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| 1. The United States of Leland Director: Matthew Ryan Hoge | |
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Amazon.com Reviews (6)
Various people claim to be offended by the movie, though if one can be truly morally offended by a movie, they clearly have more significant issues to deal with.(... ) And any number of therapists my try to refute various pointsi n the film, but they, as many others, apparently missed the train en route to receiving their little ol' diplomas. Top notch film, definitely worth seeing.
Ryan Gosling has the kind of fiery intensity inside of him that can either be brought to brilliant fruition or squandered like there's no tomorrow, and it becomes very obvious within the first moments of Leland that the latter will be the case. Every comment, every gesture, every action that his title character makes stems back to this wounded puppy dog look that he plasters on like it's something profound. He stares out windows, he looks deep into a fishtank, the dude contemplates everything - but what comes out in voice-overs that guide the film is the drivel of an angsty teenager who hides under his bed and scribbles emo lyrics into a journal. The main problem with the main character of the film here is that this dude does some serious stuff - murdering a retarded child - and some kind of understanding of him (I don't ask for much) is really needed to ground the film. Writer/director Matthew Ryan Hoge, though, makes him this cypher who tells his maudlin, Dawson's Creeki-esque story to a little journal while he's incarcerated. A particularly funny little gem of bad screenwriting is the first thing he pens: "I know what they want from me." And we're supposed to care about the people in this movie who walk in and out of it like just what they are: badly written characters. There's the retarded kid who gets about 10 seconds of screen time, so who really cares that he's dead? Then there's Leland's girlfriend, played by Jena Malone, who battles a heroin addiction and likes having boys whisper "Everything's going to be okay" into her ear. Oh, and Kevin Spacey pops in for a cute little cameo as a jerk famous writer (who happens to be Leland's father). Then there's Don Cheadle, who plays a teacher in the jail who takes a selfish interest in Leland, therefore giving him the opportunity to spout whiney, pointless drivel about all the sadness in the world and how he sees it in everyone. There are some other characters, like the rest of the family of the dead kid, but who cares about them because they get tossed around in the movie like the director has no idea what he's doing. Oh wait! He doesn't! Why is this movie so bad? Well, I think I have it figured out. There are bad movies, like Anger Management and Legally Blonde 2: Red, White, and Blonde - and I dislike them with a passion. They may have a little something to say, but what they really want you to see is Jack Nicholson farting naked in bed and a cute little chihuahua that matches its owner. This movie, though, wants to explore real issues, and that's where it commits the gravest sin of them all - wanting to discuss real things about life, but exploiting them to the max just to write cheesey dialogue that sounds enlightened. The sensless murder of a retarded child is not an issue that should be taken lightly, and I really think that this movie could have been put in the right hands (with a COMPLETELY different script) and been meaningful. Director M.R. Hoge and producer Kevin Spacey, though, care about nothing more than taking some difficult subject matter and then manipulating you, the viewer, with background guitar music and awful acting. And it's laughable. That's right - hilarious. It's such a trainwreck it's almost unbelievable anyone even gave this the greenlight. Let alone talented actors (and Spacey as a producer!!!) who are so much better than this disgusting script and maudlin plot development. I honestly didn't know how this disaster could have possibly ended, but it didn't disappoint, let me tell you. The final plot tie-up of the film elevates it to even more horrible than the the American Beauty, Dawson's Creek rip-off that is. A supporting character who had hardly been developed at all throughout the movie comes in and completes the course of the action and then Gosling finishes up the movie with some ham-handed monologue that, in so many words, tries to bring some kind of justification to his actions. And it offended me. At first, I thought it was a stunted script. Then I realized it was an unintentionally funny movie. And finally Leland becomes a morally offensive, despicable wreck of a movie that should have never been made. By the end of those excruciating 108 minutes, I had laughed myself out of the theater, tried to touch my nose with my tongue, and attempted to crawl into the fetal position. Oh, I also hoped that some natural disaster would tear the roof from the Drexel and send me sailing into the night far away from the movie. You'd be surprised how close I am to touching my nose with my tongue - at least those 108 minutes weren't a complete waste of time. GRADE: F ... Read more | |
| 2. The Hunger Director: Tony Scott | |
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Reviews (71)
Sarah is very interested about John's aging problem. So, out of curiosity, she visits Miriam (John's wife), and they form a sexual relationship. Immediately after Sarah and Miriam make love, Sarah feels very ill and has these weird urges. The movie was pretty entertaining for the most part, and I gave it three stars because I had a hard time understanding what was going on by the middle of the movie. You'll like this one if you like sexy horror movies.
The cast is uniformly good. Catherine Deneuve is hard and glamorous. Susan Sarandon is open and, um, hungry. David Bowie is, well I won't spoil it for you but the performance is fine. Music is deftly used throughout the film. The Bauhaus sets a tone of dread and anticipation. The Shubert piece is haunting and sorrowful and used so well it suggests more depth than the movie possesses. The "Flower Duet" from "Lakme" was used here before it became a cliche and it's used well--Deneuve uses it to seduce Sarandon in a scene that is probably the most erotic that I have ever seen (coming from a gay man that is quite a compliment). The themes of aging love and the quest for more life (Harold Bloom would be proud) still work. The cult of "Donnie Darko" would do well with this one. Also fans of both sitcom TV and performance art will enjoy the cameo from Ann Magnuson. Not quite a classic but well worth your time.
DENEUVE, BOWIE, SARANDON trio in this forbidden tale of superior elegance and [give or take] possibly one of the most sensual scenes on screen ever seen [between Deneuve and Sarandon]. Trouble is Deneuve is this ancient vampire - the embodyment of elegance and culture - she takes a lover every two hundred years - seems they last briefly - like cut flowers - then age rapidly but don't die. So into the coffin with the remains .... so she has quite an entourage of sarcophogi stashed upstairs in her New York pad. She also selectively teaches music - perhaps selecting another mate? Bowie is the current companion - suddenly stricked by 'the age' -Sarandon is the doc. specilizing in the 'reason behind age' .... Sarandon slowly discovers the secret ...... This one's a guilty pleasure - worth watching over and over again - splendid cinematopgraphy [very hazy], artsy costumes, and a great classical score to boot. Rivalled only by DAUGHTERS OF DARKNESS - another super elegant piece of wit with Delphine Seyrige [could be Deneuve's double!] Watch out for those ANKH's though! ... Read more | |
| 3. Clear and Present Danger (Special Edition) Director: Phillip Noyce | |
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Description Reviews (65)
Former CIA analyst Jack Ryan, (Harrison Ford) is asked by his mentor and friend, Admiral Greer (James Earl Jones) to take over for him, while he battles cancer. Ryan reluctantly accepts. When a friend of the President's (Donald Moffatt) is killed, Ryan learns that a drug kingpin (Miguel Sandoval) may be responsible, for the crime. As he briefs the President, forces inside the administration, are working to take the cartel out, even without any proof. Ryan must discover the truth, about who is working against him before it's too late The cast also includes the great Henry Czerny as Ritter, a smarmy guy at the CIA who butts heads with Ryan, Harris Yullin as the National Security Advisor, and Anne Archer returns as Cathy, Jack's wife. Directed by Philip Noyce, who also directed Patriot Games, the film stays within the framework of the book. The movie also is detailed enough to keep fans of the book happy, while at the same time it is nicely paced Ford proves once again why he's so right for roles like this. He wears his hero hat so well. It is Czerny though, that makes things really interesting for Ryan and, he gives the film an extra spark or two. As part of the reissued "Jack Ryan" series on DVD, Clear And Present Danger, contains a retrospective featurette on how the film was made. It's pretty good and does a decent job taking you back, to what it was like on the set. The standard theatrical trailer tops off the extras. I wish there was a commentary track to go along with the other stuff--or maybe some deleted footage-that would have helped. Still the DVD is recommended over the "movie only" edition from a few years ago
This time around, Ford investigates the murder of a close friend of the President (Donald Moffatt) by Colombian drug cartel hitmen. When his mentor (James Earl Jones) falls ill due to pancreatic cancer, Ford is suddenly put in charge as deputy director of the CIA. He continues his investigation of the murders and ties them in with one particular drug cartel leader (Miguel Sandoval) with whom the murdered man had a little issue with ill-gotten money,.... But what Ford doesn't know is that, on orders from the revenge-minded Moffatt, his second deputy (Henry Czerny) and the president's national security advisor (Harris Yulin) have ordered a rogue officer named Clark (Willem Dafoe) in with a covert military team to put a huge dent in the cartel's activities. Dafoe and his team are successful at what they do, but the cartels retaliate with deadly results on Ford's friends in the FBI during a visit to Bogota. And when Ford finds out about the operation, he finds himself going down to Colombia a second time to help spirit Dafoe and the covert team out of harm's way. Ably directed, once more, by Phillip Noyce (DEAD CALM; PATRIOT GAMES), CLEAR AND PRESENT DANGER gives Ford another chance to prove his mettle in the action genre. The suspense and CIA intrigue are all laid out exceptionally well by Noyce and his first-rate cadre of screenwriters, Donald Stewart, Steven Zaillian, and John Milius. Jones is at his usual best as the now-dying Admiral Greer, and Anne Archer returns as Ford's wife. But a performance really worth noting here is Czerny's as the unconsciously corrupt CIA deputy director Robert Ritter. About as uncouth and conniving a heavy as there has ever been in the movies, his performance is absolutely chilling and believable. It makes the whole notion of our government going beyong reasonable bounds even more credible than it already is. Some will object to the film not pandering to Clancy's right-wing political points of view or his gung-ho pro-military stance, but that isn't necessarily what this movie is about. It does not condemn covert military action, but it does question the wisdom of sending men into a war zone where the risks are extreme, the reasons for such actions are vague at best, and there is no clear exit strategy. Such points are made extremely well in this film's action format; and for those reasons, it gets the highest marks.
For what it's worth, I'm not a picky movie viewer. I'll watch nearly anything. So for me to complain about this movie means that something was really off-base. As far as an action movie goes, it was passable. As far as the technological thriller that the book was, it doesn't even come close. There is no character development (never felt anything towards Ding), random changes in a character's persona (Clark goes from wanting to kill Ryan to making the chopper go back), thing missing that are important to the plot (downing of drug running planes), and things that were never in the book (yacht owner tied to the President). To make what could be an extremely long review somewhat shorter, if you've read the book and are a fan of Tom Clancy, don't bother. If you're just looking for a film with " 'splosions," this might work.
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| 4. Panic Room (3-Disc Special Edition) Director: David Fincher | |
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Reviews (351)
Meg (Foster), divorced from her husband, and her daughter Sarah (Kristen Stewart) Altman move into a spacious three floor on the West side of New York. The house is too good to be true - huge rooms, an elevator, and a room that is hidden, a panic room. A panic room has a huge steel door which is inpenetrable and is sensored, an entire security camera system to view, seperate phone line, and steel and concrete surrounding the entire area. This looks like a dream come true for the Altman's - until the first night. Three robbers enter: the family man Burnham (Forest Whitaker), the "boss" and talker Junior (Jared Leto) and the stranger Raoul (Dwight Yoakam). They come looking for one thing: money. Money that the previous owner had kept away. Junior says that they're each going to get a million dollars. The one thing the trio does not expect is that there are actual people in the house. Here's where the suspense begins. Howard Shore's score kicks into full effect as Foster and Stewart run to the panic room. This movie is too good to reveal what happens, but it all revolves around the money being in the panic room itself. With such plot twists as Sarah (Stewart) being diabetic and Meg (Foster) being claustraphobic, along with many others, this one kept me at the edge of my seat. David Fincher is one of the most under-rated directors of the period, and Jodie Foster completely pulls out the role as mother/fighter/schemer to a T, and does us all in. A must see and a definate buy on DVD!
How interesting...Meg is right. Behind a secret wall lies the infamous "Panic Room", designed it seems, to withstand (and I am partially joking here) an atomic bomb explosion. The Room is entirely self-sufficient, able to operate and sustain life independently from the outside world. Everything needed to survive is packaged neatly behind the heavy steel doors (think War Games). In fact, the presence of the panic room is so omnious and claustrophobic, it becomes an acting character itself. How lucky then, are Sarah and mother Meg when a group of burglers, headed by Burnham, (Whitaker)...break into the home in search of a cache of money supposedly hidden in the panic room. And how unlucky are the two women when it comes to our realisation that Burnham used to be a designer and architect of "panic rooms" himself. He is confident that he can break into the room, using his knowledge of a panic room's inherent design. The real game becomes a slow evolution from -Can they escape?- and -Will they get in?-, cat and mouse style, to who is most strategic. Burnham may seem to have the upper hand, but Meg is quick-witted and familiar with her own home. She plays her cards well and it is exciting to see her instinctual skills come to life. As the trailers of "The Panic Room" now entice you with more and more scenes, take them seriously with their new motto: bring a friend with you to see "The Panic Room", because you will need to hold on to someone. Great advice. I saw this movie alone and "The Panic Room" nearly gave me a panic attack! Five stars for edge-of-your-seat action, suspense, fantasic performances, and the last minute additon of Jodie Foster to play Meg. I really don't think Nicole Kidman has the muscle or strength to pull of the physical requirements of a movie like this (She had to bow out due to an injury). Bravo Jodie on surfacing to the limelight again to make another spectacular film! I believe this is her first film since "The King and I". She proves even a Hollywood Mommy can kick [behind] in a physically demanding role. I am already impatient waiting for her next move in the film world. This movie is fabulous and could be a great date flick...especially since you will feel it necessary to grab hold of someone during the intense scenes. Enjoy. I have no doubt you will.
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| 5. A Night in the Life of Jimmy Reardon Director: William Richert | |
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Amazon.com Reviews (11)
a past one night stand informs jimmy falsly that she needs his college fund so that she can get an abortion and now jimmys got 36 hours to get his life situated. during this 36 hours jimmy can have any girl he wants but jimmy doesnt want just any girl what he wants is lisa. jimmy finds out his girlfriend lisa is moving to hawaii and he is bound for an all male business school. once jimmy can get the money for the plane ticket he will be destined for a life in hawaii with lisa where she has declared she will go all the way with him.
Director Richert worked with Phoenix again in Gus van Sant's My Own Private Idaho, this time acting. ... Read more | |
| 6. Panic Room (Superbit Collection) Director: David Fincher | |
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Description Reviews (351)
That's what came to my mind when Jodie Foster turns the tables on the not so clever intruders shortly after she and her daughter lock themselves in the "panic room". Oddly enough, there is even a reference to Joe Pesci who happens to be 1 of the bad guys in Home Alone. This movie has good atmosphere, i.e. a big creepy house, a stormy night, and a trio of nasty guys trying to steal some loot from the house. Overall it was a good movie - good acting, suspense, and a decent plot. The ending left something to be desired, too many loose ends to suit me, with Jodie and her daughter peacefully looking through the newspaper for a new house. Not much extra on the DVD, just a trailer and filmographies. I would recommend renting it, not buying unless you're a fan of Jodie Foster.
Watch this as a one-timer when you're incredibly bored. I would not recommend viewing this with guests. On a positive note, there are impressive visual effects at the beginning of the movie, but still does not compensate for everything else it lacked. Bottom Line: Not worth your time. ESPECIALLY not worth your money.
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| 7. Love & Sex Director: Valerie Breiman | |
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Reviews (29)
When I started watching it, I was entranced straight away. Despite having loads of piracy trailers before the actual movie, and not having much else in the way of extras (only a trailer), I found myself laughing, and nearly in tears at points. Everyone knows (or at least, I know) Jon Favreau from Friends - he played Monica's millionaire boyfriend, Pete, who then tried to become a World Fighting Champion. He was fantastic in this. Playing an artist this time, who does very surreal paintings. (Someone pulling a severed head out of somewhere for example!) He was fantastically funny, brilliantly neurotic, and apart from the awful side burns, and the curly goatee (not both at the same time thankfully), was also kinda cute looking. In a way where you want to give him a cuddle. Not knee-trembling gorgeous. Famke Janssen starts off in the film, as a 9-year-old girl, who is in love with the guy who bullies her. (Right) She's kinda geeky looking, and not what you'd call pretty, but what children ever are? She's totally 'in love' with this guy, until she tells all to her big-mouthed friend, and ends up in tears when he dumps her. After this, she quite happily admits to having relationships with thirteen men (I'm falling WAY behind by her standards), which she admits to Adam's character over lunch/dinner/something. Later he tells her that he's only been with two women. (Very reminiscent of a scene in an early season of Friends when Monica and Richard are together, and are telling each other how many people they've slept with. Monica's is less than a ballpoint, and Richard's is two) By the end of the movie, this number has risen up to 14 - having a relationship with a Not-So-Bright-Porn-Star-Robert De Niro- loving actor. The whole point of this movie is that Famke's character is a journalist, and has to write an article about relationships - in which she knows more about, how shall we say, giving guys 'pleasure', than actual relationships. Most of the movie is done in flashback, as she goes through most of the bad/good relationships she's had, with narration, as the article gets written through her experiences - with lots of cheesy/romantic lines thrown in along the way! This film goes into what relationships are all about, and how you have to go through a lot of guys before you find the perfect one. It also briefly touches the painful subject of unwanted pregnancy, and then losing the baby anyway. There's also some strange scenes, where they realise they haven't had slept together for 3 weeks, try, and then realise they're "too tired". And then the all too painful break-up. You can work out what happens from there on. This is a terrific film, to watch as a couple (the guys will probably like Famke, as she appears wearing very little most of the time), or to watch alone, and think about the pain of relationships. Or the good things about relationships. Depends what mood you're in really. The DVD is definitely worth keeping, full of fun, happiness, and sadness all at the time. Once in a blue moon, you will get a free DVD, that is actually really good! It will be a good addition to my growing collection. Watch out for an uncredited 'cameo' by David Schwimmer (Ross from Friends) too!
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| 8. Glitter Director: Vondie Curtis-Hall | |
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Reviews (236)
Anyway, on to Glitter. The script was, indeed, a wash-out. Corny lines plus a very silly scene where both Billie (Mariah) and Dice (Max) write the exact same song eventhough they're apart. The club scenes were void of any '80's feel, and Vondie has directed much better movies than this one. However, due to all the mistakes, camp styles and corny lines scattered distastefully throughout the entire length of the movie, the acting did not deserve slamming. I mean they're all not Oscar material, obviously, but they are also not as bad. Mariah Carey's character, "Billie Frank", was meant to be a passive character which explains all the sheepish looks Mariah provided, as well as all lines uttered without a trace of confidence. She never speaks this way during interviews and concerts, so hey, of course she must have been acting. If Billie were to be a strong, confident individual - and Mariah acted the way she did, then she would deserve all the banter and criticism. This, however, is not the case. The music, although not much of a reminisce of the 80's was pretty good. In fact, it's the movie's saving grace. Why was it slammed then, I hear you ask. The answer is elementary, it was simply sung by Mariah Carey. If most of the viewers want to judge this as the worst movie of all time, please think again. We had Freddy Got Fingered, Superstar, On The Line, Corky Romano... and the list goes on. Glitter simply does not deserve what the critics gave it. To many, Mariah Carey's success just goes unfathomed and many enjoy putting her down. If this is what society has come to, then I rest my case.
There are some movies you watch because you think it is going to be a good movie and what you know about the movie sounds interesting. There are other movies that you watch simply because of all of the negative press about the movie and you wonder if the film can really be as bad as "everyone" has said. "Glitter" falls into the second category of movies. This was Mariah Carey's first starring role (after a small supporting role in "The Bachelor"), and both the movie as well her acting were absolutely trashed by critics and "Glitter" was a box office bomb. Mariah Carey stars as Billie Frank, a rising pop star in the early 80's. We open the film when Billie is only a child. Her mother is a longue singer (or perhaps, a bar singer) who brings Billie on stage so they can sing together. Her mother seems weary of everything, and when their house burns down (it is implied that the mother is the accidental cause), young Billie is put into foster care. We are flashed forward to the early 80's and Billie is dancing (with her friends, presumably the two she met in the group home) in a club. She is signed to sing backup for a solo artist, but it is really Billie's voice that is being used to sell the records. This is a rags to riches story where Billie starts out with nothing and with the help of a producer (Max Beesley) who hears Billie sing, ends up to be a star. It mirrors, in a way, the story of Mariah Carey herself. So, is "Glitter" really as bad as its reputation suggests? No. It couldn't possibly be. "Glitter" is your average rags to riches film and is simply an average movie. What this movie does is give Mariah a vehicle to show off her singing ability. It's a movie about a singer going from the smalltime to the big time. "Glitter" seemed to exist more to give Mariah...excuse me, Billie...another opportunity to sing rather than give the character the chance to grow or develop (and thus give Mariah a chance to show off her acting ability). "Glitter" is a completely standard, ordinary movie. There are certainly worse movies out there, but then again, there are certainly better movies out there, too. "Glitter" is not a good movie by any stretch of the imagination, so I can't recommend it (not even a little bit), but it is also not nearly as bad as has been reported. -Joe Sherry ... Read more | |
| 9. Cabin Boy Director: Adam Resnick | |
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Description Reviews (29)
There are some great snapshot moments that will stick with you and make you laugh. Sometimes around the house I can hear my wife or one of my boys say "Wanna buy a monkey?".... aaahhh... I love that. And Lord help me, there is just something unbelievably funny about a floppy dancing Chris Elliott being pelted on the head by beer cans. Comic genius? Hardly - but damn if it does not crack me up every time I think about it.
You know, I like Chris Elliot too and I thought "Get a Life" was pure comic genius before the network started tinkering with the recipe. But this thing (insert head shake thingy) is so monumentally bad I'm actually at a loss for words. The blue chick with 6 arms and her giant husband that just opened a "housewares" store on a remote deserted island was pretty creative. OK, seeing Chris Elliot riding on the back of his girlfriend swimming across the Pacific with a ski rope to hold on to was pretty funny but that was about it. Now, if you find yourself all that curious about this flick the DVD transfer is pretty good and the sound is about what you would expect...but who cares? 2 wigs ... Read more | |
| 10. Hugo Pool Director: Robert Downey Sr. | |
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Reviews (22)
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| 11. The Caveman's Valentine Director: Kasi Lemmons | |
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Amazon.com Reviews (37)
Based on the novel by George Dawes Green (who also wrote the screenplay), THE CAVEMAN'S VALENTINE tells the story of Romulus Ledbetter (played effectively by Samuel L. Jackson), a mentally ill cave-dwelling man. One day, he discovers a dead body just outside his living space, causing him to immediately embark on a search to find the killer. It doesn't take long before you realize that you are not watching a run-of-the-mill murder mystery. Instead of bombarding you with pointless car chases and noisy special effects, THE CAVEMAN'S VALENTINE focuses on the demons inside Ledbetter's mind. This is represented through a series of highly stylized hallucinations and flashbacks. The film also explores the strained relationship between Ledbetter and his daughter, Lulu (Aunjanue Ellis of MEN OF HONOR). Their situation is further exacerbated by the fact that Lulu is a cop involved in the murder investigation. Simply put, there is no shortage of character conflict nor eye candy here. The dialog also crackles in the film. The best line is spoken by Tamara Tunie (the narrator on EVE'S BAYOU), who plays the role of Sheila, Lulu's mother. Written by an (uncredited) Lemmons, the line is sure to elicit a response from fans of Terry McMillan and similar novelists. Overall, THE CAVEMAN'S VALENTINE is an intriguing character study which includes a touching father-daughter relationship. This comes at the expense of gripping "edge of your seat" suspense, but don't let this keep you from experiencing this rich and complex film. Amelia Vincent's cinematography and Terilyn A. Shropshire's editing are first-rate. Terence Blanchard's score is seamless. (These three also collaborated with Lemmons on EVE'S BAYOU.) If you're a fan of typical summer movies that seem to care more about style over substance, you'll probably be better off to look elsewhere. On the other hand, if you've grown weary of loud thrillers with formulaic plots, you'll really appreciate this film. Check it out.
There is a short cast and crew bio that is pretty nice and of course the director's commentary.
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| 12. Tequila Sunrise Director: Robert Towne | |
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Amazon.com Reviews (23)
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| 13. Love at Large Director: Alan Rudolph | |
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| 14. Making Mr. Right Director: Susan Seidelman | |
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There are some very good things about it though. The music is great and there are some very funny scenes in it. John Malkovich does an excellent job with the two different personalities - the android and the doctor. The acting of the other actors is very poor though and overall the movie was corny and pretty dumb.
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