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| 1. My Blue Heaven Director: Herbert Ross | |
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Reviews (46)
Vinnie Antonelli (Martin) is an Italian mobster who is put in the witness protection agency after witnessing a murder. After his wife leaves him, he strikes up a friendship with Barney Coopersmith (Rick Moranis), an uptight FBI agent who is assigned to look after him. In addition to protecting him, Barney learns from Vinnie how to be loose and on the edge. He strikes up a romance with Assistant D.A. Hannah Stubbs (Joan Cusack), and Vinnie gets remarried... twice. There a number of hilarious moments in this film. Like when Vinnie's family arrives in New York or the turtle death sequence or the climax at the courtroom or the supermaket sequence (it's a veg - a - table). This whole film is hysterically funny. Pick it up when you get the chance.
Other reviewers have done a good job of giving you the basic plot outline, so I won't bog you down with that again. But I can't refrain from mentioning my favorite scene. Vinnie (Martin) hunts for arugala in a huge supermarket. Being far from Manhattan, this Italian vegetable is impossible to find in the white bread and mayo southwest. As his frustration mounts, and after countless "Have a nice days" from the clerks, Vinnie explodes with a resounding "F**k YOU!" It sounds crude but it is not gratuitous. Because we understand Vinnie's outrage, we understand his outburst. Director Herbert Ross does an admirable job of pacing this film, as he does in drawing out the best possible performances from his cast. MY BLUE HEAVEN is one of those sleeper films that many people haven't heard of, but once they see it, they love it.
This movie is awesome, and if you don't start quoteing the movie, well, everyone thinks they have a sense of humor, even those who dont. You should watch it. ... Read more | |
| 2. Halloween 4 - The Return of Michael Myers Director: Dwight H. Little | |
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Reviews (219)
Surprisingly, this movie is not altogether that graphic. We rarely get to see the actual coup de grace of each killing (and in a couple of cases we don't even see the actual murder), and even the remains of the slain never exhibit much blood loss. Of course, Michael uses a variety of means (including his bare hands) to murder his victims here. I for one missed the guy's trademark knifings. He does get hold of a knife eventually, but, sadly, he doesn't get much of a chance to use it. As for Michael himself, it is easy to see that the man behind the mask is not the original "shape" Nick Castle. George P. Wilbur has a slightly different build, and he just doesn't have the malevolent presence Castle possessed. He is strong in the category of standing still and watching from the shadows, but he is a little awkward in his movements and often seems to be patterning them on those of King Kong. This movie has some really nice touches to it, several that strongly call to mind pivotal scenes from the original. Another master stroke is the conclusion, which certainly surprised me when I first saw it. Far too often a trite ending can ruin one's impression of an otherwise good horror movie, but Halloween 4 offers evidence of how much a terrific ending can increase one's enjoyment of an already satisfying experience. By inserting a whole new chapter in the Michael Myers saga, Halloween 4 actually injected the series with newfound life (and blood); it certainly excited me as a fan, and that is something that most sequels of sequels simply do not do.
After the horrible Halloween III - Season of the Witch (1983), this series needed a jump-start. This is what it got. Carpenter is gone from the series but Moustapha Akkad (master of the Halloween franchise) manages to put forth a solid film. Picking up ten years after the Haddonfield incident, Halloween 4 follows "the shape", masked-maniacle killer Michael Myers, as he terrorizes his young niece, Jamie Lloyd (Danielle Harris). Jamie is the daugher of the now-deceased Laurie Strode (Jamie Lee Curtis). Also in the movie is Dr. Sam Loomis, again played by the wonderful Donald Pleasance. Pleasance gives his usual top-notch performance as the doctor who forsaw the horror. If you're looking for something good to watch, give Halloween 4: The Revenge of Michael Myers a chance. It is definitely one of the better sequels.
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| 3. Life Stinks Director: Mel Brooks | |
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Reviews (13)
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| 4. Off Limits Director: Christopher Crowe | |
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Reviews (7)
We pile praises on films like "Titanic" and "The Passion of Jesus Christ" but we ignore the really good quality films that come out, and go for the glitz and the glamour. Oh the peculiarity of the movie going human race is all I can say! Off Limits (I saw it under the title of Saigon) was a film that really should have been a hit, it was that good. Gregory Hines gave a solid performance as a Albaby Perkins a Military Policeman based in Saigon in the late 1960s, along with the smouldering William Defoe as his partner Buck McGriff. Keeping the peace, having fun and doing their job is part of the game but when Saigon Prostitutes start turning up dead, they find themselves involved in a high ranking scandal that could just get them killed. This film is not just a thriller, romance, murder mystery, or war movie, it is in my humble opinion a psychological masterpiece and it was done on a budget! We are treated to a romance that can never be between William Defoe's character McGriff and the beautiful nun Sister Nicole played by the English Rose actress Amanda Pays along with an understated performance by the actor Raymond O'Connor.He portrays to perfection the haunted Sgt. Flowers, a man who would rather risk his life every day in the most dangerous war torn place on earth, because it is far safer than being in Saigon with the knowledge he has of the murders that Defoe and Hines are investigating. You have a plethora of quality actors in this film, from Fred Ward, to David Keith, to Scott Glenn. There are some great as well as grotesque moments in this film, such as the mad Colonel who does his prisoner interrogation in a chopper; his tactic to get information from his them is to throw them out of the chopper one by one. There is a shocking conclusion to this scene but I won't give it away and spoil it for you but look out for it, it is quite mind blowing! Another quality moment is when McGriff finds his partner, playing basketball, all singed and battered after a violent attempt on their lives, we are treated to the fear and tension these men are constantly under, with no one to turn too because they are trying to expose a horrifying secret that just might go right to the top of the military flagpole. This is an intelligent film; full of the horror of war and what it can do to you psyche as well as your physical being. It is also a murder mystery with one hell of a twist in the tale and even though I know who "dunnit" I have watched it on several occasions simply because it so good! An underrated, under appreciated film that should stand along side the likes of, "Platoon," and "Full Metal Jacket."
The story is quite tough but the viewer can appreciate the very pretty girls of Saigon and the exotic background, despite the war atmosphere. There's also some religion involved: if McGriff and Perkins finally find the murderer, it's thanks to a white nun played by pretty Amanda Pays, who was in touch with some of the victims. The mixing of all this is a minor success, the movie is well written, filmed, photographed and played - there's also Scott Glenn in the cast, perfect and funny as a nut officer, and Fred Ward is impressive. In addition, the soundtrack is excellent and very exciting, with many soul and funky hits from that period. What more can we ask? ... Read more | |
| 5. Drowning Mona Director: Nick Gomez | |
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Reviews (79)
Directed by Nick Gomez (Illtown, Laws of Gravity, New Jersey Drive) made a Clever Off-Beat Black Comedy that was a Box Office Disapointment in the Winter of 2000. It's also One of the Most Underrated Comedies in Years. DeVito, who is also One of the Executive Producers in the film, He gives a good-hearted performance in the movie. Affleck is also good as the nervous fiance to the chief's, who might have been involved with Mona's Death. The lighlight of the film is the highly good comedic cast. The Canadian DVD has an sharp Pan & Scan (1.33:1) transfer and an good-Dolby Stereo 2.0 Surround Sound. While the Canadian DVD has no extras. While the American DVD is Presented in an anamorphic Widescreen (1.85:1) Presentation with Dolby Digital 5.1 Surround Sound. DVD Extras are a Trailer, Director's Commentary and Deleted Scenes with/without Commentary. This Misunderstood Comedy is a Forgetten Gem, don't miss it. Will Farrell has a Cameo in the film. Written by Peter Steinfeld (Analyze That, Be Cool). Grade:A-.
My husband and I hadn't expected much from this film because the trailers were so cryptic and we personally aren't too into Bette Midler, but from the first to last scene we were in stitches. Example: Neve Campbell's character freaks out when her fiance (played by Casey Affleck) tells her he killed Mona. As she storms off, saying that now she has to deal with her fiance being a murderer while taking care of wedding plans, he weakly calls after her, "We need milk." Another example: Mona's two sons go to her gravestone and see that the inscription says, "Demoted mother, wife, and dressmaker." One guy looks at the other and says, "I didn't know mom was a dressmaker," and the other says, "Me neither." Although I'm sure I'm killing the humor by trying to relay it without context, comic timing, or nonverbal communication, this is the kind of humor that you'll find in "Drowning Mona." If you're offended by this kind of thing, don't bother. Everyone in the town hated Mona, so a lot of the jokes center on her death. And I've gotta' respond to reviewers who didn't see the point of the Yugos' omnipresence, even though it sort of detracts from the funniness. As a plot device, it's necessary precisely because Yugos were such cheap and unsafe cars that Mona's brakes could possibly have failed due to manufacturer error. If everyone had been driving Porches, there wouldn't have been any mystery at all. Also, you can't help but laugh when every character in the movie jumps in a colorful little bumper car, which sometimes needs a running start, to get around.
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| 6. Halloween 4 - The Return of Michael Myers (Limited Edition) Director: Dwight H. Little | |
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Reviews (219)
Surprisingly, this movie is not altogether that graphic. We rarely get to see the actual coup de grace of each killing (and in a couple of cases we don't even see the actual murder), and even the remains of the slain never exhibit much blood loss. Of course, Michael uses a variety of means (including his bare hands) to murder his victims here. I for one missed the guy's trademark knifings. He does get hold of a knife eventually, but, sadly, he doesn't get much of a chance to use it. As for Michael himself, it is easy to see that the man behind the mask is not the original "shape" Nick Castle. George P. Wilbur has a slightly different build, and he just doesn't have the malevolent presence Castle possessed. He is strong in the category of standing still and watching from the shadows, but he is a little awkward in his movements and often seems to be patterning them on those of King Kong. This movie has some really nice touches to it, several that strongly call to mind pivotal scenes from the original. Another master stroke is the conclusion, which certainly surprised me when I first saw it. Far too often a trite ending can ruin one's impression of an otherwise good horror movie, but Halloween 4 offers evidence of how much a terrific ending can increase one's enjoyment of an already satisfying experience. By inserting a whole new chapter in the Michael Myers saga, Halloween 4 actually injected the series with newfound life (and blood); it certainly excited me as a fan, and that is something that most sequels of sequels simply do not do.
After the horrible Halloween III - Season of the Witch (1983), this series needed a jump-start. This is what it got. Carpenter is gone from the series but Moustapha Akkad (master of the Halloween franchise) manages to put forth a solid film. Picking up ten years after the Haddonfield incident, Halloween 4 follows "the shape", masked-maniacle killer Michael Myers, as he terrorizes his young niece, Jamie Lloyd (Danielle Harris). Jamie is the daugher of the now-deceased Laurie Strode (Jamie Lee Curtis). Also in the movie is Dr. Sam Loomis, again played by the wonderful Donald Pleasance. Pleasance gives his usual top-notch performance as the doctor who forsaw the horror. If you're looking for something good to watch, give Halloween 4: The Revenge of Michael Myers a chance. It is definitely one of the better sequels.
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| 7. Girls in Prison Director: John McNaughton | |
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Description | |
| 8. Mr. Nanny Director: Michael Gottlieb | |
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Description Reviews (10)
What we have here is good material for a spoof. How funny would it be to see an eight-year-old electrocute his bully in a Farrelly Brothers movie? But it's not a spoof. The problem is that in "Mr. Nanny" it is not played as a spoof, but as the real thing. The kid supposedly electrocutes his school bully (for real), and we are supposed to feel happy because he has beaten the bully at his own game. That has to be the most sappy excuse for an emotional rush I've ever heard. I don't feel like celebrating with this kid, but rather arresting Hogan and ordering a restraining order on him. Hulk Hogan plays down-on-his-luck ex-wrestler Sean Armstrong (get it, "Armstrong"?). He has long since exited the ring because of recurring nightmares involving violence in the ring. To give Sean something to do, his best buddy and manager, Barney (Sherman Hemsley), gets him a job as a bodyguard for computer genius Alex Mason (Austin Pendleton). Mason has invented a new super chip and a psycho is out to get it, so the engineer needs someone to look after his two motherless children (played by Raymond O'Connor and Madeline Zima). Reluctantly, Sean agrees, but only because they already have a nanny and his job will be strictly protection. No sooner has he arrived, however, than the nanny quits and Armstrong finds himself babysitting two demons. A film like "Mr. Nanny" is intellectually insulting on all levels. You have to wonder what the producers and filmmakers were thinking when they gave the "OK" to this film. It doesn't have a plot. It doesn't have good acting. It doesn't even have a half-decent script. The only reason for this film, apparently, is so that Hulk Hogan could be shown in a ballet tutu. Hulk Hogan can't act. His best performance was his three-liner in "Gremlins 2: The New Batch." So you can imagine how awful it is when the testosterone-junkie with the deep voice fills up the majority of screen-time in the film, and tries to teach a father the values of family interaction and why it's good to tell your kids you love them. Perhaps this would be good material for, say, a muscle-man that can act, like Arnold Schwarzenegger, but "the Hulk" can't act half as good as Mr. Schwarzenegger, and most likely never will be able to. Most of the apparent laughs in this film come at the expense of Hogan, and at the expense of every film it has borrowed from. It's a bunch of recycled gags posing as new ones. But it might as well be said that I expected it. To name some of the recycled gags, here they are: He's hit on the head with bowling balls (see "Uncle Buck"), drenched with water (see "Dennis the Menace"), covered in flour (see "Dennis the Menace" a second time), and electrocuted (see "Home Alone 2: Lost in New York"). Not one of these instances is funny, and it isn't because we've seen it so many times before. And another thing that doesn't help this film at all is the inept direction of Michael Gottlieb. Such comedy, while once amusing in Home Alone, has long since worn out its welcome. Here, it's handled in such a pedestrian manner that it comes across with the audible clunk of a standup comic's joke falling flat. Don't see this movie, whatever you do. If you see it glaring at you in the video store with Hulk Hogan's god-awful smirk on his face, pass it up. Even if it looks like clean family entertainment. It is far from it. It is PG-13 material packaged in a sweet little box. It's not a film. It's merchandising, plain and simple. There used to be a time when wrestling and Hulk Hogan where what Tony Hawk and skateboarding are today to children. Anything with Hawk sells and, at one time, anything with Hogan sold. Film execs knew this, and played to it. And that's all "Mr. Nanny" is: Marketing, plain and simple. Don't give any more money to these selfish corporations. They can live with what they did. "Mr. Nanny" was a spur-of-the-moment film made for cash-purposes. I'm surprised that all copies weren't burned after Hogan withered away into the recesses of "has-been," because this film stands out as a single merchandising attempt, and its time has long since passed.
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| 9. Serial Killing 101 Director: Trace Slobotkin | |
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| 10. My Giant Director: Michael Lehmann | |
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| 11. Dr. Alien Director: David DeCoteau | |
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Reviews (5)
I am particularly fond of the scenes in the bar, both for the rankness of the music and later the Hobgoblins-esque (though with better special effects) brawl. Three stars, it definitely has mid 1980s camp value, which will make you laugh if you are so inclined, but it isn't outrageous enough to watch repeatedly.
So can our geek ever get the one girl he wants, instead of the hundreds he doesn't? Get the show and find out.
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| 12. Halloween 4: The Return of Michael Myers Director: Dwight H. Little | |
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Reviews (219)
Surprisingly, this movie is not altogether that graphic. We rarely get to see the actual coup de grace of each killing (and in a couple of cases we don't even see the actual murder), and even the remains of the slain never exhibit much blood loss. Of course, Michael uses a variety of means (including his bare hands) to murder his victims here. I for one missed the guy's trademark knifings. He does get hold of a knife eventually, but, sadly, he doesn't get much of a chance to use it. As for Michael himself, it is easy to see that the man behind the mask is not the original "shape" Nick Castle. George P. Wilbur has a slightly different build, and he just doesn't have the malevolent presence Castle possessed. He is strong in the category of standing still and watching from the shadows, but he is a little awkward in his movements and often seems to be patterning them on those of King Kong. This movie has some really nice touches to it, several that strongly call to mind pivotal scenes from the original. Another master stroke is the conclusion, which certainly surprised me when I first saw it. Far too often a trite ending can ruin one's impression of an otherwise good horror movie, but Halloween 4 offers evidence of how much a terrific ending can increase one's enjoyment of an already satisfying experience. By inserting a whole new chapter in the Michael Myers saga, Halloween 4 actually injected the series with newfound life (and blood); it certainly excited me as a fan, and that is something that most sequels of sequels simply do not do.
After the horrible Halloween III - Season of the Witch (1983), this series needed a jump-start. This is what it got. Carpenter is gone from the series but Moustapha Akkad (master of the Halloween franchise) manages to put forth a solid film. Picking up ten years after the Haddonfield incident, Halloween 4 follows "the shape", masked-maniacle killer Michael Myers, as he terrorizes his young niece, Jamie Lloyd (Danielle Harris). Jamie is the daugher of the now-deceased Laurie Strode (Jamie Lee Curtis). Also in the movie is Dr. Sam Loomis, again played by the wonderful Donald Pleasance. Pleasance gives his usual top-notch performance as the doctor who forsaw the horror. If you're looking for something good to watch, give Halloween 4: The Revenge of Michael Myers a chance. It is definitely one of the better sequels.
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| 13. Audrey's Rain Director: Sam Pillsbury | |
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Reviews (1)
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