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The first two episodes of this BBC miniseries only hint at the delightsto come. A lawsuit aimed at church reform in the town of Barchester forcesa decent middle-aged clergyman (the august Donald Pleasence, best known inthe U.S. for the Halloween movies) into a moral crisis and aconflict with his son-in-law, a pompous archdeacon (Nigel Hawthorne,The Madness of King George). The gracefully written and actednarrative shows glimpses of dry wit--but in episode 3, the arrival ofa new bishop (Clive Swift, Keeping Up Appearances), his imperiouswife (Geraldine McEwan, The Magdalene Sisters), and his deviouschaplain (Alan Rickman, Truly Madly Deeply, the Harry Pottermovies) launches The Barchester Chronicles into a satirical powerstruggle all the more mesmerizing because of the smallness of theterritory. The scheming of the citizens and clergy of this British town isboth Byzantine and wonderfully comic as the tempestuous personalities clawand dig at each other.

Rickman, in one of his first film or television roles, turns in a tour deforce of oily ambition. McEwan's ferocious machinations are downrightterrifying, while the sputtering Hawthorne (The Madness of KingGeorge) seems constantly in danger of bursting a vein. At the centerof it all is Pleasence. Making goodness compelling has always beendifficult, since wickedness is always more dramatic; but Pleasence bringsa deep and stirring passion to his role that proves as engaging as all theback-biting that surrounds him. And these are just the more familiarfaces; a host of lesser-known actors give equally superb performances. Thefinal episode (of seven) will have you on pins and needles. TheBarchester Chronicles, adapted from two novels by Anthony Trollope, isone of those marvels of British television, a skillful production thatproves intelligent fare can be hugely entertaining. --Bret Fetzer ... Read more

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Film buffs and critics can argue until their faces turn blue about whether this lavish Dickensian musical deserved the Academy Award for Best Picture of 1968, but the movie speaks for itself on grandly entertaining terms. Adapted from Dickens's classic novel, it's one of the most dramatically involving and artistically impressive musicals of the 1960s, directed by Carol Reed with a delightful enthusiasm that would surely have impressed Dickens himself. Mark Lester plays the waifish orphan Oliver Twist, who is befriended by the pickpocketing Artful Dodger (Jack Wild) and recruited into the gang of boy thieves led by Fagin (played to perfection by Ron Moody). The villainous Bill Sikes (Oliver Reed) casts his long shadow over Oliver and his friends, but the young orphan is still able to find loving care in the most desperate of circumstances. Full of memorable melodies and splendid lyrics, Oliver! is a timeless film, prompting even hard-to-please critic Pauline Kael to call it "a superb demonstration of intelligent craftsmanship," and to further observe that "it's as if the movie set out to be a tribute to Dickens and his melodramatic art as well as to tell the story of Oliver Twist." --Jeff Shannon ... Read more

Reviews (84)

Consider it a wonderful experience
The movie musical was on its way out by the time 'Oliver!' hit theaters in 1968. Happily, this marvelously fun and entertaining film swept the Oscars and earns my vote for the best musical of the 60s (although 'The Music Man' ranks a close second). Mark Lester is adorable in the title role and Jack Wild is a kick as the mischievious Artful Dodger. Then there's Ron Moody recreating his stage role as the villainous (but still likable) Fagin. He's not exactly the same character created by Charles Dickens but he's memorable just the same. And Shani Wallis' Nancy along with Oliver Reed's Bill Sikes give the film some real dramatic punch. The production design strikingly recreates the feel and flavor of mid-19th century London. And the songs which include 'Consider Yourself' and 'Oom Pah Pah' are the icing on the cake. Do your family a great favor and add this timeless treat to your DVD collection.

I'm reviewing. . . .the situation.
I bought this movie because I had some vague, but pleasant memories of it from my childhood. I must say that the movie did not disappoint. It is a well-crafted musical with vivid characters. While they're not exactly analogous to their Dickensian counterparts, who portray a much darker, seamier side of London's underworld, the characters sparkle. Ron Moody as Fagin is unforgettable, and Wild as the Dodger was a perfect casting job. The musical numbers are memorable, hum-inducing performances, such as "Consider Yourself" "Oom Pa Pa" "You got to Pick a Pocket or Two" and "Who Will Buy". My personal favorite is "Reviewing the Situation" because I feel the lyrics to that song are so well done and so well executed by Moody. The adorable Mark Lester is the weak link in an otherwise strong chain. He plays a passable Oliver, but lacks the oomph that the others bring to their roles, and his voice is somewhat airy but sweet (according to other reviewers, too sweet). Nevertheless, he fulfills his end of the bargin, portraying a rosy cheeked cherub in the presence of villains. Oliver Reed plays Sykes to perfection, exuding such dark evil that his sinister shadow precedes him onto the screen. I handled his killing of Nancy better as a grown-up; however, young children may find that scene as distrubing as I did twenty years ago. Overall, this is a finely done musical, and for me, was time well spent.

I think I'd better think it out again.

CONSIDER THIS ONE A WINNER - OSCAR WINNER, THAT IS!
Carol Reed's "Oliver!" is the musical version of Dicken's Oliver Twist. It stars Mark Lester as the irrepressible street urchin, suckered into the lair of a vagabond by The Artful Dodger (Jack Wild) and forced into a life of crime by Fagin (Ron Moody). But when Oliver is salvaged from the slums by a benevolent philanthropist, Bill Sikes (Oliver Reed) decides to make a quick buck off of the trade. Shani Willis costars as Sikes' girlfriend, Nancy, who thwarts the kidnapping plot and pays for her betrayal with her life. This is a very stoic, stagy and rather dry musical that may capture the essence of Dickens in its settings characters and plot but seems totally out of touch with the effervescence of the traditional Hollywood musical. Even with such main staple songs as "Consider Yourself", "Boy For Sale" and "Food, Glorious Food", truly, the spoon full of sugar remains a bitter pill to swallow on this occasion.

Columbia Tri-Star has made "Oliver" available in a startlingly good looking transfer. Colors are solid, rich, vibrant and bold. Contrast levels are exactly where they should be. Blacks are incredibly deep. Fine detail is fully realized. Only occasionally do age related artifacts betray the vintage of the film. The audio is 5.1 and wonderfully spread across all five channels of the sound field. There are no extras. This film is spread across two sides of a single disc. The break comes at the point of intermission.

Moody's Fagin steals classic OLIVER!
Until CHICAGO reenergized the movie musical genre, this musical version of Charles Dickens' immortal "Oliver Twist" was widely regarded as one of the last of the great movie musicals. Indeed, with its high-energy performances, infectious music, steady direction by Sir Carol Reed and glorious sets, this movie won the 1968 Best Picture Oscar over such formidable competition as THE LION IN WINTER, CHARLEY, and FUNNY GIRL.

Of course, most people are familiar with the classic story of young Oliver Twist, whose mother dies giving him birth and is forced to be raised under the cruel supervision of the English workhouse officials. When he dares beg for more than his meager ration of gruel, the youngster is apprenticed to an undertaker and his extremely nasty family. After escaping this hostile environment, he finds himself taken in by the roguish Fagin, the Artful Dodger(Fagin's best pupil), and the rest of his band of young pickpockets. In time, however, Oliver will find his home, but not before dealing with the likes of the brutal Bill Sikes with the help of Sike's sympathetic lover, Nancy, and the kindly Mr. Brownlow.

As musical films go, it is hard to fault the wonderful casting in this film. Mark Lester makes a perfectly, if maybe overly, innocent Oliver, while Jack Wild is a delight as the rascally Artful Dodger. Shanie Wallis is heart-rending as the tragic Nancy. Oliver Reed (Sir Carol's nephew) is truly scary as the menacing Bill Sikes. Harry Secombe displays a glorious tenor in the comic role of Mr. Bumble, the beadle of the workhouse. However, it is Ron Moody's fantastic performance of the rascally Fagin that steals this movie. It is not surprising, when you consider that he created the role when the musical was first produced in London. Of course, the character itself has gone quite a change from Dickens' original, going from the debatably nasty anti-Semitic portrait of the novel to that of a lovable, if sneaky, eccentric. Indeed, Moody's excellent portrayal would set the tone for almost all future performances of the role to date, including those of such actors as George C. Scott and Richard Dreyfus, among others.

Some Dickens fans may quibble about the liberties taken with the book, from the softening of Fagin to the elimination of Oliver's evil step-brother Monks from the storyline. And it isn't a perfect film by any means. (The child singer who dubbed Mark Lester's songs sounds like she's in an echo chamber of some sort, which makes Oliver's singing a jarring contrast to the rest of the cast.) But, as a musical film, it is a wonderful entertainment and superb introduction to the classic story. As a result, this is one musical that I would DEFINITELY recommend.

Excellent
If only movies were made like this today. This film is filled with witty comedy, wonderful music, and great acting. One of the best musicals out there!! This film displays a boy's life going from the lowest of low (an orphanage) and slowely rising to a better life. The only thing is, it makes stealing look a little. .. well . . fun! But i'm sure we can all live with that right? ... Read more

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Jude Law makes the term emotional vampire literal in this somber, restrained tale of a modern-day bloodsucker in London. As the improbably named medical researcher Steven Grlscz (pronounced "grilsh"), he's a cool charmer who woos lonely women and feeds off them at the height of their emotional intensity. He begins his seduction of Elina Löwensohn (who played a vampire herself in Nadja) just as relentless police detective Timothy Spall starts an investigation of him for the murder of his former lover Kerry Fox. It's the start of an unusual battle of wits.

Equal parts AIDS metaphor, ancient myth with a modern twist, and shrewd mind game, Immortality (originally released as The Wisdom of Crocodiles) is an art-movie interpretation of the vampire myth, too chic and bloodless to be compelling but curiously fascinating in its way. Leong Po-chih directs with clockwork precision and emotional restraint, elegantly creating a handsome but impersonal world where Grlscz's painful need for love is an extreme symptom of modern life. Law plays his part as a fascinating paradox, hiding his feelings and schemes behind a mask of impenetrable ennui that periodically bursts in a gush of sorrow and disappears just as fast, while Löwensohn is almost as hard to read with her angular face and unusual accent. The meticulous detail and cool images make this more a dispassionate mind game than a horror movie, where the ideas never quite come to life but become a curious enigma. --Sean Axmaker ... Read more

Reviews (18)

Strange but engaging
I got this movie by mistake but wasn't disappointed. It is defitely not 'vampire' movie but rather an attempt to some phylosophical sharade about love and life (at least, that's how I understood it). Jude Law is as usual very good but the same cannot be said about main female actress. It is slow sometimes but this comes with the style of this movie

A Dark Look Into Human Nature
When I first started to watch the movie I was a little confused about some of the things Steven (Jude Law) would do, but it all became clear as the movie progressed.You will really need to watch all the little things he does and read the things he writes (even if you have to pause the movie) to get the most out of this character and the movie. What I really enjoyed about this movie was the look into human nature. What makes a person good or evil and what makes us do the things we do? I really liked all the little excentricities that everyone had. We all do some strange things, especialy in private. Watch for the scenes with Steven and the police inspector the dialog is some of the best and the relationship that develops between them is the best thing about the movie. This policeman becomes almost like a father figure and Steven increasingly finds himself revealing personal things to this man. I began to enjoy the characters so much that I almost forgot that this was a vampire movie and not a doomed love story. This is a dark movie about a tortured soul so be prepared for that. If your a Law fan you will not be disappointed. I really enjoyed this movie and the cast is excellent. This movie does contain violence, language and brief nudity.

HANDSOME PSYCHOTHRILLER HIDES OVERDRAWN HOKUM
I saw this film under the international title of "The Wisdom of Crocodiles", which is a much more apt descriptor for this visually suave, emotionally semi-philosophical dive into vampire (or was it?) land.

A brave film if nothing else. The narrative is effortlessly constructed to intrigue, with some very decent writing. Especially in a scene with an innocuous looking Jude Law walking with a police constable, tossing around semi-baked ideas of the blurry lines that divides Good vs. Evil in the hearts of men. The soundtrack supports the superb screenplay immaculately.

Problem is, apart from dragging for the last half an hour, the movie ultimately leaves a taste of pointlessness. The entire narrative hinges on whether or not Law is a vampire, simply because we need to know why he acts the way he does. In the absence of that, it is merely a slow-paced tale of poof. Some dialogue about love and life is pretty competent, but the ending comes and goes without any sort of a clue as to what we've been watching.

Great actors and splendid camerawork squandered on something someone obviously thought was very clever and subtle. It is not.

Quite disturbing
An original view of vampires. I liked the fact that it was about the psychological profile of the vampire and not one of those movies where everybody dies and blood splashes everywhere.
I didn't find the love-story part of this movie convincing but all the rest was OK. The Grlscz character is deeply interesting, behaving strangely, filled with inner conflicts and drawn to troubled women. I really felt sorry for him at one point (when he was sick). I appreciated the fact that he didn't enjoy drinking blood, it seemed quite painful in fact and the idea of him watching everything that everybody did and forgetting to breathe (even though I didn't understand why)was really interesting. I found the end very disappointing, all the scene on the roof being quite pointless.
I loved Jude Law's performance, he genuinly was disturbing, as he was ment to be and he really made a big impression on me. It's quite impressive how he fills the silence without saying a word. You feel a sort of attraction to him, and he acts very subtily, with very few facial expressions and a creepy smile.

Interesting movie
I have never seen a movie w/ a supernatural being like this. Kerry Fox also plays in this (Shallow Grave--Ewan McGregor's Breakthrough role). He is gorgeous in this movie and I felt sorry for how he lived. I don't remember how he became like he did though or was it explained but the rest was nice esp. his friendship w/ the police/father figure ... Read more

Description

The mysterious island village of Balfe is experiencing unexplainable phenomenon--from grossly oversized sea-life to half-buried bodies in the dark woods. Is the town water being contaminated by radioactive waste? Is there a vengeful mutant monster lurking in the woods? Or worse, are the townsfolk being punished for their past sins? It is up to Dr. Del Shaw and the dedicated scientists at Doomwatch headquarters to discover the cause of these horrific mutations. Based on the British television series of the same name, "Doomwatch" is a haunting telltale film that just might be hazardous to your health! ... Read more