Reviews (62)

Best of the 'Brat Pack' Movies
"St. Elmo's Fire" is my favorite 'Brat Pack' movie. With an all-star cast, how can you go wrong? First you have Rob Lowe who is simply gorgeous as Billy, a guy who can't decide what he's going to do after graduating college. He plays the sax (quite well I might add) for fun and sometimes for money.

Then you have Julie (Demi Moore in a wonderful performance), who is very high-strung after learning about her father's marriage to another woman. Her life is basically like kettle with hot water that is about to boil. She's happy then she's sad, then she's manic...She's everything! But she does a wonderful job.

I loved seeing Judd Nelson and Ally Sheedy together. After seeing "The Breakfast Club," I never thought I'd see them as a couple. They are cute together and the scenes they share are fun to watch.

Emilio Estevez's performance was just as wonderful as the others. He falls in love with a doctor (Andie McDowell) who is already involved with someone else, but he's determined to make things go his way. It doesn't work, but watching him try to make it work is just as much fun.

Andrew McCarthy is a lot of fun to watch. Everyone thinks he's gay because he doesn't have a girlfriend and doesn't date very much. It's a typical stereotype, but I got over that. The end of the movie proves that he is not gay. Mare Winningham gives a stunning performance as a girl who comes from a very wealthy family. She loves Billy but her father wants her to marry a successful businessman. Since she is 'daddy's girl,' she doesn't want to disappoint him.

Overall, this movie is just fun to watch and listening to the director's commentary is great. You get to learn about all these things that went on behind the scenes and what roles the actors were originally up for.

Boring Brat Pack Feature
1985's St. Elmo's Fire is the film that created the Brat Pack. The film is about yuppie angst instead of the usual teen angst depicted in like kind films of the era. The seven stars, Rob Lowe, Emilio Estevez, Ally Sheedy, Andrew McCarthy, Demi Moore, Mare Winningham and Judd Nelson are all appealing, but the film suffers from an overall malaise. All seven are friends from Georgetown University and they trying to cope with the problems facing them in the real world. There is a lot of unrequited love between several of the friends, drug use and emotional baggage. Mr. Lowe's character is supposed to the one character that, instead of getting to the wrong marriage or job, just follows his dreams. His speech to Ms. Moore, who is on the verge of a serious mental breakdown or worse, in which he lights hair spray on fire is truly cringe worthy. Overall, St. Elmo's Fire is more of a cultural document, showing what yuppie life was like in the mid-80's and the state of the young and upcoming stars of Hollywood at the time. It also features the famed number one theme song by one-hit wonder John Parr.

Talk about your loads of crap!
Like most others who grew up on the Brat Pack flicks, I couldn't wait for the next one. I loved the earlier flicks that had not only great writing and warm stories to tell, but characters you cared about and situations that we could ALL relate to, at least to some point. Pick your flick - 16 Candles, Breakfast Club - they had at least SOMETHING everyone could relate to. Not "St. Elmos's Fire." Talk about taking a red hot cast of actors and doing absolutely nothing with them. This movie wasted so much talent and threw unlikeable, pretentious morons at us with some of the corniest dialogue I have ever seen. There is not ONE likeable character in this movie. Rob Lowe's character is a moron - not in the directionless sense the movie tries to protray him sympathetically, but in everything he does throughout the film, particularly his acting. I actually laughed at the night club scene when Lowe and his band perform. His "sizzlin" sax performance with his band is one of the most contrived, directionless displays of music in movie history - ranks right up there with the final play scene in Travolta's pathetic sequal to "Saturday Night Fever" ("Staying Alive"). Even the extras in that bar scene are terrible actors who not only have no clue how to dance or even react to that "song" (I guess it was a song), but the scene's climax where Lowe and his wife embrace passionately to the adoring masses is contrived, soap opera worthy material. DeMI Moore... don't get me started on her character. And Ally Sheedy (a fave of mine up till this flick), Judd Nelson, Andrew McCarthy and all the rest of these stooges' over act so much they make Carrot Top seem like Orson Welles or Marlon Brando. Even the bit role players are hammy and cliched - the artistic gay neighbor of Moore's, the wealthy Japanese business man who for some reason trusts just out of college puds with his expensive pad. And the final scene when the gang all seems to come to grips with the reality of their situations while sending Lowe off is as corny as one of the epilogues from the "Charlies Angels" TV show in the 70s. It's sad when recent movies about the 80s seem more authentic than one like this that was made IN the 80s. The only thing I credit this movie with is instilling in me an insatiable appetite for Andie Mc Dowell, who I absolutely love to this day and give most of her movies at least a peak (though a lot of those come up short as well). I suppose I should a acknowledge the hypnotic theme song from the Soundtrack, which I'll admit is appealing, if only for the real life memories of the 80s it brings back. This movie was a lame attempt at using the Brat Pack we grew up with and trying to parallel their lives with where their legions of the fans who grew up loving them were now with their own lives. And in that it fails miserably. This movie is self indulgent and over the top, full of obtrusive characters. One thing I will admit - this is one of those movies that is so bad, you can't help but watch in when it comes on. Again, I thinks it's the way the theme song hooks you. Frankly, this movie sucks.

Brat Pack, here we come
The Real World of cinema I call this. Definitely influential to MTV starting that series. Seven best friends recently graduate from Georgetown Univ. Trying to find their way in life for the future. They all hang out at St. Elmos bar in downtown Washington DC. The characters are somewhat stereotyped the conservative, the artsy journalist, the rebel badboy, the party girl, the niave virgin etc... But that's true to life in a way we all can be put into some category sorry to say. They all have their own set of problems to deal with but end up helping each other out in their own way. Defining 80's coming of age film about relationships & hardships of facing an uncertain future after college. Entertaining script written by Joel Schumacher & an ensemble cast showcasing talent to come. One of my favorite brat pack films. Essential to anyone who grew up in 80's cinema.

Not one likeable character!
All right, let's take 'em one by one:

Emilio Estevez as Kirby: Obsessed with and stalking an older woman, who finally is forced to sic her fiance on his pathetic punk a**.

Judd Nelson as Alec: Pathologically cheats on his live-in girlfriend, then pressures her to marry him because he thinks marriage is the magic pill that will make him stop cheating. When she refuses, he beats her up.

Rob Lowe as Billy: Tortures us with his gratuitous sax-playing.

Andrew McCarthy as Kevin: Thinks that wearing sunglasses at night and chain-smoking makes him a cool existentialist instead of a dateless poseur. Consumed by lustful thoughts about his best friend's girlfriend.

Ally Sheedy as Leslie: Living with Judd Nelson. Need I say more?

Mare Winningham as Wendy: Passive doormat who is shocked and horrified to find, upon becoming a social worker, that not all welfare recipients are noble, misunderstood living saints.

Demi Moore as Jules: Parties with Arabs, maxes out her credit cards and barricades herself in her fabulous-yet-bare (the furniture's been repossessed) loft apartment, finally attempting suicide by opening all the windows and letting her floor-length curtains blow oh-so-artfully about in the cold winter wind as she rocks back and forth on the floor.

Now tell me...are these people you want to spend 110 minutes of your life with? ... Read more

Reviews (52)

Lacking some of the Henson Magic, but still a lot of fun.
This movie has some big shoes to fill. The original Muppet Movie, Muppets Take Manhattan, The Muppet Christmas Carol and the Muppet take on Treasure Island are classics in my mind. Muppets from Space ranks about fourth of the six, but these are six films at the top of the list of all time favorites. This film holds more tru to the earlier films, where our favorite fuzzy friends play themselves and the cameos fly fast and furious. Gonzo (The Whatever) decides that he is tired of being the only Muppet that is specialy challenged. A series of dreams and a sequence lifted directly from Contact help him to realize that he is actually from ?Out there?. Not only that, but his family is finally ready to come get him. From here the movie does what Muppet films do best- Vaudeville type gags and pop culture references that sometimes fly over children?s heads, but help keep parents entertained. I originally saw this film with my wife, brother, sister in law and 6 year old niece. We adults (all raised on The Muppets on TV and at the movies) laughed longer, harder and more often than the moppet. References to contemporary science fiction films and TV series abound and are among the more clever gags peppered through the movie. Be sure to keep an eye open for a reference to Brent Spiner?s appearance in ID4 once Kermit and friends get into the secret lab. It?s a riot. The ending of the film is the only place it really misfires. It can be seen from a mile off and we all knew what would happen before we even entered the theater. Bu that?s OK. We need the happy ending for the kids. The first 90 minutes were for us.

Lacking some of the Henson magic, but still a lot of fun.
This movie has some big shoes to fill. The original Muppet Movie, Muppets Take Manhattan, The Muppet Christmas Carol and the Muppet take on Treasure Island are classics in my mind. Muppets from Space ranks about fourth of the six, but these are six films at the top of the list of all time favorites. This film holds more tru to the earlier films, where our favorite fuzzy friends play themselves and the cameos fly fast and furious. Gonzo (The Whatever) decides that he is tired of being the only Muppet that is specialy challenged. A series of dreams and a sequence lifted directly from Contact help him to realize that he is actually from "Out there". Not only that, but his family is finally ready to come get him. From here the movie does what Muppet films do best- Vaudeville type gags and pop culture references that sometimes fly over children's heads, but help keep parents entertained. I originally saw this film with my wife, brother, sister in law and 6 year old niece. We adults (all raised on The Muppets on TV and at the movies) laughed longer, harder and more often than the moppet. References to contemporary science fiction films and TV series abound and are among the more clever gags peppered through the movie. Be sure to keep an eye open for a reference to Brent Spiner's appearance in ID4 once Kermit and friends get into the secret lab. It's a riot. The ending of the film is the only place it really misfires. It can be seen from a mile off and we all knew what would happen before we even entered the theater. Bu that's OK. We need the happy ending for the kids. The first 90 minutes were for us.

This hilarious film is truly out of this world
Muppets From Space (not to be confused with the original Muppet Show's Pigs in Space) is one terrific movie. The Muppets redefine themselves on the cutting edge of entertainment, put together a film of nonstop action and hilarity, pull off a rather touching ending, impart an important lesson about life to children as well as adults, and really bring their own special magic to the viewing audience. Feature films permit the Muppet universe to expand in altogether new ways. For one thing, you get to see full-body shots of Muppets doing extraordinary things (rather than having to settle for the old above the waist only shots). More significantly, in relation to this movie, there are some pretty good special effects that really make the Muppet world seem more believable than ever. All of the Muppets look great, and some relatively newer characters are nothing short of hilarious (Pepe the Prawn in particular).

Muppets From Space centers around Gonzo, the little guy with the big nose and no real history. He's tired of being a one-of-a-kind creature and yearns to know where he came from. First things first, though. The film opens with the start of a new day in the Muppet house; everyone gets up out of bed and quickly gets down with their bad selves to the funky music of "Brick House." The Muppets have definitely found the funk, and this makes for a really happening, memorable soundtrack. Just when Gonzo is really down about being alone in the world, he receives a communication from outer space (via his alphabet-shaped breakfast cereal). Soon, he is convinced that he is an alien and, what is more, he claims his alien family is on its way to earth. A certain secret agency picks up signs of the aliens and comes after Gonzo, thinking he can tell them what the aliens want and where they will land. The leader of this secret group, played by Jeffrey Tambor, is a little bit out of his mind, and Gonzo falls right into his pending trap by showing up at the local news studio to announce that the aliens are coming. The other Muppets don't really believe Gonzo's claims, but they are eager to help rescue him when he falls into the evil clutches of the Men in Black. The conclusion of the movie is a real hoot indeed, delivering a close encounter of the truly unique kind.

All of the Muppet characters are great; Kermit and Miss Piggy don't get as much screen time as usual, but that may well be a good thing. Gonzo and his roommate Rizzo the Rat (another fantastic, relatively new character) are more than capable of carrying the movie by themselves - of course, they don't have to do it alone because many of the Muppets play important parts. Pepe the Prawn absolutely steals the show, if you ask me; he may be the funniest Muppet yet created. As usual, a number of famous stars make cameo appearances in the film, including Andie MacDowell, Ray Liotta, F. Murray Abraham, Kathy Griffin, Hollywood Hogan (as his NWO self), and an always annoying David Arquette. Kids as well as adults should love this movie. Older viewers will appreciate some of the subtle nods to popular culture; for example, you will find parallels to big movies such as Close Encounters of the Third Kind, Star Trek, Men in Black, Independence Day, and The Shawshank Redemption.

This is as funny and enjoyable a Muppet movie as you will find. Don't let the kids get all of the enjoyment out of Muppets From Space, though; there are plenty of things incorporated into the plot and script to make adults smile and laugh, as well.

CLASSIC
this is such an unexpected movie. This is my kind of humor. Its definetly worth watching, especially if you are a muppets fan.

My favorite Muppets movie!!!
After being disappointed by Muppets Treasure Island (which had so much potential) we were reluctant to see this movie. What a pleasant surprise! This movie is really fun, funny, and the soundtrack rocks. This movie turmed my significant other into a muppet lover. We love the MST2K version with the muppet commentary too. Lots of neat extras. No disappointments! ... Read more

Amazon.com essential video

A surprise hit and one of the highest grossing films ever to come out of Great Britain, this effortlessly enchanting romantic comedy finds confirmed bachelor Hugh Grant (Nine Months)attending weddings with his single friends as they all lament not being able to commit. Grant keeps running into an attractive American (Andie MacDowell) at these festivities and begins a long-running affair with her, even as he attends her own wedding, the funeral of one of his best friends, and his own pending nuptials. Featuring a spirited supporting cast including Kristin Scott Thomas (The English Patient)as the acerbic friend quietly in love with Grant, this touching and funny film with a mischievous sense of humor and some truly heartbreaking moments is destined to become one of the classic romantic comedies of all time. --Robert Lane ... Read more

Reviews (71)

Very Best Romantic Comedy
"Four Weddings and a Funeral" may not be the greatest movie in the history, but it surely is the best modern romantic comedy I ever saw. The only film that can possibly surpass this delightful one is, perhaps, "When Harry Met Sally ..." Maybe tied.

Hugh Grant has starred in many films since then, but his best role is still Charles of this film, who unwittingly finds his love in Carrie, an open-hearted American played by beautiful Andie MacDowell at his friend's wedding. One miatake is, he foolishly couldn't realize it before he let her go after one-night stand. But as the number of ceremony goes up (including one funeral), he gradually comes to notice that he threw away the best thing in his life. And while he is wondering what to do, friends around him start to search for their real love, including his own brother David, his timid friend Tom, Tom's sister Fiona, and Charles's eccentric roommate Scarlet. But where should Charles go? Going back to his countless ex-girlfriends? Or, Carrie? But she got already married.

To be honest, a little abrupt ending of the film damages an entire movie's strength a bit, but all comedies have to pay the price to end the show within an appointed hour. What is incredibly splendid about "Four Weddings" is that the characters are all so lively and sparkling with witty dialogue that you think they are not acting at all. Actually, on top of Hugh Grant, many actors are still associated with the roles in this film even if they got more populality after this film; Kristin Scott Thomas is later to be nominated Oscar for her turn in "English Patient," but she will be remembered as deliciously aristocratic Fiona. John Hannah made his name popular through the Hollywood blockbuster series of "Mummy," but still he is kind-hearted Matthew to those who have seen him recite W H Auden (most touching moment) in "Four Weddings." This is that kind of film that changes the cast's life. It happens once in your lifetime.

With this great ensemble cast, we have fantastic script by Richard Curtis, filled with funny lines uttered by completely believable characters. He does not fail to take great care of minor characters, and give them equally good moments. Look how Serena, in love with handsome David who is hearing impaired, learns sign. Trying to impress him, she mixes up "nice" with "mice," but, you know, when boys and girls are in love. nothing can stop them from understanding each other. Cute.

Brilliantly written, "Four Weddings" is a superb model of romantic comedy. If you like this type of movie, you surely will fall in love with it; and if you're not, your mind will be changed just like mine (I didn't expected much from it, so I didn't go to theater until the last day). And the film never forgets the sad side of life as the title implies. Sad thing is one of the cast Charlotte Coleman, who played most unconventional bridesmaid Scarlett, has passed away recently. She is terrific.

Insightful and Fun!
This movie features memorable comic vignettes and great insights into relationships, love and fear of commitment. The mumbling Hugh Grant delivers an effortlessly charming performance, he is rapidly becoming the British Cary Grant. Also extremely good supporting cast. Unfortunately Andie MacDowell doesn't add enough life to her important character and makes 'Carrie' almost lifeless and dull, which is the exact opposite of Kristin Scott Thomas performance which is quiet but right on the money. The whole movie is ultimately entertaining, fun and very funny at times. The ending is out of place and doesn't seem as smart as the rest of the film. From a scale of 1-10 I give this film a 7!

Great Movie . . . Ugh! Except for Andie MacDowell!
Yet another smashing British comedy. Yes . . . Yes . . . It would have been perfect if not for Andie MacDowell.

The movie carries on rather wittily (if not cynically) as seven friends: one pair of siblings: Charles and Scarlet; another pair of siblings, decidedly richer: Fiona and Tom; a pair of homosexual lovers: Garreth and Matthew; and a deaf man: David; attend four weddings (one being Charles'own) and a funeral with a particular air of skepticism.

Hugh Grant plays the main character, Charles, who in the first wedding is the best man, the tardy best man. During the reception, Charles falls in love with Andie MacDowell's character, the uncharismatic Carrie. That night the two "make love." The following morning is another wedding at which Tom is the best man (hilarious wedding indeed!) and Charles arrives late again. He finds Carrie's there also to discover that she is engaged to a Scottish "gentle"man, after which the two end up in bed again. Over the course of the movie, and after a considerable period since their last lovemaking session, Charles receives Carrie's wedding invitation and the gift list. She asks him to help her pick out a wedding dress, then accompanies her to coffee where she gives him the lowdown on her thirty-three sex partners. Charles actually attends her Scottish wedding (still in love with her). After which he decides to settle down with a woman who, for lack of a better word, stalked him after they dated. Carrie shows up, confesses her divorce to Scottish bloke, and her love for Charles.

In the end Charles denies his bride at the altar and lives happily ever after with Carrie after she agrees that she will not marry him.

Yes, it' just that empty. Only where Charles and Carrie are concerned, though!

MacDowell is just . . . all wrong for this movie. How Grant's character could still love her after he discovered she was a jaunty harlot (33?!) and engaged escapes me! MacDowell wasn't even a likeable harlot (Kristin Scott Thomas's character, Fiona, said it right: American slut). Her plain country voice just clashed horribly with Grant's charming British one. Nothing she said was funny. She just should not have been here. Another American actress would have been better suited, or a British actress even better.

Having said that, the rest of the movie is fantastic. Most of the humor is laughable, at other times it is clever without being sidesplitting, like most British humor.

James Fleet is wonderful as the bumbling Tom.
Simon Callow is perfectly cast as the flamboyant Gareth whose funeral is the Funeral from the title.
John Hannah has a lot of chemistry as Gareth's Scottish lover, Matthew, the more optimistic of the group.
Kristen Scott Thomas brilliantly plays Fiona, the more critical of the seven because of her secret feelings for Charles.
Charlotte Coleman is Charles' sister, Scarlett: the wild child with scarlet hair.
David Bower is the deaf David who, despite speaking in sign language, adds to the film (whereas Andie MacDowell, who spoke often, contributed nothing).
And of course Hugh Grant is Charles, the convincing bachelor who falls into an unconvincing relationship that flaws the movie.

Highly Recommended!

Overrated Piece of Garbage
I can't believe this movie was a hit, unless I saw a different movie with the same title.

We are given the rare priviledge spending time around a bunch of shallow, annoying, whiney, vacuous people as they attend the titular events. Why we are meant to care what happens to any of them, we are never told.

The only character who is almost halfway likable is a condesending jerk, and its his funeral in the title.

The only reason I went to see this was that Rowan Atkinson is billed as one of its main players. He is only in two scenes, and is even less funny than the rest of the cast ("Oh, he said 'spigot' instead of 'Spirit,' I think my sides are about to burst.") Screenwriter Richard Curtis, who also wrote for "Black Adder," must have blackmailed him.

I think Americans who like this movie, and others like it (the Curtis genre), think that seeing it makes them really sophisticated. The joke is on them, however. Just before dying, the jerk makes fun of some Americans for not knowing Oscar Wilde is dead. The American who is ignorant of things British is one of the most tired cliche's in Brithish "comedy." Many who laught at it, I'm sure, don't recognize a difference between types of Americans. We're all stupid, in their books. The ones who vist Britain as tourists or watch their movies and TV shows are the most visible to them. They like to take our money, as much as they seem to resent us.

Don't get me wrong. There is a lot of British stuff I like. I dream of one day visiting the Sceptre'd Isle. The Curtis genre, however, occasionally mocks Americans while pandering to a certain type of American, while the charcaters, but for their accents alone, are indistinguishable from the most boring types of shallow, middle-class Americans.

And seeing Hugh Grant in this movie caused me to wonder from under which rock he was found. The slime oozing off his body was quite obviously palpable to me. Why nobody else? Is this a hoax? Is everyone just pretending to like this guy for some reson? Even assuming he's good looking and all that, so what? There are lots of pretty boys, and some of them don't engage in marathon sessions of nodding and blinking. I think hundreds of actors could do just as well, if not better than him in most of his movies in I've seen. For a list of the few good movies he's been in, see my "Films with Hugh Grant that are Actually Worth Watching" in Listmania Lists.

After ten years, the bad aftertaste of this movie lingers on.

Not enough funerals
If it's possible for a movie to be any worse, I don't know how. Oh, that's right... LOVE ACTUALLY!

This meandering, pointless hodgepodge of unsympathetic and amoral characters in unbelieveable settings is a complete waste of time and film. And what was the ending about, anyway? Hugh and Andie agree to "not be married" for the rest of their lives? So, like, they're gonna just shack up for life? We all know that works soooooo well... see Hugh's non-marriage to Liz Hurley for details.

One star, but only because I can't give it zero. ... Read more

Reviews (239)

it's going to last you the rest of your life!
Groundhog Day is the funniest movie of the 90's. Brilliant performance by Bill Murray who plays a cocky weatherman Phil Connors who covers Groundhog day every year in the small town of Punxatawnee that he hates. The day end with him being stuck there because of a blizzard that he didn't predict...and what more, he relives groundhog day over and over again...taking advantage of it, taking his own life, making a move on his producer Andie Macdowell which turns out to be his first lesson in reviewing his inner cruelty and becoming a better person, and a local hero!

This movie is straight out funny...it will make you crack up with every viewing. Watch out for Stephen Tobolowski in his bizarre role as Ned Ryerson, and a cameo appearance by the film's director (and Murray's costar in Ghostbusters) Harold Ramis.

The features are well worth the money too.

A tale of love, hope, and redemption
This is a terrific movie - hilarious, uplifting, and deeply romantic and heartwarming.

Bill Murray and Andie McDowell are perfect in this film, Murray as the cynical, infinitely self-centered TV weather newscaster, and Andie McDowell as his radiant and relentlessly uplifting TV producer and love interest. The plot has been rehashed many times by others, so I won't repeat it again.

The thing that makes this movie so memorable, and makes it stand out from all others is not the comedy, which is enjoyable, but the deeper themes behind it.

What are these themes? In reading the other 226 reviews, people have mentioned everything from Buddhist karma and reincarnation, Nietzsche and existentialism, Kubler Ross, the Seven Sins, and Gurdjieff -Ouspensky and the Fourth Way. Comparisons have been made to themes from the Twilight Zone, and Frank Capra movies like "It's a Wonderful Life".

Yes, I suppose all of these themes are present, and people will interpret this movie in the religious or philosophical context with which they are most familiar. Which is why it's a bit surprising that so far nobody has mentioned the main theme that stood out immediately for me in this movie.

Above all the existentialism and New Age themes that might be found in this movie is a very old fashioned one - at its core, this movie is a moral tale of love, hope, and redemption.

Bill Murray's character is stuck in time, stuck in purgatory, stuck in a perpetual rut of endless reincarnation and immortality, whatever you want to call it. His character, Phil Connors asks, "What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?"

Connors first uses his recursive immortality to dive even deeper into the Seven Sins, and then sinks into despair, hopelessness, and attempted suicide. But gradually, he awakens to the possibility that his choices of action do matter, and discovers that through caring for the other people in this town, he is able to regain hope in his own life again. It is this genuine turn in becoming a better person that wins the heart of Andie McDowell's character and earns him redemption from this purgatory.

Another reviewer had mentioned a link to the theme of making hard choices in the "Lord of the Rings". Thanks to "Groundhog Day", I came to understand one question from LOTR that had always bothered me - why would any immortal being (i.e., elves like Arwen and Haldir in LOTR) ever give up their immortality? The answer: maybe immortality becomes tiresome and meaningless if one cannot make a difference in this world, maybe leaving immortality to gain the love of another is truly more worthwhile.

There was just one other aspect of this idea that came to mind - what if whoever or whatever had kept Phil Connors stuck in time had continued to keep him there even after his transformation? We like to think that love and hope always leads to redemption. What if it doesn't? That's one real-life possibility which is not explored in this movie, but nevertheless, it is still a terrific movie.

Renaissance Man Extraordinaire - Carpe Diem
There are so many messages behind this great movie with Bill Murray and Andie MacDowell. He is head over heals for MacDowell from the start, but as an arrogant weatherman, he seems to just tick her off from the start as well.

Imagine waking up every morning and it is the same day over and over again? Well, Murray has this happen to him. Every time he does his day becomes one disaster after another until he finally gives in and figures out he can use each day to improve himself and his life a little at a time.

The message here is clear. We all have a life that is made up of the same day everyday, what we choose to do with that day is really up to us. Do we want to improve our lot in life or just go along with being ourselves in a boring unfulfilled endless life that is a cycle of recurring themes?

This movie shows anyone, even though it is a comedy, that each day we have a choice to make the day what it can be. Murray plays Phil Connors, on Ground Hog Day when the ground hog's name is also Phil...go figure. Connors is as arrogant as they come and he just keeps trying so hard to impress people.

He goes from egotisical and self serving to seeing himself to get the girl of his dreams, Rita. It would be nice to know how many days of Ground Hog Days he spent there. You can see him go from this to a renaissance man who really cares about people, loves life and takes each day and uses it to improve himself.

Rita, although the same person and not being influenced or affected by being in Ground Hog day, comes to really like Phil. This movie makes us laugh at ourselves and our humanity. And by the end of the movie, he shows that he can have a positive effect on everyone he comes in contact with.

So when you hear the song, "I've Got You Babe," and the announcers saying, "It's Ground Hog Day....." remember to use the day to its fullest.

Perfect
G.D really is nearly perfect. I never tire of it. At the same time I think most people miss the point. (By the way, I've NOT seen the Special Edition.)

I'm facinated each time watching the totally self centered Bill Murray caught in this marvelous time paradox, living the same day over and over. He goes through differing stages: fear and confusion; euphoria, when he realizes he can do ANYTHING without consequence; despair, when he realizes that life is meaningless if one pursues selfish pleasures without goals; and finally a peaceful self actualization when he dedicates himself toward self improvement and the humanitarian goals his situation gives him the opportunity to pursue.

It gives one pause to consider what each of US would do in a similar circumstance.

Oh, it's really funny, too.

Groundhog Day a classic
In 1993 , director Harold Ramis genius of dark comedies like ''Analyze This'' casted Bill Murray as Phil Connors in this dark but mostly enjoyable movie named GroundHog Day.

Bill Murray plays Phil Connors a weatherman, who covers everything from weather to Ground Day. Phil isn't happy with his life, in fact he realizes that he is repeating the same routine over and over again. From work in the morning,to
talking to the annoying Ned Ryanser( Stephen Tobolowsky), while listening to Sonny and Cher in the morning to covering the stupid GroundHog Day, Phil is repeating the same day over and over again. Of course the irony here as done by the plot, is that he is the only that knows it. It's like an episode the ''Twilight Zone'' (which I reviewed too on other sites). Eventually Phil has a mental breakdown in which he plans to do whatever he wants. He comes completely unglued when realizing how wasted his life had become, and thus wants to change it.

I use the term breakdown because well Phil isn't exactly a nice guy, he's arrogant and obnoxious. We hardly sympathize with this guy, much less that he is miserable.
However, the point the movie makes is the guy realizes he has been wasting his life away and wants to change it, although Phil's change doesn't go ahead smoothly.

He drives reckless around the train tracks, gets arrested, steals a bagfull of money from a couple of dumb cops, charms his way into sleeping with a beautiful young girl and yet finds out that he still isn't happy. Until he puts the moves on Rita (Andy McDowell), his producer. McDowell is the few actresses that I know that has limited acting potential but her beautiful presence can convey some emotions making her sympathetic.

However, in order to get close to Rita, Phil has to get info on her likes and dislikes from her friends. This angle in the movie, really made me a little sick, because even we are suppose to sympathize with Phil, he hasn't really changed all that much. Rita, eventually finds out Phil's motives and slaps him in the face, and telling him to get lost. LOL No surprise there, in fact Rita's action sums up my argument that Phil hasn't really changed all that much despite his aim to not repeat the same day, he is still repeating his same behavioral patterns.

Phil though in order to impress her and to change himself, starts doing bizarre, yet unreal things that get him attention and he does start to become nicer. This is where the movie gets ridiculous, because even though this is a comedy, I found the rest of the movie to be predictable, superficial, yet enjoyable
Phil becomes a gifted ice sculpter (who knows where he learned this) as one scene, where his cutting a sculpture of an ice angel is shown. Then Phil saves a guy from choking to death, a kid from a falling tree and a host of other surprises. LOL

Yes Harold Ramis does go a bit over the top with this Phil guy, obviously a lot of the stuff he pulls of is almost impossible giving Phil's background, but Ramis is again trying to show the point (although laughingly bad) that Phil is changing. He now has a heart and will do anything to be with this nice woman and of course by Phil doing this he has filled that empty void that he had when he was repeating the same unfulling routine of covering that stupid Groundhog Day in Pennsylvania.

Ramis is actually a buddy of Murray going back to the old days of their ''SCTV'' days, and ''Ghostbusters'' days, so these two talented comedian can pull the hijinks in the film with some realism.

Still though Ramis does do a good job of making us think about the movie and Phil itself and gives us that scary thought that we perhaps might end up like Phil, a shriveled, ugly man who has been repeating the same stupid routine yet doesn't have the capacity to see that this misery is at his own doing.

LOL ... Read more

Amazon.com

Bruce Willis's awful, 1991 vanity piece is an abuse of audience goodwill and a waste of a good cast and director (Michael Lehmann of Heathers). The story, cowritten by Willis, concerns a cat burglar pressured into stealing precious art, including some from the Vatican. But the script is just a convenience upon which Willis piles his vaguely boorish brand of hip irony, assuming his audience will stay with him every step of the way. Certain, self-congratulatory scenes induce cringing--Willis and Danny Aiello, for instance, sing "Side by Side" (to brassy accompaniment on the soundtrack) every time they're working a job--but the overall effect is more irritating and baffling. Keep a good thought for Willis (an underrated actor better than the summer junk we usually see him in) by checking out his superior work in Pulp Fiction and his small but memorable role in Billy Bathgate. --Tom Keogh ... Read more

Reviews (93)

Almost Believed The Hype
My love of this movie began when I was home alone channel sufing. Stumbling across this film on UPN, I checked my Trusty TV Guide and found they only gave it one star. I decided to do a MST3K on this apparently rotten film. I Was unable to do so because there was one small problem. This film is the most convoluted, twisted, Hitchcokian piece of Funny stuff I've ever seen. Being of Fan of totally random stuff, I was over whelmed by the randomness of this film. A butler has Knives spring out of his Arms. Bruce willis ( as Hudson) and Danny Allieo time a burgarly with a rendition of "Swingin on a Star" The pope watches Mr. Ed. And THrough it all, Hudson just wants a coffee. You see the McGuffin of this film may be Da Vinci's Book of Fun & games, but the real driving force in this film is Hudson's coffee. This movie has many one-liners that I can say to my friends and they have absolutly no idea wher it comes from. Many other reviews talk about A Deus Ex Machina ending. I have no idea what tha is really, but the end, the beginning and yes eventhe middle are full of great stuff. Dont Listen to critics! in Some fashion. everyone should see a portion of this underated classic.

Ahead of It's Time
I, too, was one who saw this movie when it was first released (right after "Die Hard") and fell to the original disappointment. Recently, I decided I had to buy the DVD to add to my Bruce Willis movie collection because I knew it was an important movie to this artist (he created it, helped write it, etc) and I am such a fan of his talent. You can't imagine my surprise to find that watching it now, years later, I thought the movie was hilarious! It is the kind of movie that is best described as "just plain fun". My jaw hurt from laughing so hard for so long! The only explanation I have for not liking it when it first came out...but, loving it years later is that the type of humor that was in "Hudson Hawk" (Bruce Willis humor) was simply ahead of it's time! I am glad I finally caught up! Buy the DVD if possible and listen to the director's commentary to find hidden humor that surely passed by you unnoticed when you watched the movie. If you only like movie's that have twisted plots and make you think...then, this movie is not for you. But, If you like to kick back and just get lost in the fun...you'll enjoy this movie tremendously!

what the hell...
This is one of the worst movies ever made. The comedy can only be enjoyed by a preteen. An R-rated movie starring Bruce Willis with loney-toon style sound effects and all of the crappiest things you can think of. This movie is horrible. In order to like this movie you must have had a full lobotomy.

Classic film like no other!!!!
I remember really diggin the hell out of this at the theatre, despite the fact that it tanked and I was all of 12. What gets me is that- I understand why your average brainwashed zombified office drone wouldn't like this but the critics panned it too. Actually, that doesn't surprise me, given the heidi fleiss treatment they've lavished on the wretched 'Troy.' Anyway, Glad to see there's a little amazon cult of like-minded souls who appreciate the hilarious absurdity, one-off jokes, great performances, neat ideas and all around craziness this movie delivers.

Yeah, there are some plot problems and pacing is off-kilter, but heck, this film is so much fun from the first second til the end when Eddie finally gets his- no I won't ruin it... Give it a chance. I haven't perused the DVD but doubt it has much extra stuff. This isn't the kind of film the gets the redux.

If the thought of Danny Aiello, Bruce Willis, James Coburn, Sandra Bernhardt, Andie McDowell (no relation to Malcolm), a young David Caruso, and a handful of other dynamic character actors doesn't appeal to you then stop reading now. Moreover, if the thought of the world's greatest jewel thief stealing Da Vinci treasures, a Vatican spy agency, an over-the-top madman entrepreneur and his depraved wife aimed at destroying the world's economy, a corrupt CIA covert ops team called "The Candybars," doesn't pique your interest then go back to bed.

Some of the best one liners I've ever heard. They never get old. "I must speak with the dolphins now." "Just kill her- Darwin! This is supposed to be torture, not therapy." "Bettie Jo Baijarsky? I can get you an address on that." "Bunny?!? Ball Ball!!!"

If you like Bill Murray's everyman attitude in ghostbusters then this film's humor will appeal.

In summation- If you dug 'Ice Pirates,' "The Princess Bride," or any Terry Gilliam film you will probably dig this one.

ciao.

Oh, get over yourselves
I hate stupid movies. Mel Brooks annoys the hell out of me. But I like, nay, LOVE Hudson Hawk. One of the few movies not directed by David Lynch that constantly leaves you thinking "What the f___?" in the same way that "Fear and Loathing in Las Vegas" leaves you thinking "What the f___?" It's an acid-soaked Catholic caper with snappy dialogue and great Bond-esque one-liners. You just have to let go of sanity and roll with it. As for the all-knowing movie gods who panned this scategorical masterpiece, what do they call you, Ig and Ook? ... Read more

Description

An infant raised to manhood among savage apes, living by his wits and the law of the jungle, returns to society to claim his inheritance of humanity and privilege. This collision of "wild" and "civilized" worlds is the extraordinary saga of Tarzan, chronicled in Edgar Rice Burroughs' popular book series. Starring:Christopher Lambert, Andie MacDowell, Ian Holm ... Read more

Reviews (32)

Greystoke - The Legend of Tarzan, Lord of the Apes
I felt the film gave an adequate portrail of the book written by E.R. Boroughs. Christopher Lambert depicted Tarzan as one would imagine a human growing up in the jungle. His french accent gave credence to the original story where Tarzan, was taught the spoken language of French by Lt. D'Arnut. The scene with the ape attacking and killing his family is not romanticised - It appears as a wild animal jealously defending his territory against intruders. Tarzan's relationship with the apes that raised him is touching and the jungle scenes are fantastic. As well as are Christopher Lambert's portrail of Tarzan's difficulties adapting to the restrictions of "civilized" society. The film takes a number of "artistic licenses" in numerous places - which is a shame as the original story would be easily depicted in flim. The acting was very good and the sets fantastic! Overall the film would be worth viewing as the story moves fast enough to keep your interest, and it [film] will make you re-think who is really the savage beasts - man or animal (who is living by the most basic laws of nature - driven by survival and not greed)?

AT LONG LAST!!!!! But What About The Special Features?
GREYSTOKE is without a doubt the best Tarzan movie ever made (though I must admit, the Disney version came pretty close). Not only is it the most loyal to Edgar Rice Burrough's original novel, but it's the only adaptation to contain real drama. GREYSTOKE has an epic scope and musical score, and a cast of fine actors, including Sir Ian Holm, Sir Ralph Richardson, Andie MacDowell (though she was dubbed over by Glenn Close), and Christopher Lambert in his very first movie, and what a way to start! With his eyes alone, he expresses an emotion that many actors can't even muster with their entire bodies. Add to that some of Rick Baker's best make-up work ever, and you've got yourself a doozie of a movie. In short, GREYSTOKE is a classic, much neglected by modern viewers.

I have been waiting. And waiting. And waiting. But alas, this movie was no where to be found on the DVD format. Well, the long wait is finally over. Though I was hoping for a Two-Disc Special Edition release, this is goods enough. I just hope that it has SOME special features. Or, maybe they could just work on the movie and include a commentary track. For instance, they should definitely release the extended version available on VHS, and return Andie MacDowell's original voice track. And of course, give the movie a new digital transfer with Dolby Digital 5.1, or maybe even DTS!

Just having this movie on DVD will be good enough for me. That said, Warner had better not screw this one up!

A classic
Beautiful and touching story. Great images and good performances. One of the classics of the 80's.

Great Tarzan Movie
This simply has got to be one of the best Tarzan films ever made. Yet I can't help feeling that this Tarzan film is merely
a great prelude of what could have been a great series of more
Tarzan films. Christopher Lambert was excellent as Tarzan/John Clayton and Andie MacDowell looked beautiful as Jane (dubbed by
Glen Close). The scene of the jungle explorers traveling down
a African river via tramp steamer reminded me of Disney World's
Jungle Cruise ride exactly. Beautiful cinematography and Rick
Baker's ape effects were fantastic. This Tarzan film seems to take place around the late 1890s - early 1900s, so the attention
to period detail was very well done. So if jungle adventure and
romance is to your liking, check out this terrific film. Enjoy.

So Close...
"Greystoke - The Legend of Tarzan" could have been a classic. Lord John Clayton of Greystoke is shipwrecked in Africa with his pregnant wife. Shortly after she gives birth, they both die from an ape attack. One of the apes take little John, and raise him as her own. He grows up strong but wild and savage (now played by Christopher Lambert). One day he is happened upon by a French explorer. He is eventually returned to his family, but he finds it hard to fit in with "civilized" people. Along the way, he falls in love with Jane (played by Andie MacDowell, but her voice was dubbed by Glen Close, why they did this I'll never know?). It had a populor director (Hugh Hudson), an accomplished writer (Robert Towne), was beautifully photographed (especially in the jungles, it is just breathtaking) and based on one of the most populor books of the 20th century by Edgar Rice Burroughs. But it isn't that good. What happened? Well, the first hour or so there is no dialogue; but that is okay, because the physical expressions of the apes and Tarzan are pretty self explanatory. (By the way, he is never referred to as 'Tarzan'.) When he is 'rescued' and moved to England, nothing very adventurous happenes there. What happened to pirates coming out of the wood work trying to kidnap Jane? Where are the warriors from Opar? I'm sorry, "Greystoke" was pretty dull. The actors do ok, I guess. Ian Holm is alright, good in fact. Ralf Richardson looked like he was having a good time, and the relationship between he and his grandson rang pretty true. It is hard to tell if MacDowell was any good, with being dubbed over. But what about Tarzan? Christopher Lambert was actually good. I really liked his performance as the childlike savage. He played being in awe of the city wonderfully. He didn't talk a lot, but maybe that is a good thing. His acting tends to be a little wooden; in fact, in my opinion, he just happens to be in the right place at the right time, like this one and "Highlander". I read the novels and I think about how this movie could have been so much more. Still, it is a beautifully shot movie, and it dose play fair, so it is worth your time. If you can find it, watch the extended version, it is a little bit more action packed (loved how Tarzan took out the entire outpost!). ... Read more

Reviews (71)

Very Best Romantic Comedy
"Four Weddings and a Funeral" may not be the greatest movie in the history, but it surely is the best modern romantic comedy I ever saw. The only film that can possibly surpass this delightful one is, perhaps, "When Harry Met Sally ..." Maybe tied.

Hugh Grant has starred in many films since then, but his best role is still Charles of this film, who unwittingly finds his love in Carrie, an open-hearted American played by beautiful Andie MacDowell at his friend's wedding. One miatake is, he foolishly couldn't realize it before he let her go after one-night stand. But as the number of ceremony goes up (including one funeral), he gradually comes to notice that he threw away the best thing in his life. And while he is wondering what to do, friends around him start to search for their real love, including his own brother David, his timid friend Tom, Tom's sister Fiona, and Charles's eccentric roommate Scarlet. But where should Charles go? Going back to his countless ex-girlfriends? Or, Carrie? But she got already married.

To be honest, a little abrupt ending of the film damages an entire movie's strength a bit, but all comedies have to pay the price to end the show within an appointed hour. What is incredibly splendid about "Four Weddings" is that the characters are all so lively and sparkling with witty dialogue that you think they are not acting at all. Actually, on top of Hugh Grant, many actors are still associated with the roles in this film even if they got more populality after this film; Kristin Scott Thomas is later to be nominated Oscar for her turn in "English Patient," but she will be remembered as deliciously aristocratic Fiona. John Hannah made his name popular through the Hollywood blockbuster series of "Mummy," but still he is kind-hearted Matthew to those who have seen him recite W H Auden (most touching moment) in "Four Weddings." This is that kind of film that changes the cast's life. It happens once in your lifetime.

With this great ensemble cast, we have fantastic script by Richard Curtis, filled with funny lines uttered by completely believable characters. He does not fail to take great care of minor characters, and give them equally good moments. Look how Serena, in love with handsome David who is hearing impaired, learns sign. Trying to impress him, she mixes up "nice" with "mice," but, you know, when boys and girls are in love. nothing can stop them from understanding each other. Cute.

Brilliantly written, "Four Weddings" is a superb model of romantic comedy. If you like this type of movie, you surely will fall in love with it; and if you're not, your mind will be changed just like mine (I didn't expected much from it, so I didn't go to theater until the last day). And the film never forgets the sad side of life as the title implies. Sad thing is one of the cast Charlotte Coleman, who played most unconventional bridesmaid Scarlett, has passed away recently. She is terrific.

Insightful and Fun!
This movie features memorable comic vignettes and great insights into relationships, love and fear of commitment. The mumbling Hugh Grant delivers an effortlessly charming performance, he is rapidly becoming the British Cary Grant. Also extremely good supporting cast. Unfortunately Andie MacDowell doesn't add enough life to her important character and makes 'Carrie' almost lifeless and dull, which is the exact opposite of Kristin Scott Thomas performance which is quiet but right on the money. The whole movie is ultimately entertaining, fun and very funny at times. The ending is out of place and doesn't seem as smart as the rest of the film. From a scale of 1-10 I give this film a 7!

Great Movie . . . Ugh! Except for Andie MacDowell!
Yet another smashing British comedy. Yes . . . Yes . . . It would have been perfect if not for Andie MacDowell.

The movie carries on rather wittily (if not cynically) as seven friends: one pair of siblings: Charles and Scarlet; another pair of siblings, decidedly richer: Fiona and Tom; a pair of homosexual lovers: Garreth and Matthew; and a deaf man: David; attend four weddings (one being Charles'own) and a funeral with a particular air of skepticism.

Hugh Grant plays the main character, Charles, who in the first wedding is the best man, the tardy best man. During the reception, Charles falls in love with Andie MacDowell's character, the uncharismatic Carrie. That night the two "make love." The following morning is another wedding at which Tom is the best man (hilarious wedding indeed!) and Charles arrives late again. He finds Carrie's there also to discover that she is engaged to a Scottish "gentle"man, after which the two end up in bed again. Over the course of the movie, and after a considerable period since their last lovemaking session, Charles receives Carrie's wedding invitation and the gift list. She asks him to help her pick out a wedding dress, then accompanies her to coffee where she gives him the lowdown on her thirty-three sex partners. Charles actually attends her Scottish wedding (still in love with her). After which he decides to settle down with a woman who, for lack of a better word, stalked him after they dated. Carrie shows up, confesses her divorce to Scottish bloke, and her love for Charles.

In the end Charles denies his bride at the altar and lives happily ever after with Carrie after she agrees that she will not marry him.

Yes, it' just that empty. Only where Charles and Carrie are concerned, though!

MacDowell is just . . . all wrong for this movie. How Grant's character could still love her after he discovered she was a jaunty harlot (33?!) and engaged escapes me! MacDowell wasn't even a likeable harlot (Kristin Scott Thomas's character, Fiona, said it right: American slut). Her plain country voice just clashed horribly with Grant's charming British one. Nothing she said was funny. She just should not have been here. Another American actress would have been better suited, or a British actress even better.

Having said that, the rest of the movie is fantastic. Most of the humor is laughable, at other times it is clever without being sidesplitting, like most British humor.

James Fleet is wonderful as the bumbling Tom.
Simon Callow is perfectly cast as the flamboyant Gareth whose funeral is the Funeral from the title.
John Hannah has a lot of chemistry as Gareth's Scottish lover, Matthew, the more optimistic of the group.
Kristen Scott Thomas brilliantly plays Fiona, the more critical of the seven because of her secret feelings for Charles.
Charlotte Coleman is Charles' sister, Scarlett: the wild child with scarlet hair.
David Bower is the deaf David who, despite speaking in sign language, adds to the film (whereas Andie MacDowell, who spoke often, contributed nothing).
And of course Hugh Grant is Charles, the convincing bachelor who falls into an unconvincing relationship that flaws the movie.

Highly Recommended!

Overrated Piece of Garbage
I can't believe this movie was a hit, unless I saw a different movie with the same title.

We are given the rare priviledge spending time around a bunch of shallow, annoying, whiney, vacuous people as they attend the titular events. Why we are meant to care what happens to any of them, we are never told.

The only character who is almost halfway likable is a condesending jerk, and its his funeral in the title.

The only reason I went to see this was that Rowan Atkinson is billed as one of its main players. He is only in two scenes, and is even less funny than the rest of the cast ("Oh, he said 'spigot' instead of 'Spirit,' I think my sides are about to burst.") Screenwriter Richard Curtis, who also wrote for "Black Adder," must have blackmailed him.

I think Americans who like this movie, and others like it (the Curtis genre), think that seeing it makes them really sophisticated. The joke is on them, however. Just before dying, the jerk makes fun of some Americans for not knowing Oscar Wilde is dead. The American who is ignorant of things British is one of the most tired cliche's in Brithish "comedy." Many who laught at it, I'm sure, don't recognize a difference between types of Americans. We're all stupid, in their books. The ones who vist Britain as tourists or watch their movies and TV shows are the most visible to them. They like to take our money, as much as they seem to resent us.

Don't get me wrong. There is a lot of British stuff I like. I dream of one day visiting the Sceptre'd Isle. The Curtis genre, however, occasionally mocks Americans while pandering to a certain type of American, while the charcaters, but for their accents alone, are indistinguishable from the most boring types of shallow, middle-class Americans.

And seeing Hugh Grant in this movie caused me to wonder from under which rock he was found. The slime oozing off his body was quite obviously palpable to me. Why nobody else? Is this a hoax? Is everyone just pretending to like this guy for some reson? Even assuming he's good looking and all that, so what? There are lots of pretty boys, and some of them don't engage in marathon sessions of nodding and blinking. I think hundreds of actors could do just as well, if not better than him in most of his movies in I've seen. For a list of the few good movies he's been in, see my "Films with Hugh Grant that are Actually Worth Watching" in Listmania Lists.

After ten years, the bad aftertaste of this movie lingers on.

Not enough funerals
If it's possible for a movie to be any worse, I don't know how. Oh, that's right... LOVE ACTUALLY!

This meandering, pointless hodgepodge of unsympathetic and amoral characters in unbelieveable settings is a complete waste of time and film. And what was the ending about, anyway? Hugh and Andie agree to "not be married" for the rest of their lives? So, like, they're gonna just shack up for life? We all know that works soooooo well... see Hugh's non-marriage to Liz Hurley for details.

One star, but only because I can't give it zero. ... Read more

Amazon.com essential video

After the box-office success of Phenomenon, John Travolta continued to charm audiences with this 1996 comedy-fantasy in which he plays a grubby angel who's got one last good deed to do before heading back to heaven. Living peacefully in the rural Iowa home of an old, friendly motel owner (Jean Stapleton), the winged Michael (Travolta) is hardly the image of a perfect angel. He's scruffy, unshaven, eats sweetened cereal by the box-full and chain-smokes all day long. But when tabloid reporters (William Hurt, Robert Pastorelli) learn of Michael's alleged existence and head to Iowa to check him out, Michael soon realizes that it's his task to see that Hurt falls in love with an "angel expert" (Andie MacDowell) and breaks free from his habitually cynical attitude. There's more to the story, of course (and Chasing Amy fans will recognize Joey Lauren Adams as a waitress who charms the angel), but Michael is more about the effect that this enchanting angel has on the earthbound humans around him. Whether he's chipping away at Hurt's skepticism or attracting a crowd of women on a truck-stop dance floor, Michael is an enchanting figure, and Travolta plays him with just the right tone of humor, reverence, and effervescent charm. Sure, it's lightweight fluff, but director Nora Ephron specializes in lightweight fluff, and Michael is the kind of feel-good movie that never wears out its welcome. --Jeff Shannon ... Read more

Reviews (39)

A Slice Of Comedic Heaven
This movie trashes traditional religion, patronizes the Midwest, squeezes laughs out of a dying dog and a sick old woman, scorns marriage and romance and bashes men gleefully. Yet it buys into the notion that angels might really exist.

Travolta, who displays his gift for irony and whimsy, plays an unorthodox angel--a paunchy slob with moth-eaten wings who smokes, hits the bottle and chases women, even as he is on some unspecified angelic assignment in Iowa. Director Nora Ephron shows the humor and power of Michael by having Travolta, perform his Pulp Fiction dance to Aretha Franklin's "Chain of Fools." In fact, most of the script, by Ephron, her sister Delia and others, displays ingenuity, grace, wit and taste.

Hurt, MacDowell, and Pastorelli play cynical tabloid reporters hunting down the hapless angel. The venerable Jean Stapleton offers bright moments as the rambunctious motel owner who discovers Travolta's powers.

Repeat watching will uncover thought provoking subtleties. And of course laughs at our favorite parts--'Lines? I invented lines. Before that people were just walking around'.-- 'Pies, everybody loves pie'.

you gotta learn to laugh....it's the way to true love
man, this is a very heart warming movie about an angle named Michael. he's not your typical angel though. he smokes and is very interested in woman.
but he is also very passionate about Earth and this happens to be his last hurrah on Earth, as only 26 visits are allowed.
this is a very very heart warming movie and John Travolta is magnificant!

my favorite part is when he sees the bull at the Biggest Ball of Twine and inhales and says, "Battle".
he battles the bull and is completely happy.
overall, this is just a good movie.

We're all angels inside.
This film is brilliant! if i did't have much space for this review it would be enough to stop there! the film makes you think and start to wonder about life certain aspects of it at least, and the meaning of life.
the film tells a story of an angel who is not the stereotypical, clea, pure godly figure. the message of the film as that we are all angels. you dont have to be pure, clean or run around in white wings an a halo all day to be loved by someone an love others. sunday afternoon smiley movie me thinks!!

"Michael" is a Lot of Fun!
Now I don't for an instant classify "Michael" as a 5-Star masterpiece as, say, "Apocalypse Now," but it's definitely a great flick for its genre (romantic comedy/road movie). I don't know exactly what I was expecting -- another boring "chick flick" perhaps -- but "Michael" really surprised me. My wife and I had a great time watching it -- lots of laughs and, if you look carefully enough, even some profundities.

Michael, who is excellently portrayed by John Travolta, is an unorthodox Archangel enjoying his last mission (vacation?) to Earth. A supermarket tabloid from Chicago sends a team to Iowa to get a story and pictures; after discovering that he's a real angel they naturally want to bring him back to the big city.

What works best is that the story is essentially a fun-spirited road movie (I'm a sucker for road movies). William Hurt, Andie MacDowell and Robert Patorelli have an exceptional time meeting Michael and trying to escort him back to Chicago. Michael acts like a tourist having the time of his life, humorously wanting to see those silly little attractions we see dispersed across the countryside (e.g. "the world's biggest non-stick frying pan," etc.) -- you know, the ones most of us adults roll our eyes at.

Lots of fun things and miricles take place along the way (e.g. women are naturally attracted to Michael, bar fight, bull fight, etc.); you should discover them for yourself when watching the film. What struck me the most about Michael is that he had a true spirit of joy. The simple joy-of-living-itself was all over him; and this naturally had a big impact on all the people around him. This is something most of us could learn from Michael.

I was pleasantly surprised -- "Michael" is fun, charming and delightful -- not just another run-of-the-mill "chick flick" (in other words, guys will enjoy it too). Recommended.

Beware: the DVD case is almost entirely made of cardboard
and when I tried to peel the protection seal off, the printing of the cover started to came off with it.
Very bad quality. ... Read more

Description

The work of two great American artists merge in Short Cuts, maverick director Robert Altman’s kaleidoscopic adaptation of the stories of renowned author Raymond Carver. Epic in scale yet meticulously observed, the film interweaves the stories of twenty-two characters struggling to find solace and meaning in contemporaryLos Angeles. The extraordinary ensemble cast includes Tim Robbins, Julianne Moore, Robert Downey, Jr., Jack Lemmon, and Jennifer Jason Leigh—all giving fearless performances in one of Altman’s most compassionate creations. ... Read more

Reviews (38)

Loved it!
I saw this movie when it first came out and found it SO engrossing! While long, the film keeps your attention the whole time, and I thought every plot line was totally intriguing. I recently saw "Magnolia" and felt disappointed that it wasn't as good as "Short Cuts", although the potential was there. Jennifer Jason Leigh's character sticks in my mind, particularly when she's doing phone sex while diapering her baby! It was absurdly dark scenes like that which made me think Altman had a great knack for observing human nature. I thought the whole cast was excellent and I loved the way the stories intertwined. To the reviewer who thought the earthquake was out of place, I think they misunderstood the whole device as a way of tying everyone together - 'we're all in the same boat' so to speak. I left feeling better about this whacky, often tragic world we live in. It makes you think a lot about how we relate to those around us, whether we ever meet the people we interact with on a daily basis or not. Brilliant!

okay
Minus the critical acclaim, buzz, influence over films like Magnolia, Short Cuts, on its own, is a mediocre movie. Despite the best efforts of around a dozen talented actors and a director who obviously knows his stuff, Robert Altman, this movie is an exercise in redundancy and misery. Many of the stories fail to make a worthy case as to why they need to be told in a movie.

However, Short Cuts has a few scenes so brilliant and affecting that they are worth the rental (or purchase price) alone.

The intersecting storylines tell a story about a group of fishermen who discover a dead body, a grieving family (Andie MacDowell), a married couple with skeletons in the closet (Julianne Moore and Matthew Modine) a drunkard and his waitress girlfriend (Tom Waits and Lily Tomlin), a depressed cellist (Lori Singer) a philandering cop with a wife and family back home (Tim Robbins and Madeleine Stowe) and a sketchy make-up artist and his girlfriend (Robert Downey Jr. and Lily Taylor).

The incredible number of stories and stars may seem mind-boggling, but it's the least of the film's problems. In fact the strong acting and richness of the collective stories are the film's high point.

All the actors are great in one way or another, but Julianne Moore's performance is stunning. Jack Lemmon is similarly incredible. These two have to be seen to be believed.

However, with so many stories, all of them won't measure up to high quality. Short Cuts main problem is that a whole lot don't measure up.

By the way, there's a lot of nudity in this film, profanity, sex, and overall depressing material.

AN ACRID BUT INTRIGUING BANQUET OF CLIPS FROM EVERYDAY LIVES
Altman's singature classic with twenty two characters and ten nearly distinct tales. Imagine the ingenuity required to interweave all of that into a seamless whole, but Altman manages the feat deliciously.

While the individual threads may coax discussion, it is their blending that enables a variety of perspectives. Most of them are poignant, for instance the life of a pool cleaner and his wife who vocalizes orgasms on the phone in her job as a tele-sex worker while changing her kids' diapers. Or the life of a couple whose son has been in a tragic accident that brings their lives to an abrupt halt. Etc.

Be warned, many of these vignettes, while very tautly scripted and cleverly screenplayed, remain "unresolved," which may not work for some viewers. Personally I feel that films like this are more genuine reflections of the world in which we live: people often don't change, questions are frequently left unanswered, and unbecoming things do happen every day.

It's a pure pleasure to find a movie that weaves such a deep and intelligent tapestry of human lives, with all their idiosynchratic travails and triumphs. An absolute gem for you to own, not just rent.

why is 'short cuts' not out on DVD?
the greatest masterpiece of the '90s is STILL not out on DVD. filmmaking like this doesn't come along often enough.

Altman's finest hour? (or 3 and a half)
I think this ties nashville as his greatest work. i was blown away and cannot wait to own the DVD. 3 plus hours just fly by with excellent performances all around, and wonderful music courtesy of annie ross, the ow note quintet and all other contributors. ... Read more

Reviews (28)

CAPTIVATING
The slim premise of Green Card -- a French slob wants to be a US citizen; a left-wing socialite wants a fabulous apartment with a greenhouse; they get married -- creeps up on you, and expands in ways that will surprise you. Yes, this is a love story, but it is somehow much more than that. Peter Weir, who directed Witness (a wonderful, evocative romance), has a way of weaving a spell on you with his movies. Here, he is aided by the galvanic performance of Gerard Depardieu, who is life itself. Andie MacDowell, who is his inferior in the acting department, is suited to her uptight role in a way that favors her: you can actually believe she could be this person, which is usually not the case with this lovely but inept actress. Bebe Neuwirth is her usual dead-on self, in a great, if small, supporting role. The New York locations, particularly that spectacular greenhouse apartment, are winning, and shot with affection. On top of everything, the movie features, in key moments of tension and emotion, the music of Enya, which of course elevates and punctuates scenes in inventive ways. The final moment is a well-earned emotional one, and I think you, like me, will find it hard to resist Green Card, after all is said and done.

One of the most romantic and funny movies, Gerard is so swee
Gerard performs as a sloppy frenchman in search of his legal residency in the U.S. by marring a prissy Macdowell who is perfect for the part. Moving story of a poor composer searching for a new life and falling in love for a young girl that despises him with her heart, only to fall overwheels in love with him after sharing her apartment with "Georges" for a weekend to benefit the Inmigration interview as a "bonafide" married couple. Georges wins his lady's heart with his abrupt sweetness and kind heart that wins over arrogancy and "vegeterianism". One of the most romantic and sweet scenes is when they are studying and temptation is flowing on both sides, but Georges knows how to respect the girl. And of course the kisses at the end of the movie with all that combination of music is terrific. Even if this is an old movie, I am buying the soundtrack and I am head overwheels in love with Depardieu myself! Worth watching, deserves all kind of statuetes. Even the rest of the cast is terrific, Mom, Dad (so cute), Loren and her parents. good!

Bravo Gerard!!
Gerard is fabulous in this one. It's a heart warming picture about two characters with very different personalities, forced together in human circumstance. Five stars!!

Well done but no surprise
It's not a holywoodian love story. It's a simple story of 2 people meeting "randomly" - with some fun, some sadness, some laughs and some love.
Good picture, good film, but not that more.

Charming little film
For those unfamiliar with Gérard Depardieu, GREEN CARD is a charming introduction. Good performances from both Depardieu and Andie MacDowell, and Bebe Neuwirth is delightful in a supporting role. When things get "unfair", the reminders that the central marriage of convenience is illegal are refreshing.

The DVD is presented in 1.85:1 anamorphic widescreen with both English and French Dolby 5.1 audio tracks. No extras, but even so an excellent bargain. ... Read more

Reviews (24)

KEATON'S BEST ROLE (X FOUR)!
This is a frequently funny movie with some improbable situations thrown around the central fact that Keaton is cloned repeatedly in an effort to do his job, help out with the housework and maybe, just maybe, get to drive a golf ball once in awhile. Andie MacDowell is simply beautiful and beautifully perplexed as his wife who, in one crazy night, gets ravished by all the clones breaking "rule #1", just one of many hilarious set pieces. Keaton is all over the place and, considering the premise, he does well here (his double-takes are classic) so the only question is, "Whatever happened to...Michael Keaton?" Our family's favorite!

Poses an interesting scenario
This is definitely an original premise for a film, and the casting was dead on in selecting Michael Keaton, as he puts his comedic talent to excellent use in Multiplicity. The movie presents an interesting perspective of cloning and what may occur in its aftermath. Utter hilarity ensues as each clone displays unique personality traits - one is a tough armchair-quarterback type, another a male Martha Stewart, and the fourth - a copy of a copy - needs to be seen to be believed. The film was co-written and directed by Harold Ramis, and as far as comedy is concerned you can't go wrong with most of his work. The script holds together pretty well considering that it was a four person collaboration. My favorite scene was probably the one where Andie MacDowell is in the mood and encounters each of the clones - that scene is worth the price of admission. This movie deserved more of a push than it received - it's worth checking out if you are a fan of any of the participants.

One times one is two. That's Multiplicity.
Seeking simplicity causes complexity in the movie Multiplicity. An over-worked construction contractor's life gets even more hectic when his homemaker wife decides to return to the workplace. He seeks relief by delegating his work and domestic duties to clones. But, a new brand of chaos ensues when the natural order is disturbed. The life lesson taught in the movie is captured in one line, "About quality time with your family? It's all quality time." Michael Keaton is superb in his four diverse roles: the macho workaholic, the sensitive husband and father, the mental deficient, and the original Doug Kinney. This is a must see comedy worthy of every star.

Stinker
I thought this movie was boring and when they do the 'clone of a clone' thing it was a cue for some jokes at the expense of the mentally impaired that really are in very, very poor taste.

Aren't comedies supposed to be funny?

Too Cute
Michael Keaton is truly funny in this. He never has enough time, so he decides to clone himslef..The clone then clones itself...It gets funnier with each clone! hahah "Hey Steve..I like Pizza" ... Read more