Reviews (47)

Restored edition, fantastic!!!!!!
The movie Reefer Madness seen by itself is really nothing to brag about, but this special addition for this best-selling cult classic is fantastic. It's a must buy, because for how cheap it is, you really get your money's worth. For the first time ever, I can say that the colorized version (complete with multicolor smoke and over saturated psychedelic color schemes) is better and looks better than the original black and white, and both versions are available to watch which is considerate of the DVD producers to give us both, and it looks as good as we can ever expect. Extra features are fantastic highlighted by a hysterical commentary by Mike Nelson, formerly of Mystery Science Theater 3000, which is the sole reason why I bought this edition. The commentary by the people who colorized the film is also worth a look. I highly recommend this new edition.

Reefer Madness IN COLOR for the First Time - Fire UP!
Reefer Madness is the quintessential cult classic. Originally made as a 1930's propaganda film, it was meant to scare America's youth away from drugs, showing them that one puff of the "demon weed" turns teens into raving reefer addicts. Now, years later, this ham-fisted effort to warn you off weed has become the height of camp entertainment. A 'must watch' film among students, Reefer Madness continues to entertain today's youth with the edgy exploits of their high school predecessors. This movie is so beautifully bad, it's great!

Finally someone has released Reefer Madness the way it should be: Beautifully restored, in color for the first time, and in 5.1 surround sound. Both the color and black-and-white versions are on the disk. Plus this DVD has loads of fantastic bonus material. Mike Nelson of Mystery Science Theater 3000 does a hilarious commentary track, cracking wise from start to finish. Grandpa's Marijuana Handbook, A short film by Grandpa Ganja himself, graces this edition and tells us everything we need to know about dope.

No question this is the "FEEL GOOD" DVD of the year!

TELL YOUR CHILDREN!!!
After hearing about this movie for years I finally picked it up, and its better than I ever expected. This one dude smokes a reefer and appears to drive around the block 2 times then hits this old man and then he drives away. oh, yeah, this other guy named Ralph really loves his reefers, he smokes a few hits, then laughs, then he falls in love with Mary, he tries to win her heart by ripping her clothes off and groping her. It doesnt really work out for Ralph, because his fanciful advances cause Mary to get capped, and then Jimmy gets blammed for it because he's a total dork. In the end everything works out, because this stupid girl spills the beans to judge turtlehead, and Jimmy gets aquitted then the stupid girl jumps out of the window. all in all I loved this movie, it really opened my eyes to the evils of the demon weed. thanks for saving me from a life of crime and dispair Reefer Madness!

Re Urban Legend
To address xerxes59's question about the urban legend:

I never heard any evidence about Dupont funding Reefer Madness, but they would have a motive.

Dupont was facing enormous loses because their inventions rayon and nylon could not compete with natural hemp (in quality, cost effectiveness, not to mention environmental friendliness). Andrew Mellon, US Treasury Secretary and chairman of Mellon Bank, one of the major financers of Dupont, did appoint Harry Angslinger (who was also married to his niece) as Commissioner of the Federal Bureau of Narcotics. As seen in Ron Mann's documentary "Grass", Angslinger was an extremist zealot who managed to criminalize marijuana and create ridiculous sentences for smoking pot. One of Angslinger's methods was to demonize pot with completely false evidence throughout the various media (newspaper tycoon William Randolph Hearst, whose financial interests in paper mills was also being hurt by hemp, was a great ally). Of course this is a tenuous connection between Dupont and Reefer Madness, but Dupont clearly had a direct financial interest in demonizing reefer, just like the movie attempts to do.

Pointless
You mean they used to think pot was bad!!! Wow! Actually I saw this film and it was boring. It wasn't suprising, it had no point. It probably wasnt even that great back in '38. This movie is for children who just learned how to roll one and now they want to be cool. This movie SUCKS!!! ... Read more

Description

Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night. ... Read more

Reviews (1)

The Bell Tolls for Captain Midnight....
Dave O'Brien leaps into battle against evildoers as the famous radio adventurer Captain Midnight. Midnight seeks to protect a scientist and his daughter from invention-stealing bad guys out to wreck America's defense effort. The bad guys, lead by Ivan Shark and his daughter Fury, stoop to new lows as they battle the Captain and plot to destroy our war effort.

O'Brien fills the role of Midnight well, despite looking and sounding a bit like a young Richard Anderson (Oscar Goldman from "The Six Million Dollar Man").

Dorothy Short as the scientist's daughter, Joyce Edwards, is mostly suitable as a sort of love interest for Midnight, but mostly useless in every other capacity. She brings the helpless-girl-who-gets-in-trouble-in-almost-every-chapter to heights never dreamed of by Noel Neill, who played Lois Lane in the classic Superman TV series. Short's continual screaming and helpless antics drag the serial down a bit. Far better (and a better choice for the Joyce character!), is the evil daughter of Ivan Shark, Fury, played by Luana Walters.

Joseph W. Girard plays the gruff but concerned Major Steele, who lets Cap walk all over him (apparently, in Midnight's army, being a "mystery man" means a captain outranks his commanding officer). Guy Wilkerson and Sam Edwards lend a hand as Captain Midnight's pals, who, like Captain Midnight and all the crooks, share the strange inabillity to retain their firearms when they get their foes cornered.

Ivan Shark, played by James Craven, is a great villain. He is a master of disguise, and has a fabulous secret lair. Several things fail Craven however, as his personal "Arab" outfit to hide his features is discarded about half-way through the story. Also dropped is the gang members going by numbers and not names. Worst of all, Shark's purpose and motivation for trying to wreck America's defense plants is never very clearly explained. As he sneers his evil way through confrontations with Midnight, all the while operating his dubious death traps, there never seems to be any connection with the Germans or Japanese, an element that would have added to the believability of Shark as an anti-American fifth-columnist villian.

One gets the sense that this serial (released in early 1942) had originally been more about a gang of rogue, criminal aviators who are after the scientist's new bombsight to serve their own ends. That would make sense, seeing as how the oft mentioned but never seen defense plant attacks were probably incorporated into the story post-Pearl Harbor.

The serial is pretty good overall, with moderately suspenseful cliffhangers and some good tricks, secret hideouts, and fights. It's probably two or three chapter too long, though, and things can get a bit tedious after a while. Probably Columbia's best effort, but it's no Republic serial, for sure. ... Read more

Amazon.com essential video

Although it was made in 1936, Reefer Madness didn't become a cult hit until 1972 when the National Organization for the Reform of Marijuana Laws (NORML) rescued it from the Library of Congress film archive. Thereafter, it was a mainstay on the midnight movie circuit.And it's easy to see why.The ostensible story involves a group of upstanding young high school students who succumb to the allure of the "killer weed."What follows, as if by natural progression, is a catalog of crimes that includes hit-and-run driving, loose morals, rape, murder, suicide, and my personal favorite, permanent insanity! The action is at times so hysterical, in both senses, that you may forget to inhale.Honors go to the wild-eyed, cackling hophead David O'Brien; his performance reaches a raw intensity that is hard to imagine. One measure of this film's pervasive influence is the extent to which its title continues to be invoked in news stories about decriminalization and medical marijuana. Such posterity for unintentional humor must be rare. A great film to see stoned, man. --Jim Gay ... Read more

Reviews (47)

Restored edition, fantastic!!!!!!
The movie Reefer Madness seen by itself is really nothing to brag about, but this special addition for this best-selling cult classic is fantastic. It's a must buy, because for how cheap it is, you really get your money's worth. For the first time ever, I can say that the colorized version (complete with multicolor smoke and over saturated psychedelic color schemes) is better and looks better than the original black and white, and both versions are available to watch which is considerate of the DVD producers to give us both, and it looks as good as we can ever expect. Extra features are fantastic highlighted by a hysterical commentary by Mike Nelson, formerly of Mystery Science Theater 3000, which is the sole reason why I bought this edition. The commentary by the people who colorized the film is also worth a look. I highly recommend this new edition.

Reefer Madness IN COLOR for the First Time - Fire UP!
Reefer Madness is the quintessential cult classic. Originally made as a 1930's propaganda film, it was meant to scare America's youth away from drugs, showing them that one puff of the "demon weed" turns teens into raving reefer addicts. Now, years later, this ham-fisted effort to warn you off weed has become the height of camp entertainment. A 'must watch' film among students, Reefer Madness continues to entertain today's youth with the edgy exploits of their high school predecessors. This movie is so beautifully bad, it's great!

Finally someone has released Reefer Madness the way it should be: Beautifully restored, in color for the first time, and in 5.1 surround sound. Both the color and black-and-white versions are on the disk. Plus this DVD has loads of fantastic bonus material. Mike Nelson of Mystery Science Theater 3000 does a hilarious commentary track, cracking wise from start to finish. Grandpa's Marijuana Handbook, A short film by Grandpa Ganja himself, graces this edition and tells us everything we need to know about dope.

No question this is the "FEEL GOOD" DVD of the year!

TELL YOUR CHILDREN!!!
After hearing about this movie for years I finally picked it up, and its better than I ever expected. This one dude smokes a reefer and appears to drive around the block 2 times then hits this old man and then he drives away. oh, yeah, this other guy named Ralph really loves his reefers, he smokes a few hits, then laughs, then he falls in love with Mary, he tries to win her heart by ripping her clothes off and groping her. It doesnt really work out for Ralph, because his fanciful advances cause Mary to get capped, and then Jimmy gets blammed for it because he's a total dork. In the end everything works out, because this stupid girl spills the beans to judge turtlehead, and Jimmy gets aquitted then the stupid girl jumps out of the window. all in all I loved this movie, it really opened my eyes to the evils of the demon weed. thanks for saving me from a life of crime and dispair Reefer Madness!

Re Urban Legend
To address xerxes59's question about the urban legend:

I never heard any evidence about Dupont funding Reefer Madness, but they would have a motive.

Dupont was facing enormous loses because their inventions rayon and nylon could not compete with natural hemp (in quality, cost effectiveness, not to mention environmental friendliness). Andrew Mellon, US Treasury Secretary and chairman of Mellon Bank, one of the major financers of Dupont, did appoint Harry Angslinger (who was also married to his niece) as Commissioner of the Federal Bureau of Narcotics. As seen in Ron Mann's documentary "Grass", Angslinger was an extremist zealot who managed to criminalize marijuana and create ridiculous sentences for smoking pot. One of Angslinger's methods was to demonize pot with completely false evidence throughout the various media (newspaper tycoon William Randolph Hearst, whose financial interests in paper mills was also being hurt by hemp, was a great ally). Of course this is a tenuous connection between Dupont and Reefer Madness, but Dupont clearly had a direct financial interest in demonizing reefer, just like the movie attempts to do.

Pointless
You mean they used to think pot was bad!!! Wow! Actually I saw this film and it was boring. It wasn't suprising, it had no point. It probably wasnt even that great back in '38. This movie is for children who just learned how to roll one and now they want to be cool. This movie SUCKS!!! ... Read more

Reviews (8)

East Side Kids meet Bela Lugosi for the first time.
the East Side boys make more trouble again. Usually they are sent back to reform school. But this time they are put in a bus and taken to a small town. At a soda fountain shoppe, they hear on the radio that a "monster" killer is on the loose. The boys have aroom to sleep in at the camp. At a gas station, Bela Lugosi as "Nardo" (Dracula [1931]) comes to town with his midget assistant, "Luigi" (Angelo Rossitto). They are looking for the Billings Estate. The gas station attendent says no one has been there since the killings ten years ago. Later, the gas station attendant meets Dr. Von Grosch (Dennis Moore). He tells the doctor he knows who he is and that he is looking for the "monster" killer. The man up ahead is the monster killer. The gas staion attendent keeps the secret of Von Grosch being in town. The boys go roamin' and they come across the graveyard at the Billings Estate. They are taken into the estate and there they meet the killer. They must stay in this spooky manor overnight. They want to get back to the camp, but they can't leave Pee Wee (played by David Gorcey, Leo's brother) who is under a spell. This is one of the more entertaining and popular films of the series. Next film in he series is: MR. WISE GUY (1943). The East Side Kids "Spooks Run Wild", Donald Haines was in World War II. It is not known if he was Missing In Action or died.

BAD DVD
i bought this dvd [SPOOKS RUN WILD] and another [KID DYNAMITE] from alpha video and these dvd's would not play at all. i was very disappointed and will not buy any products from ALPHA again.

Excellent spook classic!
Once again the boys (East Side Kids/Bowery Boys/Dead End Kids) hit the target on the bullseye. I remember seeing Spooks Run Wild on late night T.V. when I was younger. I was waiting up to see the classic Cushing/Price/Lee (Hammer mostly) films that came on late on Friday nights (I believe it was Night Flight)....once upon a time. I didnt get what I expected, instead I got this comedy that cracked me up. It reminded me of The Three Stooges/Abbott & Costello/Little Rascals........with a spooky twist. I've always loved those old horror comedies.......the way they show fear is always a winner. Hopefully Roan Group (Yep, Lloyd Kaufman of Troma fame....Toxic Avenger for the Lamen) will re-release this one as well, like Ghosts On The Loose. It will be more expensive, however like all of the Roan/Troma releases it will be packed with quality & extras. Fun for the whole family!

Campy, harmless fun
This entry in the Eastside Kids series finds the boys at a country summer camp for inner-city troublemakers. One of them gets hurt and they wind up in a house "haunted" by Bela Lugosi.
Production values are low (typical Monogram) but the fun factor is high as Bela chases the boys around for 2 or 3 reels until the rather disappointing finale.
Best for fans of the Eastside Kids/Bowery Boys or Bela Lugosi but B-movie fans should also enjoy it.

Good poverty row comedy
Lugosi plays it straight and the Boys ham it up. Just what you'd xpect. Good fun ... Read more

Reviews (2)

good western
Roy Rogers realizes before everyone else does that Stuart Hamblen is not the man people make him out to be. It isn't before long that his theory turns out to be right. Stuart Hamblen and his gang have signed up to the Confederate army but their fight is not ethical. They're louting and killing the people who went to the Union side. It's Roy Rogers and Gabby Hayes duty to stop it. This is a more dramatic effort than the usual Rogers vehicle. Stuart Hamblen is great as the cold bad guy. Off the subject I liked his album Hymns. The leading girl in this is a lot like the one in The Old Corral, a proper girl taking vocal lessons. More like 2.5.

Roy Rogers: Hero in Gray
Classic action B Western with Roy playing a Confederate Officer at the outset of the Southern War for Independence who is trying to track down a murderous renegade who is fighing the war and innocent civilians for his own gain. The villain is loosely based on William Quantrill.

Great Shootouts, horse chases and fun. ... Read more

Reviews (2)

The East Side Kids get into horseracing.
Well, the East Side Boys finally made it out of the haunted mansion in BOYS OF THE CITY (1940). They are suppose to be painting a wall in town, but Leo Gorcey has decided he wants to be a jockey. Knuckles (Dave O'Brien) and Algy (Eugene Francis) must keep an eye on this gang to make sure they finish the job. They made a mess of it, so Knuckles told them to go hide at there old stable hang-out. The boys decide to race a throughbred they own called, Blue Knight. If Seabiscuit could win and make money for everyone, so could Blue Knight. After all, the horse is from Kentucky. Guess who they train to be the stable jockey? Muggs. The boys are: Bobby Jordan, Leo Gorcey, Sunshine Sammy Morrison, David Gorcey (Leo's younger brother) and Donald Haines. The next films are: PRIDE OF THE BOWERY (1941), FLYING WILD (1941), BOWERY BLITZKRIEG (1941).

The movie is good but the print could be better
This 1940 East Side Kids movie is one of the very first in Monogram Pictures' long-running series (which eventually became The Bowery Boys). These early entries stress rowdyism over comedy routines, so there's more drama than comedy, but Ernie "Sunshine Sammy" Morrison is very enjoyable as the black kid, and Bobby Jordan is enthusiastic as Leo Gorcey's confidant. In this story, Gorcey wants to be a jockey but he's secretly afraid of speed, and his stubbornness almost ruins the hopes of his friends. Clarence Muse is excellent as a journeyman horse trainer; in one charming scene he sings a spiritual without accompaniment, and Morrison jumps up and dances to it. Joseph H. Lewis's direction gets the most out of the limited budget, by shooting largely outdoors and using careful compositions. Huntz Hall is not in this picture but David Gorcey is, and fans should enjoy seeing him.

The source print used on this DVD is a Savoy Pictures reissue of the late 1940s. The first few minutes are missing (but not essential to the plot; the print must have been edited by some TV station at one time), the image is slightly cropped, and the contrast is only fair. The movie is good enough to overcome the DVD's technical flaws. If this is your favorite East SIde Kids movie you'll be a bit disappointed by the print, but you can't beat the budget price. ... Read more

Reviews (10)

Three times the Bela for Your Buck!
Man, there is just something about this cheap little flick. And that something is Bela Lugosi. Although he is essenially one character, that character plays 3 roles in the film. Part of the low-brow charm of BOWERY is that, at times, you feel like you're watching 3 different films. With that lean 61-minute running time, the action comes fast and the body count rises rapidly.

Bela certainly made better poverty-row films (Devil Bat, Invisible Ghost), but BOWERY is still pretty entertaining.

This is the 2nd release by the Lugosi Estate, and it's a keeper. The picture and sound quality are mostly top-notch (some of the exterior night scenes are pretty murky, but they probably didn't look that great to begin with). There's another audio commentary track by Bela Lugosi Jr. and genre critic Ted Newsome. You won't learn much about the movie, but Bela Jr. does have some great memories of his father to share. You also get another fun radio play starring Bela Sr., and 2 trailers for other Lugosi flicks.

All in all, a must-have for Lugosi fans. Let's hope his estate will make good on Bela Jr.'s promise to keep 'em coming.

Surprisingly Good Flick from Monogram!
Monogram Pictures were poverty-row quality, but here, as in a few other Lugosi movies, they make the most of their limited resources and even make a virtue out of them. I don't remember any other movie that captured the seedy, dusty atmosphere of the Bowery as this one. The plot is actually a very interesting one, with a psychology professor masquerading at night as a mission proprietor to front his third line, robbery and murder. Lugosi, in my opinion a vastly underrated and stereotyped actor, does a wonderful job in differentiating the three personae of Professor Brenner (aka Karl Wagner). His tenderness and affection for his wife are very convincingly portrayed; the only real and unexpected jolt is his murdering her in order to prevent the police from discovering his double life. Here is an example of the film's being a bit too short and not being able to fully deliniate the contradictions of the main character; otherwise, this is one of the most interesting interpretations that Bela Lugosi achieved onscreen. The ending is really frightening, as it is suddenly and swiftly presented to the viewer.

What's that smell in the basement?
Bowery at Midnight (1942) stars Bela Lugosi in one of his many 'poverty row' films, a time when Lugosi was on the outs with the major studios and subsequently worked with independent studios like Monogram and PRC. Directed by Wallace Fox (the back of the box mistakenly says Wallace 'Cox'), most known for his westerns, who also directed another one of Lugosi's low-end films called The Corpse Vanishes (1942).

Bela plays three roles in this film, a kindly soup kitchen operator on skid row, a psychology professor and loving husband, and finally a vicious crime lord (I kept wondering when this character found time to sleep).

Basically the plot runs that Bela runs a soup kitchen, enlisting the aid of various criminal elements that pass through to perform heists, jobs, scores, whatever, while maintaining a secret life as a educator...once an individual outlives his usefulness in Lugosi's crime organization, that individual is then eliminated, keeping turnover high and costs down. This also helped to keep Lugosi's activities secret. Also, if a henchman exhibited the slightest bit of treachery, he was gone...like all the way gone, if you know what I mean (I love how they would bury these poor fellows in the basement, and then put markers with their names, no less, showing where each one rested. Not the smartest move, in my opinion, but whatever). And that soup kitchen/criminal lair...I haven't seen that many secret doors in like...well...ever. How in the heck did they keep track of all of them?

Anyway, one of Bela's students, who is involved with Bela's female assistant at the soup kitchen, decides to do a paper on transients, unaware that his teacher is also the man in charge of the soup kitchen. He finds himself in dire trouble as he stumbles across Bela's alter ego, and soon the police are involved. There was an actor in the movie, Dave O'Brien, who plays a detective, which I recognized from somewhere, but couldn't place until I finally remembered he was also in the movie 'Reefer Madness' aka 'Tell Your Children' (1938).

Soon Bela's worlds begin to collide as the police close in, and he meets a suitable fate involving recently deceased criminals resurrected from the dead?! This movie has everything. For a cheapie little movie, I found much to like with the sets and decor. The makers of this movie may not have had much, but what they had, they used very well. A fine example of making the best of what you've got. Oh, and keep an eye out. About 17 minutes into the movie, you may notice a movie poster for one of Lugosi's other poverty row movies, made within the same year. The hour run time serves nicely to keep things moving as the pace rarely slows down.

This disc was released by Lugosi's Estate, and has many worthwhile features including a digitally remastered picture from 35mm film elements, commentary by film historian Ted Newsom and Bela Lugosi, Jr., a photo gallery, some trailers featuring Lugosi's other poverty row releases including one with the Bowery Boys, a wonderful mini movie poster insert, and there is even a radio episode called "Gasoline Cocktail" from some old time radio crime show. If you are interested in getting this movie on DVD, this is the one to get, rather than some of those cheaper releases floating around.

Cookieman108

Good Script . . . Excellent Bela
One item few fans know about Bela Lugosi is that, in his spare time, he was an excellent gourmet cook. Give him a few ingredients, a little time, and he could give the Iron Chef a run for his money. This philosophy also influenced Lugosi's films. Quite often he was called upon to make a decent meal from scattered leftovers. Sometimes his main ingredient would be a portion of ham, depending on the film involved. But, give him a good script and he shone like the sun breaking through on a cloudy day.

"Bowery at Midnight" gives Lugosi a chance to stretch his acting legs. He plays a character who uses three different guises during the course of the film. By day he is a respected professor of criminal psychology as the City University. In his spare time, he is a kindly do-gooder who runs a soup kitchen in the Bowery. But we soon learn this is a cover for his real persona, a snarling, ruthless crime boss who mistreats everyone who had the bad fortune to work for him. Work for this Lugosi at your own peril, for when he has decided you have lost your usefulness, he tosses you to his henchman doctor for disposal. Unknown to Bela, the doc, whom he has also badly misterated, gets revenge by transforming them into zombie-like creatures and keeps them in the mission's basement. When the police catch on, Bela goes to his mistreated employee for help and a place to hide. The doc is more than happy to oblige, leading Bela down the steps to the basement - and his doom at the hands of those he had previously cast aside.

Given the 61 minute running time, the script has to sacrifice characterization for action, but it keeps its continuity quite well and makes sense throughout the film. It's actually fun to see Lugosi in three different characters, going from the pompous, elitist professor of criminology to the kindly, caring social worker to the thoroughly nasty gang boss.

This is the second DVD in the "Bela Lugosi Presents" series and like the first, "The Devil Bat," it is loaded with wonderful extras. First, the picture quality is excellent, as it digitally remastered from a 35mm print. You will not find this quality in other DVD versions of this movie. Secondly, the commentary by Ted Newsom and Bela Lugosi, Jr., serves to enhance the viewing experience by filling us in on behind the scenes information on both the film and Bela's private life. A rare photo and poster gallery is included, as well as a collectable movie poster insert, giving a flavor of the times to the viewer. As if that wasn't enough, a few Lugosi trailers are thrown in as is, as an extra bonus, "Gasoline Cocktail," a radio drama starring none other than Bela himself. If you think his voice is exceptional in the movies, wait until you hear it on radio. Simply fabulous for Bela fans, and cinema fans in general.

I can only hope that Ted Newsom and Bela Lugosi, Jr. do not stop here. Having whetted our appetites with this feast for eyes and ears, we impatiently look forward to their next offering.

EXTRAS EXTRAS!!! READ ALL ABOUT IT!!!
Finally a series of Lugosi films put out by the Bela Lugosi Estate. With commentary from Bela Jr and Ted Newsom, a crystal clear stills, lobby card and poster section from the Borst Archive. Perfectly designed and animated motion menus. Also added are some bonus trailers and a complete radio program. This is THE version to buy, quality is SUPERIOR!!! ... Read more

Reviews (2)

The East Side Kids search a spooky manor.
It began with DEAD END (1937). the boys came from the Broadway play and landed their first starring role togehter. After DEAD END (1937), Warner Bros. made six films with them in 1938 and 1939. Some of the cast still known as The Dead End Kids joined The Little Tough Guys in nine films for the new Universal and the serials 1938-1943. However in 1940, Leo Gorcey and Bobby Jordan became The East Side Kids from 1940-1945 for Monogram Pictures Corp. Billy Halop and Bernard Punsly did not join them. They continued as The Dead End Kids with The Little Tough Guys. The East Side Kids came about from the film EAST SIDE KIDS (1940) and although the gang we enjoyed are not in that film, they spawned into the next film BOYS OF THE CITY (1940), which is considered the first official film for the beginning of the East Side Kids. Bobby Jordan and Leo Gorcey are top billed. Huntz hall and Gabriel Dell are not in this one, but returned to the Gorcey/Jordan gang later in the film series. David Gorcey plays "Pete". He is the younger brother of Leo. Also part of the new gang is Sunshine Sammy Morrison as "Scruno", Donald Haines as "Pee Wee", Hally Chester as "Buster" and Frankie Burke as "Skinny". Frankie Burke (as of this writing is still alive) played the younger "Rocky", the James Cagney character in ANGELS WITh DIRTY FACES (1938). All the boys are invited to the Judge's manor. However, his manor is a spooky one full of secret passageways. They brought the boys hoping they could prevent a murder. Other scary films with the East Side Kids are: SPOOKS RUN WILD (1941) and GHOSTS ON THE LOOSE (1943). The next film in the series is: THAT GANG OF MINE (1940).

Ghostly Classic Crime Comedy Mystery!!
Muggs and the gang are arrested for opening up a fire hydrant on a blistering summer day.Their friend Knuckles gets them off the hook by promising to take the gang to a summer camp in the upper Adirondacks to keep them out of mischief.On their trip they meet a judge and his entourage who are having car trouble.Knuckles offer the judge and his group a ride and when they arrive to the judges mansion and then their car fails with the judge reluctantly offering the gang to stay there.The judges mansion is dark,creepy with a graveyard out in front and an eerie housekeeper inside.The boys can detect trouble and when the judge is murdered and it's up to boys to solve the mystery.Great East Side Kids Classic!! ... Read more

Reviews (1)

Murder by Invitation
The young 'uns try to convince the court that Aunt Cassie (Sarah Padden) is mentally incompetent so they can get their greedy paws on her $3 million. They fail, and Aunt Cassie invites them to her estate so that she can "study them like rats" and see who deserves to inherit her fortune.
They get there, promptly at midnight, and soon begin dropping like ten pins.
MURDER BY INVITATION is NOT a neglected gem. It's a so-so quickie ripoff of THE CAT AND THE CANARY, which preceded this one by a couple of years and provided Bob Hope with his breakthrough movie, although instead of Hope and Paulette Goddard this one stars Wallace Ford and Marian Marsh.
Ford plays a columnist who somehow rates a walking secretary and a photographer. The movie is filled with sliding cabinets and bookcases set on lazy susans and dead bodies falling out of closets. None of it makes much sense, but the cast seems to be having a good time and it's all over in a little over an hour. And it comes as quite a surprise when we learn who's been killing everybody. Not because of a neat plot twist, but because the movie doesn't bother developing our suspicion in any of the characters.
MURDER BY INVITATION is fun in spots, but it's best to keep your expectations really really low. ... Read more

Reviews (1)

Watchable Low Budget Western
Tex and sidekicks Dave Wyatt and Panhaldle Perkins try to discover the identity of "The skull," a masked rider who rides a horse that makes no noise (unfortunately little is ever made of this last interesting characteristic). A typical low budget western with wooden acting from all but the 3 principals. Panhandle's comedy would probably steal the show (first he is almost hanged and then later he is made town marshall) except for Tex Ritter. With that distinctive voice, you always know when Tex is talking. Tex may not have been the best cowboy actor, but he was one of the very best singers and, next to John Wayne, had the most recognizable speaking voice. Tex sings only two short songs here (one is only partially completed)--one only wonders why? Alpha's DVD print is, as usual, unrestored, but it is better than some other prints in their catalog and it is watchable. There aren't any missing portions or other frustrating breaks. All in all, this western is far below the highest quality standard set by the superbly filmed Hopalong Cassidy westerns of the era, but then this film was shot by PRC on a low budget. There are so few Tex Ritter westerns on DVD that I recommend buying this one while it is still in print. The story isn't bad, Panhandle Perkins is an interesting character, but the chief reason for your purchase will be Tex Ritter. ... Read more

Reviews (3)

Buster In Decline
The second half of "Parlor, Bedroom and Bath" picks up a bit with some fine slapstick from Buster involving a slippery marble floor, but the first half is a total waste. Unless, that is, you find some historical interest in the views of the Keaton mansion. But, how stupid could MGM be? THIS stupid: they had here one of the greatest physical comedians of all time, and they kept flat on his back in bed for almost half the picture! Pathetic... no wonder Buster started drinking.

"Speak Easily" is even worse. The Keaton/Durante "partnership" was a marriage made in Hell (again, by MGM). There's no chemistry whatsoever between the two, and Buster often looks pained in his role as the professor. His timing is starting to go downhill, too, probably the result of his increasing alcohol problem. Add to that the sloppy direction, the cheesy production (it sounds like MGM spent more money on the snappy theme music than on the rest of the film), the third-rate script, and you've got a real prize turkey. NOT recommended, except to masochists.

Speak Easily
SPEAK EASILY is very sad. I've read several times where this is one of Buster's best (if not the best) talkies he made. I don't care for it at all. I have it only becuase I am a Buster fan. It reminds me of most of Laurel & Hardy's movies after they left Roach. The Buster in Speak Easily is a shadow of the Buster character in his silents. Jimmy Durante is overbearing and unfunny. MGM should be ashamed of themselves.

Keaton's Best MGM Talkie
Despite his personal troubles during the early 1930s, Buster Keaton reveals another dimension of his comic talent in "Speak Easily." He gives a splendid performance as Timolean Zanders Post, an isolated professor who believes he has inherited $750,000. With this mistaken financial security, he manages a struggling vaudeville troupe that he takes to Broadway. "Speak Easily" was the second MGM film to pair Keaton with Jimmy Durante. Though an unusual combination, they work remarkably well together in this enjoyable musical-comedy -- one of the few movies that displays Keaton's flair for verbal humor. The result is the best of Keaton's MGM talkies. However, his finest sound feature would be made in France: the excellent and rarely seen "Le Roi des Champs-Elysees (The King of the Champs-Elysees)," released in 1934 after Keaton was fired by MGM. The French certainly had a better appreciation of Buster's talents than MGM. Nevertheless, "Speak Easily" proves that Keaton could make a memorable comedy within the constraints of the studio system. ... Read more

Reviews (18)

Perhaps the Definitive Version of This Lugosi Classic
Among horror fans, Lugosi fans, and fans of psychotronic films in general, "The Devil Bat" holds a special place. Made by poverty row studio PRC in 1940, the film is a wonderfully ridiculous chiller about a mad scientist (Lugosi, of course)who takes revenge on his double-crossers (no, not the producers of this movie) by enlarging a normal bat to gigantic proportions through electrical treatments and using a new shaving lotion he perfected as the bait to attract the bat to its victim. ...)...

The film has kicked around the public domain for the last decade or so, with the result that VHS prints of it were either excellent or hardly watchable. DVD versions in general have been clear, but this version beats the others and comes close to being a definitive version of the picture, if one is possible.

Released by the Lugosi estate, "The Devil Bat" is the first in a proposed series of definitve versions of Lugosi films. (The unjustly overlooked "Bowery at Midnight" is the second movie in this series.)Extras on this DVD include stills from the movie, a poster card (very well done), and a commentary track featuring Bela Junior and film historian Ted Newsom. The commentary track is a laugh in itself as the two quickly run out of things to say about the movie (in fact, one wonders if Bela Jr. even saw it before this)and switch topics to Bela Junior's memories of life with father. As he provides some unusual insight into the life of his father, the commentary track is a must for all Lugosi fans, and, combined with the price, makes for one of the biggest bargains for film fans.

so bat it is goot
This would have simply been a terrible movie with laughable special effects if Bela Lugosi were not the star. As it is, he lends the film his uncanny talent of elevating even the worst flicks into pure entertainment.

It is funny. Some of the stock characters banter and talk real cool. A gigantic furry bat on a string shrieks like a teradactyl. Bela tells each of his victims "goodbye" before he sends them to their deaths at the maw of the devil bat.

Still Lugosi is worth watching as he plays yet another mad scientist bent on revenge. This time a brilliant perfume maker who is also capable of raising and training gigantic bats. There is a high body count for a film of this era, and unlike too many Lugosi films, Bela gets plenty of camera time.

The print looks good to my untrained eye--far better than my video copy. The extras aren't bad-- it's great to have any extras--most Lugosi films don't. The radio show is an interesting curio. I hope this DVD sells well so there will be more films in this series to recieve this deluxe treatment--such as The Corpse Vanishes...

Bela Goes Batty!
Dr. Paul Carruthers (Bela Lugosi) is a scientist who invents new fragrances for a successful aftershave maker. His failure to invest in the company has left him without the millions he feels he deserves. Carruthers is a bitter man who has sworn revenge. How? Does he plan to sue for his fair share of the profits? Nah, the sinister doc creates a small army of giant, mutant, killer bats to exact his vengeance! These fuzzy monsters are attracted by a new aftershave lotion he's formulated in his secret laboratory. He gets his intended targets to splash some on their faces. One by one, the victims are attacked, their throats ripped out by soaring, shrieking, stuffed devil bats! Bela is priceless as always. This movie belongs in every horror collection...

THE povery-row Lugosi film
Here's a nice treat: Bela Lugosi Jr. has acquired to rights to some of his famous father's lesser films, and the first offering is the lovable, laughable PRC programmer THE DEVIL BAT.

Bela is Dr. Carruthers, plotting the death of his enemies by training giant mutated bats to attack those who wear the doc's new experimental shaving lotion. Bela has some great, darkly-comic dialogue. When one intended victim comments on how smooth the new lotion is, Carruthers offers, "I don't think you'll ever wear anything else."

THE DEVIL BAT has, of course, been previously available on DVD and VHS, in various conditions. The best previous DVD release is certainly the one offered by Roan. This new "official" version compares favorably to the Roan disc, though acute listeners might find the sound is a touch clearer on this new disc. Bela Lugosi Jr. partners with genre critic Ted Newsom for an interesting commentary track, which unfortunately shows how little Bela Jr. actually knows about the film.

There are 2 other Lugosi theatrical trailers (but not one for Devil Bat?), some archival photos and a pretty neat audio-only feature: A radio play from the 1940's starring Bela.

If you're a fan of these type of "poverty row" horrors, DEVIL BAT will certainly make your day. If you're a fan of his more popular Universal features, this is a good introduction to a very different career path that poor ol' Bela got stuck on around 1940.

Just a few drops on the neck, where the skin is tender
OK. The plot of Devil Bat doesn't sound that impressive, but Bela Lugosi's performance earns the movie five stars from this reviewer. Lugosi plays Dr. Carruthers, a doctor and scientist beloved by everyone in the village of Heathville; he is the last person anyone suspects when a series of strange murders take place. The first three victims are all sons of the rich and powerful Heath and Morgan families. These two families made their fortunes, it turns out, on one of Dr. Carruthers' formulas, and all the doctor got out of the deal was a measly ten thousand dollars compared to their millions. Ah, yes, we have a motive. Of course, these are no ordinary murders; they seem to have been made by some type of unknown wild animal. It couldn't be a bat, of course, because the killer was definitely a pretty large specimen. Carruthers' plan is hokey but brilliant. He still works for the cosmetics firm, and he has just come up with an experimental new aftershave formula. Naturally, he wants the Heaths and Morgans to try the product out themselves before marketing it-just a few drops spread across the neck, where the skin is always tender. He doesn't bother to tell his victims that bats really, really hate the smell of the formula's secret ingredient, nor does he mention the fact that he has figured out a way to use electrical stimulation to turn a normal bat into a Devil Bat. Everything is going according to plan until a nosy reporter shows up and starts snooping around.

Lugosi is great in this movie. By 1940, he had the whole mad scientist act down to a science, and his secret scowls are enhanced by just the right touch of madness in his eyes. Best of all is the way he tells his victims "Goodbye" in a sinister voice once he has them in the soon-to-be clutches of his Devil Bat. One thing that bothers me about great old horror movies like this is the fact the moviemakers always felt compelled to provide some comic relief in the form of a goofy character-this time around, we have the newspaper photographer "One Shot" McGuire who is more interested in shooting pictures of the Heath's French maid than any silly old bat. The Devil Bat itself isn't very impressive; without the grainy, far from perfect black and white print, I am sure it would look quite ridiculous. It never even moves when Carruthers is handling it, it looks more like a hawk or eagle to me when it is flying, and its swoop attacks on unsuspecting victims make me think of the scene in Naked Gun where Frank Drebbin struggles against a towel thrown in his face. None of that matters, though, because Lugosi is just so much fun to watch. ... Read more

Description

Wild Bill Hickok, Union Army hero and personal scout for General Ulysses Grant, is now working as a U.S. Deputy Marshal. Hickok's latest investigation takes him to the small town of Milton, New Mexico to see why large shipments of cattle purchased by his army buddy, Steve Norris, have been mysteriously disappearing during cattle drives.Wild Bill picks up the trail of the missing herds with help from his old friend "Whiney" Roberts and discovers a canyon where the cattle are hidden. Under the cover of night, he tracks down the deadly gang of rustlers, who are led by the ruthless "One Shot" Folsom. Hickok and Roberts must now rely on their frontier bravado and their skill with a revolver to bring the merciless band of thieves to justice. ... Read more