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| 21. Witness Protection Director: Richard Pearce | |
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Amazon.com Reviews (4)
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| 22. Tales From The Crypt Presents - Bordello Of Blood Director: Gilbert Adler | |
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Reviews (35)
Unlike the first movie (Demon Knight) this movie did not start out with the television show's opening. It opened more like a movie than an extra long episode. Bordello of Blood is the story of a down-on-his-luck private investigator (Dennis Miller) looking for a missing teenager. The search leads him to a funeral home that is a front for a bordello run by vampires. Miller's client tells him to drop the case but he really needs the case to succeed if he is going to get his license back. Miller investigates and plays a very savvy investigator who doesn't fall for anyone's lines and is not surprised by what he finds. Added to this is television evangelism, the lore of vampires and their origin, and the key from the first movie. The action is similar to the series with the same tongue-in-cheek humor (possibly even more so). I particularly liked the investigator's resourcefulness in eliminating the vampires (a long-range, large-capacity squirt gun filled with holy water) and the vampire applying the SPF100 sun block. If you like Tales From the Crypt, there is no reason you will not like this one.
Dennis Miller does his best with the weak material and ad-libs a lot of humor. A little too much, taking the film even further from it's already vague ambitions. But worry not, his humor is still free and easy, unlike his cryptic (no pun intended) football commentaries. Erika Eleniak is marginally engaging and Corey Feldman is well underused. The weakest performances come from Angie Everhart as the ancient vampire Lillith and Chris Sarandon as the outrageously stereotyped southern TV evangelist. It's these performances that keep the film eternally low brow. It's sad that Tales from the Crypt totally died after this movie but the powers behind it went on to found the Dark Castle production company (check out those movies they're actually quite scary and effective). This new version of Bordello of Blood is by Universal and is presented in it's proper aspect ratio of 1.85:1 anamorphic and is in Dolby 5.1. The cheapo snapper case has been replaced by a sturdy keepcase and a new cover art. The only new extra is a trailer.
Picture: B
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| 23. Trespass Director: Walter Hill | |
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| 24. The Shawshank Redemption (Deluxe Limited Two-Disc Special Edition With Book and CD) Director: Frank Darabont | |
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Reviews (692)
Based on the Stephen King novella ' Rita Hayworth and the Shawshank Redemption ' this really has become a modern day classic. Other films have grossed more, and may have a more immediate following, but Shawshank will endure for years, and become another 'Casablanca ' loved by generations to come. The film tells the story of Andy Dufresne, sent to the maximum security prison of Shawshank for the murder of his wife and her lover. Played with an under-stated intelligence by Tim Robbins in a career defining turn, and supported by sterling performances from Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, and veteran James Whitmore. Morgan Freeman's work is particularly notable, not just for his performance ( let's face it, the man doesn't know how to give a bad one! ) but also for the fact that his is the voice of the film. His chocolate-rich tones were director Frank Darabont's choice for the voice-over of the film, as if his character Red is talking to us, and explaining the sub-text of the film. Voice overs often dont work ( Blade Runner being a prime example ) but this one does, perfectly. Beginning at a slow pace, the film begins with the brutal de-humanising regime meted out to the 'Fresh Fish' as they begin their incarcaration in Shawshank. I remember suggesting my wife watch the film after I'd seen it, and she, being of a considerably more sensitive nature than me, found the early scenes difficult. If you too find the opening 45 minutes a tad heavy going, stick with it - the reward is worth it. Eventually as we progress through the film, we see how Red's initial suspicion of Andy becomes a deep respect, and eventually a deep friendship, indeed it would be true to say that these two men love each other like brothers by the end. There are a few key scenes that really stick in the memory - the rooftop scene, the opera aria scene, the exam result scene - all of which enable us to begin to like these men, men we probably wouldn't have wanted in our homes before the film, but who we'd happily sit down to dinner with after. The film's true emotional impact of course comes in the final third as we learn the truth about Andy's guilt or otherwise. True to many of King's works, there is a twist in the end which leaves us all stunned, and with a big stupid grin on our faces. The total and utter defeat of the dark forces in the film is accomplished with such applomb that you find yourself rooting for the bad guys - the prisoners, a bunch of murderers and misfits that two hours earlier you were deeply suspicious of. Indeed the last section of the film plays almost totally without our hero, and remains almost my favourite portion of it. By this time we are crying out for the final fulfilment of our hopes for the characters. It is to Frank Darabont's eternal credit that he accomplishes this in a scene without dialogue, and a sweeping panoramic withdrawl from the characters, leaving us with not a dry eye in the house, and a feel-good glow that lasts for days. ... while in [a local store] I noticed this man and wife trying to decide which DVD they would buy to view that evening. I pointed to Shawshank. "Ever seen this one?" To conclude, Warner Bros and Castle Rock - SHAME ON YOU! This movie deserves better. The Region 2 version rocks, so get busy, re-package, and give us fans the extras this classic deserves!
Hence, I decided to take my time to write a few words . I hope you'll like them (The immediate reason for this is that I'm currently reading the novel,four years after seeing the movie for the first time). Andy Dufresne. The name evokes nobel feelings in me whenever I hear it.Portrayed so wonderfully by Tim Robbins,it represents so much ; A man who had had everything,lost everthing and,finally, gained everything back. His character is one of the most inspiring I've ever known. What a man ! An example of the strength of the human spirit, and one basic rule : diligence and patience with a little bit of luck and wisdom can get you anywhere . . . Even outside the walls of Shawshank state penitentiary... If you've seen it once - see it again ! It never loses it's impact. Watch it whenever you're down and feeling like everything is going wrong .I bet it shall lift your spirit just a little bit higher ,and help you through the crisis .
Anyhoo, The Shawshank Redemption is a great piece of work. Better on DVD than in the theaters (unless you get to take that special someone to the last row --- But Freeman is not alone. Tim Robbins plays the hero of the story, banker Andy Dufresne, who has been falsely convicted of murdering his wife and her lover. Robbins has a unique quality as an actor in that he lends ever so slightly a bemused irony to the characters he plays. It is as though part of him is amused at what he is doing. I believe this is the best performance of his career, but it might be compared with his work in The Player (1992), another excellent movie, and in Mystic River (2003) for which he won an Oscar as Best Supporting Actor. It is said that every good story needs a villain, and in the Bible-quoting, Bible-thumping, massively hypocritical, sadistic Warden Samuel Norton, played perfectly by Bob Gunton, we have a doozy. I want to tell you that Norton is so evil that fundamentalist Christians actually hate this movie because of how precisely his vile character is revealed. They also hate the movie because of its depiction of violent, predatory homosexual behavior (which is the reason the movie is rated R). On the wall of his office (hiding his safe with its ill-gotten contents and duplicitous accounts) is a framed plaque of the words "His judgment cometh and that right soon." The irony of these words as they apply to the men in the prison and ultimately to the warden himself is just perfect. You will take delight, I promise. Here is some other information about the movie that may interest you. As most people know, it was adapted from a novella by Stephen King entitled "Rita Hayworth and the Shawshank Redemption." Rita Hayworth figures in the story because Red procures a poster of her for Andy that he pins up on the wall of his cell. The poster is a still from the film Gilda (1946) starring her and Glenn Ford. We see a clip from the black and white film as the prisoners watch, cheering and hollering when Rita Hayworth appears. If you haven't seen her, check out that old movie. She really is gorgeous and a forerunner of Marilyn Monroe, who next appears on Andy's wall in a still from The Seven Year Itch (1955). It's the famous shot of her in which her skirt is blown up to reveal her shapely legs. Following her on Andy's wall (and, by the way, these pinups figure prominently in the plot) is Rachel Welsh from One Million Years B.C. (1966). In a simple and effective device these pinups show us graphically how long Andy and Red have been pining away. Frank Darabont's direction is full of similar devices that clearly and naturally tell the story. There is Brooks (James Whitmore) who gets out after fifty years but is so institutionalized that he can't cope with life on the outside and hangs himself. Playing off of this is Red's periodic appearance before the parole board where his parole is summarily REJECTED. Watch how this plays out at the end. The cinematography by Roger Deakins is excellent. The editing superb: there's not a single dead spot in the whole movie. The difference between the good guys (Red, Andy, Brooks, etc.) and the bad guys (the warden, the guards, the "sisters," etc.) is perhaps too starkly drawn, and perhaps Andy is a bit too heroic and determined beyond what might be realistic, and perhaps the "redemption" is a bit too miraculous in how beautifully it works out. But never mind. We love it. All in all this is a great story vividly told that will leave you with a true sense of redemption in your soul. It is not a chick flick, and that is an understatement. It is a male bonding movie about friendship and the strength of character, about going up against what is wrong and unfair and coming out on top through pure true grit and a little luck.
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| 25. Solo Director: Norberto Barba | |
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Reviews (7)
THIS MOVIE IS NOT THE BEST IN THE WORLD, BUT IS DEFINITELY WORTH SEEING. ... Read more | |
| 26. K-9 Director: Rod Daniel | |
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Reviews (15)
Swear to god, you've got to watch K-9, because it is the best movie that ever made with a dog as a main charactor. IT IS A CRIME NOT TO WATCH IT!...
All three of the K-9 movies are great, so if you own one of them, then you should own all three. ... Read more | |
| 27. Dragonfire Director: Richard T. Heffron | |
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Reviews (1)
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| 28. Tales from the Crypt Presents Bordello of Blood Director: Gilbert Adler | |
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Amazon.com Reviews (35)
Unlike the first movie (Demon Knight) this movie did not start out with the television show's opening. It opened more like a movie than an extra long episode. Bordello of Blood is the story of a down-on-his-luck private investigator (Dennis Miller) looking for a missing teenager. The search leads him to a funeral home that is a front for a bordello run by vampires. Miller's client tells him to drop the case but he really needs the case to succeed if he is going to get his license back. Miller investigates and plays a very savvy investigator who doesn't fall for anyone's lines and is not surprised by what he finds. Added to this is television evangelism, the lore of vampires and their origin, and the key from the first movie. The action is similar to the series with the same tongue-in-cheek humor (possibly even more so). I particularly liked the investigator's resourcefulness in eliminating the vampires (a long-range, large-capacity squirt gun filled with holy water) and the vampire applying the SPF100 sun block. If you like Tales From the Crypt, there is no reason you will not like this one.
Dennis Miller does his best with the weak material and ad-libs a lot of humor. A little too much, taking the film even further from it's already vague ambitions. But worry not, his humor is still free and easy, unlike his cryptic (no pun intended) football commentaries. Erika Eleniak is marginally engaging and Corey Feldman is well underused. The weakest performances come from Angie Everhart as the ancient vampire Lillith and Chris Sarandon as the outrageously stereotyped southern TV evangelist. It's these performances that keep the film eternally low brow. It's sad that Tales from the Crypt totally died after this movie but the powers behind it went on to found the Dark Castle production company (check out those movies they're actually quite scary and effective). This new version of Bordello of Blood is by Universal and is presented in it's proper aspect ratio of 1.85:1 anamorphic and is in Dolby 5.1. The cheapo snapper case has been replaced by a sturdy keepcase and a new cover art. The only new extra is a trailer.
Picture: B
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| 29. The Green Mile / The Shawshank Redemption Director: Frank Darabont | |
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| 30. Stealth Fighter Director: Jim Wynorski | |
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Reviews (8)
Ice-T plays an ex-pilot turned rogue helping a cartel leader ransom world leaders with a powerful satellite system, and a powerful stealth plane. An old friend of his is chosen to lead a military unit to stop his old friend (gee, THAT plotline hasn't been used before). The "Rangers" they send to stop Ice-T are some of the worst Rangers I've seen on screen. They looked more like Cuban soldiers, and I have to wonder if they just said, "Hey guys we're making a movie, come dressed in whatever military gear you got." I've never gone to Ranger school, but I seriously doubt they train a "Stand Out in the Open and Get Shot Doctrine." And what the hell was with the Saddam Hussein clone? He barely served any purpose to the plot...except to appear and get blown up. A guy with a mustache, pork belly, and beret isn't going to draw laughter from the audience?
Saddam Hussein (apparently French judging by his accent) goes to Thailand to purchase a case of machine guns... personally. To celebrate cliching the deal the devout muslim pours a glass of vodka for his Thai warlord friend and swigs from the bottle himself uttering one of the classic lines of modern cinema... 'A toast!'. He then stumbles on to the veranda of the hut to be nuked by Ice-T in a sttthhtealth (sic) fighter. We laughed for hours! OK so the film is terrible but that one scene makes this a work of absolute genius! Here is 'a toast' to the inspired direction and sparkling performance by 'Saddam' he diserves an Oscar!! Perhaps the CIA could replace the real Saddam with the star of this film. No one would be able to tell the difference!
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| 31. Demon Knight Director: Ernest R. Dickerson, Gilbert Adler | |
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Reviews (47)
Directed by Ernest Dickerson ("Juice") "Demon Knight" features the immense talents of William Sadler, Jada Pinkett Smith, and the ever versatile, amazing Billy Zane in a horror movie laced with plenty of comedic moments. The story revolves around a key that Sadler is carrying in order to pass on to the next guardian. There are a total of 7 keys, representing a galaxy each. According to Sadler's story, the key contains the blood of Jesus Christ. While dying on the cross at Golgotha, a follower of Christ pour his blood into the key to prevent the conquest of earth and the rest of the universe by Satan and his legion of demons. Until all keys are together can this happen, and with 6 of the keys in the hand of demons, the fate of the universe lies on Pinkett Smith's character, who is the chosen one to carry the key after Sadler. I must praise Billy Zane. He is amazing. He plays the perfect villain, and in this role he is dynamite. His performance is more comedic, and he would make similar villains of the past such as Freddy Krueger very proud. I can understand why Hollywood has typecasted him as a villain in almost all of his films after seeing this film. Zane's intense sex appeal will captivate many viewers, and his range of emotions is incredible. Pinkett Smith who was coming into films fresh from the cancellation of the long-running NBC series "A Different World," is great. As the heroine of the movie she really can kick butt, and her on-screen chemistry with Zane is perfect. In conclusion, this a great film to view if you are in the mood for horror mixed in with a bit of dark humor. The film can be strong at times with the sight of gore and violence, but if it weren't for Billy Zane's performance, I wouldn't have cared to watch this film at all. He is one of the film world's most gifted actors and this film was a showcase of his talent before he became a bigger name when he starred in "James Cameron's Titanic." "Demon Knight" is an excellent example of how to create an entertaining horror film. Skip "Blair Witch" and try this film instead.
It's really gross! They mutate and deform in different ways! But, if you like funny, actiony horror films that are explosive, This is It!!!
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| 32. Hard to Kill/Surviving the Game Director: Bruce Malmuth | |
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| 33. Rocket Man Director: Stuart Gillard | |
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Reviews (58)
"Rocketman" has some parts that are hilarious and will keep you laughing for awhile. Some of the funniest parts are when the monkey steals Fred's (Harland Williams) contraption in which he's supposed to sleep for months in and when Fred and Captain Overbeck (William Sadler) go for a walk on mars and Fred finds out that he's got just a little bit of gas overload. "Rocketman" is hilarious and if you like comedy movies, I recommend getting it. It's a comedy movie that you can watch with the whole family and never get tired of it.
This movie is good, clean fun and truly appropriate for all ages. If you like any of the movies I mentioned at the outset, or are just looking for something to show the kids, give this one a try.
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| 34. Die Hard 2 Director: Renny Harlin | |
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Amazon.com Reviews (66)
Before you know he is neck deep in trouble with an army of mercenaries, led by Colonel Stewart (William Sadler), who are hell-bent on setting free a corrupt South American General/Drug Baron (Franco Nero). There are more bad guys than before. And more suspension of disbelief is required. There are so many plot holes and illogical moments that the film almost drowns in its own absurdity. But there is enough action and stunts to cancel it out and distract our attention. Though they not presented in a breathtaking or memorable way. It's all too generic and a bit mean-spirited. No audience nowadays would be satisfied with it so prepare yourself for 80's violence. William Sadler and Franco Nero lack the callous efficiency of Alan Rickman. And a hero can only be measured by his nemesis. But most of the time McClane is just capping off nameless mercs. How boring. Tho this should not be blamed on Sadler, he has a threatening and intense presence and as he has proved himself in movies like Trespass and Demon Knight. Too bad his character here is so badly written and underdeveloped. I'm sorry but blowing up 250 people off-screen to show how evil you are just won't cut it. This was Renny Harlin's second movie of 1990 (the other was Ford Fairlain) and it is without a doubt the movie that made him a certified action director. It was a tough, and huge, movie to pull off. He just pulled it off with no particular charm. Though he does a wonderful job of capturing the look and feel of an East Coast winter. The wide-open snowfields and ice-covered runways will definitely make you feel chilly. Although this is another problem. The first Die Hard worked entirely within the space of Nakatomi Plaza. It was claustrophobic and almost plausible. The scale and scope of Die Hard 2 is too big for its own good. Similar to the problems of ID4, the staples of reality are ripped out with ignorance and over-confidence. The bulk of the film is nothing but one dumb action scene after another. It doesn't make for coherent viewing. Die Hard 2 is a definite lag in between both of McTiernan's very strong outings. By today's standards it seems dated and very 90's. Which is a shame considering the original and 'With A Vengeance' are, in a way, 'timeless'. It's movies like this that inspired 'Last Action Hero'. Filmed in Panavision, the 2.35:1 anamorphic picture is superb looking with true blacks (a lot of this film is set at night) and nice fleshtones. Fire effects and colors look beautifully orange and overall the quality is top notch aside from a few instances of minor pixelation. The gunshots are loud and ferocious in both the Dolby Digital and DTS tracks. All explosions and every punch and kick are rendered with amazing clarity. Some of the surrounds tend to stick to mono but the plane crash in the middle of the movie will convince it is actually happening in your living room. Dialogue scenes tend to stick to the front speaker and the musical score by Michael Kamen is well recorded and is sure to excite. Renny Harlin's commentary is much more interesting that John McTiernan's fatigued and labored effort on the first movie. Harlin talks about the characters more and how he prefers his movies to be in terms of motivation and why characters should smoke only if it is necessary. Among other things. Such as how many of the effects he did then, in many different ways, would be so much quicker and easier to do today in Digital CGI. The Featurette was made for Fox TV back in 1990 and it is a bit better than the usual, self-congratulatory nonsense that bogs down most featurettes. But it still can't resist talking about how 'great' the movie is. Tho thanks to this extra we now know that most of the snow in the movie is shredded soap. A second, 4-minute, Featurette is basically an extended trailer. There are a few deleted scenes that are not that interesting and it's easy to see why they were cut from the film. Although the alternate scene on how McClane gets to the Annex Skywalk (The Boiler Room) is quite cool. The interview with Renny Harlin and the Villain's Profile are promotional titbits in which they discuss how to direct a high-concept sequel and how to be an evil bad guy. Behind the scenes and storyboards focuses on 2 scenes. The first is 'Breaking the Ice' and the second is 'Chaos on the Conveyor Belt'. The storyboard and film comparison is for the 'Skywalk Ambush' sequence. Visual effects breakdowns explore, in great length and tedious, repetitive slo-mo, the Ejector seat scene and the Airport Runway. These are basically green-screen evolutions. The other model effects scenes broken down are 'Chopper', 'Airplane Models' and 'Wing Fight'.
Certainly DIE HARD 2 is not as good as the original. It lacks the first film's grittiness and claustrophobic atmosphere (but of course a loss of the latter was expected when the scriptwriters expanded the playing field to an entire airport as opposed to one floor of a highrise); its villain is no match for DIE HARD's subtly chilling Hans Gruber; and director Renny Harlin disappointingly favors action over those little human touches that so distinguished the original, insteading favoring more action. (Besides, couldn't the screenwriters have come up with a more creative plot than simply recycling the general structure of the original? But hey, this is a Hollywood product, where it's best not to take too many chances in the quest to cash-in on a big success, which DIE HARD certainly was.) All that being said, the action sequences are undeniably thrilling---the action of the second half, particularly, moves so quickly from one great setpiece to another that the momentum never lets up 'til the very end---and Bruce Willis is just as good as he was in the original, proving that he will always be John McClane in my mind. All in all, DIE HARD 2 is arguably even MORE entertaining viscerally than DIE HARD. In short, DIE HARD will forever be a genre classic, but DIE HARD 2 is a worthy sequel when it comes to pure action---and when you are talking about action movies, isn't the action what's really important anyway?
I'm a huge fan of the series. I've seen them all plenty of times, and this one stands out for me. I'm not the only one, either; Ebert also claims this to be the greatest Die Hard. You've heard the same complaints about this movie a thousand times, I'm sure of it. But what tends to be left out is the amazing special effects, the truely die hard enemies, and the perfectly directed action scenes. This was directed by a different director than the other two blockbusters. Die Hard 2 also made the most money at the box offices. It really is the best!
The characterizations are not as well fleshed-out as in the others. The action scenes become predictable and less exciting as the movie progresses. I had to laugh at one of the BIGGEST continuity flaws I've ever witnessed in a big-budget movie: the plane that crashes is forced to the ground by lack of fuel. Why, then, does it explode in a HUGE fireball if it's out of gas? Somebody screwed up. ... Read more | |
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| 36. Stealth Fighter Director: Jim Wynorski | |
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Description Reviews (8)
Ice-T plays an ex-pilot turned rogue helping a cartel leader ransom world leaders with a powerful satellite system, and a powerful stealth plane. An old friend of his is chosen to lead a military unit to stop his old friend (gee, THAT plotline hasn't been used before). The "Rangers" they send to stop Ice-T are some of the worst Rangers I've seen on screen. They looked more like Cuban soldiers, and I have to wonder if they just said, "Hey guys we're making a movie, come dressed in whatever military gear you got." I've never gone to Ranger school, but I seriously doubt they train a "Stand Out in the Open and Get Shot Doctrine." And what the hell was with the Saddam Hussein clone? He barely served any purpose to the plot...except to appear and get blown up. A guy with a mustache, pork belly, and beret isn't going to draw laughter from the audience?
Saddam Hussein (apparently French judging by his accent) goes to Thailand to purchase a case of machine guns... personally. To celebrate cliching the deal the devout muslim pours a glass of vodka for his Thai warlord friend and swigs from the bottle himself uttering one of the classic lines of modern cinema... 'A toast!'. He then stumbles on to the veranda of the hut to be nuked by Ice-T in a sttthhtealth (sic) fighter. We laughed for hours! OK so the film is terrible but that one scene makes this a work of absolute genius! Here is 'a toast' to the inspired direction and sparkling performance by 'Saddam' he diserves an Oscar!! Perhaps the CIA could replace the real Saddam with the star of this film. No one would be able to tell the difference!
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| 37. K-9/K-9 - P.I. - 2 Pack Director: Rod Daniel | |
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