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| 1. Visual Bible - Acts Director: Regardt Van Den Bergh | |
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| 2. Summer of '42 Director: Robert Mulligan | |
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Reviews (25)
The Summer of '42 has its moments. The final love scene is beautifully done and the "making love" between Hermie and Dorothy is effectively contrasted with the "making out" between Oscy and Miriam. But the script is stilted, and the acting is wooden. I could have forgiven stilted dialogue between Hermie and Dorothy as a sign of Hermie's nervousness and uncertainty, but the dialogue between the three boys also seemed completely unnatural. There are a few effective reaction shots of Gary Grimes (Hermie) that do a good job of letting us see his longing and innocence, but he destroys this effect each time he opens his mouth. I think it is no surprise that we have seen nothing of Gary Grimes since he grew up and lost his youthful beauty. The voice-over narration and final letter seemed like cheap tricks. The gauzy atmospheric camera work was as cloying as the swelling strings. There were obvious continuity problems. For example, Hermie and Oscy have very short shadows when Hermie leaves his house to meet Dorothy, so it is clearly the middle of the day. But it is dusk when he arrives at the cabin, which makes no sense unless it is a six hour walk. I'd suggest renting rather than buying. If you like romantic coming of age stories, the love scene will scratch that itch. Unfortunately, it comes after 90 minutes of terrible acting.
But even as the three friends goof around on lazy summer days, the war's effects will soon touch the more serious and sensitive 15-year-old Hermie. He finds himself falling in love with the beautiful Dorothy (Jennifer O'Neill), who is seven years older and married. He worships her from afar, enduring both his friends' merciless teasing and his own confusion about his feelings. But when Dorothy's husband Pete goes overseas to enter the fray, Hermie befriends Dorothy, helping her with chores such as carrying her groceries to her house on the beach and placing boxes in the attic. At the same time, the more rambunctious Oscy (and Hermie's best friend) is trying very hard to pick up girls and lose his virginity, and he makes it his mission in life to help Hermie do the same. So he copies information from a medical book that Benjie says "belongs to the house" where he spends the summer. Oscy also attempts to set up a date for the "terrible trio" at the movies, but that almost falls apart when Benjie and the third girl don't want to go. I don't want to give away what happens next, but it's pretty funny. But the heart of the movie revolves, as many reviewers have said, around Hermie's love for Dorothy, and how he comes to manhood unexpectedly when Dorothy finds out that her husband has been killed in action. It's a beautiful, discreet and bittersweet sequence, and will leave the viewer with indelible memories of a haunting, timeless experience. I like Summer of '42 because it is sweet and gentle, hilarious at times, and always very touching. Michel Legrand's Oscar-winning score is simple yet evocative, and Herman Raucher's screenplay was later adapted by the writer into a best selling novel. I recommend this film to young and old alike as a fine example of what a coming-of-age movie should be like.
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| 3. Rio Lobo Director: Howard Hawks | |
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Reviews (11)
John Wayne is moving from leading man with love interest to lovable old coot. Jorge Rivera takes over as the hunk. This is early in his acting career and very early in his English, but he's a doll to look at and OBTW, he does an outstanding leap over a fence. Christopher Mitchum looks very much like his father, and the chemistry between him and Wayne is similar to that of his father and Wayne (see Bob in El Dorado and Chris later in Big Jake). This was Jennifer O'Neal's first movie, and it shows. But Wayne was famous for introducing new actors, even when it was clear they needed practice. Must have been because of the way Wayne himself was mentored in the 30s by John Ford, et. al. Watch his early work and see his own improvement. Sherry Lansing was sexy and later vengeful. In the latter role, she, too, chewed up the scenery. She could have had a respectable acting career, but chose to shatter the movie mogul glass ceiling instead, and more power to her. Then there's the scene stealers. David Huddleston can steal one just by being in it. Victor French is both scary and a coward simultaneously, a hard combination, but he can certainly pull it off. Hank Worden only had one scene, but he's as neat as ever. And finally, Jack Elam was a scenery chewing, crazy eyed loonie, with some of the funniest lines in the whole movie. No, it's not the best, but I like it. It will always be in my personal movie stash.
The Duke is great once again as Cord McNally, the Union colonel in pursuit of traitors. Jorge Rivero is awkward as Pierre "Frenchy" Cordona, the Confederate guerilla who helps Wayne. I don't know whether it is actually Rivero talking or someone dubbing his lines in, but it just sounds funny. Joining them are Jennifer O'Neill, Christopher Mitchum, Jack Elam, and Victor French. Elam is great as usual in his role as the eccentric old man in the town. The DVD has a good widescreen presentation that looks cleaned up compared to the one shown on TBS. Otherwise, there isn't any extras added on. This was Howard Hawks last western, and he made a good one. Good story and exciting action. Deserves a watch if nothing else for those who haven't seen this late Duke western!
Duke, as usual, delivers a fine performance. The similarities in plot line to El Dorado and Rio Bravo are obvious, but Hawks again does a very nice job. Jack Elam's character really saves this movie, though, because the middle is downright slow. Overall, not John Wayne's best, but good. ... Read more | |
| 4. Time Changer Director: Rich Christiano | |
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Amazon.com Reviews (50)
The basic device of the movie is a little silly, that someone in the 19th century could develop a time machine, but we've seen a lot worse in sci-fi before. A seminarian, Dr. Russell Carlisle, is sent forward in time by his friend to show him the dangers of his upcoming book's message: that ethics can be separated from Christ. Carlisle, played by D. David Morin, discovers a moral-relative world, much to his shock. Theologically speaking, the movie lacks any sublety. You know exactly what the theme of the movie is, and it's often hammered down hard. That tends to distract from the other aspects of the movie, but it does parallel with the plot of Dr. Carlisle's book. I have to add Morin's acting is a little wooden at times. (My wife likened him to Mr. Data from "Star Trek.") He does a much better job with his facial expressions and gestures, as he adapts to the modern world, in what is often quite amusing misadventures. So, while it's not the absolute best Christian movie made in recent years (I'd give "The Omega Code" that distinction), it's not the worst, and worthy of watching.
Plot: A bible professor-Dr. Russell Carslie has written a book called "The changing times" and he is seeking endorsement from the Grace Bible Seminary board of directors where he teaches before the book is published. Since everyone must give their approval of the manuscript-or no endearment by the board. All is well until Dr. Norris Anderson shows up and raises an objection to one item in the book. He believes that teaching morals alone-without the authority of Jesus Christ will lead many astray. At first, Dr. Carlisle is as bull headed as they come-refusing to understand or accept what Dr. Anderson's is trying to say. Eventually, he goes to Norrris' Home where he shows Carlisle a time machine that his father built before he died. Carlisle laughs at first-but he realizes that they need to settle the issue. He is then transported in to the future-110 years to be exact. He then sees the folly of his beliefs. He meets several people. Most of them have a shallow view of life. Even those in the church are ignorant of the truth of Christ. For example, he goes to a movie with a group from the church-and he is the only one who is bothered by the fact that a character on the screen is using the name of Christ in Vain. Every one else just say that "It's only a movie" This movie DOES NOT paint a rosy picture of the past. At the board meeting, Norris points out that over 5% of marriages end in divorce(1890 numbers). When Carlisle is in the future-he learns that 50% of all marriages end in divorce. This is only one example. Another reviewer accuses the producers of deceiving him for not informing him that this is a Christian film. If you look on the back of the case-there's a description of the film. It says plainly that it's about a bible professor who is sent into more than 100 years into the future. If that does not tell you that that this is a Christian film-then I don't know what will. There was no attempt by the producers to deceive anyone. This is a timely film with an important message. Buy or rent this film today. God Bless,
It's not a science-fiction movie, for those of you who were led to believe it is. It has sci-fi-elements but that's not the point of the movie. This is a Christian propaganda movie. It tells us that the reason there is so much bad morals in today's society is because we have separated Jesus from the morals and therefore don't know why we should act morally. It also tells us that we're living in the last days of the world. The movie is extremely moralizing and preachy. One of the most (unintentionally) funny lines in the movie is "I believe that secular entertainment is one of the biggest tools that Satan uses to mislead people". Some of the supporting actors are decent, Jennifer O'Neal for example, but D David Morin who plays the lead part is unbelievably bad, but in a funny way. But then, I don't think any actor could play his part and say his lines and make it believable. If you think this sounds like a good movie, you might enjoy this it. I guess this was made by, and for, Christian fundamentalist. Others, like me, might get some laughs out of it, but nothing more (except realizing the sad fact that there are people out there who make movies like these, and those who honestly thing they're good). It seems like the Christians in America have millions to spend, making dozens of movies like this. I guess that's why they ask for donations all the time.
Time Changer is about a 1800's preacher who travels through time to today and is amazed by the lack of morality. With today's reality tv polluting our screens and total disregard for God and morality, this is an important film. Thanks for reading and please buy this and show it to your friends. ... Read more | |
| 5. Scanners Director: David Cronenberg | |
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Reviews (59)
My Opinion: Almost all the reviews for Scanners call it a Horror movie. I don't agree. To me Horror suggests movies like "Friday the 13th" and "A Nightmare on Elm Street". Scanners has some gore which more than likely is what gets it the horror label. I found it to be an Action Thriller with major SciFi elements. It's also a detective/spy type mystery film. It's all these elements together that make Scanners interesting and entertaining. The plot gets a little confusing in the middle as Cameron searches for other scanners, but our confusion mirrors Cameron's and is intentional. As things progress everything becomes clear. Stephen Lack is excellent as the weird scanner hero. I liked him enough to go look up what other films he has been in. Patrick McGoohan and Michael Ironside also give great performances. Overall this is a very entertaining movie that I will watch more than once and recommend to others. DVD Quality: Video: Widescreen anamorphic - 1.85:1 Sound: DD 2.0 Mono. For at least the last quarter of the movie the sound does not sync up with the video. Extras: Trailer only. This is a bare bones DVD with Audio problems, but it is offered at a VHS price. What You Should Do: Buy the DVD if you are a fan of this movie or of Horror/ScFi movies in general. It's not a high quality DVD release, but the price isn't going to make your head explode. Related Movies To Check Out: Three Days of the Condor, Reanimator, Bride of Reanimator
As the film begins, we see a homeless man (Lack) wandering a mall, getting dirty looks from all the people he sees (hey hey we're the Monkees...whatever)...anywho, one woman in particular, in the food court, seems exceptionally offended by his presence, but she soon has other things to worry about as she suffers from some sort of brain freeze, like the kind you get when you drink something cold too fast, brought on by the homeless man...turns out our homeless man (in my day, they were called bums, but whatever), whose name is Cameron Vale, has psychic powers of some sort, and has garnered the attention of CONSEC (whose chairman looks a helleva lot like Ed Asner), a company that specializes in weapons, specifically Dr. Paul Ruth (McGoohan), who describes himself as a 'psycho pharmacist', whatever that means (I bet he's a lot of fun to hang out with on the weekends). Dr. Ruth basically recruits Vale in a effort to track a particularly dangerous and powerful scanner by the name Darryl Revok, who's supposedly head of an underground movement of scanners and who has also basically decimated CONSEC's program of exploring the weapons potential of scanners, as he seems to subscribe to a policy of if you have special mind powers, then you either join up with him or you get your head exploded. Along the way Vale meets with Kim Obrist (O'Neill), a sort of leader of a fringe group of scanners outside of CONSEC and Revok's control (not for long), and they soon find themselves fighting for their lives as conspiracies unfold, traitorous scoundrels exposed, and secrets reveals. What's Revok's ultimate goal? It's not that far-fetched, considering his abilities... I enjoyed this film...there really wasn't too many lengthy visceral scenes, but what there was contained very graphic gore (s'ploding heads) that imprinted on your mind, and tended to stay with you long after the scene was over. One scene, in particular, when Revok deals with the scanner at CONSEC, the tension was thick as the pressure, on and off the screen, built up quickly, and resulted in the film's most spectacular and memorable sequence. Jennifer O'Neill is good (and very easy on the eyes, shabba doo), but I didn't quite understand her character's connections to the other characters in the film, other than her being a scanner. It almost seemed like a plot contrivance if only to incorporate an attractive female, not that I mind attractive females, but her scenes could have pretty much been removed without much loss to the plot. Patrick McGoohan is one of my more favorite actors and he plays his part very well as the mentor/trainer to Lack's character, sort of a Professor X, if you are familiar with the X-Men comics or movies. Lack provides a sort of disjointed performance, but I felt as if it was intentional, as it seemed to work really well within the movie and fit his character, one who's spent most of his life trying to deal with the problems associated with his special abilities. I thought Michael Ironside's character was great, as he plays the role of the sadistic heavy with a God complex so very well (except, maybe for his role in Highlander II: The Quickening...ugh, what a complete dog that movie was...). He reminds me a lot of Lance Henriksen, both good actors but rarely ever emerging from B-movie limbo. Maybe they need better agents. There was a certain amount of symbolism throughout the movie, the most noticeable being when Lack's character is following up on lead by contacting a reclusive scanner who is an artist living in a barn. One of his pieces is a giant, hollow head, and there's a scene where the two men are actually sitting in the head, talking about Revok. There seems to be some confusion about the ending, after the final confrontation, but I thought it was pretty clear, and provided a nice eerie touch. MGM presents a nice wide screen anamorphic transfer, but some have commented on the certain parts of the film being out of sync, but I didn't notice. I was a little surprised there was so little in the way of special features given the cult following of the film and that of Cronenberg in general, with only a theatrical trailer available, but I suppose someday they will produce a special edition of sorts. I would have liked to have seen a director's commentary, or some production notes, but I am pleased with what's here. Cookieman108
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| 6. Force of One | |
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| 7. The Ride Director: Michael O. Sajbel | |
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Reviews (5)
It shows a man who is without God, and when his whole world crumbles in a declining profession, the bottom in inevitable. As God so often does, he takes this individual to a place where as Gomer of Hosea fame, the choice becomes obvious: back to the first love, God, or else. I show this to my confirmation kids (age 13-14) and they just love it, and get so much out of it. I believe you will to, and will profit much from this well done and touching story.
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| 8. Lady Ice Director: Tom Gries | |
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Reviews (1)
Role reversal sets O'Neill as the wealthy jewel thief, hunted seductively by insurance investigator Sutherland..who works most of the film in shirts open to the navel...Ahh, the 70's! O'Neill is beautiful and stylish, drives fast cars, swims unclothed and stays away from complex sentences, while Sutherland smokes those little thin cigars and from time to time falls back on his 'Hawkeye' grin. There is a nice turn by Jon Cypher as the heavy. Soap opera vet Eric Braeden gets some on-screen time as does, of all people Robert Duvall as the straight-arrow cop. Fun for a lark. Connoisseurs of the genre only please. ... Read more | |
| 9. Prince and the Surfer Director: Arye Gross, Gregory Gieras | |
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Whatever you do... don't miss this movie! ... Read more | |
| 10. Full Exposure: The Sex Tapes Scandal Director: Noel Nosseck | |
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| 11. Bad Love Director: Jill Goldman | |
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Description Reviews (2)
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| 12. The Prince and the Surfer Director: Arye Gross, Gregory Gieras | |
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Whatever you do... don't miss this movie! ... Read more | |
| 13. The Prince and the Surfer Director: Arye Gross, Gregory Gieras | |
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Description Reviews (4)
Whatever you do... don't miss this movie! ... Read more | |
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