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| 1. Tarzan Director: Kevin Lima, Chris Buck (II) | |
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Amazon.com Reviews (300)
The story follows the traditional Disney story line, but places a greater focus on positive messages(family, loyalty, respect and acceptance). As a result, this sets Tarzan a part from the standard Disney story line(exception Mulan). With the exception of Jane, Disney did a good job in matching actors to the characters. Unfortunately, Mimie Driver's voice and lines seemed to be out of place with her Jane Porter character. Maybe its all those Johnny Weismuller Tarzan movies I watched as kid. As with all Disney animation, music plays a major role. The scores written and sung by Phil Collins are excellent! However, there is one musical score(Trashin the Camp) which seems to be out of place in both the story line and music. Overall, this is a better than average Disney feature that hopefully is an indication of things to come for future Disney animation features.
Tarzan is definitely one of the most "live-like" animation characters in history. The story is rushed at times, and the comic side-kicks can be distracting, and even annoying. But overall it is a powerful story, with powerful emotions and conflicts, great action, and very very touching. The scene with Tarzan and his ape mother brought me to tears, and I am a 30-something guy. The relationship between Tarzan and Jane is sexy and yet innocent, romantic and yet realistic. As for the violence... Oh come on! I think Disney did a great job portraying violence in real life (but not excessive) without being encouraging or offensive. Death? Disney animation has always dealt with death and violence, starting from Snow White -- remember the Queen and her immenent death? How about Bambi's mother? How about the hundreds of Huns and Chinese soldiers who died in Mulan? Oh, at the end, Tarzan did not throw Clayton off a tall tree... watch carefully. Clayton was trying to get to Tarzan but Tarzan noticed the danger, and he was actually trying to save Clayton! Clayton did himself in because he was too obsessed. There's a lesson to be learn here. So I think the violence in Tarzan is very well done and serves as education... it is not at all gratuitous. I suggest parents discuss it with their young children. One gripe about the DVD though. I totally agree with other reviewers about the annoying previews and ads. It's a totally unnecessary marketing ploy and will only alienate their customers.
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| 2. Sleepless in Seattle (10th Anniversary Edition) Director: Nora Ephron | |
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Reviews (117)
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| 3. Now and Then Director: Lesli Linka Glatter | |
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Reviews (110)
NOW AND THEN stars Rosie O'Donnell and Christina Ricci as Roberta, Demi Moore and Gaby Hoffmann as Samantha, Thora Birch and Melanie Griffith as Teeny, and Rita Wilson and Ashleigh Aston Moore as Chrissy. Devon Sawa, Bonnie Hunt, and Brendan Fraser also star in this delightful comedy classic. If you love coming of age films, then I definitely suggest this to your collection. NOW AND THEN is a wonderful film with excellent acting and a terrific screenplay. Go and buy it!
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| 4. A League of Their Own Director: Penny Marshall | |
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Amazon.com Reviews (114)
Geena Davis stars as Dottie Hinson and Lori Petty stars as Kit Keller, two adult sisters who play baseball on a minor team in Oregon of 1943. Dottie is a married woman, whose husband, Bob Hinson (played by Bill Pullman) is overseas fighting in the war that was going on at the time. Dottie is an excellent ball player. Kit is a bitter person who is always being treated like crap. After a game, the two are in their barn milking cows, where a scout by the name of Ernie Capadino (played by Jon Lovitz) walks in and offers them a to try out for the All American Girls Professional Baseball League (A.A.G.P.B.L.). Dottie wants nothing to do with it, but Kit knows that this could be big chance for the both of them, so Kit talks Dottie into going. While on the way to Chicago for the try outs, they pick up Marla Hooch, who is an excellent batter. The three finally make it to Chicago. While getting ready to try out, they meet gal pals Doris Murphy (played by Rosie O'Donnell) and Mae Mordabito (played by Madonna). They all are chose to a team: The Rockford Peaches. Tom Hanks is in the role of Jimmy Dugan, who is a washed up ball player, who is called by Walter Harvey (played by Garry Marshall) to coach the Rockford Peaches. The Peaches become a smash, winning every game there ever is, all because of their most popular play, Dottie. Kit is angered at this and is traded to another team: The Racine Belles. The Peaches finally make to the last game of the season. Their opponents: The Racine Belles. Dottie and Kit are up against each other for one final time. Who will win the championship? The Peaches? Or The Belles? Watch this amazing movie, based on the actual events of the A.A.G.P.B.L. This is a movie that is guaranteed to make you watch it over and over again.
I can go on and on about this film, and the problem is, I can't quite articulate how much I love this film, and why I love it so much. I've cried many times, especially the scene with Betty "Spighetti" and at the end of the World Series. I love this film, Penny Marshall is a Goddess. She chose the perfect actors, and the perfect score, especially Madonna's "Playground" which still makes me cry at the ending sequences. This movie observes a part of history that is ignored. Many to this day, have no idea about the professional baseball league, grant it, this movie "idealized" what really happened, but it made you proud. I think this is still a must-see of a movie, it is still my all-time favorite movie, and it has been for 11 years.
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| 5. Beautiful Girls Director: Ted Demme | |
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Amazon.com The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters asthe local barkeep's (Pruitt Taylor Vince) radiant cousin. From the bigcity, she can flirt with the awestruck guys and still keep her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor.If you didn't see Natalie Portman's sophisticated work in the The Professional, her performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite theirage difference. Their courtship will never come to be, but the way the twotalk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her rolesthat you may truly feel sad when the film ends. --Doug Thomas Reviews (103)
Timothy Hutton is in great understated form as Willie, a struggling musician returning to his hometown for a highschool reunion. Willie is wary of committing to his long-term girlfriend, fearing if he does, he'll miss out on something better. He has this so set in his mind that he even begins to see possible alternative love in a local thirteen year-old girl (Portman) much to the derision of his buddies. Said buddies are having similar troubles with there own relationships. Tommy (Matt Dillon) is cheating on his faithful girlfriend Sharon (Mira Sorvino) with local harlet Dariam (Lauren Holly). Goofball Paul (Michael Rapaport), is struggling to keep his girlfriend Jan (Martha Plimpton) from leaving him. Of course, before the movie is over the guy's, after a series of humourous and moving encounters, and aided by a fleeting visit by an almost ethereal Andera (Uma Thurman), realise how special the women in their lives are after all. Even if the movie is biased in favor of a male viewpoint, it's a timely reminder for guys out there to stop waiting for that dream girl, she doesn't exist (and you won't get her anyway). Learn to appreciate the real women in your life who will love you back. Beautiful Girls has capable acting from a strong ensemble but with no particular standouts. The script is what makes the film standout. Well done Scott Rosenberg, it's a pity you had to go and do Con Air after this, but I guess we've all got to eat. Btw. In response to all the other posts, Natalie Portman really isn't all that great in Beautiful Girls, it's a pretty straight-forward role. Check out Leon to see a much better showcase of her particular talents. To be fair I should now point out the best roles of everyone else in the cast, but since their BG performances haven't consistently been getting overrated on this message board, I won't.
We all know people (friends) like these characters. They ring true to our life experience. I think all guys struggle with the issues these guys are struggling with. (Maybe its true for women and the female characters as well?) Do you look back to your past with longing for what could have been, or forge ahead into the future with whatever it brings? Throw in a bar fight, some car crashes (all excused as raging male hormones), and you have a mix that could result in disaster (movie-wise), but director Ted Demme keeps it all together, and with just the right level of finese, comes up with a film that works, and works well!
The principle men with that "beautiful girls" hang-up are Willie (Hutton), Birdy (Dillon) and Paul (Rappaport). They hold on to that dream of a better life with a better woman and thus sabotage (consciously or not) all their relationships. Birdy clings to the memories of his high school flame, Paul papers his walls with supermodels and names his dog Elle McPherson, and Willie just wants something beautiful in his life. Although in a relationship with a nice-looking attorney, Willie grudgingly acknowledges she would only score a 7.5 on a 1-10 scale. While not actively looking to replace his "above-average-but-not-great" girlfriend, Willie stumbles into the most charming and memorable sub-plot of the film: his relationship with his thirteen year old neighbor Marty (a totally engaging Natalie Portman). Willie sees in her all the possibilities he dreams about: she is kind, sensitive and dazzles him with her knowledge of psychology and Shakespeare. When she develops a teenage crush on him, Willie must consider the possibility of waiting for this great girl to become an even greater woman. Even though parallels are drawn to the pedophilic exploits of Roman Rolanski and Jerry Lee Lewis, there is nothing creepy or sexual about Willie's feelings for the young girl. The stories play out in a picturesque New England town, deep into a frozen winter. All the guys are re-uniting for their ten-year high school reunion and are forced to deal with the personal revelations accompanying that important moment. Presented with a karaoke bar's dream soundtrack and told with a thoughtful narrative that is poignant and touching without being sappy and sentimental, Beautiful Girls is a wonderful exploration into the love lives of 20-something males. ... Read more | |
| 6. Exit to Eden Director: Garry Marshall | |
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Description Reviews (40)
Meanwhile, Detectives Sheila Kingston (Rosie O'Donnell) and Fred Lavery (Dan Aykroyd) are trying to nab a couple of South American diamond smugglers: Nina (Iman) and Omar (Stuart Wilson). When the latter two head for Eden in order to steal the pictures Elliot took of them at the airport, Sheila and Fred follow in pursuit, but undercover: she as a guest, and he as the maintenance man. It's a wild goose chase after that, with Elliot chasing Lisa, the cops chasing the crooks and Elliot, and the crooks chasing Elliot--everybody basically in their undies all the while. "Exit to Eden" is a mishmash of genres--involving detective work, romance, and erotica--but mostly it's a comedy, which lightens the load on a dark topic such as BDSM. Sheila is the main comedic relief, as well as the narrator, but I felt the movie was more about the relationship between Elliot and Lisa, a pairing I thought was believable and enjoyable--one most viewers will be cheering for from the beginning. I was also pleased that Sheila got her own chance at romance with her private citizen, Tommy (Sean O'Bryan), since she was, at times, reduced to just being the chubby jokester. Even so, her one-liners are part of what made this movie memorable for me, e.g. "We're the only two people on this island without handcuffs," as well as in the same scene where she's making fun of Nina's accent. "Exit to Eden" is yet another favorite guilty pleasure of mine. If you like sex comedies, then you'll probably enjoy this movie. It's all in good fun. Good soundtrack, too. Rated R for--well, I'm sure you can guess.
Exit to Eden is a wonderful, lighthearted introduction to the world of BDSM. Unlike Rice's novel, the BDSM in the film is realistic, and the viewer is introduced to elements of real-life BDSM like safewords, mutual consent, and commitment to safety, that most BDSM fiction sorely lacks. The casting was inspired, particularly of Dana Delany, Rosie O'Donnell, and Paul Mercurio, who like the people i play with are real people behind the leather facade. Those who are seriously into the scene might find this movie a little tame, with only a couple of real scenes and "bondage" that can easily be escaped from. But the curious will find it a safe and unthreatening introduction to a very real and viable lifestyle. The scene with Lisa, Elliot, and the hairbrush rang very true on an emotional level--and i don't care what anyone says, the scene with Elliot in Mistress Lisa's bath was HOT. There are only a few complaints i would make. Unlike the real BDSM community (or the novel), there's no hint of homoeroticism in the film. The real-life scene is very pansexual, with people of all orientations sharing space. And the casting of Richard was terrible. Most of all, i wish a lot more screen time had been devoted to Lisa's relationship with Diana, whose heady mix of intimacy and formal role has been an inspiration for my own relationship. But those are very minor complaints. Overall it's a delightful film, one i've watched again and again over the years. If i were ever to come out to my family about being into BDSM, i would start with having them watch this movie.
However, it's worth watching--though I roll my eyes through a lot of it thanks to the comedic parts. The book was not written as a comedy, and it shows in this film. A pity the director didn't have the guts to do this film the way the book was written. I strongly suggest to those who enjoy the theme of this movie to go buy the book. Anne Rice's Sleeping Beauty series (written as A. N. Roquelaure) is an incredible read--better then Exit to Eden.
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| 7. Elmopalooza! | |
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Amazon.com Reviews (66)
(For those of you who are hung up on Elmo, check out Elmo in Grouchland!) Rosie, Shawn and all of the stars are gregarious and wonderful for children to watch. In fact, it is a video that I enjiy watching with or without my children!!! 5 stars!
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| 8. A League of Their Own (Special Edition) Director: Penny Marshall | |
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Reviews (114)
Geena Davis stars as Dottie Hinson and Lori Petty stars as Kit Keller, two adult sisters who play baseball on a minor team in Oregon of 1943. Dottie is a married woman, whose husband, Bob Hinson (played by Bill Pullman) is overseas fighting in the war that was going on at the time. Dottie is an excellent ball player. Kit is a bitter person who is always being treated like crap. After a game, the two are in their barn milking cows, where a scout by the name of Ernie Capadino (played by Jon Lovitz) walks in and offers them a to try out for the All American Girls Professional Baseball League (A.A.G.P.B.L.). Dottie wants nothing to do with it, but Kit knows that this could be big chance for the both of them, so Kit talks Dottie into going. While on the way to Chicago for the try outs, they pick up Marla Hooch, who is an excellent batter. The three finally make it to Chicago. While getting ready to try out, they meet gal pals Doris Murphy (played by Rosie O'Donnell) and Mae Mordabito (played by Madonna). They all are chose to a team: The Rockford Peaches. Tom Hanks is in the role of Jimmy Dugan, who is a washed up ball player, who is called by Walter Harvey (played by Garry Marshall) to coach the Rockford Peaches. The Peaches become a smash, winning every game there ever is, all because of their most popular play, Dottie. Kit is angered at this and is traded to another team: The Racine Belles. The Peaches finally make to the last game of the season. Their opponents: The Racine Belles. Dottie and Kit are up against each other for one final time. Who will win the championship? The Peaches? Or The Belles? Watch this amazing movie, based on the actual events of the A.A.G.P.B.L. This is a movie that is guaranteed to make you watch it over and over again.
I can go on and on about this film, and the problem is, I can't quite articulate how much I love this film, and why I love it so much. I've cried many times, especially the scene with Betty "Spighetti" and at the end of the World Series. I love this film, Penny Marshall is a Goddess. She chose the perfect actors, and the perfect score, especially Madonna's "Playground" which still makes me cry at the ending sequences. This movie observes a part of history that is ignored. Many to this day, have no idea about the professional baseball league, grant it, this movie "idealized" what really happened, but it made you proud. I think this is still a must-see of a movie, it is still my all-time favorite movie, and it has been for 11 years.
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| 9. The Twilight of the Golds Director: Ross Kagan Marks | |
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| 10. Harriet the Spy (Widescreen Collection) Director: Bronwen Hughes | |
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Reviews (36)
In the title role of Harriet, Michelle Trachtenberg is a delight. She infuses the role with a wide and impressive range of emotion and displays remarkable talent for her age. The character of Harriet is realistically and refreshingly portrayed - like any 11 year-old she has a wealth of charms as well as her share of foibles. Somewhat of an outsider, Harriet turns inward when trouble ensues - due to her self-imposed isolationism, Harriet has a hard time when she falls out of favor with her friends. She makes mistakes along the way - but ultimately, she overcomes her flaws, reaches out to her friends, and takes a more active role in the world. Seeing this honest portrayal of an 11 year-old makes for a rather satisfying journey. Young Michelle Trachtenberg deftly captures a sense of innocence, curiosity, and angst. Her performance often tugs at the heartstrings due to its subtle delivery. She very much captures a sense of wide-eyed adorability - yet she's often quite haunting when serving as the film's narrator. In the role of Ole Golly, Rosie O'Donnell puts in a decent, if understated performance. And the actors playing Harriet's friends do a nice job of portraying the camaraderie between the three. Visually, the film is shot in bright colors and an eclectic style. Yet for all the cheery stylistic content, the film touches on some fairly serious emotional territory. True to real life, when the children turn on Harriet they become quite cruel and antagonistic. Through Harriet's alienation, the mood is quite morose and affecting - once again, Trachtenberg shines in her portrayal of a hurt, confused, and isolated young girl. The director nicely contrasts innocent childlike elements with a darker undercurrent... like a scene of a child's flipbook that spells out the words 'Everybody hates me'. Or a shot of lonely friendless Harriet washing up in the bathroom, while a sing-song chant of friendship ironically echoes in the background. There's a nice juxtaposition between the dearly childish and the darkly mature. Yet the darkness serves a purpose - for when the positive themes arise, they shine all the more authentically. After all, the value of friendship seems much more potent after viewing the angst and pain of Harriet's friendless life. Ultimately, the movie ends on a rather charming and positive note - Harriet learns, and grows, and finds her happiness. Ultimately, Harriet the Spy is a worthwhile little movie. The performances are solid, and there's a strong emotional core. Unlike other children's movies, Harriet the Spy doesn't beat you over the head with its messages. Instead, it subtly touches upon the importance of tolerance, friendship, honesty, and balance. It's a thoughtful and charming look into the world of a child.
Apparently, someone at Nickelodeon decieded it was time to make a feature film. What a better way to start out than with a sure fire classic like "harriet the spy" I remember the hype when this movie came out. I remember the numerous advertisements for it. But mostly, I remember going to see it and feeling like an idiot. What a great way to kick off your feature film market than to make a movie that completly sucked. Luckily, people knew a bad movie when they saw one, and this thing was forgotten almost instantly. (...)
The only reason I give this movie 4 and not 5 stars is because the DVD version the Paramount has put together offers a FALSE widescreen representation of the movie. If you compare to the earlier VHS edition, you'll notice that they actually CROPPED this movie for DVD to give it the APPEARANCE of widescreen, rather, you're actually seeing LESS of the picture which was originally cropped on the VHS version for full-screen adaptation to begin with! That and NO bonus features to speak for whatsoever (is it so hard to add at least the original TRAILER?) I found that rather disappointing. ... Read more | |
| 11. Another Stakeout Director: John Badham | |
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Description Reviews (6)
- Emilio Estevez saying the funniest line from a rather dry sequel "Another Stakeout" was six years in the waiting. After the first film, "Stakeout," made a huge splash at the box office in 1987 (the same year another cop-buddy film came out--can you guess which one?), everyone anticipated an unnecessary--but perhaps funny--sequel that would inevitably result after box office earnings were tallied up by film executives in an office somewhere. Alas, the six years passed, and we got...this mess? Richard Dreyfuss and Emilio Estevez reprise their roles as stakeout cops who get paired with a new partner in this watered-down sequel. The new partner is played by Rosie O'Donnell, who is so startlingly unfunny in this it almost makes you involuntarily switch off the television as soon as you see her chubby face smiling at you. The story starts with a bang--literally--as a trial witness being protected by the CIA is unsuccessfully assassinated--and by that I mean: They die, she lives. What a surprise. (This is the type of scene where the villain is able to blow up a house but the witness just happens to be taking a stroll outside as it happens--or something like that--preventing her from dying along with the other agents who were previously protecting her. This type of thing was spoofed greatly in the truly underrated "Last Action Hero." It's not a joke in "Another Stakeout.") She eventually does, of course, but first we get some painfully unfunny buddy-buddy moments between Dreyfuss and Estevez and O'Donnell. She brings a bunch of clothing and a dog with her. They don't like it. Har-har. This was used a bit better in "Spaceballs," in which Princess Vespa brought along that entire luggage through the desert (remember?). This is just a copy of that scene, minus the punch line. Estevez also shaves his mustache, which is supposed to be a type of sacred moment and is referenced at least ten times throughout the film (he goes to stroke his mustache, he complains about chopping it off, Dreyfuss complains about it, etc.). But for heaven's sake, he's only been in one film so far--we've only seen the mustache once--so a better thing to do would have been this: make a few more sequels and, when the last entry comes, have him shave it off. By then the audience realizes that his mustache is part of him, and that losing it is like losing part of his soul. But I'm glad they didn't make any more than one sequel. One of the things that kept the "Lethal Weapon" franchise going was the fresh ideas, fresh buddies, and fresh scripts. (Great actors never hurt an action comedy, either.) The "Stakeout" franchise--which didn't even last long enough to spawn more than one sequel--tries to copy this formula but isn't sure how. The introduction of Joe Pesci in "Lethal Weapon 2" was great because he thereby became the Third Stooge, whereas O'Donnell's entry into the series is nothing but a humiliating reminder that talk show hosts can't always act in front of a camera and maintain the same type of humor they may (or may not) exhibit on their (awful) TV "talk show." (Which is, by the way, consumed of entirely staged so-called "interviews.") And whereas Pesci, as Leo Getz, added a type of silly vibe to the "LW" series, O'Donnell just seems like a carbon copy clone of Estevez from the first "Stakeout." Dreyfuss didn't like him at first, and--guess what--they suddenly became best buds. The same thing happens in the sequel, much to the audience's chagrin. Of course, "Lethal Weapon" and its sequels were never more than a few years apart (the first coming out in 1989, two years after the original). But "Stakeout" had six years to make a respectable sequel, and it fails. It fails the same way that many prolonged sequels do. But, for once, it's not because the audience has forgotten the original film--it's because the audience is fed up with the same routine. The film was directed by John Badham, which is surprising, since he's a talented director ("Saturday Night Fever," "The Hard Way," "Stakeout"). Here he jumps through all the hoops, turning his own series into a pale retread of the original--only watered down: minus the violence, language, nudity, and humor. I'm not saying a movie has to be R to be funny. But if you've got a sequel to an R-rated movie like "Stakeout" and you decide to turn its sequel into a cutesy-tutesy children's entertainment program, you'd better advise the audience before they sit down expecting something funny and fresh. What a disappointment.
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| 12. Now and Then / Pleasantville Director: Lesli Linka Glatter | |
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| 13. Sleepless in Seattle (Special Edition) Director: Nora Ephron | |
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Reviews (117)
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| 14. Tarzan (Disney Collector's Edition) Director: Kevin Lima, Chris Buck (II) | |
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Amazon.com Reviews (300)
One of the most interesting aspects of this particular DVD is watching the original Story Treatment and comparing it to the final version. Disney even gives the veiwers an opportunity to see the scenes that did not make the final feature. A highlight for any animation enthusiast will be the Production Progression Demonstration that allows viewers to move through the various stages of production to the final feature. A must have for collectors!
The film starts out with the baby Tarzan, and ensuing portions of the film depict him as both a child and an adult man. His romance with Jane, a key component of past versions, is retold with flair. But the really amazing innovation that this film brings to the Tarzan mythos is its depiction of Tarzan's ape family. These apes are not just typical wisecracking cartoon animals. Instead, the filmmakers take an almost realistic approach to the issue of gorilla communication and interspecies communication--this is a Tarzan story that seems to reflect public knowledge about the work of such scientists as Dian Fossey and Jane Goodall. Tarzan's ape family members are fully developed characters who engage the viewers' emotions. The animation is stunning; the scenes of Tarzan swinging through vines and "surfing" the twisty, moss-covered tree trunks as if they were ocean waves left me spellbound. And the music by Phil Collins and Mark Mancina brilliantly ties the whole film together. Rather than have the characters break out into Broadway-style musical numbers, the producers have wisely opted to have the gifted Collins sing the film's excellent songs as a backdrop to the action. Collins' performance, rich in emotional nuance, represents some of the best work of an amazing career. I grew up watching (and loving) the classic Johnny Weismuller Tarzan films on Sunday morning TV matinees. And Disney's excellent "Tarzan" is both faithful to this classic character and successful in bringing new power to his story. This is a great film for both adults and children--it is exciting, emotionally rich, intelligent, and stunningly beautiful.
But last year, Disney came up with "Tarzan". "Tarzan" has really fantastic computer animated backgrounds, especialy when Tarzan is "surfing" on the trees. Plus some really good songs of Phil Collins and very funny humor. There are also of course some famous movie stars who are doing some character voices, like Minnie Driver as Jane, Glenn Close as Tarzan's mother and Rosie O'Donnell as Terk. If the movies of the last years a bit dissapointed you, you really have to see "Tarzan", because Disney is finally back and is ready to team up with the other studio's. Together with "The Hunchback of the Notre Dame" (wich was my favourite Disney movie of all-time, untill now) is this the best Disney movie ever made! I also want to say something about the extra's on the DVD, because this is the first Disney movie who is released in Holland with extra's. And they are really good. Especially the preview of "Dinosaur" which has really cool sound (as well as the movie). I only really missed the score only thing. They actually should have done that. Because I really liked the songs of Phil Collins and especially the music of Mark Mancina.
Regarding the film, this is a great example of classic Disney animation. The background detail is breathtaking! It is too bad it takes so long to create this level of artistry (5-7 years)or we would have more films with this style of animation and less with the "Hercules" style. The music is superb - which is no big surprise since it was written by Phil Collins. The characters are engaging, and thoroughly enjoyable. All in all this is a film to see over and over for an enchanting escape to the jungle! ... Read more | |
| 15. Wide Awake Director: M. Night Shyamalan | |
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