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| 1. Birth Director: Jonathan Glazer | |
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Amazon.com Reviews (86)
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| 2. Weekend at Bernie's II Director: Robert Klane | |
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Reviews (21)
The movie has two jokes than run the entire length, and neither are funny. Watch Bernie's corpse slam into things, and worse, watch Bernie come to life and dance when music is playing. Ho ho. Perhaps our military would find this film useful in interrogations. If your idea of great comedy is watching a middle aged man dance the limbo for two hours, occasionally falling down, or banging his head into something, then this movie was made for you.
WAB fans should still see it but true comedy happened in the first film.
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| 3. A Perfect Murder Director: Andrew Davis | |
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Amazon.com | |
| 4. Antwone Fisher (Widescreen Edition) Director: Denzel Washington | |
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Reviews (104)
The film is based on the troublesome real life autobiography of Antwone Fisher, who wrote the screenplay of his painful past as a child which leads him to confront his demons as a Navy seaman. He meets a psychologist (Denzel Washington) who lifts his spirits up even though he's reminiscing about his unpleasant years. Derek Luke is an excellent up-and-comer who gives a naturalistic performance as Fisher, and Washington's directorial debut is fine. I was astounded by the real Antwone Fisher, who first revealed his story as a film-studio security guard, whose sad life is penetrating theme to the audience. Courage, dignity, and a great heart is Fisher's message in the film. A notable accomplishment by Fisher! A thoughtful film about life and a highly recommended movie to watch and learn.
The film is beyond brilliant. Denzel Washington, hot off of his Oscar winning performance in Training Day, scores big with Antwone Fisher. He not only stars as the psychologist, but directs this flawless drama in his first ever debut in the director's chair. Derek Luke, a name that is destined to shine in years to come, portrays Fisher with such conviction that he successfully steals the show in the scenes he's in with Denzel. The film is very heartfelt. It will bring tears to your eyes. A very recommended movie. A+
The reason for this is that the movie is an autobigraphy of a real life person. Antwone Fisher served in the U.S. Navy and had a productive relationship with a Navy shrink played by Denzel Washington. This movie boasts an excellent script and cast to match.
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| 5. The Cotton Club Director: Francis Ford Coppola | |
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Amazon.com What The Cotton Club lacks is cohesion. As written by Coppola and novelist William Kennedy (then enjoying the peak of his critical acclaim), the movie struggles to exceed the narrative scope of The Godfather, but its multiple early-'30s plot lines fail to form any strong connective tissue. It's three (or four) movies in one, with cornet player Dixie Dwyer (Richard Gere, playing his own jazzy solos) drifting from one story to the next--loving a young, ambitious vamp (Diane Lane, with whom Gere shares precious little chemistry), enjoying the success of a hotshot hoofer (Gregory Hines), and protecting his brazen bother (Coppola's then-newcomer nephew, Nicolas Cage) from the deadly temper of mob boss Dutch Schultz (James Remar). Bob Hoskins and Fred Gwynne also score big in grand supporting roles, but The Cotton Club is perhaps best appreciated for its meticulous re-creation of Harlem's Cotton Club heyday, and the brilliant music (Ellington, Calloway, etc.) that brought rhythm to gangland's rat-a-tat-tat. --Jeff Shannon Reviews (22)
All in all, this is worth a look, or several, despite its rather considerable flaws.
Additionally what happens on-stage at the Cotton Club really takes us out of the drama that is happening off-stage. By the time each musical number ends you almost forget what the film is about. There are so many characters(Bob Hoskins, Fred Gwen, Nic Cage, Joe Dallesandro) saying so many things and yet no one character ever grabs our attention and so its hard to care what each character is plotting to do. Its possible to watch this film and not really know who the main character or what the main plot line is. The writing is that obscure. Even if you figure out its a film about Gere and Lane it doesn't help much because they just don't seem right for each other anyway. As a result we have no one and no thing to root for. Beneath the flash of the costumes the film just has no heart and soul. Its like a glossy magazine with pretty faces but no substance. That said the film is a wonder of cinematography and choreography. One wonderful scene toward the end of the film has Coppola cutting between Gregory Hines tapping and a particularly lurid murder scene. This is the kind of thing Coppola did so well in Godfather--mixing life and death in an operatic way--but here the great camera work seems kind of empty because the characters have failed to really make their mark on our imaginations. Perhaps in the future Coppola will release an extended version of this film which will make the story clearer. Until then I would recommend this film only if you want a strictly visual entertainment. ... Read more | |
| 6. Antwone Fisher (Full Screen Edition) Director: Denzel Washington | |
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Reviews (104)
The film is based on the troublesome real life autobiography of Antwone Fisher, who wrote the screenplay of his painful past as a child which leads him to confront his demons as a Navy seaman. He meets a psychologist (Denzel Washington) who lifts his spirits up even though he's reminiscing about his unpleasant years. Derek Luke is an excellent up-and-comer who gives a naturalistic performance as Fisher, and Washington's directorial debut is fine. I was astounded by the real Antwone Fisher, who first revealed his story as a film-studio security guard, whose sad life is penetrating theme to the audience. Courage, dignity, and a great heart is Fisher's message in the film. A notable accomplishment by Fisher! A thoughtful film about life and a highly recommended movie to watch and learn.
The film is beyond brilliant. Denzel Washington, hot off of his Oscar winning performance in Training Day, scores big with Antwone Fisher. He not only stars as the psychologist, but directs this flawless drama in his first ever debut in the director's chair. Derek Luke, a name that is destined to shine in years to come, portrays Fisher with such conviction that he successfully steals the show in the scenes he's in with Denzel. The film is very heartfelt. It will bring tears to your eyes. A very recommended movie. A+
The reason for this is that the movie is an autobigraphy of a real life person. Antwone Fisher served in the U.S. Navy and had a productive relationship with a Navy shrink played by Denzel Washington. This movie boasts an excellent script and cast to match.
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| 7. Mama Flora's Family Director: Peter Werner (III) | |
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Reviews (12)
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| 8. Daybreak Director: Stephen Tolkin | |
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Reviews (2)
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| 9. Judy Berlin Director: Eric Mendelsohn | |
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Description Reviews (4)
As a mismatched couple, Bob Dishy and Madeline Kahn are superb. He is an elementary school principal; she is his chatty dependent wife who needs, needs, needs. This was, very sadly, Kahn's last film role--she died of cancer shortly after the film finished shooting. She captures this character to a tee. You watch her and realize nobody else could have performed this role. Dishy, normally a comic actor, here gives a touching performance as a man lost in a half childlike state, as is his wife, although in a subtly different way. In fact, many of the characters are associated with the elementary school. This is Mendelsohn's clever way of aligning their inability to express mature emotionality with their daily routine. Julie Kavner and Anne Meara, in small roles, work in the school nurse's office. Barbara Barrie is a teacher in the school whose somewhat supercilious attitude gives way, ultimately, to an attraction to her principal, who is having a hard time relating to his wife. The title character is well played by Edie Falco, currently of The Sopranos, a struggling actress planning to make it big in Hollywood. She has a casual relationship with her mother, the schoolteacher played by Barbara Barrie--so much so that she calls her mother by her first name. On the day she is scheduled to leave for California, she runs into David, son of the Golds (Kahn and Dishy). David is a struggling filmmaker with his own agenda that excludes much of life. The two of them hit it off, but Judy has to leave.... What makes this film so resonant and memorable is the writer-director's mature emotional intelligence. He understands that the dreams we all have of how we want to live our lives are almost never fully realized in reality. The eclipse is a potent metaphor for the gap between what we dream of and what we live. And, he says, it is our lack of understanding how to realistically achieve what we want that plunges us into this gap. The only sticking point in the film is David's (the filmmaker's) overly self-conscious remarks to Judy about filmmaking itself, which do tend to bog things down somewhat. But aside from that, this is a wonderful, beautiful film with heart and intelligence. Note that the DVD includes Mendelsohn's excellent short (23 minute) film Through an Open Window with a great performance by Anne Meara as an aging woman who feels trapped in her house by the presence of a bird that's flown inside on a summer day. She leaves, only to be confronted by others who make her realize just how trapped she really is... Highly recommended.
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| 10. Manny & Lo Director: Lisa Krueger | |
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Description Reviews (7)
Scarlett Johannson and Mary Kay Place were very entertaining, as was the movie in general. It did not have any Oscar-caliber aspects to it, however. The DVD itself has a good image quality, but there were no features other than scene selection, and a trailer to 3 other movies. It is very over-priced for what you get, but if you are a fan of any of the three lead actresses, it may be worth it to you.
Nothing really. But I was thinking: this is the obverse of male war movies where none or few women appear, men doing their manly thing killing one another, women irrelevant. I think that's the key word here for director Lisa Krueger: in the reproductive game that is war by other means, men are irrelevant. Or almost so. In war it doesn't matter how many men are killed. As long as there are some left the population will quickly spring back. Kill the women, though, and you have a serious population problem. Manny and Lo and Elaine prove that you really don't need the male: his sperm will do, and that way you don't have to put up with his loutish behavior. I think I got this right. Anyway, it's a cute movie.
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| 11. Antwone Fisher & Behind Enemy Lines (Widescreen Edition) Director: Denzel Washington | |
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| 12. Mercy Director: Richard Shepard | |
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Reviews (3)
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| 13. Antwone Fisher & Men of Honor (Full Screen Edition) Director: Denzel Washington | |
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| 14. An Unmarried Woman Director: Paul Mazursky | |
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Reviews (13)
I have seen the film many times since, and it has become one of my all time favorite movies. Jill Clayburgh shines as Erica and brings such a believability to this role. You are right there with Erica as she revels in her comfortable Upper East Side life, as she walks around in a fog when her husband leaves, as she takes those tentative first steps into the world of dating, as she finds love once again, and ultimately, as she emerges as a woman who discovers who she is and is determined to face life and love on HER terms. I think this is Paul Mazursky's best work. He was not afraid to explore his feminine side and write this film from a woman's point of view. Many of the themes brought up in the film, such as loss, self-esteem, and independence still ring true today and I am hard pressed to name a recent film that explores this territory as well. On a purely aesthetic level, I would kill to have Erica's apartment. A spacious, tastefully decorated hi-rise apartment with stunning views of Manhattan...I would be in heaven. The movie gets a star alone for that location.
When will this be on DVD!!!???
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| 15. Chiefs Director: Jerry London | |
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Reviews (5)
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| 16. Antwone Fisher & Behind Enemy Lines (Full Screen Edition) Director: Denzel Washington | |
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| 17. 1999 Director: Nick Davis | |
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Reviews (3)
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