Reviews (97)

Nostalgic Comfort Viewing Perfect for a Family Night
THE GREAT RACE may not be a masterpiece--but it is a perfect choice for a cold and rainy night: stylish, frothy, and often flatly hilarious, it makes for "comfort viewing" at its best.

One of the movie's several charms is that it draws heavily from Victorian cliches that still linger in the public mind, gives them a gentle comic spin, and then drops them into the tale of an early 1900s auto race from New York to Paris by way of Siberia. Add to this a heap of favorite character actors, a big budget, flamboyant period costumes, and the biggest pie fight ever filmed, and you have a movie where there is always something to enjoy on the screen.

The great thing about THE GREAT RACE are the performances, which are very broad but endowed with a sly humor. The comedy accolades here go to Jack Lemmon and Peter Falk as the notorious Dr. Fate and his bumbling sidekick Max--wonderful bits of acting that will have you hooting with laughter in every scene--and Dorothy Provine scores memorably in a cameo as Lily Olay, the bombshell singer who presides over the most rootin'-tootin' saloon this side of the Pecos.

But every one, from Tony Curtis and the lovely Natalie Wood down to such cameo performers as Vivian Vance, get in plenty of comic chops as the film drifts from one outrageous episode to another: suffergettes crowding a newspaper, the biggest western brawl imaginable, polar bears, explosions, daredevil antics, and a subplot lifted from THE PRISONER OF ZENDA agreeably crowd in upon each other. True, the film does seem over-long and may drag a bit in spots, but it never drags for very long, and it's all in good fun--and the production values and memorable score easily tide over the bare spots.

The DVD bonuses aren't anything to write home about, and the film has not been restored per se--the color seems a bit faded here and there--but the print is remarkably clean and the widescreen format is an essential. This would be an excellent selection for a family movie night--or for any evening when you're alone and feeling a bit blue. Break out the popcorn, curl up on you sofa, and... as Dr. Fate would say... "Push the button, Max!"

GFT, Amazon Reviewer

Great Race DVD -It's about time!!!
I have been waiting for this movie to come out on DVD. I've even written to Blake Edwards asking, "What is the hold up?"
Get ready, citizens of Boracho! Finally it's coming out!
Every time I saw Jack Lemmon in interviews I was always curious and disappointed that 'The Great Race' was never mentioned among his favorite films. Of course he made many other wonderful classic movies and I enjoyed his performance in all of them...but 'The Great Race' has been my favorite comedy for a long time. I practically can recite it along with the characters. I enjoyed some of the other reviewer's (here) favorite lines from the movie. They are my favorites too.
If you haven't seen this movie or if you haven't seen it in a long time...do yourself a favor and grab it. The laughs never stop. The casting is perfect...Tony Curtis with Keenan Wynn as his sidekick...Jack Lemmon with Peter Falk as his...Natalie Wood...Ross Martin...Vivian Vance...Larry Storch ("Now will you give me some fightin' room?!")...and many others. It doesn't get any better or funnier than this.
Hurray for the DVD. Believe me, you'll enjoy it.

A Big Ole Moose Butt
A classically structured old time villian vs the good guy film, with the obligatory sidekicks and the beautiful love interest, who will eventually succumb to the charms of The hero. More about that later. OK, the stereotypes are there, but that's what the movie was about. Charging from the gate with the player piano, boos and hiss when the cast boards are shown, the movie brings the viewer up to speed very fast with humor and great slapstick. Following a PR auto race in the early days of the 20th century, the film follows the main characters through the landscape of the US and Europe. Sight gags abound and the scenery is often breathtaking. The plot is easy to floow and it's good fun. For the movie fan who doesn't want to disect a movies' every nuance, this is especially fun and worth seeing time and again. The characters will keep you laughing long after the soundtrack has ended,. I would comment more on the plot, but nearly 100 people already handled that - look, just take a chance on it. It's great fun.

A lot of fun, but not what it should have been.
Epics were in vogue in the Sixties, and even the early Seventies(although I can't really see a hippie watching any of them), and it was only natural that comedies would get the "big" bug. IT'S A MAD, MAD, MAD, MAD WORLD and THE HALLELUJAH TRAIL make up two of the big three. The other is THE GREAT RACE, Blake Edward's 159 minute slapstick excursion, restored on DVD in complete roadshow fashion, with overture, intermission, entr'acte, and exit music. And yet, for a film of this type, it is less about the race than about the rivalry between Professor Fate (Jack Lemmon) and the Great Leslie (Tony Curtis). There is precious little racing, and though the film is far from boring and has much going for it (the finale to Part One is brilliant) one can't help but wonder what it would have been like if the other entries in the race regrouped after being snuffed out and made their mad dashes for the forefront. That would make it THE GREAT RACE. Also, the lack of other challenge leaves a depressing side effect; the film seems mildly unfinished and undernourished, like 2 hours and 40 minutes of a 3 plus hour movie. And yet, the film has so much going for it that to ignore it is rather unfair. What there is (I should note that due to the previously noted flaws, the chapters on the disc make it a more pleasing experience) is very well made, and one can appreciate what they put into it.

If only they put more.

Jamie Teller

DVD version is fullscreen not widescreen
The movie is spectacular. This DVD version is a bomb. Shame on Warner Brothers for their greediness and lack of effort to bring widescreen versions to the masses including updated soundtracks and clean film reels! ... Read more

Description

A mysterious traveling circus unleashes a torrent of magic and mysticism in a dusty Arizona town."In what may be the finest performance in a fantasy film" (Guide for the Film Fanatic), Tony Randall charms and spellbinds as ringmaster Dr. Lao and his multitude of faces, a virtuoso turn that earned a special Oscar for Outstanding Makeup Achievement.Step inside the tent...and marvel. ... Read more

Reviews (43)

A well told morality tale
7 Faces of Dr. Lao can be looked at in two different ways. The movie, released in 1964, can be seen as a morality lesson. It is the story of the small Arizona town of Abalone full of citizens who suffer from greed, vanity, loneliness, and pettiness. When Dr. Lao brings his mystical circus to town, the townsfolk get a good look at themselves and don't always like what they see. For today's audience the movie is a bit slow and ponderous. The film is highly predictable and you know by the end of the film that everyone gets exactly what they deserve and once the errors in their ways are pointed out to them then they will miraculously change for the better and everyone will live happily ever after.
The second, and more enjoyable, is to focus on the performance of Tony Randall. Randall is amazing as the Chinese impresario Dr. Lao. Tony Randall portrays all seven inhabitants of Dr. Lao's circus: Dr. Lao, Merlin the Magician, Medusa, The Abominable Snowman, Pan, the serpent, and Apollonius of Tyana, he also makes a brief appearance as Tony Randall. As you are watching the film you forget that it is the same man playing all those parts, and it is widely considered one of Randall's most impressive performances. William Tuttle, who won an honorary Academy Award for his astounding make-up work, flawlessly transforms Randall from one character to the next. The film also comes from Director George Pal, who is also known for directing such classics as Time Machine and War of the Worlds, brings his distinctive blending of reality and fantasy to this film. Randall's performance, along with the incredible make-up work of William Tuttle and fine direction by George Pal make this a must see film...

Strange, wonderful, uplifting
I saw this film over 25 years ago. It made a permanent imprint on me. I had never seen anything like it (and haven't, since). It's a western, and a fantasy (but not science fiction). It's also mythological and even a bit religious. It's also a wonderful, life-affirming film. I've never been a fan of Tony Randall, who I always remember as the prissy little neurotic in "The Odd Couple," but I have to give him the greatest credit in this movie (he plays six parts!) The special effects are Ray Harryhausen stop-motion (and obviously fake) but that is part of the enormous charm of this movie--as exemplified by the amusing-looking snake in the cage with a man's face on it, and the goldfish-bowl-dwelling monster than attempts to snack on Dr. Lao. In some ways this movie reminds me of Ray Bradbury's _Something Wicked This Way Comes,_ but this is a far superior film. In fact, I'd have to call it a classic.

Tony Randall Is Pure Magic (& is also a mystical Asian man!)
"Mike, the whole world is a circus if you look at it the right way. Every time you pick up a handful of dust, and see not the dust, but a mystery, a marvel, there in your hand - every time you stop and think, 'I'm alive, and being alive is fantastic!' - every time such a thing happens, Mike, you are part of the Circus of Dr. Lao." I am so glad another fine reviewer quoted this immortal passage, and I will begin with the same, for it has informed much of my life!)

My friend Carlo mentioned to me that this fine film was playing at my local library recently and I had to pause and hold back my shock - I have not yet gotten over Tony's passing, and now I was confronted by so much lost time. Was it really forty years ago that Tony Randall stepped out of the shadow of his lightly comic performances on Broadway (of course you all remember "Oh Captain!" at the Alvin?) and shattered the world (yes, the world!) with his tour de force in "Dr. Lao?"

Now - regarding critial analysis of this film over the years, far too much emphasis has been placed on George Pal's "effects" and the like for my taste. Let's turn the spotlight back on Tony and the fine job he did playing eight different personae in this tale. Eight!

I will say this without hesitation: Certainly the finest hour (or hour and thirty one minutes) of his young career. Buy this movie for that reason alone (and children will most likely enjoy it too, I suppose. But if you do not have children, then buy it for that reason alone).

Serendipity Cinema #1
This won an Oscar for Make up, but it is not the kind of film that one would think right off as an award winner. Hey, it has the feel of Roger Corman and George Pal, with a hint of Ray Harryhausen thrown in (Although I am told it was Jim Danforth and crew who did the actual fx)I remember interviewing Tony Randall years ago, when he was touring in "The Music Man." He said his main memory was having his head and eyebrows shaved. He was distressed because it gave him ``this horrible unborn look.'' All that aside, the film is a joy. It is simple, and while seeming simplistic it is far from that. It humbly powerful. There are a thousand reasons to belittle and put down this film. If if you go in with that mindset, you will find them all. But, if you give it a willing suspention of disbelief and let the magic that hints around every corner over take you, this will be a little gem that you treasure and share with others.

I'd give Seven Stars for Dr. Lao if I could
One of the most charming and wonderful fantasy films of all time. This is the story of Abelone, a dying town in the desert at the turn of the 20th century. In arrives Dr. Lao, played with great effect by Tony Randall in what is probably his best performance ever.

With him, he brings his unusual circus and its performers. Including an Abomidable Snowman (who is barely used in the film and has no scene to himself), Merlin the Magician (very good), Pan the God of Joy, The Great Serpent, Apollonius the blind fortune teller who sees the future with absolute clarity, and the Medusa.

Basically, the townspeople must decide whether to sell their town to the misguided Clint Stark (played wonderfully by Arther O' Connell) or to stay and risk going thirsty with the town's only water source coming through a crumbling and very expensive to fix pipe.

With a little help from Dr. Lao and his circus, the townspeople eventually make the right decision.

There are just too many great scenes for me to describe, nor would I want to give away too much. I would encourage you to see this movie as it's one of the best fantasy films ever made.

Unfortunatly, Tony Randall passed away recently and he never liked giving interviews about this film. Which is a real shame since the DVD extras are pretty barren. My understanding is that Mr. Randall did not like how the script left out so much of the original book and that too much attention was paid to "romance" between Barbara Eden (who is just gorgeous) and John Ericson (in a great supporting turn).

I found it rather interesting that Dr. Lao pronounces his name "Dr. Low", yet everyone else, including a very attentive boy, calls him "Dr. La-ow". As an aside, the episode of MST3K when Joel Robinson leaves the Satelite of Love for good ("Mitchell"), he recites the "Circus of Dr. Lao" poem. But he calls him "Dr. Loo". I guess no one is ever suppose to get the pronounciation right.

Look for an eight character played by Tony Randall. He appears briefly without makeup just after Dr. Lao introduces his pet fish after the "parade of performers" scene. While the crowd around him claps with delight, Tony just slowly shakes head in disbelief. A wonderful little scene. ... Read more

Amazon.com

"Just remember, she might be pint-sized, but she's quite a woman." The original surfer girl gets her own three-film DVD collection, dippy fun from a more innocent time. 1959's Gidget made real surfers nauseated, but it's a kicky movie with some great lounge-era lingo. Sandra Dee, perkiness personified, plays the curious teen who breaks the gender line in surfing. She's also got the attention of surf-happy Moondoggie (James Darren) and the big Kahuna (Cliff Robertson), the latter the prototype of the surf bum who roams the globe in search of the endless summer. The film actually kicked off the great boom in surfing popularity (the Beach Boys and the Beach Party movies followed), much to the chagrin of purists. It was based on a novel by Frederick Kohner, who was inspired by his daughter's experiences.

Gidget Goes Hawaiian (1961) puts Deborah Walley in the title role. She's no Sandra Dee, but at least there are shots of Walley doing her own surfing stunts. The action's in Waikiki, and Gidge is pursued by a confused Moondoggie and a famous dancer. They are played by James Darren and Michael Callan, and having the two 1960s male ingenues in the same movie suggests a weird collision of matter and anti-matter. The spark goes flat in Gidget Goes to Rome (1963), with yet another new actress (Cindy Carol) paired with a loyal James Darren. It's closer to Three Coins in the Fountain than the sandy beaches of Malibu.

DVD caveat:none of the films is in widescreen. The sequels don't suffer much, but the original Gidget was shot in CinemaScope, and the pan-and-scan approach hurts the summery look of the picture--even if it's just Sandra Dee balancing in front of blue-screen waves. --Robert Horton ... Read more

Reviews (3)

BEWARE - Gidget DVDs are pan & scan
I was all set to pre-order this DVD set of the first three Gidget films when I learned that they are pan & scan, not widescreen. All three films were made in widescreen, and the original "Gidget" was filmed in Panavision--meaning that the pan & scan version will cut off 1/2 of the picture. (I'm not sure if the other two Gidget films were Panavision (2.35) or 1.85 widescreen.)

If you're thinking about buying this as a permanent part of your DVD library, you may want to wait until Columbia does a proper job on the DVD. Even if you don't have a widescreen televison now, you will before too much longer...

Fond Memories
I grew up with these movies and in fact have two out of three of them on VHS already. My daughters who are just entering their twenties enjoy them with me. James Darren was my teen idol, and Sandra Dee was so sweet it was a joy to watch. Now Gidget goes Hawaiian still gave me James Darren, but I also got to enjoy the dance and music of a variety of other stars, it takes me back to a softer time. I can't say I enjoyed Gidget goes to Rome as much, but the scenery was worth it.

YAY! They Are FINALLY Out On DVD!!!
I grew up with these movies. My mom had me watching them when I was very young. They are VERY dear to my heart. They are somewhat dated (style-wise), but still completely enjoyable. The issues involved still ring loud and true among teens nowadays. I am just out of my teens (I'm 20 years old) and even with all the "teen flicks" coming out these days, I would have to say that Gidget Goes Hawaiian is one of my favorite teen movies of all time. But here you don't just get that one, you get all three (although let it be known I've never seen the entire Gidget Goes to Rome--but I would pay 20 bucks just to get the first two!)! These movies are just ADORABLE! ... Read more

Amazon.com

Elvis hadn't dyed his hair a permanent midnight black yet in Follow That Dream, which is another way of saying this is still the point in his career when he was making movies, not just Elvis Presley vehicles. Elvis road-trips with his crabby, anti-government pop (Arthur O'Connell) and an adopted brood to a Florida beach, which by a legal quirk they can homestead. The authorities and some fairly unbelievable gangsters would like to stop them. The songs are undistinguished but not awful, the scenery is nice, and Elvis--looking well-fed and relaxed--shows off good comedic chops doing a dumb-guy shtick. Screenwriter Charles Lederer and director Gordon Douglas are a class act by Presley picture standards, keeping the sitcom-style plot moving along. No fancy clothes or cars in this one, just Elvis and some beachcombing and an old git-tar, and not a bad time-killer for all that. --Robert Horton ... Read more

Reviews (26)

Fabulous movie; why no wide screen?
A non-typical "Elvis Movie" with charming story line, terrific acting by The King, great supporting cast with Authur O'Connell, Joanna Moore (Tatum O'Neil's mom), Simon Oakland and Roland Winters (who Elvis movie fans will remember as Elvis' father in "Blue Hawaii"). This movie could have been the pilot for the Beverly Hillbillies with Elvis as a Jethro Bodean meets Peter Sellers "Chauncy The Gardener" from Being There character. Elvis fans will love his performance, particulary as the family's lawyer in the courtroom scene near the end of the film. Very tourching performance.

Great bit of rock trivia from this movie: Florida native Tom Petty met Elvis on the set of this movie when he was a kid and was inspired to pursue a career in music. Also, Bruce Springsteen often referenced this movie from the stage during his 1985 Born In The USA Tour and performed his own version of the title track, "Follow That Dream".

I've waited several years for this movie to come out on DVD and have seen it before on Turner Classics in wide screen; it was wonderful. Why on earth MGM is releasing the DVD in full screen format is a complete mystery. What a disappointment. Great movie, lousy format.

Elvis delivers a great comedy performance! One of his best !
Elvis is in great form in "Follow That Dream",and this film shows just how wonderful his acting can be when given a good script to work with! The songs: "What A Wonderful Life", "I'm Not The Marrying Kind", "Sound Advice", "Follow That Dream" and "Angel" are among some of Elvis' best movie songs! Another song called "A Whistling Tune" was recorded for this movie, but was dropped before the film's release. It was re-recorded and included in Elvis' next film "Kid Galahad".I was very pleased to see "Follow That Dream" coming out on DVD...however, you guys at Amazon need to correct the technical details above concerning the DVD release! You have it listed as being available in Full-Frame only, when it is actually both Full-Frame AND Widescreen! I was very dissapointed when I first read this information here, and didn't realize that it was ALSO in widescreen until I saw a copy at the store! A great film with wonderful performances by the entire cast, which includes Arthur O'Connell, Ann Helm and Simon Oakland!

Great Fun
There are only three Elvis films that I enjoy: King Creole, Jailhouse Rock, and Follow That Dream. While the first two are great musical dramas from when Elvis still had the air of rebellion about him, Follow That Dream is a piece of comedic fluff like most of his later films, but one which avoids being as formulaic or sickly sweet or filled with terrible music as are most of those later films.

In this one Elvis plays a true innocent who is somehow still ignorant about the ways of the world despite being a vet. He and his family (including some orphans they are looking after) build a homestead on government land which happens to be prime real estate and find themselves in the position to legally obtain ownership of this land. As a result they become the targets of organized crime and feds (who can tell them apart?) who want the land. Elvis also finds himself the target of a crackpot social worker looking into the welfare of the orphans who seeks revenge after he innocently spurns her advances. Elvis gives a really fun performance as a naive character who is so positive in his outlook that when somebody shoots at him he automatically assumes it was an error.

The film pokes great fun at bureaucracy and greed, but it maintains the optimistic outlook that good guys will win in the end. Such an innocent perspective tends to turn off many fans of social satire who find such things too escapist, but what most cynical viewers miss is that much of the innocence is tongue in cheek, and I personally see nothing wrong with optimism so long as it doesn't interfere with realism. If you enjoy, e.g., the film Harvey, then this might be your cup of tea.

Only 2 stars because it's not Anamorphic
There are a lot of complaints from people who thought this DVD would not be widescreen, however,no one has mentioned it is not Enhanced For Widescreen T.V.'s. MGM is releasing a lot of films this way to save money. If this bothers you as it does me then send an email to MGM.
I really like this movie but am very disappointed with the format. When you have a widescreen T.V. in the future you'll curse MGM.

I made a mistake in a early Review of this Release.
This Version of Follow that Dream DOES contain the letterbox transfer as well as the full screen version. I withdraw my earlier review, which was in response to others on this board that insisted the movie was being released in Full Frame only - This is very much incorrect. 5 Stars. Joe has left the building. ... Read more

Reviews (95)

4.5 stars -- more enjoyable than "Titanic."
"The Poseidon Adventure" is the quintessential disaster movie -- the very best of the disaster film genre that reigned through the 70's and early 80's.

This particular disaster flick involves a ocean liner capsized by a tidal wave (on New Year's Eve of all times!)and the ten survivors who struggle to make it up to the hull (which is actually the bottom of the ship) to possibly find a way out through the stern. Being that everything is upside down presents major obstacles to the cast.

The pic features a stellar cast, including a young Gene Hackman and a fit Ernest Borgnine, who are constantly at each others throats because, as the Hackman character points out, they're two of a kind and Borgnine simply doesn't like what he sees in the mirror. The female cast includes Pamela Sue Martin (Nancy Drew), Carol Lynley and Stella Stevens, all well-cast as scantily-clad babes in distress. Also, Shelley Winters does a nice job as an overweight heroine. Red Buttons, Roddy McDowall and Leslie Nielson (in a serious role as The Captain) are also on hand.

The sets of the sinking, upside down ship are absolutely outstanding. The scene wherein the ship tips over showing the party-goers fall/slide to the ceiling is superb.

The characters are great and you really start to care for them. Okay, there is admittedly some silly dialogue, but I KNOW people who talk like this in real life, so it's not as campy and unrealistic as some criticize.

Hackman as the fiery-passionate rebel preacher is excellent. His real struggle is ultimately with his Creator, who he "has it out" with at the end. Unspiritual people will no doubt tend to laugh at this scene, but it powerfully portrays humanity's grappling with the universal question "Why does a righteous God allow evil and hardship to exist?"

The "Preacher" is nicely balanced out by the Pamela Sue Martin character who loves him and the Borgnine character who despises him; but observe Borgnine's nice change-of-heart at the very end.

It's interesting to note that, even though some say this flick has campy aspects, everyone highly rates it. "The Poseidon Adventure" is just a very entertaining and moving motion picture. It's got "cult movie" written all over it.

I find it of interest that many reviewers state how they like "The Poseidon Adventure" better than "Titanic." "Titanic" is hailed as one of the greatest, most popular pics of all time, yet all these folks say they prefer to see the former. I'd have to agree. "Titanic" is a good flick, there's no doubt; but given the choice I'd much rather see "The Poseidon Adventure."

the mother of all disaster movies
Irwin Allen's THE POSEIDON ADVENTURE is regarded as being the forerunner of the myriad of disaster movies that reigned supreme at the box-office through the 70's and into the 80's.

In this enjoyable and quite campy film, we see the "stock characters" that would become a fixture in the disaster movie genre; the Jewish couple (Jack Albertson and Shelley Winters), the swashbuckling ah...priest? (Gene Hackman), the rowdy policeman and his ex-hooker wife (Ernest Borgnine and Stella Stevens), the nervous little singer (Carol Lynley), the bachelor (Red Buttons), the leggy teen (Pamela Sue Martin) and the know-it-all little brat (Eric Shea).

Mind you, the ship was bound to sink with Leslie Nielsen (AKA Frank Drebin) at the helm...

When the SS Poseidon capsizes in a tidal wave on New Year's Eve, this motley bunch of survivors try to climb to the thinnest part of the hull to escape. Climbing up a huge Christmas tree to begin the adventure, the Priest first makes some convienient "alterations" to the women's outfits. First he orders Stella Stevens to take off her evening gown and put on a short pink shirt; then he orders Pamela Sue Martin to take off her red mini-skirt, which she does, only to reveal a matching pair of red hotpants beneath!!

Then sit back and watch as our vaccuous and totally unbelievable band of dim-wits try to thwart the crumbling wreckage that is continually exploding around them. I mean really, what is Stella Stevens thinking that she can climb through vents and up ladders in silver stilettos?!!

Featuring the theme song "The Morning After" (mimed convincingly by Carol Lynley) and some marvellous miniature effects techniques.

My Favorite Disaster Movie!
I have written a review of The Poseidon Adventure before but that was before I got the DVD and in that review I basically was reviewing the movie so I thought I would write a new review. I received the DVD for Christmas and just watched it a little while ago and though I do think that they should release a new special Edition DVD with anamorphic widescreen and more extra features I'm pleased with this letterbox widescreen for now but will definitely think of getting a special Edition DVD if one is ever released. I enjoyed watching this movie and I think this is the best disaster movie I have ever seen and the whole cast is great. Gene Hackman (The French Connection), Ernest Borgnine (The Dirty Dozen), Shelley Winters (Night of the Hunter), Stella Stevens (Where Angels Go, Trouble Follows), Jack Albertson (Chico and the Man), Pamela Sue Martin (Dynasty), etc. If you are looking for great extra features on this DVD you will find that this is a bare bones DVD and the features are rather sparse and are only the trailer and a couple of short biographies and filmographies of only a couple of the actors from the cast and I hope that if a new DVD is released that it will have more special features that will include a biography and filmography of the whole cast and also cast interviews, deleted scenes and all of the usual extras. Well anyway until a better DVD comes along I'm actually content with this one.

SPECIAL EDITION!
Come on, everybody, just keep chanting it 'til we get it:
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!

ALL STAR DISASTER CLASSIC!
As far as disaster flicks go, it's hard to find one as effective and engrossing as THE POSEIDON ADVENTURE. Director Ronald Neame, and the astute guidance of Irwin Allen, forged this riveting tale of a world turned upside down. Remember, they didn't have CGI back then, but the set builders and other technical crews gave us a ship turned topsy turvy by a monstrous tidal wave. While all the performers did very well, my favorites were Stella Stevens as the foul-mouthed ex-hooker starting a new life with her cop husband; Ernest Borgnine as Rogo, the aforementioned cop who brought all his trademark bluster, and innocence, to the role; Roddy McDowall, the oh-so-polite steward who always called everybody sir or ma'am; and Jack Albertson, the devoted husband of the doomed Shelley Winters.
THE POSEIDON ADVENTURE will always be one of (if not the) best disaster films----it has all the necessary ingredients and yes, it even had THE MORNING AFTER.
A good film!!!! ... Read more

Amazon.com

William Holden is the hunky drifter who rides the rails into a small Midwest town with dreams of landing a "respectable" job with his rich college buddy (Cliff Robertson). Kim Novak is the small-town beauty queen engaged to Robertson who falls for the cocky dreamer, as do repressed schoolmarm spinster Rosalind Russell and Novak's tomboyish kid sister Susan Strasberg. Their unleashed passions reach a crescendo at the Labor Day picnic.

Joshua Logan directed William Inge's play on Broadway and carried it to Hollywood, earning Oscar nominations for Best Picture and Best Director in his screen-directing debut. Holden is years too old for the role but oozes sex appeal and makes a swoony stud when he takes his shirt off (or when, better yet, it's ripped from his back by a boozing Russell), and Novak is a lovely lost girl yearning for something she can't quite grasp. Arthur O'Connell earned an Oscar nomination as Russell's tippling boyfriend. The film was a huge popular and critical hit, but Logan's stiff and strident direction hasn't dated well. He makes his points in big capital letters--subtlety was never his strong point--and loses the natural beauty of the Kansas locations when he takes the climactic picnic scenes into an obviously artificial soundstage. Picnic remains a loved American classic, largely for Holden's tough-guy vulnerability and James Wong Howe's brilliant widescreen color photography. --Sean Axmaker ... Read more

Reviews (74)

A subtle movie! A Dynamite Cast! A Gorgeous Score!
This is a subtle and rewarding film. The cast is magnificent--the performances great! One of my favorite film scores too!

A hint for watching the movie. With each viewing, I find I have been concentrating on a different actor. Kim Novak is definitely at her peak; William Holden is remarkable; Rosalind Russell is at her very best, with a fantastically varied and difficult part; Susan Strasberg is wonderful indeed. All of the supporting actors are super too! And this IS primarily a story of individuals' lives, and how they are changed.

The film gives a remarkably accurate picture of life in 1950's rural Kansas. But onto this background is thrust a love story of great interest and appeal. The film has super color and fine sound (for its era anyway).

The film is, quite simply, astounding. Don't rent it....buy it, bucause it just gets better and better with repeated watchings!

Dripping with lust!
Picnic is one of those films that just transports the viewer into another time and era and that's the sign of a truly great film. Holden has the daunting task of playing a loveable hustler with big dreams that he just can't make happen. So he decides to go back to familiar grounds and falls for kim Novak. Novak is a treasure in this movie her exotic beauty and shaky voice highlights her characters uneveness to conform into the town's perfect beautiful young woman. This film at it's time was billed as too sexy due to the dance that Novak and Holden share at the picnic and till this day the scene holds up great. The lust in both their eyes and Novaks raw sex appeal against Holden's rugged good looks is a sight to be hold. But the back story which I won't give a hint of is the true tale of this flick and shows how human nature is always determined by the role society wants you to play based on your looks! This film still holds up today as a work of pure sexual energy and raw human emotions.

William Holden & Kim Novak are OUTSTANDING in Picnic
I saw PICNIC during its release in 1956 in India when I was in
school. I was crazy about English films and never missed a good
film.one of my class mates saw the film before me and remarked
about the energetic dancing of Holden as spellbinding.I was not
that keen in the beginning to see the film due to its title which meant lightweight and fun. But when I saw the film the experience was tremendous, I had just seen a masterpiece. William Holden and Kim Novak were just outstanding. Holden

brought a breath of fresh air as soon as he appeared, and Kim
Novak was not just a small town beauty queen, she oozed raw sex
and hidden desires exposed to the full by carefree but passionate William Holden. Although, without doubt the highlight of the film was the picnic and the dancing where all the principal players of the film are envolved emotionally and the finale to the story builds up, there other memorable scenes notably the swing scene where Holden gets hold of the swing where Novak is sitting, he begins playing with it unintentionally and realises for the first time that he has fallen for the fiancee of his best friend. Then there is that passionate scene beside the waterfall where both Holden and Novak admit their love for each other and kiss intensly, Holden with torn shirt. After this Holden runs and catches the running train and finally Novak follows him, her true love in the Greyhound. The execution of all these scenes and the whole story is nothing less than perfect. James Wong Hoe's technicolor photography is outstanding. Needless to say I have seen this film many times since and found it always charming.

Holden Sparks, Novak Smolders, Kansas Burns
In a decade of conformity and great prosperity William Inge and Tennessee Williams tackled subjects ahead of their time. Of course they in some cases had to veil the subject matter but that lead to some wonderful revelations in writing and reading between the lines. In this DVD from Colombia of Inge's Pulitzer Prize winning 'Picnic' we have one of the best films of this genre of sexual repression, animal heat, and desperation in small town America.
Most reviewers of this film might begin with the leads but I must start of with the wonderful Verna Felton as Helen Potts the sweet old lady who is caretaker of her aged mother and lives next door to the Owens family. This gifted and now forgotten character actress sets the tone of the picture as she welcomes drifter Hal Carter (William Holden) into her house. At the end of the film she glows in tender counterpoint to the dramatic ending. She is the only person who understands Hal, even more than Madge (Kim Novak). Her speech about having a man in the house is pure joy to watch. It is a small but important performance that frames the entire story with warmth and understanding.
Betty Field turns in a sterling performance as Flo Owens, Mother of Madge and Millie. She is disapproving of Millie's rebellious teen and smothering of her Kansas hothouse rose Madge. A single Mom trying in desperation to keep Madge from making the same mistakes she did. She becomes so wrapped up in Madge's potential for marriage to the richest boy in town she completely ignores the budding greatness that is bursting to get out in her real treasure. Millie.
Susan Strasberg creates in her Millie a sweet comic oddball. She is the youngest daughter who awkwardly moves through the landscape nearly un-noticed, reading the scandalous "Ballad of the Sad Café" being the only one who is different and can't hide it. Her yearning to get out of the smallness of small town life is colored with the skill of a young actress with greatness her.
Rosalind Russell nearly steals the show as the fourth woman in the Owens household boarder, Rosemary, a frantic, hopeless and clutching spinster. In the capable hands of Miss Russell we have a real powerhouse of a performance. She imbues Rosemary with all the uptight disapproval of a woman who knows that her time has past and there are very few options left. She is electric in her need for love. Every nuance of her emotions is sublime in her presentation. Just watch her hands alone.
Floating above all of this is Madge Owens, the kind of girl who is too pretty to be real. The kind of girl who in a small town like this is not understood to have any real feelings or thoughts other than those that revolve around being beautiful and empty. Enter Kim Novak, who is just such a girl. Who could ever expect such a beauty to be anything more than just pretty? But Miss Novak, a vastly underrated actress in her day paints a knowing and glowing portrait of Madge. Her explosion of sexual heat upon meeting Hal for the first time is internal and barely perceptible until she looks at him from behind the safety of the screen door the end of their first scene. That screen door is a firewall protecting her from the flames. She fights in the early part of the film to keep her sexual desire for Hal in check. That night she loses her fight at the picnic and we watch as she opens to reveal a woman of feelings and dreams so much deeper than the prettiness of her eyes or the luminosity of her skin. This is one of Kim Novak's early great roles and one she fills out with lush and deep emotion.
The lives of all of these women of Nickerson Kansas are changed one Labor Day when Hal comes steaming into town. William Holden gives a raw and wounded portrayal to Hal, a man at the edge of his youth and on the verge of becoming a lost man. He lives as he always has, on the fading glow of his golden boy charm and his muscular magnetism. Holden was 35 when he made Picnic, a real golden boy at the edge of his youth. He was perfect for the part. Some reviewers say he was too old to play Hal, but I disagree. Without being thirty-five in real life as well as in the story Rosemary's "Crummy Apollo" speech would not be so effective or devastating. Hal is a man who never bothered to grow up, a man who never let anyone get too close for fear they might see through is bravado and discover his fears of feeling something, anything before it's too late.
Holden also brings a sexual heat to the film that is eons beyond the time it was filmed. He is presented almost like a slab of meat. He struts around in a pre-Stonewall dream of sexy hotness. Not only the girls in town notice him but a few boys too. (There are several layers to Nick Adams paperboy if one bothers to look.) When finally Holden sparks with Novak they blow the lid off of the uptight code bound studio-strangled world of Hollywood in the Fifties.
The film is photographed magnificently in lush color and cinemascope by famed cinematographer James Wong Howe. The famous score by George Durning is classic not only for the famous reworking of the old standard "Moonglow" but for his virtuosity in dramatic power. This is a giant of a score from the silver age of film music. The direction by Josh Logan is perfect in every way and stands among the best of his work.

Moonglow moments
You know it's good:

1. It's the look on William Holden's face when he first catches a glimpse of Kim Novak coming down the stairs in that pink dress. ("Madge is the pretty one"--she sure is)
2. It's the way she shimmies up to him. Revealing her intentions, she never loses eye contact or says a word.
3. It's the moment he takes her into his arms to dance close--he gives a little sigh of pleasure.
4. It's the look on his face when he's dancing--that criptic smile of pleasure and sensuality--all the while knowing that she's totally off limits.

and of course the song itself. This scene in itself makes the movie and with DVD you can play it over and over and over... Not many dance scenes have stood the test of time. I loved it. What can I say--I'm a chick. ... Read more

Reviews (48)

One of the finest courtroom dramas ever filmed.
Anatomy of a Murder is one of the finest courtroom dramas ever filmed -- on a par with Witness for the Prosecution and Inherit the Wind. Jimmy Stewart gives one of his finest performances as a small town attorney defending an army officer who has coldbloodedly killed a man alleged to have raped his flirtatious wife. The rest of the cast is uniformly good, especially Lee Remick as the beautiful sexy wife and Ben Gazzaro as her jealous husband on trial for murder. Stewart's character is assisted by his old friend, an alcoholic former attorney convincingly played by Arthur O'Connell -- an outstanding character actor whose work, unfortunately, is often overlooked. A young George C. Scott (in one of his first films) plays a skilled and implacable prosecutor. This is movie making at its best; a true classic.

Good movie, if you haven't read the book. Otherwise, lousy
I had the great misfortune of reading the book before watching the movie. The book was a masterpiece, arguably the best piece of courtroom fiction ever written. John Grisham's a head of lettuce compared to Robert Traver's brilliant, accurate portrayal of the controversial (fictional) trial of Frederic Manion.

But if you've read the book, DO NOT WATCH THE MOVIE. It will be a massive dissappointment.

You will be put off by the Duke Ellington soundtrack. Sure, it's good music, but this is the story of rural northern Michigan, not the nightclubs of NYC. Duke's jazz does a disastrous job of complementing the setting of the film, and seems quite jarring in spots.

You will be put off by the inaccuracies, like Biegler's ability to play the piano, which never happened in the book (and which only happens in the movie to make Duke's score fit). You will feel that the story could have happened anywhere, anytime, whereas the book was distinctively Upper Peninsula in atmosphere.

You might agree with me that Jimmy Stewart was miscast. Sure, he does a great acting job as always, but whenever I looked at the screen, I saw Jimmy Stewart: Jimmy Stewart is talking to the bartender, Jimmy Stewart is arguing in a courtroom--as opposed to seeing Paul Biegler. It's like watching a movie where Jimmy Stewart's the lawyer, not Paul Biegler. Jimmy Stewart, defense attorney.

The only real highlight, what saves the movie, is the superb acting job by George C. Scott, whoever played the Irishman, and others. If it weren't for them, I'd be giving this movie a one-star review.

Perhaps if you haven't read the book you'll delight in the movie. It's a good stand-alone movie. It's fairly enjoyable despite its faults. But if you've read the book first, you'll hate it. And if you haven't read the book, I highly recommend you read it now. It's far superior to the movie in every way.

Think of it as a Courtroom Film Noir
The excellence is Anatomy of a Murder lies is how it doesn't try to cram itself down your throat. The movie takes its own sweet time telling an intelligent and challenging story. There really aren't any good guys here and there are no easy answers. That's the point of film noir. Everyone is bad in some way, everyone has motives, and happy endings rarely take place in real life. Very direct for a movie made in the late 50's. A woman's alleged rape and the murder of her alleged rapist by her husband is described repeatedly and in detail. James Stewart is surprisingly effective as a weary cynic who takes the case not because he thinks the accused is innocent or a swell guy but because he thinks he can win and get the guy off. After Stewart returned from the horrors of WWII, he turned away from the cheerful harmless fare of his younger days. It can be fairly said that he had two careers. His post war career is much more serious and mature. Introspective characters. Deeply troubled men. Obsessed men. Men of dubious morality and hard bitten practical values. Stewart never made a WWII movie. He didn't need to, he lived it.

"I beg the court...let me cut into the apple"
This film hooks you in the first minute with Saul Bass' brilliant titles and Duke Ellington's music, and then has you caught for the duration in the next few scenes; the dialogue is sharp and intelligent, and at the age of 50, Jimmy Stewart gives one of the best performances of his illustrious career, as Paul Biegler, an attorney who would rather be fishing than getting fees for his work. Stewart is so natural, so real, and so immensely likable. He's the kind of guy you wish you could have in your family, but wily enough to argue a good defense in court.

Lee Remick has just the right amount of provocative sensuality as Laura Manion to make one wonder what exactly happened on the "fateful night" in question.
After playing Southern belles in both "A Face in the Crowd" (1957) and "The Long Hot Summer" (1958), Remick was offered the role of Laura because Lana Turner, who was supposed to play the part, refused to wear an "off-the-rack" wardrobe, and wanted dresses designed by Jean Louis (hardly what a Army wife would be wearing). It was a big break for Remick, and she makes the most of it.

The entire supporting cast is superb: Ben Gazzara as the intense Lt. Manion, Arthur O'Connell as Biegler's assistant and friend, Eve Arden as Biegler's loyal secretary. George C. Scott is Dancer, the Assistant State Attorney, and Joseph N. Welch, who gained fame for being the Special Counsel for the Army in the Army-McCarthy Congressional hearings, is a delight as Judge Weaver. Duke Ellington makes a cameo appearance as Pie Eye, and even Muffy the beer drinking dog does a great job. Otto Preminger's direction flows at a lovely pace, with a balance between the dramatic tension and thoughtful scenes tinged with humor.

There were Oscar nominations for Best Actor, Supporting Actor (both O'Connell and Scott), Picture, and Editing (all losing to "Ben Hur"), as well as Sam Leavitt's beautiful b&w cinematography (lost to "The Diary of Anne Frank") and Wendell Mayes marvelous screenplay adaptation of the Robert Traver best-seller (lost to "Room at the Top"), proving that 1959 was a great year at the movies.
I love courtroom dramas, and this is one of the best ever made; it's unpredictable, with a very authentic feel to it, perhaps because the author, using the pen name of "Robert Traver", was actually Michigan Supreme Court Justice John D. Voelker.
Total running time is 160 minutes.

A legendary film
Otto Preminger was one of the most creative and brave directors of the american cinema in the fifties and sixties.
His works were loaded with a ravishing realism , they were very expilict , challenging and disturbing .
Imagine what it means the plot around the adultery commited by the wife of an officer in that age . You can reply me with From here to the eternity but this film is more shocking , and overcomes in dramatic punch to From here ...The other examples you may think is Baby doll and Dial M for murder in the fifties, but this one wins the match.
The powerful sequence in the Court has only a serious match in The Nuremberg judgement . Never before there was not a previous film so disturbing like this that film who explicitly turned around the bitter and awful consequences about the adultery .
The plot is overwhelming , magnificient built , without any hole . The cast is incredible . Consider these giants actors as Ben Gazzara , George C. Scott , Arthur O'Donell, James Stewart and Lee Remick in her screen debut .
This film was nominated as the best film but was unlucky , because Ben Hur literally won all the prizes and somehow that fact stroke the undeniable virtues of that superb work.
However the time seems to set in the right place this picture.
Acquire this one.
One of the most remarkable films in the american cinema story.
If I could give this film ten thousand stars , I 'd do it . ... Read more

Amazon.com

Austin Powers undoubtedly stole a few moves from Matt Helm, the swinging secret agent embodied by Dean Martin in four intentionally dopey late-'60s movies. The Silencers is the first and best of the bunch--but at that, it's barely a movie. Dino is first seen reclining in his automated bed, and he hardly wakes up for the remainder of the picture. (When a stunt double performs athletic moves in the action scenes, you rub your eyes at the impossibility of Martin moving that quickly.) And yet Matt Helm manages to stave off a nuclear disaster in the southwest desert, the nefarious plot of a Chinese archvillain (Victor Buono). The 007-style gadgets include exploding sportcoat buttons, plus the wet bar in Dino's station wagon--so he cangulp whiskey while he drives. The women are, of course, outrageously sexist playthings, although Stella Stevens remains the most adorable of '60s sex kittens. --Robert Horton ... Read more

Reviews (18)

Censorship and bad cropping give Helm hell!
I've waited many years to see this fearsome foursome of cheese find a decent release in DVD. Sadly, thanks to bad cropping and seemingly random censorship, it still hasn't happened yet.

The four films are, of course, The Silencers, Murderers' Row, The Ambushers, and The Wrecking Crew. (A fifth intallment was storeyboarded but never shot.)

Letting the studio off the hook by saying things like "widescreen areas always crop full frame versions," is being much too gracious in the face of these money-grabbing studio weasels who also CUT entire parts of the film and never even gave you an original trailer.

And I should know about the widescreen concept, since I am, after all, the chairman of the WWS - the Widescreen Watchers Society. (Yes, my organization has a movie site online, but an Amazon review is not the place to plug it by posting links to it.)

Rather I just wanted to point out that it is instead within the "full frame" or "standard screen" format that all cropping takes place. The most dominant style is pan-and -scan, which is done by zooming in on whatever the TV film editor decides is the most important area on screen at any given moment.

That's why you often end up with the ridiculous sight of one person chattering happily away to the air for long periods of time, since you can't see the other person he's talking to. And because of the zoom effect, naturally you also get a more blurred focus on the overall picture.

But a presentation in widescreen, whether it be a regular rectangle (Vista-Vision style) or a more narrow rectangle (Panavison style), or somewhere in between, never crops and/or zooms in after the fact at any point - resulting in a vast difference of ultimate picture composition in crystal clarity, giving you the best total viewing experience possible - which is why the original director filmed it that way for its theatrical release in the first place!

How today's studios stamping out inferior DVDs think the public will never notice such a huge difference is completely mind-boggling! And who buys most of the DVDs of older movies anyway? Film buffs who are very picky about such things to begin with!

RECOMMENDATION: Wait until all four films are put out together in an improved deluxe edition - TRUE widescreen (non-cropped and non-censored), featuring behind the scenes featurettes (which they shot back in the '60s as long commercials for such films), surviving crew interviews, trailers, etc. Otherwise, forget it.

Hey, Rat Pack fans - or just fans of Dean Martin in general - you know ol' Dino deserves far BETTER than this shoddy treatment! Mama mia!

Funniest spy spoof ever
Although I loved reading James Bond books and Matt Helm books, I also enjoyed the first movies of those books very much. After "Thunderball" 007 moved further away from the book each new movie. In the meantime I discovered Matt Helm on film. The first film was a very humorous impression of the book "The Silencers". Dean Martin, to me, was a very good choice for the Helm-figure. His jokes appealed to me, especially the autoradio-joke on his own hit-music. Also the joke with the reverse-firing gun takes care of some fun. But I must admit: Stella Stevens' appearance was the real finishing touch. I still have a clear image in my mind (after 33 years) of the scene where Helm tears off her dress in the hotel room. I guess it must be considered now a typical 60's movie, but reviewing it will undoubtedly amuse you again. If so ... you could also try other Helm-movies, especially "The ambushers", and another amusing Spy spoof, with James Coburn, called "Derek Flint". You could even try Bond's own spoof "Casino Royale", but that's very much pop-art and confusing, next to being funny. Even if you don't like secret agents you can enjoy these movies. But ""The silencers" is the best as a try-out!

The Silencers Revisited
Dean Martin's Matt Helm and James Coburn's Derek Flint were both well done serio-comic Superspies in the James Bond genre. While the two Flint flicks have been available on DVD for some time, The Silencers is the first Matt Helm film to make it to DVD. After watching The Silencers, my only question is--When will the rest of the Matt Helm movies be available on DVD?

Glad I Read Reviews
As much as I would like to have this movie on DVD, I would
not buy this issue because of the reviews posted here. When
are studios going to get it? We don't want DVD issues of movies
that are sub-standard or something that is different than
theatrical release.

A word about The Silencers.
This is a very nice transfer to DVD and only appears cropped to other reviewers because this is the way audiences saw it in the theater almost forty years ago. The 1.85:1 widescreen area is indeed cropping the full frame but the cropped area was never meant to be seen. Only television introduced the full frame area to viewers. To fully understand this one must discard his ignorance of projected film formats and do some research in this area. That way, a decent film to video transfer like this one won't receive such bad billing and we can all be happy! ... Read more

Reviews (40)

Monroe is Sweet, Movie not so
This story is about a vulnerable hillbilly saloon entertainer, Cherie (Marilyn Monroe), who is bowled over and smothered by an unworldly, manner less rodeo rider, Bo (Don Murray) who seeks to find a lady companion. They are two opposites that end up attracting in the end. A sweet story, Bus Stop was very enjoyable although a little unbelievable at times. Marilyn Monroe is sweet, naive but gorgeous as usual. Hard to believe that she would end up marrying Bo and being happy. Hmm...

The story begins when a rough rural cowboy sets off to a Phoenix rodeo with his friend Virgil. Virgil suggests that it is time for Bo to meet a lady friend. Bo sets his sights high, saying that he will know the girl when he sees her. Then, enters Cherie (said with a French accent) on stage whisperingly singing "that ole black magic". Bo falls head over heals for her on first sight when searching for his first "angel". Bo, inexperienced and naive about women, believes that he has found his wife in Cherie (he calls her Cherry) and proceeds to bring her aboard their Greyhound-style passenger bus on their return back home to Montana.

Cherie is confused as things are moving quickly. She struggles to get free of Bo, even claiming to a fellow passenger that she is being abducted against her will by Bo and his ranch companion Virgil (Arthur O'Connell). She doesn't want to marry Bo. Everything changes when the bus is stopped due to a blizzard and they are stuck all together at the bus stop lodge for the night.

Grace's Diner is where bus driver Carl ends his frustration with Bo and decides to fight him to stop him from his angry fit once he discovers Cherie was trying to escape. After a knock down, drag out fight, Bo comes to his senses and apologizes to everyone for his unruly uncontrolled behavior, but mostly to Cherie. Cherie sees the sweet side to Bo and sees that he really loves her. She decides to board the bus to Montana, along with the wedding ring invitation.

In conclusion, Bus Stop is worth seeing for Marilyn, if nothing else. Her acting and singing are so-so, but her unmatchable sweetness is worth your time!

Marilyn in a superb performance
BUS STOP proved beyond a doubt that Marilyn Monroe could indeed act. For those who missed her 1952 performance in DON'T BOTHER TO KNOCK, the surprise was very pleasant indeed.

BUS STOP was adapted from William Inge's successful long-running Broadway play, and was bought by Fox with Marilyn in mind. She plays the role of the ambitious cabaret singer Cherie, who longs to go to Hollywood, where, she assures her girlfriend, "you get discovered, you get tested, with options and everything! And you get treated with a little respect, too!".

Enter naive cowboy Beauregard (Don Murray in his screen debut) , who falls in love with her during her performance of "That Old Black Magic" (which must surely count as one of Monroe's most beguiling screen moments). Uneducated hick that he is, he decides to marry her, come hell or high water.

The film has been fully restored, using the original YCM masters to replace the parts of the film that were too far-gone to be rescued. A pristine picture with a gorgeous soundtrack.

The DVD includes restoration comparisons, gallery and trailers. Available seperately or as part of the Marilyn Monroe Diamond Collection.

Man, this stinks.
I love old movies and I love Marilyn. But this just stinks. There's none of Marilyn's glamour or gold-digging charm. She's shrill and whiny in a terrible hick accent. "Beau" is obnoxious and completely over-the-top.

The premise of the movie is Beau, a young cowboy, going to a rodeo. He's an innocent, never off his ranch in Montana. He decides he's going to find himself an angel to take back home. So he meets "Cherie" in a saloon. He manhandles her, browbeats her, and eventually kidnaps her. His screaming and fighting make a person think that if he managed to force her to marry him (after abducting her with a lasso as she desperately tries to flee), he'd probably rape her on the wedding night. It's just that creepy.

So they end up stuck at a bus station together due to bad weather. FINALLY someone steps in when they see Beau manhandling Cherie, and says he can't kidnap this woman. Beau objects and ends up getting his butt whipped.

Which somehow makes Cherie love him and they ride off to Montana together.

It's really objectionable. Offensive, really. I can't say one single good thing about the entire movie. It wasn't believable, enjoyable, amusing, or entertaining. I'm really sorry I watched it.

One of Marilyn Monroe's finest performances ever!
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As Cherie, the one-note chanteuse with little talent, Marilyn Monroe creates a character who is both pathetic and poignant.

This is considered by many to be Monroe's finest on-screen performance. Many thought she deserved an Oscar nomination for this role. Sadly, Marilyn was highly under-rated as an actress in her lifetime, and didn't even receive a nomination. She did however go on to win more than one Golden Globe for her work after this film.

The only thing that bothers me about this film is co-star Don Murray's constant screaming. Murray made his big screen debut in this film, and although he brought a lot of ebullience to the role, he apparently was used to stage work, and thought he had to scream to be heard. On screen, he appears to be in a constant state of pig-calling as he bellows and shouts like a hooligan.

I think he should have toned-down his performance altogether, at least vocally. All that screaming opposite Marilyn's breathy whisper of a voice is quite annoying indeed!

All-in-all, I would strongly recommend this film for anyone who wants to experience the magic of Marilyn Monroe in a truly great performance. Just be sure to keep the remote handy so you can turn down the volume when Murray is on screen!

[Marvelous] Marilyn!

I'm sorry
First off I am a HUGE Marilyn Monroe fan. I also believe only Marilyn Monroe fans watch this movie. She is great in it. It's one of her best performances. As Cheri, she gives a dazzling performance of 'Black Magic', and it's great listening to her in her hillbilly accent. The final scenes where her face take up the entire screen was great directing and she looked as beautiful as an angel. Her comic timing was delivered perfectly, and the costumes she wore in this movie lead to some of her greatest still photograph.

So why only 4 stars? The rest of the cast did a great job, Virg, Elma, Grace, and Carl. Who did I leave out? That's right, Bo. Don Murray single-handedly ruins this movie. His cowboy mannerisms are waaaay over the top, he overacts every scene he's in, he's rude, stupid, and to tell you the truth, Marilyn ending up with him is so unbelievable, it makes you just want to scratch your head.

Now I know that Bo was supposed to be an inexperienced cowboy right off the ranch, but no one is going to arrive in a city and acts like he owns the world. Kidnapping a woman (with a lasso of all things) and dragging her on the bus is a stretch, but when Bo finally gets his butt kicked by Carl, and learns a lesson in humility, and then Marilyn falls for him, well... I can't believe someone would give up their Hollywood dreams and go to a ranch with a doous like Bo.

Again This was a great performance by Marilyn, watch it for her. I'm sure you will. I've never met a Don Murray fan. ... Read more

Reviews (18)

Recommended visually stunning epic drama with good acting.
"The Last Valley" is a visually stunning film. Set during the 30 years war in Europe during the 17th century the film depicts the brutality of the era and the distasterous consequences of religious intolerance. Author James Clavell makes a brave and ambitous directorial debut. Michael Caine gives an outstanding but underplayed performance. I find the movie gets better with each viewing. A number of people I know are pleased they made the effort to watch it and the reaction is always the same - how come they'd never heard of it before? It is well worth seeing - an undiscovered gem.

We Killed God at Magdaberg.
The film directed by James Clavel and based on his book is a dark and brooding peace depicting the world savage and cruel of the thirty years war. Michael Caine plays the Captain the leader of a band of mercenaries who come across a valley free from the ravages of war, plague and pestilence. Omar Sherif plays Vogel a teacher and traveller who too has in adversity stumbled across a promised land. The story that follows is a study of politics, love, war and religious dogma. Caine gives an excellent performance as a realist who understands only too well the nature of the latter, though finding solace and mutual education with the teacher Vogal. The films closing battle scenes could have been taken from a period woodcut of the time apocalyptic and hellish in there vision, the film stands today as worthy example of expressive rather than decorative historical drama.

Omar Sharif
Great movie. Well worth viewing. The theme reminds me of other movies and of course, reality. I was glad the priest got it, though it should have been before Erica. It's like all of mankind can never learn from its mistakes, we're only doomed to repeat them over and over, all in the name of a god.

Surprisingly Good
Another little known sword and battle picture, gets the DVD makeover and will no doubt ride in on the shirt tails of new releases like Troy. Don't be put off however, this is a very good and polished piece of filmaking, which deals (quite graphically for the year of production) with the savage and often futile 30 years War that raged across 17th Century Europe. This is not a typical story though, and interestingly deals with an uncomfortable but workable peace pact between, Michael Caine as the warring Captain (and mercenary army) and Omar Sharif as a local peasant. As this wafer thin respite gradually succumbs to the vagaries of the marauding soldiers, the story kicks up a notch with some good action sequences and thought provoking scenarios. Caine is superb throughout, and is something of an island of drama amidst what would otherwise be a plodding script, despite the pedigree of writer James Clavell (of Shogun fame). Overall a good solid war style movies that is more than a little different. Enjoy

Good Story Comes Short
James Clavell (author of Shogun)wrote this story specifically for this movie. The Thirty Years War presents a unique setting for a movie and showing how religious fanaticism with political ruthlessness brings out the worst in people. The Thirty Years War is by far one of the bleakest conflicts to have touched Europe prior to the world wars of the 20th Century. The war brought utter misery and devastation across a vast stretch of Europe during the early 17th Century; mostly fought by mercenaries who had about as much religious ethos as their petty patron kings.

The story follows the story of Vogel (Sharif), a scholar who flees the horrors of the war and comes upon a secluded and pristine valley untouched by the war and populated by Catholics. At the same time, a band of mercenaries led by their captain (Caine) fighting for the Protestants arrive at the same time wrek havoc. With blood about to spill and his life at risk, Vogel acts as an intermediary and is soon appreciated by the Machiavellic captain who sees the valley as a valuable base of operation. The pristine beauty and prosperity of the valley acts as a sharp contrast to the outside world wrought with pestilence and war. The mercenaries decide to an uneasy truce with the villagers to hold out for the oncoming winter. Tempers boil and rivalries begin to flare in all sectors.

Great plot development but the casting of Sharif as a German scholar leaves much to be desired. Caine plays his role quite well as the Captain and even keeps up a good German accent. The script could have been a little more refined. The music seemed more like it was made for a T.V. show as opposed to a feature film. The special effects and props were also rather poor and seemed more like something for the stage. Worth watching at least once but I personally regret having purchased it: it makes a better rental. ... Read more

Reviews (12)

A Great Movie Adapted from a Great Book!!
I have been a Misty fan since my childhood and love all of Marguerite Henry's books. This is a great family film. This film is filled with timeless family values. A wonderful film for all ages. Filmed on location in Chincoteague and Assateague the scenery is beautiful. We hope to witness Pony Penning Day first hand next year and see the recently unveiled Misty statue on Chincoteague.

Paul and Maureen fall in love with The Phantom the first time they see her on Assateague Island. Their deceased father also loved The Phantom and the two children set their hearts on buying her after the pony roundup. The do all kinds of small jobs to raise [money] needed to purchase her.
When the roundup occurs it is discovered that The Phantom has a young foal which is quickly called Misty and the two decide they want to buy them both. I can't tell you any more without revealing the entire story so you will just have to watch the rest yourself to find out what happens. You will not be disappointed.

Play 'Misty' For Me
I loved this movie when I was a little girl, not so many years ago, but then, I was absolutely horse crazy at the time. I never quite understood, and I don't think I ever will, why the book and the film were both titled 'Misty' when the story is really all about her mother, The Phantom.

It was nice to see all the characters from the book brought to life, although I do agree with the reviewer who thought Grandpa was miscast; he seemed too young and looked more like the illustration for Tom, the raffleman instead. The one change I really enjoyed was that they made Maureen much more tomboyish and willing to stick up for herself; Wesley Dennis always drew her as this fragile-looking waif in a fluffy dress and the pigtailed flannel and denim clad girl we get seems much better suited to farm life. Slightly off-putting is the grandparent's backward thinking, which will seem outdated to modern audiences. At one point Grandma scolds the kids for not doing their chores and playing with the foals instead and I wanted to shake the woman. They've lost both their parents and you're mad they're outside playing? You should be glad they've found something to help them cope.

Still, this movie is about the horses and not the people and we get scads of great shots of herds galloping free along the beaches, racing other ponies with real kids clinging to their backs, and foals capering adorably. They found a very sweet and clever yearling to play Misty- at times she seems more like an adoring puppy than anything- and a fantastic looking pinto who plays the Pied Piper to wild-eyed perfection. They even found a pony with mismatched eyes to play Watch-Eye, which is a great little detail for those who loved the book.

Considering how old the film is, the quality of the tape is surprisingly good, there were only one or two times where a blip or a jump showed up on the TV and that might even just be the copy I have. This is a kiddie film, so don't expect the greatest, but if you're horse crazy, in the mood for some nostalgia or just need something to share with a younger audience that you won't find too mind-numbing, Misty fits the warm fuzzy bill.

Very Close To The Book
This movie was made in 1961, just four years after my family moved from Chincoteague. Many of the great town folk of Chincoteague are in the movie, including the barber that used to cut my hair when I was four, and gave me a penny for not crying.
I've seen the DVD version recently, almost 50 years since my last Pony Penning Day. It brought back so many memories of my childhood, and my favorite book at the time. It has a great message for children - set goals, work hard, and you will achieve - it also shows the love man has for God's great creatures. A great movie for kid's who love horses!!

MISTY
What a Lovely Film, we rented this for Christmas for my 11 year old daughter and we all enjoyed the movie. Very good filming and a very cute movie.

Mostly Faithful to the Book
Shot on location on Chincoteague and Assateague Island, this movie wisely sticks to the original souce material. Misty fans of all ages will want to see this movie so they can see the places mentioned in the book and watch a real Pony Penning Day roundup.

Both the book and movie characters were based on real people (and ponies). Misty was an equine celebrity with children all over America. After a storm nearly destroyed Chincoteague, the real Misty often appeared in theaters where this film was shown to raise money to rebuild the island.

Arthur O'Connell as Grandpa Beebe was a disappointment. He doesn't speak in the warm, grizzled ways like the character in the book and he doesn't even have a Southern accent.

The film was shot in CinamaScope and the video is formatted in pan-and-scan. There are many instances during the film where the cropped picture looks distorted because of this. If you really want to enjoy the beauty of this film, hold out for a widescreen version on DVD. It would be nice if future editions of this film also had a documentary about the real Misty and her life. ... Read more

Reviews (11)

Light Comedy, One of My Favorites
Bette Davis plays Apple Annie, a bag lady who has, by correspondence, convinced her daughter that she is a wealthy socialite. Her daughter (Anne Margaret), who has grown up in Europe, is now on her way, with her fiancee (the son of a Spanish noble) and his family, for a visit, putting poor Apple Annie into crisis.

In steps Dave the Dude (Glen Ford), a small-time gangster wannabe with a big heart and a strong belief that Apple Annie's apples are his lucky charm and his ticket to the Big Time. Dave the Dude, his girlfriend (Hope Lange), and his henchmen (played by a cast of character actors half a mile long and featuring a young Peter Falk), step in to save the day, by transforming Apple Annie into Lady Manville. Unfortunately for Dave, the crux of Annie's transformation coincides with his making the Big Deal that will boost him into being a Big Time Gangster. He has to choose.

This is a somewhat over-acted but thoroughly charming movie that is loads of fun. I've never seen "Lady for a Day", which is this movie's predecessor and, according to many of my fellow reviewers, a superior movie. "Pocketful of Miracles" is such a favorite of mine that I'm not sure I want to risk seeing this supposedly better version of the story. Either way, "Pocketful of Miracles" will never be a disappointment to me and, I think, to many.

Charming, tender, funny, and very touching!
"Pocketful of Miracles" was Frank Capra's last motion picture he directed. For a last picture for him, I think it is quite a masterpiece. This is a remake of the 1933 movie "Lady For A Day" which Capra directed then. Bette Davis is wonderful as Apple Annie, a boozy street peddlar whose best customer is gangster leader Dave the Dude (Glenn Ford) who thinks her apples bring him luck. His flashy girlfriend Queenie Martin (Hope Lange) thinks otherwise, and the Dude can't keep her out of his hair. Peter Falk plays on his sidekicks named Joy Boy, and Mickey Shaugnessey (Elvis' costar in "Jailhouse Rock") plays the Dude's other sidekick and chauffeur Junior. They all help Apple Annie a.k.a. Mrs. E. Worthington Manville prepare for her daughter (Ann-Margret) to come from Spain to visit with a Spanish count (Arthur O'Connell) and his son (Peter Mann). They announce that she will marry the count's son, and will give a reception. The Dude, Queenie, Joy Boy, Junior, and Apple Annie's temporary "husband" Judge Blake painstakingly round up the gang members of the dude and Queenie's chorus girls to try to impersonate officials and attend the reception. Meanwhile, the police, the comissioner, the governor, and mayor are hot on the job to track down missing reporters kinapped by the Dude. (We all know even though their tied up, Dude's still kind-hearted underneath). They're in a jam, when Queenie's nightclub is surrounded by cops. Dude makes a deal with the comissioner. What ends up happening is, the governor and mayor get word and the people at the coincidental party for the mayor show up miraculously for Annie's reception. At the end, it shows, Louise (Ann-Margret), the count and son Carlos leaving to go back to Spain where the two will get married. This is a real fanciful scene there. It's a real great classic everyone will enjoy.

Enjoyable Film!
A fine film full of great performances and superb storytelling. Great for the collection! Grade: A+

GLOSSY BUT ENJOYABLE.
In 1961, Frank Capra decided to remake his 1933 film LADY FOR A DAY (based on Damon Runyon's MADAME LA GIMP); although it's enjoyable enough, it unfortunately pales when compared to the classic original version. Bette Davis was lured out of semi-retirement to play the gin-soaked apple peddlar, Annie, a destitute street person who learns that her Spanish convent-educated/raised daughter Louise (Ann-Margret) is planning to visit her. Annie's friends, Mobster Dave the Dude (Glenn Ford) and his blonde, brassy moll Queenie (Hope Lange) come to her rescue and transform the old girl into one Mrs. E. Worthington Manville, an elegant, wealthy dowager....Capra and Davis did NOT see eye to eye during the filming this rather dated (even in '61) and overblown fairy tale; it was Capra's swan song for the movies. Many critics felt that Davis's transformation from Apple Annie to the elegant Mrs. Manville wasn't convincing because it was done too quickly - I agree...Hope Lange does well as Queenie; her performance is sharp, honest and convincing as the moll with a heart of gold.

Dreams do come true.
A wonderful little Cinderella story. The cast works well together. Betty Davis is believeable as a Mother down on her luck. Frank Capra delivers another heartwarming tale. ... Read more