Description

One of the very first prison escape movies, Grand Illusion is hailed as one of the greatest films ever made. Jean Renoir's antiwar masterpiece stars Jean Gabin and Pierre Fresnay, as French soldiers held in a World War I German prison camp, and Erich von Stroheim as the unforgettable Captain von Rauffenstein. Following a smash theatrical re-release, Criterion is proud to present Grand Illusion in a new special edition, with a beautifully restored digital transfer. ... Read more

Reviews (36)

The strangely gentle vision of Jean Renoir
I was absolutely floored when I first saw this movie about a year ago, at the house of a friend. I adore old war films (think "The Great Escape," "Stalag 17," and "Bridge on the River Kwai"), and thought I had the genre just about memorized until I saw this. It is an intense film, a grand one, but ultimately gentle. It takes place during World War I, which, the director once said, was "almost a war of gentlmen." The Nazis were two decades from gaining power, the nations of Europe enjoyed relative prosperity, and the upper classes ruled over all. In this setting, the necessary brutality of such films as I've previously mentioned seems out of place. Indeed, in the first few scenes, a German pilot who has shot down two French fliers invites them for lunch with his officers (!). This kind of respect, this illusion that war abides by certain rules and expectations, seems anachronostic and dated at first, in a post-Vietnam, post-9/11 world. But there is such hope, such desire for a world where the classes between nations are united, that the movie never seems jingoistic or naïve, just optimistic.

The performances are exceptional; Jean Gabin, Erich von Stroheim, Pierre Fresnay--all seem to really live in their characters, not simply portray them. Von Stroheim, in particular, brings intense poignancy to the tragic figure of the German commandant von Rauffenstein, with his neck brace, stilted walk, and desperate yearning for companionship (which makes him turn to, of all people, his own enemy, Captain de Boeldieu, whom he shot down 18 months previous). Indeed, a lot of the film's message can be summed up in this character: his friendship with an enemy soldier, expressing Renoir's hope for a more peaceful, less divided world; his accoutrements of wealth and station, which hold him firmly in place, unable to change his views of the structure of the world, even as it shifts around him; and his belief in the eponymous "grand illusion" of the continued supremacy of the aristocrats over the working classes in a world scarred by war.

As a bit of a side note, this film, considering its age, is in startlingly pristine condition. The story of the film negative is told on the DVD, as part of the many supplements, so I won't bore you with it here. Suffice it to say that this version of this seminal film was lost for over 60 years before its discovery in the 1990s, resulting in its near-perfect condition today. The picture is as sharp as that of any contemporary film, crystal clear, and refreshingly free of dirt and tears that usually mar most older prints by virtue of constant use. This version is about the best you will find, as it has gone through a tedious, time-consuming restoration process that has given it this impressive sheen. My recommendation: Buy this DVD post haste.

Number 1 DVD transfer for the Number 1 movie !
Grand Illusion is sometimes considered as one of the greatest movies ever shot. It was Orson Welles' favorite. Even though many consider that "Rules of the Game" is more important and brillant. The two movies are very different, both incredible. Grand Illusion is easier to catch immediatly while Rules let you think endlessly. In regard of the DVD : BUY IT EYES CLOSED ! The picture is incredible, looks like it was shot yesterday because coming from the original re-found negative film. It has not even one small spot or crack. It is PURE. And it is the original 114 minutes version, not the well-known 105 minutes. The DVD is full of bonus, the best being the filmed introduction by Jean Renoir, and also the audio archive of Von Stroheim. I cannot express how much I love Renoir and this movie and I hope that Rules of the Game will come up in DVD soon in Zone 1 (it exists in France in Zone 2 with a beautiful master, but has no english subtitles). Then the world can contemplate this masterpiece again and again. Buy Grand Illusion and you'll never think of war and humanity the same way again.

So....you like war movies?
grand illusion is so well known that is almost not worthy to comment on it other than it is the best war/antiwar film of all time bar none, and is also very funny. it has been copied by the great escape, stalag 17, paths of glory, just to name a few. so if you haven' t seen this; it is essential. if you have, you know exactly what i am talking about.

"quite frankly, i find the theatre is much to deep for me....i prefer bicycling"

A timeless film
The bitter and wonderful dialogues about the decadence and the primary and secondaries effects about the war support the structure of this brilliant movie.
*The miseries of the war brought the richness in my brain*, this sentenece is pronounced by Stroheim to the men in the remarkable sequence at the dinner.
Jean Renoir made his masterpiece around the hope and the enjoy of living, despite the horrors of the war. The message is clear : you must to follow your bliss even in the worst circunstances : no matter how awful be the world that surrounds you. The great men are not prisoners of the fate : they follow his principles and the powerful will struggles the fate and so it becomes a consequence of their acts , the point is that they are just a few .
Andrei Tarkovski wrote once this wisdom statement:
*The art is possible in the world due its no perfection : if the world was perfect the art would have no sense*.
Thta powerful statement is the meaning force that feeds the behavior of these men . May be they are not conscious about the spirit of the statement of Tarkovsky , but they are doing precisely that.
The great illusion is a big slap in the face about the WW1 : but beware this is not an anti belic flim : it goes beyond this simple aspect : we should expect fifteen years after for Jeux Interdits , another supreme film of Rene Clement , which reflects with greatness the slap about the WW2.
This film is not only an extraordinary work. It's a thousand carats jewel.
So it's timeless movie.

A good movie great start for Criterion Collection
This movie shows a compassionate side to World War I This movie was made before WWII started so don't be surprised if the Germans seem a lot nicer. In it we have 2 men, a Catholic and a Jew escaping from a German POW camp during WWI. It is an excellent film and statred the popularity of prison escape movies.

One theme is the respect the German General had for his French counterpart in spite of the fact they were sworn enemies. It can also show that in war, that your enemies are people too.

The film is also viewed by some as a (failed) last cry to Germany (where it was banned) to avoid the destruction and senselessness of yet another war.

I am beginning to watch the Criterion Collection DVD's in order of the spine number and will review them when I have the chance. ... Read more

Description

This intoxicatingly inventive masterpiece- a perennial entry on best-of-all-time lists- is one of the world's great films.Jean Vigo's innovative style transforms a simple and engaging plot of a young woman's stormy initiation into married life on a river barge, into a kaleidoscope of dazzling digressions and offbeat characterizations complete with tour-de-force scenes that still seem fresh and startling.

Jean, the young captain of the barge L'ATALANTE, marries Juliette, a village girl who has never left home before.They sail away together along with a cabin boy and the colorful sailor Pere Jules, played by Michel Simon -in a legendary, uproarious and unpredictable performance forming the very heart of Vigo's magical, anarchic universe.Becoming bored, Juliette slips off the ship to discover the delights of Paris-forcing Jean into heartbreak.

Restoredin 2001, this version of the film aims to be as faithful to the original as possible.Viewers can once again enjoy the luminous beauty of Boris Kaufman's evocative cinematographyand the marvelous music of Maurice Jaubertin Jean Vigo's triumphant masterpiece as it was meant to be seen. ... Read more

Reviews (13)

One Time Wonder
"L'Atalante" directed by Jean Vigo was made post-silent era, 1933. But it retains the photo story telling of cameraman, B. Kaufman ("On the Waterfront"). The lighting,overlaps, and F-stop tricks give this comedy of young love a romantic shimmer. Juliette (Dita Parlo, we see her again in Renior's "Grand Illusion") is a small town girl that falls for the boat Captain of a Seine River barge, Jean (Jean Daste). Michel Simon is the jester 1st Mate, a man who has lived life in a circus quirky way. Alas, young Juliette finds life on the boat as small as her village, so when they arrive in Paris, a series of events separate the lovers. The dialogue is not important, so the cinematography carries the story. The river and boat are dirty and worn, the rough industrial areas of Paris are ugly, and the unemployed rabbles of Paris are terrible. Dismissed as a trifling comedy when it first came out, by 1952, the New French Wave recognized Vigo's film as a masterpiece and a great inspiration. "L'Atalante" is now ranked in the top five best films ever made.

Top ten and one of a kind.
The restoration and theatrical re-release of L'Atalante a decade ago was nothing less than a cinematic event. The movie had been edited to shreds shortly after it's doomed director, Jean Vigo, had presented his original work to an apparently incenced Parisian audience. Just as with Rites of Spring, the Golden Age and Coltrane/Dolphy, the emnity that the work generated from the French audience was strong evidence to the quality and importance of this brilliant piece of avant garde.

The movie has been described as a combination of both surrealism and realism, but in truth Vigo's vision is entirely unique, and the style died with him. The emotional mood is practically labile and often ironic, such as the funeral-like reactions of onlookers to the wedding of the young couple, that opens the story. There are gentley jarring moments scattered about; the images of the later estranged lovers, shots of the two hugging themselves, imagining the other, combined to present a haunting view of romance defies description (obviously) and are unforgettable.

More captivating than the two young leads is Michedl Simon as the first mate. His comedy touches can only be called sublime. The scene when the bride comes to visit his cabin and witness all his wondrous bounty of mechanical diversion is truely one of film's great gems.

The (restored) VHS version of this has remained prohibitively priced. There is no more important film that has waited for it's DVD release. If you haven't had the chance to see it yet, you're in luck.

Simply Perfect
Finally saw Vigo's L'Atalante, his only feature film, which he reportedly died before completing, and instantly its one of my top favourite movies and easily one of the best pictures ever made. L'Atalante has everything going for it: its sexy, romantic and incredibly funny. Its also immensely genuine - the performances are so good, you are completely drawn into the action. Which is not to say that L'Atalante isn't imbued with the sense of fun and visual fantasy which makes Vigo's Zero de Conduite so great, in fact, its much more developed here. Vigo gets to tell a complete story in L'Atalante, the only complete story he ever told, and it is wonderful. Aside from its great story and vivid, unique characters, the most remarkable thing about L'Atalante is the masterful way it is directed. Vigo had such an eye for what was cinematic - so much of his stuff is communicated through images, yet when he uses words he uses them well (and for comic purposes here). L'Atalante is simply a beautiful film to look at. It has so many beautifully filmed sequences and images (some favourites: the grammophone music scene, the street seller's scene, the swimming underwater scene, the drunk scene). Surely one of the best shot films ever. Watch where Vigo places his camera, and the multitude of exciting compositions here. L'Atalante is a movie buff's dream come true. I'm so glad i found it, and am eternally grateful to the art gallery for giving me the opportunity to see it. The audience i saw it with had a rollicking good time - we enjoyed it immensely. If you ever see it playing at a revival house, or at an art gallery, i thoroughly recommend you go there and discover Jean Vigo.

A perfect 10/10 - the only one i've ever given.

Essential
This is my favorite movie; Dita Parlo and particularly Michel Simon are wonderful. The restoration is phenomenal. The DVD release is otherwise not particularly good but the movie is a treasure.

Amazing film, disappointing DVD
L'Atalante is one of the most beautiful films ever made. If you're considering buying it, then you probably already know this.

But the DVD is a little disappointing. It's great that the film's been restored, but why isn't there a "letterbox" option on the disc so we feel confident we're seeing the full frame as shot by Boris Kaufman? This always bothers me. If there's some reason why the film must be reformatted, then an insert or some commentary should provide an explanation.

Another problem is that the title of the featurette included on the disc, "The Making of L'Atalante," is a little misleading. It focuses mainly on the actors and there's very little information about Vigo himself or the actual production of the film. I found it disappointing.

Still, Vigo is such a wonderful, tragic figure, and everything he touched is so unique and beautiful, that there's no way to give less than four stars. And I think the DVD is much better than any of the VHS copies that have been released. ... Read more

Reviews (13)

One Time Wonder
"L'Atalante" directed by Jean Vigo was made post-silent era, 1933. But it retains the photo story telling of cameraman, B. Kaufman ("On the Waterfront"). The lighting,overlaps, and F-stop tricks give this comedy of young love a romantic shimmer. Juliette (Dita Parlo, we see her again in Renior's "Grand Illusion") is a small town girl that falls for the boat Captain of a Seine River barge, Jean (Jean Daste). Michel Simon is the jester 1st Mate, a man who has lived life in a circus quirky way. Alas, young Juliette finds life on the boat as small as her village, so when they arrive in Paris, a series of events separate the lovers. The dialogue is not important, so the cinematography carries the story. The river and boat are dirty and worn, the rough industrial areas of Paris are ugly, and the unemployed rabbles of Paris are terrible. Dismissed as a trifling comedy when it first came out, by 1952, the New French Wave recognized Vigo's film as a masterpiece and a great inspiration. "L'Atalante" is now ranked in the top five best films ever made.

Top ten and one of a kind.
The restoration and theatrical re-release of L'Atalante a decade ago was nothing less than a cinematic event. The movie had been edited to shreds shortly after it's doomed director, Jean Vigo, had presented his original work to an apparently incenced Parisian audience. Just as with Rites of Spring, the Golden Age and Coltrane/Dolphy, the emnity that the work generated from the French audience was strong evidence to the quality and importance of this brilliant piece of avant garde.

The movie has been described as a combination of both surrealism and realism, but in truth Vigo's vision is entirely unique, and the style died with him. The emotional mood is practically labile and often ironic, such as the funeral-like reactions of onlookers to the wedding of the young couple, that opens the story. There are gentley jarring moments scattered about; the images of the later estranged lovers, shots of the two hugging themselves, imagining the other, combined to present a haunting view of romance defies description (obviously) and are unforgettable.

More captivating than the two young leads is Michedl Simon as the first mate. His comedy touches can only be called sublime. The scene when the bride comes to visit his cabin and witness all his wondrous bounty of mechanical diversion is truely one of film's great gems.

The (restored) VHS version of this has remained prohibitively priced. There is no more important film that has waited for it's DVD release. If you haven't had the chance to see it yet, you're in luck.

Simply Perfect
Finally saw Vigo's L'Atalante, his only feature film, which he reportedly died before completing, and instantly its one of my top favourite movies and easily one of the best pictures ever made. L'Atalante has everything going for it: its sexy, romantic and incredibly funny. Its also immensely genuine - the performances are so good, you are completely drawn into the action. Which is not to say that L'Atalante isn't imbued with the sense of fun and visual fantasy which makes Vigo's Zero de Conduite so great, in fact, its much more developed here. Vigo gets to tell a complete story in L'Atalante, the only complete story he ever told, and it is wonderful. Aside from its great story and vivid, unique characters, the most remarkable thing about L'Atalante is the masterful way it is directed. Vigo had such an eye for what was cinematic - so much of his stuff is communicated through images, yet when he uses words he uses them well (and for comic purposes here). L'Atalante is simply a beautiful film to look at. It has so many beautifully filmed sequences and images (some favourites: the grammophone music scene, the street seller's scene, the swimming underwater scene, the drunk scene). Surely one of the best shot films ever. Watch where Vigo places his camera, and the multitude of exciting compositions here. L'Atalante is a movie buff's dream come true. I'm so glad i found it, and am eternally grateful to the art gallery for giving me the opportunity to see it. The audience i saw it with had a rollicking good time - we enjoyed it immensely. If you ever see it playing at a revival house, or at an art gallery, i thoroughly recommend you go there and discover Jean Vigo.

A perfect 10/10 - the only one i've ever given.

Essential
This is my favorite movie; Dita Parlo and particularly Michel Simon are wonderful. The restoration is phenomenal. The DVD release is otherwise not particularly good but the movie is a treasure.

Amazing film, disappointing DVD
L'Atalante is one of the most beautiful films ever made. If you're considering buying it, then you probably already know this.

But the DVD is a little disappointing. It's great that the film's been restored, but why isn't there a "letterbox" option on the disc so we feel confident we're seeing the full frame as shot by Boris Kaufman? This always bothers me. If there's some reason why the film must be reformatted, then an insert or some commentary should provide an explanation.

Another problem is that the title of the featurette included on the disc, "The Making of L'Atalante," is a little misleading. It focuses mainly on the actors and there's very little information about Vigo himself or the actual production of the film. I found it disappointing.

Still, Vigo is such a wonderful, tragic figure, and everything he touched is so unique and beautiful, that there's no way to give less than four stars. And I think the DVD is much better than any of the VHS copies that have been released. ... Read more

Reviews (36)

The strangely gentle vision of Jean Renoir
I was absolutely floored when I first saw this movie about a year ago, at the house of a friend. I adore old war films (think "The Great Escape," "Stalag 17," and "Bridge on the River Kwai"), and thought I had the genre just about memorized until I saw this. It is an intense film, a grand one, but ultimately gentle. It takes place during World War I, which, the director once said, was "almost a war of gentlmen." The Nazis were two decades from gaining power, the nations of Europe enjoyed relative prosperity, and the upper classes ruled over all. In this setting, the necessary brutality of such films as I've previously mentioned seems out of place. Indeed, in the first few scenes, a German pilot who has shot down two French fliers invites them for lunch with his officers (!). This kind of respect, this illusion that war abides by certain rules and expectations, seems anachronostic and dated at first, in a post-Vietnam, post-9/11 world. But there is such hope, such desire for a world where the classes between nations are united, that the movie never seems jingoistic or naïve, just optimistic.

The performances are exceptional; Jean Gabin, Erich von Stroheim, Pierre Fresnay--all seem to really live in their characters, not simply portray them. Von Stroheim, in particular, brings intense poignancy to the tragic figure of the German commandant von Rauffenstein, with his neck brace, stilted walk, and desperate yearning for companionship (which makes him turn to, of all people, his own enemy, Captain de Boeldieu, whom he shot down 18 months previous). Indeed, a lot of the film's message can be summed up in this character: his friendship with an enemy soldier, expressing Renoir's hope for a more peaceful, less divided world; his accoutrements of wealth and station, which hold him firmly in place, unable to change his views of the structure of the world, even as it shifts around him; and his belief in the eponymous "grand illusion" of the continued supremacy of the aristocrats over the working classes in a world scarred by war.

As a bit of a side note, this film, considering its age, is in startlingly pristine condition. The story of the film negative is told on the DVD, as part of the many supplements, so I won't bore you with it here. Suffice it to say that this version of this seminal film was lost for over 60 years before its discovery in the 1990s, resulting in its near-perfect condition today. The picture is as sharp as that of any contemporary film, crystal clear, and refreshingly free of dirt and tears that usually mar most older prints by virtue of constant use. This version is about the best you will find, as it has gone through a tedious, time-consuming restoration process that has given it this impressive sheen. My recommendation: Buy this DVD post haste.

Number 1 DVD transfer for the Number 1 movie !
Grand Illusion is sometimes considered as one of the greatest movies ever shot. It was Orson Welles' favorite. Even though many consider that "Rules of the Game" is more important and brillant. The two movies are very different, both incredible. Grand Illusion is easier to catch immediatly while Rules let you think endlessly. In regard of the DVD : BUY IT EYES CLOSED ! The picture is incredible, looks like it was shot yesterday because coming from the original re-found negative film. It has not even one small spot or crack. It is PURE. And it is the original 114 minutes version, not the well-known 105 minutes. The DVD is full of bonus, the best being the filmed introduction by Jean Renoir, and also the audio archive of Von Stroheim. I cannot express how much I love Renoir and this movie and I hope that Rules of the Game will come up in DVD soon in Zone 1 (it exists in France in Zone 2 with a beautiful master, but has no english subtitles). Then the world can contemplate this masterpiece again and again. Buy Grand Illusion and you'll never think of war and humanity the same way again.

So....you like war movies?
grand illusion is so well known that is almost not worthy to comment on it other than it is the best war/antiwar film of all time bar none, and is also very funny. it has been copied by the great escape, stalag 17, paths of glory, just to name a few. so if you haven' t seen this; it is essential. if you have, you know exactly what i am talking about.

"quite frankly, i find the theatre is much to deep for me....i prefer bicycling"

A timeless film
The bitter and wonderful dialogues about the decadence and the primary and secondaries effects about the war support the structure of this brilliant movie.
*The miseries of the war brought the richness in my brain*, this sentenece is pronounced by Stroheim to the men in the remarkable sequence at the dinner.
Jean Renoir made his masterpiece around the hope and the enjoy of living, despite the horrors of the war. The message is clear : you must to follow your bliss even in the worst circunstances : no matter how awful be the world that surrounds you. The great men are not prisoners of the fate : they follow his principles and the powerful will struggles the fate and so it becomes a consequence of their acts , the point is that they are just a few .
Andrei Tarkovski wrote once this wisdom statement:
*The art is possible in the world due its no perfection : if the world was perfect the art would have no sense*.
Thta powerful statement is the meaning force that feeds the behavior of these men . May be they are not conscious about the spirit of the statement of Tarkovsky , but they are doing precisely that.
The great illusion is a big slap in the face about the WW1 : but beware this is not an anti belic flim : it goes beyond this simple aspect : we should expect fifteen years after for Jeux Interdits , another supreme film of Rene Clement , which reflects with greatness the slap about the WW2.
This film is not only an extraordinary work. It's a thousand carats jewel.
So it's timeless movie.

A good movie great start for Criterion Collection
This movie shows a compassionate side to World War I This movie was made before WWII started so don't be surprised if the Germans seem a lot nicer. In it we have 2 men, a Catholic and a Jew escaping from a German POW camp during WWI. It is an excellent film and statred the popularity of prison escape movies.

One theme is the respect the German General had for his French counterpart in spite of the fact they were sworn enemies. It can also show that in war, that your enemies are people too.

The film is also viewed by some as a (failed) last cry to Germany (where it was banned) to avoid the destruction and senselessness of yet another war.

I am beginning to watch the Criterion Collection DVD's in order of the spine number and will review them when I have the chance. ... Read more