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| 1. The Flying Deuces Director: A. Edward Sutherland | |
![]() | list price: $4.95
our price: $4.95 (price subject to change: see help) Asin: B00006RCLK Catlog: DVD Sales Rank: 10640 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (16)
Perhaps the desert suggests the emotional barrenness searing Ollie's soul; perhaps the film is merely having a laugh at the contemporary FL hit 'Beau Geste'. In support of the former conjecture is the film's best sequence, which takes place just before they leave for Africa. Stan flippantly asks his miserable friend why he doesn't just drown himself. Ollie takes him up on the idea, but insists Stan join him - how could he live without his old comrade, people staring at him without Ollie there to 'explain'. The business with the Sisyphean rock-weight to which they are both tied; the intrusions of an escaped monster-shark; the discussions about reincarnation (Ollie wants to come back as a horse); and the prolonged leavetaking, all make it difficult to tell where comedy ends and tragedy begins. The film is full of brilliantly resonant sequences and images like this, such as the laundry episode, Stan wandering through an endless vineyard of clotheslines, and ending up on a mountian full of dirty linen; or the boys trying to rest only to be barked at by guards who are precursors to Beckett's malevolently unseen authorities. The gloriously inappropriate musical interludes, such as a choreographed 'Shine On Harvest Moon' at the height of a chase sequence, includes Stan playing harp on the eve of their execution for desertion, the instrument ominously looking like a gallows with numerous 'strings'/nooses. It's a shame the humour isn't up to the ideas (the script was co-written by Harry Langdon) - the sparse funny moments bejewel long stretches of tedium, and the film climaxes with an interminable action sequence that is neither exciting nor witty. Worse, the print's quality, even on supposedly 'restored' DVD, is atrocious and presumably irredeemable, full of scratches, black-outs and missing shots - anything longer than a mid-shot is an impenetrable blur. Yet even this flaw can add inadvertant eerieness to the film - when the boys are arrested, their faces disappear against the desert bleach, like a strange surrealist tableau, or a James Whale fantasy.
The film itself is fast-moving and highly amusing, as you'd expect from Laurel & Hardy. It has an interesting history-- the team did it away from their home studio in the midst of contract negotiations, and Hardy met his future wife while shooting-- she was a script girl on the set. It's one of my favorites. Also included are two Laurel & Hardy rarities: "The Stolen Jools," which was an all-star short featuring Laurel & Hardy as well as Edward G. Robsinson, Buster Keaton, the Our Gang ("Little Rascals") kids, Wallace Beary, Joan Crawford, Douglas Fairbanks, Jr. and more. The other rarity is "Tree in a Test Tube," one of only 2 films the team made in color (the other being the lost feature, "The Rogue Song"). This was a wartime short done for the government about the importance of wood. With so little Laurel & Hardy available on DVD in the US, this is a welcome addition. Pick it up if you're looking for laughs, smiles and a bit of cinema history! :)
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| 2. The Flying Deuces Director: A. Edward Sutherland | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 6305417539 Catlog: DVD Sales Rank: 43066 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (16)
Perhaps the desert suggests the emotional barrenness searing Ollie's soul; perhaps the film is merely having a laugh at the contemporary FL hit 'Beau Geste'. In support of the former conjecture is the film's best sequence, which takes place just before they leave for Africa. Stan flippantly asks his miserable friend why he doesn't just drown himself. Ollie takes him up on the idea, but insists Stan join him - how could he live without his old comrade, people staring at him without Ollie there to 'explain'. The business with the Sisyphean rock-weight to which they are both tied; the intrusions of an escaped monster-shark; the discussions about reincarnation (Ollie wants to come back as a horse); and the prolonged leavetaking, all make it difficult to tell where comedy ends and tragedy begins. The film is full of brilliantly resonant sequences and images like this, such as the laundry episode, Stan wandering through an endless vineyard of clotheslines, and ending up on a mountian full of dirty linen; or the boys trying to rest only to be barked at by guards who are precursors to Beckett's malevolently unseen authorities. The gloriously inappropriate musical interludes, such as a choreographed 'Shine On Harvest Moon' at the height of a chase sequence, includes Stan playing harp on the eve of their execution for desertion, the instrument ominously looking like a gallows with numerous 'strings'/nooses. It's a shame the humour isn't up to the ideas (the script was co-written by Harry Langdon) - the sparse funny moments bejewel long stretches of tedium, and the film climaxes with an interminable action sequence that is neither exciting nor witty. Worse, the print's quality, even on supposedly 'restored' DVD, is atrocious and presumably irredeemable, full of scratches, black-outs and missing shots - anything longer than a mid-shot is an impenetrable blur. Yet even this flaw can add inadvertant eerieness to the film - when the boys are arrested, their faces disappear against the desert bleach, like a strange surrealist tableau, or a James Whale fantasy.
The film itself is fast-moving and highly amusing, as you'd expect from Laurel & Hardy. It has an interesting history-- the team did it away from their home studio in the midst of contract negotiations, and Hardy met his future wife while shooting-- she was a script girl on the set. It's one of my favorites. Also included are two Laurel & Hardy rarities: "The Stolen Jools," which was an all-star short featuring Laurel & Hardy as well as Edward G. Robsinson, Buster Keaton, the Our Gang ("Little Rascals") kids, Wallace Beary, Joan Crawford, Douglas Fairbanks, Jr. and more. The other rarity is "Tree in a Test Tube," one of only 2 films the team made in color (the other being the lost feature, "The Rogue Song"). This was a wartime short done for the government about the importance of wood. With so little Laurel & Hardy available on DVD in the US, this is a welcome addition. Pick it up if you're looking for laughs, smiles and a bit of cinema history! :)
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| 3. The Flying Deuces Director: A. Edward Sutherland | |
![]() | list price: $4.99
our price: $4.99 (price subject to change: see help) Asin: B00005Q4EB Catlog: DVD Sales Rank: 25948 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (16)
Perhaps the desert suggests the emotional barrenness searing Ollie's soul; perhaps the film is merely having a laugh at the contemporary FL hit 'Beau Geste'. In support of the former conjecture is the film's best sequence, which takes place just before they leave for Africa. Stan flippantly asks his miserable friend why he doesn't just drown himself. Ollie takes him up on the idea, but insists Stan join him - how could he live without his old comrade, people staring at him without Ollie there to 'explain'. The business with the Sisyphean rock-weight to which they are both tied; the intrusions of an escaped monster-shark; the discussions about reincarnation (Ollie wants to come back as a horse); and the prolonged leavetaking, all make it difficult to tell where comedy ends and tragedy begins. The film is full of brilliantly resonant sequences and images like this, such as the laundry episode, Stan wandering through an endless vineyard of clotheslines, and ending up on a mountian full of dirty linen; or the boys trying to rest only to be barked at by guards who are precursors to Beckett's malevolently unseen authorities. The gloriously inappropriate musical interludes, such as a choreographed 'Shine On Harvest Moon' at the height of a chase sequence, includes Stan playing harp on the eve of their execution for desertion, the instrument ominously looking like a gallows with numerous 'strings'/nooses. It's a shame the humour isn't up to the ideas (the script was co-written by Harry Langdon) - the sparse funny moments bejewel long stretches of tedium, and the film climaxes with an interminable action sequence that is neither exciting nor witty. Worse, the print's quality, even on supposedly 'restored' DVD, is atrocious and presumably irredeemable, full of scratches, black-outs and missing shots - anything longer than a mid-shot is an impenetrable blur. Yet even this flaw can add inadvertant eerieness to the film - when the boys are arrested, their faces disappear against the desert bleach, like a strange surrealist tableau, or a James Whale fantasy.
The film itself is fast-moving and highly amusing, as you'd expect from Laurel & Hardy. It has an interesting history-- the team did it away from their home studio in the midst of contract negotiations, and Hardy met his future wife while shooting-- she was a script girl on the set. It's one of my favorites. Also included are two Laurel & Hardy rarities: "The Stolen Jools," which was an all-star short featuring Laurel & Hardy as well as Edward G. Robsinson, Buster Keaton, the Our Gang ("Little Rascals") kids, Wallace Beary, Joan Crawford, Douglas Fairbanks, Jr. and more. The other rarity is "Tree in a Test Tube," one of only 2 films the team made in color (the other being the lost feature, "The Rogue Song"). This was a wartime short done for the government about the importance of wood. With so little Laurel & Hardy available on DVD in the US, this is a welcome addition. Pick it up if you're looking for laughs, smiles and a bit of cinema history! :)
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| 4. The Flying Deuces Director: A. Edward Sutherland | |
![]() | list price: $4.95
our price: $4.95 (price subject to change: see help) Asin: B00005Q63R Catlog: DVD Sales Rank: 55149 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (16)
Perhaps the desert suggests the emotional barrenness searing Ollie's soul; perhaps the film is merely having a laugh at the contemporary FL hit 'Beau Geste'. In support of the former conjecture is the film's best sequence, which takes place just before they leave for Africa. Stan flippantly asks his miserable friend why he doesn't just drown himself. Ollie takes him up on the idea, but insists Stan join him - how could he live without his old comrade, people staring at him without Ollie there to 'explain'. The business with the Sisyphean rock-weight to which they are both tied; the intrusions of an escaped monster-shark; the discussions about reincarnation (Ollie wants to come back as a horse); and the prolonged leavetaking, all make it difficult to tell where comedy ends and tragedy begins. The film is full of brilliantly resonant sequences and images like this, such as the laundry episode, Stan wandering through an endless vineyard of clotheslines, and ending up on a mountian full of dirty linen; or the boys trying to rest only to be barked at by guards who are precursors to Beckett's malevolently unseen authorities. The gloriously inappropriate musical interludes, such as a choreographed 'Shine On Harvest Moon' at the height of a chase sequence, includes Stan playing harp on the eve of their execution for desertion, the instrument ominously looking like a gallows with numerous 'strings'/nooses. It's a shame the humour isn't up to the ideas (the script was co-written by Harry Langdon) - the sparse funny moments bejewel long stretches of tedium, and the film climaxes with an interminable action sequence that is neither exciting nor witty. Worse, the print's quality, even on supposedly 'restored' DVD, is atrocious and presumably irredeemable, full of scratches, black-outs and missing shots - anything longer than a mid-shot is an impenetrable blur. Yet even this flaw can add inadvertant eerieness to the film - when the boys are arrested, their faces disappear against the desert bleach, like a strange surrealist tableau, or a James Whale fantasy.
The film itself is fast-moving and highly amusing, as you'd expect from Laurel & Hardy. It has an interesting history-- the team did it away from their home studio in the midst of contract negotiations, and Hardy met his future wife while shooting-- she was a script girl on the set. It's one of my favorites. Also included are two Laurel & Hardy rarities: "The Stolen Jools," which was an all-star short featuring Laurel & Hardy as well as Edward G. Robsinson, Buster Keaton, the Our Gang ("Little Rascals") kids, Wallace Beary, Joan Crawford, Douglas Fairbanks, Jr. and more. The other rarity is "Tree in a Test Tube," one of only 2 films the team made in color (the other being the lost feature, "The Rogue Song"). This was a wartime short done for the government about the importance of wood. With so little Laurel & Hardy available on DVD in the US, this is a welcome addition. Pick it up if you're looking for laughs, smiles and a bit of cinema history! :)
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| 5. The Flying Deuces Director: A. Edward Sutherland | |
![]() | list price: $6.99
our price: $6.99 (price subject to change: see help) Asin: B00005BJWH Catlog: DVD Sales Rank: 45969 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (16)
Perhaps the desert suggests the emotional barrenness searing Ollie's soul; perhaps the film is merely having a laugh at the contemporary FL hit 'Beau Geste'. In support of the former conjecture is the film's best sequence, which takes place just before they leave for Africa. Stan flippantly asks his miserable friend why he doesn't just drown himself. Ollie takes him up on the idea, but insists Stan join him - how could he live without his old comrade, people staring at him without Ollie there to 'explain'. The business with the Sisyphean rock-weight to which they are both tied; the intrusions of an escaped monster-shark; the discussions about reincarnation (Ollie wants to come back as a horse); and the prolonged leavetaking, all make it difficult to tell where comedy ends and tragedy begins. The film is full of brilliantly resonant sequences and images like this, such as the laundry episode, Stan wandering through an endless vineyard of clotheslines, and ending up on a mountian full of dirty linen; or the boys trying to rest only to be barked at by guards who are precursors to Beckett's malevolently unseen authorities. The gloriously inappropriate musical interludes, such as a choreographed 'Shine On Harvest Moon' at the height of a chase sequence, includes Stan playing harp on the eve of their execution for desertion, the instrument ominously looking like a gallows with numerous 'strings'/nooses. It's a shame the humour isn't up to the ideas (the script was co-written by Harry Langdon) - the sparse funny moments bejewel long stretches of tedium, and the film climaxes with an interminable action sequence that is neither exciting nor witty. Worse, the print's quality, even on supposedly 'restored' DVD, is atrocious and presumably irredeemable, full of scratches, black-outs and missing shots - anything longer than a mid-shot is an impenetrable blur. Yet even this flaw can add inadvertant eerieness to the film - when the boys are arrested, their faces disappear against the desert bleach, like a strange surrealist tableau, or a James Whale fantasy.
The film itself is fast-moving and highly amusing, as you'd expect from Laurel & Hardy. It has an interesting history-- the team did it away from their home studio in the midst of contract negotiations, and Hardy met his future wife while shooting-- she was a script girl on the set. It's one of my favorites. Also included are two Laurel & Hardy rarities: "The Stolen Jools," which was an all-star short featuring Laurel & Hardy as well as Edward G. Robsinson, Buster Keaton, the Our Gang ("Little Rascals") kids, Wallace Beary, Joan Crawford, Douglas Fairbanks, Jr. and more. The other rarity is "Tree in a Test Tube," one of only 2 films the team made in color (the other being the lost feature, "The Rogue Song"). This was a wartime short done for the government about the importance of wood. With so little Laurel & Hardy available on DVD in the US, this is a welcome addition. Pick it up if you're looking for laughs, smiles and a bit of cinema history! :)
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| 6. The Gunfighter Director: Henry King | |
![]() | Asin: B00005JMMX Catlog: DVD Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (11)
Along the dusty trail, he stops to rest and quench his thirst at a saloon, where he is soon recognized by the locals. While minding his own business he is coaxed into a gun duel with a young, snotty and irksome Richard Jaeckel. Jaeckel unfortunately wins the silver medal in that battle. Word gets out and Peck is soon stalked by Jaeckel's three brothers. Peck slows the brothers down by scaring off their horses on the route to Cayenne. This gives him a small window of opportunity to convince his wife to re-establish the family. He arrives in town and learns that the town marshall is none other than his old partner Mark Strett played by a sympathetic Millard Mitchell. Peck refuses to leave town until Mitchell brokers a deal to allow Peck to meet with his wife and son. The movie ends in the only way that these kind of movies could possibly end in 1950.
NO, BY TODAYS STANDARDS THIS CLASSIC PROBABLY IS PERCIEVED BY SOME AS SLOW, INDOORSY AND TRITE. BUT THIS IS ONE YOU HAVE TO WATCH WITH YOUR HEART. PECK IS AN AGING GUNMAN WHO REGRETS HIS PAST AND IS PUSHING TOWARD A FUTURE THAT HE HOPES WILL INCLUDE HIS WIFE AND SON. HIS WIFE IS A SCHOOL MARM WHO GOES BY AN ALIAS FOR OBVIOUS REASONS. AND THE BOY DOESNT KNOW THAT THE CELEBRATED OUTLAW IS DEAR OL, DAD. BUT AS PECKS CHARACTER ATTEMPTS TO ARRANGE A FAMILY REUNION, THE FAMILY OF A MAN PECK WAS FORCED TO KILL IS HOT ON HIS TRAIL. THEREIN LIES THE KIND OF SIMPLISTIC PLOT THAT GREAT WESTERNS ARE KNOWN FOR. AUDIENCES IN 1950 DIDNT CARE FOR PECK'S MUSTASHE AND THE FILM WAS NOT OVER PATRONIZED. THIS MOVIE IS FOR THE INTELLIGENT, THINKING VIEWER WHO IS MORE INTO THE CHARACTERS THAN THE ACTION. THE CHARACTER OF MARSHAL MARK STRETT IS EFFECTIVELY PORTRAYED AND THE DIALOGUE IS QUALITY AND GENUINE. THIS IS MY PERSONAL FAVORITE OF THE OFFERINGS BY GREG PECK, AND GIVEN THE OVERALL QUALITY OF HIS WORK I THINK THAT SAYS A LOT. FROM WHAT I UNDERSTAND THIS WAS ALSO PECKS FAVORITE SELF WORK AS WELL. IN THE FINALLY PECK'S GUNMAN IS AMBUSHED BY A YOUNG PUNK LOOKING TO CASH IN ON THE VETERAN'S FAME. THE MARSHAL WANTS TO SEE THE BOY HANG BUT THE DYING GUNFIGHTERS LAST REQUEST IS TO LET THE KID GO ON BEING A "BIG TOUGH GUNNEY" SO THAT THE MISCREANT CAN LIVE A LIFE OF PAIN AND MISERY AWAITING HIS OWN UNTIMELY END. THIS LITTLE FILM ADEQUATELY TELLS THE STORY THAT SO MANY OTHERS ATTEMPT TO BUT DONT QUITE GET IT DONE. AT ANY RATE 'THE GUNFIGHTER' IS AN ENTERTAINING PLAY THAT UNFORTUANTELY WAS FAR AHEAD OF ITS TIME.
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| 7. The Flying Deuces Director: A. Edward Sutherland | |
![]() | list price: $3.88
our price: $3.88 (price subject to change: see help) Asin: B0001GH7RC Catlog: DVD Sales Rank: 24981 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (16)
Perhaps the desert suggests the emotional barrenness searing Ollie's soul; perhaps the film is merely having a laugh at the contemporary FL hit 'Beau Geste'. In support of the former conjecture is the film's best sequence, which takes place just before they leave for Africa. Stan flippantly asks his miserable friend why he doesn't just drown himself. Ollie takes him up on the idea, but insists Stan join him - how could he live without his old comrade, people staring at him without Ollie there to 'explain'. The business with the Sisyphean rock-weight to which they are both tied; the intrusions of an escaped monster-shark; the discussions about reincarnation (Ollie wants to come back as a horse); and the prolonged leavetaking, all make it difficult to tell where comedy ends and tragedy begins. The film is full of brilliantly resonant sequences and images like this, such as the laundry episode, Stan wandering through an endless vineyard of clotheslines, and ending up on a mountian full of dirty linen; or the boys trying to rest only to be barked at by guards who are precursors to Beckett's malevolently unseen authorities. The gloriously inappropriate musical interludes, such as a choreographed 'Shine On Harvest Moon' at the height of a chase sequence, includes Stan playing harp on the eve of their execution for desertion, the instrument ominously looking like a gallows with numerous 'strings'/nooses. It's a shame the humour isn't up to the ideas (the script was co-written by Harry Langdon) - the sparse funny moments bejewel long stretches of tedium, and the film climaxes with an interminable action sequence that is neither exciting nor witty. Worse, the print's quality, even on supposedly 'restored' DVD, is atrocious and presumably irredeemable, full of scratches, black-outs and missing shots - anything longer than a mid-shot is an impenetrable blur. Yet even this flaw can add inadvertant eerieness to the film - when the boys are arrested, their faces disappear against the desert bleach, like a strange surrealist tableau, or a James Whale fantasy.
The film itself is fast-moving and highly amusing, as you'd expect from Laurel & Hardy. It has an interesting history-- the team did it away from their home studio in the midst of contract negotiations, and Hardy met his future wife while shooting-- she was a script girl on the set. It's one of my favorites. Also included are two Laurel & Hardy rarities: "The Stolen Jools," which was an all-star short featuring Laurel & Hardy as well as Edward G. Robsinson, Buster Keaton, the Our Gang ("Little Rascals") kids, Wallace Beary, Joan Crawford, Douglas Fairbanks, Jr. and more. The other rarity is "Tree in a Test Tube," one of only 2 films the team made in color (the other being the lost feature, "The Rogue Song"). This was a wartime short done for the government about the importance of wood. With so little Laurel & Hardy available on DVD in the US, this is a welcome addition. Pick it up if you're looking for laughs, smiles and a bit of cinema history! :)
| |
| 8. The Flying Deuces Director: A. Edward Sutherland | |
![]() | list price: $7.98
our price: $7.98 (price subject to change: see help) Asin: B00005J75K Catlog: DVD Sales Rank: 48830 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (16)
Perhaps the desert suggests the emotional barrenness searing Ollie's soul; perhaps the film is merely having a laugh at the contemporary FL hit 'Beau Geste'. In support of the former conjecture is the film's best sequence, which takes place just before they leave for Africa. Stan flippantly asks his miserable friend why he doesn't just drown himself. Ollie takes him up on the idea, but insists Stan join him - how could he live without his old comrade, people staring at him without Ollie there to 'explain'. The business with the Sisyphean rock-weight to which they are both tied; the intrusions of an escaped monster-shark; the discussions about reincarnation (Ollie wants to come back as a horse); and the prolonged leavetaking, all make it difficult to tell where comedy ends and tragedy begins. The film is full of brilliantly resonant sequences and images like this, such as the laundry episode, Stan wandering through an endless vineyard of clotheslines, and ending up on a mountian full of dirty linen; or the boys trying to rest only to be barked at by guards who are precursors to Beckett's malevolently unseen authorities. The gloriously inappropriate musical interludes, such as a choreographed 'Shine On Harvest Moon' at the height of a chase sequence, includes Stan playing harp on the eve of their execution for desertion, the instrument ominously looking like a gallows with numerous 'strings'/nooses. It's a shame the humour isn't up to the ideas (the script was co-written by Harry Langdon) - the sparse funny moments bejewel long stretches of tedium, and the film climaxes with an interminable action sequence that is neither exciting nor witty. Worse, the print's quality, even on supposedly 'restored' DVD, is atrocious and presumably irredeemable, full of scratches, black-outs and missing shots - anything longer than a mid-shot is an impenetrable blur. Yet even this flaw can add inadvertant eerieness to the film - when the boys are arrested, their faces disappear against the desert bleach, like a strange surrealist tableau, or a James Whale fantasy.
The film itself is fast-moving and highly amusing, as you'd expect from Laurel & Hardy. It has an interesting history-- the team did it away from their home studio in the midst of contract negotiations, and Hardy met his future wife while shooting-- she was a script girl on the set. It's one of my favorites. Also included are two Laurel & Hardy rarities: "The Stolen Jools," which was an all-star short featuring Laurel & Hardy as well as Edward G. Robsinson, Buster Keaton, the Our Gang ("Little Rascals") kids, Wallace Beary, Joan Crawford, Douglas Fairbanks, Jr. and more. The other rarity is "Tree in a Test Tube," one of only 2 films the team made in color (the other being the lost feature, "The Rogue Song"). This was a wartime short done for the government about the importance of wood. With so little Laurel & Hardy available on DVD in the US, this is a welcome addition. Pick it up if you're looking for laughs, smiles and a bit of cinema history! :)
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