie "Lady For A Day" which Capra directed then. Bette Davis is wonderful as Apple Annie, a boozy street peddlar whose best customer is gangster leader Dave the Dude (Glenn Ford) who thinks her apples bring him luck. His flashy girlfriend Queenie Martin (Hope Lange) thinks otherwise, and the Dude can't keep her out of his hair. Peter Falk plays on his sidekicks named Joy Boy, and Mickey Shaugnessey (Elvis' costar in "Jailhouse Rock") plays the Dude's other sidekick and chauffeur Junior. They all help Apple Annie a.k.a. Mrs. E. Worthington Manville prepare for her daughter (Ann-Margret) to come from Spain to visit with a Spanish count (Arthur O'Connell) and his son (Peter Mann). They announce that she will marry the count's son, and will give a reception. The Dude, Queenie, Joy Boy, Junior, and Apple Annie's temporary "husband" Judge Blake painstakingly round up the gang members of the dude and Queenie's chorus girls to try to impersonate officials and attend the reception. Meanwhile, the police, the comissioner, the governor, and mayor are hot on the job to track down missing reporters kinapped by the Dude. (We all know even though their tied up, Dude's still kind-hearted underneath). They're in a jam, when Queenie's nightclub is surrounded by cops. Dude makes a deal with the comissioner. What ends up happening is, the governor and mayor get word and the people at the coincidental party for the mayor show up miraculously for Annie's reception. At the end, it shows, Louise (Ann-Margret), the count and son Carlos leaving to go back to Spain where the two will get married. This is a real fanciful scene there. It's a real great classic everyone will enjoy.

Enjoyable Film!
A fine film full of great performances and superb storytelling. Great for the collection! Grade: A+

GLOSSY BUT ENJOYABLE.
In 1961, Frank Capra decided to remake his 1933 film LADY FOR A DAY (based on Damon Runyon's MADAME LA GIMP); although it's enjoyable enough, it unfortunately pales when compared to the classic original version. Bette Davis was lured out of semi-retirement to play the gin-soaked apple peddlar, Annie, a destitute street person who learns that her Spanish convent-educated/raised daughter Louise (Ann-Margret) is planning to visit her. Annie's friends, Mobster Dave the Dude (Glenn Ford) and his blonde, brassy moll Queenie (Hope Lange) come to her rescue and transform the old girl into one Mrs. E. Worthington Manville, an elegant, wealthy dowager....Capra and Davis did NOT see eye to eye during the filming this rather dated (even in '61) and overblown fairy tale; it was Capra's swan song for the movies. Many critics felt that Davis's transformation from Apple Annie to the elegant Mrs. Manville wasn't convincing because it was done too quickly - I agree...Hope Lange does well as Queenie; her performance is sharp, honest and convincing as the moll with a heart of gold.

Dreams do come true.
A wonderful little Cinderella story. The cast works well together. Betty Davis is believeable as a Mother down on her luck. Frank Capra delivers another heartwarming tale. ... Read more

Amazon.com

Just Cause is a film that relies on phony plot twists and steals openly from any other thriller that it can remember. If there was a drinking game requiring players to drink during every cinematic "homage," you'd be tanked after Just Cause's first 45 minutes. Take one case of racial injustice, place it in an exotic, exquisitely photographed location (the Florida Everglades), and bring in an outsider, played by a bankable star, to save the day. Make sure nothing appears as it seems. Add a couple of plot twists, some over-the-top character actors (Ed Harris, shamelessly riffing on Hannibal Lecter), stir, and serve. The big name in this case is Sean Connery, who plays a Harvard law professor summoned to the swamps by an apparently innocent death row inmate (Blair Underwood), who swears he didn't rape and kill that 11-year-old girl. He says he confessed because maverick psycho-cop Tanny Brown (Laurence Fishburne) made him play a solo game of Russian roulette. He says his Serial-killer neighbor on death row (Harris) committed the crime. Connery buys it, the audience buys it, and how could they not? Director Arne Glimcher (who made the lackluster Mambo Kings) coerces everyone with simplistic plot manipulations. Characters are given no depth, and the actors are pawns moved about like pieces on a Clue gameboard. --Dave McCoy ... Read more

Reviews (15)

What Evil Lurks
There's more than the alligators lurking in the swamplands of the Everglades in this thriller. It's hard to know who to trust as a Harvard law proffessor(Sean Connery) who hasn't even had a case in 25 years, reopens one of a convicted killer(Blair Underwood) in Florida. There is evidence to support that his confession was beat out of him, and the proffessor intends to prove it.
Don't take anything for granted in this chilling mystery as the list of suspects grows. There's the tough lawman(Laurence Fishburne),the psychotic serial killer(Ed Harris) over in the next cell,and you may even suspect the alligators in the swamps for a while. There are many twists and turns that will have you wondering who done it? The prof's wife (Kate Capshaw)is even invovled. Lots of action, lots of gripping suspense to keep you glued to your seat. You wont want to miss a minute of it.
The cast listed above all do marvelous work in this film. But I must also mention that the legendary Ruby Dee makes a superb appearance, as well as Kevin Mccarthy and Hope Lang.
So let's talk about the DVD. Fabulous! Wonderful widescreen picture. The swamps never looked so clear. Colors looked perfect.Nighttime scenes were all perfectly visable. The sound in the Dolby Surround 2.0 was actually very good, probably could have been perfect in the 5.1 with all the action though. Don't look for any special features,this DVD has only the language selection of French.It's a great film to add to the thriller section of you DVD library(even without the extras) So Look out for those alligators and enjoy.......Laurie

A Team of Great Actors Try.. Yet Ultimately Fail.
Sean Connery, Laurence Fishburn, Blair Underwood, Kate Capshaw and Ed Harris make the Best of Bad Material in "Just Cause", a Thriller that Too closely resembles a whole bunch of Better Thrillers.

Sean Connery stars as Paul Armstrong, a Harvard Law Professor, who is very Anti-Capital Punishment. When a Women comes to him, claiming her Son has been falsely sent to Death Row for Murder, Paul can't help but get involved. He heads to the Little Southern Town were it all took place, and begins his Own Investigation. He Inevitably runs into local resistance, namely the town sheriff, Tanny Brown. (Lawrence Fishburn) When Others also start to believe Armstrong may be right, Tanny is never swayed.

"Just Cause" never really gets Boring, but it doesn't get to Exciting either. Ed Harris' Hannibal Lector-ish performance is a High point and Lawrence Fishburn brings Welcome Tension to the Proceedings. Connery is as good as ever, though he isn't given much to do, Acting wise. Blair Underwood is Very Convincing as the man on Death Row, he convinces the audience as Easy as he convinces Connery. Kate Capshaw is the Weak Link in the Acting Department, and it's Not Really Her Fault. She plays Connery's wife... The Age difference isn't as extreme as Some ("A Perfect Murder" or "Entrapment") but they are Just Not Convincing together. They Actually sound like a Divorced couple when they speak to each other.

The Thrills are Pretty Tired, but they serve their Purpose. The Ending looked Hacked, Changed and Rushed all in one. You Get the Feel it has been Tampered with due to Test Screenings. Arne Glimcher's Directing is Utterly Average, everything happens like Clockwork, leaving Little opportunity to Surprise. It's as if he was watching Dozen's of Better Thrillers and yelling to the crew, "Ok, A Body has to Appear Now... Followed by a... A Shadow in the Bushes."

In Conclusion, Some Great performances, Good Thrills, Average Directing and a Tired old plot. If you don't mind these kind of Short-Cummings, you'll Probably enjoy yourself. Genre fans will probably enjoy it Even More.

No thrill thriller
A flat by-the-numbers who-do-it kind of mystery movie. The actors gave fine performances, given the script they had to work with. But the story lacks intrigues. Characters are not memorable. The action sequences are perfunctory. The major mystery this movie offers is why apparently the director was OK with all these shortcomings.

Don't bother to try to guess ahead of the movie, as many would like to do with a mystery. This movie just isn't worth your effort. Otherwise in the end you might have the frustrating feeling that you've given the movie more thought than the filmmakers appeared to have done.

just a waste of time cause it is
you'd think that Laurence and Seanny would be more careful on what they do know a days., though Fishburne 4 years later did The Matrix, that helped out, but otherwise this is a stink pot thriller with bad acting. Blair Underwood is the killer in this pic and he gets killed by an alligator, hmmmmm and also shot. theres also a skinheaded Ed Harris who's really gay. dont be fooled, I wasnt. its pure ...garbage

Do not rent this movie
One of the worst movies(with a budget)which I've ever seen. The movie is all over the place for fear of offending any segment of the viewing audience. It's supposedly anti-death penalty and police brutality, and yet Sean Connery's character, a crusading Harvard Law School professor and death penalty opponent, winds up siding with a policeman who sticks a .38 in a murder suspect's mouth and plays Russian roulette with it. The death row inmate, played by L.A. Law's Blair Underwood, is freed, only to be eaten by an alligator. The plot is based on a coincidence stemming from Connery's character's marriage to Kate Capshaw's character which is wildly improbable. The best thing about "Just Cause" is Ed Harris' portrayal of a psychotic death row inmate, although even that is a bit over-the-top. ... Read more

Reviews (65)

Wars Abroad, Wars At Home
Clear And Present Danger is the third Tom Clancy novel, featuring hero Jack Ryan, to be made into a movie. The story deals with the war on drugs and corruption in the government. The end result is