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| 1. Kelly's Heroes Director: Brian G. Hutton | |
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Reviews (89)
Director Brian G. Hutton (who directed Clint in the WWII thriller "Where Eagles Dare") is at the helm of this movie and again demonstrates his passion for fiery, loud battle scenes !! Eastwood plays Kelly...just another war weary soldier slogging through the muddy battlefields of France until he comes across a German colonel and top secret information about a bank full of plundered Nazi bullion...now all he needs is a skilled team to carry out this most audacious of bank heists in the middle of a war ! Kelly enlists the assistance of tank commanding flower child "Oddball", (Donald Sutherland in an unforgettable performance ) fast talking hustler "Crap Game" ( I don't think Don Rickles was acting ! ), battle hardened sergeant "Big Joe" ( Telly Savalas )....along with a motley crew of troops including Harry Dean Stanton as "Willard" and Jeff Morris as "Cowboy". I know some reviewers tend to be a bit critical of some of the humourous aspects of this movie....but what the heck...it's not trying to be "All Quiet on the Western Front" or "Paths of Glory"...the movie is a fictional tale about an elaborate bank heist thrown in amongst a very noisy war, and peopled with some larger than life colorful characters. "Kelly's Heroes" is an enjoyable little cult film and is a fun way to spend a lazy evening watching a "Boys Own" action adventure. Great to finally have "Kellys Heroes" out on DVD (although a few extra goodies would have been nice)....picture and sound quality is very good...and I always enjoy "The Mike Curb Congregation" singing "Burning Bridges" (the film's theme track)......
Cast: Clint Eastwood ... Pvt. Kelly Vincent Maracecchi ... Old man in town This film is rich with humor, as well as suspense. Kelly (Eastwood) learns about a bank full of gold bars, in Germany behind enemy lines. He gets together a mixed bag of what can only be called losers and misfits, appropriates a tank, and heads for the gold. The ensuing struggle to get rich provides the motivation which keeps the motley band together. Donald Sutherland ("oddball"), the hippy tanker, is the source of much humor, as well as Don Rickles ("Crapgame"), and (believe it or not) Carroll O.Connor as the general. This is a funny movie, with more than a little action. Nothing offensive. Joseph (Joe) Pierre
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| 2. Operation Petticoat Director: Blake Edwards | |
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Amazon.com Reviews (33)
And to top it off the Boat ends up with stranded Army Nurses all this makes for a great movie -- how the submarine ends up pink and how they torpedo an enemy truck I will leave to you find out. Do yourself a favor and get this movie. What a hoot!-- K.K. Dunn (Submarine Veteran), Kansas City
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| 3. The Sand Pebbles Director: Robert Wise | |
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Amazon.com Review Holman is a defiant voice of humanity in this clash between outmodedvalues and inevitable change; his final line of dialogue ("What thehell happened?") is a tragic summation of misguided policy, expressingthe film's criticism of the Vietnam War. Rather than preach, however,Wise lets McKenna's potent drama emerge from finely-drawnrelationships--between Holman and a young American teacher (19-year-oldCandice Bergen, in her second film); between Holman and the Chinese"coolie" (Mako) whose heartbreaking fate transcends all issues ofracial or political difference; and between crewmate "Frenchy" Burgoyne(Richard Attenborough) and the Chinese woman he's sworn to love andprotect at all costs. Combined with the film's colorful supportingcast, adventurous scope, and climactic battle scenes, these personaldynamics bring substance and spirit to a complex story of goodintentions gone awry. --Jeff Shannon Reviews (43)
The movie is set in the late 1920s in China. Revolution is in the air, and America is merely showing its presence with the San Pueblo (affectionately called the Sand Pebble by the sailors). Jake Holman (Steve McQueen) has just been transferred to the boat. All he wants is a position where the officers will let him do his job, which is working on the engine. As the movie progresses, different characters will try to impose their way of thinking onto the picture. Revolution fits in no one's view. The captain (played by Richard Crenna) wants to do all for the flag. Everything should look great and fit his military view of things. Another sailor (played by Richard Attenborough) just wants to be with his love. All these characters are thwarted in their goal as China rolls towards revolution and casts out the foreign influence. None of the characters can see this from his limited point of view. Things go from routine to chaos, and no one can explain with his personal world. Why did it suddenly happen this way? As Holman cries, "What the ... happened?" I would highly recommend seeing this movie.
McQueen is outstanding as a Machinest Mate who is devoted to his machinery and has extremely limited ability to interact with his fellow crewmembers. He is perceived as an outsider by the crew of the San Pablo and a potential troublemaker by the captain of the ship. At this time in Naval history, a good man could and would stay in a single ship for years at a strectch. One who moved frequently was considered to be a problem Sailor. Richard Crenna is excellent as a commanding officer at the this distant end of America's Naval reach. His task is to keep his men motivated to the mission at hand which is to represent American power in Asia. At the same time knowing that the missionaries in the area dislike them and the businessmen tolerate them as a required evil. Coupled with the smallest ship being the fartherst into China, is the local unrest as various warlords are establishing local control, Communist forces are making in attempt to influence events and student unrest boils up. Is it any wonder that the crew is confused as to what thier missions are. But rather than worry, they head for the local saloons and leave the bigger decisions to the officers. This film tells the story of not just a single man, it tells the story of generations of men who served in China. Some came and stayed when their Navy careers were over. SOme came and never left and are buried there. Others came and left and have never forgotten their time there. They did their duty and that was all the America asked of them, or at least the diplomats. I'm sure that in the 20s, very few, if any, Americans ever realized that there were hundreds of US Sailors patrolling thousands of miles of rivers and coasts to preserve America's rights in China. The Sand Pebbles is a comprehensive movie that shows the Asisatic Sailors at their best and worst. It should be a must see movie for anyone intersted in America and China and how our present relationship developed.
This is the story of one Jake Holman, a sailor in the American gunboat navy in China. The Navy's mission is to protect American/Western missionaries, businessmen, their lives and property. Holman serves on the USS San Pablo, known to her crew as the "Sand Pebble." Holman has a passion for engines, and sought to serve on the Sand Pebble on the notion that his engineering expertise would make him valuable and autonomous aboard. Instead, he learns that each American sailor has a Chinese servant who actually performs all of that sailor's routine duties. Holman is thus effectively prevented from performing his engineering role. Nor are the Chinese, untrained in engineering and acting by wrote, able to safely handle the ship's power plant. An undercurrent to the story is Holman's struggle to get control of the management of the ship's antiquated but essential engines. Holman's struggles to establish his place on the ship take place against the panorama of a China seeking to throw off foreign domination and become a modern nation-state. This is the larger story, effectively presented in this excellent film. This film is a reasonably faithful adaptation of the bestselling novel of the same name. The cinamatography is superb, and the DVD appears to be a pretty good transfer from the original film. Recommended.
This is simply a classic of movie-making regardless of genre, era, or actors. It is top-notch in every respect. Thank goodness for wide-screen DVD, the ONLY way to watch this film. Nowhere is the non wide-screen, "pan and scan" technique more strongly indicted than in "The Sand Pebbles", I've sat through numerous viewings in that format where characters engaged in conversations can't even be seen! Widescreen DVD is the only way to go on this one.
This is an anti-war movie that does not shout at you. With its intertwining plots, repeated tragedies, and epic scope, it leaves you wondering why America was there, what was the goal, and what was the effect. This is a quietly intense, slow-paced drama loaded with meaning. It is not for the impatient viewer, nor for the faint-of-heart. It is worth owning and watching closely. ... Read more | |
| 4. I Want to Live! Director: Robert Wise | |
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Amazon.com Reviews (27)
The film tells the true story of convicted murderess Barbara Graham (Susan Hayward - TAP ROOTS, VALLEY OF THE DOLLS) who was sentenced to the gas chamber for her part in the robbery and murder of an elderly lady. Professing her innocence right up to the end, Barbara is a sly, sardonic but always-likable woman who wins the heart of the audience. Hayward's tour-de-force performance as Graham is vastly rewarding. Her multi-faceted portrayal of Graham is truly amazing. Highly recommended. The DVD includes the trailer.
The dialog and plot are excellent and her scenes as the condemned woman hours from execution are still extremely powerful today. In some ways, Susan Hayward was at her very best, and with the perfect script, a rare combination. You still sit there rooting for her to get that stay of execution in the movie, the movie grabs you that much. I've watched this film about 10 times, she never gets the stay, but the situations are so real, you root for one every time. The only thing that to me does not make this Miss Hayward's best role (apart from maybe a handful of scenes) is that Barbara Graham, the real-life death-row inmate portrayed here, was a low-budget, crude, herion addict who got along by using men, doing petty thefts and sometimes being a prostitute, and I don't mean the $100 an hour ones that come to your hotel room. We're talking low-class street woman. Miss Hayward is nothing of the kind, she doesn't have that look or manner. Though the prison and death penalty scenes and themes are excellently and realistically portrayed here, you feel like you're watching a wrongfully-convicted society woman, nun, or school teacher getting the gas chamber, not a two-bit street prostitute/heroine junkie/thief. I don't think this necessarily takes away from the movie much or how it grips you, but for this reason, I'm not sure I would rate this the best of Susan Hayward. The Oscar was righting previous wrongs, in my opinion. I highly recommend this film, and if you like it, try some of Susan Hayward's other films. She was really outstanding!
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| 5. Time Changer Director: Rich Christiano | |
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Amazon.com Reviews (50)
The basic device of the movie is a little silly, that someone in the 19th century could develop a time machine, but we've seen a lot worse in sci-fi before. A seminarian, Dr. Russell Carlisle, is sent forward in time by his friend to show him the dangers of his upcoming book's message: that ethics can be separated from Christ. Carlisle, played by D. David Morin, discovers a moral-relative world, much to his shock. Theologically speaking, the movie lacks any sublety. You know exactly what the theme of the movie is, and it's often hammered down hard. That tends to distract from the other aspects of the movie, but it does parallel with the plot of Dr. Carlisle's book. I have to add Morin's acting is a little wooden at times. (My wife likened him to Mr. Data from "Star Trek.") He does a much better job with his facial expressions and gestures, as he adapts to the modern world, in what is often quite amusing misadventures. So, while it's not the absolute best Christian movie made in recent years (I'd give "The Omega Code" that distinction), it's not the worst, and worthy of watching.
Plot: A bible professor-Dr. Russell Carslie has written a book called "The changing times" and he is seeking endorsement from the Grace Bible Seminary board of directors where he teaches before the book is published. Since everyone must give their approval of the manuscript-or no endearment by the board. All is well until Dr. Norris Anderson shows up and raises an objection to one item in the book. He believes that teaching morals alone-without the authority of Jesus Christ will lead many astray. At first, Dr. Carlisle is as bull headed as they come-refusing to understand or accept what Dr. Anderson's is trying to say. Eventually, he goes to Norrris' Home where he shows Carlisle a time machine that his father built before he died. Carlisle laughs at first-but he realizes that they need to settle the issue. He is then transported in to the future-110 years to be exact. He then sees the folly of his beliefs. He meets several people. Most of them have a shallow view of life. Even those in the church are ignorant of the truth of Christ. For example, he goes to a movie with a group from the church-and he is the only one who is bothered by the fact that a character on the screen is using the name of Christ in Vain. Every one else just say that "It's only a movie" This movie DOES NOT paint a rosy picture of the past. At the board meeting, Norris points out that over 5% of marriages end in divorce(1890 numbers). When Carlisle is in the future-he learns that 50% of all marriages end in divorce. This is only one example. Another reviewer accuses the producers of deceiving him for not informing him that this is a Christian film. If you look on the back of the case-there's a description of the film. It says plainly that it's about a bible professor who is sent into more than 100 years into the future. If that does not tell you that that this is a Christian film-then I don't know what will. There was no attempt by the producers to deceive anyone. This is a timely film with an important message. Buy or rent this film today. God Bless,
It's not a science-fiction movie, for those of you who were led to believe it is. It has sci-fi-elements but that's not the point of the movie. This is a Christian propaganda movie. It tells us that the reason there is so much bad morals in today's society is because we have separated Jesus from the morals and therefore don't know why we should act morally. It also tells us that we're living in the last days of the world. The movie is extremely moralizing and preachy. One of the most (unintentionally) funny lines in the movie is "I believe that secular entertainment is one of the biggest tools that Satan uses to mislead people". Some of the supporting actors are decent, Jennifer O'Neal for example, but D David Morin who plays the lead part is unbelievably bad, but in a funny way. But then, I don't think any actor could play his part and say his lines and make it believable. If you think this sounds like a good movie, you might enjoy this it. I guess this was made by, and for, Christian fundamentalist. Others, like me, might get some laughs out of it, but nothing more (except realizing the sad fact that there are people out there who make movies like these, and those who honestly thing they're good). It seems like the Christians in America have millions to spend, making dozens of movies like this. I guess that's why they ask for donations all the time.
Time Changer is about a 1800's preacher who travels through time to today and is amazed by the lack of morality. With today's reality tv polluting our screens and total disregard for God and morality, this is an important film. Thanks for reading and please buy this and show it to your friends. ... Read more | |
| 6. War Hunt Director: Denis Sanders | |
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Reviews (2)
Set in the waning days of the Korean War, the story revolves around a new replacement (Robert Redford), who joins an infantry unit on the front lines. As he experiences the bitter taste of war, he tries to understand the meaning of it all. Meanwhile, he is concerned over the psychotic lone wolf in the outfit (John Saxon), and his bizzare attachment to a young Korean kid. Saxon's character is a successful killing machine, but unaccustomed to fitting in with people. The main selling point is, of course, the film debut of Robert Redford. Redford is excellent here, even at a relatively young age. Redford has always been good at playing honest, good-guy straight shooters, and his debut as Pvt. Roy Loomis is no exception. However, it really has to be said that, for as good as the young Redford is, it is John Saxon who steals the show as the brooding, psychotic killing machine, Endore. If you don't believe me, just check out the scene when Redford confronts him, and Saxon shows us a murderer using every ounce of control at his command to master his anger and keep from killing. Gavin MacLeod and Tom Skerritt play fellow soldiers in the squad, and the stark black & white photography assists in setting the proper mood for the story.
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| 7. The Gene Krupa Story Director: Don Weis | |
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Reviews (12)
Sal Mineo is perfectly cast as Gene Krupa and he actually received the wholehearted blessing of the jazz legend to play him in the film. Mineo worked with Krupa to perfect his drum playing and the result on screen is sensational as Sal Mineo gives his heart and sole to his playing. The drum playing was actually recorded by Krupa however Mineo had the difficult task of matching that on screen which he does admirably. Totally devoted to perfecting his craft as an actor Mineo died far too young and sadly saw his star eclipsed long before it should have. This film along with "Rebel Without A Cause", and "Exodus", among others is this talented actors legacy to the movie going public and he will be remembered always for his great work in them. The supporting cast is uniformily fine with James Darren as Krupa's best friend Eddie, the before mentioned Susan Kohner as Ethel, and Susan Oliver in the hard driven role of Dorissa really shining and they perfectly compliment Sal Mineo's work. Appearances by real life jazz performers Buddy Lester, Red Nichols and Anita day also add an authentic ring to the story depicted. Character actress Celia Lovsky also has a memorable role as Gene's disapproving mother who is mystified by her son's obsession with the drums. The photography in "The Gene Krupa Story", is top flight with the often seedy black and white photography highly effective in particular in both Gene's pre stardom scenes and those depicted in his fall from grace when much of the action takes place in seedy "greyish", surroundings. Mineo's supreme concentration on his playing of the drums is a marvel to watch and is guaranteed to leave you breathless. The great thing about "The Gene Krupa Story", is that you dont have to be a jazz enthusiast to enjoy the story or the music. For any lover of the drums it makes compulsory viewing and the golden age of jazz in the 30's is authentically recreated in this Columbia studios production. For me the best thing about the film will always be seeing the extraordinary talent of Sal Mineo on display. He combines strength and a touching vulnerability in his playing of Gene Krupa that leaves you rooting for him right through. I highly recommend this film to all lovers of jazz/swing and to those that like the less sentimental kind of performer film biography. Enjoy Sal Mineo at his electrifying best in "Columbia's "The Gene Krupa Story".
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