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| 1. Toy Story Director: John Lasseter | |
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Reviews (81)
Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.
The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules. This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.
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| 2. Monsters, Inc. (Collector's Edition) Director: David Silverman, Peter Docter, Lee Unkrich | |
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Reviews (749)
The animation is simply incredible; the characters are compelling and hilarious; Boo is worth the price of TWO admissions; the plot and backstory are completely ingenious. Buy this movie. Enjoy it. Enjoy Disc 2. (Tons of extras - including "Mike's New Car" and another Pixar short entitled "For the Birds" -- PLUS, clips from the Monsters, Inc. office musical production "Put that thing back where it came from or so help me..." !!) With the possible exception of Toy Story 2, one COULD argue that this is the (or at least ONE of the) greatest animated movies ever made. Sorry if I'm gushing too much. I love this movie. My kids love this movie. It's just plain, good, old-fashinoned FUN.
John Goodman and Billy Crystal provide their trademark voices for Sully, the big blue furry monster, and Mike, the cycloptic short green monster as they scare up kids' screams which are converted to energy to power the televisions and alarm clocks of the monster metropolis. (Seems very allegorical of the California power outages this past summer, no?) Conflict brews when Randall, the gecko-like monster, gets greedy and wants to become the top "scarer" by exploiting the screams of the innocent human child, yet show-stealing cute, Boo. While kids might get lost in the action of the movie, the CGI effects and clever Laurel and Hardy-esque slapstick of Sully and Mike (or Lenny and George, which ever way you want to look at it) will have the kiddies captivated from beginning to end. While Dreamwork's box office baby "Shrek" may have just as good edgy, clever humor and depth, Pixar is far from being out of the running. Keep in mind, Pixar is already a veteran with "Toy Story 1 & 2" (with a third on the way), and "A Bug's Life". There's no doubt in my mind that Pixar and Dreamwork's will be at the helm of the fully computer animated feature for years to come. May the best company win! For the time being, strap yourself in for the first in some great holiday flicks coming to the silver screen near you! "Monsters, Inc." is already off and running to box office gold, and is a wholly satisfying and entertaining movie for kids, parents, and "Average Joe" movie critics alike.
This is an adorable movie. One I will watch again, with or without my niece.
Most of us were scared stiff at some point in our childhood by the spooky, imaginary "monsters in the closet," usually after we've read "Where the Wild Things Are" for the first time. "Monsters, Inc." plays on that near-universal fear by creating a rational explanation -- monsters live in a parallel universe, connected to ours by closet doors, and they power their land by the energy contained in human screams. Makes perfect sense! Sulley (the hilarious John Goodman) is a celebrity in Monstropolis as the leading scare-getter for Monster's, Inc. Sulley is generally a lovable big blue yeti-bear-creature, but he can be quite terrifying. Blissfully unaware of the terror he unleashes, he enjoys his job. Basking in Sulley's reflected glory is his sidekick and assistant, Mike Waznowski (Billy Crystal, perfect as ever). Mike is a lime-green-yellow glob with one giant eye and an even larger mouth. He helps Sulley get the screams and stay one step ahead of the competition. And the competition is fierce. The dragon-chameleon Boggs (Steve Buscemi, suitably creepy without being too scary for the kids) is right on Sulley's heels to be the scream champion, and he's willing to go to any lengths to beat his nemesis. All is well in Monstropolis until Boo, a human child, accidentally finds her way through the closet and into Monstropolis. It seems that as scared as kids are of monsters, the monsters are equally scared of the kids -- their touch (allegedly) brings death and ruin. (This misunderstanding leads to great comic scenes as X-Files-type HAZMAT crews invade every time there's a kid sighting, usually to the woe of the monster who has seemingly been infected by the kid!) Like all Pixar films, the glories are in the details. Check out the gentle satire of Hollywood celebrity culture, of mindless bureaucracy, and the perils of romance in the office. The animation is also wonderful -- Pixar continues to evolve with every picture. For example, Sulley's fuzzy hair is fully articulated as he zooms through various escapades. The story is fast-paced, with enough jokes to keep the adults laughing . . . which is good, 'cause your kids will likely keep throwing this into the DVD player. Speaking of the DVD -- there are lots of fun extras on this two-disc set. Personal favorites include the fake "outtakes," similar to those at the end of "A Bug's Life," a short film featuring Mike showing Sulley his new hi-tech car (with hilarious consequences), and an Oscar-winning short film, "For the Birds," which shows how funny animation can be, even in short doses. There are additional extras that will keep the kiddies occupied for hours. All in all, a must for the family's DVD library.
OK, I admit it. I'm hooked on Monsters, Inc. too. After seeing it thirty plus times with the little one, I still find myself actually watching it and laughing out loud. What a great movie with lovable characters. Monsters, Inc. is a 100% kid friendly movie that adults will enjoy as well. ... Read more | |
| 3. Toy Story 2 Director: Lee Unkrich, John Lasseter, Ash Brannon | |
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Reviews (453)
Buzz instantly wins the admiration of Andy's other toys, igniting a rivalry that lands the duo inside the home of Sid - the toy-torturing boy next door. To escape Sid's evil plans, Woody and Buzz must work together and realize they've got the perfect friend...in each other! Toy Story 2 (1999, 94 minutes, Dolby Digital 5.l Surround EX; Audio Commentary, Sep. Film Score Audio Track, Outakes) Andy goes to summer camp and the toys face a new crisis: Woody turns out to be a valuable collectible, and is kidnapped by an evil toy collector. It's now up to Buzz and the gang to find a way to save him.
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| 4. Spirited Away Director: Hayao Miyazaki | |
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Reviews (598)
Imagine this: A little girl is riding in a car with her parents. They are headed to their new house. Dad makes a wrong turn, and they wind up traveling along a dirt road which ends at what appears to be a deserted train station. Dad decides that it's really the entrance to a failed amusement park. He and Mom decide to go exploring, and the little girl, filled with trepidation, has no choice but to go along. After awhile, the little family discovers a restaurant that is still operating. The parents gorge themselves until they are turned into pigs. Suddenly alone, the child finds herself in a place full of witches, ghosts, goblins and other assorted spirits. Aided only by an unearthly boy, she must now save her parents and find her way out of this surreal place. The movie was made in Japan by animation master Hayao Miyazaki and his crew. It became the highest grossing movie of all time in that country. The people at Disney bought the American rights and lovingly added an excellent English soundtrack. The company's marketing department apparently was at a loss as to how to sell such an unusual animated movie. It was seen by relatively few Americans in theaters. I suspect that this masterpiece will find its audience here via video and DVD.
From an animation standpoint, "Spirited Away" is astounding. The sheer amount of movement and energy in Hayao Miyazaki's most recent work is quite impressive. Combined with the beautiful scenery (including several awe-inspiring and detailed shots of the bathhouse that can by themselves be regarded as masterpieces), and the realistic textures of the grass blowing in the wind, the flower gardens around the bathhouse, and the interior of the bathhouse, "Spirited Away" is truly a work of art. The only flaw in the otherwise near-perfect film is the dialogue. A few lines sound a little forced, and some intended to be funny simply aren't. Fortunately, these slip-ups are few and far between. Already, "Spirited Away" has earned several prestigous distinctions, including the 2003 Oscar award for Best Animated Feature. Also, "Spirited Away" was anime released in movie theaters, which is rare in the United States. Ever rarer, it became the top-grossing film in America for several weekends in a row. Not surprisingly, it was also popular in Japan, where it became the top-grossing film in that nation's history. Most people I have talked to have been very impressed with the quality of "Spirited Away." Many of these have been adults, mislead by the films "Disney" tag. When they sat down to watch it with their kids, they simply expected another children's movie, but instead found a film they could enjoy and appreciate as well. On the face, the plot is simple enough for younger kids to understand, but the symbolism and artwork is so complicated and intricate that it can be enjoyed by adults and older kids as well. In other words, however cliché those words may be, this film really does have something for everyone, and is well worth your time and your twenty-five dollars.
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| 5. A Bug's Life (Collector's Edition) Director: Andrew Stanton, John Lasseter | |
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Reviews (401)
For those of you who like ANTZ, consider this: Pixar was already roughly two years into development on "Bug's Life" when Jeffrey Katzenberg left Disney for Dreamworks. Obviously he took many of the ideas with him to create ANTZ (wonder why Disney's "Armageddon" is similar to Dreamwork's "Deep Impact" -- and why both were released around the same time? Same reason.) So PIXAR gets an extra PLUS for originality.
The picture quality if superb, if not the best I've seen, for an animated DVD due to the direct digital to DVD transfer. In full screen mode, you will be amazed how clean and delineated the picture is; the detail is incredible! My big surprise was how amazing the sound is on this disc. You can use this to show off your Dolby Digital sound system to friends just as well as any action film. The surround effects are crisp and the bass is well defined. My only complaint would probably be that the action and sound is so non-stop, that it can tire out adults, albeit mesmerizing children the whole time. The extras are plenitiful and well done. The inclusion of the end-title outtakes is the highlight of a wonderful special edition disc you're sure to enjoy.
This innovative take on the old fable "The Ant and the Grasshopper" teaches us a few important lessons: 1. There's a clumsy nerd who wants to be a hero in every colony To maintain good family relations, you should allow your kids to watch this movie too. Amanda Richards July 13, 2004
Essentially, a mild and nerdy ant known as Flic accidentally destroys the entire food supply of his ant colony. Of course, the food was not for them; it was their yearly offering to the grasshoppers. As a result, the grasshoppers decree that the ants can spend the remainder of summer gathering it all again. Hopper, the ingenius and menacing leader, notes that Flic stands up to him for one brief moment, and this becomes pivotal later. I won't say any more past there, only that there are plenty of intriguing twists to keep things interesting. Overall, this movie bears an obvious resemblance to Finding Nemo. First of all, both movies involve the creation and manipulation of a natural environment and its inhabitants. Second, they both involve unlikely heroes (A bumbling ant and a fearful clownfish). Third, both are at a standard of quality that the animation world has never before seen. Honestly, Kevin Spacey's portrayal of Hopper is reason enough to see A Bug's Life. (I could say the same thing about Albert Brooks' portrayal of Marlin in Finding Nemo.) However, the movie offers much more in the long run, and the special features are deep and surprisingly un-boring. The director's commentary of this movie and other Pixar films is much, much more entertaining than most movies. I credit a lot of that to Andrew Stanton, but the guys just have a creative knack to them that makes their ideas and comments brilliant. Recommended to all fans of animation, all lovers of Pixar, and all those with good taste. ... Read more | |
| 6. Toy Story & Toy Story 2 (2 Pack) Director: John Lasseter | |
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Amazon.com Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas Toy Story 2 Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus livingforever. Toy Story 2 also achieved something in the U.S. two other outstanding 1999 animated features (The Iron Giant, Princess Mononoke) could not: it became a huge box-office hit. --Doug Thomas Reviews (453)
Buzz instantly wins the admiration of Andy's other toys, igniting a rivalry that lands the duo inside the home of Sid - the toy-torturing boy next door. To escape Sid's evil plans, Woody and Buzz must work together and realize they've got the perfect friend...in each other! Toy Story 2 (1999, 94 minutes, Dolby Digital 5.l Surround EX; Audio Commentary, Sep. Film Score Audio Track, Outakes) Andy goes to summer camp and the toys face a new crisis: Woody turns out to be a valuable collectible, and is kidnapped by an evil toy collector. It's now up to Buzz and the gang to find a way to save him.
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| 7. A Bug's Life (Disney Gold Classic Collection) Director: Andrew Stanton, John Lasseter | |
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Reviews (401)
For those of you who like ANTZ, consider this: Pixar was already roughly two years into development on "Bug's Life" when Jeffrey Katzenberg left Disney for Dreamworks. Obviously he took many of the ideas with him to create ANTZ (wonder why Disney's "Armageddon" is similar to Dreamwork's "Deep Impact" -- and why both were released around the same time? Same reason.) So PIXAR gets an extra PLUS for originality.
The picture quality if superb, if not the best I've seen, for an animated DVD due to the direct digital to DVD transfer. In full screen mode, you will be amazed how clean and delineated the picture is; the detail is incredible! My big surprise was how amazing the sound is on this disc. You can use this to show off your Dolby Digital sound system to friends just as well as any action film. The surround effects are crisp and the bass is well defined. My only complaint would probably be that the action and sound is so non-stop, that it can tire out adults, albeit mesmerizing children the whole time. The extras are plenitiful and well done. The inclusion of the end-title outtakes is the highlight of a wonderful special edition disc you're sure to enjoy.
This innovative take on the old fable "The Ant and the Grasshopper" teaches us a few important lessons: 1. There's a clumsy nerd who wants to be a hero in every colony To maintain good family relations, you should allow your kids to watch this movie too. Amanda Richards July 13, 2004
Essentially, a mild and nerdy ant known as Flic accidentally destroys the entire food supply of his ant colony. Of course, the food was not for them; it was their yearly offering to the grasshoppers. As a result, the grasshoppers decree that the ants can spend the remainder of summer gathering it all again. Hopper, the ingenius and menacing leader, notes that Flic stands up to him for one brief moment, and this becomes pivotal later. I won't say any more past there, only that there are plenty of intriguing twists to keep things interesting. Overall, this movie bears an obvious resemblance to Finding Nemo. First of all, both movies involve the creation and manipulation of a natural environment and its inhabitants. Second, they both involve unlikely heroes (A bumbling ant and a fearful clownfish). Third, both are at a standard of quality that the animation world has never before seen. Honestly, Kevin Spacey's portrayal of Hopper is reason enough to see A Bug's Life. (I could say the same thing about Albert Brooks' portrayal of Marlin in Finding Nemo.) However, the movie offers much more in the long run, and the special features are deep and surprisingly un-boring. The director's commentary of this movie and other Pixar films is much, much more entertaining than most movies. I credit a lot of that to Andrew Stanton, but the guys just have a creative knack to them that makes their ideas and comments brilliant. Recommended to all fans of animation, all lovers of Pixar, and all those with good taste. ... Read more | |
| 8. Miyazaki 3 Pack (Spirited Away/Castle in the Sky/Kiki's Delivery Service) Director: Hayao Miyazaki | |
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Amazon.com Castle in the Sky Kiki's Delivery Service Reviews (41)
Although Disney has shown an irritating hesitation to publicize or release the films they have purchased the US rights to from Studio Ghibli, this three-set is still most welcome. Spirited Away was my introduction to the studio's works, and is probably one of my all-time favorite movies. These three DVDs, although sparing on the extras, hold up to scrutiny, and I give them my heartfelt reccommendation. Kiki's Delivery Service is a light-hearted tale that gently chides the world for its harshness, well nevertheless remaining optimistic and true to its form. Spirited Away is a heartfelt adventure, in which the main character does not face good or evil, but simply a need to adapt to a new world and a new set of rules, and to overcome their lesser attributes. And Castle in the Sky is a wonderful, vaguely Star-Wars-y adventure about a confused girl who is ready to meet her destiny. Did you notice I just used the word 'heart' twice in three sentences? Well, these movies have a *lot* of heart to them, more so than any typical viewing from the House of Mouse. These aren't a packet of slickly-paced jokes, or an 'epic' tale of Good vs. Evil. They simply...are. And they shine for it. Each DVD contains three language tracks...English, Japanese, and either French or Spanish (Spanish for Kiki, French for the other two). The English version comes with subtitles for the hearing impaired, true to the dub (which is slightly different from the original Japanese version, although not much). There are also literal subtitles for the Japanese track...they're big and obvious, if you even stop to follow any of the instructions or pay any attention at all. Actually, I prefer the dub for Kiki's delivery service, and I think I might for Spirited Away, too. I haven't yet tinkered with the Japanese Castle in the Sky (which, by the way, was rescored...the original score was maybe one hour of original melodies for a two-hour movie. Ghibli decided that they might as well fix an old annoyance, and the new soundtrack is awesome). Disney did a very good job; the voice actors for the English versions managed to cover some sort of poorly chosen lines rather well. The movies are, in short, not 'Disney-fied' at all, and if you find the English versions unsatisfactory, you can still experience the pure Japanese bliss. Good show, Disney. Now take a cue from these guys in Japan!
In "Kiki's Delivery Service," a determined young witch-in-training (Kirsten Dunst) sets out from her hometown to hone her powers out in the world, with only her cat Jiji (Phil Hartman) by her side. She finds a home and job in a picturesque little town, and puts her broomstick to good use as she sets up a delivery service -- and gets to know some of the townsfolk around her. Action and fantasy are given a Jules Verne twist in "Castle in the Sky." Miner boy Pazu (James Van Der Beek) sees a girl slowly float down from the sky, suspended by a glowing crystal necklace. Sheeta (Anna Paquin) befriends the orphaned boy, but soon pirates and military thugs are chasing both of the children, so they can use Sheeta to find the fabled floating city of Laputa. To save Sheeta, Pazu teams up with some bumbling pirates -- and finds more than he ever expected up in the clouds. Academy Award Winner "Spirited Away" opens with Chihiro (Daveigh Chase) being unwillingly moved to a new town. But when her parents take a detour into an abandoned amusement park, they are suddenly turned into pigs. Turns out the park is really a resort for powerful spirits and gods. To save her parents, Chihiro sacrifices her freedom and her name to the vicious Yubaba (Suzanne Pleshette). And she allies herself with Yubaba's henchman Haku (James Marsden), a mysterious boy who seems somehow familiar to her. While technically the Miyazaki three-pack is for kids, adults will probably enjoy the stories as well. These are well-crafted, beautifully-animated films that manage to be uplifting and sweet without ever descending to sappiness. In short, they're smart films. They don't talk down to kids, but they won't alienate adults by being childish. The animation is uniformly beautiful, full of bright colors and clean lines. And Miyazaki has an excellent story-telling range: He produces the resort-towns of "Kiki," the richly dark-edged world of monsters, ghosts and spirits in "Spirited away," and the slam-bang action and majesty of "Castle." And he doesn't forget to mix plenty of the fantastical in too. In what other movies can you see a six-foot-tall baby, a pirate street-brawl, and a girl riding a dragon through underground tunnels? Miyazaki also has an excellent grasp of character development, presenting us with the plucky Kiki and resourceful miner boy Pazu. But the best character is perhaps Chihiro, who starts off whining relentlessly, but showing her courage and love as the story goes on. Even the villains are multi-dimensional, even if "Castle"'s Muska goes perilously close to the megalomaniac tyrant cliche. Miyazaki -- whose latest project is an adaptation of Diana Wynne-Jones' fantasy novel "Howl's Moving Castle" -- is definitely a wonderful filmmaker. These three movies are charming, evocative, emotional, and occasionally even epic. Highly recommended.
If it was just differeces in the way they word things, that's fine. But the problem is that the characters are changed, and story line are slightly altered. That bothers me. I don't remember Miyazaki's work marketing for younger children during the time I grew up in Taiwan, but they certainly changed that here. It is fine if the alternation is made for children, because that would be the only way my little girl can enjoy these great movies with me and my husband before she can read. But as a adult, I strongly recommmend you to watch these movies with English subtitle. Because that version is what the diractor intend us to see, and that is true art. Enjoy the art!!
C'mon, people -- they're DUBS. What do you EXPECT? Watch them as they were intended to be seen -- use the Japanese audio track with English subtitles. If I'm not mistaken, you get the original soundtrack that way as well. It is AWESOME (and dare I say it uncharacteristic) that Disney provided the original japanese versions on these DVDs. With a very few exceptions (Cowboy Bebop, for example), DUBS are almost always inferior to SUBS. As far as I'm concerned, people who are too LAZY to appreciate a foreign language film deserve what they get in Disney's alterations. ... Read more | |
| 9. Hanover Street Director: Peter Hyams | |
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Amazon.com Reviews (20)
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| 10. Deranged/Motel Hell Director: Kevin Connor | |
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Amazon.com Motel Hell is slicker but less effective. Former Western star Rory Calhoun plays Farmer Vincent, a country hotel keeper (free samples of jerky at the front desk) whose line of smoked meats turns his customers into unwitting cannibals. The movie's got some genuinely creeped-out ideas (a backyard garden of victims, buried up to their necks?), but the execution is pedestrian and the humor pretty square. Onetime cultural icon Wolfman Jack has a few scenes as a TV preacher, for no apparent reason. --Robert Horton Reviews (28)
The first film-- Deranged-- is about a wierd fella named Ezra who can't seem to let go of his mother's death. After hallucinations of her he decides to dig her up and keep her near him at all times. The movie after that takes off and basically ends up with his kidnapping, and bitchering (like he was skinning a deer) a local salesclerk. The movie is based on psychotic killer Ed Gein, which influenced MANY movies such as Silence Of The Lambs, Psycho, Texas Chainsaw Massacre (2,3,4) and of course the movie Ed Gein and Ed and His Dead Mother. The second movie is a bit more strange and funny! In short it's about a brother and sister who own a motel and sell beef jerky on the side. The only thing is at night, like a hunter going out to hunt, he watches the road waiting for the right time to find his next victim. After they are caught they are buried in the ground to be harvested and then made into jerky... A MUST SEE
The actor who played the sicko was very very good. He almost makes you think that he's the sicko himself. I can not recommend this movie to anyone. The true story plot is just too sick and extremely scary. It's something no one can ever imagine.
"Deranged" is a movie that every horror aficionado should see at least once. Actually, one time through is about all you'll be able to take of this low budget excursion into the dark, dank recesses of the human mind. Based on the legendary maniac Edward Gein, the movie "Deranged" has always had a small coterie of loyal fans. They claim that this movie is the closest thing there is to the real events that occurred in rural Wisconsin back in the 1950s. They're wrong, of course. Even a cursory examination of the Gein story will quickly tell you this film wanders far from the truth on several occasions. No matter, though, since the movie is still a fun way to waste a couple of hours. Instead of referring to their main maniac as Ed Gein, the moviemakers decided to rename the guy Ezra Cobb. Old Ezra resembles Eddie Gein in several ways: he's a mama's boy, a bit of a simpleton, and he quickly nosedives into the shrieking pits of insanity after his mother passes on. After his better half (mom, that is) goes to that great farmhouse in the sky, Ezra promptly starts to hear her voice in his head. He goes out, digs up her corpse, and installs her in the house. Soon, he begins to comb the countryside looking for other gals who might want to keep his mother company. A local waitress, a lascivious friend of his mother's who has designs on Ezra, and a local girl manning the counter in the hardware store all fall prey to Cobb's ever expanding lunacy. There's not a lot of gore here for the hounds, but the scuzzy atmosphere and seriousness of the cast (at least it seemed like they were serious) will keep you on the edge of your seat. The guy who played the Barry Convex role in "Videodrome" does a Rod Serling like role as narrator. I personally prefer the second film on the disc, the 1980 cult classic "Motel Hell." Rory Calhoun, a distinguished actor with a long list of film credits stretching back into the Golden Age of Hollywood, throws his dignity to the wind in the part of Farmer Vincent, a meat manufacturer with a sinister secret. Working with his sadistic sister Ida (Nancy Parsons) out of the Motel Hello (that 'o' is missing on the sign, of course), Vincent always sends his customers packing with a bumper sticker, a box of free meat, and a million watt aw shucks smile. Behind the scenes, things are quite different. The good farmer spends his evenings laying traps on the local roadways, thus luring in a whole passel of hapless wayfarers for reasons best left unsaid here. When a girl survives a motorcycle accident orchestrated by the wily Vincent, the farmer decides to take her in so he can eventually teach her the secrets of curing meat. All sorts of unpleasant activities take place from this point on, as Ida's jealousy of the girl causes friction in the family. The local cop presents a challenge too even though he's related to Vincent and Ida. By the time you see two guys, one of them wearing a giant pig's head, battling away with chainsaws, you know you've just spent a few hours with a classic piece of cinema. If you want a few giggles, try and spot John Ratzenberger in a small role as one of Vincent's living beef jerky sticks. Wolfman Jack pops up to say hello as well. We're talking zero production values for both films here, folks. "Deranged" is by far the grungier of the two films, with its broken down farmhouses, battered jalopies, and seedy looking characters; but "Motel Hell" won't win any awards for scenery design, either. One thing I will say about the latter film; the DVD transfer is amazingly sharp for a film made nearly twenty-five years ago. It looks like they shot this thing yesterday on top of the line film stock. The same unfortunately cannot be said for "Deranged," which has a fair amount of grain and streaks in the picture. You don't really need a great looking picture to enjoy these cheesy films, but it sure is nice to see "Motel Hell" look this good. Moreover, you get the full version of the movie. Whenever this film appears on television, and it does amazingly enough, they usually cut out the scene where the city couple looking for a good time accidentally shows up at Motel Hello. That sequence is restored here in all of its whip cracking glory. Give this disc a shot if you like low budget ham. The psychedelic experience in Farmer Vincent's secret garden alone is worth the price of the disc. I've been watching a bunch of these MGM double dip discs lately, and I'll keep watching them if the company keeps releasing them. You should, too. ... Read more | |
| 11. Yanks Director: John Schlesinger | |
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Reviews (12)
Frost once said, " Love is the irrestible desire of being irrestibly desired". I'm a life long fan...Thanks
Although the writing is not going to set anyone on fire with excitement, the subject and the emotions of the characters are handled well. All the leads (Gere, DeVane, Eichorn, Redgrave) are at their best, although Eichorns performance does show some signs of the fact it is her debut. The film works as entertainment rather than art, and is more an interesting study of the impact of loneliness than as a historical piece. In essence, the film could have been an hour long and acheived all that it does. Having said that, it can hold your attention for the full runnning time, and only one or two scenes are really unnecessary (such as the racist fight scenes at the dance). Overall, I quite liked this film, and it was quite refreshing to have Yorkshire accented English people alongside Americans (although Eichorn's accent is terrible!) rather than the ubiquitous cockneys we usually get. My main criticism is that it would work better on TV, by which I mean it is too fragmented. For instance the relationship between Redgrave and her son at school and the effect of an absent father figure, is touched on but not fully explored. The characters could have been much better exploited in this format, giving the audience more opportunity to care and become involved. Mini-series, people! It was also a shock to see that the film was produced in 1979. Watch it, and wonder why a lot of american films of the same time are so shoddily produced.
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