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| 1. Clerks (Collector's Edition) Director: Kevin Smith | |
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Reviews (359)
The dialog from writer/director Kevin Smith carries the movie as there is little action, but it works. You get a sense that the characters are real people as opposed to many movies in which the characters are empty and emotionless. Dante and Randall are smart and witty, and you get the sense that they have some kind of great talent that they don't know what to do with. Dante is especially unsure of what he wants to do with his life, and it takes Randall to point him towards the source of his problems. Anyone who has worked retail (including me) can relate to some of the annoying customers and how at times the job can become mind-numbingly and painfully boring. I will not spoil the most notable scene for those that haven't seen the film. It happens off screen, but will still leave you with a look of shock when you find out what happened. Clerks is not for those who are easily offended by strong language or those uncomfortable with talk about sex (including "snowballing" and deadly means of self-gratification). But the movie works without resorting to crude, sickening humor. And of course, the infamous Jay and Silent Bob make their debut. This is a must-see for Kevin Smith fans and a great place to start if you want to get into Kevin Smith's work.
If you've ever worked as a 'clerk', then you'll really identify with this film. I'm currently working as a waitress, so I didn't identify so much with Dante (although I do get a lot of stupid questions), but I did see a lot of a guy I know, who works in a video store, in Randal, the video store clerk! Much of his lines resulted in me laughing out loud, and saying that they were exactly the same! (Or I imagine them to be the same). My favourite line has to be where Dante says to Randal that he has a customer, and he turns round, with this expression on his face, and says "What? What do you want?" This was one of the first outings for Jay & Silent Bob, who are both legends. I already have Chasing Amy, Dogma, and now this on DVD, and am now after Jay & Silent Bob Strike Back (I've seen it, just don't have it), and Mallrats. Both of which are proving very hard to get hold of, particularly Mallrats. I officially love Silent Bob (played by Kevin Smith), and despite him speaking in nearly every film in which he plays Silent Bob, I still get a shock when he does speak! This film is very low budget, and filmed entirely in black & white - which really annoyed me, as I thought my DVD player had gone wrong! (I've actually watched a whole film in black & white - 8 Mile - thinking it was actually in black & white, but my DVD player had decided to be stupid) The entire production costs for this film were $26,800. Combined, the cost of Clerks production and soundtrack was $50,000. This is approximately the cost per second of making Titanic! Also, there are not a lot of sets, and there are a lot of the same actors included. It's very much a film involving two main characters, who talk back & forth. It can get quite tedious, between funny lines, and Jay dancing and singing (yeh!) yet again! There's an alternate ending on the DVD, but I have to say I preferred the original ending. There are also a lot of deleted scenes, with introductions from Kevin Smith. I tend to skip most of these, as boy, does this guy like the sound of his own voice! There are some terrific and extremely quotable lines (if only I could remember them, to quote to people!) in this! Some of the best are: Dante Hicks: Are there any balls down there? Randal Graves: You know who I could do without? I could do without the people in the video store. Jay: Noinch, Noinch, Noinch, Schmokin Weed, Schmokin' Weed, Doin' Coke, Drinkin' Beers... There's a few more, but I suppose it depends on your sense of humour. Despite being a little slow, this is a good film, although not as good as Dogma (my fave Jay & Silent Bob flick). Just prepare yourself for some tedious dialogue, including lots of s*x and Star Wars talk! ... Read more | |
| 2. Chasing Amy - Criterion Collection Director: Kevin Smith | |
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Description Reviews (355)
One of the BEST love declaration speeches in movie HISTORY is in this movie, when Holden spills his cuts (in the rain, no less) to Alyssa. That scene sums up the whole movie. It's just such a good movie. Supporting cast includes the performance of Fan Fav. "Jay and Silent Bob" in a wonderful moment that sums it all up. Truly inspired writing on Smith's part. I hope everyone appreciates it like I do. It's fabulous!
The main plotline made no sense whatsoever. There was no chemistry between Ben and Joey's characters, and suddenly, after about 10 minutes, he found himself deeply in love with her and had to make a 5 minute confession to her. Then it turns out she, a former lesbian, was in love with him all along too, and suddenly they're kissing in the rain. There was no build-up to this, and as such I felt nothing for their relationship or anything they were going through. The drawn-out monologues in the movie are pretty silly as well. The characters talk at each other for long periods of time while the others just stare at them blankly. (Ben Affleck has indeed mastered the blank, gaping stare.) And parts of the movie are so silly that I wasn't sure if any of the movie was supposed to be taken seriously at all. Sometimes it seems it has a message, but then it's just stupid. It was kind of entertaining at times, and the supporting characters were amusing. So that's why it got 2 stars. But overall it was a pretty bad movie.
This film the third release in the Jersey "trilogy" (quintilogy to be exact) is also the one where Silent Bob speaks more than any other release. In this film,(Ben Affleck) a comic book artist falls in love with young women who is also a comic book artist, only to discover that she is lesbian. The film is not for children and like the film "Clerks" almost got an NC-17 rating based solely on sexual dialog. The Criterion DVD has numerous special features. The Criterion Collection remains the exclusive distributer for the film's DVD format as of the time this review is being written.
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| 3. Clerks (10th Anniversary Edition) | |
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Reviews (359)
The dialog from writer/director Kevin Smith carries the movie as there is little action, but it works. You get a sense that the characters are real people as opposed to many movies in which the characters are empty and emotionless. Dante and Randall are smart and witty, and you get the sense that they have some kind of great talent that they don't know what to do with. Dante is especially unsure of what he wants to do with his life, and it takes Randall to point him towards the source of his problems. Anyone who has worked retail (including me) can relate to some of the annoying customers and how at times the job can become mind-numbingly and painfully boring. I will not spoil the most notable scene for those that haven't seen the film. It happens off screen, but will still leave you with a look of shock when you find out what happened. Clerks is not for those who are easily offended by strong language or those uncomfortable with talk about sex (including "snowballing" and deadly means of self-gratification). But the movie works without resorting to crude, sickening humor. And of course, the infamous Jay and Silent Bob make their debut. This is a must-see for Kevin Smith fans and a great place to start if you want to get into Kevin Smith's work.
If you've ever worked as a 'clerk', then you'll really identify with this film. I'm currently working as a waitress, so I didn't identify so much with Dante (although I do get a lot of stupid questions), but I did see a lot of a guy I know, who works in a video store, in Randal, the video store clerk! Much of his lines resulted in me laughing out loud, and saying that they were exactly the same! (Or I imagine them to be the same). My favourite line has to be where Dante says to Randal that he has a customer, and he turns round, with this expression on his face, and says "What? What do you want?" This was one of the first outings for Jay & Silent Bob, who are both legends. I already have Chasing Amy, Dogma, and now this on DVD, and am now after Jay & Silent Bob Strike Back (I've seen it, just don't have it), and Mallrats. Both of which are proving very hard to get hold of, particularly Mallrats. I officially love Silent Bob (played by Kevin Smith), and despite him speaking in nearly every film in which he plays Silent Bob, I still get a shock when he does speak! This film is very low budget, and filmed entirely in black & white - which really annoyed me, as I thought my DVD player had gone wrong! (I've actually watched a whole film in black & white - 8 Mile - thinking it was actually in black & white, but my DVD player had decided to be stupid) The entire production costs for this film were $26,800. Combined, the cost of Clerks production and soundtrack was $50,000. This is approximately the cost per second of making Titanic! Also, there are not a lot of sets, and there are a lot of the same actors included. It's very much a film involving two main characters, who talk back & forth. It can get quite tedious, between funny lines, and Jay dancing and singing (yeh!) yet again! There's an alternate ending on the DVD, but I have to say I preferred the original ending. There are also a lot of deleted scenes, with introductions from Kevin Smith. I tend to skip most of these, as boy, does this guy like the sound of his own voice! There are some terrific and extremely quotable lines (if only I could remember them, to quote to people!) in this! Some of the best are: Dante Hicks: Are there any balls down there? Randal Graves: You know who I could do without? I could do without the people in the video store. Jay: Noinch, Noinch, Noinch, Schmokin Weed, Schmokin' Weed, Doin' Coke, Drinkin' Beers... There's a few more, but I suppose it depends on your sense of humour. Despite being a little slow, this is a good film, although not as good as Dogma (my fave Jay & Silent Bob flick). Just prepare yourself for some tedious dialogue, including lots of s*x and Star Wars talk! ... Read more | |
| 4. Jay and Silent Bob Strike Back (Dimension Collector's Series) Director: Kevin Smith | |
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Reviews (426)
Director: Kevin Smith Cast: Jason Mewes ... Jay Tagline: "Hollywood had it coming." Plot Summary: Jay and Silent Bob must travel to Hollywood to stop production on the movie adaptation of Bluntman and Chronic. Review and Comments: Don't ask why, just sit back and enjoy the ride. Or don't enjoy it. This movie is one huge "in joke" for people who enjoyed the movies Clerks, Mallrats, Chasing Amy, and Dogma...particularly the first three. And it helps if you have a working knowledge of Hollywood inside jokes and United States Popular Culture. This isn't just a "Jay and Silent Bob" movie, it's a send-up of movies and filming in general. Basically, what happened here was that Kevin Smith decided to make one long movie about the characters of Jay and Silent Bob, the annoying stoner and his usually silent sidekick that will be familiar to fans (and anti-fans) of Smith's films. If you've watched the movies and you know that the characters annoy you, it's a safe bet that this movie will annoy you even more. If you think the movie might be fun, watch it. Jay and Silent Bob aren't alone here. There's a long list of actors reprising their various roles from earlier Smith films, and they appear at different points throughout the journey. Oh yeah...the journey...there is a story here, however slight. There's a movie being made about the Bluntman and Chronic comic. Jay and Silent Bob find out that people on the internet are bad mouthing the movie and the characters, so they travel to Hollywood to stop production on the movie before it can ruin their reputations. Or something like that. Along the way, they meet up with various side characters, including a group of girls traveling in a van fulfilling virtually every Charlie's Angel's joke you ever dreamed of. Jay falls in love with one of the girls. She loves him. There's an orangutan involved... Listen. If you've read this far, you know what kind of movie it is. It's not pretending to be good (in fact, there's a running joke about just how bad this movie actually is that continues throughout the actual movie). It's one joke after another, a lot of them miss, but there's enough jokes to ensure that some of them will be funny. After watching several serious movies and immersing myself in Kevin Smith films for the past few weeks, I appreciated this movie. What else can I say? The Bottom Line: Strictly for those who are fans of the characters.
The story is the trials and tribulations the dynamic duo go through to prevent the Bluntman and Chronic movie from being made due to reviews at a random internet site by people who are self styled movie critics. During the course of the film they duo are duped into breaking into an animal testing lab and stealing an orangutang, falling in love, going across country, and ultimately leading to redemptions. If you're a Kevin Smith fan, you'll enjoy the comedy in the movie as it's run of the mill Kevin Smith humor, and of course his shots at general pop culture, along with influences of his in filmmaking are always a good reason to watch it.
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| 5. Dogma (Special Edition) Director: Kevin Smith | |
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Reviews (616)
Thankfully, the sins of "Dogma" are far outweighed by its virtues. Smith's script is hilarious, thought-provoking, and ultimately touching. To act it out, he's rounded up a top-notch cast that brings genuine life to their roles. Brainy bombshell Linda Fiorentino is Bethany, chosen seemingly at random by the sarcastic angel Metatron (Alan Rickman) to work for God. Her mission: to stop a pair of fallen angels (Ben Affleck and Matt Damon) from exploiting a Catholic Church loophole that will get them back into Heaven. If they do, they'll prove God wrong, thus erasing everything He/She has created. Bethany's reluctant allies in her quest include Chris Rock as Rufus, the unrecorded 13th apostle, kicked out of Earth, Heaven and history for rightly insisting that Jesus was black; Salma Hayek as a Muse with a heavenly body and a brain to match; and everyone's favorite potheads Jay and Silent Bob (Jason Mewes and Smith.) Fiorentino gives yet another great performance, contrasted nicely by Rickman's sad, exasperated angel. Affleck and Damon's menacing twist on their pretty-boy images is genuinely disturbing. Mewes is reliably funny as the imbecilic Jay, and Smith shows perfect comic timing and impressive range as Silent Bob. The story mostly coasts along on a vast supply of smart-alec wit, but a few scenes rise above the rest: an unnerving parking-garage confrontation between Affleck and Damon, and a quiet lakeside chat between Fiorentino and Rickman. "Dogma" also scores points for keeping most of its script's excessive violence stylishly offscreen. Bottom line: "Dogma" is not a well-made film, but it is a good one. You will laugh loudly and often, and come away with a greater respect for the power of faith and the importance of believing in something greater than yourself. Film fans take note: in October 2000 View Askew will release the "collector's edition" of this film, with more than an hour of cut footage and plenty of other extra goodies.
But it is amusing to see a horde of reviewers call this clever and thoughtful. Sorry folks, the film's troop of eccentric characters do very little to bail it out of its convoluted ramble about theology. When it comes to intellectual muck-raking, the film with its doozy "loophole" simply drowns under the weight of diminishing returns. Religion is not an intellectual exercise, it's role is to fulfill spiritual, psychological and emotional needs in our lives. A person needs his world to make some sense to them, and religion can comfort with answers that science can not yet provide. If on the other hand you're game for some tongue-in-cheek degenerative humor (for example, giant monsters of bubbling human excrement) sure, this may be right up your alley. Just make sure you have plenty of time as the circus goes on for a while.
Anyway. The general hype looked promising. A film that pokes fun at Catholicism. I popped in the DVD and waited. And waited. And waited. Let's see: there were excrement demons, a black apostle, some homicidal angels ... but where was the satire? It's a shame. This film would have worked better as a comedy. That is, if the writer/director(s) had said, hey, let's make this humorous. Throw in some jokes, some laughs. After all, they had Chris Rock. The idea of a black apostle is sort of funny; why not make it intentionally funny? They had George Carlin; why not make him say some funny lines? Why not have those two *write* some funny lines? But no. As it is, I'm not sure what the film really is. The heroine's deadpan, bored delivery might be a clue. Apparently some viewers thought it was a satire or comedy, but perhaps it's sarcasm. Or just plain meanness, trying to convince others to suffer through this tedious film. Or maybe - maybe they really thought it was funny - no, wait, I'm starting to entertain really wacky thoughts here. Borrow, don't buy. ... Read more | |
| 6. Dogma Director: Kevin Smith | |
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Amazon.com Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but aless-than-stellar director. --Mark Englehart Reviews (616)
Thankfully, the sins of "Dogma" are far outweighed by its virtues. Smith's script is hilarious, thought-provoking, and ultimately touching. To act it out, he's rounded up a top-notch cast that brings genuine life to their roles. Brainy bombshell Linda Fiorentino is Bethany, chosen seemingly at random by the sarcastic angel Metatron (Alan Rickman) to work for God. Her mission: to stop a pair of fallen angels (Ben Affleck and Matt Damon) from exploiting a Catholic Church loophole that will get them back into Heaven. If they do, they'll prove God wrong, thus erasing everything He/She has created. Bethany's reluctant allies in her quest include Chris Rock as Rufus, the unrecorded 13th apostle, kicked out of Earth, Heaven and history for rightly insisting that Jesus was black; Salma Hayek as a Muse with a heavenly body and a brain to match; and everyone's favorite potheads Jay and Silent Bob (Jason Mewes and Smith.) Fiorentino gives yet another great performance, contrasted nicely by Rickman's sad, exasperated angel. Affleck and Damon's menacing twist on their pretty-boy images is genuinely disturbing. Mewes is reliably funny as the imbecilic Jay, and Smith shows perfect comic timing and impressive range as Silent Bob. The story mostly coasts along on a vast supply of smart-alec wit, but a few scenes rise above the rest: an unnerving parking-garage confrontation between Affleck and Damon, and a quiet lakeside chat between Fiorentino and Rickman. "Dogma" also scores points for keeping most of its script's excessive violence stylishly offscreen. Bottom line: "Dogma" is not a well-made film, but it is a good one. You will laugh loudly and often, and come away with a greater respect for the power of faith and the importance of believing in something greater than yourself. Film fans take note: in October 2000 View Askew will release the "collector's edition" of this film, with more than an hour of cut footage and plenty of other extra goodies.
But it is amusing to see a horde of reviewers call this clever and thoughtful. Sorry folks, the film's troop of eccentric characters do very little to bail it out of its convoluted ramble about theology. When it comes to intellectual muck-raking, the film with its doozy "loophole" simply drowns under the weight of diminishing returns. Religion is not an intellectual exercise, it's role is to fulfill spiritual, psychological and emotional needs in our lives. A person needs his world to make some sense to them, and religion can comfort with answers that science can not yet provide. If on the other hand you're game for some tongue-in-cheek degenerative humor (for example, giant monsters of bubbling human excrement) sure, this may be right up your alley. Just make sure you have plenty of time as the circus goes on for a while.
Anyway. The general hype looked promising. A film that pokes fun at Catholicism. I popped in the DVD and waited. And waited. And waited. Let's see: there were excrement demons, a black apostle, some homicidal angels ... but where was the satire? It's a shame. This film would have worked better as a comedy. That is, if the writer/director(s) had said, hey, let's make this humorous. Throw in some jokes, some laughs. After all, they had Chris Rock. The idea of a black apostle is sort of funny; why not make it intentionally funny? They had George Carlin; why not make him say some funny lines? Why not have those two *write* some funny lines? But no. As it is, I'm not sure what the film really is. The heroine's deadpan, bored delivery might be a clue. Apparently some viewers thought it was a satire or comedy, but perhaps it's sarcasm. Or just plain meanness, trying to convince others to suffer through this tedious film. Or maybe - maybe they really thought it was funny - no, wait, I'm starting to entertain really wacky thoughts here. Borrow, don't buy. ... Read more | |
| 7. Clerks - The Animated Series Uncensored Director: Steve Loter, Chris Bailey | |
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Amazon.com The episodes feature store clerks Dante and Randal and their ongoing adventures among the shelves of your local corner store. Never far from the epicenter of these adventures are the irreverent Jay and Silent Bob. Whether it's getting trapped in the walk-in cooler, attending their high school reunion, or fighting rival Leonardo Leonardo (who wants to dominate the local Quick Mart market), Clerks spoofs TV and movies with mocking pop-culture jokes and cameos by a number of celebrities. Ultimately, though, Clerks: The Animated Series suffers at the hands of network censors, lacking the obnoxious punch that made Clerks the film so offbeat and amusing. Smith doesn't disappoint, however, with the inclusion of a number of special features on the DVD set, most notably the ever-insightful director's commentary with guests Jason Mewes (Jay), Brian O'Halloran (Dante), and Jeff Anderson (Randal).So while the series itself may be ill-fated, featurette on the making of the animated series--including storyboards and information on character development and the comic book influence on the drawing style--make this a robust offering for Kevin Smith completists. --Adam Medros Reviews (126)
I loved each episode of it and I curse ABC for canceling it after only two episodes. ABC is really the reason why some people didn't like the show. ABC forced the creators to change just about everything that made Clerks what it was. For instance, in the Kevin Smith movies, Jay & Silent Bob are drug dealers, whilst in the show, they are firecracker salesman. Jay & Silent Bob are still pretty funny, but it's weird to see them put in such a ridiculous means of employment. Overall, I seem to like the show of Clerks better than the movie itself and enjoyed how Charles Barkley was almost in every episode. If you're looking for a show that is just like the movie, you won't find it here. However, if you're looking for a show that is pretty funny and you're open-minded about it, then I'm willing to bet that you'll like this show.
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| 8. Vulgar (Unrated Edition) Director: Bryan Johnson | |
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Reviews (53)
This cheaply made movie (which "Dogma" writer-director Kevin Smith helped produce and has a small role in as well) is not without its merits. The script is better than you might expect and writer-director Bryan Johnson shows a knack for conveying the obscenities of human behavior, showing just enough to make our flesh crawl (though he may have shown more in the unrated version). But the acting is second rate (it should be noted, however, that O'Halloran delivers a fearless performance) and you never buy the main character's success as a syndicated children's TV star. There have been public access shows with higher production values. And even when it seems justice is served, it's hardly triumphant. By the end of this movie you're left feeling less like an audience member and more like an accessory to a crime.
That said, I was quite impressed. I rented it not really knowing what to expect; I mean, the only View Askew works I'd seen thus far were Kevin Smith's, but I could tell this would not be the same comedy fare just by looking at the cover. I think it's important that you do not expect to laugh while watching this movie; there are a handful of funny scenes, but that's not really what Vulgar is about. Brian O'Halloran gives an amazing performance in this movie; I don't think many actors would be brave enough to take on the role of Flappy/Vulgar. For the most part, all the actors are very believable, which is necessary in a film portraying a reality this stark. The cinematography was superb, and the script was well-thought out and solid. Some of the sets were a little drab and lackluster, but I won't hold that against it... hey, it's an indie film. All that said, Vulgar is a twistedly brilliant film, but it's not for the faint of heart. The final 10 minutes of the film really had my blood pumping - kept me guessing. I recommend you rent it first and test the waters before you buy it.
Hopefully We can get Kevin Smith to change his mind about the end of Jay and Silent Bob. ... Read more | |
| 9. Dogma / An Evening with Kevin Smith Director: Kevin Smith | |
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Amazon.com An Evening with Kevin Smith | |
| 10. Moby Presents: Alien Sex Party Director: Paul Yates (II) | |
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Description Reviews (8)
It's a great film and DAMN funny. Great script, great cast, great everything. Just buy the damn thing and watch it.
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| 11. Drop Dead Roses Director: Jessica Hudson | |
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Reviews (1)
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| 12. Vulgar Director: Bryan Johnson | |
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Reviews (53)
This cheaply made movie (which "Dogma" writer-director Kevin Smith helped produce and has a small role in as well) is not without its merits. The script is better than you might expect and writer-director Bryan Johnson shows a knack for conveying the obscenities of human behavior, showing just enough to make our flesh crawl (though he may have shown more in the unrated version). But the acting is second rate (it should be noted, however, that O'Halloran delivers a fearless performance) and you never buy the main character's success as a syndicated children's TV star. There have been public access shows with higher production values. And even when it seems justice is served, it's hardly triumphant. By the end of this movie you're left feeling less like an audience member and more like an accessory to a crime.
That said, I was quite impressed. I rented it not really knowing what to expect; I mean, the only View Askew works I'd seen thus far were Kevin Smith's, but I could tell this would not be the same comedy fare just by looking at the cover. I think it's important that you do not expect to laugh while watching this movie; there are a handful of funny scenes, but that's not really what Vulgar is about. Brian O'Halloran gives an amazing performance in this movie; I don't think many actors would be brave enough to take on the role of Flappy/Vulgar. For the most part, all the actors are very believable, which is necessary in a film portraying a reality this stark. The cinematography was superb, and the script was well-thought out and solid. Some of the sets were a little drab and lackluster, but I won't hold that against it... hey, it's an indie film. All that said, Vulgar is a twistedly brilliant film, but it's not for the faint of heart. The final 10 minutes of the film really had my blood pumping - kept me guessing. I recommend you rent it first and test the waters before you buy it.
Hopefully We can get Kevin Smith to change his mind about the end of Jay and Silent Bob. ... Read more | |
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