Reviews (78)

Realism - but not truth
This is a very realistic movie about the combat experience at Hamburger Hill. It will probably become to Vietnam what "Battleground" has become to the Battle of the Bulge -- a classic, a very realistic portrayal of the experience, conveyed via fictitious characters.

But the biggest difference in the selling of "Hamburger Hill" from "Battleground" is that the promotional text for "Hamburger Hill" tells us "The most realistic portrayal of the Vietnam War ever filmed. Because it is the only one that's true." And yet when the small print rolls at the end of the movie, we see that these characters in the squad are entirely fictitious and not to be confused with anyone who actually ever lived -- and died.

This is not a minor point. We need to know what is fact and what is fiction. If we allow Hollywood "truth" to inform our decisions at the expense of real truth, then real truth is going to grab us by our tender parts someday, and we are going to be shocked to realize that we were off in some in-our-head fantasy that kept us from knowing the truth.

There were real men, with real names and probably not so Hollywood-viable lives in that squad. Perhaps someone someday will tell us their real story.

So, I do recommend this movie -- highly so. What is told here needs telling -- and thinking about. But please do not tell us it is the truth: keep the line between fact and fiction clear, or we will all suffer for it eventually.

The toughest movie about the Vietnam War
"Full Metal Jacket" and "Platoon" are probably better movies ABOUT the war in Viet Nam - this is one of the only movies IN the War. Other reviewers have referred to a lack of plot; they're right. This is not a tale, it's a chronicle, a portrait of a series of events and of the men who lived them. Every soldier who went to war and survived two or more battles will see Truth in this movie - especially the truth that brotherhood is the only explanation for surviving combat. Those who do not assume responsibility, who do not recognize the job to be done and do it do not survive, let alone prevail. Hill 937 was one of those places where the 101st made their names to shine, and the sergeant's warning to the reporter could be the division's watchword: get out of here - you haven't earned the right to be here. "Hamburger Hill" shows soldiers earning their right, and that's enough.

"The battle of every war cliche in existence"
This is a sucker's movie. We're supposed to retire our minds and emotionally offer our feelings and hearts on a platter to whatever happens on the screen.

Goodness! Combat is SO dirty and muddy. Isn't that just so squalid. Nice that no one gets sick and the guns work, isn't it?

My, my! They are having such fun with the always so cute, hot and cold running Vietnamese whores. And unlimited beer available with the brothel, out there in the 'boonies.

Oh, dear! Racial tensions, fights (that the Blacks always pick and always win)... but really-we-hang-together-and-value-one-another-when-it-counts. Because after all we're all really victims of the System and the Man.

Right, sure! The attack makes no sense and we know it doesn't and they are cutting us to pieces and killing us all, but somehow we are going to keep attacking and we care and we are going to win and get that hill, not for the officers or the Army but for ourselves and as a point of pride to honor our dead....yet remember brothers to chant "it don't mean a thang."

No worries. We take no special precautions or security out of the line, have no problems with mines and booby traps, and none of the local Vietnamese seem actually to be VC. Kind of like we're doing grown-ups camping. And we're to believe this works for them?.

Yeah, right! Officers, command structure, regs, training, supply, rotations, Army, etc. are all invisible. It's just us EMs messin' around and having a set of peer group interactions.

"Realistic." Sure! No interfaces with the ARVNs, civil authorities, US civilian and paramilitry programs. It's us and a shadowly enemy that we sporadically fight.

Makes sense? Our medic is a fruitcake, an ideologue, and a whiner; but we all forgive him and actually love him because he's there when it counts. And despite being a self-pitying, racist, Section 8 case does a wonderful, competent, courageous job for us in combat.

And somehow we're fighting in the rainy season, to take a hill, trying to climb almost straight up, and without artillery or aircraft fire support being any use (except for the predictible cliche - it kills some of US from time to time). This is not how any infantry works -- and for sure not the casualty-shy, lazy, and keep-the-fight-at-a-distance U. S. Army.

I FEEL a lot. But I try to anchor it in realities, not the shoddy schlock that this movie represents. It's trying to emotionally goose the audience. Characters, plot, and anything else that might have made it more than a few good special effects shots were clearly beyound the capacities of the people responsible for this mess.

Good
Not as flashy or over-the-top as some other war films, 'Hamburger Hill' is still a solid and worth the watch. What keeps the movie together is the character study and racial tension between the American soldiers. The plot is very thin, but the movie is done well.

Best of a short list
As a Marine combat veteran with almost three years in Viet Nam, I know this was the best movie made about the war of the top three movies made in the 80s about Viet Nam (four if you count Apocalypse Now Redux - more of a psychedelic view of the war rather than reality). Hamburger Hill shows Grunts at the various stages of their tour in country, the individuals and their wants and desires, and how they died.

By comparison, Platoon was good, but with a typical Stone political bent and philosoiphical ending. Kubrick's Full Metal Jacket was just plain poor, with a typical left-wing view about something Kubrick obviously knew very little. The best part of that movie was the boot camp section and only then because the DI, Lee Ermey, had been a real Marine DI.

Hamburger Hill was factual and the various actors played their parts with the guts and truism that many in Hollywood fail to produce (ala Sheen in Platoon).

Hamburger Hill is a solid war movie in general, a solid Viet Nam movie in particular and one that deserved much more credit than it received. Two thumbs up... ... Read more

Amazon.com

If you think Jim Carrey's comedy is an acquired taste, think of The Cable Guy as a potent bottle of bittersweet wine. The film has a lingering aftertaste, but it is just a bit too dark, a bit too extreme to invite another serving. On the other hand, you've got to give Carrey some credit for risking his $20-million paycheck (and a big chunk of box-office revenue) on this black comedy. A needy, psychologically unbalanced cable-television installer (Carrey) forces his friendship upon an unsuspecting bachelor (Matthew Broderick) who has just broken up with his fiancée. The movie gets edgier and more desperate--and in some respects funnier--as Carrey's cable guy gradually goes crazy. Director Ben Stiller manages to pack some pointed social commentary into the movie's many humorous detours.Although it was a box-office disappointment, The Cable Guy is nevertheless a daring comedy for those who have had their fill of Ace Ventura. --Jeff Shannon ... Read more

Reviews (97)

Underrated, funny, disturbing
I'm with most other Amazon reviewers -- I don't know why this movie got such a bum rap from most critics. I think it's because Carrey wasn't doing his usual Ace Ventura shtick which I personally don't care for (was not able to sit through either of the Ace Ventura movies). This movie was very funny, good dialogue, good characterization -- the Stephen character was very real and so was the Cable Guy even though he was nutty. My least favorite scene was the one where he beats up Robin's date. Not because it was violent but because it was pretty pointless, didn't contribute anything to the plot, just not very funny IMO (though I see that some other people disagree). I also thought the karaoke scene dragged on a bit. But the whole Medieval Times episode was a scream! Ditto for the Porno Password scene and the basketball game and the scene where the Cable Guy visits Steve in jail, as well as the Menendez brothers-like trial subplot with Ben Stiller. The way the Cable Guy kept modeling everything in his life on TV shows and movies was an inspired touch -- it may not be terribly profound or original social commentary but it was an interesting way of making the point. Finally, I thought the ending was just perfect. The Cable Guy is being airlifted to the hospital and the paramedic in the chopper says "Hang in there, buddy!." The Cable Guy asks, his eyes lighting up, "Hey! Am I really your buddy?" "Sure you are," replies the unsuspecting paramedic ... and we see the Cable Guy's face dissolve into a demented grin. Wow!

Carrey's underrated masterpiece
"The Cable Guy," as most know by now, was a major departure for Jim Carrey. The rubber-faced goofball of hits like "Dumb And Dumber" and "Ace Ventura: Pet Detective" was still present, but he was appearing in a radically different form. With Carrey playing a cable installer fixated on an unsuspecting customer, "The Cable Guy" is easily his darkest movie. However, I've got a soft spot for a good black comedy, and this one is about as black (and as good) as they come.

Although goofy behavior had been Carrey's trademark since his "In Living Color" days (remember Fire Marshal Bill?), "The Cable Guy" was the first movie in which his madcap antics hinted at something dark beneath the surface. Indeed, by playing such a twisted character, Carrey was finally able to let loose and reveal the full range of his comedic gifts (aren't bad guys always more fun?). In contrast to the likes of "Ace Ventura" and "Dumb And Dumber," which were basically just live-action cartoons (albeit amusing ones), "The Cable Guy" provides Carrey with a creepy, unsettling vehicle where he gets to show some real malevolence. When Carrey plays basketball prison-style while Filter's "Hey Man Nice Shot" plays in the background, it's both hilarious and disturbing at the same time. And even when Carrey hams it up, as when he does a vibrato-heavy rendition of Jefferson Airplane's "Somebody To Love" while a group of freaky friends dances around him, there's an undercurrent of the surreal.

In an equally dramatic departure from Carrey's norm, "The Cable Guy" even had a message mixed in with all its weirdness. It turns out Carrey's nameless cable installer, who gets his pseudonyms from old TV shows, was left by his mother to be raised by the TV, and has attachment issues stemming from his inability to relate to others. The plot is set against the backdrop of a former child star's trial for killing his twin brother, and director Ben Stiller (who also plays the murderous brother) takes several opportunities for pointed satire of our TV-addled culture. It's not until the end that the subject is addressed at length, but the pernicious effects of TV are a prominent theme of the movie. When the cable guy laments in his closing monologue that he learned about the facts of life from watching "The Facts Of Life," it's strangely poignant.

And how about a hand for Matthew Broderick as Steven Kovacs, the unfortunate object of Carrey's fixation? It's hard to believe this guy almost faded into obscurity in the five years or so after "Ferris Bueller's Day Off." If not for his classic turn in "Election," I'd say Steven was the role Broderick was born to play. At first Steven just regards the cable guy as a nuisance, but his annoyance over his new friend's increasingly creepy behavior grows as the film wears on until it turns to outright fear and desperation, and Broderick captures it perfectly. Few, if any actors, make a better hapless guy than Broderick, which is especially ironic given that he became a star playing the uber-cool Ferris Bueller.

Watching this movie, it's hard to believe it was such a letdown at the box office. I firmly believe entertainers should be rewarded for taking risks, but apparently Carrey's fans weren't quite ready for him to play such a troubled character in such a dark movie. That's too bad, because those who haven't seen this movie are really missing out. "The Cable Guy" doesn't go down as easy as Carrey's other comedies, but it's a lot more rewarding in the end.

Son of Cable Guy...future spin off?
I really liked this movie. Overall, I didn't find it that dark.
I look at it as a clever vehicle to let Jim Carey do his comedy. The way Mathew Broderick reacts to Carey is almost as funny as Jim Carey. In addition, all the actors shine in this movie.

The Cable Guy
This book has enspired many, encluding me, readers that love Jim Carrey as an actor. Eventhough this is just a book, doesn't mean Jim Carrey has lost his style. In this book, he played an amazing role as a cable guy. This is the only book that I have read that made me realize that if you have old friends that are now weird, doesn't mean you can't still be friends. I hope that this book will teach other students or readers, like me, love this book.

Many Laughs
This movie rocks. I love that Jim Carrey is the demented Cable Guy. Jim Carrey ( up till this movie) was only known for 'wacky' - goofy comedy. And this movie is leaps and bounds above that crap. If you want lame - childish - Pet Ventura junk then stay away. But if you can appreciate smart humor and good writing then this is a blast. The whole concept of Cable Guy is based on a man who will do anything to be liked - even though everything he does is over the top and annoying. The two scenes that always kill me: 1) he dresses up like Freddie Mercury and beats up Owen Wilson in the bathroom. 2) He mauls the dude in the basketball game in slo-mo, then eventually dunks the ball and breaks the glass after hanging on the rim and falls STRAIGHT down. ... Read more

Reviews (59)

I Loved this Movie!
I Loved this movie! It had everything: comedy, realism, and the ability to make you laugh and cry. The acting is superb. Winona Ryder, Ethan Hawke, Janeane Garofalo, Steve Zahn and Ben Stiller are excellent.
Lelaina Pierce (Ryder) is the valedoctorian of her college and should have her entire life mapped out for her, but all she has is a job at a morning talk show called 'Good Morning Grant' where she makes barely enough money to cover her rent. (For all those Frasier fans out there Grant is well acted by John Mahoney who plays Frasier's father on the show.) Her best friend Vickie (Garofalo) has just been promoted to manager at the Gap, and her other friend Sammy (Zahn) is coming to terms with his sexuality. Troy (Hawke) is her other troubled best friend who is the lead singer of a band and is in love with Lelaina. Lelaina videotapes all her friends making a documentary about their lives and their troubles, and she meets a guy named Michael (Stiller) who she begins dating, and who wants to turn her documentary into a television show for the network he works for called In Your Face TV.
The movie has a plot that appears so simple, yet it applies to everyone everywhere. It tries to answer the question: what to do when you just get out of college and where should life go?
Lelaina is also trapped in a love triangle and has to decide who she wants to be with more: Hawke, her closest friend or Stiller (who makes an excellent directorial debut), someone who loves Lelaina but also wants to profit from her documentary.
There are cameos from actors such as Renee Zellweiger, David Spade, and Swoozie Kurtz (who plays Lelaina's mother in one scene).
This film is one of my favorite movies of all time and is one that should be more well-known. It also has a fiere soundtrack, featuring artists like the Knack (Sharona), and Lisa Loeb, so I highly suggest you buy that as well.
"There's no point to all of this. It's just a random lottery of meaningless tragedy and a series of near escapes. So I take pleasure in the details. You know... a quarter-pounder with chesse, those are good, the sky before it starts to rain, the moment where your laughter becomes a cackle... and I, I sit back and smoke my Camel Straights and I ride my own melt..."-Troy from Reality Bites...
SO BUY THE MOVIE!

Awakenings
This romantic comedy/ coming of age/ drama/ teen movie presents an intriguing an amusing look at the lives of the twentysomethings, showcasing their conflicts and doubts after graduation.

Director Ben Stiller offers an interesting snapshot of the mid nineties, presenting a curious perspective of that zeitgeist and its atmosphere.
Stiller himself, Winona Ryder and Ethan Hawke play three dazed and confused young adults who have to deal with troublesome situations and decisions in a turning point of their lives. The story focuses, with humor and some depth, the difficult and contrived process of growing up, offering characters that have contradictory views and ideas of the world.
The movie wisely covers multiple problems of the Genration X crowd, like the stuggle to find a decent job, the indecisions after graduation, the price of independence or the choices about love. Although this picture has a few years, it still seems fresh and poignant today, focusing situations that occur everywhere.

"Reality Bites" is a fine, witty and clever flick, that despite its somewhat predictable plot proves to be a noteworthy and entertaining effort. A little gem and a good one to watch with a group of friends, since most youngsters can relate to it.

Reality Does Bite, but This Movie Rocks
In what was perhaps one of the most overhyped movies at the time, "Reality Bites" proves to be in the Zeitgeist of the mid- '90s but for different reasons than you might thing.

It was not the movie that came to define a generation in story, tone, or soundtrack the way "The Graduate" captured the moments of its time (for that you should watch "Singles"). "Reality Bites" did, however, capture the what was expected of the generation - to be unemployed, irrevent, speak in a pop-culture lingo, and wrestle with the meaning of irony. In spite of what expectations were placed on the generation (or the movie), "Reality Bites" remains funny ten years later.

Watch to see the last of Winona Ryder's great roles as she struggles with her relationship with Ethan Hawke. Enjoy the moment when we are introduced to Janeane Garofalo as she shimmies to "My Sharona." And enjoy the film that brought Ben Stiller into the mainstream as a leading actor.

The anniversary DVD is a great opportunity to rediscover the movie and appreciate the on-screen appearences of up and coming Gen-X Hollwood - David Spade, Renee Zellweger, and Steve Zahn all appear. And be sure to check out Lisa Loeb's music video for "Stay," as directed by Hawke.

Yes, Reality Bites Sometimes
"Reality Bites" stars Oscar nominees Winona Ryder, Ethan Hawke, plus Ben Stiller, Jeneane Garofalo, and Steve Zahn. Ben Stiller makes his fine directorial debut in this film. This is a great coming-of-age comedy proving that being independant isn't as great as it looks. The plot of four college graduates moving into a house together is highly entertaining, especially considering all four people have opposite personalities. All of them combined as one adds lots of laughs: a college valedictorian, a sexually active person, a non-motivated rocker, and a mellow person hiding a secret. Comedy and drama combine in the perfect scenes, namely everyone's life struggles, the making of the documentary, and falling in love. Though certain life aspects could have been expressed more thoroughly, the film ideas are brilliant. The acting from all the performers are great, especially Winona Ryder. All offer their own movie theme perspectives, which are mastered greatly. "Reality Bites" is a great memory flashback from a great entertainment era, the mid-90's. This will surely entertain many audiences.

This is the best movie
I can't express how classic this movie is. If you have ever seemed to quetion what the hell you are going to do with your life or questioned relationships with friends, this is the movie for you. It's funny, sad (happy sad), and the soundtrack is nothing but early 90's classics. BUY IT! You can't beat the cast...Winona Ryder, Ethan Hawke, Ben Stiller, and Geneane Garofolow (can't spell her name). ... Read more

Description

After years of domestic abuse, Patty (Erika Eleniak), finds an outlet for her anger in the ring of a community boxing club. She's spotted by the club fight promoter Fred (John Doman) and one of his round-club gals, June (Aunjanue Ellis). With the help of a trainer, former hopeful Tommy (James Colby), she begins to learn how to box and gain self-esteem. Tommy sees Patty's rage and tries to help her channel it in the ring. Patty learns a valuable lesson-the difference between fighting and boxing. When you fight, you lose. When you box, you win! As Patty's talents grow stronger so does her relationship with Tommy. In the end, Patty earns the self-confidence to stand up for what she believes in, the power to take control of her life and make it her own. ... Read more

Reviews (3)

Dreary, pointless little film
I purchased this film because of the misleading cover art. I mean, it stars former Baywatch babe Erika Eleniak, and she's lookin' pretty hot and (...)on the cover. The scene depicted is actually in the movie - for about 5 seconds. It's part of a montage. Whoever did the wardrobe for this movie apparently went to the local Goodwill and cleaned out the "free" bin. Eleniak wears crummy looking sweats throughout the movie, about as far from (...)as they could make her. Thanks moviemakers - thanks for the intentionally deceptive cover.

If you're thinking this is like a female Rocky movie, forget it. It would be like Rocky if Rocky didn't have the climactic fight at the end, but instead he just walked up to Apollo Creed and smarted off to him, and then the credits rolled.

Even as a Lifetime movie of the week, this thing is weak. It's more like a Lifetime afternoon movie, broadcast shortly after lunch, on a Tuesday. The characters just aren't the least bit developed. They act like 99% of irresponsible teenagers would act if put in the same situations, but these people are adults, which makes them come off as a bunch of losers. Eleniak is in what we're supposed to assume is an abusive relationship, but instead of getting a job and getting her own place, she gets a hobby. She makes a new friend, and uses her place as a crash pad when she doesn't feel like going home. Although her friend is really the only likable character in the film, the whole friendship goes nowhere and really serves no purpose except to pad out the screen time. She's also got a boxing coach, and his gym is going bankrupt. He could save it with his new Baywatch boxer, but he screws that up. Loser. Eleniak gets it on with him, and we get a montage that encompasses her entire amateur boxing career. One is left with the impression that she's about ready for her second amateur fight, but instead she's turning pro. So much for this being a boxing movie. So much for it being a romantic movie, because that goes absolutely nowhere. So much for it being a drama, because it ends just when one would think the last act should be starting.

Just a dreary and dull little waste. It can't decide what it wants to be, so it apportions equal time to each subplot. Sort of a little bit of everything and not much of anything. It's not Eleniak's fault - this script is hopeless and the director was utterly clueless.

Thinking outside the box
Before I first saw this movie I was expecting a Lifetime channel movie
of the week, but it turned out to be a little better than that. In fact
I thought it had a hint of independent movieness about it or it could have
been the small budget. Maybe it was both. Kind of a quiet movie, small
cast, and urban Detroit setting. Erika portrays a woman, Patty, caught
up in an abusive relationship and struggles to find her way out of it.
Hooking up with a Tommy, a would-be amateur boxer who also runs a boxing
gym, Patty asks him to help train her. Her reasoning? Maybe to take out
her frustrations over being defenseless and punched out by her boyfriend
or to somehow seek her own independence. Patty's boxing interest takes
off and although becomes a novelty at first, through the magic of
film she ends up in the championship bout of the year.

The chemistry between the Tommy and Patty was nice and restrained at first
to allow the plot to unfold before the fireworks go off between them. James
Colby was a good find for this movie and thought he had boxing and all the
mythology about it at the right temperature for this movie which wasn't about
boxing in my opinion. Not about what they could get out of boxing, but what
boxing would make of them - stronger in life inside and outside the ring
hopefully. Peripheral characters include the opportunistic boxing promoter, a sympathetic
girlfriend and the desperate loser boyfriend all of whom put in good performances in their roles.

I like that Erika tried to pick an atypical movie project that stretches her
talent and this one does it. Never would have expected her to portray a reasonable
fascimile of a boxer, but she does pull it off. She looks really cut in this
movie and although a lot of the boxing was sloppy and wild, in the climatic
Rocky fight against a really buff opponent (professional maybe?) she looked
like she had done some good training for this movie. Only nit-picky thing I
had was I wished they hadn't beauty groomed her to be so good looking in this
movie (maybe it's just her natural beauty and she can't help it!), but a
dress-down like Cameron Diaz in "Being John Malkovich" where she was so grungy
and unrecognizable would have made the character more sympathetic and empowering
when she succeeds. And the most important thing - was there nudity? Well...
if I had directed there would have been the quintessential shower scene, but alas
they didn't ask me. She does have a brief nude scene from the side in a love
scene with James Colby where I was still wowed with her hot bod.
Not much stuff on the dvd except audio setup and chapter selections, actor
commentary or making of the movie would have been nice to see though. Another good
Erika movie to see is A Pyromanic's Love Story with a strong performances by
John Leguizamo and Sadie Frost.

This is another "Knockout" movie....
..as in similar to the movie "Knockout" and not really a great boxing movie. It's more of a cute girl doing boxing. Erika Eleniak looks to be in great shape for the movie. It's too bad the script is really boring that you can't get more into it. Even with Erika in great shape, she's no boxer which becomes quite apparent during her training and fight sequences. Sloppy, sloppy, sloppy. As always, they choose a real female boxer as an opponent but don't spend enough time training the star to complement the adversary. About the only good refreshing thing about this movie was the coach and his gym. It was interesting to see a young coach and his bviews about boxing and training. Don't know if that's enough to carry this movie for some. It wasn't for me. Nope, definitely can't recommend this movie unless it goes to deep discount, and you're just bored at 12 AM. ... Read more

Reviews (59)

I Loved this Movie!
I Loved this movie! It had everything: comedy, realism, and the ability to make you laugh and cry. The acting is superb. Winona Ryder, Ethan Hawke, Janeane Garofalo, Steve Zahn and Ben Stiller are excellent.
Lelaina Pierce (Ryder) is the valedoctorian of her college and should have her entire life mapped out for her, but all she has is a job at a morning talk show called 'Good Morning Grant' where she makes barely enough money to cover her rent. (For all those Frasier fans out there Grant is well acted by John Mahoney who plays Frasier's father on the show.) Her best friend Vickie (Garofalo) has just been promoted to manager at the Gap, and her other friend Sammy (Zahn) is coming to terms with his sexuality. Troy (Hawke) is her other troubled best friend who is the lead singer of a band and is in love with Lelaina. Lelaina videotapes all her friends making a documentary about their lives and their troubles, and she meets a guy named Michael (Stiller) who she begins dating, and who wants to turn her documentary into a television show for the network he works for called In Your Face TV.
The movie has a plot that appears so simple, yet it applies to everyone everywhere. It tries to answer the question: what to do when you just get out of college and where should life go?
Lelaina is also trapped in a love triangle and has to decide who she wants to be with more: Hawke, her closest friend or Stiller (who makes an excellent directorial debut), someone who loves Lelaina but also wants to profit from her documentary.
There are cameos from actors such as Renee Zellweiger, David Spade, and Swoozie Kurtz (who plays Lelaina's mother in one scene).
This film is one of my favorite movies of all time and is one that should be more well-known. It also has a fiere soundtrack, featuring artists like the Knack (Sharona), and Lisa Loeb, so I highly suggest you buy that as well.
"There's no point to all of this. It's just a random lottery of meaningless tragedy and a series of near escapes. So I take pleasure in the details. You know... a quarter-pounder with chesse, those are good, the sky before it starts to rain, the moment where your laughter becomes a cackle... and I, I sit back and smoke my Camel Straights and I ride my own melt..."-Troy from Reality Bites...
SO BUY THE MOVIE!

Awakenings
This romantic comedy/ coming of age/ drama/ teen movie presents an intriguing an amusing look at the lives of the twentysomethings, showcasing their conflicts and doubts after graduation.

Director Ben Stiller offers an interesting snapshot of the mid nineties, presenting a curious perspective of that zeitgeist and its atmosphere.
Stiller himself, Winona Ryder and Ethan Hawke play three dazed and confused young adults who have to deal with troublesome situations and decisions in a turning point of their lives. The story focuses, with humor and some depth, the difficult and contrived process of growing up, offering characters that have contradictory views and ideas of the world.
The movie wisely covers multiple problems of the Genration X crowd, like the stuggle to find a decent job, the indecisions after graduation, the price of independence or the choices about love. Although this picture has a few years, it still seems fresh and poignant today, focusing situations that occur everywhere.

"Reality Bites" is a fine, witty and clever flick, that despite its somewhat predictable plot proves to be a noteworthy and entertaining effort. A little gem and a good one to watch with a group of friends, since most youngsters can relate to it.

Reality Does Bite, but This Movie Rocks
In what was perhaps one of the most overhyped movies at the time, "Reality Bites" proves to be in the Zeitgeist of the mid- '90s but for different reasons than you might thing.

It was not the movie that came to define a generation in story, tone, or soundtrack the way "The Graduate" captured the moments of its time (for that you should watch "Singles"). "Reality Bites" did, however, capture the what was expected of the generation - to be unemployed, irrevent, speak in a pop-culture lingo, and wrestle with the meaning of irony. In spite of what expectations were placed on the generation (or the movie), "Reality Bites" remains funny ten years later.

Watch to see the last of Winona Ryder's great roles as she struggles with her relationship with Ethan Hawke. Enjoy the moment when we are introduced to Janeane Garofalo as she shimmies to "My Sharona." And enjoy the film that brought Ben Stiller into the mainstream as a leading actor.

The anniversary DVD is a great opportunity to rediscover the movie and appreciate the on-screen appearences of up and coming Gen-X Hollwood - David Spade, Renee Zellweger, and Steve Zahn all appear. And be sure to check out Lisa Loeb's music video for "Stay," as directed by Hawke.

Yes, Reality Bites Sometimes
"Reality Bites" stars Oscar nominees Winona Ryder, Ethan Hawke, plus Ben Stiller, Jeneane Garofalo, and Steve Zahn. Ben Stiller makes his fine directorial debut in this film. This is a great coming-of-age comedy proving that being independant isn't as great as it looks. The plot of four college graduates moving into a house together is highly entertaining, especially considering all four people have opposite personalities. All of them combined as one adds lots of laughs: a college valedictorian, a sexually active person, a non-motivated rocker, and a mellow person hiding a secret. Comedy and drama combine in the perfect scenes, namely everyone's life struggles, the making of the documentary, and falling in love. Though certain life aspects could have been expressed more thoroughly, the film ideas are brilliant. The acting from all the performers are great, especially Winona Ryder. All offer their own movie theme perspectives, which are mastered greatly. "Reality Bites" is a great memory flashback from a great entertainment era, the mid-90's. This will surely entertain many audiences.

This is the best movie
I can't express how classic this movie is. If you have ever seemed to quetion what the hell you are going to do with your life or questioned relationships with friends, this is the movie for you. It's funny, sad (happy sad), and the soundtrack is nothing but early 90's classics. BUY IT! You can't beat the cast...Winona Ryder, Ethan Hawke, Ben Stiller, and Geneane Garofolow (can't spell her name). ... Read more

Amazon.com

Because it was released less than a year after Oliver Stone's Platoon and within months of Stanley Kubrick's Full Metal Jacket, this exceptionally well-made film about one of the bloodiest battles of the Vietnam War was largely overshadowed and overlooked. It's a pity, because in some respects this is the best of the Vietnam films of the late 1980s, at least in terms of the everyday authenticity it depicts. Stripped clean of dramatically extraneous narrative, the movie opts instead for a straightforward approach to its day-by-day account of one of the war's costliest victories--a deadly siege on Hill 937 in the Ashau Valley, where soldiers from the 101st Airborne Division engaged the enemy over the course of eleven brutal assaults between May 10th and 20th, 1969. The film specifically follows the 3rd Squad, 1st Platoon, a mixture of "new guys" and battle-weary "short-timers" who fought against terrifying odds and suffered a 70% casualty rate. From first scene to last, Hamburger Hill traces the rise and fall of their battle experience, from the horror of firefights to the camaraderie of men who've faced death and survived. Racial tensions flare and subside, trusts are established, and courage emerges from unexpected places. Through it all, writer Jim Carabatsos and director John Irvin maintain a purity of focus that pays tribute to the soldier's life without promoting false patriotism or gung-ho theatrics. In addition, the film features a cast full of talented and well-known actors in the early stages of their careers, including Dylan McDermott (from the TV series "The Practice") and Don Cheadle, before gaining fame in Devil in a Blue Dress and Boogie Nights. Color accuracy, image clarity, and the explosive soundtrack have been remarkably preserved in a flawless DVD transfer, lending even greater immediacy to this underrated film. --Jeff Shannon ... Read more

Reviews (78)

Realism - but not truth
This is a very realistic movie about the combat experience at Hamburger Hill. It will probably become to Vietnam what "Battleground" has become to the Battle of the Bulge -- a classic, a very realistic portrayal of the experience, conveyed via fictitious characters.

But the biggest difference in the selling of "Hamburger Hill" from "Battleground" is that the promotional text for "Hamburger Hill" tells us "The most realistic portrayal of the Vietnam War ever filmed. Because it is the only one that's true." And yet when the small print rolls at the end of the movie, we see that these characters in the squad are entirely fictitious and not to be confused with anyone who actually ever lived -- and died.

This is not a minor point. We need to know what is fact and what is fiction. If we allow Hollywood "truth" to inform our decisions at the expense of real truth, then real truth is going to grab us by our tender parts someday, and we are going to be shocked to realize that we were off in some in-our-head fantasy that kept us from knowing the truth.

There were real men, with real names and probably not so Hollywood-viable lives in that squad. Perhaps someone someday will tell us their real story.

So, I do recommend this movie -- highly so. What is told here needs telling -- and thinking about. But please do not tell us it is the truth: keep the line between fact and fiction clear, or we will all suffer for it eventually.

The toughest movie about the Vietnam War
"Full Metal Jacket" and "Platoon" are probably better movies ABOUT the war in Viet Nam - this is one of the only movies IN the War. Other reviewers have referred to a lack of plot; they're right. This is not a tale, it's a chronicle, a portrait of a series of events and of the men who lived them. Every soldier who went to war and survived two or more battles will see Truth in this movie - especially the truth that brotherhood is the only explanation for surviving combat. Those who do not assume responsibility, who do not recognize the job to be done and do it do not survive, let alone prevail. Hill 937 was one of those places where the 101st made their names to shine, and the sergeant's warning to the reporter could be the division's watchword: get out of here - you haven't earned the right to be here. "Hamburger Hill" shows soldiers earning their right, and that's enough.

"The battle of every war cliche in existence"
This is a sucker's movie. We're supposed to retire our minds and emotionally offer our feelings and hearts on a platter to whatever happens on the screen.

Goodness! Combat is SO dirty and muddy. Isn't that just so squalid. Nice that no one gets sick and the guns work, isn't it?

My, my! They are having such fun with the always so cute, hot and cold running Vietnamese whores. And unlimited beer available with the brothel, out there in the 'boonies.

Oh, dear! Racial tensions, fights (that the Blacks always pick and always win)... but really-we-hang-together-and-value-one-another-when-it-counts. Because after all we're all really victims of the System and the Man.

Right, sure! The attack makes no sense and we know it doesn't and they are cutting us to pieces and killing us all, but somehow we are going to keep attacking and we care and we are going to win and get that hill, not for the officers or the Army but for ourselves and as a point of pride to honor our dead....yet remember brothers to chant "it don't mean a thang."

No worries. We take no special precautions or security out of the line, have no problems with mines and booby traps, and none of the local Vietnamese seem actually to be VC. Kind of like we're doing grown-ups camping. And we're to believe this works for them?.

Yeah, right! Officers, command structure, regs, training, supply, rotations, Army, etc. are all invisible. It's just us EMs messin' around and having a set of peer group interactions.

"Realistic." Sure! No interfaces with the ARVNs, civil authorities, US civilian and paramilitry programs. It's us and a shadowly enemy that we sporadically fight.

Makes sense? Our medic is a fruitcake, an ideologue, and a whiner; but we all forgive him and actually love him because he's there when it counts. And despite being a self-pitying, racist, Section 8 case does a wonderful, competent, courageous job for us in combat.

And somehow we're fighting in the rainy season, to take a hill, trying to climb almost straight up, and without artillery or aircraft fire support being any use (except for the predictible cliche - it kills some of US from time to time). This is not how any infantry works -- and for sure not the casualty-shy, lazy, and keep-the-fight-at-a-distance U. S. Army.

I FEEL a lot. But I try to anchor it in realities, not the shoddy schlock that this movie represents. It's trying to emotionally goose the audience. Characters, plot, and anything else that might have made it more than a few good special effects shots were clearly beyound the capacities of the people responsible for this mess.

Good
Not as flashy or over-the-top as some other war films, 'Hamburger Hill' is still a solid and worth the watch. What keeps the movie together is the character study and racial tension between the American soldiers. The plot is very thin, but the movie is done well.

Best of a short list
As a Marine combat veteran with almost three years in Viet Nam, I know this was the best movie made about the war of the top three movies made in the 80s about Viet Nam (four if you count Apocalypse Now Redux - more of a psychedelic view of the war rather than reality). Hamburger Hill shows Grunts at the various stages of their tour in country, the individuals and their wants and desires, and how they died.

By comparison, Platoon was good, but with a typical Stone political bent and philosoiphical ending. Kubrick's Full Metal Jacket was just plain poor, with a typical left-wing view about something Kubrick obviously knew very little. The best part of that movie was the boot camp section and only then because the DI, Lee Ermey, had been a real Marine DI.

Hamburger Hill was factual and the various actors played their parts with the guts and truism that many in Hollywood fail to produce (ala Sheen in Platoon).

Hamburger Hill is a solid war movie in general, a solid Viet Nam movie in particular and one that deserved much more credit than it received. Two thumbs up... ... Read more

Amazon.com

Hamburger Hill
Because it was released less than a year after Oliver Stone's Platoon and within months of Stanley Kubrick's Full Metal Jacket, this exceptionally well-made film about one of the bloodiest battles of the Vietnam War was largely overshadowed and overlooked. It's a pity, because in some respects this is the best of the Vietnam films of the late 1980s, at least in terms of the everyday authenticity it depicts. Stripped clean of dramatically extraneous narrative, the movie opts instead for a straightforward approach to its day-by-day account of one of the war's costliest victories--a deadly siege on Hill 937 in the Ashau Valley, where soldiers from the 101st Airborne Division engaged the enemy over the course of eleven brutal assaults between May 10th and 20th, 1969. The film specifically follows the 3rd Squad, 1st Platoon, a mixture of "new guys" and battle-weary "short-timers" who fought against terrifying odds and suffered a 70% casualty rate. From first scene to last, Hamburger Hill traces the rise and fall of their battle experience, from the horror of firefights to the camaraderie of men who've faced death and survived. Racial tensions flare and subside, trusts are established, and courage emerges from unexpected places. Through it all, writer Jim Carabatsos and director John Irvin maintain a purity of focus that pays tribute to the soldier's life without promoting false patriotism or gung-ho theatrics. In addition, the film features a cast full of talented and well-known actors in the early stages of their careers, including Dylan McDermott (from the TV series The Practice) and Don Cheadle, before gaining fame in Devil in a Blue Dress and Boogie Nights. --Jeff Shannon

The Eagle Has Landed
This 1976 adventure story set in World War II concerns a Nazi plot to kidnap Churchill from his retreat--or murder him if need be. The large, great cast and a director, John Sturges, who's been down this road of ensemble action before (The Magnificent Seven, The Great Escape) make this project exciting if not as memorable as Sturges's more famous works. The weak ending doesn't help. --Tom Keogh ... Read more

Reviews (1)

Twisted
The description on the jacket of the DVD notes, "A twisted comedy about relationships, deception, and consequences." Twisted is right! Nice appearance by Wallace Shawn (and of course Roy Scheider). The second run through is much better. The best part of it all is the soundtrack: Tracy Spuehlar, Maynard Brothers Band, Angel and Sloan Roberts. ... Read more