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| 1. Sliders - The First and Second Seasons | |
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Amazon.com Reviews (19)
I have heard people often refer to Sliders as a rip off of Quantum Leap. While Quantum Leap was a better show, Sliders is completely different. Quinn, Professor Arturo, Wade, and Rembrant are not traveling through time. They are traveling through other dimensions of earth that differ from their own. This is what makes the show so great, because it is very interesting to see how each dimension will be different than the next. The show also offers tons of suspense. There is a "race against the clock" type feel due to the fact that the group only has a limited amount of time to find one of the few places within the dimension they can "slide" from. Jerry O Connel and the rest of the cast were excellent in their roles, and it is their performances that make the show so entertaining, especially the performance given from Cleavant Derricks as Rembrant Brown. The funniest thing about his character, is that Rembrant never asked to go with them, and was dragged along accidentally. So he often complains about each situation which usually provides for a lot of laughs. Unfortunately, Sliders did not manage to stay great for the entire run of the show. I have to agree with many of the fans and say that the show went seriously downhill during season three when Professor Arturo left the show. Seasons four and five would become even worse, because the show left FOX to air on the Sci-Fi channel, and by the end of the show, Rembrant was the only original character left. However, the first two seasons of Sliders are what make the show rank among the top of any television show in the sci-fi genre. The best thing about this DVD package, is the fact that you get the two best seasons of the show in one set. While it is a shame that the extras are somewhat limited, this set is worth owning just for the episodes themselves. A solid 5 stars...
Commentary on the pilot (in audio) A making of sliders documentary- including atleast Jerry O'Connell and Cleavant Derricks (Quinn and Rembrant) There is a photo gallery on the dvd ... Read more | |
| 2. Body Shots Director: Michael Cristofer | |
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Reviews (37)
Body Shots is about a group of eight adults, four men and four women who all have different opinions on sex. It's Friday so they all decide to go clubing. The next day all of them got some, but unfortunatly some not in the way they wanted. After the initial club scene where they got drunk they wake up the next day. The latter part of the film ends up focused on the incidenet between Jerry O'Connell and Tara Reid as she claims he raped her. However they were both so drunk they don't remember what happened. Overall the movie is Ok at best. The only really redeeming value is that we got to see some of Tara Reids Naughty Parts. Past that the movie features a lame been there done that plot, weak sex, poor acting, and overall not what was expected from what seemed like an interesting idea.
So a group of guys goes out to a bar to meet up with a group of girls. We all know what that's like, right? And let's be honest here, more than a few of us know what's on the mind at this point. And, in fact, we're right: People - *gasp* - have sex. Then the tricky twists arise. Well, too many for there to be any real resolution to any of them. By far, of course, the "date rape" plot line is the most powerful and socially relevant. Did she consent? Was she even capable of consenting? Or, to the contrary, did she actually scream "NO" repeatedly? Now THAT would have been a good plot line to follow. We're interested. We see the conflicting points of view, and it's fascinating to know that there is NO other witness, and it's his word against hers. While the movie does take this plot line adequately through -- including to its less-than-satisfying conclusion -- it muddies up the progression of this situation with a HUGE slew of otherwise irrelevant and horribly uninteresting sex twists. Of the four or five couples who end up having sex that night, we really do only really care about the one, right? I mean, in terms of plot line develpment, I don't think we really care about the particular kinky perversions of Batgirl. And yet we're told about it anyway. All in all, it seems to me that this movie spends too much of its time trying to work "sex sex sex" into its reels -- probably in an effort to draw viewers who really don't care about the meaty date rape plot line -- and the end product suffers as a result.
The story starts with Sara (Tara Reid) coming to a friend's house in the middle of the night in her nightgown with face bloodied, claiming to have been raped by her date. We then shift to the events that preceded the alleged attack, as we meet our eight yuppies whose raging hormones are searching desperately for release by means of drunken stupefaction. Interspersed, we receive asides from each of the characters giving their honest and somewhat immature views on sex and relationships. This part of the film is utterly vapid and self indulgent, full of gratuitous sex and nudity, seemingly just to impress us with how shallow and hedonistic these young people are. After a night of wild and lascivious dancing, everyone gets blotto and hooks up with someone for meaningless flesh pounding. Sara, who has been involved all night in dancing that can only be described as coital pantomime with pro football player Mike Penorisi (Jerry O'Connell), decides to take him home in a taxi after he finishes beating up a guy who bumped into him in the bar. Fast forward to the present and each participant gives a flashback description of the events, Sara describing being forcibly raped despite her protestations, and Mike describing an nymphomaniac using him to get revenge on her ex-boyfriend and who became infuriated when he called her by the wrong name. The evidence supports both views, with Sara's behavior before the incident clearly provocative and slutty, and her emotional and physical state afterward extremely sincere and convincing. The picture is further clouded by the fact that both were extremely drunk and the reliability of their statements is questionable. The rape storyline is fertile ground for an excellent drama, but Cristofer draws away abruptly just when the story gets interesting and returns to soliloquies of the various characters giving their reflections on the events that just occurred. The film thus leaves the viewer extremely unsatisfied with the outcome. Ultimately, the film seems to be trying to make the point that this event was inevitable given the dangerous and irresponsible behavior of the characters. Cristofer tries to infuse the story with the moral that loving relationships are better than promiscuous drunken encounters, but his final scenes are too abstruse to make the argument with any power. This is a good showcase for some young talent. Most impressive is Tara Reid, best known as Vicki in "American Pie". Reid gives a gut wrenching performance, sexy when she needs to be and utterly devastated after the incident. Sean Patrick Flannery is also good as the nice guy who feels that he has to act like a sex obsessed jerk to fit in with his friends. He has a couple scenes with Amanda Peet that are heartfelt and touching. Peet gives a surprisingly good dramatic performance that is a far cry from the ditzy parts for which she is getting known lately. Jerry O'Connell does well as the jock with the untamed libido. Ron Livingston is outrageously abrasive and droll as Trent, the obnoxious dweeb with an overblown sense of self importance. This could have been a good film, but it takes the wrong approach to a serious contemporary subject. I rated it a 6/10. While the moral of the story is constructive, the presentation overemphasizes the very behavior it is criticizing, and neglects the true human interest story by skirting the serious issue. Some respectable acting performances, especially by Tara Reid, are reduced by the film's superficiality. ... Read more | |
| 3. Buying the Cow Director: Walt Becker | |
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| 4. The '60s Director: Mark Piznarski | |
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Reviews (44)
For anyone born a bit too late (like myself) then I recommend watching it.
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| 5. Jerry Maguire Director: Cameron Crowe | |
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Amazon.com Reviews (135)
Jerry is fired after writing a "memo" which displeases his boss. He is fired in a crowded place, followed by a scene where Jerry and his boss try to contact as many of their clients as possible to convince them to stay with one agent and not the other. Jerry leaves with a select few clients, some fish, and a brave secretary (Zellweger). They eventually begin dating after Jerry breaks up with his fiance. "Jerry Maguire" is an intelligent romantic comedy, not really in the same sense that "Sleepless in Seatle" was a romantic comedy. They are completely different films, and "Jerry Maguire" is better and more intelligent for it. It deals not only with the fun of relationships, but with the hard times. There are a few twists to the plot that come unexpectedly and an ending that many probably will know without having seen this movie ("You complete me"). Cuba Gooding Jr. also delivers one of his best performances (both in the film and accepting the Best Supporting Actor award at the Oscars for this film - "Show me the money!") that has not been surpassed to date ("Instinct" and "Chill Factor" don't even come close). This widescreen version presents the film in the original theatrical format the way it was meant to be seen. Yes, there are the black bars at the top and bottom of the screen, but you actually see more of the movie (the stuff that would be edited out for the standard format). This is a great film worth watching many times.
Crowe, who writes and directs this movie, takes care of the characters' progress throughout the entirety of the movie. Jerry and the secretary (played by the sweet Renee Zellweger) slowly and passionately start to fall in love, and the relationship between Jerry and her only son grows from a goofy friendship into a father-son type of relation. But best of all is Jerry's one on one dialogue with Rod. Jerry can't stand the fact that he's stuck with Rod but faces the fact that he's his only hope left, and Rod still believes in Jerry and more or less becomes his right shoulder and gains him confidence. Like any other everyday man, Jerry still has people around telling him how great he is, even though he thinks very lowly of himself. This is the same theme throughout most of Crowes' films, especially "Say Anything" where John Cusack's character finds confidence through Lili Taylor. The DVD features two discs with loads of special features, deleted scenes, rehearsals, and the music video of Bruce Springsteen's 'Secret Garden'. Highly recommended!
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| 6. Mission To Mars Director: Brian De Palma | |
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Amazon.com After dispensing with a few space-jockey clichés, the moviefocuses on a Mars-bound rescue mission commanded by Jim McConnell (GarySinise), whose team (Tim Robbins, Connie Nielsen, Jerry O'Connell) hasbeen sent to retrieve the sole survivor (Don Cheadle) of a tragic Marslanding. During the sequence en route to Mars, De Palma's in hiselement with two suspenseful scenes (including a dramatic--albeitsomewhat silly--space walk) that are technically impressive. But whenthis Mission gets to Mars, the movie grows increasinglyunconvincing, finally arriving at an alien encounter that more closelyresembles an astronomical CGI video game. But this is a $75 millionHollywood movie, and no amount of technical wizardry can lift theburden of a juvenile screenplay. Kudos to Sinise, his costars, and thespecial effects wizards for making the most of hoary material; shame onjust about everyone else involved. --Jeff Shannon Reviews (274)
To some extent in his rendering of this $100K (where did it all go?) MISSION TO MARS, De Palma showed nerve - while saving LOTS of money - by totally skipping the usual shots of spaceship blastoffs and landings. The audience is left to imgaine how the various space voyagers got into outer space. Also, he completely bypassed the transition from the astronauts' backyard family barbecue in the year 2020 (seems just like 2001) to hurtling towards Mars. He cuts away before each departure, then shows the spacecraft either on its way to or on one of Mars's rusty deserts. Once on Mars, title cards tell us how much time has elapsed [title cards are lots cheaper than FX!]. Eventhough MISSION TO MARS is often realistic, sorry guys but it blazes no new cinematic trails (at risk of mixing metaphors). On the plus side, this flick is more picturesque, efficient, and technically more convincing than many of its earlier counterparts. Seemingly reversing myself, its avoidance of CHEAP whiz-bangs is a plus, in a limited sense. Compared to the way overdone "Armageddon," the plainness of MISSION TO MARS is a pleasure. Most of MISSION TO MARS is about the rescue mission. The second NASA team of astronauts to Mars is reluctantly sent to retrieve the unconfirmed sole survivor (of four) from the first Mars mission that was unexpectedly wiped out. The second team nearly fails to arrive for rescuing their possibly stranded buddy, and also to possibly find out what Mars is all about. The claustrophobia of the astronauts in close quarters is artistically contrasted with the vastness of the often deadly vacuum outside their spaceship. Some excellent effects are presented to us when co-commander Tim Robbins, and eventually the others, hover in zero gravity or gas propel themselves outside their ship to repair damage done by meteorites. At its best, the scale and pacing and imagery remind us of "2001: A Space Odyssey." Thanks to De Palma deciding a lot of the action to unfold in silence, he gives us a feel for the remoteness and emptiness of space. Realistically, space travel is mostly long periods of uneventful floating after the blastoff. At risk of giving the movie's big finale away, I must say it is a silly montage of computer-generated special effects which accompanies a touchy-feely revisionist evolutionary theory of life. Evidently, MISSION TO MARS was written with impressionable 10-year-olds in mind. People who're committed to Creationism won't be nuts about the movie's big "revelation." In fact , if that's what evolution is all about (our evolutionary ancestors were UFO driving, bug eyed aliens who came from Mars) I'll take Creationism! But then again, science fiction and religion have never gotten along THAT well, anyhow. By the way, MISSION TO MARS was produced under NASA's new Space Act Agreement for film and TV. This allows filmmakers to use the Kennedy Space Center for locations and shoot the NASA logo. Taking advantage of the U.S. taxpayers' largesse, that added a realistic look to the spacesuits and equipment used in the film. But, hey folks, these touches of realism couldn't rescue this slow-paced movie to nowhere.
Absolutely the steaming pile you've heard it is...
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| 7. Joe's Apartment Director: John Payson | |
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Reviews (28)
The movie is great on many counts. Hear are just a few examples: The film turns traditional values upside-down in a hilarious way, without being pedantic. The film isn't as serious as a Sondheim lyric, as popular as a Lloyd-Weber musical, as beautiful as a Les Miserable melody. But it doesn't try to be. And it doesn't need to be. It allows the viewer to, for perhaps a too brief period, forget about his or her confining values and exhausting proprieties, and just be entertained. After an escape like this film, we may indeed return to our severe or drab realities refreshed, much like a good night's sleep can make one more alert the next morning. ... I believe that entertainment like this, in appropriate doses, could be just what the world does need....
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| 8. Tomcats Director: Gregory Poirier | |
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Amazon.com Reviews (41)
Here's a synopsis: The movie begins with a group of friends who are very disillusioned, they are afraid of commitment and want to remain "Tomcats" forever. They all place money into a high-yield mutual fund in the mid-90's and thinking that it wouldn't be that big of deal leave it there to collect interest. Flash-forward to present day, the pot is now almost half a million dollars and there are only two unmarried guys left, Kyle (Gary Busey) and Michael (Jerry O'Connell). While at their friend's wedding in Las Vegas, Michael gets in trouble at the craps table to the tune over 50 thousand dollars. He hatches a plan to fix up Kyle (who is filthy rich and pretty much has a different girl every night), with a former bridesmaid at his friend's wedding all those years ago, Natalie (played hilariously by Shannon Elizabeth). What follows are some of the most disgusting, degrading, and downright depraved scenes that I've seen to date (...). See this movie if you're a fan of gross-out comedy, or if you're just looking for a good laugh.
The characters are so repellent and unfunny that you don't care what happens to them. Growing up in the 80's, we sat through a lot of horrible comedies aimed at the all-important teen male audience only to hear, "Well, that sucked but at least we got to see (hot actress name here) naked." What's the point?
A pretty good storyline features a host of hilarious moments .... if you ask me, this movie is about typical guys, their dislike of marriage, and the need for cash! In amongst this are some moments, you will never forget .... chasing the testical, throwing the dice, and well, I have to say it - the chick in the back seat of the car and Kyle ..... this is hilariously funny (maybe to the point of disgusting?) ... and of course the 'pretty' funny bachelors party scene ... also deserves a mention! This is one of the best comedies I have seen in ages and ages, and for all you girls out there, this is not only for the guys! It should be taken in the "tone" that it's set in (it's a comedy and not serious) .... and you should sit back and enjoy the ride! ...... and, if you can't find it funny then it will at least gross you out in parts - enough that you will have to laugh anyways (not so bad if you ask me)! Either way, you definitely shouldn't miss this one!
If you don't like raunchy comedies, than don't bother. However, if you like movies such as There's Something About Mary or American Wedding, than you will like this movie.
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| 9. Jerry Maguire (Special Edition) Director: Cameron Crowe | |
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Reviews (135)
Jerry is fired after writing a "memo" which displeases his boss. He is fired in a crowded place, followed by a scene where Jerry and his boss try to contact as many of their clients as possible to convince them to stay with one agent and not the other. Jerry leaves with a select few clients, some fish, and a brave secretary (Zellweger). They eventually begin dating after Jerry breaks up with his fiance. "Jerry Maguire" is an intelligent romantic comedy, not really in the same sense that "Sleepless in Seatle" was a romantic comedy. They are completely different films, and "Jerry Maguire" is better and more intelligent for it. It deals not only with the fun of relationships, but with the hard times. There are a few twists to the plot that come unexpectedly and an ending that many probably will know without having seen this movie ("You complete me"). Cuba Gooding Jr. also delivers one of his best performances (both in the film and accepting the Best Supporting Actor award at the Oscars for this film - "Show me the money!") that has not been surpassed to date ("Instinct" and "Chill Factor" don't even come close). This widescreen version presents the film in the original theatrical format the way it was meant to be seen. Yes, there are the black bars at the top and bottom of the screen, but you actually see more of the movie (the stuff that would be edited out for the standard format). This is a great film worth watching many times.
Crowe, who writes and directs this movie, takes care of the characters' progress throughout the entirety of the movie. Jerry and the secretary (played by the sweet Renee Zellweger) slowly and passionately start to fall in love, and the relationship between Jerry and her only son grows from a goofy friendship into a father-son type of relation. But best of all is Jerry's one on one dialogue with Rod. Jerry can't stand the fact that he's stuck with Rod but faces the fact that he's his only hope left, and Rod still believes in Jerry and more or less becomes his right shoulder and gains him confidence. Like any other everyday man, Jerry still has people around telling him how great he is, even though he thinks very lowly of himself. This is the same theme throughout most of Crowes' films, especially "Say Anything" where John Cusack's character finds confidence through Lili Taylor. The DVD features two discs with loads of special features, deleted scenes, rehearsals, and the music video of Bruce Springsteen's 'Secret Garden'. Highly recommended!
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| 10. Scream 2 (Dimension Collector's Series) Director: Wes Craven | |
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Reviews (302)
Anyway this movie is a lot of fun and entertaining. Some things don't work of course though. Like how they use Han Zimmer's score from Broken Arrow whenever they show Dewey. Jerry Connell "singing I think I love you" to Sydney. Things that make it clever though for example, is when it pokes fun at other movies and even at itself. I like how Timothy Olyphant trys to come up with sequels that out-due the originals to Jamie Kennedy's character. It discusses sequels when it itself is one...trying to out-due the original and in some ways it does.
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| 11. Kangaroo Jack (Full Screen Edition) Director: David McNally (II) | |
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Description Reviews (52)
Now, they arrive at Sydney, but soon loses the money in the most ridiculous and incredible way -- a kangaroo wearing a red jacket that contains the envelope runs away in the middle of the deserts! In the meanwhile, unknown to them, gangsters are also sent there to follow Jerry and Anthony, possibly to get rid of them. The cartoonish idea of two adults chasing the hopping kangaroo is not a bad one, but there is no fun in the chase scenes which are shot like an action movie. Such classic cartoons featuring Road Runner or Willy O Coyote are far superior and ingenious, and the director David McNally (of, incidentaly, the ordinary drama "Coyote Ugly" fame) should have learned a thing or two from these masterpieces. I see nothing great in actors; they are just OK. Jerry O'Connell looks better than in cult comedy "Tomcats" and Anderson is always fun to watch even though his character (and Jerry's too) tend to scream to each other (like ten times) without particular meaning. Thankfully, Oscar winner (yes, he was, in "Deerhunter") Christopher Walken fare better simply because his role is small, and you get lovely Estella Warren and her swimming in the water (in the middle of Australia, right?) is eye candy for adults. As is often the case with Bruckheimer films, the film is costly, and you can feel it everywhere. The city of "New York" is actually made in Sidney with the yellow cabs brought to the place for that purpose only, and "Kangaroo Jack" is convincingly made when he (and his pals) speak in rap music. But the awfully insipid and uninspired gags and actions are boring to me, and the character actors like Bill Hunter or Marton Csokas are painfully wasted.
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| 12. What The Deaf Man Heard Director: John Kent Harrison | |
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Reviews (9)
I've recommended this to anyone who'd listen. Good job!!!!!
The VHS version contains interviews with the actors and behind the scenes making of the movie footage. I guess I expected that if footage was on the video, then it would be in the DVD. Boy was I wrong. The DVD version was good quality, but contained no extras whatsoever. So if you are like me and hoping to replace your VHS with the DVD, you'll be disappointed. Now I have two copies of this movie depending on if I just want to see a particular scene or the behind the scenes footage. I guess the VCR is sticking around a little while longer.
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| 13. Kangaroo Jack (Widescreen Edition) Director: David McNally (II) | |
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Description Reviews (52)
Now, they arrive at Sydney, but soon loses the money in the most ridiculous and incredible way -- a kangaroo wearing a red jacket that contains the envelope runs away in the middle of the deserts! In the meanwhile, unknown to them, gangsters are also sent there to follow Jerry and Anthony, possibly to get rid of them. The cartoonish idea of two adults chasing the hopping kangaroo is not a bad one, but there is no fun in the chase scenes which are shot like an action movie. Such classic cartoons featuring Road Runner or Willy O Coyote are far superior and ingenious, and the director David McNally (of, incidentaly, the ordinary drama "Coyote Ugly" fame) should have learned a thing or two from these masterpieces. I see nothing great in actors; they are just OK. Jerry O'Connell looks better than in cult comedy "Tomcats" and Anderson is always fun to watch even though his character (and Jerry's too) tend to scream to each other (like ten times) without particular meaning. Thankfully, Oscar winner (yes, he was, in "Deerhunter") Christopher Walken fare better simply because his role is small, and you get lovely Estella Warren and her swimming in the water (in the middle of Australia, right?) is eye candy for adults. As is often the case with Bruckheimer films, the film is costly, and you can feel it everywhere. The city of "New York" is actually made in Sidney with the yellow cabs brought to the place for that purpose only, and "Kangaroo Jack" is convincingly made when he (and his pals) speak in rap music. But the awfully insipid and uninspired gags and actions are boring to me, and the character actors like Bill Hunter or Marton Csokas are painfully wasted.
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| 14. Buying the Cow/Love Stinks Director: Walt Becker | |
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Amazon.com Love Stinks | |