Reviews (73)

Have you noticed that no one ever gives this film 3 stars...
It's always 1 or 5 (the occasional 2 or 4 are just cowards...). This is a film you either adore or detest. Those who adore it (moi, for instance, as the 5 star rating clearly indicates) are usually very patient movie watchers who like to watch a film unfold at its own pace. How many films can you name that are still going through exposition an hour and half into the film?

David Bern once said that movies are nothing but pictures and images; stories are just a trick to get you to watch them. You could turn off the sound and mix up the reels (some probably think that happened when they saw it in the theatre), and this would still be a feast for the eyes. Cimino's lush vision of Montana is overwhelming. It's like a stroll through a moving Bierstadt exhibition. It contains pieces that are almost perfect acts of filmmaking - such as the skating sequence, which could stand alone as a short (the 1 star folks just stopped reading, muttering the word "dilatant" under their collective breaths).

But despite its cinematic saturation, Heaven's Gate has a powerful, complex story. It's a story about class barbarism, and how the American Aristocracy of the last century committed mass murder in the West, with the help of the Government and the Military. It has a love story between two people who wouldn't have touched each other in the "civilized" East. It has intense performances by Isabella Hupert, Kris Kristofferson, Christopher Walken, Sam Waterston, et al.

Yes, this is clearly not a film for everyone - in fact, if it was made for anyone, it was for Michael Cimino - but it is a film that some of us are glad was made. If you like LONG, CHALLANGING films by self-indulgent artists, rent it - and if you love it, you'll have to buy it; and if you hate it, well, you probably wasted five bucks and couldn't even get to the second tape...

How the West was Won
Cimino may not have made a blockbuster, but he did make one of the best Westerns in cinematic history. Unfortunately, most people can't sit through a 4-hour movie. If you are one of those persons who can appreciate a complex narrative, delivered by a stunning cast, that tells a more candid tale of the West, then "Heaven's Gate" is a real treat.

Cimino has collected a set of compelling stories that swirl around the range wars of the Montana. He relates these stories through his protaganist, a federal marshall played by Kris Kristofferson. His thoughts drift back to Harvard Yard in the opening sequence, where he reveled in the commencement ceremonies with his old schoolmate, John Hurt. Much of this scene was chopped out in the theatrical release, undermining the content of the film. It is this Eastern view, which Cimino wants you to take note of. How one can meld into the West as Kristofferson does, and how one can become part and parcel of the cattle syndicate as Hurt did.

The stories mainly focus around the Eastern European immigrants who attempted to carve out a life in late 19th-century Montana. They came up against the great cattle syndicates, who owned much of the range, leaving little for the immigrants to settle on. Cimino gives you a very intimate view of the events. His camera angles take you right into the action. This is a very visceral movie.

Eventually these immigrants come up against the cattle barons, who had formed their own vigilante gangs in an attempt to combat the encroachment of the new settlers on their land. Kristofferson has grown close to the immigrants and eventually chooses to support their claims, leading to a final gut-wrenching confrontation, which includes his old schoolmate, John Hurt.

The cast is first rate. Walken, Bridges, Huppert, Watterston all give excellent performances. Cimino has inverted many of the myths that surround the Old West, and provided a living history. The film almost has the quality of a sepia tone, as he has muted his colors to give the sense of age. The [fourty]... million budget seems paltry by toda's standards, but at the time it was one of the most expensive films ever made. Unfortunately, not everyone was ready for it.

Quite Possibly the Most Maligned Picture Ever Made
When self-appointed film experts talk about the worst movies of all time, Heaven's Gate invariably enters the conversation. Until the release of Ishtar, this depiction of the Johnson County War in the late 19th Century enjoyed the dubious distinction of being the biggest box office flop of all time. In my view, however, a box office flop doesn't necessarily denote a bad movie. A bad movie is one with low production values, bad effects, and/or muddled script, like Plan 9 From Outer Space or Manos: The Hands of Fate. Heaven's Gate, though it may have been a box office flop, is actually a very good movie that got it's undeserved reputation due to director Michael Cimino's obsession with perfection. This resulted in multiple takes of scenes that most directors could have shot in one or two. Ultimately, the picture cost three or four times its original budget to make. Negative pre-release publicity from a reporter who managed to get into the film as an extra after Cimino refused to grant him an interview, and the critical shellacking that it received from the critics when released, conspired with the well reported cost overruns to doom Heaven's Gate before it was even out of the starting gate.

Personally, I like this movie. And while I appreciate Cimino's insistence on period authenticity in such things as trains, costuming and sets but I have a problem reconciling it to a script that takes such artistic liberties with recorded history. The real Jim Averill was a cattle ruster who along with his wife was hanged. He was not the noble sheriff with an Ivy League background as portrayed in the film by Kris Kristofferson. Nevertheless, Heaven's Gate is a superb motion picture in many respects. The cinematography by Villnos Zsigmond is nothing short of magnificent, and the acting performances are all good, especially those of Kristofferson, John Hurt, and Christopher Walken. Although many previous reviewers have criticized the sound quality, I found nothing wrong with it. I also didn't find the plot all that hard to follow, as others claim. Perhaps they expected the movie to give them a clue without any sort of thinking on their own. Of all the complaints that have been levelled against Heaven's Gate, the only one I think that has any merit to it is that the pacing is painfully slow. That said, I don't believe it distracts significantly from the enjoyment of the movie. Incidentally, have I mentioned that David Mansfield's score (sadly, not in print) is beautiful?

Sure, Heaven's Gate is considered to be a flop. But I would suggest to anyone reading this review that you watch it for yourself and decide. It's really not as bad a movie as others have led you to believe it is.

Check it out for the camerawork; there's nothing else there
"Heaven's Gate" is one of the most beautifully photographed films ever made. Every frame seems almost antique, a dazzling combination of sunlit exteriors and naturally lit interiors with candles and oil lamps that give the film a burnish unlike any other.

And there's several brillantly directed sequences that are unlike anything in any other film. A hyper-active rollerskating dance that transforms into a waltz between the romantic leads. A massive graduation dance on the lawn of Harvard (actually shot at Oxford) that is breathtaking in its scope.

However, all this camerawork and virtuoso editing is wrapped around one of the dullest screenplays ever written. The story is so simple, it could have been covered in 90 minutes instead of 3 hours and 40 minutes, and most of the movie consists of long pensive silences between the actors that lack any kind of dramatic interest or narrative thrust. The movie meanders, wanders, stops dead in its tracks, only occasionally remembering to pick up the storyline and go somewhere with it.

Kristofferson is utterly passive and uninteresting.

The film spends its first half-hour setting up a friendship between Kristofferson and John Hurt that has no bearing or meaning to to the storyline.

The love triangle aspect is contrived and dull.

And the victimized immigrants in the film are so shrill, panicky, and annoying that you almost wish they'd get killed.

Pictorially, the film is a masterpiece. But as a narrative film, it utterly fails on every level.....never before has so much care gone into making a film with so little substance.

As you can tell, this is a very ambivelent review. I think "Heaven's Gate" is worth a viewing just for those lovely images and sequences.....pure eye candy. Just don't expect to be entertained past that level.

Cimino's Hellish Disaster
I was one of the people who went to see this movie when it first came out in New York City - if you blinked, you missed it because it was pulled after one week! That's an indication of how bad this movie really is.

While I was watching the movie, I started trying to read lips because the sound was just so horrendous, you could barely hear or understand what was being said - I'm not kidding. I could hear wagon wheels turn and horses trot better than I could the actor's voices. By the end of the movie my glutimus maximus was numb - along with the expressions on the audience's faces. You could hear a pin drop in the place - then the avalanche of boos and scathing reviews started pouring down. I've never experienced anything like it before or since.

The scenery and music is fantastic, everything else is truly horrendous. Cimino had over 200 hours of film which needed to be cut down to between 2 and 3 hours - it's impossible to make a cohesive, intelligent movie from such a huge amount of film - storylines get trimmed or cut completely leaving you to wonder what the heck is going on or why certain things seemed disjointed and/or untold.

You're left wondering how someone who created a spectacular movie like The Deer Hunter could have become so self-absorbed that he created a disaster of enormous proportions. $40 million might not seem like much nowawdays, but in 1980, it was a heckuva lot of money. (It's equivalent to $100,000,000 today!)

Such a shame that Cimino threw his career down the toilet with this movie. ... Read more

Reviews (117)

One Of My Very Favorite Movies!
I LOVE this movie. It was the first vdeo I ever bought for myself and is one of the sweetest, most romantic, and funniest movies I've seen. DB Sweeney is gorgeous as the loveable, girl chasing,less than brilliant ex-hockey god, and Moira Kelly plays an excellent, evil, spoiled typical rich primadonna figure skater from Connecticut. Techncally, it is hard to believe a hockey player could be transformed into a figure skater, but view it with an open mind and you will fall in love with this movie too!

Entertainment at its finest
Kate Mosley, a tempermental figure skater without a partner, and Doug Dorsey, a former hockey player knocked out of the game after taking a bad shot to the head, team up to become a pair of figure skaters with hopes of going to the olympics. That, in a nut shell is the basic premise behind this movie, but the journey of getting there is the real heart of this movie.

The romance which develops between the two lead characters adds nothing new to the genre and follows the standard formula almost to the letter. The initial hostility they shared towards one another at the beginning, the byplay that develops as they get to know one another, the leading towards romance, the inevitable misunderstanding, and then finally getting together. However, the two leads are both attractive people, and they have a strong onscreen chemistry together which makes their romance seem believable, and a joy to watch.

The figure skating in the movie is highly enjoyable to watch, even for someone like me who isn't into figure skating as a general rule. I do have to wonder whether the finishing move they use at the end of the movie is really possible to pull off though. It might have just been me, but I couldn't see how they could have pulled off enough momentum to really do the move, because it didn't really look like it could have worked to me. However, that's only a minor complaint, and the move did look good, so whether or not it's physically possible isn't only a secondary concern.

So, if you enjoy romance movies, and have some liking for figure skating, I recommend you check this movie out for yourself. You won't be disappointed.

LOVABLE COMEDY
The movie was so great for.. it make me inlove specially to KATE(D.B. SWEENEY. She is so beautiful on that movie.. It is the movie that touch me a lot, the soundtracks of a movie and the story. the couple which they fall inlove with each other are mostly common in the movie, but this movie is such thing that u will touch ur heart.. "TOE PICKS".....!

A Disappointment
Having done figure skating for many years of my life, I was looking forward to seeing a movie about the sport, but this one definitely failed to deliver. When it origianlly premiered in the movie theaters back in 1992, I was 12 and thought it was the best thing since sliced bread, so about 10 years later I decided to buy it on DVD. That was definitely a mistake! This movie lacks a lot of the sophistication that an adult viewer may appreciate. After seeing it again as an adult I realize how unrealistic, over dramatic and predictable this film is. I mean to start with, how and why did an Olympic level pairs skater become partners with an injured hockey player to begin with? In real life that would obviously never happen. The movie has a few funny moments, however it's very cheezy. Truly a disappointment. If you insist on seeing this movie, I would highly recommend renting it first.

Funny and not too saccharine
This movie has the best of intentions, and I'm glad to see a little grit and sexiness thrown into the mix. There are not many movies on figure skating, or good ones, so I'm glad to have run across this. Some of the verbal exchanges and put-downs will crack you up: 'Why don't you just chuck it all and open up a think tank?' Very funny. And a little something for both sexes. I don't know how the average female feels about D.B. Sweeney, but Moira Kelly definitely gives the guys something to think about. This movie clips along at a brisk pace and while the drift of the plot is pretty conventional, it has a couple surprises and is a pleasure to watch. ... Read more

Amazon.com

Clever twists and a bona fide surprise ending make this an above-average courtroom thriller, tapping into the post-O.J. scrutiny of our legal system in the case of a hotshot Chicago defense attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation, and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice. Making an impressive screen debut that has since led to a stellar career, Norton gives a performance that rides on a razor's edge of schizophrenic pathology--his role is an actor's showcase, and without crossing over the line of credibility, Norton milks it for all it's worth. Gere is equally effective in a role that capitalizes on his shifty screen persona, and Laura Linney and Frances McDormand give memorable performances in their intelligently written supporting roles. --Jeff Shannon ... Read more

Reviews (64)

THIS MOVIE SHOWS THE WIDE RANGE OF THE GREAT EDWARD NORTON.
"Primal Fear" is an entertaining thriller with some plot twists, good performances and interesting story. But the best part of the movie is the Edward Norton performance, he steals the show from good actors every time he appears on the screen.

The movie introduces a cynical, narcissist and ambitious famous lawyer Martin Vail, he is played by Richard Gere, and of course he has no problem with the role because Richard Gere is cynical, narcissist, ambitious and famous. Anyway, when Martin Vail watches on TV the arrest of a boy accused of the homicide of a Chicago archbishop, he immediately sees the opportunity of raise his profile by defending the boy.

Then he meets Aaron Stampler (Edward Norton), a quiet and harmless boy; then the lawyer realizes that Aaron is innocent. After that, the movie becomes an entertaining thriller / mystery / courtroom drama, with some plot twists, interesting characters and revelations.

But the most interesting part is to see all the changes and emotions that Edward Norton prints in his character; he is just an amazing actor, his performance is by far the best in the movie. After this film, Norton delivered his best performance in American History X, and established himself as the best actor of his generation.

A more than solid thriller, with a twist
When I had first laid eyes on Primal Fear on pay-per-view years ago I had first dismissed at as another Hollywood who-done-it courtroom drama with no originality. And was I ever wrong. Primal Fear may seem like something you've seen before, but the clever, highly intelligent, and twisting script makes the film soar to unexpected heights, and Edward Norton's breakout performace as murder suspect Aaron has to be seen to be believed (Norton would receive a Golden Globe and his first Oscar Nomination for Best Supporting Actor which Cuba Gooding Jr. ended up winning for Jerry Maguire). Richard Gere has the starring role playing Norton's lawyer who seems to be the only one who believes Norton's innocence. With a super twist ending and a superb all star cast which includes Laura Linney, Frances McDormand, Steve Bauer, John Mahoney, Maura Tierney, and Andre Braugher, Primal Fear is a near superb little gem that I strongly suggest seeing.

You gotta be kidding!!!
This is a great movie with interesting plot twists?? I groaned throughout this movie. So predictable....the egotistical lawyer, his ex-lover DA, the dialogue, the acting....ughh. Nothing more than a basic Hollywood formula movie.
I will watch this occasionally to remind me what a recycled , done before, same old same old Hollywood type movie and how much I hate them. I guess some people get off on the same old stuff. Well if you don't, I warned you.

Murder and Misdirection.
"Fui bailar no meu batel alem do mar cruel," sings modern fadista Dulce Pontes in this movie's dynamic title song: "I went dancing in my boat, there on the cruel sea." And it must be just like a nutshell-sized boat dancing on a stormy ocean's waves that nineteen-year-old Aaron Stampler (Edward Norton) feels after his arrest for the savage murder of Chicago's saintly Archbishop Rushman. Or does it?

Certainly it doesn't help that Aaron was caught running from the crime scene, covered in blood, and with the archbishop's ring in his pocket. Besides, who is going to believe him anyway - a stuttering, uneducated boy from rural Kentucky who was found begging by the powerful clergyman, taken in as an altar boy and made to sing in his choir - that he was present when the murder was committed but can't remember a single thing because he blacked out? Nobody; surely not the police and ADA Janet Venable (Laura Linney), assigned by D.A./Rushman friend Shaughnessy (John Mahoney) personally to try the case, with the express mandate to obtain a death penalty conviction. Nobody, that is, except Aaron's defense attorney Martin Vail (Richard Gere). Vail, of all people: the flamboyant ADA-turned-private-practitioner, the star attorney not shying away from even the shadiest client, to whom TV and magazine cover interviews are as second nature as his courtroom appearances, and who cynically quotes as his mottos a professor's maxims on his first day in law school: "From this day forward, if your mother says she loves you, get a second opinion." And: "If you want justice, go to a whorehouse. If you want to get f**ked, go to court."

"Primal Fear" was adapted from William Diehl's like-named bestselling novel and, like in many literary adaptations, its screenplay is a hit-and-miss affair. Not successful, in my view, are those alterations that unnecessarily make Vail an even more ethically questionable lawyer as already conceived by Diehl; such as the way he becomes Stampler's attorney in the first place (which in the movie amounts to blatant client solicitation; not to mention that no sane lawyer would introduce himself to a potential client with the words "I'm what you call a 'big shot' attorney"), and the circumstances surrounding the discovery of a tape revealing the archbishop's not-so-nice private side (which in the novel isn't found by Vail but by his investigator Tommy Goodman [Andre Braugher]: of course that doesn't eliminate Vail's ultimate ethical responsibility, but contrarily to the movie, at least he doesn't "borrow" the tape from the crime scene himself, and he doesn't know in advance what Tommy is up to). Further, in the book the tape is not shown in open court and immediately introduced into evidence but viewed in the presence of only the judge and the attorneys, which given its contents seems more realistic (even if it were later introduced into evidence after all). On the other hand, particularly regarding the main characters the movie's alterations work well: Unethical or not, Richard Gere's Martin Vail is even more interesting than the character devised by Diehl; moreover, an unnecessarily cliched, ultraconservative judge nicknamed "Hangin'" Harry Shoat becomes an - although still tough - overall more multidimensional Judge Miriam Shoat (Alfre Woodard); similarly, Vail's mafia-affiliated client Joey Pinero (Steven Bauer) gains considerably in stature; and although it actually reinforces cliche to shift the love/sex relationship from the book's present one between Vail and psychiatrist Dr. Arrington (Frances McDormand) to the screenplay's past one between Vail and Venable (which the ADA now derogatorily calls "a one-night-stand [that] lasted six months"), thanks to Gere's and Linney's considerable on-screen chemistry their characters' personal relationship adds sparks and tension to their professional rivalry that also lend greater credibility to the final courtroom scene's powder-keg explosion.

Outstanding as all of its actors are, however, "Primal Fear" rises and falls with the performance of Edward Norton, and it is his breathtaking achievement that validates the movie more than anything. Then-newcomer Norton not only had to portray a boy almost a decade younger than himself (which he manages flawlessly) but also an incredibly complex character, sometimes shifting behavioral patterns, accents and manners of speech from one sentence to the next; and he delivers supremely, deservedly garnering an Oscar nomination (which in a year of extremely tight competition he lost to Cuba Gooding Jr. for "Jerry Maguire"), as well as a Golden Globe and several other awards, and together with his roles in "People vs. Larry Flynt" and Woody Allen's "Everybody Says I Love You" playing himself into public awareness once and, hopefully, for all.

Although "Primal Fear" is often cited for its final plot twist, anybody who has seen more than that occasional thriller can see its end coming somewhere halfway through the narrative (and I think that's true for both book and film - although I admit I hadn't read the novel when I first saw the movie). Moreover, the final twist depends on a feat on the part of Norton's character that lawyers and psychiatrists alike will find hard to take at face value. Thus, at first viewing this movie's end may appear a bit of a let-down. But trust me: The story grows on you the more often you watch it, and in my view it actually helps to know the end, because not only does this enable you to see the many nuances you necessarily missed the first time around; it also frees you to think about the moral issues addressed. For those reasons, and for the entire cast's - first and foremost Edward Norton's - fine performances, this has long become one of my favorite courtroom thrillers.

"[I believe that] things are not always as they appear, that sometimes facts can be manipulated the way a magician manipulates an audience. He distracts you with this hand, while the other hand does the tricks. It's called misdirection." - "Primal Fear," preface: from Martin Vail's summation in a case entitled "The State vs. Nicholas Luma."

Primal Fear (1996)
Director: Gregory Hoblit
Cast: Richard Gere, Edward Norton, Laura Linney, John Mahoney, Alre Woodard, Frances McDormand.
Running Time: 130 minutes.
Rated R for language, perverse sexual situations, and some violence.

Rarely is a psychological thriller/courtroom drama so intense, intellectual, and mind-blowing. "Primal Fear" is an excellent adaptation of the William Diehl bestselling novel, using a stupendous cast, an equally riveting screenplay by Steve Shagan and Ann Biderman, and fine direction from virtually unknown Gregory Hoblit. Red herrings and duplicitous plot twists are woven tightly into the film about a hotshot defense attorney named Martin Vail (Richard Gere) who goes looking for the limelight and finds it filled with shadows.

When a popular archBishop is brutally murdered in his illustrious home, a terrifyed young altar boy (in an exceptional, eerie role by newcomer Edward Norton--who would later become a star because of the film)is arrested as a suspect and held into custody. Due to the magnitude of the case, Vail leeches onto it and decides to defend the young man. Little does he know that he will uncover a viper's nest of corruption, pit him against a prosectuor (Laura Linney in a fine role) who happens to be his ex-lover, and hope to find the truth of a case that tests his will and win-at-all-costs attitude.

Gere is stupendous as the fame-hungry, confident lawyer, while Norton steals the film as he reveals the inner demons of the poor suspect. "Primal Fear" is one of the most well-made thrillers of the 1990's and is a film that emphasizes what is right and wrong about our judicial system, questions the legitimacy of the courtroom, and taps into a fear of the psychological unknown. A finale that will, if nothing else, shock you and make you think. An absolutely great drama. ... Read more

Reviews (69)

Fun Fantasy Tied With History
The Rocketeer had a very special memory for me. It was the opening movie to first be shown at the newly refurbished El Capitan Theatre in Hollywood; CA. Disney bought the old theatre and spent about 10 million dollars refurbishing it. It is a beautiful theatre and contains the original fixtures and décor - newly repainted - and the most sophisticated digital and THX movie theatre systems around.

Now, that aside, the film was a fantasy filled adventure set in the not so distant past (30's - 40's) about a secret device invented by Mr. Howard Hughes himself which was stolen by some gangster with the intentions of steeling it Hitler himself. The special effects are great and the Rocket is very cool. Even the costumes were very unique.

The device is a jet pack that when worn with a special helmet made by the character played by Alan Arkin, will allow the person to fly through the air (and water) at great speeds. With the villainous Timothy Dalton playing a Nazi spy and world famous actor chasing him. Paul Servino plays a great Mafioso.

The film stars relatively new comers at the time Bill Campbell and Jennifer Connolly as the boyfriend-girlfriend who end up having the mafia, Nazi's and the FBI chasing them! It got a lot of heart and a lot of humor and it is a great family film. I really enjoyed this. No real extras on this DVD but maybe later. I think you'll enjoy this too.

A Wonderful Ride!
The Rocketeer is one of the most enjoyable action-adventure movies ever made. Everything about this film is wonderful. Director Joe Johnson perfectly captures the look and feel of Hollywood (or what Hollywood should look and feel like) during the 1930s. Great casting with Bill Campbell right on target at Cliff Secord, Jennifer Connelly as his best girl, Jenny Blake, Alan Arkin as Cliff's mentor and mechanic/inventor friend, and Timothy Dalton as the evil Nazi spy-movie star Neville Sinclair. Like Raiders of the Lost Ark, it is a homage to the film serials of the period, but with a lot more spit and polish. The special effects are great, the set decoration, costumes, makeup, all evoke the time and place perfectly. A wonderful script adapted from the graphic novel of the same name sets this movie apart from others in this genre. The dialogue is funny, fast and at sometimes furious. Campbell plays the All-American boy with a real gee whiz, almost Jimmy Stewart kind of charm. The plot about a secret plan by the Nazis to build rocket packs for an army of "Rocketeers" to take over the world is added and abetted by Dalton as the Errol Flynn-like movie star. When a prototype rocket pack accidentally ends up in the hands of Campbell and Arkin, the action, and their troubles, really start. This film is filled with dozens of wonderful characterizations. Some of the best are Paul Sorvino as gangster Eddie Valentine, Terry O'Quinn as Howard Hughes, and Tiny Ron as Lothar. The musical score by James Horner is outstanding. It's heroic, quiet and inspiring. Why this film didn't turn out to be the big blockbuster it should have been is beyond me. I love Raiders of the Lost Ark, but this film matches it in almost every category. One of my favorite modern films, I never tire of watching it. Perfect entertainment and perfect for all ages. The Rocketeer is a real winner.

Top Notch Movie... So-So DVD
I ordered "The Rocketeer" over a year ago and finally had chance to watch it this past weekend. I haven't seen it in several years, and I must say, it's even better than I remembered it! Billy Campbell is terrific and Jennifer Connely glows. Alan Arkin is a reliable sidekick... and Timothy Dalton positively shines as the villain of the piece! The movie has a Saturday matinee feel to it, but with top-notch production values. It also has a great sense of humor. It's one of the best movies that no one saw. Too bad. I was disappointed with the picture quality of my dvd. Is this common for this particular release, or did I get a lemon? Also would have like to have seen some additional extra features. I know I saw a featurette on creating the rocket-pack scenes somewhere many years ago. Regardless... This is one movie I'm really glad to have. I'll be watching and re-watching it for years to come.

An AWESOME MOVIE!
This is one of the most coolest, fun filled movies I have ever seen because of everything that it has to make it a great movie. Simply GREAT!!!!!!

Nice!
THIS MOVIE IS SO COOL AND IS A MUST SEE FOR ALL COMIC BOOK FANS! TRULY TRULY GREAT! ... Read more

Reviews (374)

Aliens and bees and corn fields, oh my!
"The X-Files: Fight the Future" is an endlessly fascinating and complicated movie that ties together all the mythology pieces from the popular series upon which it's based. Although I think that people who never watch the show can enjoy this movie, I doubt they can understand it very well. Heck, I watch the show religiously and I still don't think I understand everything.

However, it succeeds in introducing the audience to the characters of Agents Mulder and Scully, without rehashing the things that are familiar to the fans of the show. When we are first introduced to our favorite duo, their conversation on their cell phones is enjoyable to both old audiences and new ones alike.

The film also makes clear the deep affection and love Mulder and Scully feel for each other--something regular viewers already know--which comes to a head in the famous hallway scene outside of Mulder's apartment.

The film is top quality, as we've come to expect no less from "The X-Files," with an intelligent story-line, great action sequences and special effects, and plenty of aliens to satisfy the sci-fi junkie in all of us. But don't get me wrong--you don't have to be a sci-fi junkie to enjoy this film. You have to like a good suspense/thriller, with some action, intelligent story-telling, and yes, a little bit of hinted-at romance. I mean, for "The X-Files," any 'Shipper will tell you that this is a pretty romantic movie. As one of those so-called 'Shippers, I was very angry at that darn bee, which was my biggest disappointment.

The DVD itself is nicely presented, with all the theatrical trailers, an informative commentary track by Rob Bowman and Chris Carter, and an interesting behind-the-scenes look at the making of the film. Best of all, it has added footage not originally in the theatrical version.

This DVD is sure to please all forms of movie-goers. =)

FIGHT THE FUTURE made me a fan
I watched this movie without ever watching an episode of the series before. I came into the movie only knowing that the main characters were FBI agents Mulder and Scully who sought the truth about aliens and government conspiracies that tried to cover up their existance. That was all I knew, I didn't know anything about the black oil, or the bees, or even who the Smoking Man was. This movie did a good job presenting the basics so a first timer (like myself) wouldn't feel totally lost while watching it. David Duchovny and Gillian Anderson were superb in their big screen roles of Fox Mulder and Dana Scully. The hallway (I think you know what I'm talking about!) scene was one of the best scenes of the movie. Now if only there was no bee.... Overall, this movie was X-cellent. The acting was great, the special effects were cool, and the plot kept me on the edge of my seat. I recommend this movie to anyone who has ever watched The X-Files and loved it, and also to anyone who hasn't seen an episode before but likes sci-fi movies. And I'd just like to say thanks to Chris Carter and crew for a really good season 6 - here's onto season 7, unfortunately the very last one. I'll be looking forward to the next X-Files movie, I can't wait until it comes out!

Solid X-Files adventure
"The X-Files: Fight the Future" doesn't answer a lot of the questions that fans were waiting for from the movie. The only difference between this movie and, say, a two or three part X-Files story arc is the size of the budget, effects and the guest stars. The writing, unfortunately, doesn't measure up to the best the series offered. Nevertheless, it's a fine theatrical episode of the series.

Thousands of years ago an alien species ruled this planet. Humanity was just an afterthought. It's clear that these aliens want to regain control of the planet and members of the government have made a pact with the devil; humanity will become a slave race to these aliens (and other things you don't want to know about if you haven't seen the movie otherwise it'll spoil plot points).

Somehow all of this is tied into two little boys that discover an ancient underground cavern. One of the boys is infected with some sort of virus as are several rescue workers. In another part of the US, Mulder and Scully are checking out terrorist threat against the US. The building that Mulder and Scully and the rest of the team believe to be the target is a decoy. Mulder and Scully accidently discover the real target. The mystery at the heart of the film is why the terrorist targeted a building that had the agency FEMA in it when there were more vital government agencies they could have hit. Also, the building was evacuated. So how come there were two victims discovered in the rubble?

All of this remains at the heart of the mystery and it does, indeed, play into the alien conspiracy story arc than began to be undcovered in season one of the series. If you're interested in "The X-Files" but haven't seen the entire series, this movie is still comprehensible to the average moviegoer. The ramifications of the plot, however, will be much more important if you've seen the bulk of seasons 2-6 first (season 1 just sets up the conspiracy angle and is important but not a central part of the conspiracy arc).

The picture quality is pretty good considering this came out close to the beginning of the DVD craze. It could be improved with an anamorphic widescreen transfer (higher picture quality)and with a separate disc of extras. The extras aren't bad here they're just not as indepth as they should be. My guess is that Fox plans on re-releasing this on DVD when the new X-Files movie comes out in 2006 and/or within the next year or two because they've finally got the entire series on DVD.

Well worth picking up for fans but for casual new viewers, I'd suggest starting with seasons 2-6 to fully understand the consequences of this film's plot line. Carter's script isn't his best but there are enough gems in the script to make it worthwhile for fans of the series.

An enjoyable move to the "big screen"
The X-Files "Fight the Future" takes place after the end of season five when the X-Files have been shut down. FBI agents Fox Mulder (David Duchovny) and Dana Scully ( Gillian Anderson) are assigned to a Federal building in Dallas to locate a bomb. Unfortunately, the bomb goes off before it can be defused, and an FBI agent as well as three fireman and a boy are killed in the explosion. The FBI needs someone to blame for what happened and look to Mulder and Scully. Wanting to find out what really happened to save their careers, Mulder starts searching for clues. He soon encounters a paranoid doctor ( Martin Landau) who reveals to Mulder a conspiracy dealing with a deadly virus that could be alien in origin - and capable of destroying all life on earth. Mulder and Scully are soon forced to put their careers and lives on the line, when they are pitted against a powerful group of men known as the Syndicate, who are somehow connected with the virus and willing to kill to keep their secrets safe.

The X-Files film "Fight the Future" offers a very enjoyable transition from the television series to the big screen. I first saw the film, back when it was released in theaters. I had never seen a single episode from the show, and even though there were some things I did not understand, like who the Lone Gunmen were, the Syndicate's role in the overall conspiracy, etc., the film managed to entertain me. Now that the prices on the DVD sets for the show have been reduced, I was able to go back and finally watch the first five seasons. I recently watched the film again, and I really enjoyed it because I was finally able to understand all the smaller details that eluded me the first time around. David Duchovny and Gillian Anderson are in fine form once again as Mulder and Scully. Martin Landau was very good as well. Fans of the show will be happy with the film, because it does a very good job expanding on the overall mythology, as well as bringing in characters from the show like Assitant Director Skinner played by Mitch Pillegi, the Lone Gunmen, and the Cigarette Smoking Man played by William Davis. The special effects, action sequences, and suspense this film brings will entertain people who have never seen the show.

In my opinion, "Fight the Future" can be enjoyed by hardcore fans of the show, as well as a person who has never seen the show. I know this from experience because I was able to watch the film from both points of view. In fact, it was seeing the film the first time around that made me want to watch the show in the first place. The DVD itself offers top notch picture and sound quality, as well as commentary from Chris Carter, and an in-depth featurette on the making of the movie and the transition from the show to the big screen.

A solid 5 stars...

Good series, bad movie
On the commentary track of this movie, someone says that this movie tried to appeal to both the die hard fans of the movie and to potential new fans. Unfortunately, doing an extended 'myth arc' episode as a movie ends up short for both groups. The X Files movie came along at a time where the series's mythology was already, overly complicated and convoluted, so it was hard for newbies to follow the story without having to do extended research about the back story. Die hard fans, on the other hand, would find the story progresses too slowly, compared to the series. ... Read more

Amazon.com

Corey Haim (back when he was still cute) and his souped-up hot-rod of a wheelchair are all that stand between a sleepy little New England town and a ferocious full-moon killer in Stephen King's adaptation of his novella Cycle of the Werewolf. This minor entry into the werewolf canon lacks the scares and sense of humor of superior hirsute thrillers The Howling and An American Werewolf in London, but pays off in some nice casting touches. Gary Busey is loyal to the end as Haim's beer-guzzling Uncle Red, Twin Peaks's Everett McGill cuts an unsettling figure as the town minister, and fleshy B-movie icon Lawrence Tierney (Reservoir Dogs) is the gruff bartender who breaks up bar fights with a baseball bat called "The Peacemaker." The monstrous wolf beast, a towering mountain of fangs and fur, is the creation of Carlo Rambaldi (E.T.). --Sean Axmaker ... Read more

Reviews (58)

A Werewolf, Killings, Lynch Mobs,...A Silver Bullet
A delightfull movie from yesteryear, a very good movie indeed for the time frame and year it was made from. If your looking for all the computer animation, special effects of todays modern movies, tis best to look elsewhere, but tis if a night of fancifull storytelling, a slight scare, and a good story from stephen king tis what is on your mind, than look no farther than here.
A Story of a small town struggling against an unknown menace to most, but the killer is known all to well to a small boy that is lame and bound to a wheelchair.
Gary Busey gives a wonderfull performance in the part of Uncle Red...the uncle that each of us have, the magic uncle, the big brother uncle.
The Narrarator of the story adds a good element in her return of memory and the voice she adds to the movie, in the remembering form of the boys sister.
Overall a good movie to be had and seen, and I reccomend it, for both stephen king fans and those of the horror genre in general.
Watch it on a full moon, and don't forget to buy your silver bullett.

Excellent Movie!
This movie was an excellent horror movie. Corey Haim plays the hero in this film. He has a motorized wheel chair and without
question believes in the presence of an evil werewolf.His beer
drinking uncle is ably played by Gary Busey.The role of the minister(and actual werewolf) is played by Everitt McGill.The
werewolf is frightening. He is huge and bloodthirsty.This evil
monster spread fear throughout the community. It finally falls upon Corey Haim and his uncle to stop the werewolf by killing the monster with a silver bullet.The ending of the movie is very
noteworthy. This movie is a good watch. Buy it.

Entertaining
While this movie has few of the bone chilling moments of "An American Werewolf in London" or "The Howling," it still has moments where it is fascinating and at least a couple of places where the tension rises. Helping along the way are Gary Busey as Marty Coslaw's (Corey Haim) Uncle Red, Megan Follows as Marty's sister Jane, and Everett McGill as creepy Reverend Lowe.

There are murders happening in and around town, and Marty is convinced it is the work of a werewolf, with whom he has a close encounter; a really close encounter. At first no one believes Marty, as you would expect, but then Jane is convinced. Finally Uncle Red is sort of convinced. The tension builds until the night that Jane and Marty's parents are away from home and Uncle Red stays with Marty, Jane, and a single silver bullet.

While there are other werewolf movies with a higher scare factor, this one remains one of my favorites. I will watch this movie sooner than many others just because it is familiar and the characters are generally likable. It is like a cartoon in many ways, but these same qualities make it an easy to watch movie. There are a few intense moments to spike up the movie, including the encounter between Marty and the werewolf on an isolated walking bridge at night in the country, another encounter between a group of citizens out to hunt the murderer, and encounters between the werewolf in his human form and Jane and Marty.

This movie is a must have for Stephen King fans as well as those who have a penchant for people who change into furry creatures.

Super Scary
This movie was really scary. It got really bad reviews, and I don't understand why. True, there is a little bit of gore in it at the beginning, but so what. Really well done.

Hurricane22,

Amateur Movie Critic

By the light of the moon
A cycle of terror ...

Every month, when the moon is at its fullest, the usually quiet town of Tarker's Mills is visited by what the townspeople think is a homicidal maniac. Mutilated corpses begin to turn up and a curfew is administered upon the residents of Tarker's Mills. One crippled boy nevertheless decides to ignore the curfew - which led to the cancellation of the Fourth of July Fireworks - and meets the mysterious murderer face-to-face one night. So begins a quest to discover the true idenity of this monster.

Daniel Attias has produced one of the creepiest Stephen King films ever with 'Silver Bullet'. The screenplay (written by King) is an adaptation of his novella, 'Cycle of the Werewolf', about a lycanthrope who hunts down the townspeople of Tarker Mills. The film is well paced and has a 'whodunnit' feel, as well as plenty of extremely scary moments that will ensure you do not head for the 'eject' button, feeling you have wasted your hard earned dollars.

Moreover, there is a great cast here, headed by veteran actor Gary 'Point Break' Busey, Corey 'The Lost Boys' Haim, and Terry 'The Stepfather' O'Quinn.

I first watched this film when it came out for rental in the mid-eighties and it scared the bejezus out of me. So, take the nightmare ride of your life through the fog shrouded woods of Tarker's Mills, but beware the moon.

'Silver Bullet' also stars Everett McGill of 'Twin Peaks' and 'The People Under The Stairs', and Megan Follows, star of 'Anne of Green Gables'. ... Read more

Reviews (38)

A cute robot sends a bunch of kids into space on the shuttle
An entertaining fantasy about a bunch of bright but eccentric kids who attend NASA's Space Camp and end up being sent into space on an emergency launch of the space shuttle Atlantis, all because a cute little robot named JINX wants to make a friend happy. The young cast is certainly talented, with Lea Thompson (Kathryn) before "Carolyn in the City," Kelly Preston (Tish) before "The Love of the Game," and Joaquin Phoneix (Max) light years before "Gladiator." Kate Capshaw (Andie) and Tom Skerrit (Zack) give the film appropriate weight as the married astronauts who serve as the father figures. The backstory is that Andie has never made it into space and sees Kathryn as a younger model of herself, giving her an excuse to really push the girl. Tate Donovan (Kevin) is the rebellious stud who wants to know Kathryn better and does not take Space Camp all that seriously. Of course there is a lesson to be learned here about teamwork, especially once the kids are up in space with their lives at risk, but the fun for kids is imagining they too could accidentally be sent into space. "Space Camp" takes itself much more seriously than most fantasies, especially in terms of the details regarding a shuttle that is not really ready for launch, which makes it easier to just sit back and go along for the ride. Of course NASA would not allow kids to sit on the shuttle for a live engine test and certainly they would not have picked this group of misfits to receive the honor. But if that is what you what to focus on when watching this movie then you just do not understand thermal curtain failure or remember what it was like to be a kid and do what grown ups do. The movie also features an excellent musical score by John Williams.

A cute robot sends a bunch of kids up in the Space Shuttle
"Spacecamp" is a fairly entertaining fantasy about a bunch of bright but eccentric kids who attend NASA's Space Camp and end up being sent into space on an emergency launch of the space shuttle Atlantis, all because a cute little robot named JINX wants to make a friend happy. The young cast is certainly talented, with Lea Thompson (Kathryn) before "Carolyn in the City," Kelly Preston (Tish) before "The Love of the Game," and Joaquin Phoneix (Max) light years before "Gladiator." Kate Capshaw (Andie) and Tom Skerrit (Zack) give the film appropriate weight as the married astronauts who serve as the parental figures for the kiddies. The backstory is that Andie has never made it into space and sees Kathryn as a younger model of herself, giving her an excuse to really push the girl. Tate Donovan (Kevin) is the rebellious stud who wants to know Kathryn better and does not take Space Camp all that seriously. Of course there is a lesson to be learned here about teamwork, especially once the kids are up in space with their lives at risk, but the fun for kids is imagining they too could accidentally be sent into space.

"Spacecamp" takes itself much more seriously than most fantasies, especially in terms of the details regarding a shuttle that is not really ready for launch, which makes it easier to just sit back and go along for the ride. Of course NASA would not allow kids to sit on the shuttle for a live engine test and certainly they would not have picked this group of misfits to receive the honor. But if that is what you what to focus on when watching this movie then you just do not understand thermal curtain failure or remember what it was like to be a kid and do what grown ups do. The movie also features an excellent musical score by John Williams

A True Classic for Astronaut Wannabe's
And this one time...at Space Camp...I kissed a girl under the SRBs (Solid Rocket Boosters)...and I got to go around and re-live different scenes from the movie, especially repeating all of Leaf Phoenix's star wars references during mission simulations..it was too much fun...LOL...but still true... Certainly, there are tons of things wrong about the movie that would never happen at Space Camp or in real life, but that's hollywood and that's what makes it fun. And when this was made, Space Camp itself was a pipe dream for many kids and the lucky few who got to attend as youngsters were treated like Gods, and are still revered today, so this movie was a way for us poor folks to go to camp without forking out the bucks. Therefore to those of us who actually grew up in the 80's and remember seeing this move in the theater and the excitement of a space shuttle launch and still have dreams of being an astronaut, and for those of us who have worked at Space Camp its' definately a priceless jewel in the DVD treasure chest.

Good Kids Movie
The thing that always trikes me the most about this movie is the number of relatively big movie stars they managed to get into this film.
I mean it's a silly little adventure with a ridiculous plot. Send a bunch of teenagers into space and watch what happens. Well I mean sure, I guess it entertains kids. But it's not anything amazing, really.

Wonderful
When i was about 5 years old i descovered this wonderful movie. It was a copy that my parents had recorded years ago off of HBO. I remmeber sitting ther in awe for the hole 90minutes. Still to this day, every time its on a cable station, i watch it just because, it remind me of when i was 5 years old. This is a great movie for kids and parents alike, and should be awesome in widescreen on dvd. ... Read more

Reviews (17)

An American Classic
For my money, this "save the farm" feature was the best film of 1984, edging out The Killing Fields, The Terminator and Stop Making Sense. Nominated for seven Academy Awards (including Best Picture), this box office sleeper earned two statues: Best Actress for Sally Field and Best Original Screenplay for Robert Benton (who also directed). Still, how Nestor Almendros' gorgeous cinematography failed to score even a nomination remains a mystery.

Alot of Heart
Places In The Heart is director Robert Benton's look back at life in Depression era Texas. Sally Field stars as Edna Spalding, a recent widow who struggles and fights to keep her family together by raising cotton. She enlists the help of a drifter named Mose who knows the in and outs of growing cotton. One hurdle is that Mose is black and the locals make it rough on them. Danny Glover is superb as Mose as is John Malkovich as a blind boarder, Mr. Will. Lindsay Crouse and Ed Harris are Edna's sister and brother-in-law and Ms. Crouse is excellent as she struggles with the philandering ways of her husband. But through it all, Ms. Field carries the film. She perfectly conveys the determination of a woman facing tremendous odds. she shows a strong front, but a touching vulnerability when facing set back after set back. Ms. Field deservedly won her second Best Actress award and yes we really do like her.

"Places in the Heart" Wins Hearts All Over Again
Now that "Places in the Heart" has been re-released on VHS and DVD, many more people will be able to experience this 1984 classic. Starring some of the acting greats like Sally Field, John Malkovich, Ed Harris, and Danny Glover, "Places in the Heart" is a realistic look at the lives and views of people in the 1930s. This movie tackles issues such as racism, adultery, and people learning to "live again" after they've had to overcome many obstacles.

Edna Spalding (Sally Field) plays a woman recently widowed who suddenly has to figure out how to support herself and two children during Depression times. Moze (Danny Glover), a black man looking for room and board, offers the "crazy" suggestion of growing cotton and, desperate to try anything to keep her family together, Spalding steps up to the challenge. More important than Spalding's need for money, she must prove to herself and those around her that she can take care of her family. She had always just been a wife and a mother and nothing more had previously been asked of her. A blind boarder, Mr. Will (John Malkovich), "sees" the harshness and bigotries of life and is a quiet yet interesting observer of what's going on around him. Also added to this mix are Spalding's brother-in-law Wayne (Ed Harris) and sister Margaret (Lindsay Crouse) who go through marital struggles when Wayne becomes involved with another woman (Amy Madigan). They fight the basic human problem of being good people but making bad decisions.

Field's performance as Spalding is a great one--evidenced by her Best Actress Oscar for the role. Another Oscar was rewarded for Best Overall Screenplay and nominations were made for Best Picture, Best Director, Best Supporting Actor (Malkovich), Best Supporting Actress (Crouse), and Best Costume Design. Though "Places in the Heart" is often overlooked, it's a wonderful film overflowing with love, bravery, friendship, and strength of character.

OF LOSS, LOVE AND HOPE
Few movies hit you so unabashedly in the heart with a melodramatic wallop as Benton’s Places in the Heart, yet manage to avoid feeling cheap. A deeply touching slice of the depression era, worthy of all the Oscars it bagged (screenplay, best actress for Fields) plus several nominations.

Sally Field weilds absolute acting prowess as Edna Spaulding, a wife and mother of two kids who becomes widowed after a drunk accidentally shoots her husband. So she decides to make some money by planting cotton. She takes in a very friendly black man (wonderfully played by Danny Glover) who helps her get and plant the cotton, and a smart blind man (played by John Malkovich in an Oscar-nominated performance) who's a paying boarder.

These three adults and the two children form a little family together, and this is the part of "Places in the Heart" that works best.

Other characters add to the story. Lindsey Crouse was also Oscar-nominated for her portrayl of Field's sister who comes to help out after tragedy strikes early on. Ed Harris plays Crouse's husband who's having an affair with another woman, which makes for a somewhat inessential subplot. But that's a minor grouse.

Apart from the top-notch performances, the film's stunning finale is an unforgettable cinematic statement about hope. Had everyone in the room jerking a tear.

On DVD the film doesn't really look like an old movie (1984) if that bothers you. A highly recommended gem for any collection!

I WISH THERE WERE A SEQUEL!
This movie is great! I used it for a college paper on prejudice and the hardships of life. You can really feel what these people are going through. I wish there were a sequel about 10 years later, where Moses comes back with a family and buys a piece of Edna's land. I wish he could really overcome being black during a miserable time in history. I wish Will and Edna would fall in love and help complete the missing part of each other's lives. Possum would be a teen, with high hopes and great dreams. Frank would be a strong, honest man that is a representation of the type of person it takes to change an entire country's idea about prejudice. They would become happy once again. I want their lives to finally be worth something. I WANT MORE OF THEIR STORY! ... Read more

Reviews (43)

Bad history, good movie
Emilio Estevez, Charlie Sheen, and Kiefer Sutherland are just a few of the all-star cast who fill out this film about outlaws set in the old west: The story of Billy the Kid & Co. Aside from the fact that its historical accuracy is more than highly questionable, the movie was more than entertaining.

Emilio Estevez plays William H. Bonney, a.k.a. Billy the Kid who was a runaway and an alleged murderer, who was taken in by Mr. John Tunstall, an English cattleman. Tunstall was murdered by a rival cattleman, a Mr. Murphy, played by Jack Palance. The movie goes on from there with a killing spree of those who were responsible for the death of Tunstall. The acting was great. "Dick," played by Charlie Sheen, was very good and one of Sheen's better roles. Lou Diamond Phillips was absolutely amazing as the Mexican Indian: Jose Chavez y Chavez. Charlie, played by Casey Siemasko, was a great and devoted friend, to Billy, and to the rest of the "Regulators."

It is said that Billy the Kid was no where near as arrogant, nor as trigger happy as the film portrays, but Estevez was rather impressive in his skills both as an actor and a gunslinger. Sutherland's "Josiah 'Doc' Scurlock" was an admirable man; full of character and class given the circumstances. Terrance Camp's role as "John Tunstall" was short-lived but excellent.

This movie is highly entertaining. I recommend it to anyone who likes a good Robin Hood story (who isn't terribly concerned of historical accuracy). It is fun to watch, and the cast is second to none.

epc

Everyone will hack on you if you do not buy this DVD
Young Guns is definitely one of the best Westerns ever made. It is the story of how Billy the Kid and his legend was created. John Tunstall an English merchant takes in runaways and those on a downward spiral in life and in return for protecting his ranch from poachers gives them (his regulators) an education and board. After he is murdered by L.G. Murphy's men, Tunstall's regulators are deputised and set out to bring in those responsible. The Lincoln War is on and William H. Bony and the other regulators have prices on their heads.

The Young Guns DVD also contains a featurette, which was made in 1988. It's kind of a behind the scenes, interview with the actors type thing. It's quite interesting and a flash back to 1988 with mentions of Tom's Cruise latest movie being Cocktail re-enforcing this was made in 1988. Seeing Charlie Sheen, Emilio Estevez, Keifer Sutherland and Lou Diamond Phillips over fifteen years younger than today and hearing them talk about their careers to that point is also rather interesting.

I don't really like Westerns but I loved Young Guns. Check out the sequel Young Guns II as well.

an apology for a western that is not authentic
I always thought of this film as a western for young people. I don't understand the "brat pack" label. I could give some pretty friggin' nasty labels to some John Wayne films I've seen. And please don't tell me there's such a thing as a thinking man's western. Is Young Guns not a quality western since it lacks some vacuous, ponderous shots of deserts with a raspy-voiced squinty eyed god-fearing fat alcoholic moron squinting into the sun and speaking like a disgruntled janitor about how he's going to get his revenge on someone who done wronged him? I always though Young Guns was exciting and funny with a cast of youthfuls who make the 'mistake' of acting youthful in front of the screen. And as for Terrence Stamp? He's friggin' horrible! He gets blown off the screen literally and for which this viewer is eternally grateful. The only other actor miscast is Charlie Sheen. The rest of the cast is great. Jack Palance is comically unhinged as the true psychotic in this film. If John Wayne were in this film he would be a bearded bad guy who gets his brains blown out. And that's the way it should be. And one final word: why is it American films (particularly westerns) are always judged based on films that came before. In this case it doesn't make sense. Young Guns is influenced by some westerns, but in execution, tone, and style it is a complete original. It deserves mention with The Good, the Bad and the Ugly, Once Upon a Time In the West, My Darling Clementine, One-Eyed Jacks, Johnny Guitar, Butch Cassidy and the Sundance Kid, and Tombstone as one of the great westerns. But if you're over 21 just go get hammered and watch TNT to get your weekly western fix you friggin' republican.

Mindless Drivel of the Worst Kind
This is an utterly unhistorical movie. The real Billy the Kid was basically a loner who shunned gangs such as the "Regulators" bunch in this movie. One of the characters is a deputy marshal who throws away his badge and utters the usual lines about how the law is really on the side of evil. In this case, the ex-deputy joins the rest in a revelry of mindless violence all of which is committed in the name of a good cause, although it is hard to see how the violence did anything constructive.

Basically, this is just another empty action flick of mindless violence and mayhem with characters who have deluded themselves into thinking that they are the good guys. Worst of all, the movie basically portrays these juvenile delinquents as being on the right side. The idea that violence is an acceptable thing to engage in if you believe that you are in the right is just simply not the kind of message that Hollywood should be conveying to young people.

In summation, this is an awful movie.

Mindless western fun - but a classic it ain't
Brash, loud, and totally rock and roll, "Young Guns" is less a classic western and more a typical late 80s, early 90s action flick. And that's just fine. It's a stupidly fun, turn-off-your-head flick if you're willing to approach it that way. Watch it as a serious western, though, and you're likely to be disappointed. This is an MTV western. No more, no less.

Emilio Estevez puts a lot of energy into Billy the Kid, keeping the movie brisk. The rest of the cast are all solid, playing their clichéd characters as well as can be expected.

Compared to today's rapid-fire action, "Young Guns'" blast em ups might seem lacking and tame, but it all works pretty well (for what it is). The style is all late-80s -- flashy, loud and rude. Big gun shots, rock and roll soundtrack, and car chases on horses. If that's your thing, "Young Guns" fits the bill. It's pure Bs to the wall action.

But take note: If what you want is a strong western that lives beyond the genre as a standout film, western or not, you'd be better off seeking "Once Upon A Time In The West" or "Unforgiven." This ain't it.

The DVD is of fine quality. The picture has never looked better, the audio is very impressive, and the packaging will look nice on your shelf. The extras are pretty good, too. A nice behind the scenes featurette, an excellent documentary on the real Billy The Kid, and a decent commentary make this a great bang-for-your-buck buy. You can't beat the price.

As a DVD set for Young Guns fans, this is a five-star set (*****). As a film, this is a three-star film (***). For Amazon.com, I'm splitting the difference with four stars (****) ... Read more

Reviews (103)

Guns, guys and horses!
Ok, if you want something historically accurate this film is not for you. But its not supposed to be accurate; its supposed to entertain , and boy, it does just that!
Right from the starting scene in a civil war battlefield and on to the end, the thrills never stop. It'll have you sitting on the edge of your chair or jumping up and down in excitement all the way through!
Farrell is an excellant Jesse (and very handsome too!), set off well by Scott Caan's equally brilliant Cole Younger. When Frank and Jesse James Return to Liberty, Missouri after the civil war, they find things greatly changed. The railroad is heading West and it needs their land. Jesse and Frank refuse to sell and create a spread of rebellion throughout their village. After seeing their Ma brutally murdered by the railroad men, the James brothers join forces with the Youngers and begin careers as outlaws in order to stop the railroad's advance.
The film does have a slightly romantic edge in the form of Zie, Jesse's beautiful fiancee (Ali Larter).
American Outlaws is equal to Pirates of the Caribbean for excitement, yet being shorter it doesn't even drag in the slightest. Infact, its only fault has to be that it lacks a Jack Sparrow, but with Bob Younger's wisecracks you scarcely notice it.
If, like me, you lost your heart to the West long ago you'd be a fool to miss this film. Even if you ain't lost your heart to nobody, you'd still be a fool.
So cowboys, saddle up; Let's Ride!!

A shallow movie for shallow viewers
This is to movies what "Springtime For Hitler" was to plays.

The Jameses and the Youngers were part of outlaw raiding parties against Northern towns during the Civil War and murdered people during their bank robberies. If you want to make a fun, fictional movie, use fictional names.

I don't have a quarrel with the reviewers that said they knew the plot was fiction, but liked the movie for its entertainment or good-looking cast. That's your choice. But when reviews say that Colin Farrell "is completely believable as Jesse," that "the history of Jesse, Frank, and Jim were accurate," or the movie "shows the motivation and the reasoning behind the famous outlaw gang," I feel like I'm watching auditions for "Street Smarts."

The movie tells you that the James-Younger gang was heroically fighting oppression by the railroads. In truth, they were thieves and murderers. If you want to see what the gang did to people--including shooting a father going to the aid of his fallen son-- ...

It's wrong to make cold-blooded killers out as heroes just for the sake of a few box office dollars, whether it was 10 years ago or 130 years ago. To those that say "historical accuracy is a moot point," that may be your opinion, but it's certainly not mine.

Okay, if you can get past the modern accents and dumb girl
The action scenes in this movie are GREAT. I can get past all the other stupid stuff in this movie just to watch those. I think they should have cut out the part where they come back home and chat with all their friends because that just slows down the movie, but once you get past all that, the movie just keeps you jumping in your seat. Yes, the actors' lines are kind of dumb in some parts (only SOME parts!!) and Ali Larter is not the best actress, and sometimes Colin Farrell forgets he's not supposed to be Irish in this movie and Scott Caan still sounds too much like he's not out of high school yet- but hey it's not all that bad. There's a good plot and lots of humour and good fight scenes. If you're not a super overly critical and picky person you'll find yourself a decent movie that's entertaining and has a good ending. The Special Features are great. They give you a lot of inside info into the making which is always a treat to watch after seeing a good movie. Go for it!

BAD, VERY BAD
Can somebody believe those baby face actors, look like tough cowboys? I've always seen men playing cowboys in films, not smooth-faced teens. And who had the idea to put a rap in a western movie? If Colin Farrel wants to be a good actor he musn't accept these characters, and Scott Caan is very far from be that good actor his father is. And Ali LArter? She looks like a Barbie in cowgirl disguise, it takes more than a pretty face and whipped cream bikini to be a good actress.

Keeo your money in your pocket and buy one of those good old western movies, you'll see good actors and good movies with good plots. Not this nonsense.

The South might've won...
I liked the movie American Outlaws. Even though hollywood took its creative liberties or whatever you want to call it with the historical facts, it still was an awesome movie! The Younger farm was in Lee's Summit, MO and the James farm was in Kearney, MO definitely more than a days ride by horse between the two. Other than that it is a story told by the southerners and southern sympathizers from the north. This is definitely the story we didn't hear in the yankee schools of the north. If you're looking for a cool western with the look and feel of the civil war and young america in missouri, then this is for you. My favorite was Gabriel Macht, who portrayed Frank James. All the characters played well off of each other but his character held the gang together he was the intelligent calm voice of reason. So enjoy this is a funny dramatic western all rolled up into one! ... Read more

Amazon.com

The definitive American television series of the '90s comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realized in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonize Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans.--David Chute ... Read more

Reviews (374)

Aliens and bees and corn fields, oh my!
"The X-Files: Fight the Future" is an endlessly fascinating and complicated movie that ties together all the mythology pieces from the popular series upon which it's based. Although I think that people who never watch the show can enjoy this movie, I doubt they can understand it very well. Heck, I watch the show religiously and I still don't think I understand everything.

However, it succeeds in introducing the audience to the characters of Agents Mulder and Scully, without rehashing the things that are familiar to the fans of the show. When we are first introduced to our favorite duo, their conversation on their cell phones is enjoyable to both old audiences and new ones alike.

The film also makes clear the deep affection and love Mulder and Scully feel for each other--something regular viewers already know--which comes to a head in the famous hallway scene outside of Mulder's apartment.

The film is top quality, as we've come to expect no less from "The X-Files," with an intelligent story-line, great action sequences and special effects, and plenty of aliens to satisfy the sci-fi junkie in all of us. But don't get me wrong--you don't have to be a sci-fi junkie to enjoy this film. You have to like a good suspense/thriller, with some action, intelligent story-telling, and yes, a little bit of hinted-at romance. I mean, for "The X-Files," any 'Shipper will tell you that this is a pretty romantic movie. As one of those so-called 'Shippers, I was very angry at that darn bee, which was my biggest disappointment.

The DVD itself is nicely presented, with all the theatrical trailers, an informative commentary track by Rob Bowman and Chris Carter, and an interesting behind-the-scenes look at the making of the film. Best of all, it has added footage not originally in the theatrical version.

This DVD is sure to please all forms of movie-goers. =)

FIGHT THE FUTURE made me a fan
I watched this movie without ever watching an episode of the series before. I came into the movie only knowing that the main characters were FBI agents Mulder and Scully who sought the truth about aliens and government conspiracies that tried to cover up their existance. That was all I knew, I didn't know anything about the black oil, or the bees, or even who the Smoking Man was. This movie did a good job presenting the basics so a first timer (like myself) wouldn't feel totally lost while watching it. David Duchovny and Gillian Anderson were superb in their big screen roles of Fox Mulder and Dana Scully. The hallway (I think you know what I'm talking about!) scene was one of the best scenes of the movie. Now if only there was no bee.... Overall, this movie was X-cellent. The acting was great, the special effects were cool, and the plot kept me on the edge of my seat. I recommend this movie to anyone who has ever watched The X-Files and loved it, and also to anyone who hasn't seen an episode before but likes sci-fi movies. And I'd just like to say thanks to Chris Carter and crew for a really good season 6 - here's onto season 7, unfortunately the very last one. I'll be looking forward to the next X-Files movie, I can't wait until it comes out!

Solid X-Files adventure
"The X-Files: Fight the Future" doesn't answer a lot of the questions that fans were waiting for from the movie. The only difference between this movie and, say, a two or three part X-Files story arc is the size of the budget, effects and the guest stars. The writing, unfortunately, doesn't measure up to the best the series offered. Nevertheless, it's a fine theatrical episode of the series.

Thousands of years ago an alien species ruled this planet. Humanity was just an afterthought. It's clear that these aliens want to regain control of the planet and members of the government have made a pact with the devil; humanity will become a slave race to these aliens (and other things you don't want to know about if you haven't seen the movie otherwise it'll spoil plot points).

Somehow all of this is tied into two little boys that discover an ancient underground cavern. One of the boys is infected with some sort of virus as are several rescue workers. In another part of the US, Mulder and Scully are checking out terrorist threat against the US. The building that Mulder and Scully and the rest of the team believe to be the target is a decoy. Mulder and Scully accidently discover the real target. The mystery at the heart of the film is why the terrorist targeted a building that had the agency FEMA in it when there were more vital government agencies they could have hit. Also, the building was evacuated. So how come there were two victims discovered in the rubble?

All of this remains at the heart of the mystery and it does, indeed, play into the alien conspiracy story arc than began to be undcovered in season one of the series. If you're interested in "The X-Files" but haven't seen the entire series, this movie is still comprehensible to the average moviegoer. The ramifications of the plot, however, will be much more important if you've seen the bulk of seasons 2-6 first (season 1 just sets up the conspiracy angle and is important but not a central part of the conspiracy arc).

The picture quality is pretty good considering this came out close to the beginning of the DVD craze. It could be improved with an anamorphic widescreen transfer (higher picture quality)and with a separate disc of extras. The extras aren't bad here they're just not as indepth as they should be. My guess is that Fox plans on re-releasing this on DVD when the new X-Files movie comes out in 2006 and/or within the next year or two because they've finally got the entire series on DVD.

Well worth picking up for fans but for casual new viewers, I'd suggest starting with seasons 2-6 to fully understand the consequences of this film's plot line. Carter's script isn't his best but there are enough gems in the script to make it worthwhile for fans of the series.

An enjoyable move to the "big screen"
The X-Files "Fight the Future" takes place after the end of season five when the X-Files have been shut down. FBI agents Fox Mulder (David Duchovny) and Dana Scully ( Gillian Anderson) are assigned to a Federal building in Dallas to locate a bomb. Unfortunately, the bomb goes off before it can be defused, and an FBI agent as well as three fireman and a boy are killed in the explosion. The FBI needs someone to blame for what happened and look to Mulder and Scully. Wanting to find out what really happened to save their careers, Mulder starts searching for clues. He soon encounters a paranoid doctor ( Martin Landau) who reveals to Mulder a conspiracy dealing with a deadly virus that could be alien in origin - and capable of destroying all life on earth. Mulder and Scully are soon forced to put their careers and lives on the line, when they are pitted against a powerful group of men known as the Syndicate, who are somehow connected with the virus and willing to kill to keep their secrets safe.

The X-Files film "Fight the Future" offers a very enjoyable transition from the television series to the big screen. I first saw the film, back when it was released in theaters. I had never seen a single episode from the show, and even though there were some things I did not understand, like who the Lone Gunmen were, the Syndicate's role in the overall conspiracy, etc., the film managed to entertain me. Now that the prices on the DVD sets for the show have been reduced, I was able to go back and finally watch the first five seasons. I recently watched the film again, and I really enjoyed it because I was finally able to understand all the smaller details that eluded me the first time around. David Duchovny and Gillian Anderson are in fine form once again as Mulder and Scully. Martin Landau was very good as well. Fans of the show will be happy with the film, because it does a very good job expanding on the overall mythology, as well as bringing in characters from the show like Assitant Director Skinner played by Mitch Pillegi, the Lone Gunmen, and the Cigarette Smoking Man played by William Davis. The special effects, action sequences, and suspense this film brings will entertain people who have never seen the show.

In my opinion, "Fight the Future" can be enjoyed by hardcore fans of the show, as well as a person who has never seen the show. I know this from experience because I was able to watch the film from both points of view. In fact, it was seeing the film the first time around that made me want to watch the show in the first place. The DVD itself offers top notch picture and sound quality, as well as commentary from Chris Carter, and an in-depth featurette on the making of the movie and the transition from the show to the big screen.

A solid 5 stars...

Good series, bad movie
On the commentary track of this movie, someone says that this movie tried to appeal