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| 1. The Hollywood Knights Director: Floyd Mutrux | |
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Reviews (71)
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| 2. Fatal Attraction - Special Collector's Edition Director: Adrian Lyne | |
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Reviews (77)
The acting is consistently strong but the screenplay allows for almost no character development, nor are the nature and extent of Alex's psychological problems ever revealed or even explored. Obviously, she is lonely and delusional as well as envious of the lifestyle Beth and Dan share. Only an actor possessed of Glenn Close's talents and temperament could reveal (albeit only in brief moments) Alex's tenderness which helps to explain her vulnerability to both real and perceived grievances. After seeing the film again, I still think the final scene in the upstairs bathroom doesn't work. In fact, I think it detracts from the narrative development which precedes it. On balance, however, Fatal Attraction offers solid entertainment even as it raises (at least in my mind) questions about the two main characters and their relationship which, for whatever reasons, Lyne and/or his screenwriters do not address in the film. Hence my interest in the special features provided with the DVD version. They include a commentary by Lyne, "Forever Fatal: Remembering 'Fatal Attraction'" (which offers new, exclusive cast and crew interviews), "Social Attraction" (an analysis of the cultural phenomenon of a fatal attraction), "Visual Attraction" (a behind-the-scenes production featurette), rehearsal footage, and the alternate ending introduced by Lyne.
The harrassment is also well done, with each unsettling This is one of Lyne's masterpieces, full of
A definite must have for your movie collection. I bet you'll prefer the director's original ending, too....even as satisfying as the other one is! ... Read more | |
| 3. Striptease Director: Andrew Bergman | |
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Reviews (54)
STRIPTEASE is one of those "guilty pleasure" movies that have a certain campy charm, it's certainly more enjoyable that it's bastard-sister-film; SHOWGIRLS. Erin Grant (Demi Moore) loses the custody battle for her daughter when she is fired from her job. What's a girl to do? Go and shake her booty, what else?!! Down at the Eager Beaver Club, where the beer isn't the only thing on the menu, Erin finds a job prancing around to such innocuous tunes as "Little Bird" and "Money Can't Buy It". Soon, a mysterious murder and a hilarious excuse for a congressman - Dilbeck (Burt Reynolds in an inspired performance) prove more of a hindrance than a help as Erin decides to expose her lousy ex-husband as the drug-pushing, slack-jawed yokel that he really is, all the while spinning around a pole in a G-string. Sound exhausting? Nah! We're only getting started! Overall a pretty enjoyable caper. The DVD transfer is beautiful.
Erin Grant (Demi Moore) must strip for a living,and her biggest fight is against her ex-husband to get her little daughter back.Meanwhile a [physically excited] congressman (Burt Reynolds)gets fixated on her,a murder occurs and things get quite complicated. Striptease has humor at times,but not much really happens.The plot,if there is any,is pretty weak.The only thing that makes this movie worth watching is probably Demi Moore and her dancing on beautiful Eurythmics songs.However other than those "music videos",there is nothing else to care about in the movie.I wish Eurythmics used Demi on their videos,which would make making a movie like Striptease unnecessary. The DVD doesn't have a single extra as it suffers from being an old release,so I can not show any reason why you should buy this DVD,except if you are a hardcore Demi fan..
STEVEN TRAVERS
I watch this movie every night of the week! ... Read more | |
| 4. Congo Director: Frank Marshall | |
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Reviews (85)
The story begins in the jungles of the Congo. An expedition of scientists has discovered an incredible find: a huge source of pure, blue diamonds. They communicate the good news back home, but before they can transmit their coordinates, they are suddenly attacked and killed. But by what? Another scientist is sent in to find out. Dr. Karen Ross (Laura Linney), for reasons best left unexplained, attaches herself to a mission already bound for Zaire. A primatologist (Dylan Walsh) is returning his talking gorilla-she communicates through sign language-to her home in Africa. He is accompanied by a mysterious and very shady Romanian "philanthropist" with the unlikely name of Herkermer Homolka (Tim Curry). Karen comes along at a crucial time with a pile of money and is soon part of the gang. Once in Africa, they meet up with Monroe Kelly (Ernie Hudson), their Great White Hunter "who happens to be black." That's when their adventure begins in earnest and it is a wild one. I won't give it away here-you probably wouldn't believe me anyway-but it is exciting and suspenseful, if never actually believable. The screenplay for "Congo" was written by noted playwright John Patrick Shanley ("Moonstruck"). He has an odd sense of humor-witness his underrated "Joe Vs. the Volcano"-that is very much in evidence here. The story at times borders on the ludicrous and it is filled with all the delightful cliches that usually populate jungle adventure films (e.g. porters who go missing in the night, and a corpse with a diamond clutched in its hand). Maybe the film wouldn't have worked any other way. I don't know. By making the story a pseudo-spoof, though, Shanley has removed the dramatic tension and suspense that made the novel work. Since everything is played for laughs-all too frequently unintentionally-then it is almost impossible for us to really get involved and care about what is happening. Still, there is always pleasure to be had from a film that doesn't take itself too seriously and is not above poking fun at the customs of its genre. "Congo" has that, plus a few exciting scenes and some fun performances, particularly by Ernie Hudson. It is certainly not a great film, but it is a pleasant diversion on a hot summer day.
What she things is an ancient legendary city and killer gorilas. Can the survive and get off the island. Before the volcano errupts. If you like Congo I also recomend Raptor, Python, Phyton 2, Anadaconda.
"Congo" is entertaining, well directed, scored and acted. It is well worth the price of purchase and my only critcism (the devil is in the details) is the depiction of too few porters to haul the amount of equipment they kept coming up with for different scenes. Laura Linney's character was great! She had the best lines in the movie too. Rent it or buy it, you will not regret it. ... Read more | |
| 5. Napoleon Director: Mario Andreacchio | |
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Amazon.com Reviews (4)
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| 6. Honey, We Shrunk Ourselves Director: Dean Cundey | |
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Description Reviews (1)
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| 7. Life Stinks Director: Mel Brooks | |
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Reviews (13)
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| 8. Arachnophobia Director: Frank Marshall | |
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Amazon.com Reviews (24)
"Arachnophobia," which, appropriately defines a fear of spiders, presents us with a plotline that pits man again nature, calling attention to the horror movies of the old days while taking its title and creating an immense amount of tension and suspense with unique story twists and some nicely added comic relief. I did find the movie to be predictable in places, but that didn't stop me from having an enormous amount of fun with it. The movie begins in Venezuela, where an expedition into the tropical forests leads to the discovery of a previously unknown species of arachnid. A photographer along for the ride is bitten by the spider and dies of convulsions, yet the cause of death remains unknown to everyone else, and so the body, along with the stowaway spider, is shipped back to his hometown of Canaima, where a new doctor is also moving in. Having moved from San Francisco to begin a practice in the small town, Dr. Ross Jennings, with his wife and two children, is dismayed when he learns that the previous doctor has decided not to retire. Beginning a practice of his own, he starts out with one patient, who is bitten by a deadly spider which was spawned in the barn in the backyard of Jennings' house. This, along with many other deaths, raise questions about the circumstances of the deaths, and as the facts are slowly revealed, the tension becomes increasingly delicious as the arachnids begin taking over the town. The mark of a truly good film is its ability to stay in touch with a certain message in its title in order for it to make sense. "Arachnophobia" is magnificent in its achievement of this goal, taking the minute fear of spiders and turning it into something quite suspenseful. This is done by placing a spider in almost every scene, and centering that specific part of the story around something that has to do with it, or them. One minute we see a lone creature, and the next there are thousands of them crawling across dry grass, up walls, and sometimes, on people. And these aren't the textbook spiders who merely hunt their prey from their spun webs and await some unsuspecting insect to fly into their trap. These arachnids are hunters, out for a taste of any kind of blood they can lay their fangs on. They are fast and unrelenting, vicious and brutal, and altogether extremely scary. The story is a well-spun (pardon the pun) piece of work which presents its elements well. The beginning takes things in stride by introducing us to the characters fluidly, and then slowly builds up to a heightened amount of suspense by placing those characters into extreme situations. We can care for what happens to the characters because we know who they are: Jennings' fear of spiders is presented, which comes into play with his confrontation with the spider. The spider makes a truly marvelous enemy, and Ross Jennings is an equally engrossing hero in the final act. Played by Jeff Daniels, his stand-off with the queen spider is just as good as any modern-day action sequence you'll see. We have a slight idea of what is going to happen, but Daniels' acting not only brings out the immense fear in his character, but keeps us at bay, wanting more until the climax reaches its peak. And to allay some of the tension comes John Goodman as an extremely hilarious exterminator who jumps in to save the day in his own little way. "Arachnophobia" does many different things for me: it certainly makes me think twice before reaching into my popcorn bowl, putting on my shoes or a football helmet. But, it also is a great ride, with lots of thrills and even more chills to please all. Fear will never be the same again!
In true Spielberg-formula fashion, director Frank Marshall (who produced many of Spielberg's works during the 1980's) creates a tense, atmospheric thriller that has enough scares and laughs for two movies. A deadly South American spider is accidentally braught to a small, country town--the spider proceeds to kill of many of the inhabitants and gives birth to hundreds of venomous spawn. Small-town doctor Jeff Daniels, who happens to be horrified of the eight-legged beasts, must conjure up enough strength to save his community, and more importantly his family from the threatening bugs. John Goodman is down-right hilarious as the Rambo-esque terminator, using a splendid script to invoke many laughs throughout the picture. Daniels is equally good as the tormented M.D., running around like a petrified girl scout at the beginning of the film, but ultimately encounters the mother-spider for the showdown of all man vs. spider showdowns. A fun, exciting scare fare that is actually viewable for most of the family due to its fairly low amounts of violence and profanity.
In this case, a species of spider from South America hitches a ride aboard a ship and ends up breeding with the domestic house spiders in the United States and the hatchling spiders start killing residents of a small California town and time is running out to stop the spiders from spreading and breeding with more domestic house spiders and enabling this dangerous species to spread all over the United States. This is a really terrifying and very well thought-out movie of immense proportions. It truly demonstrates why it's a very bad idea to bring 'alien' species to other lands other than their own native habitats. Go and get this movie if you want a scary but fun ride. Arachnophobes though should steer clear. For everyone else, welcome aboard! ... Read more | |
| 9. Encounter in the Third Dimension (3-D) (Large Format) Director: Ben Stassen | |
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Amazon.com Originally produced to showcase "large-format" 3-D (i.e., a towering IMAXscreen), Encounter features fun snippets of old films and even afew stereographic still photos. Sadly, none of these fills the screen orlasts very long, and the process reverts to standard 2-D imaging inpause mode. The sound is well above average, enhancing the sense ofdepth with a seamless DTS surround mix that works well even inheadphones. --Michael Mikesell Reviews (3)
Instead, we get Top Banana for goodness' sake. ... Read more | |
| 10. Squanto: A Warrior's Tale Director: Xavier Koller | |
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| 11. Big Bully Director: Steve Miner | |
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Reviews (9)
Directed by Steve Miner (House, Halloween:H20, Lake Placid) and Written by Mark Steven Johnson (Daredevil) made a clever, often Misfired Satire of his Earlier Written Film-Grumpy Old Men. Morains and Arnold are Big Time Fun in this Underrated Comedy, even when the movie turns a Comedic Thriller at the last Third of the flick. This film was a Flop in Theaters but It did better on Video. Grade:B+. ... Read more | |
| 12. Hangar 18 Director: James L. Conway | |
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Reviews (5)
Two shuttle astronauts (Gary Collins, James Hampton) are in the process of launching a military satellite from the shuttle, when they encounter a UFO in orbit. When the satellite is launched, it hits the UFO with explosive results, killing a third man who was inside the shuttle's cargo bay watching the satellite's progress. The UFO, however, makes a controlled landing in the Arizona desert. When they get back on the ground, Collins and Hampton soon find themselves the target of charges that the incident in orbit was their fault, and are forced to clear their names by finding the right evidence, all the while being tracked by government agents. Meanwhile, a team of scientists, led by Darren McGavin, are ensconsed at Hangar 18, located on the grounds of an Air Force base in Texas, trying to learn everything possible about the UFO and its occupants...whose appearances bear an all-too-uncanny resemblance to humans. Thought I dock this film one star because its special effects aren't exactly up to snuff (a lowered budget is the reason), HANGAR 18 is otherwise a very good film. In basic terms, it combines a Watergate-style political scenario with elements from Stanley Kubrick's 2001: A SPACE ODYSSEY, and Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. This is not to say that HANGAR 18 is a masterpiece like those two films are. But the combination of such elements manages to work in a fairly narrow framework. The cast is also quite good, with McGavin giving one of his most memorable and stimulating performances. Robert Vaughn is equally good as the President's devious chief-of-staff, who concots the cover-up to get his boss re-elected. To sum it up, HANGAR 18 is a somewhat imperfect movie, but it still holds up well despite its flaws.
Hanger 18 tells the story of how a satellite, launched by a NASA space shuttle/orbiter, collides with an Unidentified Flying Object, causing the death of an American astronaut in the process. When the UFO crashes on Earth, the U.S. Air Force and NASA recover it, and take it to a manned lunar receiving station in Texas. There, they uncover some hidden secrets that soon take the scientists by surprise. And makes the Government nervous. At the same time, two of the shuttle astronauts who witnessed the incident in space, are "blamed" for the other astronaut's death, and try to clear up the situation, by hunting for the UFO. The government tries to prevent the two from locating the UFO, but to little or no avail. That situation leads to something even more drastic made by the CIA and The Department Of Defense. Like the classic film Capricorn One, Hanger 18 does a remarkable job of playing on the government conspiracy angle, and at the same time, deals with the ancient astronaut theory. The subplot involving the two astronauts trying to clear their names is also good, as is the storyline about the scientists trying to unlock whatever secrets are in the flying saucer. And it also had a wonderful cats of veterans. Darren McGavin, Gary Collins, James Hampton, Pamela Bellwood, Robert Vaughn, William Schallert, Joseph Campenella, and Bill Zuckert among others. Though one wishes that James Brolin, Roy Thinnes, or Tom Berenger had been in the role played by Collins. Collins did a good job, however, if I had been the casting director, I would have picked one of those three. Overall, a very good and entertaining film. One of the best in the hall of science fiction. If you enjoy watching the X-Files and other films about flying saucers, then you will definately enjoy this film.
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| 13. Father and Scout Director: Richard Michaels | |
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| 14. Chasing Destiny Director: Tim Boxell | |
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I'd recommend this for any of the gals--including young ones. It's interesting, unoffensive, and a great opportunity to watch some real musicians at work. The guys will like the guitar work there at the end.
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| 15. Settlement Director: Mark Steilen | |
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| 16. Dinosaurs Director: Jeff McCracken, Bruce Bilson (II), Tom Trbovich, William Dear, Brian Henson | |
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