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Adapted from Evelyn Waugh's Jazz Age satire, A Handful of Dust is a brutal story of a failed marriage with shattering consquences. James Wilby stars as a country gentleman, Tony Last, who loves rattling around his expansive estate, Hetton Abbey. Tony's wife, Brenda (Kristin Scott Thomas), however, pines for London's excitement and commences an affair in the city with penniless aristocrat John Beaver (Rupert Graves). The fallout of Brenda's betrayal includes a family tragedy and creative divorce settlement ultimately undone when fed-up Tony goes on a naturalist trek through Brazil and becomes the hostage of a mad, illiterate explorer (Alec Guinness). One might wonder whether it's more appropriate to laugh or tremble at these events, and director Charles Sturridge's handsome, graceful production ingeniously accomodates the story's streaks of dark comedy and horror. With brief, memorable supporting roles for Anjelica Huston and Stephen Fry. --Tom Keogh ... Read more

Reviews (5)

"So much for infidelity."
Brenda (Kristin Scott Thomas) and Tony Last (James Wilby) live at Hetton--the magnificent ancestral home of the Last family. Tony dotes on their only child--a son--James Andrew. Life at Hetton is fairly predictable, and Brenda is clearly bored by it all, and yet she doesn't display her boredom except to bemoan the demands of another hideous local event and the tedious rounds of weekend guests who descend upon them regularly. One weekend, Tony invites a young man named John Beaver (Rupert Graves). Beaver's arrival is so innocuous that Tony even forgets that he's been invited, and so the task of entertaining Beaver falls to Brenda.

Brenda, up to this point, has acted like the perfect wife and mother, moving automatically from one role to another, but the arrival of Beaver sparks some dormant desire. With a cold deliberation, Brenda manipulates Tony into allowing her to take a flat in London. Under the pretense that she's studying economics, Brenda begins to indulge in an affair with the shallow Mr. Beaver. Everyone knows about it, but Tony remains blissfully unaware until a tragedy forces Brenda's affair to the surface.

Tony Last is indeed the 'last' of his kind. He represents tradition and gentility that will be swept away by up and coming demands of the more avaricious aspects of society. Beaver is a hanger-on. His mother owns a shop, and supports her darling, precious Beaver, and now he's grown accustomed to a certain lifestyle. Beaver couldn't possibly work hard enough to earn adequate money to enable him to live as the Lasts do, so he contents himself with becoming an eternal guest--staying at other people's splendid mansions. The affair with Brenda is all fun and games--until he is faced with the possibility of actually supporting her in the manner to which they have both grown accustomed. With supreme selfishness, Brenda and Beaver--two unpleasant characters--decide they 'deserve' a large share of Tony Last's money. When faced with being stripped of everything, Last finally refuses to comply, but this action sends him spiraling off into the jungles of Brazil.

Tony Last is an incredibly nice man, but that doesn't save him from becoming the victim of several extremely selfish and self-indulgent people. There's Brenda--she hopes that Tony hands over the money without a big fuss--after all, she doesn't want anything to cloud her happiness. Then there's Beaver--he's perfectly content to live off another man's bounty, but finally, there's Mr. Todd (Alec Guinness) who sees Tony as some sort of living, breathing entertainment deal. The film is based on Evelyn Waugh's brilliantly dark satiric novel, "A Handful of Dust", and the story is marvelously and expertly transferred to the screen. The acting is superb--Kristen Scott Thomas acts her role with deliciously cold detachment, and James Wilby as Tony Last seems mildly bewildered by the demands of the world outside Hetton. Stephen Fry stars in a small (but very funny) role as Brenda's callous brother. The sets and scenery are breathtaking, and fans of Evelyn Waugh should find themselves well pleased with this adaptation--displacedhuman

A film in a place of its own.
Films haven't got much better than this recently. The jewel in inception and the making of this film which makes it is that the producers know the limitations of the "great" film and just how many ingredients of a great film, and also then elements of the stage, go into making this world-beating drama.

This is one of the most distinctive films which has been made therefore: a film which knows the entertainment context of film, drama, literature, the stage and then the television or movie-house film today. This is supreme entertainment.

In the same tradition and indeed category, without qualification or doubt, as the great pieces of cinema of old - "as Lawrence of Arabia" - this is a modern piece of dramatic art for the nineties and remains remarkably unchallenged in this decade. There are few films of the the last few decades which see so far ahead. Neither an enfant savage nor an enfant terrible - rather this film is as it knows these have been high or prevalent in the cultural climate, in the general cultural prescription. And these notions or identities are and have long been lurking in a culturally bound class (and country). This is embedded within the dramatisation of the tale. The compass of the film and of the story are great but limited.

I give it five stars because of the supreme, engaging and limited but total cinematic nature of this piece, which unexpectedly touches but also inspires the intellect with the emotions in making the story true by successfully refusing to explicate this human fantasy story in anyway; by its actual subtlety of treatment of the book; by giving the audience a direct light to see this literary tale.

And so also a more intellectual fable is given to the viewer on a silver platter, to indulge in without even a semblance of exertion.

Actually I would think it was a true story because of the devious, contextually ambiguous ending - which is not quite cunning. Should be seen and seen again and kept precious.

Understated and beautiful
This dramatization of Evelyn Waugh's novel is nicely done. The story concerns the marriage of Tony and Brenda Last, members of Britain's upper crust. From all outward appearances and, as far as the oblivious Tony is concerned the marriage is perfect. Brenda is bored and proceeds headlong into a destructive relationship with John Beaver, a man without personality or resources. Tony watches in denial and Brenda watches in self-absorption as their "perfect" world crumbles.

The dialogue in the film is remarkably faithful to the novel. With one notable exception, the actors quietly underplay the scenes, almost all of which involve tense and emotionally-wringing scenarios. This serves to underscore the absurdity of the "stiff upper lip" social mores of the time. The film stars James Wilby as Tony Last. Wilby is a dead ringer for the young Evelyn Waugh -- a nice touch given the story's autobiographical origins. Kristen Scott Thomas stars as Brenda.

About three-fourths of the film is set in London and rural Great Britain during the years between WWI and WWII. The remainder is set in the Amazon jungles. The film's score features native South American musical instruments throughout the scenes set in Great Britain which, again, serves to underscore the film's social themes.

Sir Alec Guinness dominates the jungle scenes as the amoral Mr. Todd. He's the one actor in this film who doesn't underplay his role. In this film, Guinness is unwashed, unshaven, scheming, hateful and maniacal. In short, he becomes "The Man Who Liked Dickens". I felt that his performance here was one of the best I've seen.

I rated this film 4 stars rather than 5 because there are one or two scenes which are so underplayed I would have missed them entirely had I not read the novel beforehand and been on the lookout for them.

Overall, this is definitely worth watching.

Marvellous
This is a brilliant adaptation of Waugh's sharply satirical novel "A Handful of Dust" (also worth reading). The pace is beautiful and I thought the casting was perfect. Kristin Scott Thomas is remote and succinct as Lady Brenda, James Wilby as her husband Tony is restrained panic. Giving Rupert Graves the part of near-sociopathic Mr Beaver was a stroke of genius. He is good-looking without being overly unctuous.

The story is set in England of the 1930's. Tony and Lady Brenda, and upper class couple who live mostly in the country, have been married for seven years when Tony invites a man from his club to come and stay, Mr Beaver. Brenda gets an odd hankering for their guest, even though Mr Beaver proves himself to have feet of clay over and over again - but then so does she. There is a slow decline in Tony and Brenda's relationship, the deterioration filtering through layers of genteel gossip and impeccably good manners. The ending has a marvellous twist to it also. The script retains some of the sharpness of the Waughs novel, and much of the humour.

brilliantly acted and visually stunning
Evelyn Waugh's novel gets more than your average "period piece" treatment here. Art direction is a plus, as are costumes, set design, and score. But there's also a consistent (and coherent) effort to convey the sense of inevitability present in the novel. Thanks to superb acting (particularly by James Wilby and Kristin Scott-Thomas) that effort pays off. You feel the main cahracters spiralling down - but there seems to be no way to guess their end. Rupert Graves is also very good, but Judi Dench and Alec Guiness in comparatively smaller roles give us performances that are as luminous as ever. Intriguing score. Why not 5 stars? Tempo. Pace. A few minuts less wouldn't hurt it - they're not essential to plot or characterization, they just let the camera take in the beautiful sets languidly... Maybe for some people that would be deserving of a 5th star. Maybe. I still think it's a beautiful music, the acting is superior and it's something of an unknown gem. ... Read more

Amazon.com

Originally made as a two-part TV miniseries, this umpteenth adaptation of Johann Spyri's novel is exceptionally easy on the eyes. Jason Robards plays the grumpy grandfather who tends for the orphaned Swiss girl. Jane Seymour chews up the scenery as the governess to a spoiled, rich city girl whom Heidi is forced to visit. The adults think the invalid Klara (Lexi Randall) needs companionship, but wise old grandpa knows she needs good mountain air and independence. Noley Thornton is sweet enough in the title role and Robards's performance provides depth. This Disney production brings little to the story, but is worth watching for its stunning Alpine vistas.--Rochelle O'Gorman ... Read more

Reviews (12)

Better Than The Shirley Version
Possibly one of the greatest books of all time-- this is also one of the last good made for T.V. movies disney did. As a huge Shirley Temple fan I will always love Shirley's version but, my opinon this is the best version of Heidi to own and the version I watch most often on family movie night.

The acting is brillantly done by newcomer Noley("Fine Things")and it has the best grandfather Jason Robarbs who delievers the performance of his career. You really catch their love and connection on screen and you see how far he will go for the little girl he loves. Really Heidi is all about faith and love renewalle and in this version you can really see that.This story also sticks more to the orginally book unlike some of the remakes which is nice since the story is perfect the way it is...

My little cousins love this movie and we all want to adopt Jason Robbarbs as our grandfather now! Some of my cousins liked the movie so much they are now reading the book for fun!I'm personally glad I bought this movie to watch with my cousins on family movie night for it's a movie all about family and connecting with the ones you love. Buy "Heidi" and enjoy watching it with your kids over and over again.

The best version of Heidi
My name is Heidi and I have grown up getting Heidi either as a book or a movie for birthday and Christmas presents. (I do own the german version) This is by far my favorite version of Heidi. I grew up with Hayley Mills and The Wonderful World of Disney. Noley Thornton does a wonderful job of depicting Heidi. I wish it would come out on DVD!! You won't be sorry for getting this.

edited for video
On commercial free television, this movie runs in two parts with a total runtime of over 3 hours. The video version of the movie has about 20 minutes cut out of the original presentation. Some really sweet nuances have been removed.

This is an enjoyable movie in either case, or course, but let's hope that Disney releases an unedited version to DVD soon! I would love to add it to my collection.

Stunning!
This version of Heidi is truly wonderful.The story is so great and all the actors played the roles very well.Shirley Temple was good, but Noley Thornton is fantastic.Unlike the older version of Heidi this has a freshness to it.The other version the Alps don't look nearly as stunning and the slede ride was the fakest thing I have seen in my life.In this re-make you can almost see the hills bursting with song and joy.It is truly magnificent.

Great film for People of all ages!!!!
I rented this from Top Hat Video the other day and I watchedit last night when the thunderstorm was interupting the sound this has gotta be one of the best disney films ever Noley Thornton is a sweet girl in this films she's great for the part of Heidi Sure Shirley Temple was good for the part of Heidi in her version of the tale but Young Noley is great too her sweetness in this film makes me feel so good if you thought Shirley was great for Heidi wait till you see this disney version of the tale it's a very sweet story I recommend you get this Noley Thornton is great for Heidi!!!!!! ... Read more

Amazon.com

The first half of Dario Argento's heady psycho-thriller is a mesmerizing merging of dream and reality. A beautiful young Italian detective (Asia Argento, who does little to convince us she's a tough, seasoned cop) investigating a serial rapist is suddenly overwhelmed when the paintings in an art museum erupt with life. According to the film, this is "the Stendhal Syndrome," an intense and overwhelming response to art that turns the viewer mad. As Anna steps in and out of fantasy worlds like Alice through the looking glass, she's kidnapped by her quarry, who repeatedly rapes and tortures her in a dark, dank underground cave. The delirious nightmare of shattered reality becomes a sadistic, mean-spirited spectacle of murder and degradation--perpetrated on, of all people, the director's own bound and beaten daughter!--and the thriller disintegrates into a paranoid mystery of amnesia, split psyches, and shadowy phantoms. At its best this is a mesmerizing vision of madness: paintings melt into the real world while objectivity disintegrates before our eyes. But before the unexpectedly sensitive conclusion, Argento puts the viewer through a bravura but brutal series of gory murders (a slow-motion bullet passes through both cheeks of a helpless victim, and another shooting is viewed from inside the body) and unsavory violence. The poetic beauty of Phenomenon and the craftsmanship of Suspiria and Deep Red are sorely missed. --Sean Axmaker ... Read more

Reviews (40)

Seriously good psychological thriller
CONTAINS ONE MINOR SPOILER
The Stendhal Syndrome was the second movie I saw by Dario Argento. Since then I've become a huge fan of his work. Many people find this multi-layered thriller to be one of his failures and I find that hard to believe. Granted, it's more character driven than most of his movies tend to be and the movie's pace and athmosphere change dramatically in the second half. Still, I found out that it's got a lot of his trademarks (having now viewed all his movies except Four flies on grey velvet, which I can't find anywhere). It's stylish as hell, with great use of artworks (as metaphors that is; the scene where Asia covers herself in paint had me wondering), the music score is excellent (by Ennio Morricone; not Goblin) and the violence is at times extreme (the rape scenes particularly, since you know Asia's father is directing them).
The real difference with this film considering Dario's other films is the psychological undertone. I have watched this movie now three times and I'm always seeing something I didn't figure out the last time. That's what great complex thrillers do, they always keep you wondering. This is without a doubt Dario Argento's most complex film, it demands the audience pay attention to what's happening. As far as psychological thrillers go, this one ranks high.

SERIOUS TROMASONE DAMAGE
Despite an incredible opening 20 minutes, THE STENDHAL SYNDROME
soon meanders into tedium and never manages to recover. Although initially disappointing Argento titles such as TRAUMA, for example, have blossomed with the passage of time, this film seems particularly resistant to reappraisal. Certain elements work extremely well, with Thomas Kretschman's forceful performance, Morricone's repetitive score and Asia Argento's hypnotic visit to the Uffizi Gallery being the major assets. Unfortunately, the film soon abandons it's one truly original idea - the "Stendhal Syndrome" itself - and heads in a more mundane killer vs. police direction. Of course, Argento tries to spice this up with abherrent psychology, grotesque sadism and narrative trickery, but the end result never approaches the high standard set by classics such DEEP RED or TENEBRAE. Scenes between Anna (Asia) and the police psychiatrist are interminably boring, whilst the less said about the unconvincing family relationships and romantic scenes, the better. Although this is my least favourite Argento film, it certainly didn't deserve the humiliation of being released by Troma! Lloyd Kaufmann's inane, ill-informed introduction claims the DVD contains the digitally re-mastered director's cut. What this actually means is a BADLY transferred version of the TRUNCATED export print. Compared to the luminous image quality of the French DVD, the Troma disc's muddy, washed out colours are extremely unimpressive. The largely irrelevant extras and promos for idiotic junk only add to the bargain basement atmosphere. If you're an Argento completist, wait for a more definitive release - shelling out for this contemptible mess from Troma would be murder.

Horrible DVD Quality, Interesting Movie
Troma should feel ashamed by the horrible quality of this DVD. Argento's films are usually released on Anchor Bay, who does a stellar job with the transfers. This DVD, though, is so full of artifacts in dark scenes that it felt like I was watching a 5 year old video from a rental store. It also didn't feel like it was a FULL letterbox version as parts of the opening credits were cut off on the left and right edges.
One of the interviews was OK, but it was really an interview all about Argento's 'Phantom of the Opera'. The other interviews were extremely cheesy as they weren't even done in person -- it was just Dario holding a microphone answering questions that were coming to him over the phone.
The movie is quite interesting and better than I expected. It deserves a much better DVD than this extremely cheesy production from Troma, though. Movie gets a 4/5, DVD gets a 1/5.

deep but disturbing
I am a little torn on how to judge Dario Argento's "The Stendhal Syndrome". The movie is about a Rome police inspector Anna Manni (director Dario's daughter, Asia Argento; who seems a bit young to play a police detective), who is assigned to the anit-rape unit. Manni's current case is to track down a serial rapist and killer who is stalking girls in Rome and Florence. The killer finds her in an art museum. While she is there, she falls victom to the stendhal syndrome (that is, having a physical reaction to a powerful emotional piece of art) which catches the attention of the killer. Shortlyu there after, Anna is captured and savagly raped and beaten by the killer. The attack leaves her seriously damaged mentally and emotionally. She now must hurt and mutalate herself just to feel. While on vacation, Anna is captured and tortured again by the killer, but this time mangaes to escape and kill the man. But this only leads to deeper despair. "Stendhal" has it's good points and it has it's bad points. Well, first the good. This is a powerfully disturbed movie; unflinching and brutal. I must praise Ms. Argento for having the guts to play such a demanding role; what she lacks in talent (and she dose lack), she makes up for in courage and effort to play on such raw emotions. She has made a career out of playing victoms who, after they are damaged in whatever way, can only respond to new world with equal amount of venom. The violence is very disturbing, not so much the amount of gore (although there is plenty of that), but because it is so mean spirited. However, if you're a Dario Argento fan, you're probably, um, if not used to it, at least you're expecting it. Now onto the bad. Structurely, the movie seems disjointed. At first it is a serial killer movie, and then it is a tour through the mind of victom turned killer Anna. The twist of having Anna turned into the killer at the end seemed a little strange, but I guess it isn't too terrible a streach. The acting is pretty bad, but I blame dubbing the language from Italian to English. The movie also has long straches where seemingly nothing happens. This scene is the most offensive: Manni's partner and sometime lover comes over and tries to suduce her right after her first rape. How insensitive can the jerk be! But as if that wasn't bad enough, Anna turns the table on him and psudo-rapes him! How very disturbing. All in all, this is an Italian horror film, so it is intensly violent and gory. But it is Dario Argento, who knows that the more scary violence is done to the mind, not nessisarily the body.

Terrible DVD of an impressive film
The Stendhal Syndrome is an effective, stylish thriller from horror maestro Dario Argento. The film alone would rate at least 4 (out of 5 stars)but the Troma DVD is pretty appalling. The audio is hissy and the volume low and the picture is incorrectly letterboxed and riddled with digital artifacts. If the DVD weren't bad enough it's made even worse by having a horrible, embarrassing introduction and foolish, faux interviews with Troma president Lloyd Kaufman. A good film is severely cheapened by a garbage presentation. A big, fat ZERO for the disc. Hopefully, Blue Undergroud or Anchor Bay will be able to obtain the rights soon. ... Read more

Reviews (8)

Ain't it just a good movie!
I've read this series. I held off watching this because, frankly, Ian Carmichal doesn't fit my mental picture of Peter Wimsey. Now I'm glad I got it! It's four episodes on two DVD's. Ian Carmichal is terrific! He may not have the face or the figure I pictured (for some reason I think Peter is blondish, misplacing his hair in front, and much-much leaner) but he has the character down perfect. He's an extremely skilled actor and it's a delight to watch him. These are quite funny, the characters are all very individual, and I'mm looking at getting all the others in the series.

The best transfer yet!
This has got to be the best transfer to DVD yet for the Carmichael Wimsey series. It is very crisp and clean. All you Wimsey will be thrilled! Buy it now, you will be pleased!

Solid entry
An excellent entry in the Peter Whimsey series with all of the clever dialogue, twists and turns on expects from a Sayers yarn. I only knock off a star because the sound is a bit dodgy in places and I had to keep the remote at hand to continually adjust the volume up and down. It's also a bit pricey for the lenght; it could just as easily have been fit on to two videos instead of four and sold for half the price.

Solid entertainment for anglophiles and sleuths....
Okay these are tapes, and I prefer DVDs and usually I will not give a VHS recording five stars but THE UNPLEASANTNESS AT THE BALLONA CLUB is excellent. I read the book and enjoyed it enormously and was pleased to see this dramatization.

Dorothy Sayer's plot is clever and the characters well developed and the actors and staging are surpurb. This BBC film version was made in the "olden days" (early 1970s) when live tv was more the norm than not and shown on PBS Mystery series. I have an idea the original enactment was recorded before a live audience.

Ian Carmichael plays Lord Peter Wimsey, Sayers upper crust sleuth, graduate of Oxford and friend of copper "Parkerbird" who works for Scotland Yard. But Wimsey is no lightweight Bertie Wooster (not that I don't love Bertie too!!). He's a returned veteran from WWI, as are several of the other characters in this story. Bunter, Wimsey's man-servent was his sergeant during the war, and many of the members of the Bellona club are ex-military, some of whom experienced years in the trenches and madness. General Fentiman, found dead in his favorite easy chair by the fire place, is also a war veteran, though his war was the Boer War.

When George Fentimen, the hapless grandson of the deceased goes "bonkers" after the General is found dead, Wimsey understands. He too had a nervous breakdown and Bunter nursed him back to health. Wimsey knows George spent many nights and days living in the trenches and saw his best friend hung up on barbwire and mowed down by the enemy. George is not unlike the sad veteran in another tale about life in England after WWI--MRS DALLOWAY.

A major clue to the events surrounding the General's death (was it murder?) is tied to the day the General's body is discovered, Armistice Day 1922. Many old timers will "get" this clue, but some younger folks may not "have a clue" about its significance. Never mind, this is a great way to learn more about "war to end all wars." The film is a wonderful period piece and if you love faithfully recreated history like BRAMWELL (with a tad more sophisticated humor) you will enjoy this film.

Emma Thompson fans will get a special treat. Emma's mother Phillida Law plays Wimsey's special female friend (he had not yet met Harriet Vane in this book). You may recall that an older Phillida played Emma's mother in THE WINTER GUEST.

Memorable characters, fascinating clues, unexpected twists.
two outstanding BBC productions starring Ian Carmichael as the aristocratic amateur detective Lord Peter Whimsey on home video. The Unpleasantness At The Bellona Club (1-56938-352-9, $59.95, 180 minutes, four cassettes) finds Lord Whimsey being called upon by fellow club members when one of their number is found dead in a chair of the men's lounge on Armistice Day, 1922. A caste of memorable characters, fascinating clues, unexpected plot twists are the hallmark of this Lord Peter Whimsey mystery. ... Read more

Reviews (2)

Rarely broadcast Sean Connery winner
One really can't account for good taste. This rarely broadcast thriller starred Sean Connery as he was first attemtping to escape 007 typecasting during the 1970's. He is in fine form here as a Scandinavian Security Chief trying to negotiate with and outwit a team of terrorists. Excellent winter landscape photography adds to the film's realism and there are some interesting plot surprises along the way. Kudos to 20th Century Fox for releasing this gem on DVD; I never thought I'd see this film again. The quality of the DVD is very good as well.

gritty cat and mouse game with terrorists
This movie also goes by the title of Ransom in Britain. It is a tense drama with Ian McShane and Sean Connery (need I say more!!???). Connery is the head of a security force sent in to negotiate with terrorist holding an ambassador and his servants. The terrorist demand transport to the airport, where they learn an aeroplane has been hijacked and is awaiting the arrival of the terrorists and their hostages. Connery is determined to stop them at all costs. It is a taught game of move-counter move, with nearly everyone involved running their own game within a game, and Connery can trust no one. McShane is very believable at the head of the hijacking team, that has more than one mask he is wearing. ... Read more

Reviews (1)

The Last Englisman. The perfect 'little' film.
There is much in this film to be admired and enjoyed. It delights the soul and tweaks the heart. Well done and well acted. The music is wonderful. I would recommend it to anyone who enjoys history as well as the English 'starch'. ... Read more