Amazon.com

Readers of John Berendt's bestselling novel were bound to be at least somewhat disappointed by this big-screen adaptation, but despite mixed reaction from critics and audiences, there's still plenty to admire about director Clint Eastwood's take on the material. Readers will surely miss the rich atmosphere and societal detail that Berendt brought to his "Savannah story," and the movie can only scratch the surface of Georgian history, tradition, and wealthy decadence underlying Berendt's fact-based murder mystery. Still, Eastwood maintains an assured focus on the wonderful eccentrics of Savannah, most notably a gay Savannah antiques dealer (superbly played by Kevin Spacey), who may or may not have killed his friend and alleged lover (Jude Law). John Cusack plays the Town & Country journalist who arrives in Savannah to find much more than he bargained for--including the city's legendary drag queen Lady Chablis (playing "herself")--and John Lee Hancock's smoothly adapted screenplay succeeds in bringing Berendt's characters vividly to life with plenty of flavorful dialogue. In similar fashion to Warner's acclaimed DVD of L.A. Confidential, this classy DVD includes a behind-the-scenes documentary titled The Real People in the Garden and an interactive map tour of Savannah and its most celebrated (or notorious) citizens. The original theatrical trailer is also included. --Jeff Shannon ... Read more

Reviews (104)

Dark at "Midnight"
The echoes of Southern Gothic don't come much more gothic than "Midnight in the Garden of Good and Evil," Clint Eastwood's flawed adaptation of the bestselling true crime book. While the movie only dips briefly into the genteel decadence of the upper-crust South, and the general air of Savannah, it does have its fun moments and good acting.

John Kelso (John Cusack) has come to Georgia to cover the famous Christmas party of the wealthy James Williams (Kevin Spacey). As well as Williams, Kelso ends up befriending a bevy of eccentrics, including some happy-go-lucky partygoers and the Lady Chablis (played by... the Lady Chablis), a drag queen with a mischievous sense of humor.

But things go wrong after the party. Williams' employee/boyfriend Billy Carl Hanson (Jude Law) is found dead after a fight with Williams -- and Williams seems like the most likely suspect. As a not-so-pleasant trial begins, Kelso sets out to unravel the mystery of what really went on that night, and what the truth behind Hanson's death is.

The biggest flaw of "Midnight" is that it is way too short for the material it stems from -- several years and multiple trials are compressed into a matter of weeks, and many of the endearingly freaky people of Savannah are given short shrift. Only the Lady Chablis gets enough time -- the guy with the flies and poison, for example, is touched on but never dealt with.

But as far as execution goes, much of "Midnight" is quite charming -- warm, sleepy and a little overgrown, much like the vision of Savannah it shows. Even a midnight voodoo session doesn't break the mood. And Eastwood manages to give us a charming view of the eccentricities of "Gone With the Wind on mescaline." (Exhibit A: The guy walking an invisible, deceased dog)

Both Cusack and Spacey do an excellent job bringing their characters to life: Cusack always seems a little out of the current, a realistic outsider, while Spacey exudes grace, charm and a sort of apologetic pride. Jude Law, for the brief time we see him, does a good job as the redneck hellraiser. And who can forget the Lady Chablis? Chablis is pretty clearly having a wonderful time (playing herself, no less). The one cast flaw is Alison Eastwood, who doesn't seem to bother acting.

While "Midnight of Good and Evil" fails to live up to its promise, it is a charming and funny look at the deep South. Well-acted but patchily adapted, this is an amusing movie if you don't expect it to stick too closely to the book.

A timeless piece of eccentric south
I have lived in the south all my life. Watching this movie reminded me of how beautiful and special this place is. Clint Eastwood's interpretation of John Berendt's piece of literary art was splendid in its own right. It reminded me of how rich our heritage is. The music, the superb casting (no one can deny the talent of the great Kevin Spacey) and the seemingly endless parade of characters kept me enthralled from the beginning. It's not often a film can pull at my heartstrings, teach me something about tolerance and history, reveal such beauty and amuse me at the same time. The movie so moved me that I read the book. Although somewhat different, each form was intriguing. I have just returned from Savannah. I was constantly reminded of the story of Jim Williams as I walked the squares and felt the history therein. This filmed turned attention once again to a wonderful magical place, the South.

I liked this movie...
...back when it was called "The Great Gatsby!" This movie (and book) is a thinly-veiled rip-off of The Great Gatsby.

One of Eastwood's best and funniest movies
For years I put off watching this movie because of lukewarm reviews, but when I finally rented it I was delighted by its surrealistic regional irony. In fact, I was laughing out loud through much of the movie. Granted, social satire tends to rely on exaggeration and stereotype for effect, but its humor succeeds most when it portrays characters in a sympathetic rather than derisive light. This movie succeeds admirably in that regard.

One complaint is that, as with many Ron Howard or Steven Spielberg movies, a bit of sentimental shmaltz creeps in at times, for example with the voodoo priestess character. Thank heaven at least they didn't cast Whoopi Goldberg in the role.

If movies such as "Fargo", "Best in Show", and "Eyes Wide Shut" left you more puzzled than tickled, then this movie may seem as slow and inactive as some critics accuse. Other critics bemoan that it doesn't do the book justice: I have not read the book, but I do feel that the movie stands well on its own. So much so, in fact, that I immediately went to Amazon afterwards and purchased it. For me, anyway, this movie is a keeper.

Not what I expected
I read the book when it first appeared on the bestseller list, and waited for the movie, holding my breath. The book was simply wonderful and deserved it's place as number one, but sadly, the movie was lacking. But there were some good points. Part of the fun of watching this movie is sorting out the real characters from the actors. John Cusack's role as a writer for an upscale magazine was an understandable, even essential fabrication to tie the events together with some dramatic continuity. How many people noticed Cusack's sister Ann in a brief walk-on appearance? One character that stands out, and I mean really stands out is Lady Chablis. If you watch this movie for no other reason, watch it to witness this highly unusual and sometimes hilarious real life personality who as a local entertainer still resided in the Savannah, Georgia area at the time of the DVD release. Again, for such a wonderul book, the movie didn't do it justice. One can only hope that McCrae's book, "Bark of the Dogwood--A Tour of Southern Homes and Gardens" does not suffer the same fate. ... Read more

Reviews (21)

"Don't worry...He knows you're an idiot!"
HE in this case is NAPOLEON of CRIME,Professor James Moriarty. YOU is "the world's most famous consulting detective",SHERLOCK HOLMES. Speaking is Ben Kingsley essaying the role of CRIME DOCTOR,John Watson.The case is WITHOUT A CLUE. Directed by Thom Eberhardt,WAC is a deft, wacky satire on Conan-Doyle's genius master detective positing what if Dr. Watson was THE MAN;and Sherlock Holmes was master of CLUTZ. Parody works because humor is arch but neither ham-handed nor condescending. Michael Caine (usually epitome of cockney cool from Super spy Harry Palmer, to Super thug Jack Carter)is Clouseau Goofy without overshadowing Kingsley who plays a genuine hero sleuth against England's most nefarious MASTER CRIMINAL. This is a very funny movie with excellent production values and superb(Victorian)ambience. And there is genuine mystery to solve. THE LEAGUE OF EXTRAORDINARY GENTLEMEN is sure to revive interest in THE PROFESSOR if not Sherlock. WITHOUT A CLUE may or may not(like Spielberg's YOUNG SHERLOCK HOLMES)help much with its satirizing of the first League of Extraordinary Crime Fighters. But Doctor Watson's cloning of a Sherlock of extraordinary ineptitude and rank(though charming)stupidity is OXYMORONIC episode of Holmsian mythology in a Major League of its own.(4 & 1/2 stars)

This is a great movie!
Sherlock Holmes has solved unnumbered cases for Scotland Yard, but it turns out that Dr. Watson (played by Ben Kingsley) has a secret - there is no Sherlock Holmes! Having hired Reginald Kincaid (Michael Caine) to play the part of Holmes, Watson now wants to get rid of the man, as he is "a liar, a drunkard and a womanizer." But, when the Chancellor of the Exchequer arrives with a case that threatens the very existence of the Empire, and will talk to no one but the great Sherlock Holmes, Watson has to take Kincaid back for just one more case, and it's a whopper! There is a deep mystery here, one with Professor Moriarty (Paul Freeman) at it's heart, and only Holmes...er, Watson can possibly unravel it. [Color, released in 1988, with a running time of 1:47.]

This is a great movie! Turning the Sherlock Holmes stories any which way but loose, Michael Caine and Ben Kingsley make a great duet, battling crime and each other. The movie succeeds in being outrageously funny, and yet absolutely gripping. The movie is clean, though Leslie Giles' secret is enough to make you squirm in front of little ones. Overall, though, my family and I loved this movie, and highly recommend it to you!

Very clever, a lot of fun!
What if Dr. Watson (Ben Kingsley) is the real detective and Sherlock Holmes is his fictional alter ego whose name he created and uses to protect his medical practice? And what if, when pressured to produce Holmes to the public, Watson hires an out-of-work actor to pretend to be Holmes (Michael Caine). All Holmes has to do is what Watson tells him to do as he, Watson, does all the sleuthing. This is the clever premise of this film -- all the more clever if you know that Sir Arthur Conan Doyle was a doctor who wrote the Holmes detective mysteries on the side. Of course, things start to spiral out of control when "Holmes" tries to solve the mysteries without Watson and "Holmes" makes up a lot of the famous mannerisms.

Lots of humor, a good mystery and very nice repartee between the two men as Watson becomes increasingly exasperated with his creation. (This has an almost "Remington Steele" like premise if any of you remember that 1980s TV show staring Pierce Brosnam.) A very under-rated film with a top notch cast.

I have not seen this film on the new DVD so can't comment on the quality of this DVD. I'm just reviewing the film itself.

What a delight!
Although I'm a lover of Sherlock Holmes movies, I almost missed this gem. Everything about this film was wonderful, particularly the tremendous performances by Caine and Kingsley. You can see they're having fun with it every scene, and I loved being along for the ride.

The script is intelligent and witty, without getting goofy or slapstick. The plot is hilarious yet holds together as a "mystery" (kind of...). It is totally devoid of the offensive language that plagues so many movies, making it a great family fun flick (but it's NOT at all juvenile).

I just wish they'd made a series of these films -- I didn't want it to end.

"I've got it! His real name is Arty-Morti!"
Without a Clue (1988) poses an interesting and humorous take on the Sherlock Holmes mythos created by Sir Arthur Conan Doyle. The film asks what if the character of Sherlock Holmes was truly a fictional character created by Doctor Watson, and is played by an actor, with Watson being the actual mastermind behind solving the various cases and crimes?

In the film, Ben Kingsley plays Doctor Watson, the man behind the deductive and crime solving skills of his fictional character, Sherlock Holmes. For reasons that are revealed within the movie, Watson was not able to take credit for solving his first caper, so he invented the character of Sherlock Holmes, but soon found his creation was in great demand, so he hired an actor, Reginald Kincaid (Michael Caine) to play the part of the detective while Watson stayed in the background continuing to be the 'brains' of the operation. Only problem is Reginald Kincaid is a buffoonish, womanizing, gambling, drunkard, and unable to, as he put it, '...detect horse manure if he stepped in it.'

After a falling out, Doctor Watson fires Kincaid, and decides to go it alone as 'The Crime Doctor'. Guess what? The legend of Holmes has grown so large and become ensconced so deeply within the public psyche that no one takes Watson seriously, and even his publisher threatens to sue if Watson reveals the truth of the situation publicly. Not only that, but a rather important case involving the financial integrity of the British Empire has surfaced, one involving the nefarious Professor Moriarty, and Holmes is the only man for the job. Watson finds himself in the humbling position of bringing Kincaid back for what will be one last performance.

Kingsley and Caine play their parts perfectly, and are supported by a wonderful cast including Jeffery Jones as Inspector Lestrade, Paul Freeman as Moriarty, Lysette Anthony, and Peter Cook. The dialogue is witty, and even though the plot a bit thin in some areas, the film works wonderfully as a farcical tale with just the right amounts of slapstick and tongue in cheek humor. A completely professional job done by everyone all around. My favorite part of the film was the notion of Watson using Holmes to keep Inspector Lastrade busy tracking down pointless leads while Watson performed the real detection at the crime scene. I was laughing hard when Holmes was on all fours inspecting the pattern of a rug with the baffled inspector right next to him, trying to get the jump on the master detective.

I was a little disappointed in the release of this film on DVD, as I thought the picture and sound quality could have been better. Also, why is there only a full screen release available? Special features are virtually non-existent with the inclusion of a trailer for the film. MGM usually does a pretty good job with their releases, but they seemed to have dropped the ball here. Anyway, this is a great little film, and worth watching if only to see two fine actors at work

Cookieman108 ... Read more

Reviews (66)

Good thing I waiting til it came out on video.
Well, "Dead Man On Campus" wasn't one of the best dark comedies that are out there but it's ok to see at least once. If it hadn't been for the main wakko guy in there, can't even remember the characters name, I don't think I would have lasted through the whole movie. The whole idea of finding a roomie to kill themselves so the two main roomies could get easy A's was funny but other than that, that was about it. Maybe I wasn't in the mood for this paticular movie when I rented it but I seriously doubt it. You're gonna have to rent it yourself to come up with your own conclusions.

GOOD movie funny too
Hey I thought this movie was pretty differen't comming from the Zack on Saved by the Bell. But I saw this movie and liked it even though I saw it on tv they probely left out the good parts.

I love college
not a three star movie but a 2 in a half star movie. this one pits Tom Evertt Scott(American Werewolf In Paris) as Josh in a college and he meets his new roomate Cooper played by Mark Paul Gosselaar(Saved By The Bell, NYPD Blue). they learn that if any of your roomates dies then they get straight A's and they try to move in a few roomates so they can push them over the edge and kill them but things go a little wonky. also in the mix is Lochlyn Munro(Dracula 2000), Poppy Montgomery(tv's Without A Trace) and Alyson Hannigan(Willow on Buffy The Vampire Slayer). some good moments include the scene where they meet Munro and he starts humping things, also the sperm song sung by Corey Page, is hilarious.

I've got some beer lets drink them
this movie is so darn funny. the story of a pothead and his straight lace roomate who have to resort to drastic measures to stay in school is a story almsot all college students can relate to. Just worry if your roomate is like mine and never went to a single class and belives this movie is true and tells you he is going to make straight A's man my roomate was retarted but you got to love cowboy bob

"Quick man... kick me in the junk"
I never heard of this movie before my friend introduced me to it. I thought, "The dude from Saved by the Bell? How lame is this going to be!"

Au contraire! This has to be the best movie MTV films ever put out. While the idea is somewhat funny in itself (passing college by finding a suicidal roommate, guaranteeing yourself A's from the trauma regardless of your failing grades), it's the characters that make this movie. Cliff, the drooling party-animal frat boy who is so high he sets a chick's hair on fire trying to lite a bong... Buckley, the egocentric computer geek who believes Bill Gates wants him for his brain and will sacrifice himself to prevent an apocolypse... and let's not forget Matt, the depressive British muscian who wears everything he brought to college and might not make it long enough to play the pre-finals party. Even the locals at the bar are great. "Some people eat bugs!"

Believe me, if you liked Happy Gilmore, Tommy Boy or anything of that genre, you will love this movie. It's got tons of hilarious quotes you and your friends will be saying again and again.

I leave you with one more... "Cooper, I'm really serious when I say I need to study! And Josh, I'm really serious when I say I need to clean my bong." ... Read more

Amazon.com

After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31,1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan,billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon ... Read more

Reviews (297)

BEAT THE DEVIL
Though a huge fan of Schwarzenegger's movies, I put off seeing this one for a long time due to all the negative feedback it gets from both critics and the viewing public, including many of my fellow Amazon reviewers. Fortunately, I recently gave it a try anyway--and am I glad I did.

Admittedly, the plot is not particularly original and draws heavily from both the Bible's Book of Revelation and the milennial hysteria surrounding the advent of the year 2000. Loosed from hell at the end of the thousand years, Satan (Gabriel Byrne)runs amok in New York in search of a young woman literally born to be his bride, the beautiful but naive Christine York (Robin Tunney). After a bizarre assassination attempt by a rogue Catholic priest, troubled security man Jericho Cane slowly unlocks the mystery of the Devil's plan to claim York, impregnate her with the Antichrist, and bring about the mythical "End of Days." Breakneck action ensues, as Jericho pulls out all the stops to keep Satan from getting his hands on York, leading up to a moving, powerful climax.

As an action flick, "End of Days" definitely delivers. The stunts and FX are fun and exciting, and there's never a dull moment as Cane and York breathlessly try out outrun and outfight their diabolic pursuer. The atmosphere and set design is predominately dark and claustrophobic, drawing the viewer into the private duel between Good and Evil that goes unnoticed by the New Year celebrators all around the combatants. The soundtrack is appropriately eerie and somber and definitely sets an evocative mood.

The acting, despite what many reviewers state, is quite good. Byrne is a brutal but darkly charismatic Devil, and Tunny is exceptionally attractive and charming as the former's destined mate. Schwarzenegger himself plays a rather more human and vulnerable character than his normal action role. Jericho is as tough and resourceful as any other Schwarzenegger hero, but is far more fragile mentally and emotionally and on the edge of a total psychological implosion. Schwarzenegger captures Jericho's soul perfectly, and makes the haunted, disturbed Jericho's trek from despair and hopelessness to newfound faith more than believable. I fear many who pan Schwarzenegger's performance in this flick are merely blinded by their own stereotypical view of what an "Arnold" film should be and so can't bring themselves to appreciate this acting job for what it is. Two scenes, an early one where Jericho is on the brink of suicide and the aforementioned final showdown, are particularly strong.

But I won't deny "End of Days" has some real weaknesses. Most of these stem from the rather unfortunate script, which is not only rather derivative but often terribly illogical. Also, this is another movie where the Catholic Church is portrayed as the only Christian Church in the know, but the scenes inside the Vatican are probably the least convincing and authoritative in the whole film. If the Pope and his advisors know what's coming, why don't they do more about it? The film does have a tendency to oversimplify and gloss over important details that might get in the way of the story.

Still, this is a much better film than I had been led to believe, a movie that works as both runaway action flick and a study of human faith in the face of awesome adversity. Perhaps Schwarenegger's best performance to date, "End of Days" is definitely a film I recommend either to those who have yet to take a look at it, or even to those who have seen it before--if you hated it the first time, it's worth a second look. Maybe this time you'll appreciate it for the stellar depiction of Good Vs. Evil that it is.

Satan gets blowed up real good
Comparing the Exorcist to this movie is like comparing Laurence Olivier's Hamlet to Godzilla versus Mechagodzilla. Interesting that so many people applauded Gabriel Byrne's portrayal of Satan. How would they know? Perhaps this movie appeals to satanists. One particularily disturbing scene has Satan apparently urinating on the streets of New York. This would explain a lot if you've ever been there. Two stars for some mildly amusing special effects

Not for the light-hearted.
Typical Arnie fans will probably love this. He lays his same sort of character, but he seems a bit more edgy in this film and he's lost his sense-of-humour, like he usually has in his other films. But this isn't a bad film. It's all about Satan himself coming to New York, seeking a paticular woman who he wants her to be the mothyer anerchist. Arnie plays an ex-cop, he has lost his wife and daughter and is ready to kill himself. But he soon gets stuck when he has to protect the girl. Let's get one thing straight, this isn't a film were you see a big red monster (Satan) walking around the streets of New York. Satan takes a normal guy's (Gabriel Burn) body and uses that body to walk around.
The film can be very sick at points, and I wouldn't let any light-hearted people watch it. You see sick things like a snake getting cut open, a man being set on fire etc etc. The film does have some odd but very good special effects, you see Satan as he usually is at the end, but it may dissapoint you 'cause he isn't in it for long. The film can be a bit suspenseful at times and can keep you guessing. It isn't all scary, but it might give you a couple of jumps maybe.
I don't have anything else to say really, apart from: Arnie fans will love, see it if want any horror film. Oh, and the flashback scene with his wife and daughter is BRILLIANT!

sooooo much potential lost.
End of Days stars Arnold Schwarzenegger as Jericho Cane and Gabriel Byrne as satan and is an end of the world apocolyptic thriller. Well, that's what the cover infers anyway.

The premise of the story is that a baby will be born to satan which will bring about the end of the world, it's up to Arnie to save the day, again! This film had real potential, I think Gabriel Byrne is a fine actor and a blockbuster movie based on Revelation and the end of time sounded like a great idea but this one way missed the mark. The main problem was the screenwriting. The story just was not interesting. The acting was good, even Arnie showed some range and Gabriel Byrnes' satan was menacing but it really suffered in the story department.

Unfortuantly, every time hollywood wants to make a movie about satan or the anti-christ they seem always have to involve the catholic church in one way or another. Hollywood have a real problem differentiating between christianity and catholosism, they are not the same thing. Catholic priests are not the experts of satan and the demonic realms, there beliefs in this are and the way they do exorcisms for instance is more superstition than what we see in scripture, i.e. using the crucifix, holy water, (are they exorcists or vampire hunters???)Now a movie based on the bible version of revelation directed by say Stephen Spielberg with a monster budget would be something to behold. The left behind movies, whilst being entertaining, lack the finances to really show what happens at the end of the world.

Now I'm a real seeker for a supernatural end of the world apocolypic thriller, boy was I let down by this one! What a waste of talent and opportunity.

End of Days - A fairly decent film!
Until recently I was unaware that this particular film was billed as Arnold Schwarzenegger's comeback film in 1999 after having heart surgery the year prior. As a comeback film I would have to say that this particular film wasn't a completely triumphant one for everybody's favorite super action film star. I remember walking out of the theater when this one was released thinking that Arnold really should've given this one further thought before taking the role and until only quite recently made the decision to purchase the DVD. As I find myself doing often, I felt that this film deserved a second look and in part, I'm glad I did. I wouldn't go so far as many others have in saying that this is a horrible, highly predictable film, but I would say that, upon watching it a second time, the film does have some good merits in showing Arnold's acting skills despite the poorly scripted plot. Ultimately, this is one of those fair to midland type films that most could take or leave although it does have some very interesting plot aspects insomuch as to the whole "End of Days" aspect and the play upon Catholicism and the anti-Christ.

Performance wise, Arnold Schwarzenegger is at his best in films of this type where his strengths are displayed at their best to include the actions scenes and his myriad of one liners that continue to bring about a chuckle. The one true oddity of the film for him is that he takes a beating in this film like no other but hey, what can one expect when Hollywood's crowned king of action films is up against the devil himself. Gabrielle Byrne gives an impressive performance in this film, in a role that is just a few notches up of his normal roles. This is the only film that I've ever watched that had Robin Tunney in it and I would have to say that she's a fairly capable actress but unfortunately not one that stands out.

Director Peter Hyams who is probably best known for some of Hollywood's best marginal films such as "The Presidio," "Outland" and "2010" does a fairly respectable job with the film considering the script available to him.

The Premise:

Here is where the film takes much of its beatings as Schwarzenegger plays Jericho, a former cop turned body guard who has lost his wife and child to criminals and now finds solace in the bottle; a theme that has been done more or less to death in a great many films in this genre. Discounting that particularly overly done theme, the film is based upon the "End of Days" theme, just before the dawn of the millennium in which twenty years prior a girl is born with the mark of the devil and those who follow the devil take up important positions in this girl's life. Coming back to 1999, the devil himself shows up and in order to get his wish of domination, he must mate with this woman, Christine York (Robin Tunney) between 11 pm and 12 am on New Year's Eve...

What follows from there is a movie that is at times over clichéd but does have some well played action sequences and a somewhat intriguing plot that does create a level of intensity towards the films somewhat "comic" conclusion...

Overall, I'd recommend this film to fans of Arnold's and those who like somewhat good action flicks that have a half way decent script. {ssintrepid}

Special Features:

-Spotlight on Location
-Feature Commentary with Director Peter Hyams
-Special Effects: The Devil's Playground
-Soundtrack Presentation featuring:
*Never before seen Everlast music video
*Rob Zombie's rarely seen music video
-Book of Revelation
-Theatrical Trailer
-Universal Showcase
-Special DVD-Rom Features ... Read more

Reviews (13)

Between the politics and love
This a nicely made movie based on the life of Arturo Sandoval, a Cuban (-American) jazz musician. Between his love for jazz and for his wife the great musician is stuck between international politics.

Great Jazz performances (including Dizzy G.) and beautiful photography, Andy Garcia is being a great actor that he is shows a great performance in this movie.

Little bit of propaganda has slided in but the good music makes it possible to stay blind to that aspect.

Entertaining, enlightening drama!
Entertaining, enlightening drama! This artistic production (originally an HBO tele-film) presents a touching love story shown against a colorful visual backdrop set to vibrant music. Great acting! I was an admirer of Andy Garcia's talents prior to viewing this piece, which has only increased my appreciation of his abilities (he is also executive producer). Mr.Garcia's love for Cuba and passion for music (jazz) are present throughout as the story, which is predictable (and told in flashbacks) unfolds. The viewer senses the rising frustration of musician Arturo Sandoval (Garcia) at the conflict presented by his human need to freely express his love (music),which is increasingly blocked by the repressive political regime in power, without losing his lover (who becomes his wife) and son. As political developments occur (which are depicted through newsclips viewed by characters), he sadly concludes that he must leave his native Cuba. Mia Maestro as Mrs. Sandoval, a Cuban supporter of the Castro regime at the beginning (a government employee, in fact) similarly experiences an emotional journey which eventually leads her to realize she must follow her husband (and her heart) by agreeing to defect with him. The complications of carrying out this effort provide the essence of the story. Charles Dutton, as Dizzy Gillespie, plays a colorful character who has a pivotal part as the plot unfolds; Gloria Estefan also appears. The story is more poignant because we know that it is a biography, and that Mr. and Mrs. Sandoval provided technical advice. Thank you to Mr. Garcia and to Mr. Sandoval for giving us this story! The sharp technical quality of the DVD format enhances the colorful recreation of 1970's Havanna (the production was actually shot in Puerto Rico and Miami); the edition also includes interviews with cast members.

An amazing story, incredible music
This movie has all it needs to make it worthy of a spot in your video library. Wonderful characterizations by gifted artists, beautiful staging and scenery, a fabulous soundtrack, and a story that made me wonder, "What do I hold so fundamental that I would be willing to risk everything to keep it?" After renting the video, I recommended it to a jazz-music-loving friend, who, in turn, bought me the DVD for my birthday (knowing he can borrow it!). Watching it again motivated me to splurge on tickets to Arturo Sandoval when he came to our area, which was the best night of music I have ever heard. Each time I watch this movie, the story and the music move me. You will not be disappointed.

Escape to Freedom
FOR LOVE OR COUNTRY is based on the true story of Arturo Sandoval who finally cooperates with the Cuban government and even joins the communist party in order to have the freedom to travel internationally. He was living in a country where there was no respect for human rights, let alone freedom of expression in music.

Arturo Sandoval is one of the most brilliant musicians of our time and is known as a protégé of the great Dizzy Gillespie. He was born in Artemisa on November 6, 1949. Artemisa is a small town on the outskirts of Havana, Cuba.

He realized he was a trumpet player when he was eleven. He began studying classical trumpet at the age of twelve. He is now known as one of the world's most acknowledged guardians of jazz trumpet and flugelhorn. As a Professor, Sandoval has lectured internationally.

Filled with a virtuoso capability, he had an intense desire to share his musical gift with those who share the same love for music. Arturo Sandoval appears on the tracks "Moonglow" and "That Old Feeling" in Rod Stewart's release "It Had to Be You: The Great American Songbook." His diverse style can be heard on albums like Gloria Estefan's "Into the Light." He also has made a contribution on albums by Johnny Mathis, Frank Sinatra and Paul Anka.

This movie emphasizes his virtuoso technical ability and his specialty in high notes. He also is shown playing the piano and is known for lyrically improvising a ballad. He also had the privilege of creating and performing the score for this movie. The story of his own life. He explains:

"When the idea for the movie came up, I was happy to be able to tell my story, but even happier to write the film score," he says. "Music for movies has been my life's passion, and this was my first and biggest step in that direction........."

In the movie, Arturo (Cuban-American actor Andy García) is thinking about defecting when he meets Marianela (Mia Maestro). She becomes more important to him than freedom. Their beliefs are on the opposite sides of the political spectrum and yet their love binds them to one another as they try to overlook their political differences.

Marianela represents family loyalty and the way people who live in Cuba really think. It shows how Marianela goes from being completely loyal to a dictator to having her eyes opened to the reality of the situation. She falls completely in love with this talented musician but fears he may leave her like her first husband. Arturo has also been married before and while he is willing to spend his entire life with Marianela, she has her doubts and issues with trust. She has been betrayed by the government she supported.

"What I feel about you. I've never felt it before ... I don't trust it." -Marianela

This movie is at times so romantic. Especially the scene where Marianela and Arturo are dancing and when she wakes him up after he spends the night sleeping on a grave. The scene overlooking the ocean is so pristine.

After performing with the Cuban Orchestra of Modern Music, he was allowed to start a group called Irakere that promoted a combination of Cuban music and jazz. In 1981 he then leaves Irakere to form his own band.

He believes he has a gift to give the world and is fighting a force that threatened to drown his true love, music.

After living with his wife in Cuba and starting a family, he decides it is time to leave. He believes that by defecting to the United States he is rejecting a system that kills confidence and personality. Rejecting a government that controls everything to the point that people lose their desire to achieve.

The government finally tries to control Sandoval's music and his dream for greater artistic expression. While on a European tour, he leaves for a secret meeting at the U.S. Embassy.

Sandoval was granted political asylum in July 1990. Since his defection, Sandoval has increased his classical performances world wide including performances with the National Symphony, L.A. Philharmonic, National Symphony of Washington D.C. and Pittsburgh Symphony.

"This was such a blessing for me. I thank God everyday for being here in this wonderful country and sharing my music. This experience has been very rewarding. I hope that our modest musical contribution here today shows we stand united and strong and that we are America the Beautiful." ~Arturo Sandoval speaking of his opportunity to share his music at the White House

Even Arturo says he would like to go back to visit his homeland, but under a different government.

"Flight to Freedom" was his first recording immediately following his defection.

An emotional movie about the desire to use your God-given talents without repression from those who don't see beauty in the soul. This movie really is about having a dream and finding your true purpose in life. This is a movie about beauty and sadness with a happy ending.

Life is truly a dream for those who are free and yet at times even if you are free, you can feel that you are in a prison of yourself. There are times when a person feels they have so much to give and they can't find an outlet for their gift to the world. In such a case a person can at times risk everything for the freedom of expression and the freedom to grow as a person, as a soul.

If you never follow your dreams, you might not be really free.

A movie about Romance and Freedom everyone should see! Especially romantics and those who love Jazz.

I love you Arturo
This movie is just brilliant I love it. the scene in the club were he is playing with dizzy gilespy is awsome. Salt penuts Salt penuts! ... Read more

Reviews (120)

Powerfully acted, psychologically mesmerizing.
At one point in "Gods and Monsters," Ian McKellan's character, James Whale, gestures to his head and remarks, "The real monsters are up here." The film spends its entire creating a way of life around this observation, portraying the last days of the well-known film director in ways that evoke humor, touching emotion, and above all else, emotionally haunting reflection on one's life.

It's a most unusual film, not completely a biopic, yet not entirely fictional; it's more of a speculation on his latter days, based on the novel "Father of Frankenstein," written by Christopher Bram. The reality of Whale's life, from his superior and delectable wit to the memories of war and Hollywood that delight and haunt him, is the basis of the novel and the film, as Whale relates them to a young gardener in whom he takes an emotional and physical interest.

The story begins by introducing us to Whale's way of life, from his slowly deteriorating health and mental state, to his luxurious home, where he lives with his maid, Hanna (Lynn Redgrave), who is caring yet keeps up a stern demeanor when it comes to his dealings in homosexuality. The presence of the new gardener, Clay Boone (Brendan Fraser), strikes a chord within Whale, who resumes his sketching by asking the young ex-Marine to pose for his drawing, offering a face-only clause as a way of quelling Clay's obvious insecurities.

The film's own openness with the issues of sexuality effectively portrays the flamboyance of its main character, who apparently saw no shame in his ways despite the resentment of homosexuality in the 1950's. The movie embodies this ignorance in Clay, who, at first, is unaware of his newfound friend's orientation. Once he discovers the truth from Hanna, his discomfort becomes even more unstable, to the point where he storms out in a rage of fury over the old man's excessive way with discomforting words. And yet, he returns to act as Whale's model, intrigued by the heartwarming and heartbreaking stories he offers as he sketches.

This is a most fragile and unsteady friendship, yet in spite of the discomfort that surrounds their bond, their is a certain degree of comfort to be found within it. This stems from director Bill Condon's avoidance of character glorification: in "Gods and Monsters," everyone has flaws. We see Whale's mood swings, his obsession with young boys in his old age, and his reluctance to recall his past; Clay also spends his time running, from his family, commitment, and stability. Ultimately, this makes their friendship mutually beneficial, allowing Clay a broader, richer view of life while allotting Whale the chance to face memories he would otherwise hide away forever.

All of this is painted in broad strokes by Condon, who employs humor, wit, and sadness into his stunning adaptation. The discomfort that arises as a result of Clay's discovery of his friend's sexuality is handled lightly in earlier scenes, slowly gaining resonance and meaning as the plot moves along its dreamlike path. Whale's memories of filming the "Frankenstein" movies are realistic in their approach, while his recollections of war and his lost love are emotionally charged. All of this is given a slow yet mesmerizing pace that allows us into the deepest subconscious of the characters, so that we not only see what is going on in their minds, but can feel it as well.

In the film's favor is its credible casting choices, most notably McKellan, who employs wit and real emotional range as Whale. Making sudden and drastic jumps from jubilant to unstable, McKellan's Whale is portrayed as someone whom we feel for, a man whose life is put into perspective in a manner that calls us to look at it with unblinking eyes. Fraser evokes a subtle sexual tension and eroticism as Clay, whose resemblance of Frankenstein's monster is the focal point of Whale's fascination. Redgrave makes a wonderful turn as Hanna, putting her wit and sarcasm to good use as the woman who embodies a maid, a wife, and a mother all at the same time.

Above all else, the most perplexing aspect of "Gods and Monsters" is its connection to Whale's film, "Frankenstein." Clay's resemblance and sense of naivety when in the presence of Whale is very much like the scene from that earlier film that this film's final scene. Seeing that final scene is to finally realize and acknowledge the film's purpose; it's one of those forceful moments in cinema that only come once in a blue moon. The film itself is a most touching achievement, deriving its success from its examination of Whale's life in a manner that makes it compelling rather than interesting.

The best acting since Fonda in "Ulee's Gold"

I see a lot of movies. I see very few outstanding performances.

"Gods and Monsters" is that rare combination of a good story, well-told and brilliantly acted by Ian McKellen.

I was nailed to the couch during the entire video and plan to rent it again.

It's not light, air-head entertainment. It's strong in subject and substance.

For my money, McKellen has turned in one of the most astonishing performances of his (or any) career.

Brendon Fraser will surprise you, too.

I saw Judy Dench's performances in both "Mrs. Brown" and "Shakespeare in Love". She deserved the Oscar for "Mrs. Brown". She did not deserve it for "Shakespeare in Love".

Perhaps too few Academy members actually saw Lynn Redgrave's perfect portrayal of the loyal maid....or perhaps Dench's win was a kind of consolation prize for losing with "Mrs. Brown". Whatever it was, the Academy made a big mistake...huge mistake.... Redgrave was hands down the most obvious choice for Best Supporting Actress this year and her in-nearly-every-scene certainly beats the devil out of Dench's 8-9 minutes on film.

When the price goes down, this movie will be on my shelf at home and it has already made my "All-time Top Ten" list....it's that good.

Good movie but slim on the extras
Without a doubt, those who appreciate fine, character-driven films will find much to like in Bill Condon's 1988 critically acclaimed biopic on legendary horror director James Whale. Ian McKellen delivers his finest performance to date as the charming, charismatic director whose best days are behind him along with Lynn Redgrave as the doting maid and Brendan Fraser as a young gardener who strikes up a quick and quirky friendship with Whale. The beauty of this film lies in its narrow scope with its very small palette of locations and supporting characters, giving the film a very intimate feel in the close confines of the three major players along with the subtlety of their interaction.

On the disc itself all you'll get is a poorly transferred trailer and a ho-hum 30 minute featurette that offers little in the way of further value. Also disappointing is the lack of a proper Dolby 5.1 audio track - all you'll get on this shiny disc is a paltry 2.0 mono job.

A modern classic about the classics
Forget the dreadful "Shadow of a Vampire". This is the one to watch.

Here Ian McKellen possibly does his best performance to date (Yes, it is better than Gandalf but not by much!) and so does Brendan Fraser. So two actors have their best roles ever in this movie and that says a lot about the quality of this film. This one has also got a few Oscars, even though that might not say much, it is still quite an achievement given that this film is pretty much a medium budget movie with limited locations and sets.

The story is about the director James Whale who was primarily a horror director in the 1930s and 1940s. This is the story about the perils of old age, sexual discrimination, lust, anger, manipulation and love - all played out to the tune of a film that documents the reasons for this director's status as one of the all time greats.

McKellen is frighteningly real at times. He has an old-age seizure on camera that looks stunningly realistic. The man is an impeccable performer and takes on his role here like a bull by the horns. You feel sadness and grossness for him at the same time. He is a manipulator, a conman, a sexual deviant- but also a great heart. Strangely enough this film has similar themes as Lord of the Rings. Tolken wrote many of the battle scenes, especially the Dead Marshes, because of his real experiences during the war. Whale is also attributing much of his own personal horrors that he paints on his canvas (both films and portrait artwork that he makes) to these artefacts of battle. There is a lot of depth to Gods and Monsters and plenty of emotion to boot. It spans across nearly every era between the early 1900s and the 1940s. Much of it is told in flashbacks especially the making of Whale's horror films.

The plot is basically about Whale and his gardener (Fraser) and their relationship. It is a bit like asking questions and getting answers and showing a bit of skin in-between. Not only do both these actors stand out but Lynn Redgrave plays Whale's housekeeper in her best role to date too! She is an absolute side-splitting hoot and her cynicism is second to none.

It would be hard to tell you much more about the plot without giving lots of it away but let's just say that you will learn a lot about everyone in this delightful film and it does come with a shock attached towards the end as the characters move a little closer to one another. The ending is moving and filled with sadness and loss with the passing of time. You can bring a lot to this movie and take a lot of it away with you too.

This is an inspiring movie about talent, friendship and filmmaking. It is hard to find dramas much better than Gods and Monsters...

Interesting DVD of an interesting film...
The film is so interesting that the DVD capitalizes on the opportunity of further informing the viewer about the real facts behind the "fact-tion" story of director James Whale. Unfortunately the production of the special features seemed a bit rushed and "unproduced," apparently (according to the director) much the same way as the film itself. Interesting insight into the world of indie film and leaves the audience wondering what glorious heights this one might have reached had the filmmakers had ample time and resources to recognize their vision. Nonetheless, it is a beautifully acted and packaged piece...well worth the time and attention! ... Read more

Amazon.com

One of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, World War I battle trauma, and glory days in Hollywood combine with Whale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff Shannon ... Read more

Reviews (120)

Powerfully acted, psychologically mesmerizing.
At one point in "Gods and Monsters," Ian McKellan's character, James Whale, gestures to his head and remarks, "The real monsters are up here." The film spends its entire creating a way of life around this observation, portraying the last days of the well-known film director in ways that evoke humor, touching emotion, and above all else, emotionally haunting reflection on one's life.

It's a most unusual film, not completely a biopic, yet not entirely fictional; it's more of a speculation on his latter days, based on the novel "Father of Frankenstein," written by Christopher Bram. The reality of Whale's life, from his superior and delectable wit to the memories of war and Hollywood that delight and haunt him, is the basis of the novel and the film, as Whale relates them to a young gardener in whom he takes an emotional and physical interest.

The story begins by introducing us to Whale's way of life, from his slowly deteriorating health and mental state, to his luxurious home, where he lives with his maid, Hanna (Lynn Redgrave), who is caring yet keeps up a stern demeanor when it comes to his dealings in homosexuality. The presence of the new gardener, Clay Boone (Brendan Fraser), strikes a chord within Whale, who resumes his sketching by asking the young ex-Marine to pose for his drawing, offering a face-only clause as a way of quelling Clay's obvious insecurities.

The film's own openness with the issues of sexuality effectively portrays the flamboyance of its main character, who apparently saw no shame in his ways despite the resentment of homosexuality in the 1950's. The movie embodies this ignorance in Clay, who, at first, is unaware of his newfound friend's orientation. Once he discovers the truth from Hanna, his discomfort becomes even more unstable, to the point where he storms out in a rage of fury over the old man's excessive way with discomforting words. And yet, he returns to act as Whale's model, intrigued by the heartwarming and heartbreaking stories he offers as he sketches.

This is a most fragile and unsteady friendship, yet in spite of the discomfort that surrounds their bond, their is a certain degree of comfort to be found within it. This stems from director Bill Condon's avoidance of character glorification: in "Gods and Monsters," everyone has flaws. We see Whale's mood swings, his obsession with young boys in his old age, and his reluctance to recall his past; Clay also spends his time running, from his family, commitment, and stability. Ultimately, this makes their friendship mutually beneficial, allowing Clay a broader, richer view of life while allotting Whale the chance to face memories he would otherwise hide away forever.

All of this is painted in broad strokes by Condon, who employs humor, wit, and sadness into his stunning adaptation. The discomfort that arises as a result of Clay's discovery of his friend's sexuality is handled lightly in earlier scenes, slowly gaining resonance and meaning as the plot moves along its dreamlike path. Whale's memories of filming the "Frankenstein" movies are realistic in their approach, while his recollections of war and his lost love are emotionally charged. All of this is given a slow yet mesmerizing pace that allows us into the deepest subconscious of the characters, so that we not only see what is going on in their minds, but can feel it as well.

In the film's favor is its credible casting choices, most notably McKellan, who employs wit and real emotional range as Whale. Making sudden and drastic jumps from jubilant to unstable, McKellan's Whale is portrayed as someone whom we feel for, a man whose life is put into perspective in a manner that calls us to look at it with unblinking eyes. Fraser evokes a subtle sexual tension and eroticism as Clay, whose resemblance of Frankenstein's monster is the focal point of Whale's fascination. Redgrave makes a wonderful turn as Hanna, putting her wit and sarcasm to good use as the woman who embodies a maid, a wife, and a mother all at the same time.

Above all else, the most perplexing aspect of "Gods and Monsters" is its connection to Whale's film, "Frankenstein." Clay's resemblance and sense of naivety when in the presence of Whale is very much like the scene from that earlier film that this film's final scene. Seeing that final scene is to finally realize and acknowledge the film's purpose; it's one of those forceful moments in cinema that only come once in a blue moon. The film itself is a most touching achievement, deriving its success from its examination of Whale's life in a manner that makes it compelling rather than interesting.

The best acting since Fonda in "Ulee's Gold"

I see a lot of movies. I see very few outstanding performances.

"Gods and Monsters" is that rare combination of a good story, well-told and brilliantly acted by Ian McKellen.

I was nailed to the couch during the entire video and plan to rent it again.

It's not light, air-head entertainment. It's strong in subject and substance.

For my money, McKellen has turned in one of the most astonishing performances of his (or any) career.

Brendon Fraser will surprise you, too.

I saw Judy Dench's performances in both "Mrs. Brown" and "Shakespeare in Love". She deserved the Oscar for "Mrs. Brown". She did not deserve it for "Shakespeare in Love".

Perhaps too few Academy members actually saw Lynn Redgrave's perfect portrayal of the loyal maid....or perhaps Dench's win was a kind of consolation prize for losing with "Mrs. Brown". Whatever it was, the Academy made a big mistake...huge mistake.... Redgrave was hands down the most obvious choice for Best Supporting Actress this year and her in-nearly-every-scene certainly beats the devil out of Dench's 8-9 minutes on film.

When the price goes down, this movie will be on my shelf at home and it has already made my "All-time Top Ten" list....it's that good.

Good movie but slim on the extras
Without a doubt, those who appreciate fine, character-driven films will find much to like in Bill Condon's 1988 critically acclaimed biopic on legendary horror director James Whale. Ian McKellen delivers his finest performance to date as the charming, charismatic director whose best days are behind him along with Lynn Redgrave as the doting maid and Brendan Fraser as a young gardener who strikes up a quick and quirky friendship with Whale. The beauty of this film lies in its narrow scope with its very small palette of locations and supporting characters, giving the film a very intimate feel in the close confines of the three major players along with the subtlety of their interaction.

On the disc itself all you'll get is a poorly transferred trailer and a ho-hum 30 minute featurette that offers little in the way of further value. Also disappointing is the lack of a proper Dolby 5.1 audio track - all you'll get on this shiny disc is a paltry 2.0 mono job.

A modern classic about the classics
Forget the dreadful "Shadow of a Vampire". This is the one to watch.

Here Ian McKellen possibly does his best performance to date (Yes, it is better than Gandalf but not by much!) and so does Brendan Fraser. So two actors have their best roles ever in this movie and that says a lot about the quality of this film. This one has also got a few Oscars, even though that might not say much, it is still quite an achievement given that this film is pretty much a medium budget movie with limited locations and sets.

The story is about the director James Whale who was primarily a horror director in the 1930s and 1940s. This is the story about the perils of old age, sexual discrimination, lust, anger, manipulation and love - all played out to the tune of a film that documents the reasons for this director's status as one of the all time greats.

McKellen is frighteningly real at times. He has an old-age seizure on camera that looks stunningly realistic. The man is an impeccable performer and takes on his role here like a bull by the horns. You feel sadness and grossness for him at the same time. He is a manipulator, a conman, a sexual deviant- but also a great heart. Strangely enough this film has similar themes as Lord of the Rings. Tolken wrote many of the battle scenes, especially the Dead Marshes, because of his real experiences during the war. Whale is also attributing much of his own personal horrors that he paints on his canvas (both films and portrait artwork that he makes) to these artefacts of battle. There is a lot of depth to Gods and Monsters and plenty of emotion to boot. It spans across nearly every era between the early 1900s and the 1940s. Much of it is told in flashbacks especially the making of Whale's horror films.

The plot is basically about Whale and his gardener (Fraser) and their relationship. It is a bit like asking questions and getting answers and showing a bit of skin in-between. Not only do both these actors stand out but Lynn Redgrave plays Whale's housekeeper in her best role to date too! She is an absolute side-splitting hoot and her cynicism is second to none.

It would be hard to tell you much more about the plot without giving lots of it away but let's just say that you will learn a lot about everyone in this delightful film and it does come with a shock attached towards the end as the characters move a little closer to one another. The ending is moving and filled with sadness and loss with the passing of time. You can bring a lot to this movie and take a lot of it away with you too.

This is an inspiring movie about talent, friendship and filmmaking. It is hard to find dramas much better than Gods and Monsters...

Interesting DVD of an interesting film...
The film is so interesting that the DVD capitalizes on the opportunity of further informing the viewer about the real facts behind the "fact-tion" story of director James Whale. Unfortunately the production of the special features seemed a bit rushed and "unproduced," apparently (according to the director) much the same way as the film itself. Interesting insight into the world of indie film and leaves the audience wondering what glorious heights this one might have reached had the filmmakers had ample time and resources to recognize their vision. Nonetheless, it is a beautifully acted and packaged piece...well worth the time and attention! ... Read more

Description

Ian Richardson stars as Sherlock Holmes, the World's Greatest Detective, in a spine-tingling murder mystery filled to the bloody brim with peg-legged killers, poisonous pygmies, boat chases, carnivals and sudden merciless extinction, all tied to a king's ransom in jewels known as the Great Agra Treasure! With the faithful and resourceful Dr. Watson by his side and the beautiful Miss Mary Morstan, a delectable damsel in distress, it's up to the human bloodhound known as Sherlock Holmes, with the help of a remarkable canine called Toby, to unravel the puzzle and find the stolen fortune before The Sign of Four claims yet another victim! ... Read more

Description

Thaddeus Mackenzie (Chamberlain), a wealthy lawyer, learns that he is dying and decides to sell all of his property and visit his old friend Allen Hayden (Imperioli).Allen is a struggling artist with a passion for life who once survived by working the streets, but now is romantically involved with Eva, a wealthy European gallery owner living in L.A. Thaddeus implores Allen to find Jamie (Duval), a young street hustler that Thaddeus had once tried to rescue.Allen returns to the streets to face the dark corners of his past where he must choose between what he left behind and the uncertainty that lies ahead. ... Read more

Reviews (9)

THIS MOVIE IS AWFUL!
I rented this movie on .99 cents night and it wasn't worth it. It wasn't worth the drive to the video store. Ugh!

Beyond Dreadful!!!!
I blindly picked up this turkey (without knowing anything about it) from the used rack of a Blockbuster store several months ago. I brought the DVD home and proceeded to get information on it via the internet. Amazon was my first stop and I must admit to nearly crying after reading the terrible reviews of others who had already seen the film - I hate casting money to the wind!!! But, I decided to watch the film anyway and form my own opinion about its quality. Well, this has to be one of the worst scripted, worst edited, worst scored and most poorly acted horrors I've ever seen. Richard Chamberlain's acting was so bad that I couldn't help wonder if he had taken laxatives throughout the production and was overacting because he really, really had to get to a bathroom!! He was abyssmal!! I recommend you rent this dreadful film if you're really intent on seeing it. Please, please don't waste your money buying it.

Love, sex and death in the 90's
For reasons unknown to me, director James Merendino signed this film as Allen Smithee, a usual sign of discomfort with the final product, or meaning a clash between producers and director. Although producer Jon Powell appears twice in an important role, it is still strange because `River Made To Drown In' is a very good film that in its own way conveys the same feeling of despair and love for youth-as-art found in `Death in Venice' but in the 90s. Written by Paul Marius (who plays the owner of a sex club), it is a perceptive look at the relationship between young male prostitutes and their much older clients (`johns'). These are usually men beyond their 60s who still seek quick and impersonal sex among young guys who could care less for their old-age anguish. Richard Chamberlain plays Thaddeus MacKenzie, an old lawyer with AIDS, who wants to spend his last days with the only two persons he loved, two young hustlers. Allen Hayden (Michael Imperioli) has changed his life style and has become an artist. He is having an affair with Eva (Ute Lemper), a wealthy gallery owner who knows nothing about his past. The other one is even younger, Jaime (James Duval), the son of an ex model and a Buddhist monk, who wants to raise enough money to go visit his father. It is interesting that a young man like Marius, has come with an incisive story and some keen dialogues that could have been written by someone older and perhaps `wiser'. What makes the Allen Smithee credit more intriguing is that Merendino is a filmmaker with real talent for directing actors, for composition, and with a good eye for expressing the inherent affective dislocation of the story. He receives good help from cinematographer Thomas Callaway, whose angles, use of cranes, hand-held camera or play with depth of field, convey the distortion of these people's lives. On the other hand, editor Esther P. Russell has made a very good job to suggest the fragmentation of the daily experience of these persons. Her cross-cutting between different scenes transforms dialogues to an extent that they have greater meaning because of her editing: take, for example, the dialogue between Thaddeus and Eva on a bench, while both Allen and Jaime are involved in different places, in unpleasant situations with clients. There is no place for silly sentimentality or gratuitous sex scenes here (unless they have been cut), although the story is about love and sex between men: it is an almost heartless film, as most of the characters are. But even then, Merendino and Marius show real affection for these people, and have made a very rewarding and intelligent feature on the hustler scene.

The Absolute Worst!!!
The pits! Cast as dying attorney in the final throes of AIDS, a way-over-the-top Richard Chamberlain decides to use his last days to make peace (so to speak) with two young male hustlers whom he'd hired ten years earlier. (Never mind that the younger of the two would have been a child at the time!) Needless to say, neither of the hustlers is particularly eager to see this former client agent--and who can blame them? As portrayed by Chamberlain, this annoying old queen (supposedly a top lawyer!) would give Truman Capote a run for his money in the flamboyance department.

Talky, with little action, this truly awful movie seems like a feature-length death watch that seems to go on forever. And when Chamberlain finally does expire, the movie takes a turn for the weird, treating audiences to a softcore post-death epilogue--a fast montage of the two hustlers (one of whom has been retired for years) plying their trade in group sex interludes with variety of skanky old geezers. HUH??? (If this sounds interesting, it isn't).

No wonder director James Merendino (hiding here under the name "Alan Smithee," a pseudonym synonymous for screen stinkeroos) demanded to have his name removed from the film. If the cast was smart, they'd have demanded the same privilege--and insisted upon having their images digitally erased, to boot.

Wonderful
Very well done. Loved every minute of it. However it is a matter of taste as to whether on not you will like it. More than one of the characters really hit home with me. Certainly much better than many of the movies out there which are full of the same old boring young straight predicable characters. ... Read more

Reviews (2)

If you have to see Quicksand, rent it -- don't buy it!
This is one of the very worst movies I have ever watched. I am surprised the US Marine Corps has not sued the producers and studio for defamation of character. Plus, the actors can't act and the story author can't write.

If you must see it -- rent; don't waste your money buying it
This has to be one of the worst movies in years. I am surprised the US Marine Corp doesn't sue for defamation of character. They should have hired someone that knew something about military unifroms, insignia, customs and courtesies, bases, and on and on. And saying that, they should have hired actors and writers too. ... Read more