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| 1. The Stand Director: Mick Garris | |
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Reviews (217)
Other than that, the movie is awesome. The makeup effects used are amazing. The actors chosen to portray the characters seem perfect, especially Gary Sinise, Adam Storke, Ray Walston, Bill Fagerbakke, Jamey Sheridan and particularly Rob Lowe, who plays a wonderful Nick Andros. I've already watched this movie a number of times, and there are scenes I can't get enough of. I really like it, but I'm going to have to say, read the book first, because it will not only help you keep better track of what's going on in the movie, but it will you keep you informed on the characters as well. Plus, the book is definitely worth it's 1141 pages and you'll be really missing something without it!
The performances are good, with some nice peaks into the early works of some now well known actors. The only disappointment for me... in both the book and the miniseries.... is that ending. Won't spoil it here. For me it was a sort of "thats it?" moment. ... Read more | |
| 2. Tucker - The Man and His Dream Director: Francis Ford Coppola | |
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Reviews (30)
The flashy style of the director has the look and feel of a Life magazine or Saturday Evening Post piece ... it's hype, sure, but it attempts to capture the entreprenurial spirit of post-war America with the swing music and stylish clothing ... Excellent performances by Bridges (both of them!), Martin Landau and even Christian Slater plays with much more subtlety than usual. Dean Stockwell does a pretty good Howard Hughes. Get this movie and be prepared to simply sit back and enjoy it. Before the Big Three had serious competition from Germany and Japan they ruled with an iron fist. The cars we drive today are infinitely better because of competition. Should any criticize me for that statement I simply say these words: Pinto, Vega and Pacer. BTW, my new Ford Explorer is an excellent, well-designed and engineered vehicle. Unfortunately the father-son team of Bridges didn't have nearly as much material to work with in "Blown Away", their only other movie pairing ... Lloyd Bridges plays the corrupt U.S. Senator so well that you'd like to see a full Congressional investigation on him ... Excellent sound track as well.
As reflected by the DVD cover, the movie is filmed in a splashy 1940's advertising style, and uses warm gold and sepia tones and some impressive camera work to tell the tale of the development of the "Tucker 48" automobile, also known as the "Torpedo" after its sleek lines (for the times), of which only about 50 were made. For its time, it had many innovative features, including a rear-mounted engine, seat belts and padded dash, push button controls, and a third central headlight that would turn when steering. The large, 4,800 pound behemoth got about 20 MPH. In a somewhat dichotomous framework, the movie shows the result of American "Yankee ingenuity" coupled with the eventual demise of the Tucker due to pressure by the Big Three automaking competitors. Taken to court for fraud with the accusation that he would not deliver on the promise of producing a car, Tucker in fact is found not guilty, and had actually produced about 50 cars, though his business was effective ruined. Tucker had other successes however. Just before World War II, he developed an armored car that was so fast at 80-plus MPH, the Army did not want it because they thought such vehicles should only go about 35 MPH. However, the rotating gun-turret used on top of the vehicle, the "Tucker turret", was used on American bombers, such as the B-17 and B-24, thoughout the war. Although his business partner Abe Karatz (Landau) is quite upset that the car business folded, Tucker tells him..."It's the idea that counts, Abe, and the dream." Tucker died in 1956 from lung cancer at age 53. The reasonably-priced DVD has the wide-screen movie, an excellent original 15-minute long 1948 promotional film made by the Tucker company (with or without commentary by FFC), a mediocre short "making of" collection of cast/crew interview clips mostly from 1988, a decent commentary by FFC, and the usual setup features.
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| 3. Drop Zone Director: John Badham | |
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Description Reviews (14)
"Drop Zone" is a good movie. Its plot might be choppy in parts, but that's about the only thing wrong with the movie. The skydiving sequences are the best and most exciting I've ever seen in any movie, and Wesley Snipes is hilarious in some parts such as when he skydives for the first time and screams the whole way down. The movie's soundtrack is another good thing about the movie. Whether you like skydiving or not, if you like good action movies I recommend getting "Drop Zone." ... Read more | |
| 4. The War at Home Director: Emilio Estevez | |
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Description Reviews (19)
The acting was believable of all characters, and it really makes you stop and think about the horrors that our soldiers had to endure in Vietnam, God bless them! This is a wake up call addressing our need to honor our vetrans and their families. I highly reccommend this flick!!!
Watching it four years later, I felt very sad at the end. Which I actually DIDN'T feel the first time I saw it. The characters were both likeable & unlikeable; I love a movie where you can resent one character you've known all of two hours, or be on the verge of tears when another is facing a difficult time. Bob seemingly acknowledges his son has changed for the worse when he gives his "draft card speech" at the Thanksgiving day table, but he does nothing to help Jeremy. At the same time, Karen is a psych student, but she can be a little too harsh on Jeremy in certain moments. But the characters are humans, they make mistakes. The only real problem I had was with the ending voice-over. It gave too much away. I would have been happier wondering what became of Jeremy. (I wonder why they had Karen, of all the characters, doing the voice overs?) Still, it's worth 5 stars.
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| 5. Stephen King's The Stand Director: Mick Garris | |
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Reviews (217)
Other than that, the movie is awesome. The makeup effects used are amazing. The actors chosen to portray the characters seem perfect, especially Gary Sinise, Adam Storke, Ray Walston, Bill Fagerbakke, Jamey Sheridan and particularly Rob Lowe, who plays a wonderful Nick Andros. I've already watched this movie a number of times, and there are scenes I can't get enough of. I really like it, but I'm going to have to say, read the book first, because it will not only help you keep better track of what's going on in the movie, but it will you keep you informed on the characters as well. Plus, the book is definitely worth it's 1141 pages and you'll be really missing something without it!
The performances are good, with some nice peaks into the early works of some now well known actors. The only disappointment for me... in both the book and the miniseries.... is that ending. Won't spoil it here. For me it was a sort of "thats it?" moment. ... Read more | |
| 6. Operation Dumbo Drop Director: Simon Wincer | |
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Description Reviews (1)
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| 7. Goodbye America Director: Thierry Notz | |
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Reviews (2)
Nevertheless, the story and plot are entirely fictional. There's definitely some romantic drama involved in this movie, particularly concerning an interracial affair between an American soldier and a Filipina. On the other hand, there's also some action and a strange twist of events as one of the US soldiers turn psycho and try to blow everything up. So in terms of plot summary, I wouldn't call this movie as ingenuous. The story is rather predictable. So it is largely because of this that I gave the review 3 stars. However, I do admire how Filipino filmmakers have done a wonderful collaboration to produce this piece which I may say could generate some serious pride in Philippine filmmaking. The cinematography rivals that of the big-budget US films, and I know from a fact that much effort was made to produce a truly porfessional and epic scale movie like this one. So this DVD would be okay to have in your collection, if you are interested in learning more about the Philippines and its foreign policy towards the US. It's not a historical documentary, but it's a good watch. Plus, where else could you see a movie with beautiful Filipino actors and actresses as well as acclaimed actors from the US put together?
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| 8. Killer Bud Director: Karl T. Hirsch | |
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| 9. White Wolves 2: Legend of the Wild Director: Terence H. Winkless | |
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Reviews (2)
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| 10. Ultimate Fight Director: Ernie Reyes Jr. | |
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Reviews (4)
Ernie Reyes Jr. and Sr. (as well as the West CoastDemo Team) do know how to move, but the fight scenes were barely anythingmore than finding an excuse for them to take turns showing off their bigspinning and jumping kicks or to spin some weapons around on camera. Theworst of all of the "show off" moves was a jump kick by ErnieReyes Sr.. He ran about 150 feet towards a guy (who knew he was coming andwas ready for him) before he was in range to kick and the guy didn't evenattempt to dodge it! I would give this movie three stars as a horrorfilm. ... Read more | |
| 11. Shadow Hours Director: Isaac H. Eaton | |
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Reviews (5)
Anyway, the film picks up once Peter Weller drives his porche into Michael's life. Weller plays a guy named Stuart who claims to be a writer and who, in one of those scenes that seems to take place exclusively in movies like this, quickly befriends Michael and takes Michael on a journey into the seedy underside of L.A. -- a world of perversion and temptation and nothing you haven't seen before in films ranging from Blue Velvet to Fight Club to the Matrix Trilogy to whatever happens to playing on Cinemax right now. Indeed, the main weakness of Shadow Hours is that in today's world, nothing's shocking and simply using a whole lot of neat little film school tricks isn't going to make the mundane any more interesting. Natrually, Getty's character must chose between a life of stable, boring stability with Gayheart or the life of self-destruction offered by Weller. However, since the film makes both choices look positively dull, who really cares? Since the film never really bothers to give any build-up to Getty's plunge into decadence, it's pretty much impossible to judge just exactly what it is he's rebelling against beyond working in a gas station and living with a Noxzema spokesmodel with a pillow under her blouse. It doesn't help that Getty sleepwalks through his role. However, I would recommend seeing this film for one reason and one reason only and that is the brilliantly bemused performance that Peter Weller gives as the film's perverse version of Virgil. Smirking like an aneroxic Jack Nicholson and never giving into the temptation to take any of his overbaked dialogue too seriously, Weller manages to breathe new life into a familiar character and he even manages to bring a few moments of genuine menace into an otherwise dreadfully silly film. Eventually, the film lets Weller and his character down but Weller never lets the audience down. It's rare that one actor alone can redeem an entire film but that is what Weller manages to do in Shadow Hours. Shadow Hours is a film that was obviously designed to be a "cult classic" but ultimately it only serves to highlight the difference between a well-made, unconventional film that might take a while to find its audience and a flashy, derivative con job that tries to hide its lack of depth behind a whole lot of flashy camera moves and sub-Intro. to Philosophy-style monologues. However, if the film doesn't deserve a cult, Peter Weller's performance definitely does. Nothing's shocking except that such a silly film could contain such a rare piece of genius.
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| 12. Legacy Director: T.J. Scott | |
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Reviews (4)
donita rose was raised in america and went to MTV Asia to become a world wide sensation. the ending of the movie is a little much when donita's character smooches with knightrider but let's just say KITT would be jealous.
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| 13. The First to Go Director: John L. Jacobs | |
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| 14. The First to Go Director: John L. Jacobs | |
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| 15. Solar Crisis Director: Alan Smithee, Richard C. Sarafian | |
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Reviews (8)
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| 16. Brother's Keeper Director: John Badham | |
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Description Reviews (2)
Lucinda Pond had overcome an abusive childhood with her single parent father. She became a successful Police officer, and used no small amount of her time protecting her baby brother Ellis from the repercussions of his petty crime, a habit developed from her taking care of him during their childhood. Lucinda's world came apart when she led a "ruby-ridge" style raid that leads to the death of an innocent man rather than the serial killer she was trying to capture. She leaves the force, takes up drinking, and abandons her husband and child. Almost four years later some one is copycatting those murders and Lucinda is brought back onto the force against her will to help track down the killer. In no time it all she figures out that it is her wayward Brother, Ellis. She also realizes that this is another of the many games and puzzles that the two siblings shared growing up. He leaves her clues and she is to use their common history to decipher them and hunt him down. Ellis's goal is to "free" her from having to protect him by killing so very many people that Lucinda will be forced to kill him. A plan she does not intend to follow through on. As the bodies and the clues mount, Lucida is forced into a confrontation with Ellis and a choice that only she can make. Now, I like movies about siblings who are forced into murderous situations with each other as much as the next person, BUT this movie was just a waste of time. My only regret is that I didn't have enough sense to turn the VCR off at that moment and just take the tape back. My advice to you is to not even bother to get the tape in the first place.
Tripplehorn is believable, as a ragged, close to burned out cop, forced back to reality by the need to bring her brother Ellis (Corin Nemec) to justice. The build up of Ellis, as a criminal mastermind, is a bit overdone, though there is no doubt that he is capable of some extremely gruesome acts. The violence is toned down for TV, and the mayhem is hardly shown, only the grim results. All this carnage, is the result of a troubled childhood, and an abusive father. Very convenient. Using her insight, Detective Pond is convinced that her brother is "trying to tell her something" with his acts. She must operate with a FBI agent (Evan Dexter Parke) who is not quite convinced she belongs on the investigative team. He becomes her partner for a showdown in the woods with Ellis. Veteran director, John Badham (Point of No Return) handles matters capably. Brother's Keeper does not have a lot of tension or suspense, and it saves what little action there is until the end. The cost may be a little steep, for a TV type thriller that does not rise very far above average. ... Read more | |
| 17. Parker Lewis Can't Lose Director: Bryan Spicer, Larry Shaw, Tucker Gates, Thom Eberhardt, Mike Finney, Max Tash, Andy Tennant, Rob Bowman, Jeffrey Melman, Lyndall Hobbs, Mark Jean, Larry Lipton | |
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| 18. Foreign Correspondents Director: Mark Tapio Kines | |
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Reviews (6)
If you like stories that tie together, or have an interest in seeing some seens from the bay area in a movie, or just want a inde sort of film, check this one out. Otherwise, it probably won't do much for your interests.
The second part is called "Love, Trevor", and is about a young man named Trevor (Corin Nemec with a not quite authentic British accent) who travels from England to the United States to visit his pen pal Mira (a refreshing performance from Yelena Danova) who is from Sarajevo but staying with a host family. The trouble is, she will be deported soon and the unsuspecting Trevor has been asked to visit for the purpose of marrying Mira to help her stay in the United States. The only kink in the set up is that Trevor really doesn't want to get married, even though he admits to his buddy Ian (the likable Steve Valentine, a true Brit with the dead on accent to back it up) that he's attracted to Mira, he's not in love with her. He does feel guilty, though. Ian tells him, "Lust and guilt won't last three years". Trevor ponders this moral question -- should he marry someone he loves as a friend but not as a life partner? And if he doesn't, will she be in mortal danger when she returns to her country? Dear Jenny had a sense of mystery while Love Trevor had me intrigued. I HAD to know who this Jenny girl was and what happened to her and Marcel and I HAD to know which choice Trevor would make. Each story was very compelling and also had a hint of sadness as they mirrored broken relationships, loss, the frustration of indecision and the agony of guilt. In the end, both Melody and Trevor DO make their final choices and must live with the consequences. The ending left me pondering my own choices in life. If you like introspection and quiet, thoughtful dramas, Foreign Correspondents will be perfect for you. Don't miss Wil Wheaton (Stand by Me, Star Trek TNG) as Jonas, a member of Melody's Neighborhood Watch group who develops a crush on her. He has a line that just makes one groan and grimace but at the same time it hits a nerve. You'll know which one I mean when you hear it. Overall I enjoyed Foreign Correspondents -- especially the performances of Yelena Danova and Steve Valentine. My biggest complaint is Corin Nemec's hair, which never seems to look good no matter what movie or TV show he's in. His fake Brit accent was a bit distracting because I was so familiar with him as an American, but as the story unfolded I soon accepted him as a Brit. For a first film, this is an excellent piece of work and quite moving.
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