Amazon.com

NASA's worst nightmare turned into one of the space agency's most heroic moments in 1970, when the Apollo 13 crew was forced to hobble home in a disabled capsule after an explosion seriously damaged the moon-bound spacecraft. Tom Hanks, Kevin Bacon, and Bill Paxton play (respectively) astronauts Jim Lovell, Jack Swigert, and Fred Haise in director Ron Howard's intense, painstakingly authentic docudrama. The Apollo 13 crew and Houston-based mission controllers race against time and heavy odds to return the damaged spacecraft safely to Earth from a distance of 205,500 miles. Using state-of-the-art special effects and ingenious filmmaking techniques, Howard and his stellar cast and crew build nail-biting tension while maintaining close fidelity to the facts. The result is a fitting tribute to the Apollo 13 mission and one of the biggest box-office hits of 1995. --Jeff Shannon ... Read more

Reviews (137)

Engrossing, Excellent, Awesome & Inspiring!
We really enjoyed this DVD... it's one of our "keepers" and definitely worth owning and viewing regularly -- it will remind you (as it has our family) that is is so very good to be born/raised/live in this country.

It begins with a voiceover by Walter Cronkite (and yes, our announcer is the real thing!) which introduces us to the heroes as they walk across the gantry, and pays tribute to the three we lost in that disastrous fire on the launch-pad....

The movie follows those fateful days (beginning in pre-launch) and then in orbit, and it focuses on the united effort in bringing our boys home. These men are so smart -- all of them (not just in space but at Mission Control) and is a realistic view of the times. You'll see the old Izod shirts (remember the Alligators?) and Corvettes, Mission Control (hey, they smoke -- this was not a purified/Politically Corrected re-enactment/revision of truth)... I appreciated that.

Oh, and it's not all drama. There are moments of smiles, and it's not too intense excluding the JOYOUS moment when we hear them respond after four minutes coming through the atmosphere.... Still, I wouldn't suggest youngsters under age eight view it alone.

[Note: our family is protective of our children and they have not been raised on a diet of broadcast television. Yours may be used to intense programming -- please use your own judgment. There is nothing bloody-gruesome in the movie, nor in the commentary. That said, you will CARE DEEPLY about all the people you see.]

One more little (out of sequence) note: The end has Tom Hanks (who plays Jim Lovell) narrating a mini catch-up to present of the whole story. We learn what happens to the individuals in the movie. It's a wonderful "wrap" to an amazing six days in space.

If we are going to do a docu-drama, one might also suggest that future writers/directors view this one to get an idea that they public will spend perfectly good money on QUALITY shows that are truthful, accurate and not hack-jobs. (End mini-rant!)

I found the scenes compelling and recall the "lump in throat" of those days. To me though, seeing the families perspective broadened the effect. Oh, and Mrs. Lovell is a force to be reckoned with -- I liked her a lot! She's a classy lady.

Minor Quibbles: In two places there are swear words (Mrs. Lovell -- who in the commentary states she doesn't "talk like that" -- when discovering the magnitude of Jim's problems swears... I thought that extraneous. Also, in another section one of the astronauts uses a bad word (appropriate maybe, but basically, unnecessary).

The Best Stuff: After the movie we are provided with a mini-movie on how they filmed it all. NASA cooperated and many of the scenes were filmed in those planes that "deliberately plunge toward the earth" so the actors/film-makers/lighting guys et al were weightless. One of the brave actors in particular didn't want his testosterone questioned but... ;)

I particularly enjoyed the interviews... you could really see how much the whole crew wanted this to be an *excellent* movie, one to last through the ages. It's brought out that the movie will be (at some point in history) a look back on the whole era. We (the USofA) have some incredible individuals to be proud of... this is perhaps one of the best patriotic movies I have ever seen -- notwithstanding war epics. It makes me glad to be an American.

Okay, so you also see the real gents appearing on the Johnny Carson Show too. One more thing -- at the very end of the movie you see Jim Lovell -- he's the Captain of the ship that picks up the astronaut. His wife appears once too, but don't blink! (grin)

Also, the Bonus Materials include two voice-over commentaries. The first is made by Director Ron Howard (you know, he's good -- very good!) and tells inside things about the creation of this movie. I enjoyed it.

The best Commentary though was done by Mr. and Mrs. Lovell -- ah, and Ron -- that con-trail isn't supposed to be there. (winks)

All in all, this is one of our favorites... I'd go so far as to suggest you Pay Retail, and maybe even opt for First Class shipping so you won't have to wait. It is that good!

Fellow Reviewers, I Have a Problem
I posted a review of this film some four years ago after I had purchased the "Collector's Edition". About a year later, I watched the movie one more time. Since that time, my DVD has been stored in its jacket, safe and sound. About one month ago, I was going to view the film again but my DVD player tells me, "This Disc Cannot be Played on this Player". Cleaning and otherwise re-inserting the disc proved useless. I have since tried the disc in both my computer's DVD drives, two other different DVD players, a laptop and one more computer, all to no avail. I keep getting the same message. Does anyone know what happened to my disc while stored safely in its jacket? Why did it play well two times, and now says it can't be played, on the same player. Has anyone experienced this problem? Thanx...........

A bit of history hits the big screen...
Nominated for nine Academy Awards including Best Picture, Apollo 13 is one of the best movies of its decade. Despite prior knowledge of the historical outcome, it's guaranteed to keep viewers steeped in suspense. Director Ron Howard creates yet another fantastic picture, solidifying his transformation from Mayberry's favorite son on Andy Griffith to one of the most accomplished director/producers in all of Hollywood. Standout performances by Gary Sinise and Tom Hanks (on the heels of their Oscar-caliber portrayals from Forrest Gump) make Apollo 13 especially enticing to the movie connoisseur. Based on the true story of the Apollo 13 mission, the film stirs emotions of all types - hope, fear, and patriotism among them. In the end, it's one of those rare movies where the characters are able to intimately connect with the audience. In short, Apollo 13 provides a true glimpse into the lives of those who defined history...

Tom Hanks plays the role of real life astronaut Jim Lovell, member of the three man crew of Apollo 13 - the 1970 lunar landing mission. Accompanied by fellow crewmates Fred Haise (Bill Paxton) and Jack Swigert (Kevin Bacon), Lovell rockets into space in pursuit of his dream of walking on the moon. Unable to make the flight, fellow astronaut Ken Mattingly (Gary Sinise) reluctantly remains on the ground.

Meanwhile, Americans show little interest in this latest lunar mission despite the fact that barely a year has passed since Neil Armstrong's famous words. Apollo 13 is perceived as "routine" and the flight gets little press coverage until Lovell utters some famous words of his own, "Houston, we have a problem"...

When things go horribly wrong on Apollo 13, the mission changes from one of moon landing to astronaut survival. Lovell, Haise, and Swigert feverishly work to uncover the problem. Meanwhile, in Houston, flight director Gene Kranz (Ed Harris), bumped crew member Ken Mattingly, and the legions of NASA ground control work around the clock to maintain contact and bring the astronauts home safely. As the minutes pass, the entire world holds its breath in anticipation of the outcome...

Following on the coattails of Tom Hanks back-to-back Academy Awards for Philadelphia and Forrest Gump - Apollo 13 hit the movie theaters with widespread anticipation. The monumental expectations of movie goers were not without merit as the film's multiple Academy Award nominations will attest. But what makes Apollo 13 such a strong and emotion-driven epic is its connection with the historical record. The events that unfold happened for real, and at the time, no one knew the final outcome. Unlike today, traveling to space was not routine (or at least not as overlooked as it is now). The men who flew the Apollo 13 mission were true heroes in every sense of the word.

And although they failed to reach the moon, the astronauts of Apollo 13 are immortalized in history in ways they never would have been had their flight gone off without a hitch. Tom Hanks, Ron Howard, and their colleagues do justice to this classic story of man's triumph over adversity. Compelling, suspenseful, and filled with drama, Apollo 13 is an unforgettable film - and a definite must-see movie...

The DVD Report

10th Anniversary Package Makes Superb Movie Soar Even Higher
I will always remember those tense three days in April 1970 when the Apollo 13 astronauts seemed suspended in space, and this was well before the days of 24-hour coverage by CNN and Fox. For those who have yet to purchase this movie on DVD, the tenth anniversary two-disc set is a must-have for any adventure film-lover, especially for those like myself who were obsessed with the nation's space program in the 1960's and early 70's. Ron Howard, the director, came of age with this thrilling recreation of the aborted Apollo 13 mission, as defining a moment in NASA's history as the tragic Challenger explosion. The 1995 movie was a faithful depiction of what went wrong with the flight and how the mission changed dramatically to one of saving the three astronauts from being marooned in space forever. One would think that knowing the ending would rob the viewer of the suspense factor, but Howard does an amazing job in making the story feel fresh by guiding us through the heroic acts both in the capsule and at NASA's Mission Control in vividly realistic detail. He also evokes the atmosphere back then with emotional and visual accuracy, showing how anti-climactic the mission was perceived in light of Neil Armstrong's first steps on the moon just the year prior. A rupture in the oxygen tank changed things completely as the movie illustrates a desperate attempt at survival with computer systems turned off, the capsule moving toward freezing temperatures and the three men relying on their gut instincts to maneuver the capsule home.

What I appreciate most about the movie is that Howard does not derail the basic story with unnecessary subplots or flourishes of melodrama. He realizes the real story is more than enough to engage the viewer and that the attention to detail, often technical in nature, is not off-putting.Howard even creates blood-pumping suspense out of the ground effort to jerry-build a scrubber to clean carbon dioxide from the capsule's air supply.This kind of film is all in the details, even the more predictable home scenes where family members try to confront their increasing sense of fear. The movie has a solid testosterone-heavy cast - Tom Hanks stalwart as always as Apollo 13 commander Jim Lovell; Bill Paxton as Fred Haise; Kevin Bacon as last-minute substitute Jack Swigert; Ed Harris as determined flight director Gene Kranz; Gary Sinise as grounded astronaut Ken Mattingly; and bravely leading the homefront is Kathleen Quinlan as Lovell's wife, Marilyn. Even though the move is full of familiar suspense elements and the characters' interactions are often just officious, there is hardly a wasted dramatic moment in the entire film, pretty impressive given its 140-minute running time. This is a superbly done real-life adventure film and docudrama and aside from Philip Kaufman's 1983 adaptation of Tom Wolfe's "The Right Stuff", probably the best movie about the space program.

The smoothly edited, 116-minute IMAX version (produced in 2002) is on the second disc, and the widescreen orientation coupled with the enhanced sound makes for great viewing as well. There are three documentaries included spread across both discs: the comprehensive making-of feature, "Lost Moon: The Triumph of Apollo 13 - The Making of Apollo 13", which has interviews with Howard and the cast, as well as insight into how the space shots were created; "Conquering Space: The Moon and Beyond", a 48-minute general overview of the race to the Moon and the exploration of Mars, produced mainly for the uninitiated; and a twelve-minute NBC Dateline feature called "Lucky 13: The Astronauts' Story", which contains interviews with the astronauts and members of Mission Control for the Apollo 13 mission. There are two alternative commentary tracks, the first with Howard who is extremely knowledgeable and highly infectious in his descriptions of the shoot, the other with Jim and Marilyn Lovell providing valuable insight as to how it really felt as the events were unfolding. A truly excellent package.

The NASA Mission That Began 35 Years Ago Today
People can sometimes become complacent when it comes to technology and forget that it is the product of human endeavors that are far from perfect.Usually, engineers and builders do their best to ensure that the technology to be used is safe.However, mistakes can and sometimes do happen.Such was the case during NASA's Apollo 13 moon mission that was launched from Cape Canaveral, Florida, on April 11, 1970.Intended to be the third landing and human exploration of the lunar surface, many people had lost interest in the program following the huge success of the previous two missions that included the first-ever manned landing on the moon.However, such complacency was quickly replaced by fear and anxiety, as the fates of the three Apollo 13 astronauts were unknown following a potentially lethal accident.These fears, anxieties and hopes were beautifully captured by director Ron Howard in his 1995, Oscar-nominated film aptly named "Apollo 13".

In the film, the three Apollo 13 astronauts, Jim Lovell (Tom Hanks), Fred Haise (Bill Paxton) and Jack Swigert (Kevin Bacon), have a flawless launch as they set out for the moon.Jack Swigert was not originally supposed to be part of the Apollo 13 crew though.It was supposed to be Ken Mattingly (Gary Sinise), but when NASA doctors thought that he might have the mumps, he was grounded and Jack Swigert replaced him.This caused some minor consternation among all involved, but the mighty Saturn 5 rocket was launched on April 11, 1970 anyway.Everything appeared to be going normally until April 14, some 205,000 miles away from the Earth.Jack Swigert was instructed to mix the oxygen tanks, which, when he did, caused an explosion.The explosion caused multiple failures on board making the Mission Control personnel initially think that there was simply a communications or monitoring equipment failure.However, once Jim Lovell & Fred Haise regained control of the damaged ship, Jim Lovell reported to Mission Control those immortal words, "Houston, we have a problem."Once Mission Control personnel realized the severity of the situation, they considered ordering the crew to turn back, but there was no way to know whether the main rocket booster had been damaged.Instead, they opted for the safer, but longer route that would have the damaged ship go around the moon, then begin its return to Earth.Since the crew had to shut off power and had no active guidance computer, the tension was very high as Jim Lovell & Fred Haise manually operated the lunar-lander's rocket to cause the ship to return to Earth.Other problems included the intense cold (since there wasn't enough power for heat), having to adapt the square air filters from one ship to work in the round filter holes in the other so that they would not die from asphyxiation, boredom, not knowing whether or not the ship's systems would come back on properly, not knowing whether the heat shield had been damaged and Fred getting sick.This was truly one of NASA's finest moments in being able to assist the otherwise helpless crew be able to return to Earth, including Ken Mattingly working hard on the ground to help ensure that the Apollo 13 crew would be able to turn on what they need with the little power that they had available.

Other memorable characters in the film include Mission Control chief Gene Kranz (Ed Harris), Marilyn Lovell (Kathleen Quinlan) and Blanch Lovell (Jean Speegle Howard, 1927-2000).For its overall realism, wonderful cinematography, engaging story and wonderful acting, I rate "Apollo 13" with a resounding 5 out of 5 stars.The film won two Oscars for Best Film Editing and Best Sound, but was also nominated for Best Picture, Best Visual Effects, Best Art & Set Decoration and Best Writing, Screenplay Based on Material from Another Medium.Additionally, Ed Harris received an Oscar nomination for Best Supporting Actor, as did Kathleen Quinlan for Best Supporting Actress.If you have never seen the film, but aren't sure that you want to purchase a copy, I highly recommend seeing it at least once. ... Read more

Reviews (155)

Script Bad, Actor Good
The script to Oliver Stone's The Doors may not have been great, but V. Kilmer did a good job as Jim Morrison. I am a fan of Jim Morrison's writing and the Doors' music, and I think VK took Morrison on, body and spirit. A few moments in the film, in particular, are extraordinary, where his resemblance to/embodiment of Jim Morrison is uncanny... (*If you saw the movie and you're a Doors' fan, you can't have missed that.)

I agree that the soundtrack was fantastic, however maintain that Val Kilmer was the right one to play Morrison. In fact, I read that Val Kilmer was recorded singing along with Jim Morrison's voice on the last song in the film. For those who feel he was the wrong choice, go back and listen to how well he did that. I am a singer and I know what kind of work it takes to do something like that. It's hard enough to match your own voice, let alone someone else's. Credit where it's due. END

Absorbing movie - i didn't want it to end. (my only friend..
Utterly absorbing bio-pic of Jim Morrison. The name Val Kilmer is, or should be, synonymous with incredible acting that is not merely natural or convincing, but immensely fun and commanding. You may have noticed while watching his recent Wonderland - Val has the ability to make a picture. Here, he IS The Doors: The Movie. There, he WAS Wonderland. I am exaggerating, i suppose. For Oliver Stone has crafted a marvellous film which makes you feel like you've experienced what the sixties were like. Through using The Doors actual music (what was missing from the recent Sylvia, the art of the subject itself - her poetry) to help tell its story and colour its scenes, and filmic techniques to create the drug-induced world vision of Jim Morrison, Stone really takes you into the world of his movie, and the world of the sixties.

This movie made me appreciate what an exciting experience The Doors were, and has actually cultivated love in me for their music. I didn't realise they had more than one classic: Light my Fire, The End, People are Strange, Love her Madly, Break on Through to the Other Side, Riders on the Storm, Touch Me, Roadhouse Blues (Let it roll, baby roll) and probably more i'm yet to discover.

For a better recreation of what Andy Warhol's factory actually felt like, see I Shot Andy Warhol. Crispin Glover actually looks more like Andy than the guy who plays him in "I Shot," but the guy in I Shot much better captured Andy's vagueness and almost unconsciousness while in conversation. This, however, is but three minutes in the movie and has no effect on it as a whole.

Oliver Stone has an amusing cameo: a young film student, Jim Morrison, shows his short film to his class, who are uncouth and disparaging about it, after which camera pans to reveal Oliver Stone standing at the lecturn, (obviously, playing the film professor), who says: "Why don't we ask the author what he thinks?"

Flawed but Fascinating Film.
When a young man by the name of Jim Morrison (Val Kilmer), who writes Poetry and Studying Film in the University of Los Angeles. When Jim falls in love with a beautiful young woman (Meg Ryan). But then, his life slowly changes, when he decide to quit film school to be a songwriter and singer with the help of his close friend (Klye MacLachlan). Jim and his friend, together, they form a band called "The Doors" with two another members (Frank Whaley and Kevin Dillon). Which "The Doors" becomes One of the Most Sensual and Exciting Figures in the History of Rock and Roll, especially the lead singer-Morrison from the Sixties. Which the legendary outlaw, who rocked America's Consciousness-forever.

Directed by Oliver Stone (Any Given Sunday, Born on the 4th of July, The Hand) made a fascinating drama that make Stone's One of his Best Films. Kilmer is Perfectly Cast as Jim Morrison. The Supporting Cast are Terrific, including:Kathleen Quinlan and Micheal Madson. Also Rock Singer:Billy Idol, Cult Star:Crispin Glover and Film Director:Stone appears in Cameos. DVD has an sharp non-anamorphic Widescreen (2.35:1) transfer and an digitally remastered-Dolby Digital 5.0 Surround Sound. This DVD is the Director appoved transfer for HD Televisions. DVD Feautres are only:Production Notes, Cast & Crew Bios and Theatrical Trailer. There's also a Special Edition DVD of this film also. This was a Box Office Disapointment and the only flaw in the film is Second Half, where the film slows down. The film is nicely photographed by Robert Richardson (JFK, Kill Bill Vol.1 & Vol.2, Natural Born Killers). Written by the Director:Stone and J.Randall Johnson. Panavision. Grade:A-.

"ALRIIIGGHHHTTT!!!"
This is the best rock movie ever made. Oliver Stone is the most talented filmmaker of all time. This is a film he gets less credit for, but it was very personal to him and brilliantly done. First of all, he nails the life of Jim Morrison, the story of The Doors, and the L.A. Scene (1960s) as perfectly as it can be done. It is beyond nostalgoia, it is time travel.

As great as Stone's use of Doors songs, scenery, drug use and beautiful, heavily-decorated '60s California girls is, it is Val Kilmer who does this turn its proudest. Kilmer probably gets to the core of a real person as thoroughly and realistically as any actor who ever portrayed actual folks.

Next on the agenda, you have to love Frank Whaley as Robbie Krieger and Kyle McLaughlin as a spot on, irritating Ray Manzarek. To those of us who really studied Morrison and The Doors, everything is flawless. The film also conveys the essence of the bar scene, particularly Morrison urinating at Barney's Beanery, which used to be a real rock hangout before it turned into a cafe.

The feeling watching "The Doors" switches between a longing for the romance and excitement of the rock life these people led, and revulsion for the drugs and immorality inherent within it.

Love my girl!

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
...

Fiction Not Fact
For a director who tries to show Jim Morrison as a poet who turned to philosophy and music to discover the truth about himself I have to say I am dissappointed because Oliver Stone created a drunk egoistic poser. Jim Morrison was the lizard king not a sex machine. ... Read more

Amazon.com

Tautly directed and superbly photographed, this crowd-pleasing thriller from 1997 is indebted to Steven Spielberg's Duel, but more closely resembles Dead Calm in its strengths and weaknesses. Kurt Russell plays a stressed-out husband whose wife (Kathleen Quinlan) disappears after their car breaks down in the desert. Tracking her whereabouts leads to an interstate theft and kidnapping ring, and as Russell pursues--and is pursued by--a vicious redneck played to perfection by J.T. Walsh (in one of his final film roles), the movie succumbs to several tense, but utterly conventional action sequences. That doesn't stop the movie from being an above-average nail-biter. It is so effectively directed by co-writer Jonathan Mostow that even the more surreal situations seem plausible and altogether unsettling. Russell's performance is key to the film's success--he's smart enough to be admirable, and we can readily identify with his frustration, confusion, and torment. Through him, Breakdown takes on the edgy quality of a wide-awake nightmare. --Jeff Shannon ... Read more

Reviews (63)

Exciting and believable
A youngish couple (Kurt Russell & Kathleen Quinlan) are moving from Massachusetts to California, and somewhere in the southwestern desert, their new SUV breaks down. A friendly trucker comes along, offers help, and Quinlan accepts a ride to a nearby diner to call for help while Russell waits with the car. He gets the car started on his own, and heads to the diner. His wife is nowhere to be found, and when Russell catches up with the trucker, the trucker denies any knowledge of the knowing him or his wife.

That's the setup that takes place in the first twenty minutes or so. After that, BREAKDOWN is a thriller as Russell, a meek man driver by desparation, tries to figure out what has happened to his wife with very little evidence to go on. There are chase scenes galore.

The situation is actually quite preposterous, and gets more so as the movie goes along. The scheme that is uncovered is very elaborate, and seems like an awful lot of trouble for the culprits to go through. But Kurt Russell is so down to earth and believable, and the bad guys actually quite mundane, that the plot somehow doesn't seem totally ridiculous. The movie, obviously fairly low budget, is gritty and not too glossy. There aren't too many explosions, but there are PLENTY of cliffhangers, and because we can so readily identify with Russell's character, thanks to his convincing performance, we really feel for him and what he is going through. Situations that might seem like minor jeopardy in something more grandiose (like a DIE HARD movie, perhaps) are very tense and exciting in BREAKDOWN.

As I said, Russell is very good. It's interesting that this actor, who has been "famous" since a teen, is so convincing playing an "everyman" type. He's handsome, but not too much so, and when he runs around crazily, or is involved in a chase scene, he doesn't just suddenly develop amazing abilities. He looks scared, dirty, sweaty and ticked off. He is a man driven by shear fear for his wife, and anger. It's a convincing performance,and one of his best.

Quinlan, who understandably isn't in much of the movie, is also very good, and is a convincing match with Russell. JT Walsh, the main bad guy, is very good because he never really drops the veneer of being a regular guy,except in a couple of scenes. This was the wonderful character actor's last movie, and he left with a doozy.

This movie didn't do to well at the box office, but word of mouth has really helped it out on video. If you haven't seen it, I highly recommend it. It is rated R, but the main reason for that is not graphic violence (there's not much blood, really) but just an occasional outburst of bad language. It's a thriller that would work well for those who don't like a lot of gore and gunplay.

Every Man's Worst Nightmare
I can't imagine anything more heartbreaking and nightmarish than someone having a loved one kidnapped or who just suddenly vanished into thin air. Not knowing anything of what happened, or what to do, is as scary and heartbreaking as can be. That's the plot to this intense and incredibly entertaining movie from 1997. Kurt Russell and Kathleen Quinlan star as a couple on a cross country trip who run into some car trouble out in the middle of nowhere. They flag down a truck coming their way and a trucker named Red Barr(played by the great J.T. Walsh)climbs out and offers to help. He offers to drive them into town to use the phone but Russell doesn't want to leave the car. The wife goes with the trucker and he stays with the car. When he gets to the diner where they are supposed to meet, she isn't there and no one has seen her or the trucker. He spots the trucker and stops him but the trucker insists he has never laid eyes on him before in his life. Russell can't believe what he's hearing. His wife, Amy, has vanished. He is then captured by some criminals and is brought to the trucker, who seems to want Russell's money in exchange for his wife. This leads our devoted husband on a chase across the middle of nowhere in hopes of dodging the bad guys and finding his wife, if, in fact, she is still alive. I enjoy 'road thrillers' like this and "The Hitcher" and "Joy Ride". This one is wonderfully done. The idea of the husband letting his wife go off with a stranger in the middle of nowhere is downright stupid, I'll give you that, but there wouldn't of been a movie without it. This is just entertainment folks. Kurt Russell is really good in this. He is very believeable as a husband who is mortified, scared, and determined to find his wife. He jumps from all kinds of emotions and does them all so realistically. Trust me, he does, no matter what some bubblehead on the next page or so says. One of his better jobs. Then there is the great J.T. Walsh. He was one of our finest character actors. This was one of his final film roles before he died of a heart attack. What a tremendous loss. He is fantastic here. Very convincing. Quinlan has a small role, but she does the best with what she's given. All in all, "Breakdown" is a solid film worthy of your evening's entertainment.

An underated masterpiece.
Road movies are a favourite type of movie for me and "Breakdown" just has to be one of my favourites. I just came across this in the shops and I took a look at it and from what I seen on the back cover it looked great. The story is all about Jeff and Amy (played by Kurt Russell who did a great job and Katherine Quninlan) and they are on their travels on the road. But their car suddenly runs out of gas. A truck passes by and stops, he offers to give Amy a lift and to take her to a restaurant and call for a to-truck. She accepts while Jeff stays to watch the car, but he soon finds out the problem with the car and heads for the restaurant, but when he gets there Amy or the truck driver are nowhere to be found, and a huge search is on, but it gets dangerous. Filled with lots of suspense and danger, with great performances all around. It comes to a brilliant climax, were there is a car chase on the highway, which ends on a bridge. A definate road movie for those lovers or Kurt fans.

Exceptional thriller
A husband and wife (Kurt Russell and Kathleen Quinlan) suffer car trouble while driving through the deserts of the Southwest. When the wife disappears mysteriously, it is up to Russell to find and rescue her. The frightening plausibility of this scenario is often undercut by the more conventional action movie elements that creep in, but it remains a nail-biting thrill ride that kept me on the edge of my seat right up until the end. Talented character actors J.T. Walsh, M.C. Gainey, and Jack Noseworthy demonstrate that, when it comes to fear-inducing film antagonists, ghosts, monsters and aliens have nothing on a band of mean-spirited, sociopathic rednecks with sleazy motives.

It really could happen....
Yes, this is a very exciting and underappreciated movie. But what makes it differernt from Nick Of Time or Phone Booth is, it really could happen!

The reason its so easy to identify with Kurt Russell is because, as the story unfolds its all plausible. Add in good direction and believable characters and hang on! ... Read more

Amazon.com

Jonathan Harr's nonfiction bestseller was a shot in the arm for those seeking more than last-minute heroics akin to a John Grisham thriller. Here was a labyrinthine case involving industrial pollution by two highly regarded corporations,contaminated drinking water, and the deaths of innocent children in New England, circa 1981. The case has hundreds of twists and takes our hero--a steady, respectable lawyer named Jan Schlichtmann--and turns his life into personal disaster. Instead of celebrating the law, the story is a maddening and rewarding look at the elusiveness of the courtroom case.

Steven Zaillian, who won an Oscar for adapting Schindler's List and directed Searching for Bobby Fischer, boils Harr's 502-page book into a complete, satisfactory film experience. Book readers will no doubt jeer the streamlining Zaillian had to perform to make the movie flow. Most changes can be quickly defused with the exception of the film's portrait of Schlichtmann. The lawyer has been turned into a movie star, an ultra-slick, cold-hearted gentleman who finds his purpose in working the case. Casting a stalwart John Travolta again diverges from the book, which right from the opening pages showed us a Schlichtmann with feet of clay. As Schlichtmann's partners (including William H. Macy and Tony Shalhoub) descend into the case, the unbridled sense of power and money is abandoned. This case is ultimately about survival.

Zaillian provides an excellent narrative for the sordid facts of personal injury suits, in which money is the only reward for lost or broken lives (deftly introduced in the film's opening scene). Zaillian also stays away from dwelling on the illness of the children involved, focusing on the gaunt faces of the parents who survive (Kathleen Quinlan, James Gandolfini) in controlled anguish. His evil characters--an industrial plant's owner (Dan Hedaya) and a corporate lawyer (another fine acting spin by director Sydney Pollack)--are so human it's terrifying. Zaillian's final ace in the hole is Oscar-nominee Robert Duvall. Perfectly cast as Travolta's opposition, Jerome Facher, Duvall steals scenes with the abbreviated dialogue; he turns a fancy settlement meeting into a farce with one line. Facher is not a callous, love-to-hate-him lawyer like James Mason in The Verdict. Facher represents the law at its brilliant foundation: to best represent one's client. With a taped-together briefcase and dry humor, Facher, not Schlichtmann, is the character who captures us by the film's end. --Doug Thomas ... Read more

Reviews (58)

Riveting and Powerful Cinema - An Eye-Opener for All
This is the most incredible movie ever made about trying a wrongful death case and the accompanying emotional roller coaster the process generates for attorneys. The opening scene will plant you firmly in your chair as Jan Schlichtmann (played by John Travolta) explains the financial calculus behind accepting and declining potential clients with personal injury claims. Jerome Facher (played by Robert Duvall) is infuriating with his unending legal maneuverings designed to extract his corporate client from an untenable legal position permeated with liability. The traitorous conduct of Schlichtmann's partners will make you wretch with disgust as they scramble to save themselves at the expense of righting a terrible wrong evidenced by a dozen dead children. Engrossing, to say the least.

Yes, the movie isn't perfect. Travolta's portrayal of Jan Schlichtmann doesn't completely mesh with the character in the book, there isn't a practicing attorney alive who doesn't know Rule 11 (court-imposed sanctions for unethical conduct), and the legal proceedings aren't quite right. Who cares? If the director had included the day-to-day minutiae involved in getting a case to trial, the film would have been three years long! My fellow reviewers are unreasonable in their unrelenting critiques.

If you're involved in the legal profession, this film will make you step back and reassess your brand of client representation. Are you taking the right cases? Are you serving the needs of you clients - or yourself? Are you willing to give your all to the law? Interesting, and always stimulating, food for thought.

If you're a lay person, hold on - you're in for the ride of your life.

Well-adapted story with terrific acting
After recently reading Jonathan Harr's book A Civil Action, I eagerly awaited seeing the movie version of this sad and absorbing story. The film version condenses the story and leaves out several interesting portions of the book, but is fine nevertheless. John Travolta is a perfect choice to play Jan Schlichtmann, the egotistical, free-spending attorney who dives headfirst into a damages case against the corporate giants Beatrice and W.R. Grace, who are accused of poisoning the drinking water of Woburn, Massachusetts and causing a leukemia outbreak. William H. Macy, Tony Shalhoub, and Zeljko Ivanek co-star as Schlichtmann's partners in the firm, and one only wishes that they would have protested his actions, which led to the financial ruin of him and his firm.

Robert Duvall gives another terrific performance as Jerome Facher, Beatrice's attorney, who is the complete opposite of Schlichtmann. In a scene at a fancy hotel conference room, the frugal Facher is not impressed by any of the lawyers or their arguments, but the free pen that he can take home. It's a subtly funny scene that illustrates Facher perfectly. John Lithgow does a terrific job as Judge Walter Skinner, who Schlichtmann believes is siding with the enemy.

A Civil Action is a story where the winners and losers are unclear, and it must have been difficult for writer-director Steven Zaillian to condense Harr's technical-laden novel. The result is a solid drama with powerhouse acting. Highly recommended.

Intelligent and Compelling Courtroom Drama
Jan Schlichtmann (Travolta) is a Boston tort lawyer and something of an ambulance chaser who is initially reluctant to take on an industrial pollution case involving some children dead of leukaemia in rural New England. He changes his mind when he realizes the likely defendants are a couple of big companies with particularly deep pockets and smells the possibility of serious money. Over time, however his interest in the case becomes a moral obsession. The cynical becomes a crusader, refusing offers to settle as his company's finances spiral downwards towards bankruptcy.

If you like courtroom dramas, this is highly recommended. It's one of the best specimens of the genre to come out of America since 'The Verdict'. It's interesting to compare it to 'Erin Brockovich' released a couple of years later. EB is about how a heroic small timer takes on the big boys of corporate America and how her pluck and determination triumphs over all obstacles, something of a legal feelgood movie in other words. Which this, to its great credit, is not. Its central character, for starters, is far more amibivalently likeable: initially just out for a fast buck, moral seriousness has to creep up on him and take him by surprise (perhaps reminding writer/director Zaillian of Oskar Schindler whose story he scripted for Spielberg a few years earlier) and the story's development paints a significantly more ambivalent picture of what pluck and determination can accomplish. It's a highpoint of Travolta's acting career even if he is comprehensively upstaged by Robert Duvall, on brilliant form as his quietly cynical adversary, bigshot lawyer Jerome Facher who knows far better than to look for the truth in a courtroom...

The book is SO MUCH BETTER
The movie is fine... but the book is an amazing read. There is so much detail and nuance lost in the adaption to a visual medium.

A Civil Travolta
This is a really good film that didn't get near the attention it should have. A great story, a terrific premise and plot. And Travolta nails his performance as a man faced with the dilemna of doing the "right thing" at great personal expense, or walking away with what he has left. This is a morality play of sorts and Travolta is the conscience of us all. We're thrilled when he triumphs; we breathe a sigh of relief and unclench our fists. Yet, we probably wouldn't have blamed him if he had walked. A nice film. ... Read more

Amazon.com

Drawing from Andrei Tarkovsky's heady science fiction meditation Solaris by way of Alien and Hellraiser, this visually splendid but pulpy piece of science fiction schlock concerns a mission in the year 2047 to investigate the experimental American spaceship Event Horizon, which disappeared seven years previously and suddenly, out of nowhere, reappeared in the orbit of Neptune. Laurence Fishburne stars as mission commander Captain Miller and Sam Neill is Dr. Weir, the scientist who designed the mystery ship. Miller's T-shirt- and army-green-clad crew of smart-talking pros finds a ship dead and deserted, but further investigations turn up blood, corpses, dismembered body parts, and a decidedly unearthly presence. It turns out that the ship is really a space-age haunted house where spooky (and obviously impossible) visions lure each of the crew members into situations they should know better than to enter. The ship is gorgeously designed, borrowing from the dark, organic look of Alien and adding the menacing touch of teeth sprouting from bulwark doors and clawlike spikes inexplicably shooting out of the engine room floor. Unfortunately the film is not nearly as inventive as the production design--it turns into a woefully inconsistent psychic monster movie that sacrifices mood for tepid shocks--but the special effects are topnotch, and ultimately the movie has a trashy B movie charm about it. --Sean Axmaker ... Read more

Reviews (315)

An flawed, trashy but a worth seeing Sci-Fi Thriller.
Years earlier, a man (Sam Neill), who created a State-Of-The-Art Interstellar Pioneering Research Vessel named Event Horizon. The Ship has disappear for Seven Years vanished without a Trace. Now the year is 2047, the Ship has been found. A Fearless Captain (Laurence Fishburne) and his elite crew (Kathleen Quinlan, Joely Richardson, Richard T. Jones, Jack Noseworthy, Jason Isaacs & Sean Pertwee) go on a Rescue Mission is launched to Neptune go get the ship back with them but as they go along with the Event Horizon has been Connected to the Black Hole and they are not ready to ensnare them in a New Dimension of Unimaginable Fear.

Directed by Paul Anderson (Mortal Kombat, Resident Evil, Soldier) made a unusual Horror Thriller set in Space. The film is not entierly successful (it was a huge Box Office disappointment) but it does pays tribute to another films like The Black Hole, The Shining and another Horror/Supernatural/Sci-Fi Thrillers. The film has some Intense Horror Scenes (Which Paul Anderson has forced to cut out 20 Minutes to make this film an R-Rating). DVD has an terrific non-anamorphic Widescreen (2.35:1) transfer and an strong-Dolby Digital 5.1 Surround Sound. Excellent Production Desings, Visual Effetcs & Make-Up Effects makes this a Must See. Neill is Terrific is this and so is the Cast. Panavision. Grade:A-.

Almost Painful to Watch
During a glut of movie watching, I happened to watch Event Horizon. I cannot recommend this movie even to those who like cheesy ghost stories.

The Event Horizon, mankind's first attempt at a faster than light ship has suddenly appeared in orbit around Neptune. A rescue crew and the ship's designer head out to investigate. While attempting to dock with the massive ship, the rescue vessel is damaged and needs to be repaired. Lack of air forces the crew onto the derelict.

As the crew investigates the mystery of the returned ship, individual members begin to be haunted by their deepest fears. Somewhere along the line the ship's creator becomes possesses and tries to prevent the others from leaving.

This movie was intended as a subtle ghost story. The beginning is pretty good but soon it becomes apparent that the movie makers are just not used to subtle. Visually the movie loses the story line as special effects become more pronounced than required. I guess that midway through the film they tried to recreate the film Alien and failed.

Despite all of the bad points, there is actually some good acting to be found on screen. Unlike most science fiction and horror films the rescue crew behave cautiously and intelligently. Unfortunately they were up against something much too powerful.

What we they up against? Well, when the ship went on its maiden voyage and punched a gateway through space, it traveled briefly in something that is outside space and time. A region of perfect chaos that most would call Hell. During that brief encounter the ship became alive and the gateway was not completely shut.

So, if someone happens to be showing a video of this film (free of charge) then you might want to take a look. After all, the premise and the acting were good, it was just off the mark. Way off.

Required: Lights on, people with you, and a blunt weapon
This movie is absolutely terrifying. When I say terrifying, I don't mean moronic slasher-movie suspense scary, I mean that when I saw this in the movie theater, I cried because I was so frightened. (I was 11, but I'm pretty sure that if I could watch more than five minutes at a time, I would cry now too.) Just thinking about the movie gives me the creeps; it's just one suspicious noise after another, and only the most hardcore horror movie afficionado wouldn't be freaked.

A logical part of my mind knows that we are scared of what our own minds imagine as threats (after all, having a literal ton of blood dumped on Kathleen Quinlan is more ridiculous than scary), and that we are simply fooled by the gory imagery into thinking of every possible terror that could be lurking in the shadows. I warn all viewers, thinking about this movie logically is not an option; it plays to our most basic fears of the unknown and, of course, Hell in Space (a popular theme with the horror genre, including such "classics" as Alien and Jason X).

Knowing that it is not physically possible for such a universe-piercing machine to exist (even such a handsomely designed machine) doesn't lessen the terror, because every instant is fraught with tension, so there's no time to think about anything. Even the relatively calm beginning is nerve-wracking, because we've all seen horror movies, so we know what to expect, and we react preemptively.

In truth, it's not a very good movie (for a normal movie, I would barely give it two stars).

It has a killer cast: Sam Neill (Jurassic Park), Lawrence Fishburne (Othello), Jason Isaacs (The Patriot), to name a few; but the plot is convoluted, complicated, and utterly unbelievable.

I can't believe this movie gave me nightmares for three days, and I can't believe that I would give it a four-star rating, but someone who buys Event Horizon isn't buying it for noteworthy dialogue or originality; they are buying it for the terror factor, and in that case, I must concede that it is the scariest movie I've ever seen (and while my imagination makes me easily drawn in by these movies, Event Horizon goes above and beyond everything else).

In conclusion, Event Horizon is to be missed by anyone other than die-hard horror fans and masochists. But to them, I say, enjoy and may you never be caught in such a situation as the characters.

You have to watch the movie THIS way!
It is possible to fairly give this movie five stars if 1) your primary criterion is the "fright factor," and 2) you watch the movie a certain way. I picked this movie out at the video store on a whim one night when my wife was out of town and I was home by myself. It was well after dark when I started watching it and if memory serves it may have been a stormy night. Half way into the movie I was checking behind the couch for the boogeyman (like I hadn't done since I was a kid) and whipping my head around at the tiniest creak and pop in the house timbers. By the time the end credits started to roll I had slid off the couch onto the floor and was peeking over a pillow I had hugged to my face. I was 100% freaked out by this movie! (The next day when my wife got home I made her watch it with me.) To this day it remains the standard against which I measure every other scary movie I watch and none has yet come close. So if you really want to take a ride on the ol' terror train, watch "Event Horizon" late at night by yourself sometime. If you're an adrenalin junky who has never seen this flick, I promise you'll be gratified!

Save your money
Note that this review is only of the movie, sorry that I don't have info on the DVD features.

Plot: a top secret mission to recover a ship that has been lost for seven years. The twist: the ship to be recovered was an experiment that consisted of trying to make a worm-hole in space-time (basically squish space together to get through it faster), and the experiment had already gone through the experiment once with its previous crew, which are now all dead. This was a great start to a science-fiction movie, but then the actors opened their mouths and there is all this talk about "the ship is alive" because something in another dimension came back with it from its previous trip with the now dead crew... I wasted my time watching this movie, you don't need to as well!

Basically this movie runs from science-fiction to science-junk. Most of the characters become annoying because there was no depth to the script. I can't even recall the number of times that an actor/actress woke up from one of the scary parts in the movie (yes, this was used repeatedly). LAME!!! The scare-and-wake-up method should be used at most once in a movie, not repeatedly! Because the writers used that method so many times, it certainly tells me that they didn't have the creativity and mindset to make a good plot and script for the movie (which they didn't). The writer's were using that as filler for time to extend the length of the movie because they had nothing better to write.

Paying to see this movie is basically giving money to Hollywood for wasting your life...don't watch it. If you must watch it, borrow it from a friend. ... Read more

Reviews (104)

Lucas' Nostalgia
American Graffiti was the movie that broke George Lucas into the mainstream. The movie is based on his teenage days growing up in the early 60's in a small Northern California town. The movie starred virtual unknowns who went on to big Hollywood careers. Ron Howard was the only well known actor and the role of Steve was his first chance to play a more adult role. The film takes place over the course of one night where Mr. Howard's Steve and his best friend Curt are preparing to leave town and head off to college on the East Coast. Richard Dreyfus plays Curt and Cindy Williams plays his sister and Steve's boyfriend. Paul LeMat plays John Milner who is the cool guy in town with the fastest car around. He gets tricked into picking up the 13 year old MacKenzie Phillips and spends the night driving around with her. Charles Martin Smith plays the nerdy Terry the Toad. Steve entrusts him to watch his car while he's away. he cruises around and picks up Candy Clark and through a series of elaborate lies, gets her to park by the lake. The car is stolen, but they get it back with the help of John. The movie closes out with a drag race between John and Harrison Ford's Bob Falfa. The movie is spiced up by its soundtrack which helped bring back the 50's nostalgia that permeated the 70's. The film also introduced the infamous DJ Wolfman Jack to the country. The film is an unapologetic feel good, warm movie and its major success allowed Mr. Lucas to make another little movie by the name of Star Wars.

A classic film gets a good DVD.
George Lucas's "American Graffiti", more than any other film, captures what its like to be teetering on the brink of adulthood after school is over. Steve (Ron Howard) only wants to be with the love of his life, Laurie (Cindy Williams), but almost blows it with her completely. Her brother Curt (Richard Dreyfuss) isn't sure if he wants to leave for college. He becomes attracted to a blonde (Susanne Summers in a cameo) he briefly sees in a car, but doesn't know who she is. He winds up spending half the night with a street gang (led by Bo Hopkins). John (Paul LeMatt) loves to race cars, but ends up driving around with an underage girl (Mackenzie Phillips). Terry the Toad (Charles Martin Smith) is a nerd trying to impress a girl (Candy Clark, who earned an Oscar nomination) that he's just met. Of course, it ends in disaster. All of this is observed in a funny, heart-felt way. Memorable moments include Curt's meeting Wolfman Jack, John's ongoing fued with another racer (Harrison Ford in a small part), John and the young girl demoiishing a car with with shaving cream, and Toad's fight with the guys who stole his friend's car. George Lucas captured it all nicely with a top notch soundtrack of early rock and roll classics in the background, which enhances the period detail. Nearly the entire cast prticipates in an excellent "making of" documentary that it is included with the DVD. Lucas and producer Francis Coppola are interviewed as well. The documentary runs about 80 minutes, and everyone involved has an interesting story to tell. It also includes screen tests that were done for some of the cast. It more than makes up for tha lack of any commentary track on this DVD. This DVD is a worthy purchase for any fan of "American Graffiti".

The 'forties were even better, except '41-'45

Director: George Lucas
Format: Color
Studio: Universal Studios
Video Release Date: December 26, 2001

Cast:

Richard Dreyfuss ... Curt Henderson
Ron Howard ... Steve Bolander
Paul Le Mat ... John Milner
Charles Martin Smith ... Terry 'The Toad' Fields
Cindy Williams ... Laurie Henderson
Candy Clark ... Debbie Dunham
Mackenzie Phillips ... Carol
Wolfman Jack ... XERB disc jockey
Bo Hopkins ... Joe Young
Manuel Padilla Jr. ... Carlos
Beau Gentry ... Ants

Harrison Ford ... Bob Falfa
Jim Bohan ... Officer Holstein
Jana Bellan ... Budda
Deby Celiz ... Wendy
Lynne Marie Stewart ... Bobbie Tucker
Terence McGovern ... Mr. Bill Wolfe
Kathleen Quinlan ... Peg
Tim Crowley ... Eddie
Scott Beach ... Mr. Gordon
John Brent ... Car salesman
Gordon Analla ... Bozo
John Bracci ... Station attendant
Jody Carlson ... Girl in Studebaker
Del Close ... Guy (man at bar)
Chuck Dorsett ... Man at accident
Stephen Knox ... Kid at accident
Joe Miksak ... Man at liquor store
George Meyer ... Bum at liquor store
James Cranna ... Liquor store thief
Johnny Weissmuller Jr. ... Badass #1
William Niven ... Clerk at liquor store
Al Nalbandian ... Hank Anderson
Bob Pasaak ... Dale
Chris Pray ... Al
Susan Richardson ... Judy
Fred Ross ... Ferber
Jan Dunn ... Old woman
Charlie Murphy ... Old man
Ed Greenberg ... Kip Pullman
Lisa Herman ... Girl in Dodge
Mark Anger ... Mr. Kroot
Kay Lenz ... Jane (girl at dance)
Caprice Schmidt ... Announcer at dance
Joe Spano ... Vic
Debralee Scott ... Falfa's girl
Ron Vincent ... Jeff
Donna Wehr ... Carhop
Cam Whitman ... Balloon girl
Jan Wilson ... Girl at dance
Suzanne Somers ... Blonde in T-Bird
Warren Knight ... Herby And The Heartbeats
Sam McFadin ... Herby And The Heartbeats
Kris Moe ... Herby & the Heartbeats
Linn Phillips III ... Herby and the Heartbeats
George Robinson ... Herby & the Heartbeats saxophonist
Linda Christensen ... Girl

A classic depicting the youth of the 1950s as they would like to have been. They are sooo young! One especially good scene is where the kids chain the rear axle and differential of a parked police car to a fixed pole, the draw the cops into giving chase.

This is the story of young people who are faced with great changes--heading for college, leaving their childhood behind, giving up old relationships including "puppy love", and facing the future, with all of the pain, humor, hubris, pathos and pain that follows.

This is really a great film with, just maybe, a hint of what the 'fifties were really like.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

Alive and Well At the Dawn of Rock
Its all about the music. Nearly every song in American Graffiti has stood the test of time and established itself as classic rock. In 1962, rock n' roll was still in its formative stages. The Beatles were just a promising British pop band and The Beach Boys were still a famous garage band singing surfing songs. The 50's were a great decade for getting rock off the ground. In the mid to late 50's the emergence of Elvis as the 1st rock god established rock once and for all as the pulse of the teen generation. Rock has changed very much since then but its appeal to teens hasn't. Rock is an expression of freedom. Too mature for little kids and too edgy for mature adults. Teens have long since claimed rock as their own domain. Of course, before the 50's, teens didn't really exist. Not as they do today. Then they were just older children. From the 50's on they were the marketing target of every savvy business and businessman in America. Teens had money and freedom in a way they had never had before. They drove around, necked, went to drive-ins, ate burgers, drag raced and mostly just cruised. Amer Graffiti is a cheerful celebration of teen freedom.

Nostalgia and Fun
This piece of nostalgia is both entertaining and sentimental. Humor and emotion play an equal roll in this movie, making it heart touching to all audiences.
For those of us who are too young to have experienced the early 60s this film is the next best thing. We get to see the styles of cars, clothing, and hair as well as hear the music of the era. We get to see many of todays most recognizable faces long before they were famous. It's also fun to chuckle at how very little teenage life has actually changed.
George Lucas is a fabulous director,and the actors all deliver convincing performances. Whether you're laughing with them or feeling the sting of their heart break, we can all relate to what they're going through.
Regardless of your generation, watching this movie is sure to bring back a flood of memories of first loves and old friends. ... Read more

Reviews (60)

"I don't like ribbons and I got me a hangover."
"Lawn Dogs" from Australian director John Duigan is a really remarkable film. It's the story of 10-year-old Devon (Mischa Barton) who lives with her parents Morton and Clare Stockard (Christopher McDonald & Kathleen Quinlan). The Stockards live in the ostentatious gated community, Camelot Estates--and as the name implies, every house looks like a faux mansion. There's a gruff security guard dedicated to keeping the snobs in and the riff raff out. But someone has to keep those immaculate lawns impeccably green, and that's where Trent (Sam Rockwell) comes in.

Trent lives near the Camelot Estates in a tatty old trailer, and Devon, who embarks on a cookie sale, finds her way to Trent's trailer. Trent is the living embodiment of everything her parents abhor and turn away from in horror. Devon intuitively senses that Trent's existence challenges her parents' shallow values, and one of the things she tells him is "people say you're trash." This is the beginning of an odd friendship between Devon and Trent.

There is such much going on in this film. On one level, there's a precocious child who seeks out the forbidden company of the hired help. But on another level, there's a perverse fairy story--Devon, a frail child--mutters fragments of fairy stories to herself for entertainment. She discovers a remarkably free world beyond the boundaries of her artificial kingdom.

Mischa Barton plays Devon with amazing skill. It would be easy for her character to develop into brattiness, but instead Devon seems almost a changeling child--how could such an elf-like spirit belong to the pedestrian, hypocritical Stoddards? It's no wonder Devon strains to break free from the false conventions the Stoddards attempt to control her with.

The film also deals with class divisions. The well-to-do (and they are mostly snottily unpleasant) live in the pristine Camelot Estates, but from necessity, they employ Trent to complete the manual work. While wealthy yobos harass and ridicule Trent, it's clear that on some level, these lay-abouts are also a little fearful of Sam's raw energy and potent virility. Hostility seems rooted in the theory that Trent is out to ruin the lifestyle of Camelot Estates, and that he may even appeal to the women within this perfect, gated community. Devon is drawn to Sam, and while their relationship seems inexplicable at first, it seems that they do have something in common. Devon remains a unique individual in spite of all her parents' attempts to make her conform by offering little pep talks ("a popular girl is never bored or boring"). Devon responds by playing Amputee Checkers with her dolls. I am not one normally to be intrigued with the characters of children in films, but with Devon, I make an exception. At what age does individualism become apparent? Is Devon's rebellion just the beginning or the end of a new phase in her life? We imagine that a gated community is built to keep out undesirable elements, but what happens if an individual (Devon in this case) longs to get out? I have read many negative professional reviews about this film, but it's a great favourite with me. If you enjoy this film, then I also recommend "You Can Count On Me."--displacedhuman.

Film Is Great but Photo on Box Misleads
The photo on the box indicates that this is a movie about a man and a woman, probably sexual or romantic in orientation. The woman (Kathleen Quinlan in a minor role) is actually the mother of the movie's female lead, a ten year old girl, played by Mischa Barton as Devon. Her family is rich but obnoxious as is her whole gated subdivision. She desperately needs a friend and makes one with Trent (Sam Rockwell), who is one of the guys who cuts the grass in her subdivision. He lives in a trailer on the wrong side of the tracks. Trent and Devon's developing friendship is the arc of the film. That friendship takes unexpected turns, some magical realistic in nature. Devon's ability to make personal sacrifices in order to protect her one and only friend increasingly come into play as the film advances too. Excellent film.

Mischa the Magician
This is an obscure independent film, yet it has over sixty (!) reviews here at Amazon. I think that alone says something about it. I've read all the reviews below (since I'd already seen the film), and almost all of them are overwhelmingly positive. And for good reason, too. I like a mindless effects-driven movie as much as the next person, but, like a professional film reviewer, I've seen so many movies that I'm hard to surprise. Lawn Dogs mesmerized me, and less than 1% of films can do that. The production design reminds me of a David Lynch film. Rockwell is an actor's actor, and Barton's performance is remarkable for someone her age. She was cast as the child she physically was at the time, but most of the dialog is as if she's a 35 year-old in a child's body...which is completely unrealistic of course, but the dialog is good nonetheless, and Barton pulls it off magnificently. Lawn Dogs is far from perfect, but it's a must-see for all intelligent film lovers because it does what so few films can do to a jaded viewer: it transports you into a different world. If you don't own a large screen, sit close. Turn on the DVD player, turn out the lights and get sucked in.

Sam Rockwell steals the show..
I absolutly loved this movie. An unlikely friendship is at the center of this wonderful movie that quite frankly had a surprisingly magical ending. In an upper class neighborhood in the state of Kentucky, a young man (Rockwell) who landscapes for the snobby residents befriends a 10 year old girl (Mischa Barton). She is the daughter of one of the most well known couples (Christopher McDonald & Kathleen Quinlan) in the neighborhood. The unlikely friendship becomes quite the upset once it's discovered. Everyone thinks that Sam Rockwell's character is trash. He lives in a rundown trailer down a gravel road thats near their upper class estates. No one understands the friendship that Trent and Devon have. Devon likes Trent because he's different and they have a little something in common. LAWN DOGS is funny, touching, and just a very satisfying movie. If you've just watched this movie I would like to request that you read Roger Ebert's review on LAWN DOGS, the highly respected critic totally missed the point of the movie, he gave it one and a half stars. Note that he asks 'why this?' & 'why that?', thats the whole point ..WHY?. The film allows you to draw your own conclusions. LAWN DOGS is a very underrated film.

TRULY MEMORABLE!
I rented this movie a few years ago just out of curiosity, without any big expectations, and I was blown away by how touching and bold it was. Lawn Dogs is one of those rare movies that you think about days, weeks, months after viewing it. Of course I immediately bought the DVD and still watch it frequently. It's that good! Sam Rockwell gives an amazing performance. 5 stars! ... Read more

Reviews (8)

Willis and Garner make a great team
I actually enjoyed this movie tremendously, and I try to catch it whenever it appears on cable. Bruce Willis (who, for the record, looks darned sexy in a cowboy hat) and James Garner have fantastic chemistry - I really wish they'd do another picture together, preferably a western.

The movie does play fast and loose with history - but heck it's not a documentary! Repeated through the movie is the line, "That's the way it really happened - give or take a lie or two." When taken in that spirit, "Sunset" is a very entertaining couple of hours.

Always a pleasure to watch.
I must have been one of the few people who actually saw this film in a theatre when it was released. I got the impression I was the only one who liked it, too, and I'm glad to see now that I'm not alone. From James Garner's always-likeable, always-masculine performance as Wyatt Earp to Bruce Willis's engagingly flirtatious performance as Tom Mix (and wearing some incredible outfits - he manages it beautifully and believably!) to a pretty darned good murder mystery, this film always pleases me. I guess perhaps the mix of old West and silent films confuses some viewers, but I found it very intriguing.

A well made, well paced movie.
Good acting, a good script and well edited. This film captures Hollywood of the day, in it's glory and it's decadence.
Gardner's portrail of Wyatt Earp reminds me (favorably) of Kurt Russell's role in Tombstone.

"Give or Take a Lie or Two."
I happened to catch the last fifteen minutes of SUNSET while flipping through the Western channel on cable. I was so intrigued by the movie that I rented it as soon as I was able to find a copy (not an easy task). The movie stars James Garner as Wyatt Earp and Bruce Willis as Tom Mix. Mix is starring in a movie based on Earp's life and Earp has been brought in to Hollywood to serve as a consultant. The famous lawman and the colorful cowboy quickly become friends and are drawn into a murder mystery that ultimately leads to a shootout on the evening of the first Academy Awards. The movie is funny, has some good action scenes, and even a touch of romance. The film is a tribute to not only the old Westerns, but to the silent movie era in Hollywood. The setting seems very real and there are some great classic cars that are displayed throughout the film. There isn't any sex, hardly any foul language, and the violence is tame. SUNSET is an overlooked gem that's worth mining.

mining nuggets
After raking through the dross of over rated and overpriced Hollywood hype,i found this gem.Fine cast,top story line,fine acting,modest price.A little mystery,a dash of comedy,a bit of Hollywood in the twenties when the studios own'd the police and could get away with murder.I know anyone who is a Jim Garner and Bruce Willis fan won't be sorry with this dvd.
PS.If you like classic cars you'l see some beautiful restored Duesenbergs,Caddys,Packards,Rolls,etc. ... Read more

Amazon.com

NASA's worst nightmare turned into one of the space agency's most heroic moments in 1970, when the Apollo 13 crew was forced to hobble home in a disabled capsule after an explosion seriously damaged the moon-bound spacecraft. Tom Hanks, Kevin Bacon, and Bill Paxton play (respectively) astronauts Jim Lovell, Jack Swigert, and Fred Haise in director Ron Howard's intense, painstakingly authentic docudrama. The Apollo 13 crew and Houston-based mission controllers race against time and heavy odds to return the damaged spacecraft safely to Earth from a distance of 205,500 miles. Using state-of-the-art special effects and ingenious filmmaking techniques, Howard and his stellar cast and crew build nail-biting tension while maintaining close fidelity to the facts. The result is a fitting tribute to the Apollo 13 mission and one of the biggest box-office hits of 1995. --Jeff Shannon ... Read more

Reviews (137)

Engrossing, Excellent, Awesome & Inspiring!
We really enjoyed this DVD... it's one of our "keepers" and definitely worth owning and viewing regularly -- it will remind you (as it has our family) that is is so very good to be born/raised/live in this country.

It begins with a voiceover by Walter Cronkite (and yes, our announcer is the real thing!) which introduces us to the heroes as they walk across the gantry, and pays tribute to the three we lost in that disastrous fire on the launch-pad....

The movie follows those fateful days (beginning in pre-launch) and then in orbit, and it focuses on the united effort in bringing our boys home. These men are so smart -- all of them (not just in space but at Mission Control) and is a realistic view of the times. You'll see the old Izod shirts (remember the Alligators?) and Corvettes, Mission Control (hey, they smoke -- this was not a purified/Politically Corrected re-enactment/revision of truth)... I appreciated that.

Oh, and it's not all drama. There are moments of smiles, and it's not too intense excluding the JOYOUS moment when we hear them respond after four minutes coming through the atmosphere.... Still, I wouldn't suggest youngsters under age eight view it alone.

[Note: our family is protective of our children and they have not been raised on a diet of broadcast television. Yours may be used to intense programming -- please use your own judgment. There is nothing bloody-gruesome in the movie, nor in the commentary. That said, you will CARE DEEPLY about all the people you see.]

One more little (out of sequence) note: The end has Tom Hanks (who plays Jim Lovell) narrating a mini catch-up to present of the whole story. We learn what happens to the individuals in the movie. It's a wonderful "wrap" to an amazing six days in space.

If we are going to do a docu-drama, one might also suggest that future writers/directors view this one to get an idea that they public will spend perfectly good money on QUALITY shows that are truthful, accurate and not hack-jobs. (End mini-rant!)

I found the scenes compelling and recall the "lump in throat" of those days. To me though, seeing the families perspective broadened the effect. Oh, and Mrs. Lovell is a force to be reckoned with -- I liked her a lot! She's a classy lady.

Minor Quibbles: In two places there are swear words (Mrs. Lovell -- who in the commentary states she doesn't "talk like that" -- when discovering the magnitude of Jim's problems swears... I thought that extraneous. Also, in another section one of the astronauts uses a bad word (appropriate maybe, but basically, unnecessary).

The Best Stuff: After the movie we are provided with a mini-movie on how they filmed it all. NASA cooperated and many of the scenes were filmed in those planes that "deliberately plunge toward the earth" so the actors/film-makers/lighting guys et al were weightless. One of the brave actors in particular didn't want his testosterone questioned but... ;)

I particularly enjoyed the interviews... you could really see how much the whole crew wanted this to be an *excellent* movie, one to last through the ages. It's brought out that the movie will be (at some point in history) a look back on the whole era. We (the USofA) have some incredible individuals to be proud of... this is perhaps one of the best patriotic movies I have ever seen -- notwithstanding war epics. It makes me glad to be an American.

Okay, so you also see the real gents appearing on the Johnny Carson Show too. One more thing -- at the very end of the movie you see Jim Lovell -- he's the Captain of the ship that picks up the astronaut. His wife appears once too, but don't blink! (grin)

Also, the Bonus Materials include two voice-over commentaries. The first is made by Director Ron Howard (you know, he's good -- very good!) and tells inside things about the creation of this movie. I enjoyed it.

The best Commentary though was done by Mr. and Mrs. Lovell -- ah, and Ron -- that con-trail isn't supposed to be there. (winks)

All in all, this is one of our favorites... I'd go so far as to suggest you Pay Retail, and maybe even opt for First Class shipping so you won't have to wait. It is that good!

Fellow Reviewers, I Have a Problem
I posted a review of this film some four years ago after I had purchased the "Collector's Edition". About a year later, I watched the movie one more time. Since that time, my DVD has been stored in its jacket, safe and sound. About one month ago, I was going to view the film again but my DVD player tells me, "This Disc Cannot be Played on this Player". Cleaning and otherwise re-inserting the disc proved useless. I have since tried the disc in both my computer's DVD drives, two other different DVD players, a laptop and one more computer, all to no avail. I keep getting the same message. Does anyone know what happened to my disc while stored safely in its jacket? Why did it play well two times, and now says it can't be played, on the same player. Has anyone experienced this problem? Thanx...........

A bit of history hits the big screen...
Nominated for nine Academy Awards including Best Picture, Apollo 13 is one of the best movies of its decade. Despite prior knowledge of the historical outcome, it's guaranteed to keep viewers steeped in suspense. Director Ron Howard creates yet another fantastic picture, solidifying his transformation from Mayberry's favorite son on Andy Griffith to one of the most accomplished director/producers in all of Hollywood. Standout performances by Gary Sinise and Tom Hanks (on the heels of their Oscar-caliber portrayals from Forrest Gump) make Apollo 13 especially enticing to the movie connoisseur. Based on the true story of the Apollo 13 mission, the film stirs emotions of all types - hope, fear, and patriotism among them. In the end, it's one of those rare movies where the characters are able to intimately connect with the audience. In short, Apollo 13 provides a true glimpse into the lives of those who defined history...

Tom Hanks plays the role of real life astronaut Jim Lovell, member of the three man crew of Apollo 13 - the 1970 lunar landing mission. Accompanied by fellow crewmates Fred Haise (Bill Paxton) and Jack Swigert (Kevin Bacon), Lovell rockets into space in pursuit of his dream of walking on the moon. Unable to make the flight, fellow astronaut Ken Mattingly (Gary Sinise) reluctantly remains on the ground.

Meanwhile, Americans show little interest in this latest lunar mission despite the fact that barely a year has passed since Neil Armstrong's famous words. Apollo 13 is perceived as "routine" and the flight gets little press coverage until Lovell utters some famous words of his own, "Houston, we have a problem"...

When things go horribly wrong on Apollo 13, the mission changes from one of moon landing to astronaut survival. Lovell, Haise, and Swigert feverishly work to uncover the problem. Meanwhile, in Houston, flight director Gene Kranz (Ed Harris), bumped crew member Ken Mattingly, and the legions of NASA ground control work around the clock to maintain contact and bring the astronauts home safely. As the minutes pass, the entire world holds its breath in anticipation of the outcome...

Following on the coattails of Tom Hanks back-to-back Academy Awards for Philadelphia and Forrest Gump - Apollo 13 hit the movie theaters with widespread anticipation. The monumental expectations of movie goers were not without merit as the film's multiple Academy Award nominations will attest. But what makes Apollo 13 such a strong and emotion-driven epic is its connection with the historical record. The events that unfold happened for real, and at the time, no one knew the final outcome. Unlike today, traveling to space was not routine (or at least not as overlooked as it is now). The men who flew the Apollo 13 mission were true heroes in every sense of the word.

And although they failed to reach the moon, the astronauts of Apollo 13 are immortalized in history in ways they never would have been had their flight gone off without a hitch. Tom Hanks, Ron Howard, and their colleagues do justice to this classic story of man's triumph over adversity. Compelling, suspenseful, and filled with drama, Apollo 13 is an unforgettable film - and a definite must-see movie...

The DVD Report

10th Anniversary Package Makes Superb Movie Soar Even Higher
I will always remember those tense three days in April 1970 when the Apollo 13 astronauts seemed suspended in space, and this was well before the days of 24-hour coverage by CNN and Fox. For those who have yet to purchase this movie on DVD, the tenth anniversary two-disc set is a must-have for any adventure film-lover, especially for those like myself who were obsessed with the nation's space program in the 1960's and early 70's. Ron Howard, the director, came of age with this thrilling recreation of the aborted Apollo 13 mission, as defining a moment in NASA's history as the tragic Challenger explosion. The 1995 movie was a faithful depiction of what went wrong with the flight and how the mission changed dramatically to one of saving the three astronauts from being marooned in space forever. One would think that knowing the ending would rob the viewer of the suspense factor, but Howard does an amazing job in making the story feel fresh by guiding us through the heroic acts both in the capsule and at NASA's Mission Control in vividly realistic detail. He also evokes the atmosphere back then with emotional and visual accuracy, showing how anti-climactic the mission was perceived in light of Neil Armstrong's first steps on the moon just the year prior. A rupture in the oxygen tank changed things completely as the movie illustrates a desperate attempt at survival with computer systems turned off, the capsule moving toward freezing temperatures and the three men relying on their gut instincts to maneuver the capsule home.

What I appreciate most about the movie is that Howard does not derail the basic story with unnecessary subplots or flourishes of melodrama. He realizes the real story is more than enough to engage the viewer and that the attention to detail, often technical in nature, is not off-putting.Howard even creates blood-pumping suspense out of the ground effort to jerry-build a scrubber to clean carbon dioxide from the capsule's air supply.This kind of film is all in the details, even the more predictable home scenes where family members try to confront their increasing sense of fear. The movie has a solid testosterone-heavy cast - Tom Hanks stalwart as always as Apollo 13 commander Jim Lovell; Bill Paxton as Fred Haise; Kevin Bacon as last-minute substitute Jack Swigert; Ed Harris as determined flight director Gene Kranz; Gary Sinise as grounded astronaut Ken Mattingly; and bravely leading the homefront is Kathleen Quinlan as Lovell's wife, Marilyn. Even though the move is full of familiar suspense elements and the characters' interactions are often just officious, there is hardly a wasted dramatic moment in the entire film, pretty impressive given its 140-minute running time. This is a superbly done real-life adventure film and docudrama and aside from Philip Kaufman's 1983 adaptation of Tom Wolfe's "The Right Stuff", probably the best movie about the space program.

The smoothly edited, 116-minute IMAX version (produced in 2002) is on the second disc, and the widescreen orientation coupled with the enhanced sound makes for great viewing as well. There are three documentaries included spread across both discs: the comprehensive making-of feature, "Lost Moon: The Triumph of Apollo 13 - The Making of Apollo 13", which has interviews with Howard and the cast, as well as insight into how the space shots were created; "Conquering Space: The Moon and Beyond", a 48-minute general overview of the race to the Moon and the exploration of Mars, produced mainly for the uninitiated; and a twelve-minute NBC Dateline feature called "Lucky 13: The Astronauts' Story", which contains interviews with the astronauts and members of Mission Control for the Apollo 13 mission. There are two alternative commentary tracks, the first with Howard who is extremely knowledgeable and highly infectious in his descriptions of the shoot, the other with Jim and Marilyn Lovell providing valuable insight as to how it really felt as the events were unfolding. A truly excellent package.

The NASA Mission That Began 35 Years Ago Today
People can sometimes become complacent when it comes to technology and forget that it is the product of human endeavors that are far from perfect.Usually, engineers and builders do their best to ensure that the technology to be used is safe.However, mistakes can and sometimes do happen.Such was the case during NASA's Apollo 13 moon mission that was launched from Cape Canaveral, Florida, on April 11, 1970.Intended to be the third landing and human exploration of the lunar surface, many people had lost interest in the program following the huge success of the previous two missions that included the first-ever manned landing on the moon.However, such complacency was quickly replaced by fear and anxiety, as the fates of the three Apollo 13 astronauts were unknown following a potentially lethal accident.These fears, anxieties and hopes were beautifully captured by director Ron Howard in his 1995, Oscar-nominated film aptly named "Apollo 13".

In the film, the three Apollo 13 astronauts, Jim Lovell (Tom Hanks), Fred Haise (Bill Paxton) and Jack Swigert (Kevin Bacon), have a flawless launch as they set out for the moon.Jack Swigert was not originally supposed to be part of the Apollo 13 crew though.It was supposed to be Ken Mattingly (Gary Sinise), but when NASA doctors thought that he might have the mumps, he was grounded and Jack Swigert replaced him.This caused some minor consternation among all involved, but the mighty Saturn 5 rocket was launched on April 11, 1970 anyway.Everything appeared to be going normally until April 14, some 205,000 miles away from the Earth.Jack Swigert was instructed to mix the oxygen tanks, which, when he did, caused an explosion.The explosion caused multiple failures on board making the Mission Control personnel initially think that there was simply a communications or monitoring equipment failure.However, once Jim Lovell & Fred Haise regained control of the damaged ship, Jim Lovell reported to Mission Control those immortal words, "Houston, we have a problem."Once Mission Control personnel realized the severity of the situation, they considered ordering the crew to turn back, but there was no way to know whether the main rocket booster had been damaged.Instead, they opted for the safer, but longer route that would have the damaged ship go around the moon, then begin its return to Earth.Since the crew had to shut off power and had no active guidance computer, the tension was very high as Jim Lovell & Fred Haise manually operated the lunar-lander's rocket to cause the ship to return to Earth.Other problems included the intense cold (since there wasn't enough power for heat), having to adapt the square air filters from one ship to work in the round filter holes in the other so that they would not die from asphyxiation, boredom, not knowing whether or not the ship's systems would come back on properly, not knowing whether the heat shield had been damaged and Fred getting sick.This was truly one of NASA's finest moments in being able to assist the otherwise helpless crew be able to return to Earth, including Ken Mattingly working hard on the ground to help ensure that the Apollo 13 crew would be able to turn on what they need with the little power that they had available.

Other memorable characters in the film include Mission Control chief Gene Kranz (Ed Harris), Marilyn Lovell (Kathleen Quinlan) and Blanch Lovell (Jean Speegle Howard, 1927-2000).For its overall realism, wonderful cinematography, engaging story and wonderful acting, I rate "Apollo 13" with a resounding 5 out of 5 stars.The film won two Oscars for Best Film Editing and Best Sound, but was also nominated for Best Picture, Best Visual Effects, Best Art & Set Decoration a